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Category: EPKs

0 EPK – LUNAR – Tempora Mutantur (2025) (Saibot Reigns Records)

  • November 21, 2024
  • by Asher
  • · EPKs · Lunar

EPK – LUNAR – Tempora Mutantur (2025) (Saibot Reigns Records)

ft. members from Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

For fans of Opeth, Caligula’s Horse, Haken, Tool, Porcupine Tree, Ayreon

Band: Lunar
Album title: Tempora Mutantur
Release Date: January 31, 2025
Label: Saibot Reigns Records

Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | YouTube.com/@lunarbandofficial

Lunarbandofficial.bandcamp.com | Spotify | Apple Music

“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressed, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

“The disc is well produced and played very well, so anyone who wants to dive into tempo changes and virtuosity will find what they are looking for.” – Metal Shock

“It is a dynamic and inclusive variety of the form we get here, where gentle atmospheric laden sequences and vibrant, guitar driven passages with regular as well as a more alternative variety of progressive metal coexist quite nicely, with occasional flirts towards extreme metal as a part of the experience. The compositions are further fleshed out by the use of world music elements inside of a metal context, as a standalone feature, as elements of more dreamladen ambient tinged interludes as well as combined with passages with a bit more of a jazz orientation. The latter which is present also in a more standalone and elegant manner. Occasional use of orchestral textures is a part of the totality too, and the band aren’t afraid to hit a more energetic power metal run when needed either. The vocals are clean and melodic, with occasional use of growls but more for dramatic effect and less as a defining feature. A production to seek out, inclusive and dynamic progressive metal is a type of music you tend to enjoy.” – Progressor

“LUNAR present an impressive show with „The Illusionist“. In contrast to the album title, however, there are no illusions, but quite real musical art. Thereby LUNAR conjure all kinds of things out of the hat. Their magic consists of a collection of high-quality multi-faceted songs. Thereby they go mainly a hard way. But many fine passages, which are refined with classical instruments of all kinds, provide great experiences. Furthermore, exotic sounds additionally provide for an atmospherically deep and exciting work. Personally, I also noticed especially the excellent guitar work, which conjures up fantastic moments again and again. In its entirety, it is a work of art of all the musicians involved, who have created something magical here. I can’t see any weaknesses here.” – Metal-Heads.de

“This is a record that everyone must own. Every generation and every country should adore an album like this, as one like Theogony rarely makes itself known. If you like music and consider it art, this is a must.”  – Prog-Sphere on “Theogony” #23 Best Albums of 2017

“The sophomore album from this Cali band is showing the band expanding their horizons in sound. The heavy parts are heavier, the lighter parts are even lighter and the proggier parts are even more insanely proggy *plus on the song, Surrender, there is a very cool nod to the final lasting riff in Opeth’s Deliverance to close out the track…don’t think I didn’t catch that!* With all of the guest appearances, fantastic production and just masterful songwriting, this is one of the strongest prog albums you will hear all year. Trust me!” – Heavy Debriefings on “Eidolon” #39 Best Albums of 2019

“Inspired by a tragedy that befell the project in the way of losing guitarist Ryan Erwin, drummer and songwriter Alex Bosson has put his emotions towards honing a release that is as beautiful as angry. Helping him in his vision are guest contributions from members of Haken, Leprous, Thank You Scientist, Fallujah, etc.” – Prog-Sphere on “Eidolon” #19 Best Albums of 2019

“The word “classic” gets tossed around a lot, but I honestly can’t think of a better word for Eidolon. From front to back and top to bottom, this album is both firmly rooted in death metal with a progressive bend while standing alone atop the mountain. It’s equally headbanging heavy and enthralling, music to get in the mosh pit and simply sit in awe of. This is required listening because there’s nothing else quite like it.” – Progarchy on “Eidolon”

“Like Theogony, Eidolon is another very impressive showcase of modern progressive metal. It’s technical, emotional, melodic, and aggressive and is just very well put-together overall.” – wimpsandposers.com

Best of AOTY:
Prog-Sphere: “Theogony” #23 best of 2017
Prog-Sphere: “Eidolon” #19 best of 2019
Heavy Debriefings: “Eidolon” #39 best of 2019
Wimpsandposers: “Eidolon” #20 best of 2019
2019 SAMMIES (Sacramento Area Music Awards) Nominee “Best Metal Band”

 

[Download Album Cover | Download Album Lyrics]

Band: Lunar
Album title: Tempora Mutantur
Release Date: January 31, 2025
Label: Saibot Reigns Records

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren
Album Artwork by: Ed Bosson
Member of ASCAP

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

===================================================

About The Album Artwork:

The album cover was once again done by my father Ed Bosson.  I wanted to do the seasonal songs based on the autumn version of the cover you’ll see (for the song “Fall Back Into Old Habits”).  So my dad was gracious enough to recreate the painting 3 more times with the different seasons.  The winter version is what ended up being the final cover for the album.

About the album as a whole (LYRICALLY & MUSICALLY):

The album deals with something we can all relate to: the passing of time.  Lyrically and musically you will experience some of the highs and lows we all feel along the way.

Track by Track (LYRICALLY & MUSICALLY):

1. A SUMMER TO FORGET – the album starts of with a song that sounds a bit upbeat musically (heavy with the horns) despite a fairly dark lyrical theme: dealing with memories, how we sometimes forget what we wish we wouldn’t and cling on to what we wish we could forget.

2. FALL BACK INTO OLD HABITS – this is the longest song on the album, and one of the heaviest.  Mostly having growl vocals and multiple shreddy guitar solos.  Lyrically dealing with addiction, or anything we do that can give us temporary relief to help us get through rough moments, but ultimately have terrible long-term effects on ourselves.

3. SEASONAL INTERLUDE – this song is a bit of a breather.  We take some self-reflection in knowing that the bad times will pass and, though it may not be immediate, the good times will come again.  Musically it’s soft and emotional with some beautiful cello work before exploding into a heavy ending with a very avantgarde saxophone solo

4. WEAKENING WINTER TOUCH – this song is dealing with the feelings of weakness and powerlessness over our own circumstances.  Often asking “why?” or “what did I do to deserve this?”  Musically I think this is a very powerful song, heavy on the synths with a catchy and powerful chorus.

5. SPRING IN MY STEP – a much more upbeat song with an awesome main guitar riff, dealing with the relief of hitting a positive point in time.  We’ve gotten through the bad times and hit a good high… but how long will it last?

6.  TEMPORA MUTANTUR: PART I – PASSAGE OF TIME – the first of a 3 part song. The soft piano piece where we look back and reflect on what we’ve had and what we’ve lost, ending with a beautiful set of harmonica and guitar solos

7. TEMPORA MUTANTUR: PART II – BROKEN PENDULUM – the second part deals with the anger we feel over what we can’t get back.  Likely the heaviest song on the album

8. TEMPORA MUTANTUR: PART III – WATCH THE WEATHER CHANGE – the final chapter where we deal with denial and mental vacancy.  A good balance of heavy elements, but with a catchy chorus.

===================================================

Fun Facts – Story Angles

1. The second album “Eidolon” is written from Alex’s perspective about the death of his friend and Lunar co-founder Ryan Erwin

2. 3 of the 4 album covers were paintings done by Alex’s father Ed Bosson

3. The members of Lunar have never all been in the same room together

4. The band has existed for a decade and will finally be playing their first live performance as this group in 2025

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Based out of Sacramento, CA, LUNAR is a progressive metal band formed in 2013 when longtime friends Alex Bosson (drums/percussion) and Ryan Erwin (guitar/vocals) decided to get together and write the style of music that was always in their hearts: genre-defiant and free of restrictive influence.  After securing Danny Stevenson on Keyboards, the search continued for a full lineup… but to no avail.  Rather than delay their progress, the trio decided to record and self-release their debut EP, PROVENANCE, in the Winter of 2014.

Shortly after the release of PROVENANCE, Danny parted ways with the group, while Bosson and Erwin began work on LUNAR’s debut full-length, THEOGONY – a concept album based on the nine Muses of Greek mythology.  While reading about Melpomene, the Greek Muse of tragedy, Alex realized that the concepts that these nine Muses represent – subjects such as history, tragedy, music, love, etc. – are the backbone for most creative output in this world.  In keeping with the progressive element of the band, he had the idea to spread the musical and lyrical diversity of these themes across an entire album: each of the nine tracks named after one of the Muses, the music and lyrics based around the theme that each specific Muse represents.

Once more unable to flesh out a suitably complete lineup as writing progressed, Alex and Ryan decided to enlist contributions from other professional musicians around the world – initially a handful of guests laying down additional guitar solos.  With the eventual additions of Ryan Price on bass and Chandler Mogel on vocals, a proper lineup for THEOGONY was set: and by the end of the recording process 17 different musicians had participated – including members of Hatriot, Angel Vivaldi, Helion Prime, Berried Alive, and many more.

In the Summer of 2017, LUNAR signed on with Divebomb Records and in November of 2017 THEOGONY was released on CD.  A logical step forward from PROVENANCE, the dynamically atmospheric hour-long journey of THEOGONY is sure to please fans of Porcupine Tree, Opeth and Tool – to name but a few – with its lushly textured contrasts of beauty and aggression.

THEOGONY received numerous raving reviews even being called a “masterpiece” and “A record everyone must own.  Every generation and every country should adore an album like this.”  And even made #23 on Prog-Sphere’s Top albums of 2017.

In the Spring of 2018 Ryan Erwin unexpectedly passed away, leaving Alex unsure of what to do.  After some time passed, he decided to persevere through the tragedy and continue on with LUNAR.  Using the tragedy as inspiration, he began writing the next album, EIDOLON – another concept album based around the cycle of life and death and the stages of grief that the ones left behind feel.  After writing all the music for the album, Alex enlisted friend Balmore Lemus (NOVAREIGN) to handle tracking guitars for this album.  And with Ryan Price and Chandler Mogel both returning again, the lineup for EIDOLON was set.

In keeping with the diversity that the guests brought to THEOGONY, Alex decided to continue with that idea.  By the end of recording, a total of 18 musicians contributed to EIDOLON – this time including members of Haken, Thank You Scientist, Fallujah, Leprous & Caligula’s Horse, to name a few.

EIDOLON is another journey of progressive metal at its finest, spanning 7 tracks and nearly an hour of material.  Once again being released through Divebomb Records, EIDOLON is available as of November of 2019.

LUNAR’s 3rd full-length album, entitled “The Illusionist,” was released on March 3rd, 2023 on Saibot Reigns Records. The album featured another slew of amazing guest musicians, including: Sam Vallen, Andy Gillion, Jørgen Munkeby, Christian Muenzner, Ben Karas and more!  Plus features the addition of Alex Nasla on keyboards. The album was mixed and mastered at Fascination Street Studios and features cover art by Travis Smith.

No waiting long between releases, LUNAR is now presenting their fourth full-length “Tempora Mutantur” due out on Jan 31st, 2025 on Saibot Reigns Records. For this record, there’s a fresh lineup to change it up from their previous one with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse).

A collaboration of musical minds, and with anything LUNAR does; “Tempora Mutantur” is an emotional thematic listening experience with lots of ups and downs musically and lyrically dealing with the passing of time and the effects it has on us physically and mentally.

Originally the album was to be a 4 track EP with seasonal concepts, but as the cooperative wrote more and more, they decided they wanted it to be more and have some general passing of time themes as well, so they pushed forward with a full album experience.

“This album deals with something everyone can relate to and no one can escape: the passing of time. We get older, our perspective changes, and we gain some things, and lose others… sometimes the things and ones we love. And we struggle and fight along the way. This album deals with some of the highs and lows we deal with along this journey we all share. Hopefully, the fans will be able to resonate with it and find some solace and aid in their own experiences of time passing. I believe the songwriting has gotten stronger over the years. I think the songs are a bit more well-structured. But I think the overall sound of the band has remained pretty consistent over the years. The music is very “prog,” so it’s been diverse I think from day 1. Probably even more so now than it was at first.” adds band co-founder and drummer Alex Bosson.

Recommended for fans of Opeth, Caligula’s Horse, Haken, Tool, and Porcupine Tree.

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

Discography:
2025 – Tempora Mutantur – LP
2023 – The Illusionist – LP
2019 – Eidolon – LP
2017 – Theogony – LP
2014 – Provenance – EP

Endoresements: Alex Bosson – Scorpion Percussion sticks

0 EPK – Rod Rodrigues – Tales of A Changing Life Part 2 (2024)

  • November 18, 2024
  • by Asher
  • · EPKs · Rod Rodrigues

EPK – Rod Rodrigues – Tales of A Changing Life Part 2 (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I’ve been playing guitar for over 30 years, performing in all kinds of bands—from cover bands to wedding bands. But I reached a point where just playing in those bands and teaching music wasn’t enough. I felt the need to express myself more creatively. With Tales of a Changing Life Part 2 I believe I reached my peak as a musician and composer. Truly able to convey through music all the emotions of the transformation my life has gone through in the past 10 years. Moreover, I was fortunate to have the best team of musicians, each adding their unique and special touch to the work.” – Rod Rodrigues

For fans Dream Theater, Rush, Steve Vai. Joe Satriani, Angra

Album: Tales Of A Changing Life Part 2
Singles: Inukshuk, On The Road, Mom’s Lullaby
Label: Independent
Distribution: Distrokid
Release Date – October 18th, 2024

Rodrodrigues.net | Facebook.com/rodrodriguesofficial | Instagram.com/rodrodriguesofficial | Youtube.com/rodrodrigues

Rodrodrigues.bandcamp.com | Apple Music | Spotify

“Rod Rodrigues’ upcoming release, Tales of a Changing Life Part 2, represents more than just a continuation of his musical journey—it’s a deeply personal reflection of the changes he’s experienced over the past decade. After a 12-year hiatus from releasing solo work, Rodrigues returns with an instrumental album that captures a rollercoaster of emotions through complex compositions and masterful collaborations. His ability to mix diverse musical influences is evident throughout, weaving together personal experiences, Brazilian rhythms, and progressive rock.” – Prog-Sphere (2024)

“In Tales of a Changing Life Part 2, Rodrigues not only showcases his technical virtuosity but also his ability to convey deep emotion and narrative through his compositions. His work stands as a shining example of how diverse musical influences can be melded into something both experimental and accessible. This is an album that takes listeners on a transformative journey, and in doing so, solidifies Rod Rodrigues as a unique voice in contemporary progressive music.” – Prog Archy (2024)

