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Posts By Asher

0 Rockshots Records – NASTYVILLE New Music Video “Rockin’ Through The Night” Off New Album “Rebirth” Out June 2025

  • May 20, 2025
  • by Asher
  • · Music News · Nastyville (Rockshots Records)

NEWS RELEASE

Montreal, QC – May 20, 2025

NASTYVILLE New Music Video “Rockin’ Through The Night”

New Album “Rebirth” Out June 2025

Following the release of “Power To The People“, Italian hard rockers Nastyville return with their brand-new single “Rocking Through The Night”, available now on all digital platforms. The track is the second single from the band’s upcoming full-length album “Rebirth“, due out on June 6th, 2025, via Rockshots Records.

Described by the band as “the essence of our will to move forward, to leave the past behind and redefine our sound”, “Rocking Through The Night” is a hard rock statement loaded with attitude, fire, and the desire to break free. Massive old-school riffs meet a cutting-edge rhythm section and a soaring vocal performance, capturing the raw power of a band that’s found its voice again.

The track, along with the entire “Rebirth” album, was recorded at Ivorytears Music Works Recording Studio (Somma Lombardo, VA), produced by the band and mixed and engineered by Alessandro Del Vecchio (Hardline, Vanden Plas, Revolution Saints, Giant).

To accompany the release, Nastyville has also unveiled the official music video for “Rocking Through The Night”, available now at:
​
​LISTEN: https://lnk.to/OLUlqP​
​VIDEO: https://youtu.be/Cd-fZ_OSuyk

​
​
Formed in 2012, Nastyville has built its name on gritty, no-frills rock rooted in glam and street metal, enriched by years of touring and sharing stages with acts like Skid Row, Crashdïet, Steel Panther, and The Dead Daisies. “Rebirth” marks not just a return but a redefinition, pushing the band toward a more powerful, personal, and evolved sound.

For fans of: Skid Row, Crashdïet, Hardcore Superstar, Steel Panther, The Dead Daisies.

Pre-orders are now available at the following link: https://rockshots.eu/products/nastyville-rebirth​

First Single – “Power To The People”

LISTEN: https://lnk.to/DpVRF2​
​VIDEO: https://youtu.be/XqHNf5_ZqHU

​

Album Cover – Nastyville – Rebirth

TRACK LISTING:​
1. The Journey Of Rebirth
2. Power To The People
3. Run Wild, Rev High!
4. Rocking Through The Night
5. Unstoppable (Sia Cover)
6. We Give It All
7. Miss You
8. Yellow Schoolbus
9. Stay Out, Stay Out
10. Sex O’ Clock
11. Rock’n’Roll Experience
​
​NASTYVILLE Line Up:​
Marco Luraschi (Mark Lee): Vocals
David Visin (Dave Wild): Guitars
Christian De Gaudenzi (Dega): Guitars
Carlo Giordano (The Horv): Bass
Christian Tabita (Chris Tabeat): Drums
​
​CREDITS: Produced by NASTYVILLE
Recorded at IVORYTEARS MUSIC WORKS RECORDING STUDIO, SOMMA LOMBARDO (VA)
Mixed and Engineered by Alessandro Del Vecchio

More info: https://www.rockshots.eu | https://www.instagram.com/nastyvilleofficial | https://www.facebook.com/nastyvilleofficial​

ABOUT:​
Nastyville is an Italian hard rock band formed in 2012 by drummer Danny Boy and guitarist David “Dave Wild,” with the aim of refreshing the rock genre. The first studio album, “Viva Hell-A” (released in 2015), features old-fashioned guitar riffs and the flavor of the best street/glam rock with Lex on vocals, Kruska on bass guitar, and Manuel on guitar. After Lex and Kruska left, the band continued its journey with Marco “Mark Lee” on vocals and Fabian Anderchen on bass guitar, releasing in 2017 their second studio album, “Glam Caramel”. This album, marked by heavier sounds, gave the band the opportunity to open the Italian tour dates for Skid Row, Crashdïet, Enuff Z’Nuff, Adam Bomb, John Corabi, Simon Wright, and many others. “Songs of Threesome”, released in 2022, was their third studio album and featured a new lineup with Christian “Dega” on guitar and Paul “Cannibal” (ex-Thee S.T.P.) on bass guitar.
​
In 2023, founding member and drummer Danny Boy and bassist Paul left the band and were soon replaced by Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar. After the release of the two singles “Red Black…Or Green?” and “Livin’ in A Mess”, the band with its new lineup consisting of Marco “Mark Lee” on vocals, David “Dave Wild” on guitar, Christian “Dega” on guitar, Christian “Chris Tabeat” on drums and Carlo “The Horv” on bass guitar, worked tirelessly on new studio material. The year 2024 was a very good year when the band played many dates across Italy and abroad. The opening act for Steel Panther in Milan (Alcatraz) deserves special mention. The band spent the last months of the year working on a brand-new album, entering the studio in December to start recording their fourth studio album under the supervision of producer, singer, and songwriter Alessandro Del Vecchio.

-30-

​

—
ASHER MEDIA RELATIONS
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0 Out Now! KRATORNAS “Ravaged by Hurakaan” Vinyl (Out May 20th) + Cassette Demo (Out May 30th) + New Album “God Of The Tribes” Out Aug 2025

  • May 20, 2025
  • by Asher
  • · Kratornas · Music News

NEWS RELEASE

Montreal, QC – May 20, 2025

Out Now! KRATORNAS “Ravaged by Hurakaan” Vinyl (Out May 20th) + Cassette Demo (Out May 30th)

+ New Album “God Of The Tribes” Out August 2025

Today (May 20th) marks the official release of Kratornas‘ highly anticipated black metal “Ravaged by Hurakaan” 7″ vinyl demo out through Grathila Records, plus an accompanying remix cassette that will be out on May 30th. These limited editions serve as the first taste of the forthcoming album “God of the Tribes”, scheduled for release on August 22nd, 2025. Kratornas comments on the album:
​
​“This album isn’t about being ‘advanced’ or ‘innovative’. It’s a return to roots, distilled into something raw and real. I’ve had first-hand experience with this kind of ‘indigenous music’. I was one of the drummers at festivals from fifth grade through my first year of high school. I didn’t copy those rhythms but wrote my own, taking that foundation and fusing it with Kratornas.”

The 7″ vinyl offers a completely exclusive format experience with the demo version of “Ravaged by Hurakaan” on Side A. Side B features the instrumental ‘Drum and Bass’ version, available only on this vinyl pressing. The companion ‘Ravaged by Hurakaan (Remix)’ cassette, featuring DJ Aromaz on the ProTape release, includes four distinct versions of the material. Both the vinyl and the upcoming album were mastered by Dan Swanö (Edge of Sanity).

Initial response to the new material has been enthusiastic, with early listeners noting the significant evolution in Kratornas‘ sound. Moving away from the hyperfast brutality of earlier releases, “Ravaged by Hurakaan” showcases a more methodical approach focused on atmosphere and tension.

Despite the shift in approach, the creator maintains that Kratornas still delivers powerful energy. If you sit down and really listen with good headphones, it will bring out a different ‘experience’ because the mix is ‘moving and breathing’. Both the vinyl and cassette releases are available in extremely limited quantities through Kratornas‘ bandcamp and select underground distributors. These collectors’ items will not be repressed, making them essential acquisitions for dedicated followers. They are recommended for all fans of black metal.

