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Posts By Asher

0 Chris Adler (Lamb of God) Joins Forces with TONIC BREED For Explosive New Single “Anew”

  • May 13, 2025
  • by Asher
  • · Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – May 13, 2025​

Chris Adler (Lamb of God) Joins Forces with TONIC BREED For Explosive New Single “Anew”

Tonic Breed’s upcoming single “Anew” features Grammy-winning drummer Chris Adler — in what frontman Patrik K. Svendsen calls the most Lamb of God-style drumming he’s heard from Adler since his days in the band.

Tonic Breed, the metal project led by Norwegian musician Patrik K. Svendsen, is gearing up to release “Anew” on June 19th, 2025, a crushing new single featuring none other than legendary drummer Chris Adler (Lamb of God, Megadeth).

“I was quite curious when I got an email — and some riffs — from Patrik,” says Adler. “Clearly he’s done some cool shit and I was flattered to be on his radar… I researched it for a minute and agreed.”

Patrik originally sent over a rough demo of the song, a storm of riffs strung together with placeholder drums and a suggested structure. “Chris was actually on board right away,” Patrik explains. “We worked together on a new structure for the song, and Chris took the lead on shaping it into something far more unique and effective than my original draft.”

“His riffs are fucking sick,” Adler continues. “We did have to take a minute to both feel good about what this would be — meaning I beat up his song like a fucking Rocky movie — but I knew it had the parts and strength.”

The final version of “Anew” is a precision-crafted, high-energy track that fuses Patrik’s Norwegian riff work with Adler’s unmistakable rhythmic drive. “To me, this is the most Lamb of God-style drumming I’ve heard from Chris since he was in Lamb of God,” Patrik says. “I’m sure some metal guitarists would kill to hear Chris Adler’s drumming behind their riffs — I’ve been lucky enough to experience that firsthand.”

By the end of the collaboration, Adler described the finished product as “sounding like an action movie that’s fun to watch,” a nod to the song’s explosive dynamics and cinematic flow.

“It’s been a privilege to work with Patrik,” Adler says. “Humbling. You’ll know what I mean when you hear it.”

The track was mixed and mastered by acclaimed producer Machine, who also handled Lamb of God’s Ashes of the Wake and Sacrament. “The sound is brilliant,” says Patrik. “Machine absolutely nailed it.”

“Anew” will drop June 19th, 2025 as a stand-alone single and is also set to appear on the next full-length Tonic Breed album. The new release continues the project’s series of high-profile collaborations, which already include Dirk Verbeuren (Megadeth), Michael Gilbert (Flotsam and Jetsam), and Björn Strid (Soilwork).

Until “Anew” is released, check out Tonic Breed‘s latest collaboration with Flotsam and Jetsam guitarist Michael Gilbert for a guest solo on the new single “The Die Is Cast”.

Straight to the point. No fluff, no filler, “The Die Is Cast” is pure, hard-hitting thrash from start to finish, with a touch of melody woven in. The song is about a powerful war machine that lies broken and abandoned, surrounded by the wreckage of others like it. Its silence feels heavy, as if it’s aware of the destruction it once brought and the emptiness that followed.

“The Die Is Cast” was performed, written, and produced by Patrik K. Svendsen with mixing by Adrian Bjerketvedt in Sarpsborg, Norway, and mastered by Steve Kitch.

Spotify – https://open.spotify.com/album/2AM7LfoyoTUL0VlZLYpXyE​

Video – https://youtu.be/mAC4_K0Sqko​

For more info:​
​https://tonicbreed.com​
​https://facebook.com/tonicbreed​
​https://instagram.com/tonicbreed​

About: Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. As of 2022, Tonic Breed has released three albums and one EP. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations.

Discography:​
– 2025 – The Die Is Cast (single)
(ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP
(ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam),
Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2010 – On the Brink of Destruction

– 30 –

“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)​
​
​“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)​
​
​“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)​
​
​“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)​
​
​“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)​
​
​

—

ASHER MEDIA RELATIONS

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0 EPK – Crüzer – Look to the Skies (2025)

  • May 12, 2025
  • by Asher
  • · Cruzer · EPKs

EPK – Crüzer – Look to the Skies (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I think this album will be well received by any thrasher who loves a bit of melody with their mosh fodder. While in the studio, we made sure that these songs were honed and shone to perfection, with a good bit of melody and catchiness thrown into the madness. We’re trying to offer a thrash buffet of sorts, a smorgasbord full of different flavours of speed, melody, and attitude.” – Eric Willmott (lead vocals) – Cruzer

For fans of Havok, Exodus (Zetro era), Destruction, Metallica (ride the lightning-era)