“Following closely the work of legendary drummer John Macaluso already brought great discoveries to my proggy table, and Rod Rodrigues’ new album makes no exception here. In best instrumental prog fusion manner, he tells the “Tales of a Changing Life” with the focus on his virtuoso guitar playing, carried by challenging yet groovy rhythm patterns, cool bass lines, and some beautiful keyboard interplays. All-together a wonderful listen if you’re into instrumental wizardry. ” – The Prog Space (2024)

“Obviously, much of the spotlight here is placed on Rodrigues’ prodigious grasp of the electric guitar. Although the album’s metal-ish side doesn’t stand any bit above what we’ve already heard from that corner of prog metal, Rod makes himself out to be an absolutely brilliant fusion guitarist, possibly one of the best I’ve heard in recent years. “Dust in My Eyes” might be my favorite track on the album for this very reason; Rod’s marriage of keen instrumental wandering and tight melodic passages is gorgeous.”- Riffage (2024

“Guitar virtuoso Rod Rodrigues latest release ‘Tales of a Changing Life is a conceptual record celebrating the changes in Rod’s life that have taken place over recent years. Straight from the Satriani-Vai-Johnson line of melodic guitar shredders, Rodrigues infuses his guitar playing style with prog, metal, fusion and jazz. While only a 5 song EP, there is a lot of great guitar work in this collection with an abundance of melodies. Perhaps not as much of a household name, Rodrigues is definitely worth getting to know.” – The Prog Report (2022)

Album: Tales Of A Changing Life Part 2
Singles: Inukshuk, On The Road, Mom’s Lullaby
Label: Independent
Distribution: Distrokid
Release Date – October 18th, 2024

Track Listing:
1 – Inukshuk – Feat. Angel Vivaldi and John Macaluso (6:31)
2 – On The Road (5:24)
3 – East Coast Memories – Feat. Roy Ziv (6:24)
4 – Dust In My Eyes (6:01)
5 – Saudade – Feat.Wesley Poison (1:41)
6 – Mom’s Lullaby (5:40)
7 – Tales Of A Changing Life Suite – Feat. Hugo Mariutti (11:32)
Total Time: 42:02

Album Credits:
All songs Written, Performed and Produced by Rod Rodrigues
Mixed by Renato Osorio
Mastered by Kriss Crummet
Member of SOCAN

Band:
Rod Rodrigues – Electric and Acoustic Guitars
Angel Vivaldi – 2nd Guitar solo on “Inukshuk”
Roy Ziv – 1st Guitar Solo on “East Coast Memories”
Hugo Mariutti – Bowed Guitar on “Tales Of A Changing Life Suite”
Heitor Tenorio – Bass
Bruno Ladislau – Bass on “Dust In My Eyes”
Orlan Charles – Keyboards, Piano, Orchestrations and Electric Sax
John Macaluso – Drums on “Inukshuk”
Lucas Emidio – Drums on “East Coast Memories”, “Dust In My Eyes” and “Tales Of A Changing Life Suite”
Rodrigo Abelha – Drums on “On The Road” and “Mom’s Lullaby”

====================================================

Album The Album Artwork

This album is a conceptual album, the second part of a story inspired by my move to a new country and starting a new life. The cover art shows a man with open arms (me), finally feeling happy after overcoming many challenges. He’s standing on a cliff, looking toward the horizon, and realizing that, despite all the struggles, everything was worth it. On the back, there’s an image of a young boy, a reflection of my younger self, gazing forward with dreams of the future. This mirror connects to the cover art of my previous EP, Tales of a Changing Life Part 1.

Track by track (LYRICALLY & MUSICALLY)

1 – Inukshuk

This was the first song I wrote for the album, and it’s the heaviest track. I play it on a 7-string guitar, giving it a modern prog feel with some fusion elements. The song features two guest musicians: John Macaluso on drums and Angel Vivaldi, who plays the second guitar solo.

2 – On The Road
I wrote this song as a tribute to my dad. It blends influences from Rush, Van Halen, and a touch of Brazilian country music. My goal was to create an uplifting, feel-good track that’s perfect for listening to while cruising down the highway.

3 – East Coast Memories
This is a melodic song featuring a long, expressive piano section in the middle. I was inspired by both Prince and Dream Theater when writing it. The first guitar solo in the song is played by Roy Ziv.

4 – Dust in My Eyes
I wanted to write a more modern song with strong riffs, unique rhythms, and fewer guitar solos. It’s probably the most different track on the album, and it includes some nods to “La Premiere Experience” and “Physical Distancing” from the previous EP, Tales Of A Changing Life Part 1.
There’s also an electric saxophone solo played by Orlan Charles.

5 – Saudade
“Saudade” is a Portuguese word that means “missing,” but in a much deeper, more emotional way. It captures the feeling of longing for moments with loved ones or someone who is no longer here. This track features a beautiful poem written and performed by Wesley Poison. It’s a short, acoustic song that serves as a kind of interlude, leading into the next track.

6 – Mom’s Lullaby
This is the most emotional song I’ve ever written. It’s a heartfelt ballad dedicated to my mom, who has always been my biggest musical influence and supporter. When I was little, she would sing lullabies to help me fall asleep, and this song is my own lullaby for her.

7 – Tales Of A Changing Life Suite
This is the longest track on the album, running 11 minutes and 30 seconds. It’s an epic piece filled with rich orchestrations and intense shred solos. Hugo Maritutti, from the Brazilian metal band Shaman, recorded the bowed guitar for the intro. The song features duets between guitar and keyboard, as well as an extended solo section inspired by Latin music. It’s definitely the most challenging song on the album.

Rod Rodrigues – Photo Credit – Allan Cabral 

Rod Rodrigues is a Brazilian-Canadian guitarist, music teacher, and songwriter with an impressive career in the music industry. Over the years, he has been a member of various bands, including Enemies of Reality and Falling Into a Dream (a Dream Theater tribute band).

Rod has studied with renowned musicians like Kiko Loureiro (Megadeth) and Greg Howe (Justin Timberlake, Michael Jackson, and others) and has received degrees from IG&T and Claretiano University. Since 1997, he has been sharing his knowledge and skills as a music teacher in Brazil, Canada, and Europe.

As a solo artist, Rod released his first EP in 2010, titled “The First Step: Introduction,” which gained recognition in several music publications, including Guitar Player, Cover Guitarra, and Guitarload, among others. In 2019, he released his single “T.A.G,” followed by his concept album, “Tales of a Changing Life Part.1,” in 2022. Notably, “Tales of a Changing Life Part.1” features the talented Marco Sfogli (James LaBrie, Premiata Forneria Marconi) on the track “Woodbine Sunset.”

Thanks to his outstanding work on “Tales of a Changing Life Part.1,” Rod was voted one of the top 20 Guitar Players of 2022 by the readers of Brazilian Roadie Crew magazine.

Discography:
– EP – The First Step: Introduction (2010)
– Single – T.A.G. (2019)
– EP – Tales Of A Changing Life Part 1 (2022)
– Album – Tales Of a Changing Life Part 2 (2024)

Shared Stage with: Kiko Loureiro, Rafael Bittencourt, Pyramid Theorem, Polychuk

Endorsed by: Solez Strings, Ibox Guitar Straps and Sstring Dampers

0 EPK – Intestinal Laceration – Chaotic Eschatological Madness (2022)

  • November 18, 2024
  • by Asher
  • · 2 Shadows · EPKs · Intestinal Laceration (Gore House Porudctions)

EPK – Intestinal Laceration – Chaotic Eschatological Madness (2022)

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

For fans of Guttural Secrete, Deeds of Flesh, Arsebreed, Gorgasm, Defeated Sanity

Band: Intestinal Laceration
Album Title: Chaotic Eschatological Madness
Release Date: May 20, 2022
Label: Gore House Productions

Instagram.com/intestinal_laceration | Facebook.com/intestinallaceration 

Album – https://orcd.co/chaotic-eschatological-madness

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions | Twitter.com/GoreHouse

[Download Album Cover | Download Album Lyrics]

Band: Intestinal Laceration
Album Title: Chaotic Eschatological Madness
Release Date: May 20, 2022
Label: Gore House Productions

Track Listing:
1. Eternal Cosmic Darkness (3: 42)
2. Embryonic Mutation of Baalcetrorus (2: 36)
3. Time Regeneration (3: 01)
4. Oniric Experience (4: 01)
5. Return To Saturn (4: 01)
6. Eruption (3: 22)
7. Abyss of Atrocities (3: 18)
8. Sacrificial Retribution (3: 43)
9. Relic of Chaos (5: 57)
Album Credits:
Album Cover art by Andreas Christanetoff (Armaada Art)
All album music composed by Nestor Insano except the track “Time Regeneration” composed by Ric and Nestor Insano
All lyrics written by Nestor Insano
Logo by Ramiro Paredes
All music recorded by Angel Maldad except the track “Relic of Chaos” recorded and mixed by Joel Alvare
Album was mixed and mastered by Indra CahyaAlbum Band Line Up:
Nestor Insano (Guitars and bass)
Eduardo Vilchez “The Axe Murderer” (vocals)
Joe Hoyle (Drums)

========================================================

About The Album Artwork:

I mean an ancient sanctuary in ruins that keeps alive its cult of cannibalism. Mythical monsters of the underworld against men.

The sanctuary is a tenebrous structure with aberrant iconographic forms with a monster in it.

Chaotic and overwhelming landscapes where there is a tenebrous Ancestral Oracle that has a connection with another dimension in the Cosmos by means of an Energy that unites them.

The cosmos is a dimension in chaos

The ancestral oracle maintains its cult offering rites of human flesh through cannibalistic fights of mythical monsters of the underworld thirsty for blood that tear eyes, hearts, organs, and limbs mercilessly to humans. Showing horrendous death scenes.

Hemorrhages of blood, guts, and viscera shoot swiftly around the ancestral oracle. Limbs, dismembered bodies, brains, heads, bones, and skulls everywhere.

About the album as a whole (LYRICALLY & MUSICALLY):

The theme of the album “CHAOTIC SCHATOLOGICAL MADNESS” deals with the cosmological existential anguish as an answer to the absurdities of the world, searching for the true essence of nature in the phenomenological subjective experiences and cosmological knowledge, manifested in the cult of ancestral eschatologies as a symbolic cognitive cultural legacy that is shown in its original way of conceiving the universe (cosmological prefiguration).

This cult is vivified in the ancestral oracles which have a connection with other dimensions in the cosmos by means of an energy that unites them, their fervor is kept alive with cannibalistic offerings and autophagy. From these ancestral oracles emerge aberrant mythical monsters from the underworld that exterminate the human race. In addition, the oracles ask for sacrificial retribution for the answers to existential cosmological questions.

The album also talks about catastrophic natural phenomena, the regeneration of time, and the extinction of the human race as a misanthropic seed because of its self-destructive nature.

Track by Track (LYRICALLY & MUSICALLY):

1. Eternal Cosmic Darkness – It denotes a journey through the confines of the immense and immeasurable interdimensional cosmos that transmits and fills us with all its unfathomable energy.

2. Embryonic Mutation of Baalcetrorus –  Terrifying fusion of genetics with the power of the cosmos giving life to a horrendous misanthropic being that puts an end to humanity for its capital flaws.

3. Time Regeneration –  It speaks about the possibilities of returning to the possible diachronic preconfigurations of the genesis time of the world as an antagonistic reason for the destruction/correction/new beginning of the present world and the historical formations relative to the temporal.

4. Oniric Experience –   It talks about the development of the state of being that becomes to achieve an extrasensory dimensional transmutation as an unfolded experience through the dissolution of the mind-body (since the brain and the human body prevent the energy from transcending!!!) issues that are pointed out in quantum studies, astrological psychology, Hindustani sacred texts, as well as the studies of Jacobo Grinberg.

5. Return to Saturn – Es una Oda alegórica al ancient Saturn (Saturn planet and Saturn god) y una representación primigenia del diablo

6. Eruption –  It is a personal theogony and the struggle to solve existential problems. It ends with an eruption entrusted by the ancestral god Pakal that would finish with all humanity.

7. Abyss of Atrocities – It is a fight for the end of the world that ends with one’s own autophagy reflecting itself in the narrative as a mirror, but it is oneself.

8. Sacrificial Retribution – It narrates a mythical journey that ends with sacrificial self-flagellation in retribution for the answers to existential cosmological questions.

9. Relic of Chaos – Acoustic guitar instrumental as an outro to end and soothe the overpowering brutality of the monster that is the album itself, which furiously and hatefully complains full of misanthropy throughout all songs wanting to extinguish humanity at all costs.

====================================================

Fun Fact:

If there were brutal death drummers in our country we would already have 5 albums hahaha.

Getting a suitable drummer trained in brutal death and with the techniques of the style developed that has the same expectations of the band has been and still is the most difficult thing.

L-R – Nestor Rossell (Guitars),  Ricardo Quispe (Bass), Eduardo Vilchez (Vocals)

Photo credits: Eduardo Vilchez

INTESTINAL LACERATION was formed in 2009 by twisted minds obsessed with the extreme, ancestral eschatology, existential cosmology, anti-Christianity, cannibalism, genetic mutation, and pathological malformations. 

Thus, constantly meeting in the underworld of the dirty streets of Lima, Peru, they began rehearsals where compositions of fast and rotten riffs, extreme blast beats, and overwhelmingly chaotic guttural vocals converged. 

During that time, INTESTINAL LACERATION gave several live releases of extreme brutality. In 2014 the band recorded its first music video “ENJOY THEIR PUTRID FLESH”, and released some copies of this first single. In 2015 the band recorded the EP titled “SPECIES OF PUTRID MINDS” which was released by Coyote Records (RU).  

The band is signed to the label Gore House Productions (USA) who made the first full-length album entitled “CHAOTIC ESCHATOLOGICAL MADNESS” in 2022.

Currently, the band is working on their second full-length album.

