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Posts By Asher

0 OPHIOLATRY Unleash New Video “Jesus Complex” – Exposing The Hypocrisy of Religious Indoctrination – Off New Album “Serpent’s Verdict” Out June 2025 (WormHoleDeath Records)

  • May 14, 2025
  • by Asher
  • · Music News · Ophiolatry

NEWS RELEASE

Montreal, QC – May 14, 2025

OPHIOLATRY Unleash New Video “Jesus Complex” – Exposing The Hypocrisy of Religious Indoctrination

New Album “Serpent’s Verdict” Out June 2025 (WormHoleDeath Records)

L-R – Diego Santiago (Bass), Jaime Veron (Lead Vocals), Jhorge “Dog” Duarte (Drums), Fred Barros (Guitar)

Photography: Kevin Eisenlord, Anderson Hildebrando

Brazilian death metal force Ophiolatry is unveiling their new music video for “Jesus Complex”, the second single from their upcoming album “Serpent’s Verdict,” set for release on June 6, 2025, through WormHoleDeath Records. The video represents the band’s next visual offering to follow “Death Tour,” revealed this past April. The new video introduces viewers to the ritualistic atmosphere that defines their long-awaited return. The band shares the story behind the single:

“This story is totally terrifying: you wake up, go out, and discover that everyone is wearing a Jesus mask. His gaze pierces you deeply, transmiƫng a strange and oppressive feeling. It becomes even more suffocating when you look in the mirror and see that you are also wearing the mask. In a world where identity disintegrates under the weight of imposed doctrine, the fear of conformity is a struggle between imposed faith and one’s own identity.”

“Jesus Complex” explores themes of religious manipulation and spiritual corruption. The track combines Ophiolatry‘s signature technical brutality with a newfound emphasis on tribal rhythms and atmospheric elements that showcase the band’s evolution since their acclaimed 2008 release “Transmutation”.

The creation of both the song and video emerged from a deeply personal creative process for the band. The release of “Jesus Complex” marks the next chapter in what the band describes as ‘a communion between sound and image’, with each element of “Serpent’s Verdict” designed to function as part of a larger ritualistic experience. Fans of Death, Deicide, and Cryptopsy are encouraged to immerse themselves in this initial offering while anticipating the full album’s release in June.

Watch and listen to “Jesus Complex” via its premiere on MetalInsider HERE.

(Mask Sculpting in video by: Herman Silesky)

Digital single pre-save – https://orcd.co/jesuscomplex​

Album pre-save – https://orcd.co/serpentsverdict​

First Single – “Death Tour”

Music Video – https://youtu.be/9Fr3TqFyF5Q

Spotify – https://orcd.co/deathtour​

Track Listing:​
1 – Jesus Complex – 3:48
2 – Revenge – 4:21
3 – Generation Curse – 3:09
4 – Death Tour – 3:35
5 – Serpent’s Spits – 4:31
6 – Atheris – 1:32
7 – Apophis – 5:01
8 – Midia Bible – 3:34
9 – Manipulations Guilt – 4:03
10 – Heaven Jails – 3:26
11 – Narcissistic Victim Syndrome – 4:06
12 – Human Factory – 3:18
13 – Ecdysis – 2:34
Album Length: 47:03

Album Recording Credits:​
All songs performed and composed by Ophiolatry.
Mastering: Dan Swanö – http://www.unisound.se
Artwork: LouLou – http://www.louloufineart.com
Pre-Production: Steve Rumpli & Ophiolatry
Production, Recording & Mixing: Diego Santiago
Studio: Satori Estudio
Photography: Kevin Eisenlord, Anderson Hildebrando
Graphic Layout: Beto Mustafa

Album Band Line Up:​
Jaime Veron – Lead Vocals
Diego Santiago – Bass
George “Dog” Duarte – Drums
Fred Barros – Guitars

More info: Ophiolatry.com.br | Facebook.com/profile.php?id=100063556233508 | Instagram.com/ophiolatry​

-30-

“On this new record, the band bring their traditonal Brazilian influence and their heavy, atmospheric approach together to create something new. All the songs on the record come together to tell a story. ” – Decibel Magazine (2025 – Seprent’s Verdict)

“According to Merriam-Webster, “ophiolatry” means “the worship of or attribution of divine or sacred nature to snakes.” You can certainly feel the snakes of death metal surround you as you listen to “Abyss of Alienation” from Brazil’s Ophiolatry, featuring hypnotic riffs, brutal vocals, and crushing rhythms reminiscent of Hate Eternal, Nile and Steve Tucker-era Morbid Angel. The song is a re-recording of a track from the band’s 2008 album, Transmutation.” – Decibel Magazine (2023 Single – Abyss of Alienation)

