As a special #guestblog exclusive to PureGrainAudio, winners of Wacken Metal Battle Canada 2019 The Slyde have provided their #TOP10 career highlights from the past decade.
Posts By Asher
0 As a special #guestblog exclusive to PureGrainAudio, winners of Wacken Metal Battle Canada 2019 The Slyde have provided their #TOP10 career highlights from the past decade.
0 Metal Noise – TripleMurder – Pre-Meditated (EP)
“Featuring guest vocals from Eric Forget “Crawl” sees TripleMurder up their game with a pounder of 90s riffs and Melodic Death Metal that bridges the gap between Lamb Of God and The Black Dahlia Murder. Some wonderfully headbangable breakdown sections are exactly what the Doctor ordered with his pint of Guinness… a fine piece of nostalgic Metal that is the perfect soundtrack to some beers with its instant catchy riffs, familiar sound and vibe.”
https://metalnoise.net/2019/09/review-pre-mediated-ep-by-triplemurder
0 Angelus Mortem – Conspiracies and Our Demise: Interview with Corey Sherlak from Tales of the Tomb
0 Who want’s to win a CD copy of Sophist’s new EP from Metal Centre… Enter Now!
0 Exclaim! – Chron Goblin – Here Before “Chron Goblin are an institution of stoner metal, and Here Before further cements their legacy.”
“Chron Goblin are an institution of stoner metal, and Here Before further cements their legacy.” – Exclaim!
0 Vancouver Sun – Iron Kingdom
0 Glacially Musical Are You Ready To Rock with Chris Osterman of Iron Kingdom
Glacially Musical Are You Ready To Rock with Chris Osterman of Iron Kingdom http://glaciallymusical.blogspot.com/2019/09/are-you-ready-to-rock-with-chris.html
0 Glacially Musical – Taco Tuesday with Widow’s Peak
0 TALES OF THE TOMB Premiere EP Stream “Volume Two: Mendacium” via Decibel Mag
(contact info below)
NEWS RELEASE
Montreal, QC – September 26, 2019
For fans of Macabre, At The Gates, Cannibal Corpse, Dying Fetus, Psychological Horror Metal / Death Metal / Murder Metal
TALES OF THE TOMB Premiere EP Stream “Volume Two: Mendacium” via Decibel Mag
Tales Of The Tomb (L-R): Trez Thomas (Guitar and Vocals), Corey Skerlak (Guitar and Vocals)
Photo Credit – Kylee Thompson Photography
Painting their canvas of extreme music with inspirations of real-life stories of murder, conspiracy, supernatural horror, and terror, Edmonton’s Tales of The Tomb will unleash their new EP “Volume Two: Mendicium” on September 27th. The EP is a collection of narratives surrounding government cover-ups, national lies and the heinous crimes committed amongst the shadows. Before the EP officially drops, the duo has teamed up with Decibel Magazine for its exclusive full stream HERE.
A sonic attack layered with grinding blast beats, injected with menacing guttural lows “Volume Two: Mendicium” is a sound straight from hell with gore-filled lyrics leaving little to the imagination, destroying your eardrums like a corpse is erased in an acid-filled bath. Mixed and mastered by Cryptopsy guitar player and Head Engineer/Owner at The Grid Studios Christian Donaldson. The EP also contains a bonus track about the Japanese horror film Mermaid in a Manhole. Featuring artwork by Tony Midi of Tonymidi Artworks. Pre-order the album HERE.
Unified by the desire to have the grotesque power of 90’s era death and murder metal, Tales of The Tomb started as a thought that grew into an insatiable need to make extreme music. Tales Of The Tomb was created in October 2013 from founder Corey Skerlak (guitar, vocals) out of inspiration from the original murder metal band Macabre.
Much of their inspiration is drawn from the hideous crimes and conspiracies of the world. Retelling stories of the dark hidden secrets and victims from such crimes. This was the inspiration for the name Tales of The Tomb.
Videos:
‘The Sinful Messiah’ here.
