Canadian Thrashers TRISKELYON To Unleash Third Album “Shattered Elysium” Sept 2024; Streaming Single “Anarchy Avenue”
Out Sept 27th via Moribund Records
Canadian thrash metal Gods Triskelyon have returned, delivering stainless steel fury on their highly anticipated third album, “Shattered Elysium” this coming September 27th from Moribund Records.
Founded in 2021 by guitarist Geoff Waye of the acclaimed true metal band Category VI, Triskelyon burst onto the scene with a self-titled EP, quickly securing a deal with Moribund Records for their radio chart-topping debut album “Downfall” (2022). In the following year, they demolished expectations with their masterful sophomore release, “Artificial Insanity,” which earned rave reviews and dominated the radio charts for six weeks!
Triskelyon is again back to enthralling the metal world with “Shattered Elysium”. With their lethal third strike, Triskelyon’s band leader Geoff Waye once again drafted some of the finest emissaries of the Canadian metal scene. Enlisting the vocal talents of guests Amanda Kiernan (Into Eternity, The Order of Chaos), Eric Forrest (E-Force, ex-VoiVod), Tiina Teal (Détente), Amanda Jackman (Category VI), Armin Kamal (Infrared), Dale Drew (Sea Dogs), Fíochmhar (Artach), Des Mason and Pete Healey, this album detonates as a pure and true thrash metal masterpiece. The record features a unique style along with refreshing variations of thrashing classics! Traditional, yet intricate, drum duties are exceptionally executed by Raul Marques (Burning Torment), while Dwayne Pike, Keith Jackman (Category VI), Rick White, and Darrin Pope are conscripted on bass.
“Shattered Elysium” runs the gamut from pure 80’s thrash and speed metal to classic power metal, and traditional heavy metal, and even includes some brutal death-thrash. It attains an impressive new milestone in classic thrash metal, with far-reaching appeal across all heavy metal sub-genres. “Shattered Elysium” truly resurrects the glory days of the 1980s, while maintaining a fresh and modern sound!
In keeping with Triskelyon‘s tradition of closing their albums with an iconic cover, this release delivers a thunderous metal rendition of Duran Duran’s mega-hit “Hungry Like the Wolf.”
Today the band gives incite to the record with the first single “Anarchy Avenue”, which can be heard at the links below.
Geoff Waye adds about the track:
“For ‘Anarchy Avenue,’ I was thinking more about issues like urban decay, homelessness, corruption, the rich-poor divide, and how these factors contribute to the destruction and deterioration of some parts of cities. Problems like increased violence, crime, drug use, etc., all become more prevalent in such environments, as you can see in most cities. The vocals on this track are by returning guest Armin Kamal from the band Infrared. As always, he delivers a stellar performance with some guttural parts and plenty of soaring melodic thrash—how can you not love it?”
“It’s refreshing, for once, to discover a thrash band that aren’t geared towards utter devastation but, rather, crafting a record that an audience can simply put on and vibe to. With more than forty-five minutes to work with, the band still stuck to their guns and applied songwriting that saw every minute feel earned and needed for what their performance entailed.” – The Razor’s Edge
“Waye has shown he can write in any metal style and the guys he got together to perform are world class. The production is pretty big too so, if you like Megadeth, Agent Steel, Exodus, Overkill, etc. then there will be something on here that you like. Me? I liked it all! Hopefully, Canadian metal will be taken a bit more seriously with this release.” – My Global Mind
“classical Thrash Metal tracks and many 80s vibes.” – Metal-Temple
“Heavy, pounding, in-your-face, power metal-laced thrash” – Metal Crypt
“A who’s who of musicians in the Canadian Thrash scene! Riffs and soloing are nothing short of fantastic!” – MetalNoise
“Powerful at the right point but also epic, with sharp and anthemic vocal parts” MetalHead.it
“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability.” – FFM-Rock
“Minimal filler and maximum melody!” – Heavy Music HQ
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GIGANTUM Get Personal With Single Video “For All My Friends”
Debut S/T Album Out September 6th, 2024
L-R – BlareNBitch – Guitar/Vocals, Mia X – Vocals/Bass, Mark Lüntzel – Guitar/Vocals, Chase Manhattan – Drums
Photo Credit Mariana Fiel
Gigantum, a fresh rock band from Los Angeles, USA is ready to show the scene their unique flavor as they release their debut self-titled album on September 6, 2024. They are now proudly presenting their third single “For All My Friends”, which is another showcase of the band’s ability to blend personal stories with innovative music. Bassist and primary lyricist, Mia X reflects on the song’s creation:
“I love to write. I like hearing what everyone is thinking or feeling and then coming up with a story for it. I need to hear the music and feel it to know what I’m going to say. The instruments always tell a story. Is more poppy with a bit of anger behind it. It jams out all the emotion. It’s about losing friends either purposely or through misunderstanding or death and the complicated feelings that go along with that.”
The band further explains that each of them brings ideas from different musical backgrounds, but with the cohesiveness of having played together previously for a decade. This leads to heartfelt and complex rock n’ roll that is engaging, catchy, and will shake the foundations of all the venues it’s experienced live in.
“For All My Friends” is groovy, foot-tapping fun, and also a “Dear John” letter for anyone that you left or has left you. It is recommended for fans of Iron Blanket, Black Sabbath, and Clutch.
Watch and listen to the lyric video for “For All My Friends” via its premiere on Doom & Stoned HERE.
QUIESCENT MANTIS Unleashes Bass Playthrough For Their Furious Track “P.R.E.Y”
New Album “Here Comes the Swarm” Out Now! via Exitus Stratagem Records
L-R – Jordan Mckenzie (Vocals/Bass), Chris Trainor (Guitar), Johnny Mejia (Drums)
Photo Credits: Josh Martin (ProMotion LLC)
Hailing from Tennessee, USA, Quiescent Mantis unleashed primal fury with their debut album “Here Comes The Swarm” produced by Yanic Bercier (Quo Vadis, Gone In April) at WaveTransform Recording Studio this past July on Exitus Stratagem Records. The genre-defying release blends elements of hardcore, thrash, death, and metalcore into a whirlwind of relentless aggression.
Today, the band is unveiling their latest playthrough for “P.R.E.Y.” from bassist Jordan McKenzie, which was filmed during the winter months earlier this year in the Smoky Mountains just South of Knoxville. The playthrough takes you on a visual yet technical adventure while the song creates a feeling of being hunted down by what seems to be an unstoppable force!
Watch the playthrough for “P.R.E.Y.” via its premiere on Bass Musician Magazine HERE.
Formed during the tumultuous times of the COVID-19 lockdown, Quiescent Mantis emerged from the fusion of former scientists Chris Trainor, Jordan McKenzie, and Johnny Mejia. Previously employed by the enigmatic Sub-atomic Weight Of Acceleration Research Mechanics (S.W.A.R.M.), the trio embarked on a musical journey after inadvertently opening a doorway to the mantis homeworld during a particle collision experiment, exposing themselves to a mind-altering pheromone. Thus, the Chapter 1 demo was born in 2021.