Cruzermuzik.carrd.co | Facebook.com/cruzermuzik | Instagram.com/cruzermuzik

X.com/cruzermuzik | Youtube.com/@cruzermuzik | Blusesky | Telegram

Cruzermuzik.bandcamp.com | Spotify | Apple Music

“Canadian band Crüzer are out with the EP “Look to the Skies”, and metal is the style explored on this production. This is a good, old fashioned take on the thrash metal tradition, and one which the band explore in a few different manners. We have blazing fast and firm affairs, revolving around quick and numerous tempo changes and a high degree of momentum for starters. We also get a case of the classic chugging guitar riff variety of thrash metal tossed into the mix, and at the end of the EP the band switch over to a style and orientation a bit closer aligned with the good, old NWoBHM expression. Besides exploring the style in a few different manners, a striking feature of the songs here are the ebb and flow between raspy, slightly distorted lead vocals and clean, controlled and melodic lead vocals. A feature that gives this EP a rather striking identity in itself. An production to seek out by those who enjoy thrash metal explored in a bit of an old school manner and with a fair degree of variation inside of that context.” – the Viking in the Wilderness

[Download EP Cover | Download EP Lyrics]

Band: Cruzer
Album Title: Look To The Skies
Release Date: April 4, 2025
Label: Self-Release

Track Listing:
1. Look to the Skies (4:18)
2. Born to Rise (4:06)
3. Raging Fire (3:51)
4. (I Need) Thrash (2:14)
5. Pit Vyper (4:44)
Length: 19:13

Album Recording Credits:
• All songs written & performed by: Eric Willmott, Ben Higgins, Nico Miraftab, Alex Gain
• Produced, mixed & mastered by Michael Kraushaar
• Album Artwork by Angela Grimmuza
• Member of SOCAN
• MAPL – Canadian Content

Album Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar, bass)
Alex Gain (drums)

Live Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar)
Esteban Lleuful (bass)
Alex Gain (drums)

=======================================================

About The Album Artwork:

In addition to depicting the theme of our title track, i.e, an alien invasion, we also wanted it to incorporate themes from the other songs on the EP. There’s a thrasher dude (I need thrash) rising up against the alien threat, taking revenge (born to rise), lots of “raging fire” in the background, and a couple of people wearing……you guessed it, pit vipers! Haha.

About the album as a whole (LYRICALLY & MUSICALLY)

Listeners can expect a raging, thrashing good time, but with a melodic and humorous twist. Cruzer isn’t afraid to turn thrash on its head and infuse the flavour with all kinds of spices and secret sauces! -Eric

Track by Track (LYRICALLY & MUSICALLY):

1. The title track Look to the Skies deals with the threat of an extraterrestrial invasion force, and the attempts of the world powers to stop it (or maybe they know more than they’re letting on…). The chorus hook on this song might be my favourite of the whole album, love how it just comes in out of nowhere after a whole verse and pre-chorus of harsh blackened thrash vocals.

2. Born to Rise deals with rising up from the ashes, overcoming adversity, and exacting revenge against those who tried to cross you. This song has a very hardcore punk feel compared to the other songs, but still has that melodic edge in the chorus vocals.

3. Raging Fire deals with a topic I’m sure most thrashers will be familiar with: the destruction of the environment! Whether through climate change, nuclear war, or both. This is a mid-paced song compared to the first two, but it contains some of the heaviest vocals on the whole album!

4. On the surface, I Need Thrash is your average Slayer-esque rager about going to a show, moshing, drinking, and partying. But the song actually contains an important message about fighting back against metal stereotypes, mainly the mentality of “killing posers,” which I’ve always hated. I got called a poser when I was younger, it fucking sucked! Who cares what subgenre or microgenre people like? Metal is metal! Leave them alone and let them enjoy things. DON’T BE A DICK!

5. In an almost direct assertion of the previous song’s message, Pit Vyper is by far the most melodic, commercial-friendly, and hair metal-tinged track on the whole album. The song is a classic sounding mix of old school speed metal bands like Exciter and Meliah Rage, 80s Judas Priest, and hair metal bands like Motley Crue. The lyrics deal with the classic subject matter of an evil metal mistress who turns your heart to stone! Now is that old school metal or what?!

-Eric

=====================================================

Fun Facts – Story Angles:

1. The band members all used to attend the same high school! Riverside Secondary School in Port Coquitlam,

2. The guitarist, Ben Higgins, also plays guitar in the southern rock band Cache Creek

3. The lead vocalist, Eric Willmott, is also a voice actor. He has narrated several audiobooks, appeared in the mobile game Jorney Renewed: Fate Fantasy (as Sun Wukong Prime), and lent his voice to several YouTube animated shows, including Mammal Squad, Tamberlane, Supercell, and Lexie.