Discography:
Album “Chaotic Eschatological Madness” (2022) produced by Gore House Productions
EP “Species of Putrid Minds (2015) produced by Coyote Records (RU)”

 

0 EPK – Utiltilty Provider – Challenger (2024) – Out Nov 26th

  • November 13, 2024
  • by Asher
  • · EPKs · Utility Provider

EPK – Utiltilty Provider – Challenger (2024) – Out Nov 26th

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“For me, the most important aspect of music is how it makes you feel when you listen. When we set out to record “CHALLENGER” we knew that we wanted to take our fans on a unique, powerful, and intense listening experience. The overarching theme of “CHALLENGER” is one of triumph over adversity and having the courage to throw off your “chains” (both physical and mental) and strike out on your own. We wanted our fans to be able to make a connection with the music and I think that this album will touch people on a very personal level. One cool element that we added to the album is the concept of a side “A” and a side “B”. Up until this album, all U.P. songs were written in drop C tuning. The first 6 songs of the album stay in that same drop C tuning, however side “B” is written in A# tuning – it’s literally a whole new sound for our fans! The transition from side “A” to side “B” is marked by a beautiful instrumental track written solely by Chris called “Northern Storm”. We hope the listeners will enjoy this nuance within the album. We sure had a ton of fun recording it!” – Tyler Mayfield – Vocals – Utility Provider

Mastodon, Pantera, Strapping Young Lads / Devin Townsend, Alice in Chains, Gojira

Band: Utility Provider
Album: “Challenger”
Release Date: November 26th, 2024
Label: Self-Release

Facebook.com/utilityproviderband | Instagram.com/utilityproviderband | Youtube | X.com/utilityboys

Utilityprovider.bandcamp.com | Spotify | Apple Music

“We’re back at it on a Monday morning & we’ve just added the punishing new track “Challenger” from UTILITY PROVIDER! “Challenger” is the title track from the forthcoming album set for a Nov.26th release. A heavy driving track that grabs you by the throat and doesn’t let up for 5 minutes. Varied tempos and outstanding musicianship make for a special cut.” – WJOE – Findlay’s Home for Rock & Roll

“I suspect that quirky progressive thrash metal may be a suitable general description of the landscapes explored on this album, and if that is a description that intrigues you then chances are good for you to find this album to be a rewarding experience” – Progressor

[Download Album Cover | Download Album Lyrics]

Band: Utility Provider
Album: “Challenger”
Release Date: November 26th, 2024
Label: Self-Release

Track Listing:
1. Broken Ghost Touches – 2:39
2. Humans – 4:23
3. Challenger – 5:08
4. Social Murder – 1:59
5. Killer Instinct – 3:36
6. Northern Storm – 1:13
7. You Know She’s Metal – 3:14
8. Loudest Voices – 4:47
9. Skin & Bones – 4:22
10. Independent Soul – 2:28
11. Scabs – 5:55
12. Controversy In Everything – 4:40
Album Length: 44:29

Album Credits:
Recording Engineer: Nick Bergeron, Starport Studios, Langley B.C
Mixing and Mastering: Michael Kraushaar, Little Red Studios, Vancouver B.C
All songs written, performed, and produced by UTILITY PROVIDER
Album Artwork: Shayne Gold
*All band members are members of SOCAN
*MAPL applies: All music / lyrics were written and performed by Canadian citizens and the album was recorded in Canada

Album Band Line Up:
Guitar / backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass / backing vocals: Tyler Parsons-Mathieu

Live Band Line Up:
Guitar / backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass / backing vocals: Shayne Gold

=======================================================

About The Album Artwork

We wanted the artwork to reflect the overarching message of the album and I think Shayne did a great job capturing this. The lone figure with his arms raised atop the mountain signifies one’s triumph over adversity. The mountain itself acts as a symbol of whatever adversity looks like to each individual.

About  the album as a whole (LYRICALLY & MUSICALLY)

Track by Track (LYRICALLY & MUSICALLY)

1. Broken Ghost Touches:

Tyler: An instrumental track that blends elements of thrash, prog, and rock. We really focused on getting great guitar and bass tone, with powerful drums that punch in to accent certain moments in the song. Chris’s solo on top of the rhythm guitar adds a nice technical element too. I think this song really shows off the skill and musical abilities of U.P!

2. Humans:

Tyler: The music is heavy, dark and punishing which is reinforced by the lyrical content. The lyrics for this song were actually written by John Murray, who spent a brief time in U.P years back. He wrote about the atrocities humans commit in the name of religion. One very powerful line is “you threw little children into unmarked graves”, which touches on the recent discovery in Canada of unmarked graves where  Indigenous children were buried after being killed in the residential school system brought forth by the Catholic Church.

3. Challenger:

Tyler: This is the title track of the album so we spent a lot of time making sure the production was exactly what we wanted. The music, I think, sounds like a cool mix of thrash and power metal. The guitars are especially highlighted in this song to give it that power and distinct U.P tone that Chris is known for. The verses have quick guitar licks overtop of the main melody to add flavour. The vocals are mostly clean so listeners can hear the lyrics, which embody the theme of the album. This song in particular focuses on overcoming physical challenges with a fighting spirit. You will notice that the lyrics repeat in each verse – this was done on purpose to really drive home the point.

4. Social Murder

Tyler: This song is meant to be an anthem. Right off the bat, we have guitar, bass, and drums smack the listener square in the face to set the tone. From there it’s 2 minutes straight of pure, raw rage. Its short length makes it easy to listen to over and over again. The term ‘social murder’ was coined by Friedrich Engels in 1845 to describe the “unnatural death that occurs due to social, political, or economic oppression”. To embody that spirit I wrote the lyrics as a call to arms; throw off your chains, fuck the oppressors, and string them up.

5. Killer Instinct

Tyler: This song is a little off from the theme of the album as it’s more about the baser predatory instinct humans share with other animals, and how we use it along with our advanced minds to dominate all other species, and other humans, of the world. The music, specifically the guitar, utilizes palm muting for that loud-quiet-loud dynamic to highlight the vocals in the verses. The lyrics of each verse are meant to metaphorically tie in an aspect of human warfare with a feature of another predatory animal.

6. Northern Storm

Tyler: A quick instrumental track that marks the switch from side A (the drop C tuning) to side B (A# tuning). This was written/composed completely by Chris and features a simple guitar riff with background noises reminiscent of a coming storm. The crickets and cracking thunder remind me a lot of the powerful storms I’d hear in Texas when my family would visit my grandma. This track prepares listeners for the “storm” that is side B, which is noticeably ‘darker’ than side A.

7. You Know She’s Metal

Tyler: The most straight-up ‘metal’ sounding track of the album. Vadim does an incredible job on the drums with his massive snare hits and thundering double-kick work. In the chorus during the “metal” scream the vocals reach a pitch that Chris Cornell, Myles Kennedy, or even Steven Tyler would be proud of. Lyrics were again written by John Murry and embody the spirit of a metalhead.

8. Loudest Voices

Tyler: Similar to “Social Murder”, this song also focuses on rising against oppression and the lyrics reflect this throughout the song. Musically the song could make a strong case for being considered the most dynamic on the album; several riff changes, a bass solo part, and an absolutely chaotic ending. The same could be said for vocals. A mix of clean, rough, and screaming vocals at various parts intertwined with the ‘cookie monster’ backing vocals of Tyler Parsons-Mathieu.

9. Skin and Bones

Tyler: The chorus line says it all: “How would you feel if I stripped you down to your skin and bones?”, in other words, how would you feel if your true nature was exposed? How would you feel if we took away the facade – is it something you’d want the public to see? I find there is a distinct ‘grunge’ feel in this song reminiscent of early Nirvana. It features a simple repeating guitar riff through the verses to give more emphasis to the vocals and drums. However, the chorus guitar is chaotic and in your face. I also find the snare tone to be really great in this song. I think Chris and I do a killer job in this song with mixing vocals, especially during the chorus. This track is the only one on the album where Chris actually takes the role of primary vocalist (he is the only one singing during the verses) which pays homage to the many years where he was the primary singer in U.P.

10. Independent Soul

Tyler: This song sounds absolutely nothing like anything U.P. has put out before. Completely clean guitar, bass, and vocals, it feels more like a metal ballad. It features beautiful guitar and bass tones all throughout and I love that there’s nothing fancy, it’s just all raw, which I think encapsulates the feeling and power of this song. Vocals are reminiscent of Corey Taylor singing clean. Lyrics center on coming to terms with who you are and finding a way to accept yourself.

11. Scabs

Tyler: My personal favourite of the album, “Scabs” has perhaps the best sounding vocals, clean and raspy, and uniquely features an unexpected drums-only intro. It is also the longest song on the album at 5 minutes and 55 seconds. The first half of the song is more rock sounding and you can hear this primarily in the guitars and vocals, although that signature U.P metal/rock guitar tone is still present. Things heat up in the second half with a distinctly ‘metal’ riff, very powerful drums, and intense vocals. The ending is my favourite part; a single guitar riff with repeating harmonic notes and quiet drums which allow a beautiful falsetto harmony between Chris and myself to shine through. Listen closely and you’ll also hear a subtle but intricate bass riff in the background separate from the guitar. If you close your eyes you can hear the ghost of old-school Alice in Chains. Lyrics are about overcoming addiction and trauma, surviving, and shedding your mental ‘scabs’.

12. Controversy in Everything

Tyler: This track was actually featured on the U.P album “Lost in Humanity’s Grip” but had no vocals, so we decided to re-record it as a bonus track for our fans with the new U.P lineup. The production is miles ahead of the original recording. The music features a heavy prog element that’s really noticeable in the guitar tone and the drum structure. Vocals are mostly clean and rock-sounding, but Tyler Parsons-Mathieu’s ‘cookie monster’ vocals add a healthy dose of metal. If you listen closely you can also hear Chris do some Josh Homme-esque sexy deep vocals underneath the main vocal line around 3:12, and again at 3:55 in the song.

=====================================================

Fun Facts – Story Angels

1. “Independent Soul” almost didn’t make the album. We had actually planned on scrapping it due to time constraints and the song not being where we wanted it. On the last night we had booked with Michael Kraushaar for mixing and mastering, we ended up finishing “Controversy” early and had, I think, an hour and a half left of the booked time. So we said, “Hey Michael, we have this one other song, would you be willing to take a look at it?”. Being the wizard that he is, Michael was able to take it and turn it into the beautiful song that you hear now.

2. “Independent Soul” was originally supposed to sound way different than it does. It was originally over 7 minutes in length and had a huge metal section with screaming vocals, and a third chorus. We just couldn’t get the sound to where we wanted it and, as I mentioned above, was almost scrapped completely. But we really liked the quiet sections and didn’t want to lose them completely. So we decided fuck it, let’s scrap all the parts after the quiet section and see what we get. Turns out it was a great decision because we ended up with this beautiful song that is completely unique on the album.

3. Back in 2016 our former drummer, Chris Lang, was awarded the Order of Canada for rescuing 2 people trapped in a burning vehicle. He and former bassist Dan Wakefield were driving back in the early am from a gig at the Wolf Bar when a car went flying past them on the highway and careened out of control, smashing into a pole and ending up in the culvert separating the two sides of traffic. Chris and Dan stopped to see if the people were ok and saw that the car was catching fire and the people were stunned and barely moving. Chris leaped into action and risked himself to rescue them from the burning wreck. You can read all about it here in this CBC article! https://www.cbc.ca/news/canada/british-columbia/car-flames-surrey-utility-provider-rock-blues-metal-band-1.3798073

4. Back in April 2024 we were playing a gig at The Phoenix in Victoria. Now we all know Tyler loves to jump out into the crowd and mosh, headbang and interact with the fans as much as possible – and of course, this night was no exception. About halfway through the set, he jumped past the floor monitors to be with the audience. He was headbanging arm-in-arm with a couple of people and realized that he needed to get back to the mic to finish the song. Unfortunately, when jumping back he missed one of the monitors and rolled over on his ankle. He immediately fell over, but continued to sing and finish the song. Like a true rock star, he finished the set, hopping around on one foot. We didn’t realize until the next day just how bad he had hurt it, it was so purple and swollen and he could barely put any weight on it.

 

L-R – Vadim Cartovenco – Drums, Chris Thomas – Guitar/Backing Vocals, Tyler Mayfield – Lead Vocals, Shayne Gold – Bass/Backing Vocals

UTILITY PROVIDER BIO: 

Utility Provider is a progressive metal band based in Vancouver B.C that was formed by Chris Thomas (formerly: RED ANT ARMY – FUSE BREAKER – DIELECTRIC – CTT PROJECT – WURM) in 2013 with Scott O’Hara (FREEBASE) on Drums and Dan Wakefield on Bass 

After many shows throughout 2014, Scott and his family relocated to Alberta and Dan & Chris continued on in search of a new drummer. Enter the Chris Lang years. Lang’s addition not only helped Thomas and the writing get stronger – but it also changed the texture of the music. With Lang’s talents mixed in with Thomas and Wakefield’s already large sound, Utility Provider was now a real driving force in the local music scene. 

After 3 long years of nonstop playing in the local scene and only demo songs to show for it, Utility Provider hit the studio to record its debut album “ALL IN TIME”. The album dropped on August 14th, 2019. With songs like “FRASER HEIGHTS” & “GREASE TRAP” making waves on indie radio stations worldwide, while also supporting the release with many local shows, there were changes starting to develop – and like most bands, changes were made. Wakefield eventually departed from U.P. leaving the band temporarily with no bass player. After many auditions, the right fit was found and U.P welcomed Tyler Parsons-Mathieu as its new bass player. While taking some time off to work on the new line up (learning and writing songs) and getting ready to record their second album, COVID hit the world. Ever resilient, U.P. decided to focus all their energy on making a new record during the lockdown refusing to wither away like so many other bands. 

“LOST IN HUMANITY’S GRIP” was released June 28th, 2022 and U.P., like everyone else, started playing live shows again – however, another setback was on the horizon. In July of 2022, Chris Lang had to depart for personal reasons. U.P. wished him all the best and thanked him for his musical input, but as all successful musicians know, the show must go on!!!!! 

Enter new drummer Vadim Cartovenco (formerly of 2 DAYS & COUNTING). Vadim brought new life into the band, especially with U.P. reeling from the loss of Lang just as “LOST IN HUMANITY’S GRIP” was being released. Cartovenco’s technical mastery and powerful hits added a huge presence to an already formidable U.P. sound. 

Up to this point, U.P had solely relied on Thomas to perform as both lead guitarist and lead singer, which led the band to the realization that they were still missing one crucial element; a true frontman, unburdened by an instrument, with the experience and showmanship necessary to take U.P to that next level. In April 2023, after several rounds of auditions, U.P. found their new dynamic frontman in Tyler Mayfield (formerly of LUNG FLOWER). With over a decade of playing, touring, and recording experience, and the ability to perform both melodic and heavy vocals while still bringing a manic energy to the stage every night, Mayfield’s addition took U.P. up to a whole other gear.

In Spring 2024 U.P. started tracking sessions with the all-mighty Nick Bergeron at Starport Studios (Langley, B.C.) for their 3rd album titled “CHALLENGER”. Bergeron made a massive mark on the record and U.P could not be any happier with the amazing work he did during the recording process. Then in October 2024 mixing and mastering were handed off to the renowned Michael Kraushaar at Little Red Studios (Vancouver B.C). Kraushaar’s work on the “CHALLENGER” album showed a true mastery of the art of sound. U.P. was thrilled with the amount of work and dedication Kraushaar put into making “CHALLENGER” sound exactly as they had envisioned. 