Inspired by a love for old science fiction movies and thrash metal, Quiescent Mantis presents a unique, aggressive, groovy, heavy, and relentless sound that blends old-school metal techniques with new-school innovations. The band aims to provide listeners with a groundbreaking experience, combining elements of classic and contemporary metal in a manner never before heard. They are recommended for fans of Orbit Culture, Havok, and Power Trip.
“With this album, it truly shows not only how we come together as musicians but as storytellers. This album is all the best elements of thrash metal and science fiction horror movies put into one single package. ‘Here Comes The Swarm’ is the sound we created to release the swarm to the world.”
Show Dates:
Aug 24 – Battle Creek, MI – Michigan Metal Fest
Sept 14 – Knoxville, TN – Open Chord Stage – Mosh Out Of Darkness
Oct 5 – Jackson, TN – Metal Devastation Fest
Track Listing:
1. Open The Gates – 3:40
2. Here Comes The Swarm – 3:22
3. Apex Predator – 3:19
4. P.R.E.Y. – 4:06
5. Shake The Cage – 5:10
6. Breed. Feed. Repeat. – 3:30
7. Primal Form of Aggression – 3:52
8. Killer Bee, Killed – 2:34
9. Fight! – 3:32
10. This Is The End! – 2:38
Album Length: 35:48
Quiescent Mantis is:
Chris Trainor – Guitarist / Backup Vocals
Jordan Mckenzie – Bass and Vocals
Johnny Mejia – Drums
“Loaded with battle vests, beer, baldness and breakdowns, Quiescent Mantis have delivered a highly entertaining four minutes into the conversation (Primal Aggression Music Video).” – Decibel Magazine
“QUIESCENT MANTIS does a great job, delivers strong performance and is also well positioned in terms of craftsmanship.” – PowerMetal.de”The trio takes thrash metal and punches in hardcore and death metal for a release complete with constant twists.” – Heavy Music Headquarters
“An album to seek out if a fun and engaging trip into an extreme metal meets thrash metal type of universe is a prospect that intrigues you.” – The Viking in the Wilderness
“Biting down on a stick the trio then get anvil heavy with groove laden title track “Here Comes The Swarm“, an intense tune with a cool bass solo and the kind of vocal brutality that might make you think this was another band entirely. Dirty, dirge laden riffs dredge the lake in search of corpses and the result is a headbangable mosh pit filler than is absolutely delicious.” – Metal Noise
“Here Comes the Swarm is a testament to Quiescent Mantis’ ability to turn an extraordinary backstory into a powerful metal experience. The album’s intricate blend of aggressive sounds and thematic depth makes it a standout release in the metal genre.” – Amplify The Noise
“‘Primal Form of Aggression’ thrives on an exquisite use of the mid-range power chords in the opening riff. Then, the trio force a hardcore beatdown crunch on the listener like vigilantes cleaning the hoodlums off their streets. Dimebag Darrell’s DNA is all over these chunky guitar constructs. The spaced-out breakdown at the end is a generous gift for a live audience to appreciate.” – Scream Blast Repeat
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HEINOUS EXSANGUINATION Unleashes Putrid Single “Vile Rotting Mass” ft. Angel Ochoa (Cephalotripsy, Abominable Putridity)
Debut EP “The Stench of Decaying Flesh” Out Sept 2024 via Gore House Productions
Left – Mitchell Christian (Instruments and production), Right – JP – Vocals
Photo credit – Heinous Exsanguination
Los Angeles, USA’s Heinous Exsanguination is back for another round of putrid, brutal devastation with their newest single “Vile Rotting Mess”, which comes out today. This is the second release from their upcoming debut EP “The Stench of Decaying Flesh”, set to release on September 6, 2024, on Gore House Productions. This track is another display of blistering slam featuring the guttural ferocity of Angel Ochoa (Cephalotripsy, Abominable Putridity). The band rips open the track, for a deeper look inside:
“This song starts with a brutal lo-fi Slam riff into a head-spinning intro that will surely make the ancient primate within you want to dance. The song then explores different riffs including hardcore-like riffs fused with the classic Slam we all know and love. Don’t forget blast beats either. If you aren’t exsanguinated by two minutes into the song, you’ll hear slam/brutal death metal legend, Angel Ochoa spit the filthiest vocals known to man over once again, that classic Slam riff.”
Lyrically, “Vile Rotting Mass” depicts the grotesque decay of a once-vibrant entity, exploring hopelessness, death, and decomposition. This track takes the listener deep into a macabre realm of rotting flesh and unrelenting heaviness. Angel Ochoa‘s signature gutturals complement JP’s raw intensity, creating a pure death metal carnage cacophony.
The upcoming EP “The Stench of Decaying Flesh” brings nothing less than a relentless assault on the senses, combining crushing riffs, punishing blast beats, and horrifyingly brutal vocals. It is recommended for fans of PeelingFlesh, NecroticGoreBeast, and Traumatomy.
Listen to “Vile Rotting Mass” ft. Angel Ochoa (Cephalotripsy, Abominable Putridity) via its premiere on NoCleanSinging HERE.