4. Eric also used to be in a My Little Pony-themed metal band called Equestrian Lord, back when the “brony” phenomenon was at its peak. Ironically, their most popular song on YouTube has nothing to do with My Little Pony, instead being inspired by the animated fantasy film The Thief and the Cobbler.

5. The band’s recording engineer, Michael Kraushaar, had no idea that he was recording a thrash metal band at first. Due to the band’s name, Cruzer, and his familiarity with Ben’s band Cache Creek, he assumed we were “gonna sound like Foghat or something!”

L-R: Nico Miraftab (guitar), Eric Willmott (lead vocals), Alex Gain (drums), Ben Higgins (guitar, bass), New member: Esteban Lleuful (bass; not pictured)

Photos: Caitlin R.D.

THRASHING FROM BEYOND THE STARS

Crüzer is not just a band—it’s a cosmic metal assault from the great white north. From Vancouver, Canada, Crüzer’s sound is as unstoppable as an alien invasion force, tearing through the atmosphere with electrifying solos and unforgettable hooks. 

But it’s not just the power of the riffs and the undeniable stage presence that make Crüzer’s music a celebration of the bizarre and otherworldly wonders of the universe. So strap in, crank it to 11, and prepare for an out-of-this-world heavy metal experience.

Discography:
Look To The Skies (EP, April 2025)
Born To Rise (Single, March 2025)
Pit Vyper (Single, February 2025)

Shared Stage with: Glyph, Tower Hill, Red Cain, Serpent Rider

Tours and Festivals: 2025 – Hyperspace Metal Festival VI – Vancouver

0 April / May Absolute Underground Magazine w/ Decimate Metalfest, CHÜZO, phear, Derev, Tumbleweed Dealer

  • May 12, 2025
  • by Asher
  • · CHUZO · Decimate MetalFest · Derev · PHEAR · Tumbleweed Dealer

April / May Absolute Underground Magazine
w/ Decimate Metalfest, CHÜZO, phear, Derev, Tumbleweed Dealer
https://absoluteunderground.tv/absolute-underground-magazine-issue-123

0 Rockshots Records – RIMMAR First Single & Video “Planet Mars” Off New Album “Raises” Out July 2025

  • May 9, 2025
  • by Asher
  • · Music News · Rimmar (Rockshots Records)

NEWS RELEASE

Montreal, QC – May 9, 2025

RIMMAR First Single & Video “Planet Mars” Off New Album “Raises” Out July 2025

“It’s a dream come true, lasting for years. Now everything can begin!”. With these words, Marco Rinaldi announces the official debut of Rimmar, his visionary solo project, and unveils the first single, “Planet Mars,” released via Rockshots Records.

Completely written, composed, and arranged by Rinaldi himself, “Planet Mars” is more than just a song—it’s the first chapter in a sonic journey that blends the power of classic, progressive, and industrial metal with disco and electronic elements. A bold and cinematic opening track that sets the tone for Rimmar’s debut album “Raises”, “Planet Mars” hovers between the past and the future, echoing with the urgency of rebirth and the desire to rise from a stagnant world. As the artist explains, “This album was born in the past, matured in the present, and projected into the future like a spaceship.”

Rimmar is not a traditional band but a one-man artistic endeavor. Marco Rinaldi is the sole author of the lyrics and music, building his songs from riffs and rhythmic structures before enriching them with orchestration, synths, and pads. The words are deeply inspired by readings, dreams, and philosophical reflections, but always subordinate to the music itself — “The word is a servant of music in my case,” he states.

“Raises” features a refined blend of styles and moods, reflective of Rinaldi’s wide musical background and personal influences ranging from 80s metal to 90s prog and even Italian avant-garde artists. The production also benefits from a remarkable cast of guest performers from the Italian rock and metal scene: Fabio Lione (Rhapsody of Fire, Angra) on tow songs “Mighty Messenger” and “Vortex”, Kyo Calati (MindAheaD), Marco Andreotti (Imagine Dragons tribute), Mattia Fagiolo (White Thunder, Dragonhammer), and Alessandro Cola (Eldritch) all contributed their unique voices and energy to the project.

On stage, Rimmar transforms into a full live band with experienced musicians delivering a performance that merges metal intensity with the aesthetics of electronic dance. As Rinaldi explains, “All we are interested in is ‘increasing’, ‘raising’ the volume, the intensity, rising from the rubble of our indifference, superficiality, ignorance and difficulty to communicate with others!”

“Planet Mars” is now available on all digital platforms and marks the beginning of an ambitious musical vision—emotional, genre-defying, and unapologetically bold.