‘The Nightmare Hall’ here.
‘Nine Eleven’ here.
Track Listing:
1. The Nightmare Hall (4:05)
2. Faul (3:02)
3. The Sinful Messiah (4:14)
4. Dyatlov Pass Incident (3:52)
5. Nine Eleven (4:46)
6. Mermaid In A Manhole (3:33)
EP Length: 23:44
More info:
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Twitter
EPK
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“RIYL: Serial killers and death metal. Now, many of you may think the two already go hand in hand, but new dimensions of depravity are opened when you take the murderous criminals Macabre and Church of Misery have been glorifying forever and backdrop it with noise more akin to Cannibal Corpse Fist-****ing At The Gates. Or Vice Versa.” – Decibel Magazine
“It’s got a European death metal feel to it, and while it’s definitely heavy, it’s centerpiece is a melodic guitar solo. If the rest of the EP, out on November 27th, is anything like the first taste of it, signals Tales of the Tomb as a band we’ll be hearing more – Metal Insider
“Grooves entwine and work their way under the skin like toxic vines, whilst the body of the song strolls with a deceitful calm as much hued in more classic metal essences as it is in death metal voracity.” – RingMaster Review
“Volume One: Morpras stands as a melodic treat fans of cold sounding death metal, melodic or otherwise, will definitely get a kick out of.” – Apochs Metal Review
Prairie Finalist for Wacken Metal Battle Canada 2016
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher(@)ashermediarelations.com
Facebook @AsherMedia | Tweet @AsherMedia | Instagram @AsherMedia
AsherMediaRelations.com
0 Edmonton’s SLEEPING IN TRAFFIC Premiere Full Streams of Double EPs ‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th
(contact info below)
NEWS RELEASE
Montreal, QC – September 26, 2019
For fans of Between The Buried & Me, Devin Townsend, Tool, Thank You Scientist
Edmonton’s SLEEPING IN TRAFFIC Premiere Full Streams of Double EPs
‘That Which Saves Us’ and ‘That Which Destroys Us’ Out Sept 27th
L-R: Ryan Berehulke – Bass, Cory Bosse – Vocals/Synth, Greg Turner – Guitar, Andrew Bateman – Drums
Photo Credit: Graham Gnarles
Edmonton’s SLEEPING IN TRAFFIC have been busy writing and recording two EP’s, which while complementary to each other are still dramatically different and allow fans to explore each side of the band’s music as its own entity and to hear each aspect fully fleshed out instead of blended together.
With influences from Between The Buried & Me, Devin Townsend and Tool, the newest album is a split EP that explores that dual nature of the band’s music. One EP “That Which Destroys Us” is dark and aggressive, while the other EP “That Which Saves Us” is upbeat and catchy. The band explains the duality in their vision:
“The first ‘That Which Saves Us’ is the “upbeat EP”. It strongly represents a lot of the pop-punk influences that Ryan and Greg bring to the band, and features songs with inspiring themes and uplifting major keys. The other ‘That Which Destroys Us’ displays more of the band’s extreme metal influences, without abandoning some of the weirdness the band is known for. The EPs continue to explore odd time signatures and polyrhythms in the context of heavily distorted guitars, snarling synths, and guttural vocals.”
Teaming up with Metal-Rules.com, they are premiering the exclusive full stream of the EPs at the following link HERE.
The EPs will be available on September 27, 2019 and available for pre-order on Bandcamp.
Track Listing:
1. Through Method And Rigor (4:43)
2. Fungal Symbiosis (feat. Elle T.) (3:50)
3. Exoplanets (feat. Elle T.) (6:09)
4. False Alternatives (5:13)
5. The Scrupulous Study Of Everything (5:41)
EP Length: 25:38
Track Listing:
1. (√-π)÷0=1 (3:58)
2. Audaciousness Of Him (7:10)
3. Narcicystic Pustule (1:26)
4. Masculine Toxin (4:38)
5. Gaia Shrugged (feat. Elle T.) (6:07)
6. The Inevitable Heat Death Of The Universe (5:32)
EP Length: 28:53
Show Dates:
October 5 – Edmonton, AB – Wellinton Community Hall (Double EP Release Show)
For more info:
SleepingInTraffic.com
Facebook
Instagram
Twitter
Youtube
EPK
Bio:
Based out of Edmonton, Canada, Sleeping In Traffic is a progressive metal band whose artistic vision is built around the concept of change. Nothing in the band’s music is intended to remain static. Each album and performance brings new adaptations and innovations; always playing with the sonic possibilities.
