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Category: EPKs

0 EPK – Pessimystic – Burnt Offering (2023)

  • November 10, 2023
  • by Asher
  • · EPKs · Pessimystic

EPK – Pessimystic – Burnt Offering (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Booking: pessimysticofficial[@]gmail[.]com 

“With a clear vision and a cohesive entity, Pessimystic intends to compose and release EPs and albums on an annual basis, building momentum fast and spreading the Pessimystic energy far and deep.” – Pessimystic

Band: Pessimystic
Album Title: Burnt Offering
Release Date: November 24, 2023
Label: Self-Release

Facebook.com/PessimysticOfficial | Pessimysticofficial.bandcamp.com

[Download EP Cover | Download EP Lyrics]

Band: Pessimystic
Album Title: Burnt Offering
Release Date: November 24, 2023
Label: Self-Release

Track Listing:
1. Conquer the Pantheon – 4:05
2. Visions – 6:19
3. Burnt Offering – 4:25
4. Crystalline – 5:05
5. Omnipresent Malevolence – 6:50
Album Length: 26:47

Album Credits:
• All songs performed by Pessimystic
• All songs written by Pessimystic
• Recorded at Apartment 2
• Mix & Mastered by Topon Das
• Album Artwork by Misanthropic Art
• Member of SOCAN
• Canadian Content (MAPL)

EP Band and Live Lineup:
Ryan: Guitars and Vocals
Mat: Drums
Nic: Bass

=========================================================

About The Album Artwork:

The album artwork is an original piece inspired by Ezekiel 1. Instead of a vision of God’s glory, the image represents God’s judgment. Misanthropic Art was commissioned.

About The Album (LYRICALLY & MUSICALLY):

ALBUM DESCRIPTION

Blackened death metal entity Pessimystic revealed their debut album Burnt Offering; an apotropaic oblation of self-surrender through self-destruction and unity through detachment. Conceptually, Burnt Offering contemplates divine retribution and conjures the apocalyptic imagery enshrined in the human psyche.

Burnt Offering comprises five songs of avant-garde extreme music, for a total length of just under half an hour. Under its dense and dissonant shroud, it combines the wrath and fury of death metal with the intensity and melodic echoes of black metal. The album was recorded and produced by Topon Das at Apt 2 Recording (Fuck the Facts, Deformatory, Eclipser), capturing deep textures and a natural, organic energy. With its meshed layers of intricate technical details, Burnt Offering showcases both performance and dedication Pessimystic has to offer.

Track by Track (LYRICALLY & MUSICALLY)

I. Conquer the Pantheon

The opening track, “Conquer the Pantheon”, was chosen to initiate Pessimystic’s debut record, “Burnt Offering”, due to its momentous energy. It begins with a rolling and thunderous beat, accompanied by an arpeggiated guitar section, creating a primitive and rhythmic atmosphere. This builds towards an aggressive, yet melodic barrage of tremolo chord progressions and blast beats. The song has a direct structure, allowing the listener to become acquainted with the sonic landscape of the record. The lyrics and vocal delivery appropriately correspond to the primitive vibe of the instrumentation, presenting the concept that permeates the entire album; our ancient relationship to the divine. The deity is revealed as a storm theophany, responsible for our fertility and protection, and the song chronicles its evolution into the transcendent creator of the universe. “Conquer the Pantheon” serves its purpose of generating poetic and symbolic imagery of monotheism’s despotic origins.

II. Visions
The second track, “Visions”, is an apocalyptic revelation of divine retribution. It draws inspiration from the horrific events depicted in the bible, predicted by the prophets. Its narration seeks out angelic mediation for the comprehension of these unfathomable, calamitous atrocities. “Visions” is the most resonant and melodic song on the record, from a vocal standpoint. It has a purposefully straightforward composition, yet it is laden with detailed and immersive musical passages.

III. Burnt Offering
The title track, “Burnt Offering”, is the culmination of Pessimystic’s resolve and lyrical theology represented on this album. “Burnt Offering” is about sacrifice through immolation of the self and absorption into absolute unity with God. Instrumentally, this track showcases the diversity of the band’s sound; weaving tense, bewildering dissonance into ominous psychedelia, and finishing with cathartic release. This moment in the record marks the plummeting descent into lunacy, far from the uplifting elements of the first two tracks, and the last trace of melodic respite before what is to come.

IV. Crystalline
We are brought low, to the darkest depths of the record, by the warped and metamorphic intro section of the fourth track, “Crystalline”. The overall tone of this song is injected with more death metal and doom influence than all of the previous tracks combined. In stark contrast with its heavy and brooding sound, the lyrics evoke an ecstatic trance that imagines the mystical and transformative experience of seeing the light and hearing the voice of God. The unique juxtaposition of mode and message negatively charges the unstable aura emanating from “Crystalline”.

V. Omnipresent Malevolence
The monumental final track, “Omnipresent Malevolence”, concludes the album by leading us down an unsettling path toward destruction. Lyrically, this song is a lamentation directed at the almighty, concerned primarily with evil and suffering. It begs the question; why do terrible things happen to righteous people, while sinful deeds go unpunished? How can this world so abound with wickedness if it is the creation of an all-benevolent, all-knowing, and all-powerful God? The menacing instrumental fury of “Omnipresent Malevolence” is an unorthodox blackened death epic, possessed by foreboding grooves, and intensified by pummelling brutality from start to finish.

=========================================================

FUN FACTS – STORY ANGLES

1. About Pessimystic: the whole of the band comes before the individuality of its members. While there are no secret musicians or hidden stories, the band chooses to adopt a strictly minimalistic approach.

2. While the writing process and general concept for Pessimystic originated in 2022, the band came together as a three-piece in 2023.

3. The band played its first show in September 2023, opening for Sunless and Thantifaxath in Ottawa.

4. While promoting this first release, and looking forward to playing more shows, the band currently works on its second album.

5. The album was produced, recorded, mixed and mastered by Topond Das, from Apartment 2 Recording Studio (Fuck the Facts, Deformatory, Eclipser).

L- R – Nic (Bass) | Ryan (Guitars and Vocals) | Mat (Drums)

Photo Credit: Melissa Krakana

Pessimystic is an extreme metal entity hailing from Canada. They perform an experimental style of death metal possessed with a blackened atmosphere. Their sound bridges the chasm between dark, dissonant riffs and hook-focused compositions. 

Band Lineup:
Ryan: Guitars and Vocals
Mat: Drums
Nic: Bass

0 EPK – Marble Ghosts – Self-Titled (2024)

  • November 10, 2023
  • by Asher
  • · EPKs · Marble Ghosts

EPK – Marble Ghosts – Self-Titled (2024)

Publicist – Jon Asher jon[@]ashermediarelations[.]com

“A death metal drummer, an old-school metal bassist, a singer heavily influenced by 90s grunge, and a metalcore guitar player, Marble Ghosts blends genres and generations. Unapologetic in their lyrical approach, the band pushes boundaries by excoriating traditional power structures, affirming the importance of speaking truth to power. These are our first 5 songs and we believe they are very strong and represent our style perfectly as well as the direction we want to go in as a band.” – Marble Ghosts

For fans of Alter Bridge, Shinedown, Saint Asonia, Three Days Grace, Breaking Benjamin

EP Title: Marble Ghosts
Release Date: March 1, 2024
Label: Self-Release
Distribution: Distrokid

Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial | Spotify

“End Of The World completes the EP and no lie instantly had us drooling with its air of nagging menace veined by swarthy guitar lures and a tension of creative distraction, an imposing coaxing soon evolving into a full incitement of animated temptation and keen adventure. Grabbing favourite track honours in its greedy fists, the song prowled like a predator and roared with punk dissidence, aligning both to melodic and sonic drama.” – Ring Master Reviews

“Now we have reached our last mention, my number one recommendation for this week’s list of incredible new music from this website of ours. They have recently just emerged on the metal scene with a distinctive sound. I am talking about the Ottawa-based band Marble Ghosts. Unveiling their self-titled EP, showcasing five compelling songs that you can hear across all streaming platforms now.” – ZACH’S PICKS OF THE WEEK – MARCH 4 TO MARCH 9, 2024 – #1 Marble Ghosts – Canadian Beats

EP Title: Marble Ghosts
Release Date: March 1, 2024
Label: Self-Release
Distribution: Distrokid    

Track Listing:
1. Old School (3:10)
2. Lie to Me (4:22)
3. Alone (4:03)
4. False Heroes (4:33)
5. End of the World (3:58)
EP Length: 20:07

EP Recording Credits:
• All songs performed by: Marble Ghosts
• All songs written by: Marble Ghosts
• Produced by: Adam Hansen
• Mixed by: Scott Walsh of Sound Creation Studio
• Mastered by: Scott Walsh of Sound Creation Studio
• Engineer: Cameron Dunn of Hillside Studios
• EP Artwork by:
• Marble Ghosts font: Crossfade Productions
• Statue art: Edith Fluet of Blue Blood Tattoo
• Canadian Content (MAPL)

EP and Live Band Lineup:
Dylan Gunnell – Lead Vocal and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jérôme Renaud – Drums

===================================================

About The EP Artwork:

This is a broken statue of Canada’s first Prime Minister John A. MacDonald and also the architect of the residential school’s system that was meant to solve the so-called “native problem”. Instead, it resulted in multiple generations of trauma for Indigenous people in Canada, the effects of which are still felt today. Called a cultural genocide by the Truth and Reconciliation Commission, it is the most shameful chapter in Canada’s history.

Statues like these are ‘marble ghosts’, still revered by some as pioneers and trailblazers who forged their nations, but who also committed terrible crimes. Like the band’s song, ‘False Heroes’, the band asks simply, “Why do we hold them up so high? Why do we cover up the crimes?” These marble ghosts are being pulled down physically but also in the changing mentalities toward flawed historical persons. The marble ghosts are also the traditions of old including religious beliefs that have not changed with the times to accept differing views. Again, the band seeks to call out these anachronistic outmoded views that cause real harm.

Track by Track (LYRICALLY & MUSICALLY)

1. Old School – A thrash punk medley with a biting, unforgettable chorus that acts as an anthem for the disaffected who are tired of being ruled by a vocal religious minority. Old School is not anti-religious and does not seek to call out all who believe in a higher power. The target of the song is simply those who believe in a higher power that foments hate towards LGBTQ communities and believes in stripping away a woman’s right to choose what she can do with her body. With the words, “God is love and God is hate,” speaks to the way that fundamentalists twist and pervert teachings to fill an agenda of hate. This song is the fuck you to them. Fuck any god whose believers can’t accept love in different shapes and forms and who believes they can tell a person what they can do with their body.

2. Lie to Me – This was “Cheese 2”, another riff from the same session that included ‘Alone’. ‘Alone and ‘Lie to Me’ were sent to Dylan as ‘Cheese 1’ and ‘Cheese 2’ and were used in Dylan’s demo reel for Adam to showcase what he could do with the tracks.

‘Lie to Me’ features an intricate fingerstyle bass intro that builds into a catchy, heavy intro. Despite the scream vocals in the chorus, other than ‘Alone, it is the band’s most radio-friendly track, particularly because of the contrasting harmonies in between the harsh vocals.

Lyrically, ‘Lie to me’ is a song about betrayal and about building something that was never going to succeed. It is supposed to be cathartic as the final act of betrayal frees the person.

3. Alone – Originally titled, “Cheese 1” because it was part of a guitar mess-around session that included several dad-rock riffs that were rejected, this was one of the first songs that Adam sent Dylan. It was written 7 years ago and was sitting idle on a dying laptop. Adam resurrected the riff, adding pre-programmed drums and bass, providing the perfect canvas for Dylan to provide a vocal sample. From the first listen, Dylan knew he wanted to work with Adam. This was one of the first tracks the two worked on that would eventually become the project known as Marble Ghosts.

Lyrically, Alone represents both imagined and real fear. It was originally titled ‘No one can hear you scream’, and the idea behind it is how our own minds can create scenarios to frighten us, but our minds can also save us at the same time when real danger is present.  

4. False Heroes – A sludgy verse mixed with a towering harmony-laced chorus and a powerful, thundering instrumental end, False Heroes, lyrically is aimed at the institutions of old and those who continue to prop them up. Originally called Marble Ghosts, the name was changed when the band realized that it was the perfect name for the band itself.

In the current culture, where some believe we should return to a golden past, False Heroes counters that with a resounding NO. The song seeks to eviscerate male privilege, divisive hateful religious figures, but most of all, the ghosts of the past, still seen as trailblazers and nation builders. Inspired by the dismantling of controversial statutes worldwide, but specifically, the downing of the statue of John A. MacDonald, Canada’s first PM and the architect of the residential school system, False Heroes is a warning against romanticizing and celebrating figures whose mindsets were at their core harmful and led in many cases to abusive and criminal acts.