“Hailing from Brazil comes Ophiolatry, a three-piece powerhouse of a brutal death metal band whose bread-and-butter sound comprises blistering drumming and technical guitar lines set against a suffocating and claustrophobic sonic backdrop.” TheMetalForge​
​
​“Ophiolatry will reward the open-minded metal head with an inflection of national culture, post-modernism and, of course, stunningly brutal death metal.” – Sputink Music​
​
​“…Relentless blastbeats and truly brutal guitar work that have the ability to pummel the listener into a fine powder.” – Scene Point Blank​
​
​“[…] similar technical versatile approach on Death Metal as defined by KRISIUN but where the latter still have a disappointing song writing quality OPHIOLATRY have more feel, more structure and variation.” – Voices from the Dark Side​
​
​“[…] you’ve got yourself another nice brutal death metal band, comparable with (older work of) for example the Brazilian bands Krisiun, Mental Horror and Nephasth, as well as North American’s Monstrosity and Vital Remains – who came up in my mind because of the guitar virtuosity.” – Metal Rage​
​
​“A Lendária banda de Brutal Death Metal Ophiolatry está de volta as atividades.” – Brazil Legion Nekrounderground

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

  • May 14, 2025
  • by Asher
  • · Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – May 14, 2025

MARBLE GHOSTS Signs with Self Made Records L.L.C. / Earache Digital Distro For New EP “The Greatest Divide” Out May 23rd

Performing at NXT Level Festival In Ottawa – May 22nd

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)

Photographer Credit – Lisa Thompson (Dark Moon Productions)

Ottawa, Canada’s Marble Ghosts announces they have signed with Self-Made Records L.L.C. with digital distro from Earache Records for the release of their sophomore EP “The Greatest Divide” out on May 23, 2025.

“We are extremely excited to have signed with Self Made Records LLC. Even though we’ve only been working with the label for a short time, we have seen how closely the label works with bands and how invested they are in our success,” adds the band.

The band is a boundary-pushing ensemble known for its distinctive blend of metal, grunge, and punk influences. Emerging in 2023 onto the Canadian music scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts is a band with a message.

Their forthcoming second EP, “The Greatest Divide,” is inspired by our reality, from the ultra-rich and the shrinking middle class to widening gaps in political and religious ideologies that are beginning to challenge and even erode fundamental human rights. Similar to their first EP, these next five songs in their catalog highlight their diverse influences and styles and seek to lift the marginalized through powerful messaging.

With this release, the band asks, “Are you ready to cross the greatest divide?” It is the type of divide that has splintered friendships and even families, where viewpoints differ so greatly, that we can see one another as enemies- traitors. While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health, and even their own identity that forced the change.

To date, the socially conscious quartet has shared two singles from the five-track EP “Distance Between” and “Eat The Rich”, which is accompanied by a music video that can be viewed at https://youtu.be/pfka0QU68ug

​

“Eat The Rich”, the song, is a statement of today’s political climate shifting to serve the wealthy or the “1%”. The video is a message from Marble Ghosts to the rest of us. It paints the picture of two massively divergent groups- the people who are struggling to hold on, the ones staying in broken, abusive relationships to avoid being homeless, and increasingly out-of-touch billionaires who could effect real, meaningful change with their bank accounts. Instead, the ultra-wealthy constantly seek more and more ways to enrich themselves.

Vocalist Dylan Gunnell explains further:

“This song ‘Eat The Rich’ is about the ultra-wealthy, and the great divide is clear with every billion added to their coffers while the people that enrich them through a broken system continue to suffer. While the chorus is metaphorical, the band also envisioned an alternate reality in writing the lyrics: our planet has been devastated by a zombie plague. The ultra-rich are waiting for a shuttle to carry them to Mars, but it malfunctions, and they are trapped. The undead descend on them, and they are torn to pieces by the horde, the horde that once worked for them, that kept capitalism strong, the people that made them rich. In that reality, their fair share will be paid with a pound of their flesh.”

Musically, “Eat the Rich” has a droning bass that mixes with soft yet acidic vocals in the verses. The long-held scream in the chorus gives way to harmony that grows increasingly layered as the song evolves, creating the perfect contrast. The dirty guitar solo blends into mocking laughter and then powers into a final chorus with three-part harmonies.

Their music is recommended for fans of Breaking Benjamin, Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ sophomore EP “The Greatest Divide” will be released on May 23, 2025.