LISTEN: https://lnk.to/heoLct​
​VIDEO: https://youtu.be/O2JwJ8UtSO4

​
​
​ALBUM PRE-ORDER: https://rockshots.eu/products/rimmar-raises​

Track Listing:​
1. Unreal (feat. Mattia Fagiolo)
2. Mighty Messenger (feat. Fabio Lione)
3. These Ruins (feat. Marco Bertuccelli)
4. 8th Sin (feat. Marco Andreotti)
5. Planet Mars (feat. Mattia Fagiolo)
6. Vortex (feat. Fabio Lione)
7. Queen of the Gold (feat. Marco Bertuccelli)
8. Cruel Summer (feat. Kyo Elisa Proietti)
9. Raises

​
​Rimmar Line Up:​
​Marco Rinaldi: Guitars
​Tommy Pellegrini: Rhythm Guitars
​Marco Moretti: Drums
​Alessandro Cola: Bass Guitar

​More Info:

– https://rockshots.eu/​

– https://www.facebook.com/profile.php?id=100063487690785​

– https://www.instagram.com/rimmar_official/​

– 30 –

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Rockshots Records – BERIEDIR Release Official Music Video for “Burnout” – The Quintessential Track from “Liminal Spaces”

  • May 9, 2025
  • by Asher
  • · Beriedir (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

BERIEDIR Release Official Music Video for “Burnout” – The Quintessential Track from “Liminal Spaces”

Following the release of “Liminal Spaces” via Rockshots Records, Italian progressive metal act Beriedir unveils the Official Music Video for “Burnout”, the album’s emotional centerpiece.

Musically and lyrically, “Burnout” captures the very essence of the record. A song about mental exhaustion, the crushing weight of self-imposed pressure, and the relentless cycle of overexertion, “Burnout” blends technical complexity with emotional immediacy. The track opens with hammering rhythmic patterns and aggressive riffs before collapsing into a fragile, almost sobbing pause culminating in a melodic death-inspired finale of overwhelming intensity.

“Filling all the time we have, keeping the furnace burning as everything gets consumed. Writing page after page, until something breaks. Silence falls in an instant, like the noises in the forest when a predator is present. But the only threat to us, in the solitude of sleepless nights, is ourselves. The cycle never stops: our mind becomes incandescent, works non-stop, then burns out. Then it starts again.”

The band comments:

“‘Burnout’ is a vocal and instrumental challenge in every aspect. It’s the most representative track of “Liminal Spaces”, where every musical choice mirrors the content of the lyrics. It’s hard to stay emotionally untouched while playing it.”

The official music video, directed once again by Luca Rapuzzi, visually amplifies the tension and vulnerability expressed in the track. Through stark and immersive imagery, Rapuzzi brings the song’s inner conflict and emotional unraveling to life, reinforcing “Burnout” as the album’s defining statement.

With “Liminal Spaces, “Beriedir has taken a bold step away from their power metal roots to fully embrace a progressive, melancholic, and immersive sound. The album explores trauma, nostalgia, longing, and emotional fragmentation, offering a listening experience that resonates deeply with those navigating dark and complex emotional states.

The band’s stylistic shift is both natural and deliberate, shaped by years of personal growth and sonic exploration. As frontman and primary songwriter, Stefano Nusperli explains, it all began with a USB drive full of music from bands like Vision Divine, Dream Theater, Dark Tranquillity, and Children of Bodom—a discovery that sparked the initial flame of Beriedir and ultimately led to “Liminal Spaces”.

Now, with a more collaborative approach and a renewed focus on progressive and alternative metal, Beriedir’s sound draws comparisons to Pain of Salvation, Leprous, Katatonia, Gojira, Trivium, and Dark Tranquillity. The album was mixed and mastered by Simone Mularoni at Domination Studio, ensuring a sonic depth that matches its lyrical weight.

​
​Video: https://youtu.be/YXvhjCx_o6s​
​Listen to “Liminal Spaces“: https://open.spotify.com/album/2l106cYkaLYZVQHodDqJVA​
​Order the album: https://lnk.to/AR9Bpc​

Previous Videos:

Music Video – “Neon” – https://youtu.be/R5WalIheULc​

Music Video – “Halo” – https://youtu.be/vb-QwoHrU8c​

Track Listing:
1. Halo
2. Neon
3. In The Corner Of My Eyes
4. As Tight As Phantoms Hold
5. F.I.V.E.
6. More Than Starlight
7. Burnout
8. Anemoia
9. Massive
10. In The Liminal Space