5. End of the World  – The most unique track on the EP, ‘End of the World’ takes the ‘quiet’ ‘loud’ verse-chorus formula of 90s grunge and turns it on its head. The quiet verse with its detached vocals transitions into deafening double bass and heavy toms over desperate angry screams.

‘End of the World’ is cynical and angry and reflects the mentality of a millennial generation that grew up being told that their actions would make a difference in the world, and they didn’t. Late-stage capitalism dividing the rich and the poor, rampant homelessness and environmental devastation, ‘End of the World’ is the anthem for those disillusioned by the fact that greed persists despite these devastating problems and is even celebrated by the likes of Elon Musk, a man who can lose 41 billion and still be the richest man in the world.

We live in a world where billionaires invest in space tourism and multi-million dollar vanity projects when millions can’t afford housing and when the world in some cases is literally burning, and the people who can help lack the affluence and ability to do so.

Inspired by the epidemic of wildfires in Canada and specifically the devastating fires in Fort McMurray, ‘End of the World’ is a biting, cynical, and powerful takedown of the greed that is destroying our world.

L-R – Paul R. Champagne (Bass), Adam Hansen (Guitar, Backing Vocals), Dylan Gunnell (Vocals), Jérôme Renaud (Drums)

Photo Credit – Lisa Thompson (Dark Moon Productions)

Recently emerging onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Ottawa, ON’s Marble Ghosts announce the release of their debut self-titled EP this coming March 2024.

Comprising of a dynamic lineup that uniquely blends genres and generations, featuring a death metal drummer, an old-school metal bassist, a grunge-influenced singer, and a metalcore guitar player. This eclectic mix not only defines their sound but also underscores the band’s commitment to breaking musical boundaries.

Despite being a relatively new band, Marble Ghosts demonstrates a clear musical direction. Their first EP showcases five compelling songs that highlight their diverse influences and styles. As a band, they embrace generational differences, allowing their music to evolve organically as they grow more comfortable with each other.

Explaining the origin of their band name, Marble Ghosts draws inspiration from historical figures revered by some as pioneers and trailblazers but who also committed terrible crimes. The band seeks to call out the tradition that these effigies represent. Their music is recommended for fans of Shinedown, Saint Asonia, and Three Days Grace.  

Marble Ghosts’ debut self-titled EP is due out on March 1, 2024.  

0 THE CONVALESCENCE – “Harvesters Of Flesh And Bone” (Cleopatra Records) (2023)

  • November 2, 2023
  • by Asher
  • · EPKs · The Convalescence

THE CONVALESCENCE – “Harvesters Of Flesh And Bone” (Cleopatra Records) (2023)

Jon Asher – Publicist – jon[@]ashermediarelations[.]com

Bookings – Keith Wampler – Phone #: 419 351 0678 – keithatthelegendagency[@]gmail[.]com

For fans of Carnifex, The Black Dahlia Murder, Cradle Of Filth, Lorna Shore, Cannibal Corpse

Band: The Convalescence
Album Title – Harvesters Of Flesh And Bone
Release Date – November 3, 2023
Label: Cleopatra Records

“”Harvesters Of Flesh And Bone” is by far in my opinion not only our most brutal work so far but also musically the best. It was awesome to work with legends like producer Jason Suecof (The Black Dahlia Murder, Carnifex, Deicide, Job For A Cowboy) and have Christian Donaldson (Cryptopsy) doing the mastering as well as being joined on tracks by our friends Scott Ian Lewis (Carnifex) and Ricky Myers (Suffocation).” – vocalist Keith Wampler – The Convalescence

​Tconband.com | ​Facebook.com/theconvalescence | Instagram.com/theconvalescenceofficial | ​Twitter.com/tconband

Legendrecordings.bandcamp.com | Spotify | Apple Music | Theconvalescence.bigcartel.com

Band: The Convalescence
Album Title – Harvesters Of Flesh And Bone
Release Date – November 3, 2023
Label: Cleopatra Records

Track Listing:​
1. Harvesters Of Flesh And Bone – 3:51
2. Reaper – 3:28
3. Bloodletter (ft. Ricky Myers of Suffocation) – 3:24
4. No Survivors (ft. Scott Ian Lewis of Carnifex) – 2:55
5. Sacrificial Offering – 2:58
6. 79 Years – 3:36
7. The Worst Of All Creations – 2:48
8. Undead Swarm – 3:20
9. Ignite The Flames – 3:15
10. Fire & Blood – 3:33
11. The Experiment Complete – 3:40
Album Length: 36:52

Album Credits:​
– Written and Recorded by: The Convalescence, Charles Webber, Zac Lunsford, and Katie McCrimmon
– Produced and Mixed by Jason Suecof at Audiohammer Studios
– Mastered by Christian Donaldson
– Guest Vocals by Scott Ian Lewis of Carnifex & Ricky Myers of Suffocation
– Artwork by Coki Greenway
​
​Album Recording Lineup:​
Vocals – Keith Wampler
Guitar – Toby Wright
Guitar – Zac Lunsford
Bass – Ronald Buckley
Drums – Charles Webber
Keyboard – Katie McCrimmon
​
​Current/Live Band Lineup:​
Vocals – Keith Wampler
Guitar/Vocals – Toby Wright
Guitar – Brandon Davis
Bass – Ronald Buckley
Drums – Cameron Olalde

The Convalescence is a five-member symphonic deathcore band formed in Toledo, OH in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. The band tours nearly non-stop racking up nearly 1,000 live performances across fifteen countries.

The Convalescence has released four full-length albums, two EPs, and two stand-alone singles resulting in over one million plays on Spotify and Youtube each. The band also released two documentaries via Amazon Prime Video in 2020 supported by a sold-out movie theatre screening of them both in Maumee, OH on October 30, 2020. The band recently finished recording their fifth full-length album with producer Jason Suecof at Audiohammer Studios with a projected release in 2023.

Discography
– “No Survivors” (2023)
– “Undead Swarm” (2022)
– “The Human Disease 2.0” (2021)
– “Monument Of Misery” (2019)
– “Coming Undone” (2018)
– “This Is Hell” (2017)
– “Poison Words” (2016)
– “The Process” (2014)
– “Unmasking The Betrayer” (2012)
– “Memories” (2011)

Music Placements (Movies/Commercials)
– “Scum” on the “Death Metal” Movie Soundtrack (2017)
– “One Of The Dead” on the “14 Ghosts” Soundtrack (2022)
– “One Of The Dead” on the “Cult Affairs” Soundtrack (2022)

Radio Charts
“Undead Swarm” #25 on iTunes Rock Charts (2022)
“The Human Disease 2.0” #3 on iTunes Metal Charts (2021)
“Monument Of Misery” #8 on Billboard Heatseekers Charts (2019)
“Monument Of Misery” #189 on iTunes Top 200 Albums (2019)
“Monument Of Misery” #64 on iTunes Rock Charts (2019)
“Monument Of Misery” #3 on iTunes Metal Charts (2019)
“The Return” #13 on iTunes Metal Charts (2019)
“Coming Undone” #121 on iTunes Metal Charts (2018)
“This Is Hell” #64 on iTunes Metal Charts (2017)

Shared stage with:

Slayer, Slipknot, Judas Priest, King Diamond, Korn, Rob Zombie, Disturbed, Godsmack, Three Days Grace, Testament, Sabaton, Sepultura, Killswitch Engage, Hatebreed, Black Label Society, Soulfly, Tech N9ne, Clutch, Suicidal Tendencies, In Flames, Battlecross, Light The Torch, Halestorm, Motionless In White, Wage War, Stitched Up Heart, Fever 333, Black Veil Brides, Thrice, Lilith Czar, Beartooth, Bush, Ace Frehley, Black Stone Cherry, Buckcherry, Crazy Town, Prison, Filth, Hunt The Dinosaur, Nekrogoblikon, Brand Of Sacrifice, Insane Clown Posse, Esham, Ouija Macc, Twisted Insane, Token, Ghostmane, Odd Squad Family, Chelsea Grin, Ringworm, Grave, The Offspring, A Day To Remember, Of Mice & Men, 10 Years, Cold, Big Hoodoo, Green Jello, Six Feet Under, Putrid Pile, Breaking Benjamin, Asking Alexandria, Alter Bridge, Hellyeah, Five Finger Death Punch, Bullet For My Valentine, Corrosion Of Conformity, Falsifier, Hive, Raven Black, Signs Of The Swarm, The Breathing Process, In This Moment, The Black Dahlia Murder, Dying Fetus, The Faceless, Origin, Betraying The Martyrs, Lorna Shore, Obituary, Fit For An Autopsy, Terror, Cro-Mags, Angelmaker, Venom Inc, Goatwhore,
Toxic Holocaust, Overkill, Crowbar, Entheos, A Killer’s Confession, Winds Of Plague, Archspire, Spite, Shadow Of Intent, Aborted, Psycroptic, Ingested, Disentomb, Dyscarnate, Devildriver, Hideous Divinity, Coal Chamber, Fear Factory, Born Of Osiris, All Out War, Harms Way, The Last Ten Seconds Of Life, Traitors, Currents, Varials, Rivers Of Nihil, Enterprise Earth, Impending Doom, The Agony Scene, Oh Sleeper, The Devil Wears Prada, Whitechapel, Thy Art Is Murder, Carnifex, Attila, Bury Your Dead, Walls Of Jericho, Dope, Flaw, Otep, Prong, Waking The Cadaver, Bodysnatcher, Within Destruction, Cognitive, Suffocation, Cattle Decapitation, All Shall Perish, Fleshgod Apocalypse, Oceano, Cryptopsy, As Blood Runs Black, Ice Nine Kills, Ill Nino, Jungle Rot, King 810, Jasta, Upon A Burning Body, Mushroomhead, Atreyu, All That Remains, I Prevail, New Years Day, Sworn In, Straight Line Stitch, Motograter, Soreption, Rings Of Saturn, For The Fallen Dreams, Terrorizer, Sea Of Treachery, Sanction, Soil, Depths Of Hatred, King Conquer, Code Orange, Abiotic, Vital Remains, Abigail Williams, In Dying Arms, Sworn Enemy, Disgorge, Wretched, The Bunny The Bear, Kissing Candice, Dark Sermon, Sumo Cyco, Hinder, Alukah, Necronomicon

