Posts By Asher
0 September 2020 Rapid Fires | Dead Rhetoric w/ Sadistic Embodiment – CDN Records , Desource – Rockshots Records
0 CFUZ – Jon Asher Interview
0 Metal Temple – The Reticent – The Oubliette “it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10”
Metal Temple – The Reticent – The Oubliette “it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” http://www.metal-temple.com/site/catalogues/entry/reviews/cd_3/t_2/the-reticent-oubliette.htm
0 Antichrist Metalzine – Video interview with Anthea
0 Earth’s Yellow Sun Shares Next Animated Video “Part IV – Bastion” For 5th Anniversary of “The Infernal Machine”
(contact info below)
NEWS RELEASE
Montreal, QC – September 18, 2020
For fans Periphery, Snarky Puppy, Dream Theater, Animals As Leaders, Thank You Scientist
Earth’s Yellow Sun Shares Next Animated Video “Part IV – Bastion” For 5th Anniversary of “The Infernal Machine”
“The Infernal Machine” Celebrates 5 Years!
Re-release EP Tracks w/ Animated Videos
Top L-R Brian Dhari (Tenor Sax), Josh Hanff (Guitars), Chris Bruder (Keyboards)
Bottom L-R Duncan Stan (Bass), Julien Bigras (Drums), Murray Heaton (Alto Sax)
Photo Cred: Michele Dalgarno, Samantha Carcasole, Eric Soto
Five years ago Toronto’s Earth’s Yellow Sun released their sophomore EP “The Infernal Machine”. Now to celebrate the anniversary of that EP, they are re-releasing the tracks in the form of animated videos. The band has unleashed three videos over the last two months, “Part I – Assembly”, “Part II – Unveiling” and “Part III – Betrayal”. Today, the band unveil their fourth video for the track “Part IV – Bastion”, continuing the next chapter of their illustrated story.
The band explains the track:
“Part IV – Bastion: Our human civilization faces a massive onslaught and many deaths brought on by this mechanized terror that they’ve unleashed on themselves. They are forced to retreat into remote areas and regroup for a hail mary last-ditch effort at bringing down the machine that has only brought them violence and destruction.”
The animated video for “Part IV – Bastion” can be viewed HERE.
Previous videos:
“Part III – Betrayal” HERE.
“Part II – Unveiling” HERE.
“Part I – Assembly” HERE.
Earth’s Yellow Sun‘s concept EP “The Infernal Machine” is the perfect soundtrack to these videos, the premise lying in a futuristic society, the dependency on technology and artificial intelligence, and the conflict that arises between man and machine. Guitarist Josh Hanff shares his excitement for this project:
“The release in question, The Infernal Machine was actually released exactly five years ago, but we are releasing this comic book video concept for the five-year anniversary. The project has been in the works between myself and a couple of artists since the actual EP was completed, and we’re really excited to be able to finally show our fans (and potential fans) the story behind the music, which was always in my mind (and my co-producer’s mind) as we created the EP back in 2014/2015. “
An incredible mix of guitars, saxophone, choir, violins, and a heavy rhythm section, Earth’s Yellow Sun is difficult to label yet easy to enjoy. Recommended for fans of Periphery, Dream Theater, and Animals as Leaders.
To hear “The Infernal Machine” in full, please visit the following links on EarthsYellowSun.bandcamp.com, Apple Music, Spotify
Track Listing:
1. Part I – Assembly (6:09)
2. Part II – Unveiling (2:58)
3. Part III – Betrayal (3:31)
4. Part IV – Bastion (3:12)
5. Part V – Rapture (7:14)
Album Length: 23:06
For more info:
EarthsYellowSun.net
Facebook.com/EarthsYellowSun
Instagram.com/EarthsYellowSun
EPK
About:
Difficult to Label; Easy to Enjoy
We are Earth’s Yellow Sun, an instrumental band hailing from Toronto, Canada. While often described as “progressive metal”, you’ll quickly find that it’s not so simple to label us – our unique approach to writing music is unlike anything you’ve heard before. Blending a crushingly heavy rhythm section with soaring melodic saxophone lines and funky organ pads, Earth’s Yellow Sun is like the love child of Periphery and Snarky Puppy that you didn’t know you needed in your life.