Line-up:​
Stefano Nüsperli: Vocals, Keyboards
Simone Bacchi Mottin: Guitars, Backing Vocals
Francesco Ideo: Guitars
Ciro Salvi: Drums
Daniele Cantaboni: Bass Guitar

More info: https://www.rockshots.eu | https://www.facebook.com/BeriedirOfficial | https://www.instagram.com/beriedirofficial​

-30-

“Melodies accompanied by explosive rhythms” – Loud And Proud

“I am utterly convinced that Beriedir will begin to achieve a level of success that their obvious talent fully deserves.” – Man Of Much Metal

“Not only will Beriedir pull your face off, but they’ll do it at breakneck speed in 5/4 time. ‘Aqva’ is a fast-paced album, thrashing machine gun powered guitars do endless battle with the fanfare of keyboards which blast with all the fun of those Euro-pop power metal sound.” – The Metal Crypt

“Metaphysical lyrics […] Through the entire song I thought somehow that a whole orchestra is with the band, so these guys truly know how to play their instruments properly and make magic out of them.” – Abaddon Magazine

“The word “elegant” comes to mind to describe the atmosphere of this album. None of these songs is superfluous. The strength of this release lies in the coherence and articulation of the songs. This clever structure supports an emotional journey. It evokes gigantic waves crashing on your heads.” – Metal Express Radio

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 DOUBLE EXPERIENCE New Geek Rock Single “Expensive Taste” + NXT LVL Emerging Artist Festival + Nominated for Ottawa Capital Music Award for Album of the Year “Undefeated”

  • May 9, 2025
  • by Asher
  • · Double Experience · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

DOUBLE EXPERIENCE New Geek Rock Single “Expensive Taste”

+ NXT LVL Emerging Artist Festival

Nominated for Ottawa Capital Music Award for Album of the Year, “Undefeated”

Single Artwork – Double Experience – Expensive Taste

Double Experience (L-R – Ian Nichols – Vocals and Bass, Brock Tinsley – Guitar)

With their upcoming performance at this year’s inaugural NXT LVL Emerging Artist Festival in Ottawa, and nomination for a Capital Music Award for Album of the Year (gala hosted on May 22nd, 2025 at Southam Hall at the National Arts Centre (1 Elgin Street) https://ottawamic.com) for their fourth album “Undefeated”, geek culture rock duo Double Experience are sharing their follow up single “Expensive Taste”.

The song speaks of the simple pleasures of life ruined by the ever-expanding reach of modern consumerism and was written to contain the geeky core of Double Experience, but enveloping it in the most layers of candy coating they’ve ever dared to attempt. As a band very familiar with touring, the duo wrote songs that would enhance their visceral concerts in sweaty bars and clubs. This time around, their music has a clear, crisp sound and a new sheen of consummate professionalism. The band explains the single further:

“Take, for instance, the pastime of video games – an innocent slice of escapism now rife with microtransactions designed to make those without feel inferior. In other words, do not let vanity get the better of whatever makes your heart flutter. If you aren’t feeling the warmth of the midsummer sun by the end of “Expensive Taste”, you’re already dead inside.”

Listen to “Expensive Taste” at the following links:

Spotify – https://spoti.fi/4daHj75​

YouTube – https://youtu.be/NQl55GTsFtQ

​

2024 album “Undefeated” is available on all digital platforms – https://linktr.ee/2xxp​

Tour Dates:​
May 17 – Ottawa, ON – Broadhead Brewery – info​
May 23 – Ottawa, ON – Rainbow (NXT LVL Emerging Artist Festival) – info​

More info:​
​https://www.2xExperience.com​
​https://www.facebook.com/DoubleExperience​
​https://www.youtube.com/DoubleExperience​
​https://www.instagram.com/DoubleExperience​
​https://www.twitch.tv/DoubleExperience​

About:

By taking influence from Coheed and Cambria, Weezer, and Palaye Royale, Double Experience bounces between sounds in a quest to compose music as diverse as an arcade gallery. In doing so, Double Experience has bonded with a passionate global fan base with their undeniable live prowess amounting to nearly 1000 concerts across 18 countries, opening for all manner of acts, from Badflower to Danko Jones, from JJ Wilde to Galactic Empire.

By day, mild-mannered band members Ian Nichols (vocals, bass) and Brock Tinsley (guitar) deliver band-oriented workshops and panels at conferences, conventions, and festivals (IndieWeek, MAGFest, Ottawa ComicCon), teaching up-and-coming creatives how to take control of their destiny, similar to the duo’s musical alter-ego. The band has co-written songs with Jayson DeZuzio (Imagine Dragons), and in 2016, their Destiny-themed anthem “The Glimmer Shot” caught the attention of the game’s developers at Bungie.