Digital pre-save (all platforms) https://earache.lnk.to/TheGreatestDivide​

Bandcamp pre-order – https://marbleghosts.bandcamp.com/​

First Single “Distance Between” – https://youtu.be/tE-M5vDS_uk​

Spotify – https://spoti.fi/40D2I4h​

Show Dates:​
May 22 – Ottawa – NXT Level Festival – The Brass Monkey w/ Crimson Ash, Love and Mayhem, Tucana – info​

Album Artwork by:​
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet

Track Listing:​
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26
​
​Band Line Up (EP)​
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums
​
​Band Line Up (Live)​
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial​

-30-

“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine
​
“We are living in pretty divided times and this is explicitly displayed right from the get-go with the single “Distance Between” A strong opening, it is heavy, furious, and sets the mood for the rest of the record. An intense album you can listen to over and over and still find cathartic release of angst, anger and outreach. This is a solid brand of high-octane alternative rock mixed with an old school metal vibe. 8/10” – Metal Temple
​
“Marble Ghosts’ latest single, “Distance Between,” is a relentless blast of punk-metal energy that sets the tone for their upcoming EP, The Greatest Divide (April 4th). The track showcases the band’s unique ability to fuse aggression and melody into a seamless and high-octane performance. From its rapid-fire verses to its towering choruses, “Distance Between” never loses its intensity. The song’s razor-sharp guitars anchor the chaos and deliver not one but two blistering solos that elevate the track’s raw power. Meanwhile, the desperate screams layered over the final crescendo inject a tangible urgency that drives home the song’s message about the fractures in modern society. The song’s technical precision and anthemic qualities plus the band’s punk edge keeps the energy raw and unfiltered, evoking a battle cry to confront the growing divides in the world around us. “Distance Between” and Marble Ghosts prove they’re not just pushing genre boundaries. They’re demolishing them.” – Amplify The Noise

“We have been patiently waiting for a new cut from heavy masters’ Marble Ghosts and they have delivered. The new single “Distance Between” lands today and it’s a special one. The first single to be released from their forthcoming album “The Greatest Divide” (April 4th), “Distance Between” accomplishes what every band hopes to…a monumental track that separates itself from everything else. Driving riffs, top tier vocals, a punchy rhythm section and of course solo breaks that just take flight – Marble Ghosts are back and we’re thrilled they exceeded our ridiculously unfair expectations! Catch it on your Home for the Best New Rock… W-J-O-EEEE” – WJOE – Findlay’s Home for Rock & Roll​
​
​“get these guys in your ear holes” – Rock-N-Review​
​
​“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 EPK – Harvested – Dysthymia (2025)

  • May 13, 2025
  • by Asher
  • · EPKs · Harvested

EPK – Harvested – Dysthymia (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“This album is an evolution of the band’s sound and showcases our musical abilities more than what we presented with the 2022 EP debut. We kept the lyrical theme consistent and touched on the “brutal” realities of mental illness without emphasizing senseless gore as much. It’s a level up in production, songwriting, and musical prowess, so this album will be what Harvested is all about. Heavy, aggressive, in-your-face experience; riffs that hook and engage the listener and keep them wanting more. Lyrically, we wanted to maintain the brutality but with a psychological aspect to it as opposed to exclusively encompassing gore. – Harvested

Band Name: Harvested
Album Title: Dysthymia
Release Date: August 1, 2025
Label: Self-Release

For fans of Cannibal Corpse, Suffocation, Dying Fetus, Cattle Decapitation, Decapitated

Facebook.com/harvested666 | Instagram.com/harvestedband | Youtube.com/@harvested8600

Harvested.bandcamp.com | Spotify | Apple Music

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine

“Your muscles are about to reflexively twitch, your head is about to hammer, your pulse is about to accelerate. Audio worms will slither into your ear canals and take up residence there. Some of your cranial neurons may start spinning, creating visions of fast devils and hulking monsters. Those are our predictions of what will happen when you see and hear the playthrough video we’re premiering for the song “Synaptic Confusion” by the Ottawa-based death metal band Harvested. It’s an excellent way to rev up your own motor as Harvested rev up theirs.” – No Clean Singing

“Being a old school metalhead it is quite refreshing to know there are bands like HARVESTED keeping the old school metal torch alive and well. HARVESTED have crafted a record that balances technical proficiency with emotional weight, never straying into sterile territory. Each track has purpose, structure, and venom. This is death metal that bleeds, breathes, and still bites. Absolute Masterpiece/ 10/10” – Metal-Temple

“Dysthymia is an impressive first full-length effort for Harvested. It’s absolutely brutal and groovy in it’s more ’90s death metal approach, but they give it a modern coating of paint that makes it feel more relevant and weaves in some intricacy for the tech-fiends without losing sight that it’s still an aggressive death metal album. There’s something for pretty much anyone who likes extreme music here. A very promising future for these guys.” – Dead Rhetoric

“Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.” – Angry Metal Guy

“If you had the chance to see their video of ‘Harvested’ before the album release, you would be able to see how brutal and technical they sound. Harvested knows how to hit you like a punch in your chest, from their first riffs. By the way, riffs are something that you won’t miss here. Mitchi Dimitriadis and Vitto Oh are responsible machine-gun-like guitar picks. The drum sound also hits you with all blasts, and thankfully it’s not that digitalized soulless recording style that a lot of bands fall into now. It carries good organic production qualities, in good measure. My honourable congratulations also go to all the effort the bassist Eric Forget has made to keep his bass present among all the heaviness of the other instruments, and through the complexity of playing his own parts. The vocalist Adam Semler completes the team with good vocal lines… As always, Heavy Metal Canadian bands never disappoint us! And Harvested is one more band to honour its Heavy Metal scene with this incredible album, “Dysthymia”.8.5/10″ – Ever -Metal