Our most recent release “Under the Covers” features our cover arrangements of three songs from vastly different corners of the musical world, featuring collaborations with some talented vocalists. From the progressive rock realm, we cover Rush’s “Overture 2112/The Temples of Syrinx”, featuring the incredible Rody Walker of Protest the Hero. From jazz territory, we cover pianist Tigran Hamasyan’s instrumental rhythmic mind-bender “Entertain Me”. And from the pop world, we cover the Backstreet Boys hit “Larger Than Life”, featuring the vocals of Lauren Babic of Red Handed Denial.
As an instrumental band, we rely on our music to convey our stories. Our sophomore release “The Infernal Machine” is a concept record that chronicles a futuristic society’s dependence on technology and artificial intelligence, and the ensuing conflict between man and machine. The creation of this EP saw us venture further into experimental territory, incorporating unconventional instrumentation such as violin, choir, and tabla into sound.
Earth’s Yellow Sun was initially conceived in 2014, while we were attending Humber College’s music program. After bonding over our mutual interest in heavy progressive music, and our shared desire to write innovative music of our own, we formed a school ensemble where we first toyed with the idea of incorporating saxophones into a metal band. This experiment proved to be a great success, and Earth’s Yellow Sun rose from the ashes of the school ensemble once classes came to an end.
Our unique and eclectic sound allows us to fit into a variety of different concert bills. Since our live debut in 2015, we have been fortunate enough to share the stage with several notable acts, including Between the Buried and Me, Protest the Hero, Intervals, Intronaut, Plini, Thank You Scientist, Moon Tooth, Auras, and Red Handed Denial. We greatly look forward to returning to the stage as soon as we can, bigger and better than ever.
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Canada’s T-Rex Marathon Confront Abusive Relationships In “A Prison Just For Us”, Premiere Single via IdiotEQ, “Days Without Incident” Out October 16, 2020
(contact info below)
NEWS RELEASE
Montreal, QC – September 18, 2020
For fans of Silverstein, Billy Talent, Alexisonfire, A Day to Remember, Taking Back Sunday
Canada’s T-Rex Marathon Confront Abusive Relationships In “A Prison Just For Us”
Premiere Single via IdiotEQ
“Days Without Incident” Out October 16, 2020
L-R- Alex Hodges (guitar, vocals), Jeremy Toppings (bass, vocals), Darien Swolfs (drums), Adam Sakauye (lead vocals) and Aaron Stafford (guitar, vocals)
Ottawa’s punk/post-hardcore act T-Rex Marathon are releasing their second single “A Prison Just For Us” off their upcoming album “Days Without Incident”. This is the next installment in the band’s discography which already boasts a handful of singles and 2 EPs.
T-Rex Marathon is out to prove they aren’t a one-trick pony with their first full length which serves as a collection of everything they have been, will be, and currently are. The listening experience is a mix of nostalgia, reminiscent of the bands of their youth that they still love, and also intrigue. They have a goal of helping their fans reconcile their love of old bands and a glimpse of several other musical directions to explore, ultimately giving them a safe space to do so.
In this single, the band flaunts their love of Alexisonfire and it shines prominently throughout the song. The band shares their thoughts on the single:
“The structure and feel pay homage to AoF’s track “Accidents” and if it were to be described in one word, it would be ‘atmosphere’. It’s the kind of song that with each listens, you’ll find something new but it’s still kept catchy with a great chorus that’s easy to sing along to. It’s a song where we make use of interesting production techniques and slightly improvisational guitar parts as well as giving it a lot of breathing room live to stretch out and interact with the crowd.”
The lyrics for the song center around the confining nature of abusive relationships. The speaker laments how their partner has stripped them of their autonomy and turned them into a cartoonish fantasy, instead of a legitimate relationship. It’s a protest song for a failed relationship.
Heavy themes contrasted with light and poppy melodies are the name of the game for T-Rex Marathon and they can be enjoyed via the premiere of “A Prison Just For Us” on IdiotEQ HERE.
For fans of Billy Talent, Alexisonfire, and A Day to Remember, the full release of “Days Without Incident” is out on October 16, 2020.