Track Listing:
1. Engorged With Hatred (2:14)
2. Vile Rotting Mass (ft. Angel Ochoa of Cephalotripsy) (2:57)
3. Savage Evisceration (2:12)
4. The Stench of Decaying Flesh (ft. Azerate Nakamura of Ungraceful) (2:04)
5. Severed Limbs, Mangled Remains (ft. Richard Smihula of Desoectomy) (2:32)
6. Bodies Open Easier Than You’d Think (2:18)
7. Meat Cleaver Meltdown (2:15)
The Wring – Nemesis (2024) (WormHoleDeath Records) – Out Sept 27th
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
“I like to think that every album finds new ways to expand on my vision. Nemesis feels like the most cohesive record to date and there are a couple of tracks that are more accessible than anything previous so it may attract a new range of listeners. I also called this record ‘Nemesis’ because every song deals with some sort of conflict; mostly with an adversary that is either unseen or difficult to overcome. The music is similarly juxtaposed, with hard rock and metal mixed with jazz and prog elements. It makes for interesting listening but all within 5 minute songs. There is also plenty of wankery for metalheads and proggies.” – Don Dewulf – The Wring
Band Name: The Wring Album Title: Nemesis Release Date: September 27, 2024 Label: WormHoleDeath Records Distribution: Aural/Orchard
“Prog’s Tracks Of The Week (Aug 16)” – The Sword – The Wring – Prog Magazine
“There is a distinct, and quite energetic, 90s prog feel to Nemesis, reminiscent of bands such as Watchtower and Galactic Cowboys. The songs are loaded with intricate drumming, rock-solid bass playing, and great riffs and solos. Hache’s vocals may not work for everyone but they do for me, making this a super addition to any prog fan’s catalog. 4/5″ – Heavy Music HQ
“A lesson in classic and modern prog metal! Had Doug Pinnick and Jim Matheos come together for a joint project in the late 80’s, throwing together the progressive list of one with the groovy cornerstones of the other background band, wouldn’t it be so unlikely that the fantastic output wouldn’t stray too far from the Canadians at THE WRING in terms of sound. The band has already released three notable records in the past and has also attracted international attention with “Spectra” (2022)… THE WRING has already created some exciting moments on “Spectra”; However, “Nemesis” is finally the Champions League format that a trio with such advantages would actually have belonged in from the start. 9/10″ – PowerMetal.de
“Heads up prog-metal fans! Canada’s The Wring have a hot new number with “The Sword” and it’s not messin’ around. An early peak from their forthcoming album “Nemesis” due to drop on Sept. 27th, “The Sword” is complex with high power riffs, solos, a double kick throughout and soaring vocals that makesfor a beast of a track. Catch “The Sword” from The Wring on your Home for the Best New Rock…W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll
“This album marks a significant step in the band’s journey, showcasing a more cohesive and refined sound that blends their heavy rock roots with progressive and jazz influences. With eight tracks spanning just over 40 minutes, “Nemesis” adds a new, technical twist to progressive metal. – The Prog Space
““Nemesis” is a must for prog metal aficionados and their future is bright.” – Wormwood Chronicles
“recommended to every fan of technically perfect, slightly metallic prog rock, great bass lines” – Betreutes Proggen
“The hard prog songs are powerful and impress in their arrangements.8/10″ – Soundmagnet
“9 years and 4 albums into this band’s career have helped create some astonishing prog metal. It can get as catchy as hard rock radio, it can get as adventurous as jazz metal, and everything in between. I hear as much from bands like Watchtower as I hear as proggier sides of Between The Buried and Me and Cynic. There’s a dark sense of curiosity going on throughout the album that keeps it intriguing. If this sounds like it could be for you (keeping in mind it is all clean vocals), this is more than worth your time. It’s mesmerizing music written without being too wanky and written for the sake of fretboard Olympics, this is authentic. Seriously, give it a spin if you need some throwback but modern prog metal in your life.” – Heavy Debriefings
“Canadian band The Wring are out with the album “Nemesis”, and progressive rock is the style explored on this production. It is a variety of hard progressive rock we get in this case, by a band that does flirt ever so slightly with some metal attitudes along the way too. But in terms of expression and execution, I’d rather place this band in a similar kind of context as Canadian giants Rush. The songs are at least superficially straight forward sounding affairs, but with minute, subtle and quirky instrument details and structural changes taking place in a seamless manner. Occasionally with more overt alterations taking place too, on a few occasions reminding me ever so slightly about Voivod in the manner of how such alterations are executed. There is a bit of a classic rock element present here too, again with similarities to aforementioned Rush in that department, and the landscapes explored on this album should also have a reach and an appeal beyond the progressive rock universe due to that factor. The Wring strikes me as a band that explore a variety of progressive rock with a similar attitude as Rush in many ways, but making use of more contemporary impulses as they traverse the landscapes they explore. And I’d hazard a bet that many of the people that find that description interesting will find this album to be an enjoyable one.” – Progressor
“There is something about this band which reminds me of a combination of Mastermind and Rush, but given they are Canadian it is perhaps not surprising that they have picked up some of those influences along the way. There is no room to hide in a trio, and each of these guys are on fire, happily blasting away doing whatever needs to be done to ensure the metallic beast which is The Wring keeps on blasting. It starts at the base, with a rhythm section who are content to both provide the platform and take lead roles when the need arises, a singer who is very good indeed (not sure why he did not sing on the last album, which I have not heard), and a guitarist who likes to provide thick licks and plenty of multi-tracking so the sound is always good and heavy. They are much more heavy rock/hard rock than anything else, but the prog and jazz tendencies have just enough to push them out of the normal metal mainstream, so I can see why they were accepted by Heavy Prog on PA, but I can imagine it was an interesting discussion. I thoroughly enjoyed this and look forward to seeing what they come up with next.” – Prog Archives
“Here’s one for prog dorks. This outfit’s third outing (Spectra) features drums by Marco Minnemann so you know the rhythms are mad. The regulars in the band ain’t slouches either though. This is intricate and melodic prog done well.” – Metal Injection (The Wring – Spectra – 2022)
“A band composed of top artists from the world prog scene, each of whom brings their own style to the band’s sound. Technique and energy, melodic passages, dynamic and expressive vocals and elaborate instrumental sections characterise the album. A recommended listen for all lovers of Progressive Metal sounds, an album to listen to again and again, always managing to give us positive emotions.” – Progressive Rock Journal (The Wring – Spectra – 2022)
“Tired of prog metal bands who fire away odd rhythms, fast solos and complex arrangements? Half of them trying to sound like Dream Theater but all failing completely? Look no further. The Wring from Canada offers great musicians who find their own way through the prog metal jungle. I said great musicians and I really stand for that. Or how about Marco Minneman (drums), Chandler Mogel (vocals), Don Dewulf (guitars), Reggie Hache (bass, keyboards) and Isamu McGregor (keyboards)”… Sometimes they are a bit more commercial, like in the first song ”Stiletto”, reminding me a lot of Threshold. Other songs bring a bombastic wall of sound, with riffs do die for – ”The Wolf” is a great example. The early parts of ”Fallen” has some Rush vibes (of the later and more rock base Rush era) and also softer parts Mogel is a very good vocalist, and he can alter his voice a lot. Something of a voice chameleon!” – Melodic.net (The Wring – Spectra – 2022)