Tours & Fests
– European Tour w/Carnifex, Chelsea Grin (2022)
– Northern Wisconsin Metalfest (2022)
– Irate Fest w/Norma Jean, Madball (2022)
– Summit Fest w/Unearth, Impending Doom (2022)
– Rust Fest w/Dropout Kings (2022)
– Toledo Deathfest w/Malevolent Creation (2022)
– Reckless Fest (2022)
– Michigan Metalfest w/Attila, Oceano (2022)
– The Undead Swarm Tour (2022)
– A Legacy In Blood Tour w/Necronomicon, Alukah (2022)
– Earthday Birthday w/Godsmack, Three Days Grace (2022)
– Halloween Tour w/Battlecross, The Breathing Process (2021)
– Inkcarceration Festival w/Rob Zombie, Halestorm (2021)
– Warlando Festival w/Judas Priest, Sabaton (2021)
– Central Florida Metalfest w/Filth (2021)
– Toledo Deathfest w/Jungle Rot, Filth (2021)
– 10 Year Anniversary Tour w/Jungle Rot, Filth (2021)
– Summit Fest w/Saving Abel, The Bunny The Bear (2021)
– Slamdakota Deathfest w/Putrid Pile (2021)
– The Return Tour (2021)
– X-Mass In Hell European Tour w/Six Feet Under (2019)
– Annihilation Fest w/Atreyu, Whitechapel (2019)
– Hallowicked w/Insane Clown Posse, Esham (2019)
– Northern Wisconsin Metalfest w/Casket Robbery (2019)
– The House Of Suffering Tour w/Casket Robbery (2019)
– Blue Ridge Rock Festival w/The Offspring, A Day To Remember (2019)
– Full Terror Assault w/Grave, Jungle Rot (2019)
– Michigan Metalfest w/Hatebreed, Chelsea Grin (2019)
– The Gathering Of The Juggalos w/Insane Clown Posse, Ghostemane (2019)
– Monument Of Misery Tour w/Reign, The Breathing Process (2019)
– Tour w/Oceano, Angelmaker (2019)
– Rocklahoma w/Korn, Disturbed (2019)
– Road To Rocklahoma Tour w/Adrift On River Styx (2019)
– Toledo Deathfest w/Sea Of Treachery, The Breathing Process (2019)
– Dead Fest w/Sea Of Treachery, Krosis (2019)
– Chaos & Carnage (Pontiac) w/Whitechapel, Dying Fetus (2019)
– Spring Bash ‘N’ Thrash w/A Killer’s Confession (2019)
– Texas Independence Fest w/Impending Doom (2019)
– Spring Tour w/Sea Of Treachery (2019)
– Brews & Bruise Fest w/Goatwhore, Battlecross (2019)
– Damage Fest w/My Own Will (2019)
– Canadian Tour w/The Breathing Process, My Own Will (2019)
– Detroit Metal Festival w/Bury Your Dead, Signs Of The Swarm (2018)
– Halloween Tour w/My Own Will (2018)
– Michigan Metalfest w/Whitechapel, Lorna Shore (2018)
– Guelph Deathfest w/Hideous Divinity, Depths Of Hatred (2018)
– Inkcarceration Festival w/Black Label Society, Clutch (2018)
– In Becoming A Ghost Tour w/The Faceless, Lorna Shore (2018)
– Pontiac Music Festival w/Becomes Astral (2018)
– I Won’t Survive Tour w/Becomes Astral (2018)
– Hell Over Ontario Tour w/Alukah (2018)
– Devastation On The Nation (Detroit) w/Aborted, Psycroptic (2018)
– Chaos & Carnage (Pontiac) w/Carnifex, Winds Of Plague (2018)
– Toledo Deathfest w/Your Chance To Die (2018)
– Monument Of Misery Tour w/Your Chance To Die (2018)
– This Is Hell Tour w/Wings Denied (2017)
– Full Terror Assault w/Overkill, Venom Inc (2017)
– The Blood Stained Earth Tour w/Venom Inc, Goatwhore (2017)
– The Summer Slaughter Tour (Cincinnati) w/The Black Dahlia Murder, Dying Fetus (2017)
– The Resistance Tour Pt.2 w/Otep (2017)
– New England Metal & Hardcore Festival w/Testament, Sepultura (2017)
– Brotherhood Of The Snake Tour w/Testament, Sepultura (2017)
– SXSW Music Festival w/Otep (2017)
– The Resistance Tour w/Otep (2017)
– Fall Tour (2016)
– Texas Tattoo Showdown Festival w/Hinder (2016)
– West Coast Death Fest w/Terrorizer, Disgorge (2016)
– The Great Southern Massacre Tour w/Apothica (2016)
– Dirt Fest w/Killswitch Engage, Asking Alexandria (2016)
– Toledo Deathfest w/My Own Will (2016)
– Road To Dirtfest Tour w/Crossing Rubicon (2016)
– Kill This Fest (2016)
– Bordertown Brutality Festival (2016)
– Rock Fest w/Slipknot, Five Finger Death Punch (2016)
– Watch Them Burn Tour w/Alive At Last (2016)
– The Underground Chaos Tour w/My Own Will, I Apollo (2016)
– Poison Words Tour w/So This Is Suffering (2016)
– SXSW Music Festival w/Sid Wilson (2016)
– To Hell And Back Tour w/Ira Hill (2016)
– Tyrants Of Death European Tour w/Suffocation, Cattle Decapitation, Abiotic (2016)
– Fall Tour w/Neurotic November (2015)
– Dirt Fest w/Hellyeah, Coal Chamber (2015)
– Mayhem Festival w/Slayer, King Diamond, Hellyeah (2015)
– West Coast Annihilation Tour w/Ursa Minor (2015)
– The Beaten Path Tour w/Beside The Silence (2015)
– Rock The Farm w/Adrift On River Styx (2015)
– Toledo Deathfest w/Adrift On River Styx (2015)
– Totally Fukn Awesome Fest w/Ill Nino, Straight Line Stitch, Motograter (2015)
– The Civil Unrest Tour w/Ill Nino, Straight Line Stitch, Motograter (2015)
– Back To The U.S. Tour w/Cryptopsy, Disgorge, Soreption (2015)
– Northeast Ohio Metalfest w/The Bunny The Bear (2015)
– Midwest In Distress Tour w/This Is A Lifetime (2015)
– Ground Zero Tour w/As Blood Runs Black, Rings Of Saturn (2014)
– Chains Of Oblivion Tour w/Our Own Accord (2014)
– Toledo Deathfest w/Pick Axe Preacher (2014)
– Rise Of The Rotting Tour w/Maybe Whitney (2014)
– Metal Reigns In The Southwest Festival w/United By Hate (2014)
– The Nekrodesecratour w/Goodnight Irene, United By Hate (2014)
– The Blood, Gore, Brutality Tour w/Sykosis (2014)
– Summer Pitfest w/The Bunny The Bear, In Dying Arms (2013)
– Do You Like It Heavy Fest w/In Dying Arms, Kingdom Of Giants (2013)
– The See You LayTour w/Along Came A Spider, Fallen Captive (2013)
– The EradicaTour w/Erimha (2013)
– Age Ov The Gods Festival w/Master, Sacrificial Slaughter, Kleos (2013)
– For The Fans Tour w/Kleos (2013)
– The Skeletour w/Tides Of War (2012)  
– Toledo Deathfest (2012)
– The Winter Wipeout Tour w/The Black Order (2012)
– All Freaks Halloween Ball (2011)
– Road To Metalfest Tour (2011)
– The Lone Wolves Tour w/Winterus (2011)
– Free Fest (2011)
– Bludgeon Fest w/Mobile Deathcamp (2011)
– Northwest Ohio Metalfest (2011)

0 EPK – Strigampire – All To Dominate (2023)

  • November 1, 2023
  • by Asher
  • · EPKs · Strigampire

EPK – Strigampire – All To Dominate (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Band: Strigampire
Album Title: All To Dominate
Release Date: December 15, 2023
Label: Self-Release
Distribution: DistroKid  

“We believe that our fans will greet our new album with great excitement, as we’ve worked hard to deliver something fresh and thrilling while maintaining our unique musical style. It’s worth mentioning that it has been 5 years since we last released material, and even 3 years since our last performance due to the pandemic and lineup issues.

Our new album also introduces two new members to the lineup, bringing their own styles and personal touches to our music. However, I think what will truly set this album apart is the involvement of Willy Thousand in the songwriting process. Some tracks were written by Johnny, and others by Willy, who joined the group in 2016. He managed to adapt to the band’s direction while adding his distinct style.

We believe this is the best production we’ve ever done. The album was recorded, mixed, and mastered by Chris Donaldson, who has managed to give this album an incredibly powerful and impactful sound. We’re eagerly anticipating our fans’ reactions when they discover these new songs, and we hope they’ll continue to support our music.

With this album, we aim to provide an immersive listening experience for our fans. We want to take them on a journey through the various songs on the album, addressing diverse themes and emotions. That’s why the order of the songs on the album is always important to us, as we want the experience to be complete and coherent. We come from the old school and still consider an album as a complete work that should be listened to from start to finish.

Musically, we maintain a similar recipe to our previous albums while also reinventing ourselves a bit. Some songs have a more black metal style, others lean towards rock; some are highly aggressive, while others are more melodic and tempered. Even though it remains melodic and has nothing to do with mathcore or technical death metal, we showcase each member’s musical skills through frantic guitar solos and high-energy drum rhythms.” – Strigampire

For fans of Arch Enemy, Children Of Bodom, At The Gates

Strigampire.com | Facebook.com/Strigampire | Strigampire Official – YouTube | Instagram.com/strigampire

Strigampire.com/shop | Strigampire.bandcamp.com | Apple Music | Spotify

2023 Wacken Metal Battle Canada Champion (Bravewords)

“Feverishly jittery riffing, a booming low-end pulse, and bestial snarls build anticipation for what’s to come, and what comes is a rushing phalanx of jolting grooves, slashing and searing chords, riotously swirling leads, and scorch-the-earth vocals. The song (Sold Our Soul) hammers the pulse, and there’s abundant devilry in it too, as well as near-sung gang yells, tumbling percussive fills, deliriously exultant soloing that soars to screaming heights — and a break for a beer. But there’s a kind of mystical melodic line that also slithers through the heavy metal exultation until the soloing rockets it high.” – NoCleanSinging

“Quebec’s Strigampire Dominate Canada’s Wacken Battle. Next Stop the World with All to Dominate” Decibel Magazine

“Hailing from Trois-Riviers, Quebec, Strigampire were this year’s Canadian Wacken Battle winners. So, belated congrats to them for that. The second feather in this year’s successful cap has been added with the forthcoming release of their latest and third full length, All to Dominate. Weaving in a variety of extreme styles under a banner of extensive melodic crafting and the sense that they are the life of any party they RSVP to, Strigampire (the name is a combination of the Italian word for “witch” and the English word for “vampire”) offers up a seat on a carousel powered by rapid fire compositions, shredding guitars and a vocalist who’d just as tickle your funny bone as bounce a hammer off it. Think Children of Bodom, Arch Enemy, At the Gates, Dimmu Borgir and Cradle of Filth.” – Decibel Magazine

“Huit albums métal à découvrir en décembre…. Strigampire All To Dominate” – Thorium Magazine

“This has a bit of a Children of Bodom vibe, melodic, keyboardy, catchy and heavy thrashy too.” – The Mosh Pit – WORT 89.9 FM (Madison, WI)

“There is rarely an album that I like from start to finish. I had never heard of Strigampire before and therefore went about it impartially. Before I chose the album for review, I listened to the previously released single „ Liberty “. Here I noticed that I like the music. After listening to the whole album, I can only confirm that the good sound runs all over the record and is really fun. The sound is fast, with strong riffs, driving base drums and loud, partly screeching vocals. I have not found a precise indication of the genre to which the band defines itself. Anyway, the disc will please every fan of speed and thrash metal. There I definitely classify „ All To Dominate “. So I am thrilled with excellent in-house productions and is at the forefront of my Metal Favorites list. Track 10 „ TNT “ as AC / DC cover is the icing on the top and completes the album perfectly. After the Canadians delivered such a brilliant album, it is not surprising that the boys qualified for a performance at the Wacken Metal Battle Canada 2023 at the Wacken Open Air. For „ All To Dominate “ I have 10 out of 10 Hellfire points” – Hellfire Magazin

“Five years beyond the last album One Fix, Nine Clouds & Six Feet Deep, Strigampire appeals to a great cross-section of underground (and above) metalheads through the work present on All to Dominate. Prepare to be devastated in a firestorm and crawl out in survival mode to these songs – as the future looks quite bright for these musicians. 8.5/10” – Ded Rhetoric

“”All To Dominate” is a solid release, especially for fans of Dark Tranquility and At The Gates.” – Amplified-Magazin

“All in all, the new STRIGAMPIRE silver disc still impressively underlines why the five-piece won the preliminary decision for the Wacken Metal Battle Canada. With their mix of melodic black and death metal, which is driven forward by a very pronounced rock DNA, the Canadians have a very unique mix of styles with them…. you have to put the quintet on your musical notepad for the future. 8/10″ – PowerMetal.de

“For a band hovering in the darker sides of metal, the songs are surprisingly upbeat. It’s often the vocals that sound the darkest and more extreme—here we have a cross between melodic death growls and black metal screeches. The songs are fast and melodic, and I found it very hard to sit still while listening to them as they all, without exception, just get you going —prepare for intense headbanging, air guitaring, maybe trying to sing along, or at the very least get the foot tapping. My favourite song is “Sold Our Soul”; the beginning always makes me stop whatever I’m doing, and then it’s just headbanging frenzy. The songs have kind of a European power metal energy to them: fast (I’ve said that), heavy, pounding, and very catchy. If they used cleaner vocals, I wouldn’t be surprised if heavy/power metallers who don’t mind harsher, rougher music would get into this, though I would advise the band not to try that—the vocal style is a perfect match for their music. The album ends with a cover of AC/DC’s “T.N.T.”, probably my second favourite (as of this writing) as it is an excellent cover of that classic song. The vocals here are different, a good hybrid of the harsh style and that of Bon Scott’s—definitely interesting, and the band’s rendition of the song is fucking excellent. I think Bon Scott would approve… Fucking good stuff, and no wonder they won that Wacken contest with such quality material. 4.75/5″ – The Metal Crypt 

“the band spearheaded by the unstoppable frontman Steve De Cotret delivered an incendiary performance, with pentagrams all over the stage and with Steve running around the venue, screaming in the faces of some of the attendees and so on, putting his heart and soul into his vocals. It was an insane show full of energy and darkness, and if you enjoy the more modern version of Black Metal from the Quebec scene, you should listen to all of their wicked creations on Spotify.” – The Headbanging Moose (Live Review – Wacken Metal Battle Canada 2023)