Album pre-order at T-rexmarathon.bandcamp.com
Track Listing:
1. All For Nothing (2:56)
2. No Words (4:56)
3. Faux News (3:05)
4. A Prison Just For Us (4:08)
5. Turnpike (4:06)
6. Pick Your Poison (4:58)
7. Misfits (4:24)
8. Sheltered (4:01)
9. Futures and Goodbyes (4:32)
10. 5 Centimeters Per Second (5:58)
Album Length: 43:09
Album Credits:
• All songs performed by: T-Rex Marathon
• All songs written by: T-Rex Marathon
• Produced by: T-Rex Marathon and Mike Bond
• Mixed by: Mike Bond
• Mastered by: Mike Bond
• Album Artwork by: Jeremy Toppings
• Member of SOCAN
• Canadian Content (MAPL)
Album and Live Band Line Up:
Aaron Stafford – Guitar/Bass/Keys/Vocals
Adam Sakauye – Lead Vocals
Alex Hodges – Guitar/Bass/KeysVocals
Darien Swolfs – Drums/Percussion
Jeremy Toppings – Bass/Vocals
For more info:
Facebook.com/TheTRexMarathon
Twitter.com/TRexMarathon
Instagram.com/TRexMarathonofficial
EPK
About:
Starting out on the Ottawa metal/hardcore scene, T-Rex Marathon has adopted a unique sound that comes from a mix of Alternative Rock, Punk, and Post-Hardcore.
Formed by friends in high school, the band began to really take shape almost by accident and through dumb luck. The current lineup consists of Aaron Stafford (guitar/bass/keys/vocals), Adam Sakauye (lead vocals), Alex Hodges (guitar/bass/keys/vocals), Darien Swolfs (drums/percussion), and Jeremy Toppings (bass/vocals).
In a fiercely democratic writing process, every single member has input and a veto, sometimes resulting in a very long but completely organic process resulting in a synthesis of something everyone is happy with. As the band progresses, so does the love and attention that is put into each and everything they produce. The T-Rex Marathon family is and has always been, dedicated to making kick-ass music and leaving a mark in the industry, not only for them, but for their fans.
The boys in T-Rex, as the band is called for short, endlessly value their dedicated fans, affectionately known as Marathoners. After all, it is for them that they continue to write about what they want and play what feels right. T-Rex Marathon’s music is a simple blend of attack and melody that has the main goal of being not only fun to play, but fun to listen and rock out to.
The stage is a performing area, and this band refuses to give anything but their all at every show. They have had the pleasure of sharing the stage with bands such as: Of Burning Empires, Flesh Over Faith, Faithful Unto Death, and Project Mantra. They have also played Wretched Fest 1&3, Unite and Ignite 2012, 2014.
To date, the band has released 2 EPs Aurelia (2017), Eponymous (2016), and are readying to share with fans their first full length ” Days Without Incident ” due out October 16th, 2020.
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“Each band member draws in a different musical influence, from Alexisonfire (post-hardcore) to Blink-182 (pop-punk), to even Coheed and Cambria (progressive rock), creating a sound that is impossible to be kept in a box.” – Asha Swann
“For fans of hardcore, punk and just good rock n roll, people from all over the spectrum should get on this!” – Punkanormal Activity
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Mournful And Meandering, Canada’s Uncle Woe Reveal Second Album “Phantomescence”; Premiere First Single “Become The Ghost” via TheSludgelord
(contact info below)
NEWS RELEASE
Montreal, QC – September 18, 2020
Interview request at asher[@]ashermediarelations[.]com
For fans of Yob, Chrome Ghost, Deftones, Slomatics, Tool
Mournful And Meandering, Canada’s Uncle Woe Reveal Second Album “Phantomescence”
Premiere First Single “Become The Ghost” via TheSludgelord
Canada’s Uncle Woe brings you a contemplative, progressive doom album “Phantomescence” that was completely conceived and recorded in pandemic induced isolation. The opening track/lead single, “Become The Ghost” is a meandering exploration of death and dreams.
“Phantomescence” deviates from the first Uncle Woe album as the band moves forward from a solo studio project. It is an easily digestible, logical next step in the band’s evolution; elements, which made the first LP, “Our Unworn Limbs”, engaging and intriguing are present again on this offering; expanded upon, polished, and moderately better produced. The new album deals with death in a much broader and less personal sense, and also contains a lot of abstract, dream sequence type elements.