“If you’re into relentless death metal in the vein of CANNIBAL CORPSE and DYING FETUS, HARVESTED from Ontario could be your favorite new band. These guys have churned forth a classic of brutality with “Dysthymia”. The sound is just as clear and professional as those bands and HARVESTED deal crushing riffs and transitions with appalling intensity. One of the best things about this album, which separates it from a lot of “brutal” efforts, is that the songs are easily distinguishable and don’t melt together in a faceless mush.” – Wormwood Chronicles

“Following a demo released in 2022, Dysthymia represents a true validation of the potential of this group from Ottawa (Ontario, Canada), which deserves special attention. Combining brutal death metal with ‘old school’ influences, the quartet brilliantly demonstrates that their music will resonate with crowds during their concerts… With titles like ‘Repressed Neurosis’, ‘Unending Madness’, ‘Designed Dilemma’, ‘Gathered And Deluded’, ‘Unanchored’, or ‘The Infestation’, Harvested sets the tone! The album was produced by the band itself with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound that remains rooted in the fundamental elements of death metal.” – Metallian

“Harvested Delivers 50 Shades of Vicious on ‘Dysthymia’… Dysthymia is one of the year’s best metal records.”-The Rock Father

“If you like brutal death metal with technical elements, this is a great album.” – ZwareMetalen

“HARVESTED deliver flawless death metal with technical sophistication, powerful riffs, gripping vocals and brutal energy.” – MetalUnderground.at 

“HARVESTED debut with “Dysthemia”, nine cuts of technical Death Metal, brutal and uncompromising. Influences from CANNIBAL CORPSE, SUFFOCATION and DECAPITATED are mixed with fast riffs, heavy rhythms and impeccable instrumental execution. An aggressive and wild album that gives no respite. 8/10″ – Necromance Magazine

“HARVESTED come swinging out of Ottawa’s underground with DYSTHYMIA, a death metal record that treats mental illness like a battlefield and riffs like blunt weapons. Their new bass playthrough for “Gathered and Deluded” puts Eric Forget right in the crosshairs — fingers blazing, tone snarling through a wall of blast beats and jagged guitars. It’s under three minutes but feels like a panic attack chewing through its restraints. No triggered sterility, no soft edges — just muscular, old-school brutality sharpened with technical spite. If CANNIBAL CORPSE, DECAPITATED, and DYING FETUS built a pressure cooker in a locked room, HARVESTED are the sound of what claws its way out.” – IDIOTEQ

“Harvested channel the struggles of mental illness within the seedy confines of death metal on their debut album, Dysthymia. The group doesn’t skimp on the gorier details, like the depictions of torture on opener “Harvested,” but much of the lyrical prose isn’t that graphic. It takes the views of mental illness from not only a personal perspective, but globally as well. Their death metal has nods to the classics like Cannibal Corpse and Suffocation, while adding a bit of technical bounce as they do on “Designed Dilemma.” Harvested does well with capturing the genre from every corner. Speed freaks will love “Gathered And Deluded,” those with some head banging in their hearts will get down to “Unending Madness” and “The Infestation” ends Dysthymia with a stark message.” – Heavy Music Headquarters

“After knocking the first three tracks out of the park like a home run into the stratosphere, “Synaptic Confusion” goes harder and faster during an opening onslaught second to none before getting menacing and sinister with a slower churn and burn. A violent delight with a catchy hook and a scream-a-long lyrical narrative in the chorus, its the kind of blunt force trauma that everyone can enjoy without a visit to the hospital. Maintaining the quality levels of both musicianship and song writing throughout the record seems like an impossibility of reason and yet its probably why this record took three years to complete because “Designed Dilemma” is another absolute beast. It’s like the band have taken your favourite Death Groove Thrash cut and adrenalized it by mainlining caffeine until their eyes pop out on stalks. The energy levels are as ridiculous as the poise and precision as the band conjure a Technical Death Metal tune of the highest order.” – Metal Noise

“The Ottawa, Canada-based death metal band’s full-length demo of 2025 does the job. As evidenced by the cover artwork and title – Dysthymia refers to a persistent depression – the theme here is mental illness. Songs like Repressed Neurosis, Unending Madness and Synaptic Confusion tell the tale. One thing remains steadfast: the band’s sound comes across as Cannibal Corpse meets Cryptopsy meets Suffocation. The lyrics mention “human waste” at one point. The aforementioned Synaptic Confusion is a highlight with a gigantic chord and a loud bass. Gathered And Deluded is another good one. It has nifty speed riffing. Designed Dilemma delivers a delicious solo. This is meat and potatoes death metal that is tight and accomplished… this is the type of release death metal fans would cherish.” – Metallian.com 