“The opening notes of ‘Sins’ remind me of the opening salvo in Judas Priest’s ‘The Ripper’. Some of the riff structures are also reminiscent of Priest and it’s another great track.” – TheProgSpace (The Wring – Spectra – 2022)
“The third album Spectra by the Canadian progressive rock project The Wring is downright infectious with its joy of playing and catchy Hard Prog Rock songs. There really is a lot of light and very little shadow here.” – Soundmagnet (The Wring – Spectra – 2022)
““Wring² Project Cipher comes with a heavy, classic rock feel, but there’s an epic, questing nature to tunes like Sorceress, Steelier and Dose that pushes The Wring beyond metal norms and into prog territory.” – Prog Magazine (The Wring – Project Cipher 2021)
“Here we have some progressive metal/classic metal, getting a little more into some more typical prog metal with good technical/complex stuff and yeah, keyboards!” – The Moshpit 89.9 FM – Madison, WI (The Wring – Project Cipher 2021)
“The extreme professionalism on display throughout this entire album, although a labour of love, is a true master class of musicianship performed by musicians who are truly at the top of their game, making the industry what it is today. The sheer attention to detail is a credit to each and every performer as they tailor their craft neatly and precisely throughout every track, with nothing less than perfect being the order of the day.” – Stargazer Music Magazine (The Wring – Project Cipher 2021)
“Overall, the entire album is laden with a rich tapestry of sound and lyrics, well thought out and carefully developed by founder member and visionary Don Dewulf, taking the listener on that perfect journey of thought, and is a credit to its makers gathering no dust in any collection. 10/10” – Stargazer Music Magazine (The Wring – Project Cipher 2021)
“Thanks to his renowned session musicians and original compositions, The Wring is a refreshing discovery that offers a personal reading of modern metal. 4/5” – Music Waves (The Wring – Project Cipher 2021)
“What sounds at first to be a straight-forward rock album, turns out to be so much more. It’s a tad short, but sometimes less is more. You can hear many influences in these tracks, some of them familiar, but The Wring have stamped their own identity all over it. This should keep you going for the time being but expect more from Don Dewulf with The Wring3 already in the recording stage!” – The Prog Space (The Wring – Project Cipher 2021)
“Dewulf’s guitar work shines throughout, at times reminiscent of Alex Lifeson in his prime, such as his powerful solo on ‘Steelier’ which soars above the raging musical maelstrom below. There’s even a funk-infused breakout on ‘Dose’, which is infectious with its driving hook. It’s an absorbing record, one that takes time to soak in, but several plays ensure that it’s burnt deep into the memory. When those end-of-year lists come round, ‘Wring² Project Cipher’ is likely to be pushing for a slot.” – The Razor’s Edge (The Wring – Project Cipher 2021)
“The Wring generally succeed at what they’re going for—Dewulf has produced a fun, catchy record. Particularly on the album’s middle section (“Cipher,” “Steelier” and “Dissension”), there’s some great songs with great riffs. If you’re after some new prog, you could do a lot worse than this album, and I found it quite hard to score.” – Angry Metal Guy (The Wring – Project Cipher 2021)
“The overall sound is something like the heavier side of Rush, with hooks and melodic elements smoothing out the guitar crunch, making this very accessible.” – The Progressive Aspect (The Wring – Project Cipher 2021)
Band Name: The Wring Album Title: Nemesis Release Date: September 27, 2024 Label: WormHoleDeath Records Distribution: Aural/Orchard
Track Listing: 1. Badlands – 5:13 2. The Nail – 5:29 3. Blur – 4:17 4. The Sword – 5:37 5. Before I Disappear – 4:39 6. Welshrats – 5:18 7. Dark Passenger – 5:20 8. Nemesis – 4:47 Total 40:40
Album Credits: • All songs performed by: Dewulf/Hache/Abbott • All songs written by: Don Dewulf/Reggie Hache • Produced by: Don Dewulf • Mixed by: Francis Perron/Radicart Studios • Mastered by: Alex Sergerie/SLAMM Audio • Album Artwork by: Gord Woolley • Member of SOCAN • Canadian Content (MAPL)
Album Band Line Up: Don Dewulf – Guitars Reggie Hache – Bass, Vocals & Keyboards Kyle Brian Abbott – Drums
A friend of mine is a graphic designer and is responsible for all cover art and packaging for Nemesis and for the previous album, Spectra. Our process is now predictable and somewhat amusing. I sit down and carefully mock up ideas and concepts complete with artwork and other images. He then takes my ideas and converts them into proper visualizations but then he will stick a couple of his own ideas on at the end. We always go with his ideas. The cover depicts a cool image of a jellyfish. Oceans are a critical element in our survival and the jellyfish is an interesting allegory; deadly to humans, food for turtles and sensitive to human-caused climate change. A kind of circle of Nemesis…
Describe the album as a whole (Lyrically and Musically)
A nemesis is defined as a long-standing enemy and/or an inescapable agent of one’s downfall. Society’s individuals are buffeted constantly on all sides and internally by such forces, sometimes real, sometimes imagined. It seems that every human interaction now is adversarial. “Monkey killing monkey over pieces of the ground…They fight till they die” (Tool – ‘Right in Two” – 10,000 Days). The lyrics reflect my feelings on these things. Musically, I have no constraint so I write what I like, and I combine seemingly unrelated styles. Ever since I heard Hocus Pocus by Focus, I have been fascinated and obsessed with playing jazz chords in a hard rock/metal format. I think it adds so much depth and interest. I also build parts around jazz progressions which do the same and then intersperse super heavy metal parts to really let the songs bloom!
Track by track (Lyrically and Musically)
Badlands
Bad behaviour of major media outlets has given rise to powerful lower tier/social media that operate without any requirement for truth or decency; conflicting accounts, conspiracy theory, assertions without proof but presented as fact. It’s everywhere, but most obvious in the USA where almost every issue is dramatically polarized. Even the average semi-intelligent person doesn’t really know what to believe anymore. Musically, Badlands starts with a crushing bass riff leading into an angular verse and a very metal pre-chorus. The chorus is open and singable. I love the solo. It’s got some Lydian forms which has a ‘crooked major’ jazzy kind of vibe. Fun to play.
The Nail
The rise of populism in politics combined with the power of social media has given platform to a wide base of groups with extreme views. These groups previously operated on the fringes of society but figureheads like Trump have validated their ideas and subsequent actions, giving rise to insurrection and a general disrespect previously unseen. What they don’t understand is that they are just tools of megalomaniacs – they are the nail, not the hammer. And we are truly watching the end of all decency. The music here is all over the place. Some tried and true metal parts with another somewhat jazzy solo break – more in the chords than the notes. Another singable chorus but it goes to odd time in second half with Reggie starting on different beats each iteration. Fun stuff.
The Sword
The most ‘metal’ song and theme. If you live by the sword, you will die the same… I played this on a Dave Mustaine old-school Jackson King V for some historical vibe as well as tightness in attack. I also changed picks for the main riff… I almost exclusively use the Dunlop Malmsteen now (though I modify each one to have a sharper tip) but for this song, I used the Dunlop Jeff Loomis, which is thick, very stiff and has a sharp point. It was important to get the proper string tone and attack. Weird how these things make such a difference.
Before I Disappear
At a certain point in everyone’s life, each of us will start to think about mortality and legacy. I certainly don’t dwell on these things, but I have a son that is now a young adult, and we are very close, so I often think about the overlap of the contexts of our lives. A proper moral compass is the best I can do, and the song is about that. The music has a very major feel and is the most ‘pop’ of any Wring song, which I balance out with a very evil sounding pre-chorus. The solo starts out somewhat Skynyrd-esque but, of course, ends on the dark side of the street.