Influenced by the likes of Between The Buried and Me, Devin Townsend, and Porcupine Tree, they have been manifesting dynamic, and ever-evolving music since 2014. Sleeping In Traffic released their debut self titled EP in 2014 and the full length ‘Feminism’ in 2017 that is a guitar-driven hard rock/metal concept album that borrows heavily from ska, jazz, pop-punk, and classic prog rock. They have graced many stages in Western Canada including performances at Alberta’s Farmaggedon Metal Fest (2015) and Edmonton’s Shredmonton (2016/17).
Sleeping In Traffic is releasing two new EPs in 2019, ‘That Which Saves Us’ and ‘That Which Will Destroy Us’ each with a different character. One explores the darker, heavier metal influences of the band, while the other channels the more upbeat side to their music. Synthesizers will form a core element to both of these releases due on September 27, 2019.
Sleeping in Traffic consists of four members, each with their own unique and eclectic musical tastes, which influence their contributions to the band.
Greg Turner’s unusual approach to guitar is a core element of Sleeping In Traffic’s music. Stuttered, chaotic time signatures and bizarre chord voices in catchy patterns flow from his fingers to form the basis of many of the songs. His use of a multitude of pedals adds colourful timbres and occasionally acts as their own instrument.
Ryan Berehulke carves out a thundering obelisk of depth from his 5-string bass and his tower of speakers. His style is definitive in a way that meshes perfectly with the guitars to provide a wall of reinforcement, yet often also takes the main stage, without ever abandoning the supreme role as the band’s foundation. His ingenuity in his approach to bass playing is indispensable; from the funky groove and raw, pounding roars; all the way to evolving, ambient textures.
Andrew Bateman is a mad scientist behind a drum-kit. With his intricate knowledge of rhythms, he weaves complex patterns in and around the eccentric time signatures that the music follows. His array of styles ranges from pulverizing metal to pattering, offbeat jazz and everything in between. He is always searching for novel rhythmic cadences and new ways to strike the same drums. He is highly technical, yet playful; often improvising on the spot and testing the limits of his fellow musicians.
Cory Bosse acts as the voice of the band, as well as the source of many of its most unexpected sounds. His bombastic singing style has its roots in the metal music that originally inspired him to make music, yet weaves in a multitude of techniques from the myriad of styles he has explored since. Operatic vibratos flow into passionate howls, jazz scat collapses into death growls, and beat boxing meanders into throat singing in a pandemonium of vocal exploration. To help compliment each song’s particular character, he harnesses the power of a host of instruments, including keys, saxophone, synthesizers, and guitar.
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“The 9-track record comes with a focused story-telling, remarkable songwriting and with an offer of something that separates them from the bigger part of the prog gang. The band is not shy to explore within pop, indie rock or alternative and fuse these elements with sound-defining progressive rock and metal influences.” – Prog-Sphere
“Feminism possesses great balance between the up-beat rock tunes polished with rock’s progressive and alternative subgenres, but what this album shows is talent of the band which certainly can bring something epic. Until then, let Feminism shows itself in its full brilliance.” – Progzilla
“sound more like their fellow countrymen Protest the Hero, albeit with a sax in the mix of things. Their overall style is the same careening prog metal that PtH are good at… For a debut album, I am impressed with “Feminism.”… I think Sleeping in Traffic have potential, so they are worth following.” – Progressive Music Planet
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher@ashermediarelations.com
Facebook | Tweet @AsherMedia | Instagram @AsherMedia