Vinyl order and cassette pre-order are available at https://kratornas.bandcamp.com/album/ravaged-by-hurakaan-7ep-2025​

Vinyl – HURAKAN 7″ turntable-direct-to-cam – https://youtu.be/gnNNPniwPF8

Vinyl Track Listing :​
​Side A: “Ravaged by Hurakaan” – demo/rough mix of track #3 from the upcoming album “God of the Tribes”
​Side B: “Drum and Bass” Instrumental of track #3 from the upcoming album “God of the Tribes”
​
​The cassette – KRATORNAS – Ravaged by Hurakaan (QUE DIABLO Remix) featuring DJ Aromaz
Track Listing:
Cassette Side A: 
(28 Minutes)
1. Ravaged by Hurakaan (Que Diablo remix featuring DJ Amoraz) [2025]
2. Ravaged by Hurakaan (Demo/Rough Mix from 7″ vinyl) [2025]
3. Spit on God (2016/Sub Mix) *
4. Human Livestock (2019/Bulldozer Version) *
5. Three Unclean Spirits (2009) *
* = additional tracks to fill a C60. Mixed “exclusively” for this Cassette.
​Cassette Side B: (29 Minutes)
6. Swarm of Rattlesnakes (2015/Meditative Ambient)

Vinyl / Cassette Credits:​
Performed, Produced, Recorded, and Mixed by Bruno Zamora
All Lyrics and Music written by Bruno Zamora
Layout and Cover Artwork by Bruno Zamora

Album Artwork (non-explicit) – Kratornas – God of the Tribes

Track Listing:​
1. Cursed Sky Serpent (15:00)
2. Evil and Plunder (3:00)
3. Ravaged by Hurakaan (7:00)
4. Novena para Guerra (11:00)

Album Teaser (Out August 22nd) – “God of the Tribes” – https://youtu.be/iQ6Z8VeWakQ

​

For more info: https://www.facebook.com/officialkratornas

​
– 30 –

“I think it’s a good thing that it is a bit darker for music this intense and with so much “action” in the upper midrange – Dan Swano (on mastering God of the Tribes)

“Kratornas has returned and have taken large steps in progression with their musical maelstrom of violence.” – Canadian Assault (2017 – Human Livestock 7″ EP)

“What’s even better is that the music doesn’t just move in the sense that a rocket moves. The songs are more than sheer exultations in the thrill of speed and violence. They also change course. They veer into hammering grooves; they bolt into bursts of blood-pumping thrash riffing; they pulse like some kind of laser weapon being triggered. Yes, the songs are often deranged — when Kratornas is in full grind mode, you can imagine oceans of blood spray ejected from a fire hose and bodies being atomized in a frenzied butchery — but there’s impressive intricacy and dynamism in the songs, as well as jaw-dropping technical skill and manifest blood lust.” – No Clean Singing (2016 – Devoured by Damnation LP)

“If you like chaotic, blasting Black Metal, then this is a good bet.” (2016 – Devoured by Damnation LP)

“This album is intense. From start to finish Kratornas is absolutely relentless and have put together one hell of an album with a whole lot of everything in the mix without sounding repetitive.” – Metal At The Gates (2016 – Devoured by Damnation LP)

“While its – drum and guitar/voice – format might suggest similarities with the Inquisition, in sound terms are two quite distinct entities. Here there is a greater degree of chaos and a greater departure from the traditional scene (second wave of black metal) than the one we can find ourselves in Inquisition. Basically it is what would happen if we join powerviolence with black metal. It is something that impresses, without a doubt, but that may have a tendency to tire. Fortunately this does not happen much here because all the themes end up having healthy dynamics, mainly a healthy rib of primitive death metal ( plus an element to join the party) and mainly a solo guitar taken from the breca that looks like a bouncing diabolite. Awesome and surprising album.” – World of Metal Mag (2016 – Devoured by Damnation LP)​
—–
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0 Rockshots Records – Canada’s IN/VERTIGO Release New Single / Video “Save Me” Off New EP “Prevail” Out July 2025

  • May 16, 2025
  • by Asher
  • · In / Vertigo · In/Vertigo · Music News

NEWS RELEASE

Montreal, QC – May 16, 2025

Canada’s IN/VERTIGO Release New Single / Video “Save Me” Off New EP “Prevail” Out July 2025

Canadian hard rockers IN/VERTIGO return with brand-new music, unleashing their explosive new single “Save Me”, now available on all digital platforms. The track is the first preview of their upcoming EP “Prevail”, set for release on July 18th, 2025, via Rockshots Records.
​
Formed in 2016 by seasoned Calgary musicians, IN/VERTIGO has made a name for themselves across Western Canada with their high-energy live shows and relentless touring. The band has shared stages with acts such as Buckcherry, Steel Panther, Bret Michaels, Bif Naked, Diamond Head, and Pop Evil, becoming a must-see name in the modern hard rock scene.
​
​NEW SINGLE “SAVE ME” OUT NOW​
​“Save Me” is a blistering anthem that shows IN/VERTIGO pushing their sound into even more aggressive territory. Fusing their rock ‘n’ roll backbone with punk and thrash influences, the track hits like a freight train—raw, fast, and unrelenting.
​
The single is paired with a chaotic and entertaining music video, loosely based on a true story.
​
​Listen: https://lnk.to/POmavT

​Watch the video: https://youtu.be/WQp8_mt73XU

​
​
This marks the first release from the upcoming EP “Prevail”, which will be the band’s second release in collaboration with Rockshots Records.
​
With “Prevail”, IN/VERTIGO are poised to deliver their most refined and aggressive work to date, a Molotov cocktail of sharp riffs, infectious hooks, and full-throttle rock attitude.

PREVAIL – EP Tracklisting:​
1. Weathervane
2. Save Me
3. Liar
4. Euphoria
​
​Line-up:​
Reed Alton – Lead & Backing Vocals, Percussion
Shaddy Elsaghir – Lead & Rhythm Guitars
Duncan McCartney – Bass, Backing Vocals, Keyboard
​
​About IN/VERTIGO:​
Delivering their shows at jet-engine volume, IN/VERTIGO have made an unmistakable impact in the Canadian rock scene. Their self-titled demo, produced by Ronnie Champagne (Alice In Chains, Jane’s Addiction), quickly sold out, and their debut EP “Sex Love & Chaos” introduced a band ready to raise hell.
​
Now, with “Save Me” and the upcoming EP “Prevail”, IN/VERTIGO are back to light the fuse. Crank it up and join the ride.

For more info:​
​www.rockshots.eu​
​www.invertigoband.com​
​www.facebook.com/getinvertigo​
​www.instagram.com/getinvertigo​

—

ASHER MEDIA RELATIONS

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0 Canada’s AUGURIUM Unleashes Tolkien Inspired Single “Faith & Death Pt. I.” + Show Date Supporting INTO ETERNITY

  • May 16, 2025
  • by Asher
  • · Augurium · Music News

NEWS RELEASE

Montreal, QC – May 16, 2025

Canada’s AUGURIUM Unleashes Tolkien-Inspired Single “Faith & Death Pt. I.”

+ Show Date Supporting INTO ETERNITY

L-R – Cejay Carnochan (Rhythm Guitars) – Taylor McDonald (Drums) – Logan Barlow (Lead Guitars) – Reid Paraszczynec (Bass) – Dylan Suppes (Vocals)
photographer: Savannah Bagshaw – Paradox Visuals

Unleashing their third studio release “Unearthly Will” in 2023 and 2024 single / video “Morningstar”, Regina, Canada’s symphonic death metal outfit Augurium returns with their first taste of new music in 2025 for fans in the lead up to their opening support for progressive death masters and hometown heroes Into Eternity on May 17th. (details below).

Fans of the band are in for a positive surprise. It’s still the same Augurium they’ve been listening to since Unearthly Will, but this song taps into a more emotional side.