“the Canadian quintet walk the line between throat-shredding aggression and accessible melodies.” – Decibel Magazine (2018 – “One Fix, Nine Clouds and Six Feet Deep”)

“Charisma, efficiency, and talent are three fitting words to describe Strigampire’s performance. With music that blends the finest elements of black metal and melodic death metal, and a phenomenal stage presence.” Fred Laroche – Capitale Du Métal

“This group is a treasure from Quebec and they did not come back from Wacken Open Air in Germany for nothing, they were finally noticed after years of work and it is well deserved because they are in their place performing in front of us with such conviction. We are talking about musicians of great quality with a lot of movement despite the difficulty of what they play most of the time. I would have loved for them to play on the big stage with the big sound, but it was Mononc Serge and Anonymus who were coming to close the long day of festivities.” – Metal Universe

“A music group from Trois-Rivières, Strigampire, will participate in the most important death metal festival, Wacken Open Air, this summer in Germany.”  CBC Radio Canada
“It’s the story of five teenagers who form a musical group at the age of 15. They rehearse at school at lunchtime, in their parents’ basement or garage in the evenings and on weekends. They have nourished their passion for more than 20 years. They could never have suspected that this adventure would lead them to the most prestigious international heavy metal music competition. The Strigampire group from Trois-Rivières will represent Canada at the Wacken Battle Music in Germany on August 2.” – L’Hebdo Journal

“Throughout the album (One Fix, Nine Clouds and Six Feet Deep), the Canadian quintet walk the line between throat-shredding aggression and accessible melodies.” – Decibel Magazine

“Strigampire are a melodic death metal band offering a unique blend of aggression, bitterness and power combined with a rock and roll attitude.” – La Grosse Radio Metal
““The Only Hell I Know” balances between ripping vocals and galloping, melodic riffs.” – Decibel Magazine (2018 – One Fix, Nine Clouds and Six Feet Deep)

“If a combo has reached a level like STRIGAMPIRE on “One Fix, Nine Clouds & Six Feet Deep”, you can’t make enough use of it. Two thumbs up for this fine piece of melodic death lead entertainment!” – PowerMetal.de


Band: Strigampire
Album Title: All To Dominate
Release Date: December 15, 2023
Label: Self-Release
Distribution: DistroKid  

Track Listing
1. Liberty (4:37)
2. Dominate Them All (4:17)
3. Sold Our Soul (5:31)
4. In The Maze of The Lost (4:23)
5. Where I Belong (6:11)
6. Basking In Paradise (5:02)
7. Death Silence (4:49)
8. The Day I’ll Join You (4:24)
9. Brave The Tempest (4:21)
10. TNT (AC/DC cover) (3:32)
Album Length (47:07)

Album Recording Credits:
• All songs performed by: Strigampire
• All songs written by: Johnny Dead & Willy Thousand
• Produced by: Christian Donaldson & Strigampire
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Album Artwork by: Dan “Dotel” Turcotte
• Member of SOCAN
• Canadian Content (MAPL)

Album and Live Band Line Up:
Steve DC – Vocals
Johnny Dead – Guitars
Willy Thousand – Guitars
BadGuy Provencher – Bass
James Foster – Drums

========================================================================

About The Album Artwork

The title “All To Dominate” can be interpreted in various ways depending on the context. Originally, the idea was “altogether to dominate,” emphasizing a collective effort to achieve domination. This is reflected in the image of Stan, who encourages people to follow him toward freedom and life, away from the oppression of the time when the album was written.

On the other hand, the title can also be understood as “Everything to dominate,” meaning that all the necessary resources to achieve domination are available. The artwork illustrates Stan motivating people to take control of their lives. The album artwork is double-sided. On the back, it’s clear that the people are ready to be revitalized.

The second image also reveals a darker reality, suggesting that power can sometimes corrupt.

The artwork offers an engaging perspective, giving the impression of being part of the crowd, creating a triangular shape with Stan at the top, evoking an image reminiscent of the Eye of Providence above a pyramid. This reference can be interpreted spiritually, encouraging the search for knowledge and a deeper understanding of life and faith.

Ultimately, the meaning of “All To Dominate” depends on the listener’s perspective and the context in which they listen to the album. This adds depth and a multifaceted dimension to the album, allowing each person to find their own interpretation.

About the album as a whole (LYRICALLY & MUSICALLY):

Lyrically: The album tackles various themes such as personal struggles, and global issues like economic inequalities and social injustices. Grief is also one of the subjects explored on the album. Despite this, the prevailing messages conveyed in most of the lyrics are about perseverance and courage to keep moving forward despite hardships. I strive to write introspective lyrics, expressing emotions like sadness, frustration, and anger, but also hope and determination. The lyrics encourage listeners to reflect on their own lives and take action to overcome the obstacles in their path. Listeners can expect an album that addresses universal themes.

Musically: All To Dominate skillfully blends various musical elements, ranging from Black/Death Metal to Heavy Metal and Rock, offering a rich and diverse sonic experience. Powerful guitar moments, crazy solos, and impactful rhythms demonstrate undeniable mastery of the instruments. However, the melodic and melancholic sections serve as a reminder that emotion remains at the core of each composition. This balance between technical expertise and emotional depth creates an intense and emotionally charged musical experience!

About Track by Track (LYRICALLY & MUSICALLY)

LIBERTY
Lyrically: The first song of the album addresses the psychological and emotional consequences of the COVID-19 pandemic on people, as well as the deceptive maneuvers of governments to pacify the masses. I also express my frustration and anger towards the situation and encourage listeners to unite in the fight against tyranny and to regain lost freedom. I criticize the measures taken to contain the pandemic, which have led to isolation, fear, and anxiety, highlighting their detrimental impact on the mental health of the population.

Musically: This song kicks off the album, brilliantly capturing the variety of moods that unfold through our melodies. Although precise labeling of metal styles and subgenres isn’t my forte, I would say it starts with a fast and thrashy riff, subtly guiding us towards powerful and rock-oriented sections, an evolution we increasingly incorporate into our songs. Then, a guitar solo in Johnny Dead’s style emerges, followed by a bridge that quickly returns us to the initial atmosphere, concluding with a warrior-like riff that urges one to wreak havoc all around!

DOMINATE THEM ALL

Lyrically: “Dominate Them All” encourages people to rise against obstacles and fight for what they want in life. In this song, free will play the role of a true referee who gives you time when you’re down to reflect on what’s not right in your fighting technique. You can then get up and implement a different approach to defeat the opponent. It’s good to be strong and resilient in taking hits, but constantly falling can lead to demotivation and failure, which may result in giving up. Hence the importance of studying the opponent and not losing sight of the ultimate goal – emerging victorious from every battle rather than merely settling for having tried.

Musically: This song marks a turning point in the evolution of our music! “Dominate Them All” will be the first Strigampire track you hear that wasn’t composed by Johnny Dead! Yes, on this album, a few compositions bear the signature of Willy Thousand, and we are very pleased with the result! Will, who has been performing with Strig since 2016, has gradually immersed himself in our style while bringing something new to it.

The song begins with a fairly smooth and catchy riff, but it quickly takes us into a different atmosphere. Guitars filled with melancholy under a rapid drumbeat where the bass drum resonates like machine guns on a battlefield! Moreover, during Johnny’s solo, you can feel the vibe of a military march, giving a sense of invincibility, as if nothing could stop us from advancing! It’s a direction you wouldn’t expect when the piece starts!

SOLD OUR SOUL

Lyrically: “Sold Our Soul” talks about our passion for Heavy Metal music. I explain that we dedicate our lives to music, even if it means making sacrifices. I reference the idea of selling our soul to the devil for the love of Heavy and rock music!

I elaborate that, in my opinion, it’s important to sometimes stop fixating on the horizon and thinking about the destination, and instead take the time to appreciate the wonders that surround us in this wild adventure along the path of life. I believe that our most beautiful moments occur when we veer off the road and venture into uncharted territory. Even if the journey is occasionally bumpy, we never cease to move forward! For us, it’s when we venture off the common path that we truly find what makes us proud.

Musically: “Sold Our Soul” eloquently explains why we are an Extreme Rock band! It’s truly an anthem to Heavy Metal! The atmosphere surrounding it is electrifying and incredibly badass. However, at times, it delves into a more mystical and less in-your-face ambiance, with a guitar melody that gradually evolves to culminate in an epic solo, emblematic of the rock & roll spirit.

This song embodies a remarkable fusion of rock’s fervour and the extravagance of metal. The high-energy elements seamlessly blend with introspective moments, creating a striking balance. In essence, “Sold Our Soul” is a true reflection of our identity as an Extreme Rock band, celebrating the roots of Heavy Metal and capturing the raw energy and melodic finesse that characterize our music.

IN THE MAZE OF THE LOST

Lyrically: “In The Maze Of The Lost” narrates the personal struggle of a man against his inner demons and addictions. I describe the mindset of an addict who is unable to find a way out of his problem, much like someone lost in a labyrinth. His addiction pulls him towards the abyss and causes him to lose all forms of trust, whether it’s in others or in himself. It’s only when he realizes that he’s deceiving himself that he recognizes his once seemingly harmless consumption has now become a significant issue. His desire to overcome leads him to set aside his pride and ask for help.

Musically: The second song, composed by Willy, begins with a melodic intro over a breathless blast beat. This is followed by a break where the lead guitar evokes a Finnish influence, creating a bridge to a highly rhythmic riff, accompanied by captivating vocal lines and a drumbeat that’s equally engaging. Finally, it transitions into a groovy cadence where the strings and drums come together to deliver powerful and impactful punches. All of this is accompanied by a guitar solo that belongs to the realm of competition!

WHERE I BELONG

Lyrically: The message primarily revolves around a character who battles their doubts, fears, and insecurities to reach the place that is promised to them. It’s the story of a person who charges forward without concern for those trying to slow them down in the pursuit of their dream. Perseverance and determination are once again highlighted in this text, with a strong emphasis on self-confidence and faith in one’s own abilities.

Musically: It’s hard to believe that the music of “Where I Belong” was written about fifteen years ago. Of course, we reworked certain passages when we pulled it out of the vault, but the essence remained the same! It’s a very brutal piece, arguably the most aggressive on the album! There are plenty of blast beats, sometimes straightforward and punchy guitar riffs, but also a melancholic chorus. Throughout the piece, the atmosphere is electrifying, culminating in a conclusion that reminds me a bit of “Summer Dying Fast” by Cradle of Filth. However, Johnny concludes the piece with an epic solo and a magical touch of rock emotion that is uniquely his own!

BASKING IN PARADISE

Lyrically: The song “Basking in Paradise” denounces economic inequalities and social injustices caused by the exploitation of resources by the wealthy in the West. I refer to the plight of impoverished countries being stripped of their natural wealth by the greed of the upper class, who take advantage of it to live in opulence.

There’s a tone of anger and frustration in the lyrics, describing the negative consequences of this exploitation on the local population. I also mention corrupt and insatiable leaders who are never satisfied with what they have and continue to exploit the resources of impoverished nations. I call for solidarity and equality for all.

Musically: “Basking in Paradise” is one of those songs that were composed many years ago but remained unfinished until now. It is evident that we can feel the influences of Black Metal from that time, just like in “Where I Belong.” Overall, I’d say it’s the song that maintains the Black Metal ambiance the longest. It starts off strongly with a riff over a blast beat, taking us to the chorus, then immerses us in another Black Metal atmosphere but with a different cadence. This transition paves the way for a kind of narration on my part, leading us to a break that swiftly returns us to the initial structure.

However, we took care to introduce some variations in the drum rhythm, which helps the listener orient themselves within the song. This sense of orientation is crucial, especially to avoid being suddenly overwhelmed by the grandiose finale, where the guitar melodies take the forefront in a striking manner! An instrumental conclusion that has the power to enchant the listener and plunge them into a deep trance!

DEATH SILENCE

Lyrically: This song is the last one I wrote, and at that time, I was struggling with the dreaded writer’s block, unable to put into words the ideas swirling in my head. Eventually, I found inspiration by drawing a parallel between this creative pause and the pause imposed on the entire world during the pandemic. I explored the similarities between the adverse effects of these two dormant periods.

As the words took shape, I realized that what I missed the most was not just the words to compose a song, but that sense of unity and sharing of emotions with our audience during our live performances.

The song concludes by evoking the terror that a blank page can instill. However, it also carries a message of hope by reminding us that a blank page is not just an emptiness but an opportunity to write a new chapter in our story.

Musically: After two tracks steeped in the essence of Black Metal, “Death Silence” arrives, starting with a long instrumental introduction. However, when this piece takes flight, hold on tight, because its intense thrash metal rhythm, flirting with punk, will amp you up solidly before suddenly propelling you into an ambient segment.