Welshrats
Weltschmerz (or the Americanized version – Welshrats) is a term from John Steinbeck’s ‘East of Eden’ and is loosely interpreted as a vague sense of sadness that can’t really be traced to a specific event. The song is about dealing with that – trying to understand it and come out the other side. I listen to a wide variety of music for inspiration, and I think this one came out of a Steely Dan phase with a Slayer/Lamb of God pre-chorus thrown in, just to scare off the yacht rockers…
Dark Passenger
A simple critique of humanity’s almost complete disregard for our planet and each other. ‘Dark Passenger’ came from the TV show ‘Dexter’; the title character’s ‘dark passenger’ was the personification of what drives him to kill. We are the earth’s dark passenger. We have poisoned our planet and each other and we are all facing existential crisis, though are still, for the most part, oblivious. Musically, this song drifts among genres with some straight-ahead rock riffs, dreamy arpeggios and odd-time breakdowns. The solo is short but one of my favourites. Tricky and fun to play.
Nemesis
Believe it or not, this is a break-up song. The song tries to examine the physiology and psychology of a tough separation. We’ve all had at least one nemesis moment. Like most of the songs on ‘Side 2’, it features a wide palette of musical styles with jazzy progressions mixed with distinctly metal riffing and a dissonant solo section. I particularly like the chorus, musically as well as lyrically. A very minor progression that I find heart wrenching with words that complement that, delivered emotionally by Reggie.
1. As I was scouring SoundBetter for players for Spectra, I kept coming back to Reggie Hache’s profile, and rightfully so. He ended up playing bass and keys on Spectra and those performances were unreal. At the time, I also auditioned him for vocals… What he sent back didn’t work, so I got someone else. For some reason, I asked him to try again for Nemesis with a different approach and it was exactly what I was after! It was a simple lack of communication/clarity on my part otherwise he would have done Spectra too. Oh well.
2. I connected with Carlo Belotti at Wormholedeath Records for the release of the second album, Project Cipher. He and his colleague were so kind and enthusiastic about my music that it was a no-brainer to return to them for Spectra. In a world where music is essentially free, an obscure studio project has sketchy prospects for financial success. I fully planned on releasing Nemesis independently to save WHD the cost and effort. Carlo was relentless in his objection. He convinced me to continue with them and offered an amazing marketing package to support the record. It’s hard to put a value to that kind of kindness, enthusiasm and support.
3. Project Cipher and Spectra both featured performances from some very prominent musicians including two of the best (known) drummers in the rock world today. At the time, it was incredibly gratifying to have these guys interested in what I was doing, and in many ways, it still is. What I’ve learned though is that having more emotionally invested players yields a different kind of energy. Only the listener will really determine if this is true, but I feel that Nemesis has a more cohesive and vibrant feel because my relationship with the players was more interactive.
4. I discovered Francis Perron when I was looking for a mixing engineer for Spectra. He turned out to be an amazing addition to the team! He has 2 Junos for his work with Voivod (one of my favourite bands!) but is incredibly humble and kind. Until recently, all of our interactions were by messaging. Finally, we connected via Zoom and it turns out that he typically avoids that because his first language is French and he is self-conscious about his English. It was an endearing moment for me, highlighting the humanity of such a great talent. And… his English is very good!! Way better than my French!!
5. Two things I’ll always remember about my musical journey: having an album get a good review in Prog Magazine and having a video posted on the Bravewords website. Those are two places I’ve been going for many years for music news. To see my music there is surreal. These things would not have happened without Jon Asher at Ashermedia. So… even if you have a record deal, find a great publicist!!
The Wring – Album Lineup – L-R – Kyle Brian Abbott – Drums, Don Dewulf – Guitars, Reggie Hache – Bass, Vocals & Keyboards
Sudbury, Canada’s intrepid prog act The Wring is thrilled to announce the release of their fourth album “Nemesis” this coming September 2024 from WormHoleDeath Records. The album follows 2022’s highly praised “Spectra”. For this new record and new songs, band founder, Don Dewulf recruited a new drummer, Kyle Brian Abbott along with seeing the incredible talent of bassist Reggie Hache return and taking over vocal duties.
“Our previous album Spectra introduced me to the incredible talent of bassist Reggie Hache. Nemesis will also feature his vocal genius, delivering what I believe to be the most cohesive and memorable set of songs to date. Kyle Brian Abbott performed all drums on this record. Kyle is a precise and articulate player who was the metronomic backdrop for often slippery and shifting time. An absolute powerhouse.” adds Dewulf.
Dewulf also recruited the Juno award-winning talent of Francis Perron once again for mixing duties.
“The music would not be the same without him,” adds Dewulf.
Dewulf thinks that every album finds new ways to expand on his vision. “Nemesis” feels like the most cohesive record to date he has created and there are a couple of tracks that are more accessible than anything previously done, so it may attract a new range of new listeners.
The album is titled ‘Nemesis’ because every song deals with some sort of conflict; mostly with an adversary that is either unseen or difficult to overcome. The music is similarly juxtaposed, with hard rock and metal mixed with jazz and prog elements. It makes for interesting listening but all within 5 minute songs.
“There is also plenty of wankery for metal heads and proggies.” says Dewulf
Recommended for fans of Rush, Porcupine Tree, Opeth, and Dream Theater, “Nemesis” is due out on September 27th, 2024 on WormHoleDeath Records and is available for pre-save at https://orcd.co/nemesispre-save
DISCOGRAPHY 2024 – Nemesis 2022 – Spectra 2021 – Project Cipher 2019 – 48 oz. – Single 2017 – The Wring – Self-titled Album
Shared Stage with: Anvil, Diamond Head, Sven Gali, Dead Daisies, Hookers & Blow
Tours and Festivals: 2018 – Budweiser New Music Festival – Sudbury – Finger Eleven, Glorious Sons, Crown Lands
Canada’s THE WRING Releases Powerful Proggy New Single “The Sword”
New Album “Nemesis” Out Sept 27th, 2024 via WormHoleDeath Records
The Wring – Album Lineup – L-R – Kyle Brian Abbott – Drums, Don Dewulf – Guitars, Reggie Hache – Bass, Vocals & Keyboards
Sudbury, Canada’s intrepid prog act The Wring is thrilled to announce the release of their latest single “The Sword” from their upcoming album “Nemesis” slated for a September 27, 2024 release on WormHoleDeath Records. This track exemplifies the band’s signature blend of heavy rock with progressive elements, showcasing their ability to craft intricate compositions that resonate with both metalheads and prog enthusiasts alike. “The Sword” is an intense sonic journey that combines relentless guitar riffs with dynamic shifts in tempo, as commented on by guitarist Don Dewulf:
“I’ve had the main riff and structure for a long time, but it never felt right. I tried it with other drummers and bass players and always put it to the side. I came back to it again for Nemesis. With Reggie’s vocals and bass and Kyle’s drumming, suddenly it felt great. Almost Megadeth-y. Super fun to play. I actually used a Dave Mustaine signature King V to play it because I was getting too much spring noise from my Floyd guitars while picking the fast parts. Reggie used a pick (which he rarely does) for an extra attack. The bass lines are killer. Probably the most ‘metal’ song I’ve recorded.”