“For us as a band, it represents a sort of new Augurium, still within the same style we’ve been playing since 2021, yet naturally evolving. The goal was to create a dramatic listening experience—almost like the progression of a film. There are highs and lows, emotionally driven sections, movements that depict scenes in a hero’s journey, and crushing, deafening moments. This is the first half of a sonic saga portraying the struggle between opposing forces,” adds guitarist Cejay Carnochan.

Entitled “Faith & Death Pt. I.”, the track is the first chapter of an epic two-part symphonic death metal series. The song is rooted in the mythological hero’s journey, using Tolkien-like storytelling to explore the duality of good and evil, which resonates in its artwork created by Mark Erskine, who also did Augurium‘s Unearthly Will cover art.

“‘Faith and Death Pt. I’ is themed around The Lord of the Rings. Part one speaks to the side of evil. This track was written from the perspective of Mordor’s legions. Moreover, it touches on the eternal struggle of light and dark and how both cannot survive without the other. A shadow cannot exist without the light. Death—the only thing certain for all mortals. If neither side can agree on which god to worship, which philosophy to follow, or what is right and wrong, one thing is undeniably and indiscriminately certain: death,”

Recommended for fans of Shadow of Intent, Septicflesh, and Mental Cruelty, listen to “Faith & Death Pt. I” at the following links:

Bandcamp – https://augurium.bandcamp.com/music​

YouTube – https://youtu.be/v8c7mzpLD1M

​

Spotify – https://spoti.fi/4kgpo0W​​

Show Dates:​
May 17 – Regina, SK – The Exchange w/ Into Eternity, Itchy Stitches, Nox Umbra, Elder Colossus – info

More info: Facebook.com/AuguriumSK | Instagram.com/auguriumband​

– 30 –

“Regina metal band Augurium is on the road to a comeback” – Regina Leader-Post
​
“One way to think of the Canadian band Augurium‘s new album Unearthly Will is as a tour through a potentially deadly wildlife refuge of arcane and even astral origins. It provides close encounters with a variety of musical beasts, some more extravagantly colorful than others (but still with teeth bared) and some more savagely hostile. By the end you might be relieved that you didn’t become a meal for the menagerie, yet electrified by all the close calls — and by the sweeping splendor.” – No Clean Singing
​
“Falling just under the half hour mark at 29:48, Unearthly Will is short, sweet, and destructive. I want more now! The Mark Erskine artwork is something I would hang in my room, it fits the material on the record perfectly. Augurium themselves describe the album as a whole as “the culmination of core ideas that remain consistent and brutal yet experimental. It brings a dark musical aspect to lyrical themes of light and inner thought processes”. I would describe it as a harrowing thrill ride that drags you below the surface, with no chance of making your way back up to ground level. This is one that absolutely deserves your attention. 4.5/5” – Toilet Ov Hell
​
“Unearthly Will features the gamut of influences, including those as disparate as Cannibal Corpse, Decrepit Birth, Septicflesh, Lorna Shore, and Belphegor – which, if my math is right, basically embodies most death metal and its various offshoots in one fell swoop. While the flesh-eating riffs comprise the meat, Augurium features a nice symphonic dimension, while neat blackened portions are offset by a techy rhythmic complexity and tasteful deathcore teeth. Filtered through an organic DIY ethic and aesthetic, Unearthly Will is a mammoth death metal album” – Angry Metal Guy
​
“Heavy from start to finish, the album intertwines the band’s goals and their inspiration into a cohesive nine track album. While obvious breaks are between songs, Unearthly Will flows seamlessly from track to track, never disrupting one’s listening experience but allowing for an odyssey, perhaps even a death metal revelation. An unmissable offering for death metal fans, Unearthly Will is a mile marker of Augurium’s growth and showcase of visceral talent, guttural vocals, and brutality. Brutality that even aims to make the world a better place.” – Amplify The Noise
​
“Turning up the head for a skull battering finale, the stage is set for a bombastic title track and Augurium don’t disappoint. “Unearthly Will” keeps things short but oh so sickeningly sweet with driving riffs and pummelling kit work beating the cerebral cortex into submission.” – Metal Noise
​
“an intense, sinister journey through the depths of death metal, the album is sure to delight genre fans.” – Amplified-Mag
​
“Their death metal has seen a symphonic makeover, as orchestration reigns over the album (sometimes too much so as it overshadows the rest of the instruments in spots) and its inclusion gives off a grandiose flair.” – Heavy Music Headquarters
​
“All in all one can say that every track on “Unearthly Will” fits very well into the overall construct… there is no boredom and the overall length of 27:16 minutes proves that the dark trip is not long-winded but rather shorter, but all the more intense. The newly adopted, rather epic orchestral approach convinced me that AUGURIUM can implement both straightforward and atmospheric songwriting, I’m very excited to hear what the Canadians will be hearing in the future and I would really like to experience the whole thing live!” – PowerMetal.de

“If you like bombast, “Unearthly Will” is for you.” – Broken Tomb Magazine​
​
​“Augurium, the Canadian band thirsty for heavy and guttural riffs, presents their new album “Unearthly Will”” – Territorio Rock

–​
ASHER MEDIA RELATIONS
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0 Streaming Now! Vancouver Cosmic Thrashers Crüzer Unleash New EP “Look to the Skies” + Show Dates + CD Pre-Order

  • May 16, 2025
  • by Asher
  • · Cruzer · Music News

NEWS RELEASE

Montreal, QC – May 14, 2025

Streaming Now! Vancouver Cosmic Thrashers Crüzer Unleash New EP “Look to the Skies”

+ Show Dates + CD Pre-Order

L-R: Nico Miraftab (guitar), Eric Willmott (lead vocals), Alex Gain (drums), Ben Higgins (guitar, bass), New member: Esteban Lleuful (bass; not pictured)

Photos: Caitlin R.D.

Unleashing their debut EP “Look to the Skies” this past April, Crüzer is not just a band—they are a cosmic metal assault from the Great White North. Hailing from Vancouver, BC, Canada, their sound is as unstoppable as an alien invasion force, tearing through the atmosphere with electrifying solos and unforgettable hooks.

With their undeniable stage presence (recently performing at this year’s Hyperspace Metal Festival) and the power of the riff, these melodic cosmic thrashers celebrate the bizarre and otherworldly wonders of the universe. Metalheads can expect a raging, thrashing good time, but with a melodic and humorous twist. Crüzer isn’t afraid to turn trash on its head and infuse the flavour with all kinds of spices and secret sauces.

“EARTHLINGS!!! Crank it to 11, and prepare for an out-of-this-world heavy metal experience. Your alien overlords are pleased to unveil our newest slice of interplanetary propaganda, LOOK TO THE SKIES!

Five tracks of raging, rip-roaring, intergalactic speed metal, with a multitude of different flavours catered to the tastes of every thrasher, from the melodic Metallica nerds to the greasy Slaytanic Wehrmacht. Perfect for cruzing down the interstellar highway or around Saturn’s rings.

CONSUME, EARTHLINGS! LISTEN AND REJOICE!!! BASK IN THE GLORY OF YOUR ALIEN OVERLORDS AND CELEBRATE OUR ARRIVAL!!!” adds the band.

With the EP streaming on all digital platforms as of April 4, 2025, Crüzer plans to release the 5-track record on CD, with the release date to be determined. CD pre-order will be available from the band via their Bandcamp at https://cruzermuzik.bandcamp.com.

“Look to the Skies” is recommended for fans of all things thrash, such as Havok, Exodus (Zetro era), Destruction, Metallica (Ride the Lightning era), Exciter, and 80s Judas Priest.