This is where things get intriguing, with floor tom beats, tom rolls, and a narrative voice leading to enchanting guitar melodies. The ensemble creates a floating atmosphere, and suddenly, the chorus erupts like an explosion with a gang vocal, brutally bringing you back to earth in an instant! So yeah!!

The conclusion of this song is one of the most explosive in the entire album! It’s truly a musical detonation that leaves everything in ruins in its wake!

THE DAY I JOIN YOU

Lyrically: “The Day I’ll Join You” is a letter addressed to a recently departed loved one. The abrupt ending has left me with a feeling of confusion and distress as the cause of the death remains unknown to this day. I explain to them that they’re probably better off up there and that they’re not missing out much here, highlighting the ongoing war in Ukraine and the infamous COVID-19 pandemic.

In this song, I express frustration and sadness over the global issues caused by humanity. Humans have the capacity to create incredible things, but unfortunately, they also use that capacity to cause significant harm to their own planet and species. This situation allowed me to accept and better understand the motivations of my friend, in case she had foreseen her own passing.

Musically: The first time I heard “The Day I’ll Join You,” I was a bit surprised by Johnny’s artistic direction. The song had an atmosphere all its own, somewhat different from what we usually do. I felt that same surprise with “Death Silence,” written by Willy. However, once I found the theme that matched the music, I truly immersed myself in the atmosphere.

From the very first notes, you can feel a deep melancholy, a distress settling in right from the start. I’d say this song is really like the soundtrack of a film. It feels like we’re following a story with chapters and final resolution. The guitars toward the end thrust us into a whirlwind where madness, incomprehension, and bitterness violently collide.

BRAVE THE TEMPEST

Lyrically: In the final track of the album, I share my perspective on the importance of being attentive to external signs that indicate the need for a change in order to achieve inner well-being. I encourage people to step out of their comfort zones, face challenges, and make changes in their behaviour and outlook on life in order to regain inner peace.

Musically: “Brave the Tempest,” the album’s final track! Our very first ballad, well, almost! Haha! No, not really, but there is still a slower-paced refrain, tinged with melancholy, where hope and determination linger. This song encourages us to rise up and confront life with a determined attitude. I quickly got to the refrain to explain why, in my opinion, it’s our ballad, but in reality, the song is very energetic and mainly composed of catchy riffs.

This song was the shortest one we had, and it was among the three songs that had been sleeping in our repertoire for a few years. That’s precisely why we hadn’t used it yet. It was short, and it seemed like something was missing. By reworking it, we finally crafted an epic finale, where Johnny and Willy exchange guitar melodies that evoke in the listener, at least in me, an inner strength that encourages self-improvement and fulfilment in life.

It’s with this feeling that we hope the listener returns from this spiritual journey named “All To Dominate”!

=====================================================================

BAND STORY ANGLES / FUN FACTS:

1. We have a mascot that has been featured on all our album covers since our debut full-length album, “Where Torments Drown.” This creature was inspired by the strigoi as described in numerous Romanian legends, but we’ve given it a somewhat more human-like appearance, one could say. It makes its first appearance on our debut album, but you can trace the transformation of this being into the creature by examining the demos we released before the album.

2. On “The Hike Of Life,” released in 2007, you can see a man kneeling, looking at his reflection in a puddle of water. At this point, he still retains a human appearance. Then, in 2008, you can spot him on the roof of a building, observing the carnage he has caused. In this image, the man is now equipped with wings but still maintains a somewhat human physique. It’s on the full album released in 2009 that his transformation is finally complete as well!

3. The name of our creature is Stan. We’re just one “a” away from Satan! But that’s not the primary reason for our choice. In fact, my name is Steve, and the other founding member, Johnny, is actually named Jonathan. If you take the first two letters of my name and the last two of his, it spells Stan. Hehe!

4. On our 2008 demo, when you rotate the cover by 180 degrees, a subliminal image is revealed – it’s quite incredible! Unfortunately, it was only a promotional album with three songs, and it’s now out of stock. Nevertheless, upon reflection, I should seriously consider creating merchandise based on this illustration because I’m continually amazed by the imagination and talent of our artist, Dan ‘Dotel’ Turcotte when I look at this artwork

5. Our current bassist actually played with us at our beginnings in 2001. He left the band in 2003 when we were still just teenagers. Eighteen years later, when we were in search of a bassist, he reached out to me, and since 2021, we have had three original members back in the band. This is something that hasn’t happened since 2005!

6. Johnny and I have been friends since we were 6 years old! It’s been over 30 years now, and we’ve stuck together through thick and thin! Hahaha! The strength of our bond lies in having fun and staying young at heart!

Left to Right: BadGuy P / Bass – Johnny Dead / Guitars – Steve DC / Vocals – Willy Thousand / Guitars – James Foster / Drums

Photo Credit – Jonathan Beaupied

In 2001, Strigampire emerged onto the music scene, captivating audiences with their eloquence and delivering electrifying live performances. Over the years, their intense energy has earned them recognition and opportunities to share the stage with renowned international bands, including Dark Tranquility, Krisiun, Belphegor, Cannibal Corpse, Misery Index, and Despised Icon, among others.

After the release of their demos “The Hike Of Life” (2007) and “Promo 2008,” Strigampire unleashed their first album, “Where Torments Drown,” in 2009, garnering praise from both fans and critics alike. Despite encountering lineup challenges, they persevered and released “The Merry-Go-Round” in 2012. Although an EP showcasing three tracks from their upcoming album was unveiled, the band faced internal struggles, leading to a dissolution in 2013.

However, fueled by their undying passion, the two founding members reunited in 2016 and surrounded themselves with a fresh surge of energy. With three talented and dedicated musicians who share an incomparable chemistry, Strigampire made a triumphant comeback in 2017, leaving an indelible mark on the “Omnium Du Rock” competition, where they emerged as one of the top five finalists out of 125 bands from across Quebec.

Adding to their achievements, the band signed their first record deal with PRC Music in March of the same year. They entered the studio in November and unveiled their highly anticipated single, “The Only Hell I Know”, in early 2018, a prelude to their new album, “One Fix, Nine Clouds & Six Feet Deep,” which was released on March 23. This milestone was followed by a series of exhilarating concerts throughout the province of Quebec.

To commemorate their 18 years as a band, Strigampire released the compilation album “Rarely Legal – 18 Years Of Misconduct” in May 2019. This remarkable album showcases the evolution of two rebellious hearts who share an unwavering passion for the rock and roll lifestyle. The album launch, held in their hometown of Trois-Rivières, marked the departure of Myrdynn and Xander from the band. However, their exit paved the way for Yannick Laplante to reclaim his position as the drummer, a role he previously held from 2005 to 2012. Additionally, Samuel ”Rook” Bédard, a talented musician from Quebec City, joined the formation as a session bass player a few days later.

In 2019, Strigampire unveiled the captivating music video for their song “Dead Of Night,” generating considerable buzz within the music scene. A highly anticipated tour in Quebec was scheduled for May 2020, but unfortunately, the outbreak of the COVID-19 pandemic disrupted their plans. Like many others, Strigampire had to adapt and reinvent their strategies to navigate this new reality.

Despite these challenges, the band seized the opportunity presented by the confinement period to focus on composing and promoting their music online. They harnessed this time to push the boundaries of their creativity and refine their distinctive sound.

In 2021, a pivotal moment unfolded when James Foster, a young and talented drummer, answered the band’s call for a member with his remarkable skills. Joining the formation, the band began jamming without a bassist. However, fate had an unexpected twist in store. After an unsuccessful search for a bassist, the vocalist received a call from BadGuy P, the original bassist, and a childhood friend. BadGuy expressed his desire to play music with his former comrades while waiting for a replacement to be found. Against all odds, BadGuy returned to the band after more than twenty years, reuniting three original members from the 2001 lineup.

The following year was marked by an intense period of creativity as the band focused on composing new material. Their hard work culminated in October 2022 when Strigampire entered the studio with Christian Donaldson (Cryptopsy) to record their highly anticipated third full-length album. In 2023, the band made a triumphant return to the stage, performing at various venues across Quebec to promote their comeback. Among these performances, one stands out as particularly special: the first round of the Wacken Metal Battle Canada, a competition featuring over 60 bands from across the country, with the chance to represent Canada at the legendary Wacken Open Air festival in Germany.

Today, several concerts from this tour are yet to come. The album mixing is complete, and its release is scheduled for December. However, the most exciting news is that Strigampire emerged as the grand winner of the competition and will represent Canada at the Wacken Metal Battle in Germany during this prestigious festival. With over 80,000 tickets sold in less than 8 hours, Strigampire seizes this opportunity to fulfill its ultimate dream: spreading the new sound of extreme rock on a global scale.

The future looks incredibly promising for Strigampire, and the world can expect a musical explosion that will push all boundaries. Get ready to be transported into a whirlwind of raw energy and incendiary riffs because the best is yet to come for this exceptional band.

Album and Live Band Line Up:
Steve DC – Vocals
Johnny Dead – Guitars
Willy Thousand – Guitars
BadGuy Provencher – Bass
James Foster – Drums

Shared Stage with:
Dark Tranquility, Krisiun, Belphegor, Cannibal Corpse, Misery Index, Human Carnage,  Despised Icon Augury, Anonymus, Quo Vadis, No Other Way, Beneath The Massacre, Sloatvean, Threat Signal, Mutiny Within, Mononc Serge, Fuck The Facts, Spirit of Rebellion, Insurrection, End Is Near. Martyr, Kalmah, Descend Into Nothingness.

Tours and Festivals:
2023 – Wacken Open Air 2023
2023 – The Inferno Invasion Tour 2023
2019 – PRC MetalBash – Trois-Rivieres
2019 – PRC MetalBash – Montreal
2010 – Trois-Rivières MetalFest – Trois-Rivières
2009 – Grind Your Mind Open Air – Notre-Dame-Du-Bon-Conseil
2005 – Trois-Rivières MetalFest – Trois-Rivières

Discography
2023 – All To Dominate – Full-length
2019 – Rarely Legal : 18 Years of Misconduct – Compilation
2018 – One Fix, Nine Clouds & Six Feet Deep – Full-length
2012 – The Merry-Go-Round – EP
2009 – Where Torments Drown – Full-length
2008 – Promo 2008 – EP
2007 – The Hike of Life -Demo  
2003 – A Dehydrated Corpse – Demo

0 EPK – Disorientation – Survival Mode (2023)

  • November 1, 2023
  • by Asher
  • · Disorientation · EPKs

EPK – Disorientation – Survival Mode (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

EP Title: Survival Mode
Release Date: December 1st, 2023
Label: Self-Release

“This new EP has more of a harder edge compared to our 1st effort, this required a change of sound and we opted for the crisper approach provided by the mixing and mastering of Hugues Deslauriers. Those who already like the band will enjoy it. People new to the band will either like or hate it, or at the least, it will leave them confused. It aims to create tension in the listeners, putting them ill at ease and make them question and wonder what is going on.” – Disorientation

For fans of Fear of God, Crisis, Show of Bedlam, Liva, Celtic Frost

Facebook.com/disorientationmetal | Instagram.com/disorientationmetal | YouTube

Disorientationmetal.bandcamp.com | Spotify | Apple Music

“It sounds all over the place… a very avant-garde vibe to it … It almost feels improvised, it’s like slam poetry but with black metal oboe. This is definitely not going to be for everyone, but I love that weird, kind of obscure random stuff. This is all over the place, it feels improvised, I kind of like it like that, this is Disorientation, which is a perfect band name and title for this self-titled EP.” – Metal Trenches (2021 – Disorientation – EP)

“Canadian band Disorientation produces interesting music. Black/death metal ties with folk instruments and synths. The song Nature, in which the band decorated with plug-ins and acoustic passages and also used choir vocals, caught my attention. They released a three-track self-titled EP; It’s worth taking a look.” – Metal Perver (2021 – Disorientation – EP)

“… a little do-it-yourself project of dark low-fi symphonic metal with a little depressed folkloric side … it’s a pretty interesting little 3-piece EP … the album cover is also magnificent.” – Mtl Metal – CIBL 101.5 FM

[Download EP Cover | Download EP Lyrics]

EP Title: Survival Mode
Release Date: December 1st, 2023
Label: Self-Release

Track Listing:
1. Dissociation (7:43)
2. Jaded (5:56)
3. Dark Side (2:27)
EP Length: 16:06

EP Recording Credits:
• All songs performed by: Disorientation
• All songs written by: all music by Marie-Claude Fleury, except Jaded written by Marie-Claude Fleury and Daniel Daris; all lyrics by Marie-Claude Fleury
• Produced by: Disorientation
• Mixed by: Hugues Deslauriers
• Mastered by: Hugues Deslauriers
• EP by: Marie-Claude Fleury
• Canadian Content (MAPL)

EP Band Line Up:
Marie-Claude Fleury – Vocals, Oboe, English Horn, Drum Programming
Daniel Daris – Guitars, Bass

Guest Musicians
Maude Théberge and Pascal Germain-Berardi : Classical Choir on Dissociation

==================================================

About The Album Artwork

It’s a metaphor for all you do, even if it’s considered unacceptable, to be able to deal with the hurt and to keep going in spite of it.