Backtracking to summer 2024, after the recording sessions had been completed, Tyler Parsons-Mathieu announced that he would be leaving the band to pursue other musical endeavours. Parsons-Mathieu’s departure was very amicable and U.P has wished nothing but the best for him and all his musical projects! U.P. was also incredibly grateful for the bass riffs and backing vocals he contributed to the “CHALLENGER” album. 

Fortunately, Parsons-Mathieu’s replacement was found quickly and came in the form of Shayne Gold (formerly of EDITH), a long-time veteran of the Vancouver music scene. Officially joining the band in September 2024, Gold brought yet another new and creative element to the bass sound of U.P. With his unique style of heavy notes blended into hypnotic hooks, and a wonderfully infectious personality, Gold became a welcome addition to the U.P lineup. 

“CHALLENGER” officially drops on November 26th, 2024. Stay tuned!

Album Band Line Up:
Guitar / backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass / backing vocals: Tyler Parsons-Mathieu

Live Band Line Up:
Guitar / backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass / backing vocals: Shayne Gold

Discography:
2024 – “CHALLENGER” – album
2022 – “Lost in Humanity’s Grip” – album
2019 – “All in Time” – album

0 EPK – Tigguo Cobauc- Fountains of Anguish (Exitus Stratagem Records) (2024)

  • November 12, 2024
  • by Asher
  • · EPKs · Tigguo Cobauc (Exitus Stratagem Records)

EPK – Tigguo Cobauc- Fountains of Anguish (Exitus Stratagem Records) (2024)

Publicist – Jon Asher – exsr[@]ashermediarelations[.]com

“The listening experience, enriched by the newly woven atmospheres, transcends the ordinary,  transforming into a profound ritualistic communion with the audience. Each note reverberates like an  incantation, inviting a shared journey into the depths  of sound that beckons a collective transcendence.” – Tigguo Cobauc

For fans of Celtic Frost, Venom, and Bathory

Band: Tigguo Cobauc
Album Title: Fountains of Anguish
Release Date: December 20, 2024
Label: Exitus Stratagem Records

Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic | Twitter.com/exsrm | Youtube.com/@Exitusstratagemrecords9577

Tigguocobauc.mystrikingly.com | Instagram.com/tigguocobauc | Facebook.com/tigguocobaucband | Tiktok.com/@tigguocobauc

Tigguocobauc.bandcamp.com | Spotify

“this was a fantastic album, and it brought Doom to a whole new level for me, because the band was bold, and unafraid to explore uncharted territory, while keeping their roots strong. 8/10″ – Metal-Temple

“IIn the waning days of 2024 comes quite a surprise…one of the best doom albums of the year from an unknown band who clearly know what they are doing. This record is full of crushing riffs, dark melodies and an otherworldly atmosphere. In every way this is an absorbing listen.n the waning days of 2024 comes quite a surprise…one of the best doom albums of the year from an unknown band who clearly know what they are doing…. Definitely track this one down!” – Wormwood Chronicles

“Unlike many of their contemporaries, Tigguo Cobauc let the slimy guitars carry the mix rather than hide under the keyboards. ‘The Darkest Emperor’ starts like an agonising piece of death-doom before it uses the influence of Bathory to accelerate into a higher gear. You’ll hear the early Celtic Frost records in this song, but the keyboards belong in the straight-to-video horror film market of the 1980s. Each elongated ripped-windpipe vocal feels like the testimony of a man who knows his fate is to be hung, drawn and quartered. The rhythms in ‘Inner Disaster’ change tempo as easily as snow turns to slush…. Often, extreme metal bands go through the motions of screaming in pain, but Tiggou Cobauc mean it. They love to menace the listener like the early legends of underground metal. And they embrace the dramatic rather than shy away from it…. Most artists want to deliver the perfect steak, but Tigguo Cobauc would like you to gorge on the gristle and enjoy the fat dribbling on your chin. Their song structures appear to be easy to grasp, but they’re more complex on second listen. 8/10″ – Scream Blast Repeat

“A production to seek out by those who enjoy extreme metal explored with a bit of an off kilter intent and an atmospheric laden orientation.” – Viking in the Wilderness

“If I had to name Tigguo Cobauc’s musical style, it would be doomizing black heavy metal.
You won’t regret the time spent listening to their music!” – Margoth PDF Webzine


“refreshing and provides a listening experience designed to be consumed in one sitting. Trust me, if you love Blackened Sludge and Doom, there’ll be more than one sitting for you listening to this work of art…. the production is impressive, hitting the sweet spot of providing sharpness and clarity whilst retaining a subtle touch of grit and rawness that the genre demands and avoiding being overly polished.” – Ever-Metal

“an album of the year contender.” – Black Metal Archives

“Enjoy a crunchy, dark metal joyride with Tigguo Cobauc… It takes black metal atmospheres and blends them with a raw punk sound, spreading it all over a heavy slice of sludge metal.” – Elevar Magazine

[Download Album Cover | Download Album Lyrics]

Band: Tigguo Cobauc
Album Title: Fountains of Anguish
Release Date: December 20, 2024
Label: Exitus Stratagem Records

Track Listing:
1. Craving For Slay – 5:26
2. The Darkest Emperor – 5:46
3. Eternal Quietus – 7:27
4. Inner Disaster – 6:08
5. Volt-Face – 5:12
6. Engaged Putridity – 4:21
7. Deliverance – 6:10
Total Time: 40:36.44

Album Credits:
Produced by Tigguo Cobauc
Drums Recorded at NOISEBOY STUDIOS (Salford, UK)
All instruments recorded at THREE SQUIRES RECORDINGS (Nottingham, UK)
Vocals recorded at GREENSIGHT PRODUCTIONS (Nottingham, UK) Mixed and Mastered by Esben Willems at BERSERK STUDIO (Gothenburg,  Sweden)
Artwork by Merg & Been, vinyl version edited by H-SoundMusicRecords

All songs written by: Renato Ramos, Luca Martello
Tigguo Cobauc recording line-up:
Reno Ramos – Bass/Vocals
Luca Martello –  Guitar
Lloyd David – Drums
Wayne Turton – Keyboards

===================================================

About The Album Artwork:

The album artwork embodies the essence of the musical journey, encapsulating the mood with evocative imagery that resonates deeply. It serves as a visual portal, mirroring the sonic landscapes contained within, a silent yet powerful reflection of the emotional currents that ebb and flow throughout the album.

About the album as a whole (LYRICALLY &  MUSICALLY):

“Fountains of Anguish” stands as a vivid snapshot of our artistic essence in 2023, encapsulating the intricate layers of our sound and vision. It reflects the alchemical fusion of our influences, embodying the raw emotion, complexity, and depth that characterize our current trajectory. This work crystallizes our evolution, a testament to our sonic exploration and collective spirit, serving as both a beacon and a mirror of our artistic journey in this moment.

Track by Track (LYRICALLY &  MUSICALLY):

“Craving For Slay” asserts itself as a quintessential black metal onslaught, balancing modern sensibilities with melodic vocals and fierce screams, all while preserving the hallmark heavy doom elements familiar to Tigguo Cobauc.

“The Darkest Emperor” opens with a profoundly  doom resonance, rushing into a rapid, old-school  black metal segment before unfurling into a sorrowful  melody that captures the essence of despair.

“Eternal Quietus” begins with evocative tones,  transitioning into an accelerated black metal fervor that eventually spirals into a rich, enveloping doom.

“Inner Disaster” presents an oppressive riff that weaves throughout the track, ebbing and flowing in a relentless cycle that captures a sense of turmoil.

“Volt-Face” marks our initial composition for the album, a malignant entity that maintains its dark intensity from beginning to end.

“Engaged Putridity” introduces listeners to the more  symphonic dimensions of Tigguo Cobauc, melding  richness with complexity in a captivating exploration

“Deliverance” stands as an experimental venture,  hinting at potential trajectories for our evolving  sound, a glimpse into the future possibilities of our  musical landscape.

L-R – Luca Martello – Guitars/Sound Productions, Reno Ramos – Bass/Vocals

Photo by H-SoundMusic Records

Forged by ancient magic deep in the sandstone depths of Nottingham, UK, Tigguo Cobauc’s spellbinding guitar riffs over primal rhythm are the sound of your darkest desires.

Beginning their journey with the 2022 debut “Trial by Combat”, this birth into the constellations was steeped in the murky depths of Death/Doom, cloaked in a sludgy resonance. From these beginnings, they gradually evolved, transcending into realms infused with black metal’s ethereal atmospheres, where shadows and intensity intertwined.

Unraveling their latest album “Fountains of Anguish”, this past April in Europe, the blackened doom duo of Luc Martello and Reno Ramos announces the re-release of this second full-length in North and South America via Exitus Stratagem Records digitally and CD on December 20th, 2024, and on Vinyl (release date to be announced at a later date).

The band comments:

“We have already unveiled the album in Europe, and the resonance it has garnered has been nothing short of remarkable. The reviews have painted a vivid tapestry of praise, while the response during our live demonstrations has sparked an exuberant and electrifying communion with our audience. Fountains of Anguish stands as a vivid snapshot of our artistic essence in 2023, encapsulating the intricate layers of our sound and vision. It reflects the alchemical fusion of our influences, embodying the raw emotion, complexity, and depth that characterize our current trajectory. This work crystallizes our evolution, a testament to our sonic exploration and collective spirit, serving as both a beacon and a mirror of our artistic journey. This collaboration with Exitus Stratagem Records not only amplifies our reach, but also solidifies our commitment to sharing our art with a broader audience. We are excited to embark on this journey and connect with fans who resonate with our sonic vision.”

The sound of “Fountains of Anguish” is an amalgamation of classic black metal, reinterpreted with a modern sensibility, and infused with doomy elements that evoke a sense of atmospheric weight. Tigguo Cobauc has seamlessly integrated keyboards into their compositions, adding depth and texture to enhance the listening experience. Through this unique blend, they aspire to infuse their music with a distinctive touch of originality, creating a soundscape that resonates with the genre’s traditions and contemporary influences.

“This record is enriched by the newly woven atmospheres that ascend the ordinary, transforming into a profound ritualistic communion with the audience. Each note reverberates like an incantation, inviting a shared journey into the depths of sound that beckons a collective transcendence.” adds the band.

Embarking upon this next chapter of their journey, Tigguo Cobauc’s “Fountains of Anguish” is recommended for fans of Celtic Frost, Bathory, and Venom.

Discography:
2020 – Thynghowe – Demo
2022 – Trial By Combat – LP
2024 – Fountains Of Anguish – LP

Endorsed by Blackhawk Amplification

Tours and Festivals
2021 Percey Pickelbacks, Nottingham (UK)
2022 Metal 2 The Masses, Tap N Tumbler, Nottingham (UK) 2022 Arches, Coventry, (UK)
2022 Scruffy Murphy, Birmingham (UK)
2022 The Hive, Rotherham (UK)
2022 Black Balloon, Botucatu (Brazil)
2022 Hocus Pocus, San José Dos Campos, (Brazil) 2022 Obscure Fest, São Paulo, (Brazil)
2022 Balada Rock, Piracicaba, (Brazil)
2022 No Limits Garage Sessions, Favelas of Arujá, (Brazil) 2022 Kaiowas, Lema, (Brazil)
2022 Let’s Go, Santa Gertrude, (Brazil)
2022 74 Club, Santo André, (Brazil)
2022 Casa Amarella, Osasco, (Brazil)
2022 Estacao Cultura, Campinas, (Brazil)
2023 Unearthed Festival, Derby (UK)
2023 Tap N Tumbler, Nottingham (UK)
2023 Little Un, Moorthope (UK)
2023 Yorkshireman, Sheffield (UK)
2024 The Gryphon, Bristol (UK)
2024 45 live, Kidderminster (UK)
2024 King Billy, Northampton (UK)
2024 The Pit, Newport (Wales)
2024 Victoria, Coalville (UK)
2024 Bank Holiday Massacre, Old Cold Store, Nottingham UK) 2024 Legends, Mansfield (UK)
2024 Old Salutation Inn, Nottingham (UK)

0 EPK – Marco Bojkovic – Powercore (2025) – Out Jan 24th

  • November 6, 2024
  • by Asher
  • · EPKs · Marko Bojkovic

EPK – Marco Bojkovic – Powercore (2025) – Out Jan 24th

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Those familiar with my album Venom may be caught a bit off guard given the drastic change in my style, but this album Powercore is meant to be accessible to metal fans and non-metal fans alike. It’s a positive listening experience that motivates the listener to go out and accomplish a task and not want to give up. Also a bit of self-reflection such as wanting a better life but having to deal with a lot of bullshit or if a best friend was a real one.” – Marko Bojkovic

For fans of Trivium, Avenged Sevenfold, Periphery, Dream Theater, Firewind

Facebook.com/markobojkovicmusic | Instagram.com/markobojkovicshredsguitar | Youtube.com/@markob.19

Spotify | Apple Music | Amazon 

Album pre-save – https://distrokid.com/hyperfollow/markobojkovic/powercore

“You can do stuff on lead guitar that no one else can do, such as your economy picking.” – Patrick Finster – Producer

“Venom is a very heavy album and I absolutely loved the guitar work. The self-titled track really showcased the heavy riffs and helped set the course for the rest of the album. ‘Maximum Carnage’ also had nice guitar work as well. Hard, heavy, and head bang worthy riffs…. In all I highly recommend this album for fans of bands like Trivium and Meshuggah. With Marko’s guitar work plus the vocals, it’s definitely worth a listen for anyone that enjoys heavy metal, with some screaming vocals.” – Music Crowns

“Florida metal guitarist Marko Bojkovic has released his latest album, Venom. Musically, the album is a mixture of progressive metal, death metal, power metal, and thrash metal, with a hint of influence from anime and video game OSTs… Marko’s music is perfect for fans of Trivium, Meshuggah, Allegeaon, Obscura, Dream Theater, Firewind, Sabaton, Powerwolf, Iron Maiden, Kiko Loureiro/Angra, and Leprous.” – Punkerton Records

“I’ve had the pleasure of knowing Marko and mentoring his playing for over 2 years now and can easily see he’s one of the most capable, hardest working and fastest learning guitarists I’ve ever come across!” – Bradley Hall, guitar Youtuber

[Download Album Cover | Download Album Lyrics]
Band: Marko Bojkovic
Album Title: Powercore
Release Date: January 24, 2025
Label: Self-Release
Track Listing:
1. Anesthesia (No Easy Way Out) – 3:58
2. From Within – 5:29
3. Sacrifice For Sanity – 3:50
4. What We Accomplished – 3:17
5. Find Your Flame – 4:00
6. Thrown – 5:41
7. To Reminisce – 4:54
Album Length: 31:11

Album Credits:
Songs Written by Marko Bojkovic
Produced and mixed by Patrick Finster
Mastered by James Lewis
Artwork by Regis Lima

Album Lineup:
Marko Bojkovic – Guitar
Chris Thomas – Growling vocals, clean vocals
Gabe Vermund – Clean vocals

==============================================

About The Album Artwork:

Three power cores come together to form a molecule, which serves as a metaphor for strengthening yourself and the bond you share with your loved ones.