Their fourth studio album “Undefeated” was released in May 2024 via Colfax Music Ltd. and was inspired by the fans through live streaming on Twitch, and has all things nerdy, and is all about perseverance.

Discography:​
2025 – Expensive Taste (single)
2024 – Undefeated – (LP)
2020 – Alignments – (LP)
2017 – Rock (Geology) – (EP)
2016 – Unsaved Progress – (LP)
2014 – 721835 – (LP)

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s Third Album “A Battle to the End Fought on the Edge of a Knife”

  • May 9, 2025
  • by Asher
  • · Music News · Slug Comparison

NEWS RELEASE

Montreal, QC – May 9, 2025

Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s Third Album “A Battle to the End Fought on the Edge of a Knife”

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Canadian vocalist, guitarist, and songwriter Doug Harrison, known for his progressive rock outfit FEN, is excited to share his solo project SLUG COMPARISON’s third album, “A Battle to the End Fought on the Edge of a Knife,” out now, as of May 9th, 2025.

Recorded over the same period as Fen‘s Dear Mouse (Sept 2024). Both recordings had been a long time coming, and then by chance, they converged to completion at the same time.

“It became a bit of a competition to see which one would be mastered first. In the end, it was pretty much a tie, because I had a couple of recalls for the Slug Comparison master, but I wanted to put out Dear Mouse first, because it had been so bloody long in the making, and we were desperate to wash our hands of it,” adds Harrison.

Slug Comparison‘s previous records were built on the layering of electric and acoustic guitars, and earnest, melodic vocals. This latest 11-song album has abandoned the acoustics and is more riff-heavy to lean into his early influence of grunge.

Harrison comments:

“For past albums, it was tricky keeping the momentum going with half the songs being acoustic and light and the other half being heavy-ish. This time around, electric guitars carry the listener from beginning to end. A straight-up rock album. That was the goal. And lyrically, it follows in the tradition of songs like AC/DC’s “It’s a Long Way to the Top,” the difference being that Slug Comparison hasn’t left the house yet. A Battle to the End Fought on the Edge of a Knife is a grief statement about the abandonment of rockstar dreams. It’s also a collection of yearnings, regrets, and celebrations along the way.”

“A Battle to the End Fought on the Edge of a Knife” was written by Harrison along with vocals, guitar, bass, and programming. He is joined by drummer Flavio Cirillo (Art of Dying, Puddle of Mudd), along with a collaboration on the song “Wish to Adapt” with Matt McCallum. Mixing was done by Ben Kaplan (Biffy Clyro, Bend Sinister, Ninjaspy, Mother Mother, Corb Lund) and mastering by Brock McFarlane at CPS Mastering (Mother Mother, Corb Lund).

Harrison does assure fans that future releases will continue to explore the moody, acoustic-based territories that defined his earlier work. After this album, fans can expect a new EP from Slug Comparison in 2026. Recommended for fans of Mother Mother, The Killers, and Porcupine Tree, “A Battle to the End Fought on the Edge of a Knife” is available at the following links:

Spotify – https://spoti.fi/452Fk2t​

Bandcamp – https://slugcomparison.bandcamp.com/album/a-battle-to-the-end-fought-on-the-edge-of-a-knife

Song Stream –“Wish to Adapt” – https://youtu.be/zCntMSHpp1A​

Song Stream – “March Through the Forest” – https://youtu.be/WPwp061C0ZU​

Track Listing:​
1. Wish to Adapt (3:46)
2. March through the Forest (3:54)
3. Game of Repression (3:57)
4. Undead Plots (4:06)
5. Outta the Jam (4:51)
6. A Battle to the End Fought on the Edge of a Knife (4:13)
7. Too Much Love (5:04)
8. Metal Roots Came Twisting (6:45)
9. Played for a Centipede (2:36)
10. Of Being Apart (5:19)
11. Hamsters in a Tub (3:02)
Album Length: 47:33

More info: Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison​

-30-

“the quite outstanding A Battle to the End Fought on the Edge of a Knife, a record that cements Doug Harrison and SLUG COMPARISON as a perpetual spark and joy for ears as songwriter and musician and itself as a forerunner if not dead cert for best of year choices come December.” – The RingMaster Review (2025 – A Battle to the End Fought on the Edge of a Knife)