“The Sword” is more than just a heavy track; it’s a narrative-driven piece that explores themes of conflict and confrontation. Dewulf’s powerful riffs set the stage for a musical battle, while Reggie Hache’s bass and vocal work add depth and intensity to the song’s atmosphere.
This single is a taste of what’s to come on The Wring’s fourth album. The music is juxtaposed, with hard rock and metal mixed with jazz and prog elements.
Listen to “The Sword” via the following links below.
“Here’s one for prog dorks. This outfit’s third outing (Spectra) features drums by Marco Minnemann so you know the rhythms are mad. The regulars in the band ain’t slouches either though. This is intricate and melodic prog done well.” – Metal Injection (The Wring – Spectra – 2022)
“A band composed of top artists from the world prog scene, each of whom brings their own style to the band’s sound. Technique and energy, melodic passages, dynamic and expressive vocals and elaborate instrumental sections characterise the album. A recommended listen for all lovers of Progressive Metal sounds, an album to listen to again and again, always managing to give us positive emotions.” – Progressive Rock Journal (The Wring – Spectra – 2022)
“Tired of prog metal bands who fire away odd rhythms, fast solos and complex arrangements? Half of them trying to sound like Dream Theater but all failing completely? Look no further. The Wring from Canada offers great musicians who find their own way through the prog metal jungle. I said great musicians and I really stand for that. Or how about Marco Minneman (drums), Chandler Mogel (vocals), Don Dewulf (guitars), Reggie Hache (bass, keyboards) and Isamu McGregor (keyboards)”… Sometimes they are a bit more commercial, like in the first song ”Stiletto”, reminding me a lot of Threshold. Other songs bring a bombastic wall of sound, with riffs do die for – ”The Wolf” is a great example. The early parts of ”Fallen” has some Rush vibes (of the later and more rock base Rush era) and also softer parts Mogel is a very good vocalist, and he can alter his voice a lot. Something of a voice chameleon!” – Melodic.net (The Wring – Spectra – 2022)
“The opening notes of ‘Sins’ remind me of the opening salvo in Judas Priest’s ‘The Ripper’. Some of the riff structures are also reminiscent of Priest and it’s another great track.” – TheProgSpace (The Wring – Spectra – 2022)
“The third album Spectra by the Canadian progressive rock project The Wring is downright infectious with its joy of playing and catchy Hard Prog Rock songs. There really is a lot of light and very little shadow here.” – Soundmagnet (The Wring – Spectra – 2022)
““Wring² Project Cipher comes with a heavy, classic rock feel, but there’s an epic, questing nature to tunes like Sorceress, Steelier and Dose that pushes The Wring beyond metal norms and into prog territory.” – Prog Magazine (The Wring – Project Cipher 2021)
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Norway’s TONIC BREED Unleash Redone “Fifth Estate” For 10th Anniversary Release of Album “Outsold” Out Sept 2024
Sarpsborg, Norway’s Tonic Breed will be unleashing the 10th-anniversary re-release of their 2014 thrash album “Outsold” this coming September 13th. While Tonic Breed‘s original lineup is no more, sole remaining member Patrik Svendsen has poured his passion into this anniversary re-release. The band is not reuniting, but Svendsen, the composer of all songs, expresses his love for the album and the desire to introduce it to a new audience, one single at a time.
Today, the redone single “Fifth Estate” is being shared with fans. It’s a real banger, angry and fierce with an old-school fast pace that sticks to your head.
“Outsold” was a significant achievement for Tonic Breed, earning the title of “Album of the Year” by The Metal Reviews in 2014. The album’s unique blend of Old Bay era thrash, groove, melodic, and heavy elements captivated metal enthusiasts worldwide. Expressing the darker themes of life, politics, and our inner demons, the album is recommended for fans of Slayer, Pantera, and Metallica.
Track Listing
1. Strife (4:17)
2. Fifth Estate (6:25)
3. Bad Company (6:41)
4. Blackened Mind (7:38)
5. Outsold (7:09)
6. Rebellious Tendencies (6:41)
7. Borregaard (8:11)
8. There’s Just One Escape (5:54)
2024 – 10th Anniversary Album Recording Credits:
• All songs performed by: Tonic Breed
• All songs written by: Patrik K. Svendsen, Mats Johansen
• Produced by: Patrik K. Svendsen
• Mixed by: Patrik K. Svendsen and Toproom Studio
• Mastered by: Toproom Studio
Album Band Line Up:
Patrik K. Svendsen: Vocals, Guitar
Rudi Golimo: Bass
Thomas Koksvik: Lead guitar
Mats Johansen: Drums
“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (Outsold – LP)
“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (Outsold – LP)
“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (Outsold – LP)
“10/10. Album of the year 2014.” – The Metal Review (Outsold – LP)
“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (Outsold – LP)
“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (Outsold – LP)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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“Am I Invisible and is a sonic soiree in waiting for those who like their metal I the neighbourhood of early Machine Head, post-Roots Sepultura, Lamb of God and Fear Factory resplendent with big guitars, bigger grooves and the biggest choruses.” – Decibel Magazine
“… the song (“How Strong You Are”) includes an anthemic and inspirational chorus, where the vocals rise into impassioned singing. But don’t expect music that feels like it’s seeing the world through rose-colored glasses. The music itself puts up with no excuses, but instead punches fast and damned hard. Backed by battering percussion and thundering basslines, the song includes fiery, writhing riffage and hard-slugging, high-howling hardcore fury. It does soar in the catchy chorus, but even there the vocals also rabidly snarl, and the band always return to pile-driving the listener’s neck, punctuated by some start-stop bursts of high-speed jackhammering and gruesomely growled words. On top of all that, the song includes a fluidly slithering and swirling guitar that itself spirals high, and a finale in which the vocals become truly harsh and scarring while the band inflict one last brute-force beating.” – NoCleanSinging
““Am I Invisible” is a masterclass in modern death metal, balancing technical prowess with emotional depth. BORNBROKEN has crafted an album that not only delivers in terms of heaviness but also resonates on a personal level. The mix of aggressive instrumentation and introspective themes makes this a standout release in 2024, marking the band as a force to be reckoned with in the genre. 8/10″ – Metal Temple
“Man, oh man…..I don’t know if it’s in the water or the politics. But keep it’s got the Canadians angry and making some dope ass death metal. I never knew of this band before this review….but I will never forget them and they are certainly locked in on my playlist material. Released in September, the Album “Am I Invisible” is a knife to the knee stabbing of an album. Every single track, I mean everyone, is a slammer. No complaints from this metal head at all. Powerfully riffs, evil melodies, godly break downs, heavenly solos and vocals that are rage re-incarnate. The title track music video reflects the exact same energy as the album. Deep, symbolic, energetic and metal as hell itself. Don’t sleep on BornBroken and give them a taste test, eh!?!?” – Keeper Magazine