Currently, as a two-piece, Rain Fice and Nicholas Wowk worked on their parts separately, shared them online and managed to pull off the second album from the band. Fice details the intricacies of the single:
“Become The Ghost is almost relentless in its forward, mid-tempo, stomping march. The first chorus comes as a very small, simple 3/4 breather, in the midst of the opening/verse riff’s endless churning and revolving 11/4 and 15/4 riff. The vocals throughout are rough, and finally build to a scream in that last, closing verse. After the death of someone very near to me, I remember a feeling of loss so great that it seemed that even though THEY had died, I was the one who became a ghost if that makes sense; a ghost, or shadow, or shell.”
Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes, making Uncle Woe suitable for fans of Yob, Chrome Ghost and Deftones.
“Become The Ghost” can be heard via its premiere on TheSludgelord HERE.
The full album “Phantomescence” is due out October 23rd via Packard Black Productions and available for digital, CD and vinyl pre-order HERE.
Track Listing:
1. Become The Ghost (6:29)
2. On Laden Shores (13:30)
3. Lucid Degrees of Autoscopic Ruin (6:45)
4. A Map of Dead Stars (13:14)
EP Length: 40:00
Album Credits:
• All songs performed by: Rain Fice/Nicholas Wowk
• All songs written by: Rain Fice *Become the Ghost by Fice/Wowk
• Produced by: Rain Fice/Nicholas Wowk
• Mixed by: Rain Fice
• Mastered by: Rain Fice
• Album Artwork by: Rain Fice
• Canadian Content (MAPL)
EP Recording Band Line Up:
Rain Fice – Guitar, Vocals, Bass, Keyboards
Nicholas Wowk – Drums/Percussion
More info:
Facebook.com/unclewoe
Instagram.com/unclewoedoom
EPK
About:
Hailing from the oft frozen hills of rural Canada, Uncle Woe is a phantom limb, wielding a bludgeoning tool against mostly true tales of bittersweet sorrow, revenge, and regret.
The bleak desolation of Bancroft, Ontario spawned Uncle Woe in 2019 when Rain Fice grew weary of floundering in non-committed projects and instead dove into songwriting mode with a rough idea of his ideal sound and started carving out what would become the first Uncle Woe LP “Our Unworn Limbs”.
After the album was released in 2019 and started to pick up some buzz, a full band began to form. However, the pandemic was not far off and the band whittled down to a 2 piece. Before lockdown began, Uncle Woe managed to lock down the rough elements of what would become the second album “Phantomescence”, Fice expanded on them, and after being fed to drummer Nicholas Wowk, and recording remotely, the album was complete: a meandering exploration of death and dreams. Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes.
As Uncle Woe begins to hit their stride, fans can look forward to the band putting out music pretty much indefinitely, plans are in motion for a third album already.
The band’s second album “Phantomescence” will be available digitally, CD, and on vinyl on October 23rd via Packard Black Productions.
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“The lone member (although it does seem as if drummer Nicholas Wowk has been added to the band) Rain Fice has created a truly wondrous journey through pure doom lands into that astral, transcendental other place doom of the aforementioned Yob that gives you goosebumps with its completely distressing doom metal. Fice’s clean echo-drenched vocals are also of very high quality, while not actually sounding like Mike Scheidt, Fice does exude a similar aura of supreme enlightenment and complete mastery of his art.” – Verbal Aggression
“Never be afraid to take a chance on a new name. This one comes to us from Ontario and was released earlier in the month, though I’m just now getting around to hearing it. I was pretty damned impressed and count UNCLE WOE in the same company as Domkraft, Spaceslug, Chrome Ghost, and Slomatics. Some damned good doom with crunchy low end and transcendent vocals. Count it among the #HeavyBest19” – Doomed & Stoned
“Chugging, sprawling, and most of all reaching, the late-2019 debut LP, Our Unworn Limbs, from Ontario as-yet-solo-outfit Uncle Woe — composed, performed, and recorded by Rain Fice — is one of marked promise, taking elements of modern progressive and cosmic doom from the likes of YOB’s subtly angular riffing style and unfolding them across an emotionally resonant but still manageable 43-minute span.” – The Obelisk
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
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0 Metal Temple – Buried Realm “Creative, melodic and really charming, “Embodiment of the Divine” is an amazing experience. 10/10”
Metal Temple – Buried Realm “Creative, melodic and really charming, “Embodiment of the Divine” is an amazing experience. 10/10” – http://www.metal-temple.com/site/catalogues/entry/reviews/cd_3/b_2/buried-realm_2.htm
0 Vancouver Double Bassist Heavy Metal SAINTS OF DEATH Protest Earth’s Destruction From Corporate Greed In Lyric Video “Watching Me Die”, Premiere via TheCirclePit
(contact info below)
NEWS RELEASE
Montreal, QC – Sept 17, 2020
Interview Request at asher[@]ashermediarelations[.]comFor fans of Motorhead, Lamb of God, Pantera, DevilDriver
Vancouver Double Bassist Heavy Metal SAINTS OF DEATH
Protest Earth’s Destruction From Corporate Greed In Lyric Video “Watching Me Die”
Premiere via TheCirclePit
New Album “Ascend To The Throne” Out Now!