About the album as a whole (LYRICALLY & MUSICALLY):

Lyrically: The album is meant to send positive messages such as being able to accomplish anything you set your mind to and believing in yourself.

Musically: The music is my own genre of metal called “Progressive PowerCore.” It’s a blend of progressive metal, power metal, metalcore, and djent! I have a lot of influences that went into making this style of metal, so you can imagine how hard it was for me to choose 5 artists! There are also influences from other genres such as jazz fusion and classical music.

Track by Track (LYRICALLY & MUSICALLY)

1. Anesthesia (No Easy Way Out) is about me addressing my uncertainty about returning to the medical field. I had almost died in medical school and was cheated out of nursing school. I spent all of last year wondering what to do next, but a family friend offered me his help to introduce me to a great medical profession called anesthesiologist assistance. It is of peak interest to me and I am going to go for it!

2. From Within states that we all have a power within us, and we already have that power! We didn’t get it from training or experience; we just have it! All you have to do to realize you have it is to believe in yourself! This song also has the best guitar solo that I’ve written by far because it’s the perfect showcase for my current style!  

3. Sacrifice for Sanity is a self-reflective experience for the listener. I have lived a very blessed life with hard-working parents who run a very successful business but they had to deal with a lot of bullshit to get to where they are today. The question that this song asks the listener is “The better the life you want for yourself, the more bullshit you have to deal with. Are you prepared for it?” This song also doesn’t feature a solo; I let the riffs do the talking (And Chris, of course)! It’s also the proggiest song on the album due to the constant time signature changes, subtle key changes, and the harmonic djent breakdown.

4.  What We Accomplished is the first song that I wrote for this album. In spring of 2023, I went through the roughest moment of my life. People spread lies about me and because of that, I couldn’t be with an amazing group of friends that I made as long as we were hoping, which caused me to go through heartbreak. When I tried to state my innocence, they fought alongside me and helped me try to stay with them. Although we failed to keep me with the group, we formed an even stronger friendship through the experience, and we accomplished a greater goal…becoming eternal friends. This song is dedicated to them.

5.  Find Your Flame is a cover of the song from the video game Sonic Frontiers. It plays when you fight the titan Night on Chaos Island. For several years, It Doesn’t Matter was my favorite Sonic song, but Find Your Flame dethroned it due to its djent riff, amazing chorus, stellar guitar solo, and beautiful clean outro. When I first heard the song, the first thing I thought to myself was “I NEED to learn this song on guitar.” I covered it on Youtube along with the other Titans’ songs (I’ll admit I played it incorrectly, but you live and learn!). The power metal-style vocals that the Mourning’s Johnny Ray did add to the power metal feel of my version, enabling it to keep with the progressive power core feel of my album!  

6. Thrown is about losing your best friend over something completely foolish. A lot of people lost best friends for the stupidest reasons, so this song can provide them with some closure. It happened to me with Spiritual Chaos. It was a band I co-founded with my ex-best friend, only to be brainwashed by someone who was jealous of me.

7. To Reminisce is the last song I wrote for Spiritual Chaos, and I guarantee you the band would’ve considered it the best song.

=================================================

Fun Facts – Story Angles

1. I was stranded on a Caribbean island after a category 5 hurricane, Maria. I was in medical school at the time, but eventually left due to my health deteriorating following evacuation.

2. I use Jackson and Ibanez guitars, and I have a kickass Aristides on the way!

3. The album was mixed by Patrick Finster and mastered by James Lewis

4. My favorite gig was in August 2019 with my first band Particle Effect. We opened for a very popular local Tampa band called Voxx. They’re dear homies of ours and I hope Particle Effect can reunite in the near future!

5. I come from a musical family. Both my sisters play piano and my dad plays accordion. It was genetically imprinted on me to play music!

What started from playing Sonic Adventure on Sega Dreamcast, and a soundtrack that interested him in guitar sounds, prog guitarist Marko Bojkovic comes forth with his latest and eighth studio album “Powercore” for release in January 2025.

Packing the most punch with perfectly combined progressive metal, power metal, metalcore, and djent along with influences from jazz fusion to classical music, Bojkovic’s new album “Powercore” (named after his own dubbed genre of metal called Progressive PowerCore) is meant to send positive messages such as being able to accomplish anything you set your mind to and believing in yourself. Musically, the album’s guitar solos are among the best he’s ever written. As a small content creator on YouTube and Patreon, Bojkovic has become known on the internet for his economy-picking prowess, which he showcases to excellent use on the songs featured in this full-length.

“My guitar teacher Francesco Pinter and the popular YouTube guitarist Bradley Hall have told me that my economy picking separates me from other guitarists! Now I want to see if I can have people comment on my vibrato…” adds Bojkovic.

In addition to the guitar work, Bojkovic played all the bass lines on “Powercore” along with recruiting guest vocals from Chris Thomas (growling vocals, clean vocals) and Gabe Vermund (clean vocals).

Bojkovic comments:

“Those familiar with my album Venom may be caught a bit off guard given the drastic change in my style, but this album Powercore is meant to be accessible to metal fans and non-metal fans alike. It’s a positive listening experience that motivates the listener to go out and accomplish a task and not want to give up. Also a bit of self-reflection such as wanting a better life but having to deal with a lot of bullshit or if a best friend was a real one.”

Recommended for fans Trivium, Avenged Sevenfold, Periphery, Dream Theater, Firewind, Marko Bojkovic’s new album “Powercore” is due out on January 24, 2025, on Forerunner Recordings, and available for pre-save at the following link – https://distrokid.com/hyperfollow/markobojkovic/powercore​

Fans interested in Bojkovic’s Patreon Page to get exclusive content about his guitar playing and techniques, please subscribe at https://www.patreon.com/MarkoBojkovic

Discography:
2011 – Memories Revisited…How Quickly Time Flies – Album
2011 – The Newcomer – Album
2012 – Shadow of the Pain – Album
2012 – The Statistics Album – Album
2015 – Emerald Theory – Album
2018 – Guitars Roasting on an Open Fire – Album
2022 – Venom – Album
2025 – PowerCore – Album

0 EPK – Hellfire 76 – Rags to Rage (2024)

  • November 2, 2024
  • by Asher
  • · EPKs · Hellfire 76

EPK – Hellfire 76 – Rags to Rage (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The album RAGS TO RAGE is a continuation of our first release, in that the subject is all thought-provoking. As for a lot of music, we want the lyrics to be literal but also open to the listener’s interpretation. Sticking with the theme and ideas of Voodoo, Witchcraft, The Occult, and other oddities. We want to take the listeners on a dark and ominous journey into a place they don’t normally think about. Musically, it’s straight-up, fuzzed-out, uptempo jams, but with the various lyrical topics, it gives the listener a little more to chew on.” – Hellfire 76

For fans of Melvins, Clutch, Killing Joke, Fu Manchu, Trouble

Band: Hellfire 76
Album Title: Rags to Rage 
Release Date: November 29th, 2024
Label: Self-Release

Hellfire76.com | Facebook.com/Hellfire76nc | Instagram.com/hellfire76nc

Spotify | Hellfire76.bandcamp.com

The Über Rock Singles Club Daily Pick – Hellfire 76 (Nov 2, 2024)

“Dark, mysterious, foreboding, yet strangely inviting. This is the latest single (The Omen) from HELLFIRE ‘76, a band that brings together the things you love about heavy music: bold, swinging riffs, gruff manic vocals, crunchy chugging rhythms. “The Omen” has got it all going on, which lyrically “is about how religion uses fear to prey on weak minds to do the dirty work.”” – Doomed and Stoned

“The song (Rags To Rage) is a major rager perfect for a road-trip playlist!” – Ghost Cult Magazine

“The BLISTERING new album “Rags To Rage” from Hellfire 76 is waiting to be unleashed to the masses on Nov. 29th! One of the outstanding tracks from the album is the new single “The Omen” and it’s one hell of a track. A broody beginning gives way to a haunting tale and a heavy bluesy rhythm harkens back to some of the best Blue Oyster Cult material of the 70’s. At last, the riffs arrive and we are right in the middle of a heavy-duty jam with mean vocals at the helm. An eclectic journey you won’t want to miss, catch Hellfire 76 on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll

“Drink the concoction prepared by the band, a cocktail of blood riffs, genuine rhythms and distorted vocals that you can find in the dirtiest pubs in New Orleans! Fans of Kyuss, ZZ Top, Killing Joke, The Melvins and Clutch will be thrilled!” –  Heavy Mag

“In the radius of bituminous rhythms, nevertheless animated by a Rock energy, we frankly opt more for cousinage with CLUTCH, a formation that has always been able to evolve between thickness, melody and conciseness. With, as a bonus, these hints of greasy and oily Blues which inject a kind of groove and sap within a Metal which should not silence or ignore its affinities with the severe and groovy Metal proper to Pantera.” –  Integral Metal

“Hellfire 76 comes at you hard and heavy and without mercy.” –  Doomed Nation

“Hellfire 76, A duo devoted to rampaging Stoner-Doom-Psych-Metal, which swings to dense blues licks that suggest a Triceratops mating with a Sherman Tank!” –  Q C Nerve

The Hellfire 76 use the masks of voodoo, witchcraft, the occult and tarot cards to tell us stories of how Evil has taken over our world, ruled by liars, impostors and careerists. People are flooded with a river of lies, perpetrated by governments and the Church, which obscure our view of the Truth.” – Progressive Rock Journal

 

[Download Album Cover | Download Album Lyrics]
Band: Hellfire 76
Album Title: Rags to Rage 
Release Date: November 29th, 2024
Label: Self-Release
Track Listing:
1. Rags to Rage – 3:33
2. Steal Your Soul – 3:25
3. 1000 Crimes – 3:38
4. As Above – 3:44
5. The Keepers – 3:40
6. Magic and Religion – 3:23
7. Black Angel – 3:43
8. The Omen – 5:45
Album Length: 30:52
Album Credits:
Album Artwork by Mike McGuiness
Member of BMIAlbum and Live Band Lineup:
Von Bury- Guitar-Bass-Organ-Vocals
Mike McGuiness-Drums
=============================================

About The Album Artwork:

Old school distressed in a “SST Records” kinda way

About the album as a whole (LYRICALLY & MUSICALLY):

The overall theme of this album is dark, taboo, spooky, tongue-in-cheek, fuzzed-out southern metal!

Track By Track (LYRICALLY & MUSICALLY):

1. Rags to Rage- musically fast and aggressive, lyrically-it’s pretty much an “action/reaction” lyric- each to its own interpretation.

2. Steal Your Soul- is about the downfall of a narcissist, do bad things, and bad things happen to you.

3. 1000 crimes- it’s about the thought that not all things that the Church creates are in good intentions

4. As Above- is about a soul-less dictator, what you reap is what you sow

5. The Keepers- About the documentary about a twisted Christian cult

6. Magic and Religion- it’s about the similarities between Magic and Religion, and how very similar they are.

7. Black Angel- is about an angel that belongs in neither Heaven nor Hell

8. The Omen- is about how religion uses fear to prey on weak minds to do the dirty work.

======================================================

Fun Facts – Story Angles

1. Von Bury grew up in New Orleans Louisiana, home of all things decadent and spooky. So a lot of his writings are influenced by growing up in that city.

2. HELLFIRE 76 was actually a 3 pc initially. Our Bassist came down with a debilitating nerve disease that prevented him from continuing on with the band. Seeing that all the songs were written by Bury/ McGuiness, it made sense to just continue on as a 2 pc. He is a great guy and we felt he couldn’t be replaced so we soldered on as a duo.

3. We actually have enough material at this time for 4 more albums if we didn’t write another note. We are pretty prolific in the writing capacity. We keep writing, always chasing the next idea. Keeps us engaged!

4. Being a 2ps has some great advantages:
We travel VERY cheap, can set up in front of most acts, less drama. It always makes for great conversation AFTER the show because people are always intrigued on how we get a huge sound for just 2 people. We’ve been told we are the “heaviest” 2pc band in the land…. I think we are definitely one of them for sure!

5. When you are a 2pc act, there’s NO time for drama and trivial bullshit. You are like “bookends” one without the other is a no go.

6. We record all our songs in 1 take. We are THAT well rehearsed!

Taboo lyrics served over blues-infected grooves! This is the unique blend of sounds that HELLFIRE 76 brings to the table. With influences ranging from ZZ Top, Killing Joke, and Kyuss to the Melvins, HELLFIRE 76 delivers a sound sure to satisfy doom, stoner, and psych rock fans alike!

Formed by founding members Von Bury (formerly of the Southern Gothic act LOVESUCKER and the Occult Rock act and Napalm Recording artist BLOODY HAMMERS) and Mike McGuiness (formerly of the Industrial Metal act FACE THE WORLD), HELLFIRE 76 set out to create a brand of Heavy Southern Stoner Devil Metal that has been missing for quite some time.

All killer-no filler, this two-piece brings 110% to their first full-length “Rags To Rage” due out at the end of November 2024. The overall theme of this album is dark, taboo, spooky, tongue-in-cheek, fuzzed-out southern metal. Von Bury explains further:

“The album RAGS TO RAGE is a continuation of our first release, in that the subject matter is all thought-provoking. As for a lot of music, we want the lyrics to be literal but also open to the listener’s interpretation. Sticking with the theme and ideas of Voodoo, Witchcraft, The Occult, and other oddities. We want to take the listeners on a dark and ominous journey into a place they don’t normally think about.”

For fans of Melvins, Clutch, Killing Joke, and Fu Manchu, “Rags To Rage” is due out on November 29, 2024.