“an aggression fuelled, raging firestorm of fierce savagery, ‘Am I Invisible’ is a brutal onslaught of devastating thrash metal. 10.10 – Metal Gods TV
“Am I Invisible is an exceptional addition to BornBroken’s discography. It’s a brutal, soul-baring album that blends aggression with melody in a way that feels fresh and relevant. For fans of metal that isn’t afraid to confront its own vulnerability while maintaining a fierce edge, Am I Invisible is a must-listen. BornBroken is a band on the rise, and this album proves they are not to be ignored.” – Jace Media Music
““Am I Invisible” by BornBroken is a masterful exploration of the human experience. Its blend of aggressive metal with deeply personal themes creates an album that is both thought-provoking and sonically impressive.” – Din Intunerec
“BORNBROKEN, a name to remember which risks making a lot of noise with this monstrous and devastating new album from Neo Death Thrash groove with a little touch of subtlety.” – OdyMetal “a solid slab of metal with no time for melodic interludes and once it gets on course, they do not deviate one iota. It’s this blinker on approach makes the album as strong as it is… a powerful statement of intent.- Metal Epidemic
“Am I Invisible is a narrative that invites one to reflect on their own experiences. Each track, from the overwhelming stress of “7 Mondays” to the introspective nature of “Will You Remember,” is a chapter in a broader story about the highs and lows of life. BornBroken’s dedication to their craft is evident. They’ve poured their hearts into this album and it shows in the intensity of their performances and the authenticity of their lyrics. It’s an exceptional and bold exploration of the struggles we all face and is music that speaks to the heart of the human experience while delivering relentless metal energy.” – Amplify The Noise
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“Although they hail from the famously pleasant country of Canada, BornBroken, might be the heaviest and angriest thing we’ve heard from their parts in a long time. With no shortage of punishing riffs, brutal drumming, and vicious vocals that spit lyrics to change the world, BornBroken’s sophomore album ,The Years of Hard Truths And Little Lies, is worth pre-ordering before it’s due out May 18th.” – Metal Injection (2018 – The Years of Harsh Truths And Little Lies…)
“Canadian unit BornBroken are releasing The Years of Harsh Truths And Little Lies…, a raging collection of songs inspired by what the band feel is a reality that’s getting worse. We’ll let the band speak on that aspect, but it’s not controversial to confirm that the songs on The Years of Harsh Truths are brutal and varied enough to appeal to fans of Lamb of God, Sepultura and even groove legends Pantera and Exhorder. ” – Decibel Magazine (2018 – The Years of Harsh Truths And Little Lies…)
“Apocalyptic thrashcore bunch BornBroken wear their political bent on their sleeves. From ‘The Years of Hard Truths And Little Lies’ Bansky-esque artwork to on-the-nose, ‘Take that politics!’ sentiment of its title, their anti-establishment sentiment is layered on thick. It’s hard to argue with their anger, in fairness. Tackling everything from inequality to government conspiracies, the Canadian band’s fury is aimed in all the right directions….BornBroken’s unrelenting pace is proof that, even in the supposedly docile nation of Canada, there’s still plenty to rally against in 2018.” – Metal Hammer (2018 – The Years of Harsh Truths And Little Lies…)
“Good sweet Mary Poppins, what the hell is in the water in Montreal?! No amount of poutine will silence the outright bonkers heavy that BornBroken have cooking for you. No amount of smoked meats will halt their vicious onslaught of pounding rhythm and vocal cord shredding, headbang demanding, heartwarming metal.” – Metal Rules (2018 – The Years of Harsh Truths And Little Lies…)
“Un retour percutant qui plaira aux fans de Lamb of God, DevilDriver.” – Voir (Montreal Weekly) (2018 – The Years of Harsh Truths And Little Lies…)
“Un groupe énergique qui livre la marchandise! Alors quand on m’a proposé de faire la critique de leur nouvel album, je vous laisse deviner quel fut mon engouement à découvrir ce nouvel opus! Une douce brutalité bien musicale comme je les aime. Un album avec une âme, et qui en profite pour prendre possession de la nôtre au passage durant ces trop courtes 40 minutes!…Ma note, un SOLIDE 9 sur 10 largement mérité!” – Metal Universe (2018 – The Years of Harsh Truths And Little Lies…)
“I can tell you right from the start, these guys are heavy as hell. Big guitar riffs, heavy drums, chugging bass lines, and those deep, guttural screams of the lead singer show this band know exactly what they want and how they will take it. The title track features some excellent guitar work along with the quick metal riffs. It gives you a feel for the band and what to expect for the rest of the album.” – Canadian Beats (2018 – The Years of Harsh Truths And Little Lies…)
“The Years of Harsh Truths and Little Lies est un autre chef-œuvre musical que BornBroken nous as pondu. Cinq années d’attente, mais croyez-moi, l’attente en vallait la peine. La voix de Pepe Poliquin est à son meilleur et ultra efficace. Un duo du guitariste hors pair qui nous offre toutes sortes d’émotions qui passent par la brutalité de la mélodie et de plusieurs autres nuances. Une batterie qui nous offre un rythme essoufflant et sans concessions. Une basse très présente et qui se ressent à plusieurs endroits sur l’album. Dix chansons fortement bien exécutées et bien composées. Une production en béton armé, et un son d’enfer. Une production signée Chris Donaldson (Cryptopsy) et Marco Frechette. Le tout enregistré au studio The Grid à Montréal. The Years of Harsh Truths and Little Lies est définitivement l’album qui va projeter BornBroken à un autre niveau sur l’échiquier du métal mondial. ” – Quebec Metal (2018 – The Years of Harsh Truths And Little Lies…)
Band: BornBroken Album Title: Am I Invisible Release Date: September 20, 2024 Label: Self-Release
Track Listing: 1. Time Pays No Respect – 5:04 2. Am I Invisible – 3:54 3. Will You Remember – 4:03 4. How Strong You Are – 4:41 5. Conflicting Lies – 5:09 6. Scabs & Scars – 3:36 7. 7 Mondays – 4:00 8. Fold – 6:30 9. Age of Anger – 5:23 10. The Day I Die Inside – 5:07 Album Length: 47:31
BornBroken Album Lineup Mike Marino (Bass) Michael Decker (Vocals/ All Guitars) Carlos Ojeda (Drums)
BornBroken live and Official New Lineup Mike Marino (Bass) Michael Decker (Vocals/Guitar) Carlos Ojeda (Drums) Rob Henx (Lead Guitar) Newest member after recording
About the Album Artwork:
The artwork for “Am I Invisible” by Born Broken features a striking design with a strong, bold visual impact. Here are some key elements of the artwork:
1. **Title and Band Name**: – The new band name logo “Born Broken” is prominently displayed at the top in a jagged, aggressive font, colored in dark red. The lettering style conveys a sense of raw energy and intensity.