EP Stream Links:

YouTube – https://youtu.be/8aW_6SHC9lY

​

Spotify – https://spoti.fi/3GKuG6C

​

Live Video – Hyperspace Metal Festival – Raging Fire – https://youtu.be/rJ6MGl09H6k

Show Dates:​
June 27 – Vancouver, BC – The Astoria w/ Gorgonum Chaos, The Bifurcated, Nobody, DJ HAMMER – info​

Track Listing:​
1. Look to the Skies (4:18)
2. Born to Rise (4:06)
3. Raging Fire (3:51)
4. (I Need) Thrash (2:14)
5. Pit Vyper (4:44)
Length: 19:13

More info: Cruzermuzik.carrd.co | Facebook.com/cruzermuzik | Instagram.com/cruzermuzik​

-30-

—
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0 Progressive Death SYMBIOTIC GROWTH Unleashes New Lyric Video “Lost in Fractured Reveries” From New Album “Beyond The Sleepless Aether” Out Now!

  • May 15, 2025
  • by Asher
  • · Music News · Symbiotic Growth

NEWS RELEASE

Montreal, QC – May 15, 2025

Progressive Death SYMBIOTIC GROWTH Unleashes New Lyric Video “Lost in Fractured Reveries”

New Album “Beyond The Sleepless Aether” Out Now!

Limited Edition CD available from Bolverk Collective

Mixed and Mastered by Tom MacLean (Haken, Athemon, Brutta)

Canadian progressive blackened death unit Symbiotic Growth has unleashed their latest lyric video, “Lost in Fractured Reveries,” in support of their sophomore album “Beyond The Sleepless Aether,” released digitally on March 28th, 2025, and available on limited edition CD from Bolverk Collective.

Similar to the band’s predecessor, their 2020 self-titled full-length, “Beyond The Sleepless Aether,” is once again based in fiction and is lyrically conceptual, but dives more into thoughts and emotions of everyday life, and sometimes those thoughts are hard to deal with. It’s progressive, experimental, foreboding, and emotional; every song has its own identity and place within the album’s story, taking its protagonist through the multiverse, placing him in places like dark wooded forests, wide open desert landscapes, and the unending cosmos.

The band comments on the track “Lost In Fractured Reveries”:

“The song is about the last stop through the protagonist’s journey on the proggiest song on the album. He finds himself floating within the cosmos, seeing all of time and every universe being woven together like a web, contemplating his entire existence, whether he ever even mattered in any time or in any universe. The jumping time signatures and tempo changes lend a hand to the uncertainty that feels within the song.”

Watch and listen to the lyric video at https://youtu.be/mrfCcx7U4Fk

Mixed and mastered by Tom MacLean (Twelve Tone Studio, Haken, Athemon, Brutta), “Beyond The Sleepless Aether” features seven paryalzing sounds of technical metal created by the Sudbury, ON recording line up of Aaron Barriault (Vocals, Guitar, Bass), Devin McQueen (Vocals, Guitar), and Dan Favot (Drums)(ex-Wolven Ancestry, ex-Fractal Generator).

“I think the fans who have heard our previous album may be a bit surprised; the sound of this album is a bit different; it’s a little bit more experimental in its way. Either way, we hope that fans enjoy what we’ve created. I feel like the listener may have feelings of uneasiness and wonder. An odd combination, but I feel like it’s fitting,” adds Aaron Barriault – Vocals, Guitar, Bass.

“Beyond The Sleepless Aether” is recommended for fans of Ne Oblivisacaris, Der Weg Einer Freiheit, Cor Scorpii, and Gojira.

The album can be heard on the following digital platforms:

YouTube (Album Stream) – https://youtu.be/CSOzIaRlo6E​

Spotify – https://spoti.fi/42m1Mlp​

Bandcamp – https://symbioticgrowth.bandcamp.com​

CD Order is available at https://www.bolverkcollective.com/symbioticgrowth​

Track Listing:​
1. Of Painted Skies and Dancing Lights – 7:03
2. Spires Of The Boundless Sunset – 7:28
3. The Architect Of Annihilation – 10:57
4. The Sleepless Void – 9:52
5. Arid Trials and Barren Sands – 7:35
6. Lost in Fractured Reveries – 8:44
7. Trading Thoughts For Sleep – 10:02
Album Length: 1:01:43

Album Credits:​
Mixed and Mastered By Tom Maclean of Twelve Tone Studio
Album Art by Erskine Designs

Album Band Line Up​
Aaron Barriault – Vocals, Guitar, Bass
Devin McQueen – Vocals, Guitar
Dan Favot – Drums

Live Band Line Up​
Aaron Barriault – Vocals, Guitar
Dan Favot – Drums

For more info: Facebook.com/SymbioticGrowth | Instagram.com/symbioticgrowth​

-30-

“Beyond The Sleepless Aether is heavy as a herd of elephants wearing armour, jumping up and down on your head for the rest of time. It is utterly relentless, yet interspersed with moments of such musical beauty that your soul will ache to the point of breaking. I cannot praise this album highly enough as it is fucking perfect in every single way, and if you have ever taken anything I have ever written to heart then know this. You… yes, you reading this… you need this fucking album in your life in the way that you need breathing. 5/5” – Black Metal Archive
​
“There are an immense number of individual components that deserve special attention on “Beyond The Sleepless Aether. The rhythm work is exemplary, the stubborn use of background keys in the context of a mostly dissonant sound sets standards, the vocals are one of the absolute pieces of jewelry anyway, and what is ultimately ignited in the lead guitars is no longer from this world: soulful playing, virtuoso descents, crunchy sawing. Everything that could contribute to the mutual mood is really taken into account here, of course also at a technically brilliant level. 10/10 ” PowerMetal.de
​
“this record (Beyond The Sleepless Aether) is a delight to listen to, and an early contender in what is traditionally one of the most competitive metal niches out there.” – Metal Storm
​
“Canada’s Symbiotic Growth came in clutch with their fantastic new record Beyond the Sleepless Aether. Enslaved are an immediate touchstone—so much so that I’m sure the main riff to “Spires Of The Boundless Sunset” sounds like a specific latter-day song of theirs that i can’t quite place. As the album develops, however, Ne Obliviscaris become a more obvious point of comparison, with the songs expanding into ever more extravagant and elongated arrangements as the album goes on. As with NeO, the longer, postier passages do drag on a bit, but there’s always a pummeling riff or cathartic melody waiting around the corner to bring the energy back up again, and the band is granted an extra tech-death tinge, thanks to the ferocious efforts drummer Dan Favot of Fractal Generator” – Heavy Blog Is Heavy
​
“Glimmers of brilliance, particularly in the epics and performances, shine through across the record, untouched by occasional patches of off cleans and songs that stick to their guns a little too tightly. As a result, Symbiotic Growth have made a fine record, and one that shows an incredible amount of maturity and growth from their debut. In just a few years, they’ve leveled themselves up a considerable amount, and perhaps the symbiotic relationship between this reviewer and these musicians will help their growth into something special.” – The Progressive Subway
​
“a solid and high quality example of extreme progressive metal that deserves attention” – Progressor

“Prog death, with a little atmosphere, a smidge of black metal, longer tracks, pretty complex and yeah brutal too.” – WORT 89.9 FM The Mosh Pit (Madison, WI)
​
“Canada is always that country that always gives us some unexpected gems of extreme music. Symbiotic Growth is the latest revelation. This debut album brings us a fantastic balance between the extreme aspect of death metal and progressive metal.” – World Of Metal Magazine
​
“Symbiotic Growth‘s songs are significant hybrids, but their incorporation of differing influences works very well because they’re such adept songwriters and skilled performers.” – No Clean Singing