“Fen’s Doug Harrison has a solo project, Slug Comparison, and their current single ‘Wish To Adapt’ is great. The track’s verses share an almost agit-inflicted rhythm, taking the melody from a rock core into the realms of post punk and retro new wave, which Harrison accents further by adding a quirky, near spoken vocal. This gives the track a very rigid and uneasy quality. Then, everything does a massive about turn to smack the listener in the face with a huge sounding melodic rock chorus that sounds like a throwback to ‘The Colour & The Shape’ era Foo Fighters, making everything really accessible and welcomingly familiar. The more commercial moments of this rocker are big and impressive and eventually dominate, but that shouldn’t detract from the artier moments here, and Doug should be applauded for mixing styles in such an interesting manner.” – Real Gone Rocks (2025 – A Battle to the End Fought on the Edge of a Knife)

“Harrison’s skills as a guitarist and bass player, plus a way above average knowledge of programming, enabled him to make the songs sound like a full band having a blast. Whether he goes fast (Outta the Jam) or takes it down a notch in the self-deprecating title track when he describes his job as punching in numbers into a blue screen with the great line “I want to die with only minor regrets”. The highlight is a twisted power ballad about to having much too much of a good thing (Too Much Love). Whatever he goes on about, Harrison never misses the opportunity to throw in a couple of smart chord changes or rhythmic shifts, preferably both of them. This is a record for musos first, but it is fine for those who are not about dissecting the music to enjoy it as such. Recommended if you like Deadwing-era Porcupine Tree.” – Here Comes The Flood (2025 – A Battle to the End Fought on the Edge of a Knife)

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

—​
ASHER MEDIA RELATIONS
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jon[@]ashermediarelations[.]com
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0 Out Now! LIMINAL SPIRIT’s One-Track Concept Album “Pathways” Charts A Journey Between Spiritual Dimensions

  • May 9, 2025
  • by Asher
  • · Liminal Spirit · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

Out Now! LIMINAL SPIRIT’s One-Track Concept Album “Pathways” Charts A Journey Between Spiritual Dimensions

Photo – Jerry Hauppa – Liminal Spirit

Liminal Spirit, the musical project of multi-instrumentalist Jerry Hauppa, announces the release of “Pathways”, a single-track concept album designed as an immersive journey through spiritual thresholds and interdimensional spaces. Following the 2024 self-titled EP, “Pathways” expands on Liminal Spirit‘s signature sound: a rich fusion of doom metal with cinematic atmosphere. Hauppa comments:

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.”

Where the debut embraced ritualistic abstraction, “Pathways” introduces a more frenzied, intricate musical approach that perfectly complements its narrative structure. It tells the story of five figures trapped in a maze, chronicling their emotional processing and planned escape. The composition unfolds like a film score, with no repeating parts until the finale. Musical themes develop and mutate to reflect character growth, with distinct tonal shifts accompanying each character’s voice in the narrative.

This thoughtful composition rewards repeat listening, revealing new layers with each experience. The album’s structure mirrors its lyrical themes, all concerning transcendence beyond the physical form and transitions between spiritual planes. “Pathways” represents the second chapter in an ongoing exploration of spiritual passage. A third release, currently in development, promises to continue this cinematic journey through liminal spaces. Liminal Spirit is recommended for fans of Jesu, Swans, and Skepticism.

Listen to “Pathways” at the following links:

Bandcamp – https://liminalspirit.bandcamp.com/​

YouTube – https://youtu.be/GGkn2dRAqQM​

Spotify – https://spoti.fi/3YBgClT​

Credits:​
All songs written and performed, produced, recorded, and mixed by Liminal Spirit
Mastered by Jeff Wojtysiak at Spiral Sound Mastering
Album lineup – Jerry Hauppa-guitars, vocals, bass, drum programming, synthesizer

More Info:​
​https://www.facebook.com/profile.php?id=61575618106702​
​https://www.instagram.com/liminal_spirit_mke​

-30-

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Liminal Spirit – Pathways (2025)

  • May 9, 2025
  • by Asher
  • · EPKs · Liminal Spirit

EPK – Liminal Spirit – Pathways (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.” – Liminal Spirit

For fans of Jesu, Swans, Skepticism, Confessor, Anata

Facebook.com/profile.php?id=61575618106702 | Instagram.com/liminal_spirit_mke | Liminalspirit.bandcamp.com | Spotify

Band: Liminal Spirits
Album: Pathways (13:55)

Credits:
All songs written and performed, produced, recorded and mixed by Liminal Spirit
Mastered by Jeff Wojtysiak at Spiral Sound Mastering
Album lineup – Jerry Hauppa-guitars, vocals, bass, drum programming, synthesizer

================================================

About The Album Artwork:

The artwork is an image of the story: five people trapped in a maze of stone with seemingly no escape.

About the album as a whole (LYRICALLY & MUSICALLY)

The album is composed purposely like that of a movie soundtrack, where the score does not repeat, but certain themes may develop or mutate to reflect character growth throughout the duration.  The characters, when speaking (as shown in the lyrics), will accompany a musical shift in tone to reflect their characters and mood as the story develops.