“It is brutal and in your face from start to finish… These guys know how to deliver a top class album.” – Project Metal Music

‘Dysthymia’ is a very solid album… fans of groovy technical death metal have a new act to keep an eye on.” – Musika

“Nine tracks, 32 minutes. But this album dives really deep into the mental illness and depression, along with the horrifying effects that it has on humanity. You know, it’s not your typical horror and gore-based death metal. This actually makes you think. It’s got some substance to it. And the opening track, Harvest, just grabs you by the throat right away. And it seemed like Adam Semler’s vocals are just more brutal than they ever have been. They’re just visceral. And I love the constant pace change that they have in this album. And the guitar tone is thicker. It’s crunchier. And guys, goes from a mid-tempo crunchy groove to a full-blown assault on the senses. So, with this album being a lean and mean 32 minutes, there’s no filler, and it’s all killer. It’s no wasted space. It’s not full of a bunch of, you know, bloated like intros and outros and things you just don’t need. You get three and a half minutes or so of crushing death metal, and just comes in and does it all over again for nine solid tracks.” – Furious Metal Youtube Reviews

““Dysthymia” is a compact and focused death metal release that balances aggression with detail. It shows a band that is tight in both concept and execution. There are no gimmicks or over-the-top theatrical elements—just well-structured, intense music with a consistent vision. Fans of fast, brutal death metal with a psychological edge will find this to be a strong release. Recommended for fans of Cannibal Corpse, Decapitated, Aborted, and Suffocation.” – Heavy Metal Darkness

“The atmosphere of the album is… unhealthy. It’s very inviting for headbanging. But be careful! There is a risk of pulling your neck.I forgive the Canadian band „Harvested“ 8 out of 10 Hellfire points.” – Hellfire Magazine

“Technical Death Done Right, with Grit and Groove… This is not just a video (Synaptic Confusion Playthrough). It’s a lesson in precision, aggression, and musical chemistry. From the first riff to the last blast beat, it’s clear these guys aren’t here to play games. They’re here to prove they belong in the same room as Cannibal Corpse , Cryptopsy , and Suffocation .” – Radio Papy Jeff

“Canadian technical death metal act Harvested has once again raised the bar for musicianship with the release of their “Synaptic Confusion” playthrough video. As anticipation builds for their upcoming full-length album Dysthymia, dropping August 1st, this video offers fans and industry pros an up-close look at the band’s intricate performance dynamics and creative evolution. Captured with precision and energy, the playthrough reinforces Harvested’s position at the forefront of modern death metal’s technical vanguard.” – See Rock Live


“
When it comes to songwriting, HARVESTED is on the right track and can easily face international competition with its official debut.” – PowerMetal.de

Press from 2022 Self-Titled EP:

MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

[Download Album Cover | Harvested Dysthymia Lyrics]

Band Name: Harvested
Album Title: Dysthymia
Release Date: August 1, 2025
Label: Self-Release

Track Listing:
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

========================================================

About The Album Artwork:

You see an individual from almost a psychedelic perspective. In great mental turmoil, the abstract visualization of the chaos that is the human brain. – Mitchi

The album as a whole (LYRICALLY & MUSICALLY):

Lyrically, we thought of exploring the topics of mental illness as a general theme. The drums have an old-school death metal feel with a modern touch, intricate yet very aggressive drum grooves. Dark Moon Productions did an awesome job providing us with the sound we were looking for, a modern production but rooted in the styles of the bands that founded this genre. Vocally, Adam’s technique and overall projection is a respectful nod to George Fisher from Cannibal Corpse.  Mitchi & Eric

Track by Track (LYRICALLY & MUSICALLY):

1. (Harvested) This is the track and represents what the band is about. The old-school death metal influences and the dark realities of mental illness put someone through a tortured experience

2. (Repressed Neurosis) This is the fastest song on our album, showcasing the technical and extreme prowess of the members behind the instruments. The song is about submitting to your “shadow self” and how it’s been bottled up for years.

3. (Unending Madness) This is a fun track combining the amalgamation of different styles we liked as a band. Ode to CC and Suffocation with a splash of technical death metal & groovy slams. It’s about inevitably falling into madness in a person’s lifetime.

4. (Synaptic Confusion) This is one of our groovier tracks that also really focuses on melody. This one grabs onto you from the beginning till the end. This track describes someone who can’t tell the difference between a dream and reality.

5. (Designed Dilemma) It is one of the more technical tracks on this album. Taking influences from bands like “The Zenith Passage” and “Soreption”. There are lots of goodies in the details. This song is about how a deranged mind can really fabricate adversaries.

6. (Gathered and Deluded) This is the Slamming death metal track of the album, with a slight touch of old-school and guitar influences from bands like “Cattle Decapitation”. This song describes the darker realities of cults and essentially creates a hive mind of the mentally deranged.