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Thank You Canadian MDs and DJs for your airplay love! \m/\m/ !earshot – The National Loud Chart For the Week Ending: Tuesday, May 13, 2025 #6 Derev, #7 SweetBeast, #9 Famous Strangers | 92.5 FM CFBX “the X” – Kamloops – Loud #1 Derev, #8 SweetBeast | CFRU 93.3 FM – Guelph – Loud #3 SweetBeast, #4 Symbiotic Growth, #5 Vortex, #7 Art of Attrition | CIVL Radio 101.7 FM – Abbotsford – Loud #2 phear, #7 MUTANK – Boonsdale Records, #9 Derev | CJSR FM 88.5 – Edmonton – Loud #1 Famous Strangers | CJSW Radio 90.9 FM – Calgary – Loud #9 Vortex | 92.5 FM CFBX “the X” – Kamloops – Top 30 #28 Derev | CFRU 93.3 FM – Guelph – Top 30 #13 SweetBeast, #20 Symbiotic Growth, #28 Vortex | CJSR FM 88.5 – Edmonton – Top 30 #5 Famous Strangers

  • May 14, 2025
  • by Asher
  • · Art of Attrition · Derev · Famous Strangers · MUTANK · PHEAR · SweetBeast · Symbiotic Growth · Vortex

Thank You Canadian MDs and DJs for your airplay love! \m/\m/
!earshot – The National Loud Chart
For the Week Ending: Tuesday, May 13, 2025
#6 Derev, #7 SweetBeast, #9 Famous Strangers Band
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2025-05-13
===========
92.5 FM CFBX “the X” – Kamloops – Loud
#1 Derev, #8 SweetBeast
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-05-13
===========
CFRU 93.3 FM – Guelph – Loud
#3 SweetBeast, #4 Symbiotic Growth, #5 Vortex Band, #7 Art of Attrition
https://earshot-online.com/charts/cfru.cfm?intChartTypeID=6&dWeekOfID=2025-05-13
===========
CIVL Radio 101.7 FM – Abbotsford – Loud
#2 phear, #7 MUTANK – Boonsdale Records, #9 Derev
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2025-05-13
===========
CJSR FM 88.5 – Edmonton – Loud
#1 Famous Strangers Band
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2025-05-13
===========
CJSW Radio 90.9 FM – Calgary – Loud
#9 Vortex Band
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2025-05-13
===========
92.5 FM CFBX “the X” – Kamloops – Top 30
#28 Derev
https://earshot-online.com/charts/cfbx.cfm?dWeekOfID=2025-05-13
===========
CFRU 93.3 FM – Guelph – Top 30
#13 SweetBeast, #20 Symbiotic Growth, #28 Vortex Band
https://earshot-online.com/charts/cfru.cfm?dWeekOfID=2025-05-13
===========
CJSR FM 88.5 – Edmonton – Top 30
#5 Famous Strangers Band
https://earshot-online.com/charts/cjsr.cfm?dWeekOfID=2025-05-13

0 OPHIOLATRY Unleash New Video “Jesus Complex” – Exposing The Hypocrisy of Religious Indoctrination – Off New Album “Serpent’s Verdict” Out June 2025 (WormHoleDeath Records)

  • May 14, 2025
  • by Asher
  • · Music News · Ophiolatry

NEWS RELEASE

Montreal, QC – May 14, 2025

OPHIOLATRY Unleash New Video “Jesus Complex” – Exposing The Hypocrisy of Religious Indoctrination

New Album “Serpent’s Verdict” Out June 2025 (WormHoleDeath Records)

L-R – Diego Santiago (Bass), Jaime Veron (Lead Vocals), Jhorge “Dog” Duarte (Drums), Fred Barros (Guitar)

Photography: Kevin Eisenlord, Anderson Hildebrando

Brazilian death metal force Ophiolatry is unveiling their new music video for “Jesus Complex”, the second single from their upcoming album “Serpent’s Verdict,” set for release on June 6, 2025, through WormHoleDeath Records. The video represents the band’s next visual offering to follow “Death Tour,” revealed this past April. The new video introduces viewers to the ritualistic atmosphere that defines their long-awaited return. The band shares the story behind the single:

“This story is totally terrifying: you wake up, go out, and discover that everyone is wearing a Jesus mask. His gaze pierces you deeply, transmiƫng a strange and oppressive feeling. It becomes even more suffocating when you look in the mirror and see that you are also wearing the mask. In a world where identity disintegrates under the weight of imposed doctrine, the fear of conformity is a struggle between imposed faith and one’s own identity.”

“Jesus Complex” explores themes of religious manipulation and spiritual corruption. The track combines Ophiolatry‘s signature technical brutality with a newfound emphasis on tribal rhythms and atmospheric elements that showcase the band’s evolution since their acclaimed 2008 release “Transmutation”.

The creation of both the song and video emerged from a deeply personal creative process for the band. The release of “Jesus Complex” marks the next chapter in what the band describes as ‘a communion between sound and image’, with each element of “Serpent’s Verdict” designed to function as part of a larger ritualistic experience. Fans of Death, Deicide, and Cryptopsy are encouraged to immerse themselves in this initial offering while anticipating the full album’s release in June.

Watch and listen to “Jesus Complex” via its premiere on MetalInsider HERE.

(Mask Sculpting in video by: Herman Silesky)

Digital single pre-save – https://orcd.co/jesuscomplex​

Album pre-save – https://orcd.co/serpentsverdict​

First Single – “Death Tour”

Music Video – https://youtu.be/9Fr3TqFyF5Q

Spotify – https://orcd.co/deathtour​

Track Listing:​
1 – Jesus Complex – 3:48
2 – Revenge – 4:21
3 – Generation Curse – 3:09
4 – Death Tour – 3:35
5 – Serpent’s Spits – 4:31
6 – Atheris – 1:32
7 – Apophis – 5:01
8 – Midia Bible – 3:34
9 – Manipulations Guilt – 4:03
10 – Heaven Jails – 3:26
11 – Narcissistic Victim Syndrome – 4:06
12 – Human Factory – 3:18
13 – Ecdysis – 2:34
Album Length: 47:03

Album Recording Credits:​
All songs performed and composed by Ophiolatry.
Mastering: Dan Swanö – http://www.unisound.se
Artwork: LouLou – http://www.louloufineart.com
Pre-Production: Steve Rumpli & Ophiolatry
Production, Recording & Mixing: Diego Santiago
Studio: Satori Estudio
Photography: Kevin Eisenlord, Anderson Hildebrando
Graphic Layout: Beto Mustafa

Album Band Line Up:​
Jaime Veron – Lead Vocals
Diego Santiago – Bass
George “Dog” Duarte – Drums
Fred Barros – Guitars

More info: Ophiolatry.com.br | Facebook.com/profile.php?id=100063556233508 | Instagram.com/ophiolatry​

-30-

“On this new record, the band bring their traditonal Brazilian influence and their heavy, atmospheric approach together to create something new. All the songs on the record come together to tell a story. ” – Decibel Magazine (2025 – Seprent’s Verdict)

“According to Merriam-Webster, “ophiolatry” means “the worship of or attribution of divine or sacred nature to snakes.” You can certainly feel the snakes of death metal surround you as you listen to “Abyss of Alienation” from Brazil’s Ophiolatry, featuring hypnotic riffs, brutal vocals, and crushing rhythms reminiscent of Hate Eternal, Nile and Steve Tucker-era Morbid Angel. The song is a re-recording of a track from the band’s 2008 album, Transmutation.” – Decibel Magazine (2023 Single – Abyss of Alienation)