About the album as a whole (LYRICALLY & MUSICALLY)

Survival Mode is more blunt and straightforward than our self-titled EP. It’s about tactics for psychological survival in unpleasant situations.

Track by Track (LYRICALLY & MUSICALLY)

1 – Dissociation – This song starts with a fury. The oboes and voice can’t stay pretty when it’s time to express the detachment from yourself and your circumstances. The fast riff keeps the confrontation going, but keeping a hard stance to face the pain is a draining process. The ternary passage that follows shows that slow disintegration, which will lead you to a chamber oboe passage where the real frailty is exposed. A moment of doomy misery follows. The tempo picks up a bit, just like the process of getting back up slowly after a hard hit, and then the song goes back to the start, to shutting down and forcing yourself into amnesia. The forgetfulness can’t be permanent though, and the soft outro reminds you that pain remains.

2 – Jaded – A cyclical song with a slower tempo. Vocals start clean in technique but not in intent, followed by a dissonant oboe choral that will make you physically uncomfortable. The tempo picks up a bit. There are starts and stops, just like the process of building an insensitivity to feelings, and then the music goes back to the start, moody and changing, leading to a burst of craziness where the vocals and underlying music go in all directions. The song ends in resignation, the deadening of emotions is complete, with the voice dying down at the end.

3 – Dark Side – A soft English horn intro will make you believe that not all is entirely gloomy and hopeless. The contrasting fast and straightforward riff that follows and stays constant until the end will remind you otherwise. An in-your-face hardcore-style approach to vocals makes a harsh statement about those who worry about your well-being: why do they care? Honestly? Short and sweet, this one ends abruptly with a bang.

==================================================

Fun Facts – Story Angles:

1. Dan’s 1st show ever was playing in a black/death metal band at a fast-food restaurant. There were 4 people in attendance, Marie-Claude was amongst them.

2. Our recordings are done in our own rehearsal space with no regard to whether or not the equipment we use is considered trendy. Our recording laptop is terribly outdated, we use one of the cheapest guitars, in a tiny practice amp. Same thing for the bass. All with entry-level mikes.

3. More fun facts to come as the band evolves and starts playing live… (I guess)

Daniel Daris – Guitars, Bass, Marie-Claude Fleury – Vocals, Oboe, English Horn, Drum Programming

Photo Credit : Marie-Claude Fleury

Disorientation is a DIY Dark Symphonic Metal band from Montreal, Canada, created by Marie-Claude Fleury and Daniel Daris. While other symphonic acts portray beauty, wonder, and grace, Disorientation takes you down a path of troubling disarray, crippling misery, and severe anguish you can’t escape from.

The idea of the band had been floating around for a few years, with song fragments written here and there but it’s at the beginning of 2020 that Marie-Claude and Dan really got serious and started establishing the foundation of their unpolished sound driven by oboe orchestral passages and vocals that are harsh, vulnerable and everything in between.

Disorientation strives to combine the abrasiveness of old death/thrash metal with the orchestral elements introduced by European bands in the late 90s/early 00s to create depressive music with simple riffs that go for emotion rather than technique. The band avoids predetermined chord progressions, verse-chorus-verse-chorus structures, and clean/distorted vocal dichotomies to create disconcerting, dissonant, and memorable songs.

On September 26th, 2021, Disorientation released their first 3-track EP. In spite of minimal promotion, Disorientation’s unique sound and approach were noticed. Metal Trenches called it “a perfect band name and title for this self-titled EP” while Turkey’s Metalperver wrote that it was “Interesting music, worth checking out.” The songs got airplay on Dark Metal Radio, Sewer Spewer, The Autopsy Report, No Name Radio, and Mtl Métal.

“Survival Mode” is the band’s second EP due out in December 2023. Those 3 new songs feature even more of the elements that set them apart: unorthodox vocal lines, odd structures, dissonant oboe arrangements, in-your-face discomfort, and distress. With this offering, Marie-Claude and Daniel intend to keep their momentum. They are currently assembling a lineup with the goal of playing Disorientation’s music live.

Discography:
2023 – Survival Mode – EP
2021 – Disorientation – EP

0 EPK – Burn The Evidence – Night Terror (single) (2023)

  • October 31, 2023
  • by Asher
  • · Burn The Evidence · EPKs

EPK – Burn The Evidence – Night Terror (single) (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We are very happy to present you Night Terror, inspectors are dealing with mastermind killers that are pushing them to their limit … the feeling of being followed, being watched every movement, every car ride always double checking if somebody is following you.., we put inspectors on the light but you can relate the lyrics and emotions in other circumstances. One of our favorite to play as well, Night Terror will bring you on a roller coaster of emotion. From peace .. to fear.. from joy to sadness… At the end, you gonna want more!” – Burn The Evidence

For fans Of Mice and Men, Ice Nine Kills, Bring Me the Horizon, I Prevail

Facebook | Instagram.com/Burntheevidence_music | TikTok.com@BTE_Band | Spotify

https://distrokid.com/hyperfollow/burntheevidence2/night-terror-2

Band Name: Burn The Evidence
Single Title: Night Terror
Release Date: Oct 31, 2023
Label: Self Release

Track Listing :
Night Terror (single)

Single Credit:
Track performed by: Burn The Evidence
Written by: Burn The Evidence
Produced by: Eric Desormeaux (TinyRik Productions)
Mixed and mastered by: Eric Desormeaux (TinyRik Productions)
Video filmed, edited and coloured by: Sylvain Courchaine (Eigthyoaksphotography)
Album artwork by: Sylvain Courchaine (Eightyoaksphotography)
Music is Canadian content – MAPL

Album and band line up live
Vocal : Rémi Arsenault
Guitar/vocal/master tech: Eric Desormeaux
Guitar/backing vocal : Maxime Rondeau
Bass/backing vocal: Dominik Roy
Drums: Emmanuel Jean

L-R – Maxime Rondeau – Guitar, Dominik Roy – Bass, Rémi Arsenault – Vocals, Éric Desormeaux – Guitar , Emmanuel Jean – Drums

This Halloween, prepare yourself for a spooky metalcore release “Night Terror” from Ottawa, Canada’s Burn the Evidence. This single, off their upcoming album (release date TBD), is guaranteed to send shivers down your spine and leave you headbanging in your car, at home, at the gym, everywhere! They share their excitement for the release:

“We are very happy to present to you “Night Terror” where inspectors are dealing with mastermind killers that are pushing them to their limit. The feeling of being followed, being watched every movement, every car ride, always double checking if somebody is following you, we put inspectors in the spotlight but you can relate the lyrics and emotions in other circumstances.”

One of the band’s favourites, this will pull you along on a rollercoaster of emotions, from peace to fear, from joy to sadness, but in the end, you’re going to want more. Crank up the volume and immerse yourself in a distinct brand of metalcore.

The haunting anticipation begins with “Night Terror” and the band will be following it up with an album next year. They are committed to delivering a unique and exhilarating listening experience that’s unlike any metalcore you’ve ever heard before. they’re all about emotions – the key that unlocks the door to their musical world. Each track on the upcoming album tells its own story, unraveling thrilling investigations, and pummeling you with turbulent feelings.

This single “Night Terror” is the perfect spooky soundtrack for your Halloween party or to accompany your eerie night-time adventures. It is especially recommended for fans of Bring Me The Horizon, Ice Nine Kills, and Falling In Reverse.

Watch and listen to the music video for “Night Terror” via its premiere on TheCirclePit YouTube channel at ​https://youtu.be/e1Mx544f0K0​

Digital – ​https://distrokid.com/hyperfollow/burntheevidence2/night-terror-2

Band Lineup:
Vocals: Rémi Arsenault
Guitar : Eric Desormeaux
Guitar : Maxime Rondeau
Bass: Dominik Roy
Drums: Emmanuel Jean

0 EPK – Eshtadur – Fire Above Mountain Below (single) (2023) (Blood Blast Distribution)

  • October 31, 2023
  • by Asher
  • · EPKs · Eshtadur

EPK – Eshtadur – Fire Above Mountain Below (single) (2023) (Blood Blast Distribution)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Combining ancestral elements from folk and adding a full symphonic orchestra, this 6/8 song brings what Eshtadur likes the most, catchy melodies and deep mourning riffs all around. As we share this musical journey, we invite you to explore the echoes of the past and the spirits that continue to whisper in the mountains. Let this track be your guide into a world where the mysteries of nature and humanity converge. Discover the magic of our music today, and join us in paying homage to the eight great spirits.” – Jorg August – Eshtadur

Hypocrisy, Septicflesh, Behemoth, Dimmu Borgir, At The Gates, Arch Enemy

Single Title: Fire Above Mountain Below
Release Date: October 31, 2023
Distribution: Blood Blast Distribution

Eshtadur.com | Facebook.com/EshtadurOfficial | Instagram.com/eshtadur | Twitter.com/eshtadur | YouTube.com

Eshtadur.bandcamp.com | Spotify

All Links: https://linktr.ee/Eshtadur

Digital Single – https://bfan.link/fire-above-mountain-below

“Eshtadur Brings Their Brand of Death Metal Deep Into the Shadows with “Umbra”… the track is dark and dense, almost like its namesake — an umbra is the fully shaded and darkest part of a shadow, commonly realized during an eclipse. To match that level of darkness, the band recruited the Caldas Symphony Orchestra to add its cellos, violins, and horns to the band’s sound. Additionally, they used a Colombian folk instrument known as the tiple, along with speakers of “an ancient native language known as “Purhepecha” originating from Michoacán (precolombine ancient America C.1200).” According to the band’s mastermind Jorg August, “Umbra” stands out among the rest of the project’s discography as a particularly haunting track.” – Metal Sucks (2023 Umbra – single)

“Eshtadur have been one of my favorite melodic death metal bands for a while now. They’ve always had a unique sound, powerful vision and a driving death metal energy that has kept their sound exciting for years now. Their new single, “Cornered At The Earth,” is a perfect representation of what these Colombian death metallers have been concocting for years now. With stints touring with bands like Cradle Of Filth, Vader, and Abaddon, these guys clearly aren’t fucking around. Their upcoming record, Mother Gray, due out in May, is an absolute motherfucker of a release. In a world where metal seems to be increasingly intellectual and dorky, it’s somehow reassuring to have a song like this one that makes no aspersions about its At The Gates and Soilwork worship, blasting out of the gate and forcing us to choke on the bitter medicine that Eshtadur provide.” – Metal Injection (2017 – Mother Gray – Album)

Previous Single – Umbra

Single Title: Fire Above Mountain Below
Release Date: October 31, 2023
Distribution: Blood Blast Distribution

Single Length: Fire Above Mountain Below (4:55)

Single Credits:
– Song performed by Eshtadur
– Written by Jorg August
– Produced by Jorg August
– Mixed & mastered by Chris Clancy
– Artwork by Andkill

Single Lineup:
– Guitars, bass, orchestral arrangement, tiple & vocals by Jorg August
– With Caldas Symphonyc Orchestra
– Drums by Michal lysejko
– Guitar Solo by Hubert Wiecek

Live Band Lineup:
– Jorg August (Guitars & Vocals)
– Andres Gonzalez (Bass)
– Johnatan Valderrama (Lead Guitars)
– David Lopez (Drums)

L-R Eshtadur Line Up: David Lopez (Drums), Johnatan Valderrama (Guitars), Jorg August (Guitars & Vocals), Andres Gonzalez (Bass)

Photo Credit by Jorge Muñoz

ESHTADUR was founded in the fall of 2005 by Jorg August releasing the ‘Timo Be Timo’ Demo with a sound in the vein of At The Gates, Dimmu Borgir, and Septicflesh. Since then, they have released a pair of EPs and a strong four albums. ESHTADUR, meaning the rebellion of angels, can be most closely likened to bands such as Septic Flesh, Behemoth, Fleshgod Apocalypse, Carach Angren, and the like. Like their scene counterparts, the band embodies a deathly melodic atmosphere that reaches into realms of darkness and despair through the decay of humanity. It seeks to rebel, in its darkened way, embracing the abject reality.