7. (Voice of the Void) Musically, this is the track that has a bunch of tempo changes. Showcasing how fast and chaotic we can be, but also how slow and heavy we like to get. Definitely one of our more old-school sounding tracks as a whole. The song paints a picture of someone who questions their thoughts and dissociates from their personality, which can lead to horrific outcomes.

8. (Unanchored) Contains influences from deathcore but molded into a death metal track. It is one of the more brutal tracks on this album. You’ll find a mix between fast and aggressive riffs to heavy breakdowns. The song touches on the greed and gluttony of the human experience, essentially abusing the earth as long as it serves them. We’d argue that it is a form of mental illness.

9 (The Infestation) The final track of the album, we saved one of our best for last. It has been influenced by the Cannibal Corpse and Deicide, among others. It’s also the longest track length in this release. The song describes mental illness on a more political scale and has an influence globally. Which direction is our world heading when being governed by psychopaths? It all pertains to mental illness at the end of the day, which is the recurring theme of this band’s lyrical approach.

==============================================

Fun Facts – Story Angles:

1. Right after an intense rehearsal, Mitchi bent over right behind a sweaty Jacob to unplug his electronics, thinking he was slick enough to get out of there in time. Little did he know that he was going to meet face to face with Jacob’s behind and make contact with it. His reaction to that event is among our favorite memories as a band, and we use it as an inside joke to this day.

2. When we booked studio time to record drums for our album ‘Dysthymia’, our producer Joe Lyko scheduled us for 2 days. Instead, we showed up one evening, set up the drums, plowed through all 9 songs, tore down/loaded out the drums all in one night, leaving our producer speechless and giving him the next day off to himself.

3. Guitars were recorded and performed by Mitchi. He also did the tempo mapping, pre-production/sound design, as well as click tracks, and programmed the live set list for the band. He’s even worked as an assistant engineer for Darkmoon Productions a few times. Assisting him with the client’s drum edits and vocal recording sessions.

4. The band was offered a management deal from EMG around early 2023. We unfortunately couldn’t proceed in that direction because we were going through line-up changes and were working on this album ‘Dysthymia’ to increase our catalogue outside of the 5-track demo from 2022. Safe to say if that opportunity is still available, we’d love to revisit the possibility and stay in touch with them now that we have this release under our belt.

5. Harvested has been mentioned in a “10 Modern Canadian Death Metal Bands” article by MetalSucks 2022-2023. https://www.metalsucks.net/2023/01/05/10-modern-canadian-death-metal-bands/

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Harvested is a death metal band from Ottawa, Ontario, Canada. Their music is heavily influenced by bands like Suffocation, Dying Fetus, and Deicide, blending elements of slam, brutal, and technical death metal. The band aims to evoke nostalgia from the late ’90s and early 2000s while incorporating a modern touch.

They unleashed their 2022 self-titled debut EP that featured five tracks, all centered around themes of mental illness, with inspiration drawn from horror and thriller movies and shows. One of their singles, Apathetic, explores narcissism and a lack of empathy in society. The band describes it as one of their more brutal tracks, featuring intense double bass-heavy riffs.

Now in 2025, they unravel their first full-length, “Dysthymia”, which explores the psychological aspects of mental illness rather than relying solely on gore. It’s heavier, more aggressive, and showcases the band’s musical abilities in ways they’ve never presented before.
Recorded over nearly three years, “Dysthymia” features the core lineup of Mitchi Dimitriadis (guitars), Adam Semler (vocals), Eric Forget (bass), and Jacob Collins (drums). The album was produced by Harvested with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound while staying rooted in the foundational elements of death metal. 
Harvested remains unsigned and independent, continuing to carve their own path in the metal scene.

Discography:
2025 – Dysthymia (LP)
2022 – Self-Titled (EP)

Shared Stage with: Killitorous, Plaguebringer, Lutharo, First Fragment, Aversed, Augury, Cognitive, BARF, Aeopoch, Carrion Vael, Maggots and more

0 Chris Adler (Lamb of God) Joins Forces with TONIC BREED For Explosive New Single “Anew”

  • May 13, 2025
  • by Asher
  • · Music News · Tonic Breed

NEWS RELEASE

Montreal, QC – May 13, 2025​

Chris Adler (Lamb of God) Joins Forces with TONIC BREED For Explosive New Single “Anew”

Tonic Breed’s upcoming single “Anew” features Grammy-winning drummer Chris Adler — in what frontman Patrik K. Svendsen calls the most Lamb of God-style drumming he’s heard from Adler since his days in the band.

Tonic Breed, the metal project led by Norwegian musician Patrik K. Svendsen, is gearing up to release “Anew” on June 19th, 2025, a crushing new single featuring none other than legendary drummer Chris Adler (Lamb of God, Megadeth).

“I was quite curious when I got an email — and some riffs — from Patrik,” says Adler. “Clearly he’s done some cool shit and I was flattered to be on his radar… I researched it for a minute and agreed.”