Discography:
2024 – Rags To Rage LP
2021 – Self-Titled EP

0 EPK – Mutank – Think Before You Think (2024) (Boonsdale Records)

  • October 29, 2024
  • by Asher
  • · EPKs · MUTANK

EPK – Mutank- Think Before You Think (2024) (Boonsdale Records)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of D.R.I., Suicidal Tendencies, Havok, Megadeth, Metallica, Faith No More, Motorhead, Pantera, Slayer, Anthrax, Overkill, Exodus

Facebook.com/bonebrainsnotdemolishers | Instagram.com/mutank_or_die | X.com/MUTANK | Youtube.com/@mutube3701

Mutankthrash.bandcamp.com | Spotify | Apple Music

Band: MUTANK
Album Title: Think Before You Think
Release Date: November 29, 2024
Label: Boonsdale Records

“If peppy, energetic thrash in the vein of Slayer, Exodus, Overkill, DRI, Suicidal Tendencies and Anthrax is your bag, then give MUTANK a whirl. They’re certainly full of vim, vigor and energy.” – Decibel Magazine

“Think Before You Think offers enough modern flair to stand apart in today’s metal landscape. Mutank have delivered a thrilling ride that cements their place in the global thrash scene. With Think Before You Think, they aren’t just revisiting the past. They’re shaping the future of the genre.” – Amplify The Noise

“Variety. It might not be an aspect many expect to experience across this album, but that’s Mutank for you, and right up to the end, they find inventive ways to keep the listener engaged. First, by delivering an anthem for all head bangers around the world with the excellently titled Metalheads for Hire. Then by getting even more artistic with Running Reds, a track with some intriguing progressive touches. Before Mutank’s impressive return is capped off with an absolute cacophony of thrashy noise via Thrash Primordial. The record ending as it begun, with heads being banged hard.” – Games, Brrrains & A Head-Banging-Life

“The quartet from Montreal in fact has the ability to make the compositions interesting and unpredictable by expertly mixing thrash assaults with the impetuosity of hardcore, without giving up melodic cues of classic metal extraction and adding the immediacy of punk, permeating songs of that variety capable of intriguing the listener without ever getting bored. “Illuminatus” opens the dance with a sulphurous and threatening start and then settles on a thrashy and rocky mid tempo, all seasoned with unpredictable tempo changes and excellent solos… An album that may not rewrite the history of thrash metal, but which will help the genre evolve while remaining anchored to its origins. Rating: 9/10.” – MetalHead.it 


“The result here is some chunky, old school thrashcore which kicks off with the six-minute ‘Illuminatus’, a song that plods like a doomy Slayer before the combo embarks on a steady moshing groove. It’s relatively simple punk-laced thrash with strong choppy vocals that wouldn’t be out of place on some mid-80s obscure metal record…. ‘Channel Change’ begins like some cool traditional metal offering with a sweet crisp solo before resorting to a maniacal punky thrust of jabbing riffs and vocal retorts.” – Metal Forces Magazine

What the press said about 2017’s “W.H.A.T.S.T.H.A.T”:

Highlight: #2 – Canadian National Loud Chart – August 2017 – Top 20 Loud (Earshot)

“they play good-natured thrash a la Overkill and Exodus… perfectly serviceable and enjoyable, definitely more effective when they are playing fast.” – Decibel Mag

Metal Injection named MUTANK 1 of 8 Hidden Gems in Canadian Metal You Need To Know – Read here.

“Based out of (arguably) the metal hub of the nation, Montreal, Mutank are a ferocious and frenzied crossover-thrash band that infect its listener with an ear worm that no amount of Michael Buble ballads can remedy. The 2014 winners of the Wacken Metal Battle Canada contest have churned out consistently crushing thrash riffs for years and have all the tools and check off all the required boxes to make a major play in the global metal market. For first time listeners, check out “Corporate Child” from their 2014 album M.E.C.H. Metal and the pulverizing headbanger “D.E.A.T.H.” from their 2017 EP W.H.A.T.S.T.H.A.T” – Metal Injection

“Montreal punk/thrash crossover act MUTANK has quickly become my favourite new discovery in the world of metal. They’re fast, funny, and equal parts smart and stoopid, with lyrics like “Who do Mu Tank you are?” and a band name that gets likened to a cross between a “mutant” and a “tank”. MUTANK’s music hearkens back to vintage Suicidal Tendencies, D.R.I., or the more metal moments of the Dayglo Abortions or SNFU.” – Georgia Straight

“MUTANK is like a Coffee Crisp bar: crunchy as hell, and without any gooey center.” – Bucket List Music Reviews

“their hybrid thrash, traditional, speed metal makes for a great heavy experience” – We Love Metal

“Killer drumming, awesome bass hooks, great rhythm & furious sounding vocals. It’s a statement of intent from Mutank. That they are not to be underestimated & written off as just another ‘thrash throwback’.” – Games, Brains & A Headbanging Life

“They have a lot of thrashing songs that have abbreviated titles, and they kick some serious ass with their old school music and hardcore attitude.” – The Headbanging Moose

“Mutank have gotten creative with each song on the album, by coming up acronyms to fit the title of the album, they describe their sound as a “T-rex skateboarding down a volcano”. If your a fan of old school Overkill, Megadeath or Exodus or if you just want a fast and thrash album check it out” – Canadian Beats

““W.H.A.T.S.T.H.A.T.” is one of those records that you seem a band jamming out in their garage and eventually an audience just gathers because their thrash, punk, and a bit of tongue-in-cheek causes the listener to pay attention to what Mutank has to say.” – MUEN Mag

“Fast riffs, Heavy tempos crazy yelling.. its got all you’ve asked for. A mix of Suicidal Tendencies Punk/Thrash debut, Nuclear Assault fast moshing killer speed assault…a great funny and entertaining mini album for all beer drinkers fans of Tankard and ready to get into the moshpit 100/100.” – The Metal Mag

“grab you battlejack, studs and spandex trousers and feel like you are back in 1985.” – Lords of Metal

====================================================

About The Album Artwork:

Stephen: “The idea for the artwork came to me from the title “Think  Before You Think”. It depicts some poor guy’s brain exploding out of his skull sporting a wicked grin. I drew it  in the style of 90’s comic books  since I feel like that style really suits  the music.”

About The Album:

Stephen: “The album musically is fast and heavy with lots of solos and riffs. Lyrically we cover a lot of ground from the economy to time travel.”

MUTANK Track by Track
1. Illuminatus  
Costa: “The intro sets the tone for the album with its strong riffs and songwriting continues the MUTANK tradition of elaborate riffs and ripping  solos!”

Stephen: “Lyrically Illuminatus (which gets its title from the 1975 novel) is  about power and how it takes the souls of those that desire it the most.”  

2. Payback:

Costa: “A vulgar display of hard riffs with some excellent drum work!”

Stephen: “Lyrically Payback is about the pressure money puts on  individuals and how it can drive people to the edge.”  

3. All Against All

Costa: “The mob is coming for you!”  

Stephen: “Lyrically All Against All is about the direction our world is  heading, how we are all being divided into arbitrary groups and pitted  against each other.”  

4. Channel Change

Costa: “By far the most challenging song to play, it absolutely rips!”

Stephen: “Channel Change is about media melting your brain and your  choice to either form something new from it yourself or let them do it for  you.”

5. Bad Magnitude

Costa: “Stretch your neck and bang away to the best instrumental you’ve  ever heard!”  

Stephen: “This is an easy one: there are no lyrics.”

6. Abortron

Costa: “Elon Musk is jealous he didn’t invent this robot who sucks the  lives out of your uterus!”

Stephen: “The lyrics for Abortron are disgusting and no one should read them.”  

7. Groundbreaker

Costa: “MUTANK goes back to their crossover roots with a short and  heavy killer!”  

Stephen: “Groundbreaker is a song about taking your destiny into your  own hands and serves to encourage those looking to blaze their own  path.”  

8. Metalheads for Hire

Costa: “Just what every metalhead needs… a job! We are for hire!”

Stephen: “Lyrically Metalheads for Hire is about working a 9 – 5 while  thrashing on the side.”

9. Running Reds

Costa: “The only song that features a slow breakdown. The main riff is  pure heavy and fast which will make you run every red.”  

Stephen: “Lyrically Running Reds is about going on a joyride-bloodbath  ending in disaster.”

10. Thrash Primordial

Costa: “The continuation of ‘Thrashback to the Past’ off our first album. It blasts you in the face with the opening riff and continues on blasting,  finishing off with some guitar duels. Good luck trying to put your melted  skin back on your face!”

Stephen: “Lyrically it’s a sequel to the final track from our first album  where we return to the future from prehistoric times to discover metal  has been destroyed and we need to bring it back!.”

[Download Album Cover | Download Album Lyrics]

Band: MUTANK
Album Title: Think Before You Think
Release Date: November 29, 2024
Label: Boonsdale Records

Track Listing:
1. Illuminatus – 6:14
2. Payback – 5:24
3. All Against All – 4:43
4. Channel Change – 5:11
5. Bad Magnitude – 5:30
6. Abortron – 3:37
7. Groundbreaker – 2:08
8. Metalheads For Hire – 5:37
9. Running Reds – 6:27
10. Thrash Primordial – 4:40
Album Length: 49:38

Album Credits:
All songs performed by MUTANK
All songs written by MUTANK
Produced and Mixed by: Olivier St-Pierre and MUTANK
Mastered by: Tony Colgan and Stephen Reynolds
Album Artwork by: Stephen Reynolds

Album Band Line Up:  
Stephen Reynolds – Bass and Vocals
Ahmed Saad – Drums
Costa Skoulikas – Guitar
Chris Nascimben – Guitar

Song Credits
1. Illuminatus – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
2. Payback – Stephen Reynolds, Ahmed Saad, Costa Skoulikas, Steven Been
3. All Against All – Stephen Reynolds, Ahmed Saad, Costa Skoulikas, Chris Nascimben
4. Channel Change – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
5. Bad Magnitude – Stephen Reynolds, Ahmed Saad, Costa Skoulikas, Chris Nascimben
6. Abortron – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
7. Groundbreaker – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
8. Metalheads For Hire – Stephen Reynolds, Ahmed Saad, Costa Skoulikas
9. Running Reds – Stephen Reynolds, Ahmed Saad, Costa Skoulikas, Steven Breen
10. Thrash Primordial – Stephen Reynolds, Ahmed Saad, Costa Skoulikas

Live line-up:
Stephen Reynolds – Vocals/Bass
Ahmed Saad – Drums
Costa Skoulikas – Guitar

Left to Right: Ahmed Saad (Drums), Stephen Reynolds  (Bass, Vocals), Costa Skoulikas (Guitar), Chris  Nascimben (Guitar)

Photo Credit – Kat Dydyk

Canadian thrash maniacs MUTANK return with their newest collection of bangers and first taste of new neck-breaking tunes in seven years since releasing their mosh heavy EP “W.H.A.T.S.T.H.A.T.” in 2017 via Boonsdale Records.

Entitled “Think Before You Think” will be released once again on Boonsdale Records on November 29th, 2024, and features ten volcanic thrash tracks to blaze a new path to jackhammer a pure audio assault. Live favourites such as “Running Reds”, “Abortron”, and “Thrash Primordial” are sure to please die-hard fans for easy repeat listens.

Vocalist/bassist Stephen Reynolds comments:

“We want this album to energize people and make them feel the way we do when we listen to some of our favourite artists. This album is the most material we have ever put out! 50 minutes of pure metal across 10 tracks. The songs really picked themselves as we kept writing tracks we really enjoyed playing.”

With a passion for classic thrash and a desire to play radical riffs, MUTANK made a deservedly big splash on the Canadian metal scene with their debut EP “M.E.C.H METAL” and a performance at Wacken Open Air after being declared champions of the 2014 Wacken Metal Battle Canada competition.

With their distinctive sound, the band moved forward in 2017, touring across Canada supporting ANNIHILATOR alongside Australia’s MASON in support of their EP “W.H.A.T.S.T.H.A.T” (Boonsdale Records). Metal Injection also named the band “1 of 8 Hidden Gems in Canadian Metal You Need To Know” (Read here).

2024 will be a tour de force for MUTANK with the launch of “Think Before You Think”. Fans of D.R.I., Suicidal Tendencies, Havok, Megadeth, Overkill, and Exodus are sure to join them in the pit when it releases on November 29th, 2024 on Boonsdale Records.

Discography:
2024 – Think Before You Think – LP
2017 – W.H.A.T.S.T.H.A.T. – EP
2014 – M.E.C.H. Metal – LP

Shared stage with:
Annihilator, D.B.C., Dayglo Abortions, Skull-Fist, Lich King, Entropy, Mason, Screamer, Fatality, Warsenal

Tours/Festivals:
2017 – Main support on Annihilator tour – Canada
2014 – Wacken Open Air, Wacken, Germany

0 EPK – Mad Parish – The Dust of Forever (2025) – Out January 31st

  • October 29, 2024
  • by Asher
  • · EPKs · Mad Parish

EPK – Mad Parish – The Dust Of Forever (2025) – Out January 31st

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The album is a departure from our traditional sound, however, the singalong choruses are very much intact as well as elements of the first album in an expanded form. This is a full concept album, which transports the listener to another universe through the story, and enables new aspects to be discovered in repeated listens due to the layering of sounds and textures throughout all the songs.” – Mad Parish

For fans of Iron Maiden, Virgin Steele, Camel, Rush, Rainbow

Band: Mad Parish
Album: The Dust of Forever
Release Date: January 31, 2025
Label: Self-Release

Madparishmetal.com | Facebook.com/madparishmetal | Youtube.com/@MadParishMetal | Instagram.com/madparishmetal

Madparish1.bandcamp.com | Soundcloud.com/madparish | Spotify

“where some bands call the lyrics the story and leave it at that, not Mad Parish. They’ve actually made a full comic book as well to go along with the record” – Decibel Magazine

“We all know the prog metal genre is still overflooded by bands from all parts of the world. I stopped trying to keep updated in the genre many years ago, but sometimes there are bands that impress on me – or at least bring something different to most other bands in the genre. Montreal (Canada) band Mad Parish is a band I’d like to bring to your attention. They have a sound that comes closer to the end of the 80’s and early 90’s, which I like a lot. And the lead vocalist Josh McConnell has a very interesting voice, a bit like an early Ozzy Osbourne. Futhermore, they are not as progressive as your ’average’ prog metal act, and some songs can be described as ’hard rock with hints of prog’ – where others are true prog metal songs… well worth checking out, as this album offers something a little different to many bands.” – Melodic.net

““The Dust of Forever” is filled with material that will grab you right away but your appreciation will continue to grow with each additional spin.  As I sit here writing this review and listening to the title track unfold (which btw is the last “song”), I’m already looking forward to hitting that repeat button to start this metal opera again.  While I admit there is no one track that stands out, I’m realizing that the whole record stands out and works best when listened to from start to finish.  This record may have taken many years to complete but it is worth it.  2025 is starting off with a bang and “The Dust of Forever” is a great way to usher in the new year.” – Wormwood Chronicles