Their rich touring history includes performances across Colombia, Peru, Mexico, Germany, Netherlands, Belgium, France, Poland, Czech Republic, Hungary and Slovakia. They have shared the stage and toured with Cradle of Filth, Vader, Graveworm, Sepultura, Aborted, and Decapitated in Rock Al Parque 2016.

Their 2017 release, via Bleeding Music Records, “Mother Gray” is an expression of planetary death and putrefaction. The scathing release saw the band touring 8 countries in Europe through 2018, and then visiting the United States for the first time for the “Gray America Tour” including Mexico. Now the band has signed the latest album “From The Abyss” with Blood Blast Distribution (by Nuclear Blast) and distributed physically by Hateworks (LA).

In 2022, the band toured supporting Batushka and Diabolical, this time visiting Romania, Bulgaria, Greece, Austria, Slovenia, Italy, France, Spain, Portugal, and Switzerland.

In 2023, Eshtadur played at the 70000tons of Metal being the only band from Colombia. Eshtadur is gathering mist forces to fill your soul on their next visit with darkened despair as they set to release their new singles “Umbra’ in September 2023 and “Fire Above Mountain Below” in October 2023 via Blood Blast Distribution.

Discography:
2023 – Fire Above Mountain Below – Single
2023 – Umbra – Single
2021 – From The Abyss – Album
2017 – Mother Gray – Album
2016 – Oblivion – EP
2014 – Burning Heart – Single
2013 – Stay Away From Evil – Album
2011 – Dominated by Dummies – Album
2007 – Rebellion of Angels – EP

Shared Stage with: Summernor’s Circle, Graveworm, Cradle of Filth, Vader, Batushka, Diabolical, Bleeding Utopia, Sepultura, Anvil

Tour and Festivals
2023 – US Tour w/ Summoner’s Circle
2023 – 70,000 Tons of Metal Cruise
2022 – European Tour with Batushka 17 shows 10 countries
2019 – Gray America tour headlining USA and Mexico
2018 – European tour headlining 13 shows 8 countries
2016 – Rock al parque Colombia

0 Canada’s BLACK DAGGERS Will Have You Hearing “Voices” In New Video Off Debut Concept Record “Phantasmagoria” Out Oct 31st

  • October 24, 2023
  • by Asher
  • · Black Daggers · EPKs · Music News

NEWS RELEASE

Montreal, QC – October 24, 2023

Canada’s BLACK DAGGERS Will Have You Hearing “Voices” In New Video

Debut Concept Record “Phantasmagoria” Out Oct 31st

L-R: Spencer McLeod (Drums), Stanley Sullivan (Rhythm Guitar), Mike Szeles (Bass Guitar), Valentine Vandal (Lead Vox, Lead Guitar)

Photo Credit – Mark Manlapaz (@snapshot_hott on IG)

Red Deer, AB, Canada’s BLACK DAGGERS are making their debut this coming October 31st with the release of their first concept record “Phantasmagoria”, an album that is about a Faustian Bargain gone awry.

Vocalist Valentine Vandal goes into further detail:

“On this record, our protagonist is really no one and everyone. The character makes a deal with the Devil and it quickly goes wrong when he sees his life unraveling. The album is as much about struggling with vices as it is dealing with depression and addiction. I wanted to really dig into the idea of drug-induced psychosis and explore where that might lead to paranoia and further self-destruction. I think in some ways the character will be relatable to people who’ve dealt with mental health issues or lived with addictions. The inner demons people battle that scratch the surface.”

To capture, the visual elements portrayed in their music, BLACK DAGGERS plans to release a series of videos for each track off the full-length. So far they have shared with fans videos for “Surfin’ A Vibe”, and “I’m Here” along with their latest ready to be revealed for the track “Voices”.

“Visually, I really wanted to capture that same element through the use of diffusion videos with the help of artificial intelligence. I self-produced all the visuals on this record and they are releasing alongside the singles,” adds Vandal.

The band’s next single “Voices” was a song that the band found stood out from the others and fits well with the themes of the record as it’s about being paranoid.

“It follows on the record so this is the place in the story where we see the cracks appearing in the facade and our protagonist starts to hear voices that are influencing his life. We actually added 3D spatial audio whispers to the track so it moves around you when you listen on headphones or a good stereo,” says Vandal.

Watch and listen to “Voices” at https://youtu.be/9fFPEY1dAmM

​

Spotify – https://spoti.fi/40gqFML​

Along with previous videos listed below.

“I’m Here” – https://youtu.be/JSPzkfTo5BM

​

“Surfin’ A Vibe” – https://youtu.be/GKgS4ZMMLHs

​

Black Daggers are set to take the hard rock and metal scenes by storm with their electrifying, pulse-pounding sound. Composed of four talented musicians, each bringing their own flair and expertise to the table. With dual guitars that weave intricate, powerful riffs and solos, a thundering bass that lays down the groove, and a drummer who effortlessly keeps the pulse of the band’s heart pounding, the musical talent on display is undeniable. Fronted by a lead vocalist whose voice soars and roars with equal ferocity, Black Daggers is the full package. Drawing inspiration from legendary acts such as Between the Buried and Me, Alice In Chains, Soundgarden, Queens of the Stone Age, Big Wreck, and Mastodon, Black Daggers fuse the raw energy of metal with the melodic sensibilities of hard rock to create a unique, unforgettable sound that transcends genres.

The band’s debut album “Phantasmagoria” is just the beginning as it is part of their planned four-album anthology diving into different themes and sounds. This record is just the jumping-off platform for much more that they’re working on.

“We’re excited for people to listen to Phantasmagoria and to see everyone’s reactions to the story we’ve put together. This album was a labor of love with many hours of work put into it trying to make it the best we possibly could. Thanks to everyone who’s given us such positive feedback on our singles so far, we’re excited for you to hear the album as a whole as we intended from start to finish!” adds the band.

“Phantasmagoria” is due out on October 31, 2023, and will be available on all digital platforms at https://linktr.ee/blackdaggersmusic​

Track Listing:​
1. Best I’ve Got – (4:00)
2. These Broken Bones – (3:46)
3. Surfin’ A Vibe – (4:04)
4. Voices – (4:21)
5. I’m Here – (4:15)
6. Wasted – (3:23)
7. City Limits – (3:07)
8. Carpe Diem – (4:22)
Album Length: 31:22

More info: Blackdaggersmusic.com | Facebook.com/blackdaggersofficial | Instagram.com/blackdaggersmusic | Tiktok.com/@blackdaggersmusic​

-30-

​
“Solid. God knows we need more music like this, especially in Canada. If you’re into anything from Alice in Chains and Soundgarden to Mastodon and Big Wreck, this is for you.” – Alan Cross – Undiscovered Gem of the Week – Corus Media
​
“‘Surfin’ a Vibe’ really conjures a dark, horror-laced image. The raw vocals perfectly capture the feeling of impactful shock rock. I like the bold confidence and furious brutality. It’s well-structured but raucous.” — What CRB thought of ‘Surfin’ a Vibe’
​
“I really like what they did with the solo coming in a bar early. Really interesting stuff. Song of the night!” – @the_ghosthouse (Twitch)

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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Tweet @AsherMedia

0 EPK – Black Daggers – Phantasmagoria (2023)

  • October 21, 2023
  • by Asher
  • · Black Daggers · EPKs

EPK – Black Daggers – Phantasmagoria (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This record is really an album that’s a concept record. It follows our protagonist who’s really no one and everyone. The character makes a deal with the Devil and it quickly goes awry while he sees his life unraveling. The album is as much about struggling with vices as it is about dealing with depression and addiction. I wanted to really dig into the idea of drug-induced psychosis and explore where that might lead to paranoia and further self-destruction. I think in some ways the character will be relatable to people who’ve dealt with mental health issues or lived with addictions. The inner demons people battle that scratch the surface. Visually, I really wanted to capture that same element through the use of diffusion videos with the help of artificial intelligence. I self-produced all the visuals on this record and they are releasing alongside the singles.” – Valentine Vandal – Black Daggers

For fans of The Hives, QOTSA, Foo Fighters, Alice In Chains, Seether

Band: Black Daggers
Album: Phantasmagoria
Release Date: October 31, 2023
Label: Papercuts on Purpose

Blackdaggersmusic.com | Facebook.com/blackdaggersofficial | Instagram.com/blackdaggersmusic | Tiktok.com/@blackdaggersmusic

Twitter.com/BlackDaggersCAD | YouTube | YouTube.com/@PapercutsOnPurpose

Linktr.ee/blackdaggersmusic | Blackdaggersmusic.bandcamp.com | Apple Music | Spotify

“The ideas, the story, the connection to the characters are there as if one is reading a book or watching a movie. Phantasmagoria is cohesive in its songs, music, and mood and that cohesiveness of Phantasmagoria is what makes the debut album from Black Daggers brilliant.” Amplify The Noise

“Don’t get it twisted, this band be jammin’ – Facts” – Timbaland

“Solid. God knows we need more music like this, especially in Canada. If you’re into anything from Alice in Chains and Soundgarden to Mastodon and Big Wreck, this is for you.” – Alan Cross – Undiscovered Gem of the Week – Corus Media

“‘Surfin’ a Vibe’ really conjures a dark, horror-laced image. The raw vocals perfectly capture the feeling of impactful shock rock. I like the bold confidence and furious brutality. It’s well-structured but raucous.” — What CRB thought of ‘Surfin’ a Vibe’

“I really like what they did with the solo coming in a bar early. Really interesting stuff. Song of the night!” – @the_ghosthouse (Twitch)

[Download Album Cover | Download Album Lyrics]

Band: Black Daggers
Album: Phantasmagoria
Release Date: October 31, 2023
Label: Papercuts on Purpose

Track Listing:
1. Best I’ve Got – (4:00)
2. These Broken Bones – (3:46)
3. Surfin’ A Vibe – (4:04)
4. Voices – (4:21)
5. I’m Here – (4:15)
6. Wasted – (3:23)
7. City Limits – (3:07)
8. Carpe Diem – (4:22)
Album Length: 31:22

Album Credits:
All Songs Performed by: Black Daggers
All Songs Written by: Cody Vidito, Spencer Mcleod, Stanley Sullivan, Mike Szeles
Produced by: Black Daggers
Mixed by: Martin Merenyi
Mastered by: Martin Merenyi
Mastered by: Harry Hess – 1. Best I’ve Got – (4:00)*, 5. I’m Here – (4:15)*, 7. City Limits – (3:07)*, 8. Carpe Diem – (4:22)*
Album Artwork by: Nat Birch
Socan Member
Canadian Content – MAPL

Album Band Line Up:
Valentine Vandal – Vocal/Lead Guitar
Stanley Sullivan- Rhythm Guitar
Mike Szeles – Bass Guitar
Spencer Mcleod – Drums

==============================================================

About The Album Artwork:

It was shot at the abandoned Riverview Hospital (Matrix, Supernatural, The X Files, Butterfly Effect, Deadpool 2, Final Destination 2)

About the album as a whole (LYRICALLY & MUSICALLY):

The album is about a Faustian Bargain gone awry. Musically it is a mix of genres that borrow from many familiar sounds but sounds like nothing before it.

Track by Track (LYRICALLY & MUSICALLY)

1. Best I’ve Got
The song is about feeling like you’ve given everything you can, and nothing is ever good enough. It was really a cathartic song to write, and I feel like many people could relate to that.

2. These Broken Bones
These Broken Bones starts off with our character at a low point in his life. He is feeling very desperate and alone and decides to bargain with the Devil. Midway through the song, it switches to the Devil’s perspective, where he outlines the deal that has been made.

3. Surfin’ A Vibe
This songs lyrics can really be interpreted in a number of different ways. When I was writing it the idea behind it was the character was feeling “high” with a feeling of euphoria, following his deal with the Devil. I think it could also be loosely interpreted as a struggle with addiction and it was really meant to paint the picture of the character being very manic, and making poor life choices.

4. Voices
With Voices I really tried to create the feeling of someone who is losing touch with reality and made a conscious effort to change up the vocal delivery, and I used two different styles of singing to capture the different voices in his head. This song is also a nod vocally to the late Mark Lanegan.

5. I’m Here
This song picks up with our character after he has fully gone off the deep end. We find him locked away in a mental institution, plotting his escape. At this point, he doesn’t believe there is anything wrong with himself but after escaping, he realizes how insane he truly is.

6. Wasted
This song is from the point of view of speaking to your inner demons, and this song freely switches from one to the other. It’s not meant to be clear who is the one speaking at any given point, but it’s a conversation in the mirror. I think this is a relatable concept for people who struggle with their own inner demons.