Patrik originally sent over a rough demo of the song, a storm of riffs strung together with placeholder drums and a suggested structure. “Chris was actually on board right away,” Patrik explains. “We worked together on a new structure for the song, and Chris took the lead on shaping it into something far more unique and effective than my original draft.”

“His riffs are fucking sick,” Adler continues. “We did have to take a minute to both feel good about what this would be — meaning I beat up his song like a fucking Rocky movie — but I knew it had the parts and strength.”

The final version of “Anew” is a precision-crafted, high-energy track that fuses Patrik’s Norwegian riff work with Adler’s unmistakable rhythmic drive. “To me, this is the most Lamb of God-style drumming I’ve heard from Chris since he was in Lamb of God,” Patrik says. “I’m sure some metal guitarists would kill to hear Chris Adler’s drumming behind their riffs — I’ve been lucky enough to experience that firsthand.”

By the end of the collaboration, Adler described the finished product as “sounding like an action movie that’s fun to watch,” a nod to the song’s explosive dynamics and cinematic flow.

“It’s been a privilege to work with Patrik,” Adler says. “Humbling. You’ll know what I mean when you hear it.”

The track was mixed and mastered by acclaimed producer Machine, who also handled Lamb of God’s Ashes of the Wake and Sacrament. “The sound is brilliant,” says Patrik. “Machine absolutely nailed it.”

“Anew” will drop June 19th, 2025 as a stand-alone single and is also set to appear on the next full-length Tonic Breed album. The new release continues the project’s series of high-profile collaborations, which already include Dirk Verbeuren (Megadeth), Michael Gilbert (Flotsam and Jetsam), and Björn Strid (Soilwork).

Until “Anew” is released, check out Tonic Breed‘s latest collaboration with Flotsam and Jetsam guitarist Michael Gilbert for a guest solo on the new single “The Die Is Cast”.

Straight to the point. No fluff, no filler, “The Die Is Cast” is pure, hard-hitting thrash from start to finish, with a touch of melody woven in. The song is about a powerful war machine that lies broken and abandoned, surrounded by the wreckage of others like it. Its silence feels heavy, as if it’s aware of the destruction it once brought and the emptiness that followed.

“The Die Is Cast” was performed, written, and produced by Patrik K. Svendsen with mixing by Adrian Bjerketvedt in Sarpsborg, Norway, and mastered by Steve Kitch.

Spotify – https://open.spotify.com/album/2AM7LfoyoTUL0VlZLYpXyE​

Video – https://youtu.be/mAC4_K0Sqko​

For more info:​
​https://tonicbreed.com​
​https://facebook.com/tonicbreed​
​https://instagram.com/tonicbreed​

About: Tonic Breed is a Norwegian thrash and heavy metal one-man music project by Patrik K. Svendsen. Until 2019, Tonic Breed was originally a four-piece band, established in Sarpsborg, Norway, in 2006. As of 2022, Tonic Breed has released three albums and one EP. Today, Tonic Breed is constantly reinventing itself in songwriting and guest collaborations.

Discography:​
– 2025 – The Die Is Cast (single)
(ft. guest guitar solo Michael Gilbert (Flotsam and Jetsam)
– 2025 – The Charge (single w/ Darkroot)
– 2024 – Outsold – LP – 10th Anniversary Edition
– 2022 – Fuel the Fire – EP
(ft. guests Dirk Verbeuren (Megadeth), Bernt Jansen (Artch/Wig Wam),
Björn Strid (Soilwork), Martin Skriubakken (Endezzma), Oliver Palotai (Kamelot)
– 2018 – Install Memory – LP
– 2014 – Outsold – LP
– 2010 – On the Brink of Destruction

– 30 –

“This is a collection of songs you need to hear, so what are you waiting for? [8/10]” – Metal Noise (2022 – Fuel The Fire)

“The guest musicians really came together on this EP, it’s real luxury material. In short, it is a great return of Patrick as he has been throughout his career with Tonic Breed. If you are fans of Metallica, Testament, Pantera or Slayer, listening to «Fuel the Fire» it is essential this year. Without a doubt I will follow the career of this One Man Band with great interest.” – Broken Tomb (2022 – Fuel The Fire)

“Tonic Breed show that the embers have not gone out and this EP gives them a good old poking, tossing them around and letting the heat build-up. ” – Metal Digest (2022 – Fuel The Fire)

“Tonic Breed reinforces my growing belief that music, and particularly metal, can one day survive and even thrive without need of the corporate machine.” – Metal Disciple (2014 – Outsold – LP)​
​
​“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)​
​
​“TONIC BREED could easily advance up the ranks thanks to this impressive release.” – Metal Temple (2014 – Outsold – LP)​
​
​“10/10. Album of the year 2014.” – The Metal Review (2014 – Outsold – LP)​
​
​“For an unsigned act Outsold has one of the best productions I have heard in a long time. Simply put it’s a fantastic album.” – Teeth of the Divine (2014 – Outsold – LP)​
​
​