“Progressive with classic riffs and a voice reminiscent of Ozzy. Overall, an interesting record that takes some getting used to ( because of the many interludes, but should not be underestimated. I find 8 out of 10 Hellfire points Canadians are allowed to attach themselves to their album.” – Hellfire Magazin

“For the Mad Parish comic, I must say that this booklet has certainly scored a more than enough score; the story, a fanciful epic with an entertaining mix of sci-fi and religious ingredients is a great pleasure, and the drawings may be somewhat “-easy” modern, but still of such quality, that really makes it worth taking a seat.” – Rock Portaal

“Josh McConnell’s vocals are a ray of hope because the singer exudes a lot of charisma and partly reminds me of a young Ozzy Osbourne… fine compositions such as ‘Ouen Formation’, which does it quite convincingly, to combine the prog page of IRON MAIDEN with GENESIS in the early Collins phase and even give you a good catchy tune.” – PowerMetal.de

“Somewhere between the melodic prog rock a la Asia to Rush, and the spicier NWOBHM of something in the direction of Praying Mantis; that’s how the music of The Dust Of Forever comes across to me. Names such as BOC, Boston or Iron Maiden can also sometimes appear. Mad Parish seems to belong to the NWOTHM movement; or the New Wave Of Traditional Heavy Metal. Very catchy, beautiful pieces with harmonic melody lines… The compositions are absolutely of top level, as are the appropriate and melodic ( often high) vocals and I also really need to mention the guitars. The technical interpretation of the rhythm section may not be as clear as, for example, the aforementioned Rush, but this is also just fine. With so much keyboard available, I had a completely different scene in mind for the title Transmission #2 Will Of God, but no (kerk) organ or gospel; We hear a wonderful jazz-freaky Fripp-like piece of work. This album is well put together and also contains some surprises.” – Rock Portaal

“A traditional and original album at the same time, whose intensive listening and acquisition should be added to the list of your good resolutions for the year 2025.” – Music In Belgium

“These Canadian trad metallers take us deeper into the story of their forthcoming concept album – and comic book – with a song which very much draws from how Black Sabbath recorded ‘Paranoid’, in that it was thrown together as a last-minute album filler but could become one of their defining musical moments’ – Uber Rock

“an ambitious heavy metal album that offers a mix of complex musicality and concept-oriented lyrics.” – MetalUnderground.at

“the album weaves an original story through a tapestry of Heavy Metal, following the journey of Joe, an immortal protagonist caught in a universe-threatening cataclysm, promising to transport listeners to another realm, with layered sounds and textures that reveal new aspects with each listen… Fans can look forward to an immersive album experience… one of the most innovative bands hailing from Montreal.” – The Headbanging Moose

“This one is red hot folks, the new album “Dust of Forever” from Mad Parish arrives today and it’s impressive. Track after track of ‘New Wave of British Heavy Metal’ that melds with progressive rock and in the end you have one kickin’ album man. Catch tracks from Mad Parish & “Dust of Forever” on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll

“A balenottero of one minute that is articulated in as many as twenty-one chapters, the new album by the Canadians Mad Parish, moreover accompanied by a proper comic book. An ambitious and certainly demanding undertaking in terms of resources put in play, which however seems to have all the cards in order to satisfy those who decide to give a chance to the bizarre North American sextet. From a stylistic point of view, we are faced with a metal work in every respect, which takes root in the dictates of prog and develops organically leveraging the aesthetics dear to the pioneers of NWOBHM: starting from this assumption, we encounter the cosmic adventures of an immortal hero who throughout his journey in space finds himself facing apocalyptic disasters and daunting challenges. Events that unfold alongside the musical dimension, which becomes a real soundtrack accompanying a series of brilliant and well-structured insights. The plots developed by the group are decidedly valid from a qualitative point of view: the interpretation of the ensemble is virtually flawless in its exaltation of experimental phrases and dramatic impactful moments.” – Rock Hard Italy

“There are quite a lot of songs on the album, and a lot to discover, because MAD PARISH is very diverse. The mixture of classic rock and classic metal styles works really well on this Space Rock Opera concept album, which comes along with a lovely comic book that tells the story you can hear on the album. In case you’re not familiar with any of the aforementioned bands, I could easily go for a description like IRON MAIDEN meets HAWKWIND, but that wouldn’t be fair, because MAD PARISH has a sound on their own that mixes classic rock, space rock and classic metal into an exciting long journey you need to experience yourself if you’re able to get the vinyl edition of the album. Check out this sensational band. 8.5/10 ” – Strutterzine

“MAD PARISH threw open the flood gates with their brand of high octane Heavy Metal in the spirit of the old guard and seeing them open for Grim Reaper on a smaller stage not long ago, it is clear that a bigger space is exactly what the band needed! Loads of onstage prancing and members’ charisma gave the audience a jolt to quickly “get in the groove”! Hook laden and punchy, the songs are such that they stay in the headspace long after they’re played. “A Stitch in Crime” and “To Build a Fire” (among others) struck a chord as singer, Josh McConnell’s confidence and onstage appeal made it easy for fans to sing along. Gyrating in unison, the players playfully performed their hearts out without missing a beat, harkening back to a time when the NWOBHM was just getting into full swing!” – Ondes Chocs (Live Review 2014 opening for Skid Row in Montreal)

“Montreal’s MAD PARISH kicked off the festivities with a strong performance, harking back to the early 80`s tradition, both in terms of sound and look! Singer, Josh McConnell appeared like an untamed Heavy Metal wrestler, flaunting traditional 80`s style black spandex and belting out a vicious scream under long locks of curly hair (ala. Chuck Billy of TESTAMENT)! Meanwhile the three guitars raged behind, accompanied by a rhythmic bass and drum tempo that kept the energy high. Wasting no time in « delivering the goods », MAD PARISH certainly have synchronized their performance from headbanging in unison to dual vocal harmonies with the guitarist to including a dry ice effect that may have been a bit too thick at times. Nevertheless, the band played a flawless set with the players clearly having the time of their lives!” – Ondes Chocs (Live Review 2014 opening for Grimm Reaper in Montreal)

“Darkness Befalls This Cursed Land, Without Chains, Red Baron and the title track, just to name a few tracks from this collection of songs, will make you want to dust off old records now left in the hands of dust, a sign of a time that passes inexorably, hit to the heart by melodic solos, choruses to scream to the sky and rhythms as hard as steel, forged in the sacred temple of hard and heavy, which turn into lethal weapons in the hands of the Canadian band. A great job, absolutely to be rediscovered for lovers of old school metal.” – Iye Zine (Album – 2014 – Procession)

““Procession” is a solid album for what it is and certainly worth a listen to if you’re want an easy listen to whether you want to get into some kind of metal or maybe just progressive metal itself. It has a really good sound to it that is something that I would personally listen to casually whenever I needed something different to fill my ears, and Mad Parish is perfect for that for me. For other’s this is something you’d jam to all day every day simply because you think it is the absolute shit. But either way, “Procession” is definitely a noteworthy album to check out if you’re looking for something different and interesting.”- Headbanger Reviews (Album – 2014 – Procession)

“. A good album to turn on in the evening over a cold beer and forget about the problems” – Gloria Metalus (Album – 2014 – Procession)

Best of Montreal (Montreal Mirror) Heaviest Local Act 2009, 2010, 2011 (in the top 3)

Radio CJLO number 1 song “Stitch In Crime” for 3 months(Album – 2014 – Procession)

Heavy Metal Gems top 20 metal albums of 2014 (17 out of 20)(Album – 2014 – Procession)

[Download Album Cover | Download Album Lyrics]

Band: Mad Parish
Album: The Dust of Forever
Release Date: January 31, 2025
Label: Self-Release

Track Listing:
1. Prophecy – 1:30
2. Defecther – 4:32
3. Possess The Child – 4:45
4. Outerest In Irisius – 1:34
5. Ouen Formation – 6:35
6. Hunted – 1:51
7. Astra T.R.A.Z (Tower Reformatory Asteroid Zone) – 4:42
8. Transmission #1 Dream On – 1:40
9. Resistius – 6:44
10. Aeternal – 1:44
11. An Age To Quell – 4:05
12. Transmission #2 – Will Of God – 2:04
13. Loched – 3:24
14. Cathedron Wakes – 5:37
15. Book of Rites – 1:06
16. Bishop’s Tomb – 3:32
17. Transmission #3 – Baz Raa Luum – 1:46
18. The Experience Hunter – 5:04
19. Trajectory: Tantus – 2:02
20. The Dust Of Forever – 5:11
21. Hail To The Hunter – 1:01
Album Length: 1:10:40

Album Recording Credits:
• All songs performed by: Mad Parish
• All songs written by: Josh McConnell & Bob Eaglesham
• Produced by: Mad Parish
• Mixed by: Andre Bisson, Josh McConnell, Bob Eaglesham
• Mastered by: Phillipe Gagnon
• Album Artwork by: Niall Skinner
• Member of SOCAN
• Canadian Content (MAPL)

Album Band Line Up:
Josh McConnell – Lead Vocals, Guitars, Bass (Track 8)
Bob Eaglesham – Guitars, Vocals, Bass (Track 18), Drums (Track 18), Keyboards (All Tracks except 8, 12, 15, 18, 19)
Andre Bisson – Keyboards (All Tracks except 1, 4, 6, 10, 12, 17, 21), Piano (Track 15)
Peter Mika – Keyboards (2nd keyboard solo on Resistius Track 9)
Patrick Latreille – Bass (All Tracks except 8, 18)
Paskal Belanger – Drums (Track 2,3,5,7,9,13,14)
Gopal Devanathan – Drums (Track 11, 16, 20)
Tony Spina – Drums (Track 12)
Jeff Louch – Piano (Track 12)

Live Band Line Up:
Josh McConnell – Vocals
Bob Eaglesham – Guitar, Vocals
Aaron Carbray – Guitar
Andre Bisson – Keyboards
Gino Laposta – Bass
Max Rex – Drums

[Download Comic Book]

Comic Book Credits:
Story – Josh McConnell
Artwork – Niall Skinner
Editing – Rahl Stafford
Design – Maximus Rex

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About The Album Artwork

About the album as a whole (LYRICALLY & MUSICALLY)

The album is an original story written by Mad Parish that is told through the tapestry of a soundtrack that chronicles the journey of Joe, the protagonist. Through events beyond his control, he discovers that he is immortal and that cataclysmic events are about to take place endangering the universe in which he lives. He also finds out that he has an important role in this process, through an ancient text prophecy hidden for eons. The story is told through the music of Mad Parish, rooted in traditional heavy metal with embellishments in new textures and sounds.

Track by Track (LYRICALLY & MUSICALLY)

1. Prologue – The prophecy is spelled out in short form, spoken by Cathedron, and the music sounds like Angelo Badalamenti was commissioned to compose the music for the next Zelda game.

2. Defecther – The ‘Lasters’ decide to execute the newborn female child (Arla) which is against their religion – however, Bishop Cadfael who is aware of a hidden prophecy steals her away and escapes. Musically its Van Halen’s ‘Jump’ deciding to gallop instead.

3. Possess The Child – Cadfael returns to and ancient mining planet (Earth) and performs a ritual on a human female. Musically there is a ‘Band On The Run’ influence which also includes action such as Cadfael’s ship crashing.

4. Outerest In Irisius – Cadfael’s moment of tranquility after the significant events that have just taken place. Musically, right out of Camel’s playbook of 70s folk-prog.

5. Owen – Formation – Cadfael settles on planet Owen, and raises Arla at the same time guiding Joe through the transmissions of a sonic blue light. Musically, this has echoes of a classic 80s ballad, with some heavier Metallica-esque elements from ‘One’.

6. Astral T.R.A.Z (Tower Reformatory Asteroid Zone) – Joe wakes up in Astrat.R.A.Z, a massive prison constructed on a comet. Musically, its John Carpenter who listened to too much Jethro Tull.

7. Hunted – Incidental music illustrating the chase that occurs after Joe escapes from Astrat.R.A.Z with the help of Arla. Musically its pure John Williams a la Empire Strikes Back.

8. Transmission #1 Dream On – The first of three intercepted transmissions Joe and Arla receive through their makeshift radio, this one coming from Earth. Musically, it sounds like a Jimmy Buffett residency at an old age home.

9. Resistius – Joe and Arla’s radio signal is intercepted by a rogue gang of space pirates who attempt to capture them for a bounty. Musically, its as if Exodus decided they wanted to be Rush.

10. Aeternal – Joe feels a moment of despair in knowing he will live forever and cannot bear to be alone. Coincidentally, shortly after Joe and Arla start a physical and emotional relationship, much to Joe’s relief. Musically, this is Pet Sounds in space.

11. Transmission #2 – Will Of God – The second transmission received by Joe and Arla’s radio, also from Earth. Musically, this is an apocalyptic cult chanting for the end to come, on top of a Jazz inspired version of Resistius.

12. An Age To Quell – Joe and Arla are forced to go their separate ways to fulfill their individual quests under impending galactic shifts. Musically, its Highway Star on steroids.

13. Loched – Joe finds himself back on Earth being pursued by the Executioner and he must resurrect an ancient Cathedron, hidden in the bottom of a Canadian lake. After witnessing events that reveal the validity of the hidden prophecy, the Executioner decides to help Joe. Musically, Candlemass would have been proud to see Mad Parish’s headbanging crowd.

14. Cathedron Wakes – The Cathedron, a robotic colossus and the last of its kind is awakened by Joe’s amulet, and the Executioner has now given the book of rites to him. Musically, this is a thrash song that all robots would love. The music attempts to recreate the machinations of a colossal machine.

15. The Bishop’s Rite – A piano intro foreshadowing the Bishop’s Tomb. Musically, it’s a solo piano intro.

16. Transmission #3 – Baz Raa Luum The third and final transmission received, this comes from deep within the Laster’s region. Musically, this is Laster’s devotional music.

17. Bishop’s Tomb – The Executioner desires to absolve herself of the crime of killing Bishop Cadfael, and does this by declaring her death site sacred and also his resting place. She also gives Joe the book of rites which is crucial to fulfilling the prophecy. Musically, a cinematic banger.

18. The Experience Hunter – On the precipice of the climax of the story, Joe has a moment of reflection on the events that have shaped and brought him to this crucial moment in time. Musically, Judas Priest’s Point Of Entry.