7. City Limits
We reach the final chapter for our character where he decides he made a mistake by making the deal with the Devil and tries to run away and escape from his fate. Unfortunately, by this point, it is already too late and the Devil comes calling. This song is kind of a warning about addiction and the path it can lead you down, and the destruction it can inevitably cause.

8. Carpe Diem
This is our hero character’s swan song. At this point, he is already dead, and he is reflecting on the time he wasted and the things he didn’t get to say, or do. This song is one I collaborated on with Marek Forysinski (Engineer, Rated R – Queens Of The Stone Age).

==============================================================

L-R: Spencer McLeod (Drums), Stanley Sullivan (Rhythm Guitar), Mike Szeles (Bass Guitar), Valentine Vandal (Lead Vox, Lead Guitar)

Photo Credit – Mark Manlapaz (@snapshot_hott on IG)

Hailing from the heart of Red Deer, Alberta, Black Daggers is set to take the hard rock and metal scenes by storm with their electrifying, pulse-pounding sound. As a 4-piece powerhouse featuring two guitarists, bass, drums, and soaring lead vocals, this band is primed to leave an indelible mark on the music world.

Drawing inspiration from legendary acts such as Between the Buried and Me, Alice In Chains, Soundgarden, Queens of the Stone Age, Big Wreck, and Mastodon, Black Daggers fuse the raw energy of metal with the melodic sensibilities of hard rock to create a unique, unforgettable sound that is all their own.

Black Daggers is composed of four talented musicians, each bringing their own flair and expertise to the table. With dual guitars that weave intricate, powerful riffs and solos, a thundering bass that lays down the groove, and a drummer who effortlessly keeps the pulse of the band’s heart pounding, the musical talent on display is undeniable. Fronted by a lead vocalist whose voice soars and roars with equal ferocity, Black Daggers is the full package.

Endorsements: Dubby Energy Drink

0 EPK – Degenerator – The Abyssal Throne (2023)

  • October 17, 2023
  • by Asher
  • · Degenerator · EPKs

EPK – Degenerator – The Abyssal Throne (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Degenerator is a sonic experiment that I conducted to unleash the noise that was haunting my mind. I wanted to capture the essence of the old Smashing Pumpkins, with their distorted and fuzzy guitars, but also add a touch of gothic darkness that I find appealing. This album is a radical departure from anything I have produced before. It’s more somber, but not as heavy, as All Else Fails, slower, but also more profound than the Misfires, and though it has more order than my other project The Secret Places of the Earth, it still keeps some of the mystery. I hope my following fans and unfamiliar ones can discover a new facet of my creativity and a new bond with the art that I make.” – Barrett Klesko – Degenerator

For fans of Baroness, Type O Negative, Alice in Chains, The Smashing Pumpkins, Soundgarden

Band: Degenerator
Album: The Abyssal Throne
Release Date: November 24, 2023
Label: Self-Release
Distribution: CD Baby

Degeneratormusic.bandcamp.com | Spotify

““Eternalism,” hits the thunder with a brutality that is of yet unmatched in its synchronicity.” – The Median Man

“What I enjoy about The Abyssal Throne is the blending of not only genres, but influences. Listen closely and one could pick up echoes of bands like Nine In Nails, Tool, Marilyn Manson, Smashing Pumpkins, Bush, Alice in Chains and more. The Abyssal Throne is a wonderful blend of melodies and atmospheres, and is an authentic aural journey that’s fuelled by raw creative talent.” – Amplify The Noise

“There is a feeling of sorrow that pervades the record, but this is tempered by big drumming (“The Spiral”), compelling rhythms (“Hiraeth”), winding snake-like riffs (“Eternalism”), rumbling crescendos (“Heart Like a Hole”), and consoling vocals (“For Every Truth”). The guitar play is outstanding throughout, with plenty of thoughtful touches (“Neurotonic”) and effective emotional moments (“A Way Out”) reminiscent of Jerry Cantrell. There is great musical inventiveness on display here, with a deft blend of influences. An ideal vibe for this foggy, cloud-covered Thanksgiving Day. Degenerator’s new spin The Abyssal Throne is an emotionally moving album, worthy of being on a playlist with the likes of Chevelle, Young Hunter, Ancient VVisdom, Foot, and Mars Red Sky. Look for it this Friday, November 24th, and take it out for a long drive on a gloomy morning.” – Doomed and Stoned

“The cut “Neurotonic” culled from the first half of The Abyssal Throne is likewise atmospheric and catchy. In some of its harder moments, there’s a sense of Degenerator The Abyssal Thronemetallic emotionalism that reminds of Katatonia, but by and large Degenerator — that’s vocalist, guitarist and bassist Barrett Klesko and drummer Jonathan Webster — keep the vibe geared toward a heavy alternative rock, not quite stoner or even prog-stoner, but certainly aware of and wiling to be led by its riff, and the melody of the vocals in hook digs into pop hookmaking without sounding ridiculous, and that’s something of a triumph itself. In combination with the sharper-edged “Eternalism,” the album-opener and prior single, it portrays the band as experienced songwriters at the relative outset of developing an already-broad sound.” – The Obelisk

“The Abyssal Throne is remarkable work. Consistent but varied, old-school but without exaggerating the homage, clear of production, and powerful of transmission. Like a Billy Corgan working in concert with the late Chris Cornell on behalf of a subsidiary of 4AD, DEGENERATOR opens its mind, and lets wander some symptomatic psychedelic diversions of the parentage between Black SABBATH and the Seattle wave, sometimes citing MILK, BARONESS, and other witnesses of an era of crossbreeding pushed to its extremes.” Metalnews.fr 
​
“With The Abyssal Throne, Degenerator show that this new project is clearly designed to make an impression! There’s a clear desire to offer a wide range of music that retains a strong overall identity and invites the soul to travel. We encourage you to jump on it as soon as it’s released, and to join us in hoping that the Canadian duo decide to cross the ocean for a European tour. It’s a great success that we’ll be playing over and over again to take in all its subtleties.” – Sounding Shivers

Band: Degenerator
Album: The Abyssal Throne
Release Date: November 24, 2023
Label: Self-Release
Distribution: CD Baby

Track Listing:
1. Eternalism – 3:42
2. Finality – 4:06
3. The Day That Never Comes – 4:39
4. Darkness Prevails – 3:58
5. Neurotonic – 4:46
6. The Children of the Night – 3:59
7. Hiraeth – 4:06
8. The Spiral – 4:13
9. Heart Like a Hole – 4:15
10. For Every Truth – 5:38
11. A Way Out – 3:52
Album Length: 47:14

Album Credits:
– Produced by Barrett Klesko
– Mixed and Mastered by Jonathan Webster
– Album Artwork: Barrett Klesko
– Member of SOCAN
– Canadian Content – MAPL

Recording Lineup:
Barrett Klesko: Vocals, Guitar, Bass
Jonathan Webster: Drums

============================================================

About The Album Artwork:

I have been really fascinated with recent trends in AI artwork and how it can be used as a tool for artists to create new ideas, I basically ran prompts until I found something that reflected the way this music makes me feel, and then refined it using traditional methods until I began to perceive a level of depth that reflected the music. It reminds me of the old days when I used to experiment with different media and techniques and try to capture the essence of my emotions in a visual form.

About The Album (LYRICALLY & MUSICALLY):

Degenerator is a sonic experiment that I conducted to unleash the noise that was haunting my mind. I wanted to capture the essence of retro The Smashing Pumpkins, with their saturated fuzzy guitars, but also add a touch of gothic darkness that I find deeply appealing. Interestingly, we started with the drums and then built everything else on top of them. The result is a contrast to anything I have done before. It’s darker, but not as heavy, as All Else Fails, slower, but more existentially profound than the Misfires, and though it has more Structure than The Secret Places of the Earth, it retains some of the mystery.

The Abyssal Throne is a lyrical journey of how I fit in the cosmic scheme. It touches on themes of time, madness, despair, and contrasting dark and light. The music, which came first, was shaped to match these themes.

Track By Track Explanation (LYRICALLY & MUSICALLY):

The Abyssal Thorone in Haikus

1. Eternalism:
Time slips away fast
Aggression and melody
Balance the darkness

2. Finality:
A crow seeks the end
The last human soul to guide
To the afterlife

3. The Day that Never Comes:
We postpone our lives
For a tomorrow unknown
But we miss today

4. Darkness Prevails:
We chase empty dreams
Money and happiness bought
But all for nothing

5. Neurotonic:
Loss haunts our hearts
We must cherish our loved ones
Before they are gone

6. The Children of the Night:
They resist tyranny
Sacrificing their own lives
We owe them our all

7. Hiraeth:
A place in my heart
That I can never return
Hiraeth calls me

8. The Spiral:
A mind in anguish
Resists the modern culture
Seeks a different path

9. Hearth Like a Hole:
Alone in the world
Searching for a purpose
Meaning is a lie

10. For Every Truth:
We tell ourselves lies
We believe them to be true
But truth always wins

11. A Way Out:
Eat the rich eat the
Rich eat the rich eat the rich
Eat the rich eat them

============================================================

Story Angles – Fun Facts About The Band:

1. This album started with the drums, more specifically the scratch tracks for Pass of Era’s new album for whom Jono also drums. They have been re-written since, but you can definitely hear the seeds of the grooves in their recent album “A Pagentry of Inner Violence”

2. A Common theme of this album is existentialism, which Barrett pulls a lot from in his writing, stemming from his severe struggles with mental illness over the years.

3. The guitar sounds on this album started as a personal experiment to collect and re-create classic gear to simulate the tones that Billy Corgan crafted on The Smashing Pumkpins’ album Siamese Dream. It was tweaked to modernize it a bit, but still retains a lot of the characteristics.

4. This album is fully DIY; Barrett and Jono Recorded their parts in their personal studios and Jono mixed and mastered it.

5. The last time Barrett and Jono shared the stage musically was in Guwahati, India in 2019.

============================================================

L-R – Jonathan Webster – Drums, Barrett Klesko – Vocals, Guitar, Bass

Degenerator, Edmonton’s aggressive sonic titans, unleash a captivating blend of stoner, sludge, grunge, and goth rock.

 Degenerator, the relentless musical force hailing from the underground scene in the city of Edmonton, Alberta, emerges from the depths to deliver a spellbinding sound that resonates with fans of Baroness, Type O Negative, The Smashing Pumpkins, Nirvana and Alice in Chains. With their captivating blend of stoner, sludge, grunge, and a touch of doom, Degenerator sets the stage for an immersive journey through explosive moods, progressive time signatures, and hauntingly unusual vocal melodies.

Driven by a collective passion for pushing the boundaries of music, Degenerator boasts an exceptional lineup featuring members from renowned bands such as Striker, All Else Fails, The Order of Chaos, Tyler Dory Trio, and The Secret Places of the Earth. Their combined expertise and unwavering dedication forge a distinct sonic tapestry that both embraces and reinvents the spirit of goth and grunge from the ’90s and ’00s.

Drawing inspiration from the genre’s most revered figures, Degenerator fearlessly invites listeners into an enigmatic soundscape where raw emotions intertwine with thought-provoking lyrics. Their music reflects the complexities of the human experience, delving into the depths of despair while simultaneously igniting a raging fire within the soul.

 From the very first notes, Degenerator launches audiences into a realm where aggression surges and anticipation fills the air. With their unyielding commitment to innovation, they flawlessly navigate intricate and progressive time signatures, resulting in a sonic assault that defies convention. Each song becomes an adrenaline-fueled journey, enticing listeners to surrender to the primal depths of their own emotions.

 As they traverse the sonic landscape, Degenerator masterfully balances thunderous, distorted riffs with intricate melodies that seamlessly intertwine. Their music evokes a wide range of emotions, from seething rage to cathartic release, leaving no listener untouched by its commanding power. Fans of ’90s and ’00s goth and industrial rock will find solace in the band’s fusion of familiar elements while being propelled by their fresh and unrelenting approach.

 Degenerator’s journey to musical excellence is further underscored by their remarkable accolades. The band’s members have been recipients of prestigious awards, including a JUNO Award for Best Metal Album, a Canadian Music Award for Metal Recording of the Year, Edmonton Music awards, and numerous other industry honors. Their track record of success serves as a testament to their unwavering dedication and artistic brilliance.

 Degenerator’s forthcoming release promises to be a revelation for music enthusiasts craving an aggressive and captivating sonic experience. With their untamed creativity, unmatched musicianship, and a proven history of award-winning success, Degenerator is poised to leave an indelible mark on the world of alternative rock.

Artist Endorsements: Evertune, Spector

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