“Hailing from Brazil comes Ophiolatry, a three-piece powerhouse of a brutal death metal band whose bread-and-butter sound comprises blistering drumming and technical guitar lines set against a suffocating and claustrophobic sonic backdrop.” TheMetalForge​
​
​“Ophiolatry will reward the open-minded metal head with an inflection of national culture, post-modernism and, of course, stunningly brutal death metal.” – Sputink Music​
​
​“…Relentless blastbeats and truly brutal guitar work that have the ability to pummel the listener into a fine powder.” – Scene Point Blank​
​
​“[…] similar technical versatile approach on Death Metal as defined by KRISIUN but where the latter still have a disappointing song writing quality OPHIOLATRY have more feel, more structure and variation.” – Voices from the Dark Side​
​
​“[…] you’ve got yourself another nice brutal death metal band, comparable with (older work of) for example the Brazilian bands Krisiun, Mental Horror and Nephasth, as well as North American’s Monstrosity and Vital Remains – who came up in my mind because of the guitar virtuosity.” – Metal Rage​
​
​“A Lendária banda de Brutal Death Metal Ophiolatry está de volta as atividades.” – Brazil Legion Nekrounderground

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

  • May 14, 2025
  • by Asher
  • · Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – May 14, 2025

MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

Performing at NXT Level Festival In Ottawa – May 22nd

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)

Photographer Credit – Lisa Thompson (Dark Moon Productions)

Ottawa, Canada’s Marble Ghosts announces they have signed with Self-Made Records L.L.C. with digital distro from Earache Records for the release of their sophomore EP “The Greatest Divide” out on May 23, 2025.

“We are extremely excited to have signed with Self Made Records LLC. Even though we’ve only been working with the label for a short time, we have seen how closely the label works with bands and how invested they are in our success,” adds the band.

The band is a boundary-pushing ensemble known for its distinctive blend of metal, grunge, and punk influences. Emerging in 2023 onto the Canadian music scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts is a band with a message.

Their forthcoming second EP, “The Greatest Divide,” is inspired by our reality, from the ultra-rich and the shrinking middle class to widening gaps in political and religious ideologies that are beginning to challenge and even erode fundamental human rights. Similar to their first EP, these next five songs in their catalog highlight their diverse influences and styles and seek to lift the marginalized through powerful messaging.

With this release, the band asks, “Are you ready to cross the greatest divide?” It is the type of divide that has splintered friendships and even families, where viewpoints differ so greatly, that we can see one another as enemies- traitors. While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health, and even their own identity that forced the change.

To date, the socially conscious quartet has shared two singles from the five-track EP “Distance Between” and “Eat The Rich”, which is accompanied by a music video that can be viewed at https://youtu.be/pfka0QU68ug

​

“Eat The Rich”, the song, is a statement of today’s political climate shifting to serve the wealthy or the “1%”. The video is a message from Marble Ghosts to the rest of us. It paints the picture of two massively divergent groups- the people who are struggling to hold on, the ones staying in broken, abusive relationships to avoid being homeless, and increasingly out-of-touch billionaires who could effect real, meaningful change with their bank accounts. Instead, the ultra-wealthy constantly seek more and more ways to enrich themselves.

Vocalist Dylan Gunnell explains further:

“This song ‘Eat The Rich’ is about the ultra-wealthy, and the great divide is clear with every billion added to their coffers while the people that enrich them through a broken system continue to suffer. While the chorus is metaphorical, the band also envisioned an alternate reality in writing the lyrics: our planet has been devastated by a zombie plague. The ultra-rich are waiting for a shuttle to carry them to Mars, but it malfunctions, and they are trapped. The undead descend on them, and they are torn to pieces by the horde, the horde that once worked for them, that kept capitalism strong, the people that made them rich. In that reality, their fair share will be paid with a pound of their flesh.”

Musically, “Eat the Rich” has a droning bass that mixes with soft yet acidic vocals in the verses. The long-held scream in the chorus gives way to harmony that grows increasingly layered as the song evolves, creating the perfect contrast. The dirty guitar solo blends into mocking laughter and then powers into a final chorus with three-part harmonies.

Their music is recommended for fans of Breaking Benjamin, Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ sophomore EP “The Greatest Divide” will be released on May 23, 2025.

Digital pre-save (all platforms) https://earache.lnk.to/TheGreatestDivide​

Bandcamp pre-order – https://marbleghosts.bandcamp.com/​

First Single “Distance Between” – https://youtu.be/tE-M5vDS_uk​

Spotify – https://spoti.fi/40D2I4h​

Show Dates:​
May 22 – Ottawa – NXT Level Festival – The Brass Monkey w/ Crimson Ash, Love and Mayhem, Tucana – info​

Album Artwork by:​
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet

Track Listing:​
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26
​
​Band Line Up (EP)​
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums
​
​Band Line Up (Live)​
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial​

-30-

“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine
​
“We are living in pretty divided times and this is explicitly displayed right from the get-go with the single “Distance Between” A strong opening, it is heavy, furious, and sets the mood for the rest of the record. An intense album you can listen to over and over and still find cathartic release of angst, anger and outreach. This is a solid brand of high-octane alternative rock mixed with an old school metal vibe. 8/10” – Metal Temple
​
“Marble Ghosts’ latest single, “Distance Between,” is a relentless blast of punk-metal energy that sets the tone for their upcoming EP, The Greatest Divide (April 4th). The track showcases the band’s unique ability to fuse aggression and melody into a seamless and high-octane performance. From its rapid-fire verses to its towering choruses, “Distance Between” never loses its intensity. The song’s razor-sharp guitars anchor the chaos and deliver not one but two blistering solos that elevate the track’s raw power. Meanwhile, the desperate screams layered over the final crescendo inject a tangible urgency that drives home the song’s message about the fractures in modern society. The song’s technical precision and anthemic qualities plus the band’s punk edge keeps the energy raw and unfiltered, evoking a battle cry to confront the growing divides in the world around us. “Distance Between” and Marble Ghosts prove they’re not just pushing genre boundaries. They’re demolishing them.” – Amplify The Noise

“We have been patiently waiting for a new cut from heavy masters’ Marble Ghosts and they have delivered. The new single “Distance Between” lands today and it’s a special one. The first single to be released from their forthcoming album “The Greatest Divide” (April 4th), “Distance Between” accomplishes what every band hopes to…a monumental track that separates itself from everything else. Driving riffs, top tier vocals, a punchy rhythm section and of course solo breaks that just take flight – Marble Ghosts are back and we’re thrilled they exceeded our ridiculously unfair expectations! Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll​
​
​“get these guys in your ear holes” – Rock-N-Review​
​
​“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 EPK – Harvested – Dysthymia (2025)

  • May 13, 2025
  • by Asher
  • · EPKs · Harvested

EPK – Harvested – Dysthymia (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This album is an evolution of the band’s sound and showcases our musical abilities more than what we presented with the 2022 EP debut. We kept the lyrical theme consistent and touched on the “brutal” realities of mental illness without emphasizing senseless gore as much. It’s a level up in production, songwriting, and musical prowess, so this album will be what Harvested is all about. Heavy, aggressive, in-your-face experience; riffs that hook and engage the listener and keep them wanting more. Lyrically, we wanted to maintain the brutality but with a psychological aspect to it as opposed to exclusively encompassing gore. – Harvested

Band Name: Harvested
Album Title: Dysthymia
Release Date: August 1, 2025
Label: Self-Release

For fans of Cannibal Corpse, Suffocation, Dying Fetus, Cattle Decapitation, Decapitated

Facebook.com/harvested666 | Instagram.com/harvestedband | Youtube.com/@harvested8600