19. Trajectory: Tantus – Joe, piloting Cathedron travels through a series of wormholes to arrive at the site of the celestial battle that decides the fate of all. Musically, the Edison Twins dropped acid and plugged all their computers in at the same time.

20. The Dust Of Forever – The climax and conclusion of the story and the album. A new child is born, and order has been restored to the universe and the Laster’s are finally defeated. Musically, a NWOBHM bastard child matures into a power metal adult, in chapter form.

21. Hail To The Hunter – The victorious chant of the liberated masses heard across the newborn galaxy.

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BAND STORY ANGLES / FUN FACTS:

1. One of the main themes on this album is triumph over adversity, even when all seems hopeless. To find the inner strength to carry on in the face of seemingly insurmountable odds is central to the main characters. Oddly enough, even though the story was written a few years ago it feels as though it resonates more in today’s world – a world of instability, uncertain outcomes and a general mood of anxiety and hopelessness. The message we want to convey is that there is almost no limit to the untapped strength of the human spirit, to remain strong and steadfast in the pursuit of righteous endeavor.

2. The album in a way serves as the soundtrack to the story, which is why we included several interludes and intrumental pieces as well. We’re hoping this will give the album a flow to it, where periodically the metal stops and the music shifts gears, clearing the palate so to speak. It also gives the album peaks and valleys which is essential to any good narrative storytelling.

3. The recording process was about as chaotic as the events that occur in the story. It was recorded in several locations: Some drums were tracked at Breakglass Studios, at a jam space, and at Studio B-Son. Guitars were recorded direct and re-amped at Studio B-Son. Vocals were recorded at 2 separate home studios and everything has spent time traveling to various places through the internet and back.

4. For a time, we joked about this album being our version of ‘Chinese Democracy’ by Guns ‘N’ Roses because it took so long to finish. However, that isn’t really accurate because of the events that delayed the work – notably, the process survived a member having a heart attack, the global pandemic, files disappearing, equipment failures, cross platform sync issues, and busy members’ schedules. Undeterred, we soldiered on, and the results made it all worth it. Having said that, we probably won’t make an album like this ever again, but we can at least say we did it, and we did our best. In the end, its all about the songs.

5. Some years ago we drove out to Halifax in February to do a few shows. It was very cold, and on the way there the trailer blew a tire. We realized the jack for the van didn’t extend enough to lift the trailer, so we literally scavenged the area for pieces of wood to stack under the jack so we could change the tire. Later on we realized we were running out of gas and all the gas stations were closed. We drove for about 50 kilometres with the ‘Empty’ light on the gas gauge, putting the van in neutral to coast down hills and save every drop of gas. Somehow we made it to a gas station, and cheers erupted. The shows we did that weekend were some of the best to date, likely because we were all happy to be alive. On the way home, the other tire on the trailer blew out. To this day, we avoid doing any out of town shows in February.

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Mad Parish is a heavy metal band that hails from Montreal, Quebec. In existence for over 10 years, the band’s reputation as a formidable live act is well-established within the Montreal heavy music scene. Possessing a truly unique songwriting style, they effortlessly fuse NWOBHM styles with progressive rock and catchy sing-along melodies.

After releasing their debut album “Procession” in 2015 to very positive reviews, the band found itself in a rebuilding phase. Undaunted, they opted to recruit a roster of top-notch musicians already well-known to the music scene in their own right. To further up the ante, they decided that the new album would be expanded into a full concept album, complete with a story and a companion comic book. The ultimate plan is to launch the new album in a live setting with costumes, set pieces, and visual effects.

Mad Parish has a unique set of influences within its ranks. While heavy metal is the end result, the ingredients are extremely varied. Brewing beneath the surface of their music there are traces of NWOBHM, progressive rock, 70’s rock, 80’s new wave, punk, pop music new and old, classical, and jazz. The band, with their energetic stage show, has impressed audiences while opening for such acts as Skid Row, Grim Reaper, Udo Dirkschneider, Ripper Owens, Blaze Bayley, Steel Panther, Cauldron, Priestess, Off!, Cauldron, Holy Grail and Skull Fist.

Francais:

Mad Parish est un groupe de heavy metal originaire de Montréal, au Québec. Existant depuis plus de 10 ans, la réputation du groupe en tant que formidable groupe live n’est plus à faire au sein de la scène musicale heavy montréalaise. Possédant un style d’écriture vraiment unique, ils fusionnent sans effort les styles NWOBHM avec du rock progressif et des mélodies entraînantes.

Après avoir sorti son premier album « Procession » en 2015 avec des critiques très positives, le groupe se retrouve dans une phase de reconstruction. Intrépides, ils ont choisi de recruter une liste de musiciens de premier ordre déjà bien connus de la scène musicale. Pour monter encore plus haut, ils ont décidé que le nouvel album serait étendu en un album concept complet, accompagné d’une histoire et d’une bande dessinée d’accompagnement. Le plan ultime est de lancer le nouvel album dans un décor live avec costumes, décors et effets visuels.

Mad Parish possède un ensemble unique d’influences au sein de ses rangs. Même si le résultat final est du heavy metal, les ingrédients sont extrêmement variés. Sous la surface de leur musique se cachent des traces de NWOBHM, de rock progressif, de rock des années 70, de new wave des années 80, de punk, de musique pop nouvelle et ancienne, de classique et de jazz. Le groupe, avec son spectacle énergique, a impressionné le public en première partie d’actes tels que Skid Row, Grim Reaper, Udo Dirkschneider, Ripper Owens, Blaze Bayley, Steel Panther, Cauldron, Priestess, Off!, Cauldron, Holy Grail et Skull fist.

Discography:
2024 – The Dust Of Forever – Album
2014 – Procession – Album

Shared Stage with:
Jan.8th, 2017 – Udo Dirkschneider (from Accept)
Oct.27th, 2016 – Ripper Owens (from Judas Priest)
Sept.24th, 2016 – Blaze Bayley (from Iron Maiden)
Aug.6th, 2016 – Gr3 Nascar in Trois Rivieres with Alcoholica
Jul.14th, 2016 – Quebec City with Steel Panther (Festivale D’Ete)
Priestess (Katacombes, Mavericks, Café Campus)
Off! (Bovine Sex Club) secret show during CMW 2014
Skid Row (Corona Theatre)
Grim Reaper (Katacombes)
Cauldron (Katacombes)
Holy Grail (Il Motore)
Anvil (Katacombes)

 

0 EPK – CHÜZO – M.T.M.D (Maximum Threshold, Minimum Decay) (EP) (2024)

  • October 21, 2024
  • by Asher
  • · CHUZO · EPKs

EPK – CHÜZO – M.T.M.D (Maximum Threshold, Minimum Decay) (EP) (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Hopefully it will be received with open hearts and minds. The band has been trying to regain the buzz and hype, and with the new formation, we’re hoping to get more newer fans. The listener will receive a full audio assault upon all his senses from the heavy riffs, to the soaring vocals. This is finally what CHÜZO was meant to sound like after many years and many ex band members. This Mark III version of CHÜZO is the final evolution in the sound of CHÜZO.” – Cristian S (Guitars/Vocals) – CHÜZO

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, Fuck the Facts

Band: CHÜZO
EP Title: M.T.M.D (Maximum Threshold, Minimum Decay)
Release Date: November 15, 2024
Distribution: Distrokid

Instagram.com/chuzo.band | Facebook.com/chuzo.band | Youtube.com/@CHUZO514

Chuzomtl.bandcamp.com | Spotify | Apple Music

Digital EP – https://distrokid.com/hyperfollow/chzo/mtmd

 

TOUR DATES​
March 7 – Piranha Bar (Wacken Metal Battle) – Montréal, QC – info​
March 14 – The Atria – Oshawa, ON – info​
March 15 – Duffy’s Tavern – Toronto, ON – info​
March 16 – Doors Pub – Hamilton, ON – info

“‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest ” – Decibel Magazine

““Bruised and Broken” is definitely a rager. Mischa and Christian belt out the words in a tandem of furious screams and monstrous roars. Behind them, the song discharges high-speed percussive obliteration and punk beats, a violent churn of high-grit riffage, and bowel-loosening bass-quakes. The band also work in mean-eyed slashing chugs, a brutalizing breakdown that seems to get more thuggish but no less head-hooking as the seconds pass, an explosion of boiling and battering grindcore mayhem, and another hardcore beatdown that’s probably a sure-fire mosh trigger in a live show — with Mischa‘s screaming voice still coming for your throat with no-holds-barred intensity. Just this one song proves that for Chüzo the label “Aggro Metal” isn’t false advertising. It’s a gut-slugging, bone-smashing, vocally blistering, and viciously eviscerating outburst, and it also proves to be a pretty addictive piece of rage-fueled catharsis too. Speaking of live shows, the video gives a good sense of what the band’s live sets are about, and a good sense of how much fun they had beating the shit out of things in that rage cage.”- No Clean Singing

!earshot – December 2024 – top 20 loud – #20 – CHÜZO – M.T.M.D.
https://earshot-online.com/charts/2024/December/loud.cfm

“The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group’s ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities.” – Rock Hard Italy

“M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice.” – Amplify The Noise

“It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]” – Metal Noise

“CHÜZO have achieved several things on “MTMD (Maximum Threshold, Minimum Decay)” that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled “MTMD” are fast-paced in nature, mill into the ear canals at massive speed and –’s most important aspect – remains there… The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!” – Metal Division Magazine

“Their common points: knowing how to intelligently mix the best of grindcore mixed with Swedish death, with a touch of hardcore thrash from a punk perspective. Chüzo calls his music, « Aggro Metal ». The theme of their songs, telling their life experiences, shouting their anger at the traumas experienced. The kind of text that allows you to let off steam and make yourself understood even if you have gaps in English. Chüzo is a sort of best of aggressive metal music with this vengeful punk attitude: Chüzo would be a disciple of Napalm Death. Damn their music is good to hear. For fans of Sepultura and the Cavalera brothers, Chüzo is for you, Cristian S. sings with the same kind of vocal intonation as Max C. For Christmas, I would like Chüzo to tour the old continent within the next 2 years. If I had the means, I would participate financially in their future tour. There are small (et larger) concert halls waiting for you. The day we can do a concert at the Kjbi, Chuzo is automatically on the bill” – Margoth PDF Webzine

“Although the formation is stationed in Montreal, we are in fact in the presence of a real metal multinational, since three of the four members of the group come from the most disparate corners of the globe (Venezuela, Russia and Brazil). Different cultures and attitudes that have contributed to forging Chüzo’s artistic vision in a peculiar way, grappling with three pieces as explosive as they are original from the point of view of form. The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group’s ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities.” – Rock Hard Italy

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums) 

Photo Credit @stutteringuzii (Instagram)

Emerging from the Canadian capital of metal, Montreal, QC, Canada, CHÜZO is hitting the scene and beyond with a new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)” to mark the latest chapter and a true representation of what their sound was meant to be with the fresh new lineup who are hungry to showcase what this forthcoming record will spark.

Featuring three tour de force tracks produced by Kevin Jardine (Slaves On Dope), the EP is a full audio assault upon all the senses from the heavy riffs to the soaring vocals of Brazilian transplant and new vocalist Mischa M. She is joined by local first generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia whom all have found Montreal, Canada to be home to breed their self-described ‘Aggro Metal’, which can be described as grindcore mixed with Swedish death metal and a touch of thrash metal crossed over into hardcore punk.

“The sound of the band evolved from, initially, grindcore, to hardcore, to now Aggro Metal. The evolution had to be this way because of the influence of certain early members that were pulling the sound of the band into a musical lane that was not the initial idea. Nonetheless, after the latest band member changes, this current lineup is focused on making the sound that we have developed on M.T.M.D. This is finally what CHÜZO was meant to sound like after many years and many ex-band members. This mark III version of the band is the final evolution in the sound of CHÜZO.” adds Cristian S.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Factsm “M.T.M.D (Maximum Threshold, Minimum Decay)” is due out on November 15, 2024.

[Download EP Cover | Download EP Lyrics]

Band: CHÜZO
EP Title: M.T.M.D (Maximum Threshold, Minimum Decay)
Release Date: November 15, 2024
Distribution: Distrokid

Track Listing:
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

EP Credits:
All songs performed by CHÜZO
All songs written by CHÜZO
Produced, edited, mixed and mastered by Kevin Jardine at Uplift Recordings
Album artwork by @draught (Instagram)
Music is Canadian content (MAPL)

EP Band lineup:
Mischa Marmade – Vocals
Cristian Salamanca – Guitars and Second vocals
Alex Shlyannikov – Bass
Carlos Gutierrez – Drums

==========================================

About The EP Artwork:

The artwork design was created by @draught; and the band thought it was the best representation of what “Maximum Threshold, Minimum Decay” meant, as a person who is being driven down by life and society, to just withstand the abuse, the injustice, the mistreatment, and coming out of the other side with “minimum decay” from within his heart, mind, and soul.

About the EP as a whole (LYRICALLY & MUSICALLY):

This new EP will be a new chapter and a true representation of what the CHÜZO sound was meant to be with the proper musicians who are hungry to showcase what M.T.M.D. could spark. Lyrically, mostly vengeance, and the bad side of dedicating your life to achieving the revenge you wish to achieve in spite of your own life and sanity. And Brutal Social Justice

Track by Track (LYRICALLY & MUSICALLY):

1. The Brutalator: It is a character that comes to each town or village to reclaim social justice to anyone who has been mistreated by greedy and evil parts of humanity.

2. Brand New Cell: this track is about dedicating your life to achieving vengeance upon your enemies, yet sacrificing your life, your loved ones, and your own sanity to get your revenge.

3. Bruised and Broken: audio payback unto certain individuals who dared to try to sabotage the existence of CHÜZO.

==============================================

Fun Fact
1 – All members except one are from abroad. From Venezuela, Brazil, and Russia. And one native-born yet not-raised first-generation Canadian/Montrealer.

Shared Stage with:
– C.I.B.D
– Mistwalker
– Unwanted Noise
– Neon Ghost House
– Klawfield
– Carissa
– Steve and the Stabwounds
– Evil Villian
– Basement Dweller
– Gutser
– Tremble
– Worm’s Out
– Cystic Enbalment
– Soil of Ignorance
– Voidchaser
– .Poste
– T-Rex Marathon
– The le7tovers
– Wooden
– Red Raven Chaos
– Phear
– Duskwalker
– As the Structures Fail
– Crossing Swords
– Arnie & the Airwaves
– Insutra
– Noor
– Selias
– Please Stand By
– Personas
– Prophecies
– Dumbass
– Motorwolf
– Ghidorah

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