Liminal Spirit, the musical project of multi-instrumentalist Jerry Hauppa, announces the release of “Pathways”, a single-track concept album designed as an immersive journey through spiritual thresholds and interdimensional spaces. Following the 2024 self-titled EP, “Pathways” expands on Liminal Spirit’s signature sound: a rich fusion of doom metal with cinematic atmosphere. Hauppa comments:

“I view this as a full-length release despite its 14-minute duration, because due to the nature of its composition of non-repeating passages, it requires multiple listens to fully cement itself within the listener. The first pass will express the story and characters, and repeated listens will bring both to life through digesting the melodies and composition as a whole.”

Where the debut embraced ritualistic abstraction, “Pathways” introduces a more frenzied, intricate musical approach that perfectly complements its narrative structure. It tells the story of five figures trapped in a maze, chronicling their emotional processing and planned escape. The composition unfolds like a film score, with no repeating parts until the finale. Musical themes develop and mutate to reflect character growth, with distinct tonal shifts accompanying each character’s voice in the narrative.

This thoughtful composition rewards repeat listening, revealing new layers with each experience. The album’s structure mirrors its lyrical themes, all concerning transcendence beyond the physical form and transitions between spiritual planes. “Pathways” represents the second chapter in an ongoing exploration of spiritual passage. A third release, currently in development, promises to continue this cinematic journey through liminal spaces. Liminal Spirit is recommended for fans of Jesu, Swans, and Skepticism.

Discography:
Liminal Spirit-Pathways (2025)
Liminal Spirit- Self-titled EP (2024)

0 DEAD FIELDS of WOOLWICH Unleash New Video “Cult of The Cemetery” Off Forthcoming Sophomore Album “Monarch of The Grave”

  • May 9, 2025
  • by Asher
  • · Dead Fields of Woolwich · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

DEAD FIELDS of WOOLWICH Unleash New Video “Cult of The Cemetery” Off Forthcoming Sophomore Album “Monarch of The Grave”

L-R – (Vocals) Alyssa Broere, (Guitar) Dave Strba, (Lead Guitar) Kye Bell, (Bass)Greg Meir, (Drums) Kyle Taylor

Photo Credit – Nathan Shore

Unleashing their self-titled debut album in 2023, Dead Fields Of Woolwich unveils their first single “Cult of The Cemetery” off their forthcoming sophomore album “Monarch of The Grave” due out later this year.

Dead Fields Of Woolwich has its beginnings going back to the autumn of 2020 in North Bay, Ontario, Canada, when multi-instrumentalist Kye Bell (Withing Nostalgia, Falamh) created a gloomy, doom metal project focused on dreary lyrics and a gothic-laden sound. Recruiting Alyssa Broere on vocals, the dark twosome began their musical journey. Now, for their next follow-up and second album, the duo has grown to a full-fledged band with the addition of guitarist Dave Strba, bassist Greg Meir, and drummer Kyle Taylor.

Band founder and guitarist Kye Bell explains further on the band’s evolution:

“The sound has evolved since the first release. When writing the first album, the focus was more on powerful chords and drudging riffs. Those things are still there in small doses, but this album is full of harder-hitting songs and much more memorable parts that stick with you after the listen is done. This album breaks away from the typical Doom formula and kind of takes on its own shape. The songwriting has become more refined over time as well, lyrics are more concrete with well-defined concepts. I feel like this particular single, Cult of the Cemetery, will be very well received due to the more rock-rounded nature of the song while still maintaining its heaviness and its foot firmly planted in the metal realm. It opens the doors to a different audience, yet still stays true to the dark nature of the band.”

With its very memorable riffs, this new single is catchy hell and dark as the grave it speaks of. Melodic and melancholic, it is recommended for fans of Paradise Lost, Type O Negative, and Katatonia.

Watch and listen to the music video for “Cult of the Cemetery” via its premiere on Doomed & Stoned HERE.

Spotify – https://spoti.fi/3ENgOb8​

More info: Facebook.com/DeadFieldsOfWoolwich | Instagram.com/deadfieldsofwoolwich

-30-

“Jolting chugs and booming drums will get heads moving as the vocals crackle with passion way up in the stratosphere, and near the end the music receives a surge of energy, through a rapid riff-pulse and bombastic percussion, as a prelude to a blazing finale in which all the song’s ingredients, including Alyssa‘s intense, spine-tingling voice, unite in a display of tragic magnificence. (You’ll probably find by then that the song has also gotten well and truly stuck in your head.)” – No Clean Singing (single – I’ve Made It To Hell) (2023)​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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