Photo Credit: Kevin Eisenlord Photography
L-R – Juan Helluva – 5 String Bass/Backup Vocals, Ashley Blue – 6 String Guitar/Backup Vocals,
Twan Holliday – Vocals/8 String Bass, Christopher James – Drums
Unleashing their new album “Ascend To The Throne” this past July via Head Rattle Productions INC., Vancouver’s Saints of Death are sharing with fans their new lyric video for the track “Watching Me Die”. The song is about the destruction of the Earth by corporate greed.
“Watching You, Me, humanity, and Mother Earth die to the hands of unjust corporations and tyrannical governments.” adds the band.
For fans of Pantera, DevilDriver, and Arch Enemy, you can check out Saints of Death’s new lyric video with its double bassist assault via its premiere on TheCirclePit HERE.
Saints of Death‘s new album “Ascend To The Throne” is a 7 track ripping and cohesive released and the second in the Saints of Death repertoire following the 2015 self-titled EP. With a different lineup than the debut effort, Saints of Death now boasts a more robust group that is tighter, more aggressive, and more melodic than ever before along with still featuring their signature sound of having two bassists.
The band comments:
“This album has been a long time coming, and we look forward to getting it into the ears of our fans, new and old alike. After dealing with line up issues for a few years, we finally have a solid line up and are back to kicking ass. The current line up has been together since 2018 and we have really gelled as friends and as band members. Naturally, with this kind of chemistry going on, it was finally time to record a new album.
Like the first EP, there is diversity between each song, allowing each of them to stand out as hard-hitting singles. There is also the consistency that allows the songs to come together as a great album. We talk about important topics such as the trials of society, corruption and corporate greed, mental health as well as a few other topics on this album. Saints put a lot of hard work and passion crafting this album and making it what it is and we’re excited to share it with the world!”
“Ascend To The Throne” is available on Bandcamp, Spotify, Apple Music.
Videos:
Music Video “You Can’t Run” HERE.
Music Video “Repentance” HERE.
Lyric Video “Ascend To The Throne” HERE.
Lyric Video “God Can’t Help You” HERE.
Lyric Video “Soldiers of Metal” HERE.
Fun Fact: Besides being a musician vocalist/bassist Twan Holliday has acting credits for movies American Mary (2012), The Devils Ground (2009) w/ Darryl Hanna, Stan Helsing (2009) (Leslie Neielson’s last movie), Catwoman (2004) w/ Halle Barry, Psych (TV Show) plus has done stunts on Super Natural (TV Show) and Pathfinder (2007). Twan was also a pro-hard-core wrestler of 10 years and was on TV every Saturday at 1 pm on KVOS TV12 (Bellingham, WA) plus was asked to train for WWE.