Harvested.bandcamp.com | Spotify | Apple Music

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine

“Your muscles are about to reflexively twitch, your head is about to hammer, your pulse is about to accelerate. Audio worms will slither into your ear canals and take up residence there. Some of your cranial neurons may start spinning, creating visions of fast devils and hulking monsters. Those are our predictions of what will happen when you see and hear the playthrough video we’re premiering for the song “Synaptic Confusion” by the Ottawa-based death metal band Harvested. It’s an excellent way to rev up your own motor as Harvested rev up theirs.” – No Clean Singing

“Being a old school metalhead it is quite refreshing to know there are bands like HARVESTED keeping the old school metal torch alive and well. HARVESTED have crafted a record that balances technical proficiency with emotional weight, never straying into sterile territory. Each track has purpose, structure, and venom. This is death metal that bleeds, breathes, and still bites. Absolute Masterpiece/ 10/10” – Metal-Temple

“Dysthymia is an impressive first full-length effort for Harvested. It’s absolutely brutal and groovy in it’s more ’90s death metal approach, but they give it a modern coating of paint that makes it feel more relevant and weaves in some intricacy for the tech-fiends without losing sight that it’s still an aggressive death metal album. There’s something for pretty much anyone who likes extreme music here. A very promising future for these guys.” – Dead Rhetoric

“Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.” – Angry Metal Guy

“If you had the chance to see their video of ‘Harvested’ before the album release, you would be able to see how brutal and technical they sound. Harvested knows how to hit you like a punch in your chest, from their first riffs. By the way, riffs are something that you won’t miss here. Mitchi Dimitriadis and Vitto Oh are responsible machine-gun-like guitar picks. The drum sound also hits you with all blasts, and thankfully it’s not that digitalized soulless recording style that a lot of bands fall into now. It carries good organic production qualities, in good measure. My honourable congratulations also go to all the effort the bassist Eric Forget has made to keep his bass present among all the heaviness of the other instruments, and through the complexity of playing his own parts. The vocalist Adam Semler completes the team with good vocal lines… As always, Heavy Metal Canadian bands never disappoint us! And Harvested is one more band to honour its Heavy Metal scene with this incredible album, “Dysthymia”.8.5/10″ – Ever -Metal

“If you’re into relentless death metal in the vein of CANNIBAL CORPSE and DYING FETUS, HARVESTED from Ontario could be your favorite new band. These guys have churned forth a classic of brutality with “Dysthymia”. The sound is just as clear and professional as those bands and HARVESTED deal crushing riffs and transitions with appalling intensity. One of the best things about this album, which separates it from a lot of “brutal” efforts, is that the songs are easily distinguishable and don’t melt together in a faceless mush.” – Wormwood Chronicles

“Following a demo released in 2022, Dysthymia represents a true validation of the potential of this group from Ottawa (Ontario, Canada), which deserves special attention. Combining brutal death metal with ‘old school’ influences, the quartet brilliantly demonstrates that their music will resonate with crowds during their concerts… With titles like ‘Repressed Neurosis’, ‘Unending Madness’, ‘Designed Dilemma’, ‘Gathered And Deluded’, ‘Unanchored’, or ‘The Infestation’, Harvested sets the tone! The album was produced by the band itself with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound that remains rooted in the fundamental elements of death metal.” – Metallian

“Harvested Delivers 50 Shades of Vicious on ‘Dysthymia’… Dysthymia is one of the year’s best metal records.”-The Rock Father

“If you like brutal death metal with technical elements, this is a great album.” – ZwareMetalen

“HARVESTED deliver flawless death metal with technical sophistication, powerful riffs, gripping vocals and brutal energy.” – MetalUnderground.at 

“HARVESTED debut with “Dysthemia”, nine cuts of technical Death Metal, brutal and uncompromising. Influences from CANNIBAL CORPSE, SUFFOCATION and DECAPITATED are mixed with fast riffs, heavy rhythms and impeccable instrumental execution. An aggressive and wild album that gives no respite. 8/10″ – Necromance Magazine

“HARVESTED come swinging out of Ottawa’s underground with DYSTHYMIA, a death metal record that treats mental illness like a battlefield and riffs like blunt weapons. Their new bass playthrough for “Gathered and Deluded” puts Eric Forget right in the crosshairs — fingers blazing, tone snarling through a wall of blast beats and jagged guitars. It’s under three minutes but feels like a panic attack chewing through its restraints. No triggered sterility, no soft edges — just muscular, old-school brutality sharpened with technical spite. If CANNIBAL CORPSE, DECAPITATED, and DYING FETUS built a pressure cooker in a locked room, HARVESTED are the sound of what claws its way out.” – IDIOTEQ

“Harvested channel the struggles of mental illness within the seedy confines of death metal on their debut album, Dysthymia. The group doesn’t skimp on the gorier details, like the depictions of torture on opener “Harvested,” but much of the lyrical prose isn’t that graphic. It takes the views of mental illness from not only a personal perspective, but globally as well. Their death metal has nods to the classics like Cannibal Corpse and Suffocation, while adding a bit of technical bounce as they do on “Designed Dilemma.” Harvested does well with capturing the genre from every corner. Speed freaks will love “Gathered And Deluded,” those with some head banging in their hearts will get down to “Unending Madness” and “The Infestation” ends Dysthymia with a stark message.” – Heavy Music Headquarters

“After knocking the first three tracks out of the park like a home run into the stratosphere, “Synaptic Confusion” goes harder and faster during an opening onslaught second to none before getting menacing and sinister with a slower churn and burn. A violent delight with a catchy hook and a scream-a-long lyrical narrative in the chorus, its the kind of blunt force trauma that everyone can enjoy without a visit to the hospital. Maintaining the quality levels of both musicianship and song writing throughout the record seems like an impossibility of reason and yet its probably why this record took three years to complete because “Designed Dilemma” is another absolute beast. It’s like the band have taken your favourite Death Groove Thrash cut and adrenalized it by mainlining caffeine until their eyes pop out on stalks. The energy levels are as ridiculous as the poise and precision as the band conjure a Technical Death Metal tune of the highest order.” – Metal Noise

“The Ottawa, Canada-based death metal band’s full-length demo of 2025 does the job. As evidenced by the cover artwork and title – Dysthymia refers to a persistent depression – the theme here is mental illness. Songs like Repressed Neurosis, Unending Madness and Synaptic Confusion tell the tale. One thing remains steadfast: the band’s sound comes across as Cannibal Corpse meets Cryptopsy meets Suffocation. The lyrics mention “human waste” at one point. The aforementioned Synaptic Confusion is a highlight with a gigantic chord and a loud bass. Gathered And Deluded is another good one. It has nifty speed riffing. Designed Dilemma delivers a delicious solo. This is meat and potatoes death metal that is tight and accomplished… this is the type of release death metal fans would cherish.” – Metallian.com 

“It is brutal and in your face from start to finish… These guys know how to deliver a top class album.” – Project Metal Music

‘Dysthymia’ is a very solid album… fans of groovy technical death metal have a new act to keep an eye on.” – Musika

“Nine tracks, 32 minutes. But this album dives really deep into the mental illness and depression, along with the horrifying effects that it has on humanity. You know, it’s not your typical horror and gore-based death metal. This actually makes you think. It’s got some substance to it. And the opening track, Harvest, just grabs you by the throat right away. And it seemed like Adam Semler’s vocals are just more brutal than they ever have been. They’re just visceral. And I love the constant pace change that they have in this album. And the guitar tone is thicker. It’s crunchier. And guys, goes from a mid-tempo crunchy groove to a full-blown assault on the senses. So, with this album being a lean and mean 32 minutes, there’s no filler, and it’s all killer. It’s no wasted space. It’s not full of a bunch of, you know, bloated like intros and outros and things you just don’t need. You get three and a half minutes or so of crushing death metal, and just comes in and does it all over again for nine solid tracks.” – Furious Metal Youtube Reviews