– The album title “Am I Invisible” is subtly placed at the bottom, in a smaller, clean font. It’s less prominent but adds a haunting, introspective touch to the overall design.
2. **Central Imagery**: – The focal point is a large, red eye at the center of the artwork. The eye has a glossy, almost mechanical appearance, giving it an unsettling, intense look. The red color of the eye stands out sharply against the otherwise monochromatic background.
– The eye is surrounded by a splash of red paint or blood, adding a chaotic and dynamic feel to the design.
3. **Background**: – The background is a textured mix of black, white, and grey tones, with splatters and drips that add a grungy, distressed effect. This creates a sense of depth and movement.
– The interplay of light and dark areas in the background enhances the stark contrast with the central red eye, drawing attention to it.
4. **Overall Mood**: – The combination of the aggressive typography, the intense red eye, and the chaotic background conveys a mood of aggression, introspection, and intensity.
This artwork effectively captures a dark, intense aesthetic that aligns with our band’s themes and style.
=================================================== About The Album:
For us it’s a straight up metal approach, we write what we want to write, what feels right to us. Lyrically it’s a personal approach for the everyday listener and fans can relate to. Everyday fears and everyday joys…we’ll there is not that must joy left, with he way the world is going…
– **Theme:** The relentless and impartial nature of time, its impact on humanity, and the inevitability of death.
– **Lyrics Highlights:** The song speaks about the futility of resisting time, the sorrow it brings, and the way it devours everything. The chorus emphasizes the pain that time inflicts, which cannot be defended against or forgotten.
2. **Am I Invisible**
– **Theme:** Feelings of invisibility, isolation, and existential despair.
– **Lyrics Highlights:** The song questions the significance of the individual’s existence and the impact of societal neglect. It explores the desolate emotions of being unnoticed and unmissed, with a recurring chorus asking “Am I Invisible.”
3. **Will You Remember**
– **Theme:** The importance of memories and the moments that truly matter in life.
– **Lyrics Highlights:** The song reflects on corruption, silence, and the significance of living in the present. It challenges listeners to remember and surrender when it truly counts, emphasizing forgiveness and healing.
4. **How Strong You Are**
– **Theme:** Personal strength, resilience, and self-belief.
– **Lyrics Highlights:** The song encourages taking charge of one’s destiny and overcoming challenges. It speaks about the importance of truth, inner voices, and conviction in the face of adversity.
5. **Conflicting Lies**
– **Theme:** The damage caused by deceit and the struggle for truth.
– **Lyrics Highlights:** The song addresses the turmoil and hatred stemming from lies, and the necessity to make things right. It highlights the conflict between accepting lies and the desire for freedom from them.
6. **Scabs & Scars**
– **Theme:** The pain of relationships and the lessons learned from love and hurt.
– **Lyrics Highlights:** The song discusses the irony of hurting loved ones and giving to those who don’t matter. It calls for awakening and learning that love is not misery, and speaks about the universal nature of pain and mistakes.
7. **7 Mondays**
– **Theme:** Overwhelm and stress from the monotony and challenges of life.
– **Lyrics Highlights:** The song conveys a sense of being stuck in a repetitive, stressful cycle that feels like having “7 Mondays.” It explores themes of soul searching, stress, and the struggle to find answers.
8. **Fold**
– **Theme:** Decision-making and the consequences of actions.
– **Lyrics Highlights:** The song reflects on missed opportunities and the struggle to hold on. It talks about life’s changes, the risk of choices, and the dilemma of whether to fold or keep pushing forward.
9. **Age of Anger**
– **Theme:** Societal division, intolerance, and the need for unity.
– **Lyrics Highlights:** The song critiques the spread of anger and intolerance in the world, calling for unity and empathy. It emphasizes the tragic consequences of division and the need to come together to heal societal wounds.
10. ***The Day I Die Inside**
“The Day I Die Inside” is a hauntingly evocative instrumental and introspective track that delves into the emotional and psychological turmoil of losing one’s sense of self. The song explores the profound sadness and emptiness that comes with feeling detached from one’s own identity and passions. it captures the essence of an internal struggle where the protagonist* grapples with feelings of disillusionment and despair. The crescendo resonates with a sense of finality and resignation, reflecting the emotional death experienced when one’s inner light fades away. Overall, the song serves as a powerful anthem for those who have faced or are facing profound personal loss and existential crisis.
*In the context of the instrumental track “The Day I Die Inside,” the term “protagonist” refers to the emotional journey or the internal state being depicted rather than a specific character. The “protagonist” here is the emotional core of the piece—representing the profound sense of loss, disconnection, and existential struggle. This central emotional theme drives the narrative of the instrumental, guiding the listener through the highs and lows of the experience without the need for literal characters.
L-R: Mike Marino (Bass) | Michael Decker (Vocals/Guitar) | Rob Henx (Lead Guitar) | Carlos Ojeda (Drums)
As Born Broken prepares to unleash their latest album, “Am I Invisible,” the band members reflect on the creative journey and the deep themes explored in their new work. Here’s what they had to say about the album:
“We wanted to create something raw and real.”
“Creating ‘Am I Invisible’ was an intense and rewarding process. This album represents who we are and what we stand for. “This album is incredibly personal for all of us. We poured our hearts into every beat, every note. It’s a journey through our highs and lows. ’Am I Invisible’ speaks to the struggles and emotions we’ve faced as individuals and as a band.
“Musically, this album allowed us to experiment with our roots in metal and it’s structures. We aimed to blend heavy, aggressive riffs with melodic elements to create a dynamic listening experience. ”From the relentless march of time in ‘Time Pays No Respect’ to the existential questions in the title track, every song is a piece of our collective soul.
Tracks like ‘How Strong You Are’ and ‘Fold’ showcase the balance. We’re proud of how the music complements the powerful lyrics. Each track brought out different emotions, from the stress and monotony captured in ‘7 Mondays’ to the introspective nature of ‘Will You Remember.’ Songs like ‘Age of Anger’ address the division and intolerance we see every day. We wanted to use our music to call for unity and empathy. This album is not just a collection of songs; it’s a message, a call to action for anyone who feels unheard or unseen.”
“We’ve always aimed to create music that tells a story, and ‘Am I Invisible’ is our most ambitious story yet. The themes of invisibility, isolation, and resilience are universal, and we wanted to convey them through powerful lyrics and compelling music. The album’s complexity and depth are a testament to our growth as a band.”
We’re grateful to our fans for their unwavering support and hope this album resonates with them as deeply as it does with us. Thank you for joining us on this journey.”
Born Broken is excited to share “Am I Invisible” with the world and invites everyone to experience the raw emotion and powerful messages encapsulated in their latest work. Stay tuned for upcoming events and join the conversation using #AmIInvisible.
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