Track Listing:
1. Call of The Kings (1:45)
2. Ascend To The Throne (3:42)
3. Watching Me Die (2:51)
4. God Can’t Help You Now (3:44)
5. Repentance (5:13)
6. You Can’t Run (2:55)
7. Soldiers of Metal (5:56)
Album Length: 26:10
For more info:
SaintsofDeath.com
Facebook
Instagram
Twitter
EPK
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Helion Prime Signs To Ward Records For Japan Release of New Album “Question Everything”
(contact info below)
NEWS RELEASE
Montreal, QC – September 17, 2020
For fans of Unleash the Archers, Iron Maiden, Helloween
Helion Prime Signs To Ward Records For Japan Release of New Album “Question Everything”
New Album “Question Everything” Out October 5th (North America), October 28th (Japan)
L-R – Alex Bosson – Drums, Mary Zimmer – Vocals, Jason Ashcraft – Guitar, Chad Anderson – Guitar, Jeremy Steinhouse – Bass
Photo Credit: Casey Frederick
Helion Prime has signed with Ward Records for the Japanese release of their forthcoming album “Question Everything” on October 28th. The Japanese CD version will feature two exclusive bonus tracks “Prof (Demo)” and “Rain (Trivium Cover)” (track listing below) and is available for pre-order HERE. The North American/EU sales date is October 5th via the band’s label Saibot Reigns and available for pre-order at Helionprimemetal.com.
The band comments on the signing to Ward Records:
“We are so stoked to announce we have signed a deal with Ward Records marking our first ever Japanese release. They are one of the most well known and reputable labels in Asia and it’s an honor to have Helion Prime in Asia on the same label as bands such as Judas Priest, Deep Purple, Opeth, Nightwish, Sabaton, Unleash The Archers, and much more. Until then, we hope you check out the new album when it’s out in October.”
Track Listing:
1. The Final Theory
2. Madame Mercury
3. Prof
4. The Gadfly
5. Photo 51
6. E Pur Si Muove
7. Words of The Abbot ft. guest vocals John Yelland (Judicator, Dire Peril)
8. The Forbidden Zone
9. Question Everything ft. Heather Michele (ex-Graveshadow, ex-Helion Prime) and Sozos Michael (ex-Helion Prime, Planeswalker)
10. Reawakening
11. Kong at the Gates (Misfits Cover)
– Japanese Edition Limited Bonus Tracks –
12. Prof (Demo)
13. Rain (Trivium Cover)
It’s been about two years since the band’s sophomore release “Terror of the Cybernetic Space Monster” and Sacramento sci-fi power metallers Helion Prime returns with their third effort and the much shorter title “Question Everything” set for release on Monday, October 5th, 2020 via their label Saibot Reigns. This is Helion Prime‘s first album with new vocalist Mary Zimmer, who has also accompanied the band on two separate tours of the United States. It also sees the band’s original singer, Heather Michele, returning in a writing capacity and contributing all lyrics and melodies. Heather Michele also along with other former Helion Prime vocalist Sozos Michael and with John Yelland (Judicator/Dire Peril) add their guest vocals on the full length.
The highly anticipated third record is a concept album, with each song revolving around different figures throughout human history that had the courage to question the status quo of their respective worlds/societies, in some cases even dealing with harsh persecution as a result. Those Helion Prime chose to write about-faced prejudice, mockery, ex-communication, and persecution – yet through it all, they held true to their beliefs and ideas. Time would be their greatest ally as their ideas and identities were eventually validated, oftentimes not until after their passing. They serve as an inspiration for all minds to continue thinking outside the box and staying true to themselves.
Jason speaks on the album itself:
“This album has truly been amazing to work on. The idea behind it is something I’ve been holding on to since around the time I started the band. Aside from writing some of what I consider to be Prime’s best work it was a great experience getting to work with Heather again on an album as she once again contributed her talents for the lyrics.”
“Question Everything” was produced by Jason Ashcraft and Alex Nasla. Mixing was done by Chris Collier and mastered by Brett Caldas-Lima along with additional mixing/drum edits/reamping plus writing and performance of keyboard arrangements by Alex Nasla of Gear Gods Studio. Guitar/Bass edits by Michael Goodrich and cover art by Marc Whisnant.
Previous singles:
“The Forbidden Zone” YouTube (Lyric Video), Spotify.
“Madame Mercury” Youtube (Lyric Video), Spotify.
“Gadfly” YouTube (Music Video)
Helion Prime is:
Mary Zimmer – Vocals
Jason Ashcraft – Rhythm Guitars
Chad Anderson – Lead Guitars
Jeremy Steinhouse – Bass
Alex Bosson – Drums
For more info:
Helionprimemetal.com
Facebook.com/helionprimemetal
Instagram.com/helionprimemetal
EPK
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