““Dysthymia” is a compact and focused death metal release that balances aggression with detail. It shows a band that is tight in both concept and execution. There are no gimmicks or over-the-top theatrical elements—just well-structured, intense music with a consistent vision. Fans of fast, brutal death metal with a psychological edge will find this to be a strong release. Recommended for fans of Cannibal Corpse, Decapitated, Aborted, and Suffocation.” – Heavy Metal Darkness

“The atmosphere of the album is… unhealthy. It’s very inviting for headbanging. But be careful! There is a risk of pulling your neck.I forgive the Canadian band „Harvested“ 8 out of 10 Hellfire points.” – Hellfire Magazine

“Technical Death Done Right, with Grit and Groove… This is not just a video (Synaptic Confusion Playthrough). It’s a lesson in precision, aggression, and musical chemistry. From the first riff to the last blast beat, it’s clear these guys aren’t here to play games. They’re here to prove they belong in the same room as Cannibal Corpse , Cryptopsy , and Suffocation .” – Radio Papy Jeff

“Canadian technical death metal act Harvested has once again raised the bar for musicianship with the release of their “Synaptic Confusion” playthrough video. As anticipation builds for their upcoming full-length album Dysthymia, dropping August 1st, this video offers fans and industry pros an up-close look at the band’s intricate performance dynamics and creative evolution. Captured with precision and energy, the playthrough reinforces Harvested’s position at the forefront of modern death metal’s technical vanguard.” – See Rock Live


“
When it comes to songwriting, HARVESTED is on the right track and can easily face international competition with its official debut.” – PowerMetal.de

Press from 2022 Self-Titled EP:

MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

[Download Album Cover | Harvested Dysthymia Lyrics]

Band Name: Harvested
Album Title: Dysthymia
Release Date: August 1, 2025
Label: Self-Release

Track Listing:
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

========================================================

About The Album Artwork:

You see an individual from almost a psychedelic perspective. In great mental turmoil, the abstract visualization of the chaos that is the human brain. – Mitchi

The album as a whole (LYRICALLY & MUSICALLY):

Lyrically, we thought of exploring the topics of mental illness as a general theme. The drums have an old-school death metal feel with a modern touch, intricate yet very aggressive drum grooves. Dark Moon Productions did an awesome job providing us with the sound we were looking for, a modern production but rooted in the styles of the bands that founded this genre. Vocally, Adam’s technique and overall projection is a respectful nod to George Fisher from Cannibal Corpse.  Mitchi & Eric

Track by Track (LYRICALLY & MUSICALLY):

1. (Harvested) This is the track and represents what the band is about. The old-school death metal influences and the dark realities of mental illness put someone through a tortured experience

2. (Repressed Neurosis) This is the fastest song on our album, showcasing the technical and extreme prowess of the members behind the instruments. The song is about submitting to your “shadow self” and how it’s been bottled up for years.

3. (Unending Madness) This is a fun track combining the amalgamation of different styles we liked as a band. Ode to CC and Suffocation with a splash of technical death metal & groovy slams. It’s about inevitably falling into madness in a person’s lifetime.

4. (Synaptic Confusion) This is one of our groovier tracks that also really focuses on melody. This one grabs onto you from the beginning till the end. This track describes someone who can’t tell the difference between a dream and reality.

5. (Designed Dilemma) It is one of the more technical tracks on this album. Taking influences from bands like “The Zenith Passage” and “Soreption”. There are lots of goodies in the details. This song is about how a deranged mind can really fabricate adversaries.

6. (Gathered and Deluded) This is the Slamming death metal track of the album, with a slight touch of old-school and guitar influences from bands like “Cattle Decapitation”. This song describes the darker realities of cults and essentially creates a hive mind of the mentally deranged.

7. (Voice of the Void) Musically, this is the track that has a bunch of tempo changes. Showcasing how fast and chaotic we can be, but also how slow and heavy we like to get. Definitely one of our more old-school sounding tracks as a whole. The song paints a picture of someone who questions their thoughts and dissociates from their personality, which can lead to horrific outcomes.

8. (Unanchored) Contains influences from deathcore but molded into a death metal track. It is one of the more brutal tracks on this album. You’ll find a mix between fast and aggressive riffs to heavy breakdowns. The song touches on the greed and gluttony of the human experience, essentially abusing the earth as long as it serves them. We’d argue that it is a form of mental illness.

9 (The Infestation) The final track of the album, we saved one of our best for last. It has been influenced by the Cannibal Corpse and Deicide, among others. It’s also the longest track length in this release. The song describes mental illness on a more political scale and has an influence globally. Which direction is our world heading when being governed by psychopaths? It all pertains to mental illness at the end of the day, which is the recurring theme of this band’s lyrical approach.

==============================================

Fun Facts – Story Angles:

1. Right after an intense rehearsal, Mitchi bent over right behind a sweaty Jacob to unplug his electronics, thinking he was slick enough to get out of there in time. Little did he know that he was going to meet face to face with Jacob’s behind and make contact with it. His reaction to that event is among our favorite memories as a band, and we use it as an inside joke to this day.

2. When we booked studio time to record drums for our album ‘Dysthymia’, our producer Joe Lyko scheduled us for 2 days. Instead, we showed up one evening, set up the drums, plowed through all 9 songs, tore down/loaded out the drums all in one night, leaving our producer speechless and giving him the next day off to himself.

3. Guitars were recorded and performed by Mitchi. He also did the tempo mapping, pre-production/sound design, as well as click tracks, and programmed the live set list for the band. He’s even worked as an assistant engineer for Darkmoon Productions a few times. Assisting him with the client’s drum edits and vocal recording sessions.

4. The band was offered a management deal from EMG around early 2023. We unfortunately couldn’t proceed in that direction because we were going through line-up changes and were working on this album ‘Dysthymia’ to increase our catalogue outside of the 5-track demo from 2022. Safe to say if that opportunity is still available, we’d love to revisit the possibility and stay in touch with them now that we have this release under our belt.

5. Harvested has been mentioned in a “10 Modern Canadian Death Metal Bands” article by MetalSucks 2022-2023. https://www.metalsucks.net/2023/01/05/10-modern-canadian-death-metal-bands/

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Harvested is a death metal band from Ottawa, Ontario, Canada. Their music is heavily influenced by bands like Suffocation, Dying Fetus, and Deicide, blending elements of slam, brutal, and technical death metal. The band aims to evoke nostalgia from the late ’90s and early 2000s while incorporating a modern touch.

They unleashed their 2022 self-titled debut EP that featured five tracks, all centered around themes of mental illness, with inspiration drawn from horror and thriller movies and shows. One of their singles, Apathetic, explores narcissism and a lack of empathy in society. The band describes it as one of their more brutal tracks, featuring intense double bass-heavy riffs.

Now in 2025, they unravel their first full-length, “Dysthymia”, which explores the psychological aspects of mental illness rather than relying solely on gore. It’s heavier, more aggressive, and showcases the band’s musical abilities in ways they’ve never presented before.
Recorded over nearly three years, “Dysthymia” features the core lineup of Mitchi Dimitriadis (guitars), Adam Semler (vocals), Eric Forget (bass), and Jacob Collins (drums). The album was produced by Harvested with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound while staying rooted in the foundational elements of death metal. 
Harvested remains unsigned and independent, continuing to carve their own path in the metal scene.

Discography:
2025 – Dysthymia (LP)
2022 – Self-Titled (EP)

Shared Stage with: Killitorous, Plaguebringer, Lutharo, First Fragment, Aversed, Augury, Cognitive, BARF, Aeopoch, Carrion Vael, Maggots and more

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