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 EPK – Crüzer – Look to the Skies (2025)

  • May 12, 2025
  • by Asher
  • · Cruzer · EPKs

EPK – Crüzer – Look to the Skies (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I think this album will be well received by any thrasher who loves a bit of melody with their mosh fodder. While in the studio, we made sure that these songs were honed and shone to perfection, with a good bit of melody and catchiness thrown into the madness. We’re trying to offer a thrash buffet of sorts, a smorgasbord full of different flavours of speed, melody, and attitude.” – Eric Willmott (lead vocals) – Cruzer

For fans of Havok, Exodus (Zetro era), Destruction, Metallica (ride the lightning-era)

Cruzermuzik.carrd.co | Facebook.com/cruzermuzik | Instagram.com/cruzermuzik

X.com/cruzermuzik | Youtube.com/@cruzermuzik | Blusesky | Telegram

Cruzermuzik.bandcamp.com | Spotify | Apple Music

“Canadian band Crüzer are out with the EP “Look to the Skies”, and metal is the style explored on this production. This is a good, old fashioned take on the thrash metal tradition, and one which the band explore in a few different manners. We have blazing fast and firm affairs, revolving around quick and numerous tempo changes and a high degree of momentum for starters. We also get a case of the classic chugging guitar riff variety of thrash metal tossed into the mix, and at the end of the EP the band switch over to a style and orientation a bit closer aligned with the good, old NWoBHM expression. Besides exploring the style in a few different manners, a striking feature of the songs here are the ebb and flow between raspy, slightly distorted lead vocals and clean, controlled and melodic lead vocals. A feature that gives this EP a rather striking identity in itself. An production to seek out by those who enjoy thrash metal explored in a bit of an old school manner and with a fair degree of variation inside of that context.” – the Viking in the Wilderness

[Download EP Cover | Download EP Lyrics]

Band: Cruzer
Album Title: Look To The Skies
Release Date: April 4, 2025
Label: Self-Release

Track Listing:
1. Look to the Skies (4:18)
2. Born to Rise (4:06)
3. Raging Fire (3:51)
4. (I Need) Thrash (2:14)
5. Pit Vyper (4:44)
Length: 19:13

Album Recording Credits:
• All songs written & performed by: Eric Willmott, Ben Higgins, Nico Miraftab, Alex Gain
• Produced, mixed & mastered by Michael Kraushaar
• Album Artwork by Angela Grimmuza
• Member of SOCAN
• MAPL – Canadian Content

Album Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar, bass)
Alex Gain (drums)

Live Band Line Up:
Eric Willmott (lead vocals)
Nico Miraftab (guitar)
Ben Higgins (guitar)
Esteban Lleuful (bass)
Alex Gain (drums)

=======================================================

About The Album Artwork:

In addition to depicting the theme of our title track, i.e, an alien invasion, we also wanted it to incorporate themes from the other songs on the EP. There’s a thrasher dude (I need thrash) rising up against the alien threat, taking revenge (born to rise), lots of “raging fire” in the background, and a couple of people wearing……you guessed it, pit vipers! Haha.

About the album as a whole (LYRICALLY & MUSICALLY)

Listeners can expect a raging, thrashing good time, but with a melodic and humorous twist. Cruzer isn’t afraid to turn thrash on its head and infuse the flavour with all kinds of spices and secret sauces! -Eric

Track by Track (LYRICALLY & MUSICALLY):

1. The title track Look to the Skies deals with the threat of an extraterrestrial invasion force, and the attempts of the world powers to stop it (or maybe they know more than they’re letting on…). The chorus hook on this song might be my favourite of the whole album, love how it just comes in out of nowhere after a whole verse and pre-chorus of harsh blackened thrash vocals.

2. Born to Rise deals with rising up from the ashes, overcoming adversity, and exacting revenge against those who tried to cross you. This song has a very hardcore punk feel compared to the other songs, but still has that melodic edge in the chorus vocals.

3. Raging Fire deals with a topic I’m sure most thrashers will be familiar with: the destruction of the environment! Whether through climate change, nuclear war, or both. This is a mid-paced song compared to the first two, but it contains some of the heaviest vocals on the whole album!

4. On the surface, I Need Thrash is your average Slayer-esque rager about going to a show, moshing, drinking, and partying. But the song actually contains an important message about fighting back against metal stereotypes, mainly the mentality of “killing posers,” which I’ve always hated. I got called a poser when I was younger, it fucking sucked! Who cares what subgenre or microgenre people like? Metal is metal! Leave them alone and let them enjoy things. DON’T BE A DICK!

5. In an almost direct assertion of the previous song’s message, Pit Vyper is by far the most melodic, commercial-friendly, and hair metal-tinged track on the whole album. The song is a classic sounding mix of old school speed metal bands like Exciter and Meliah Rage, 80s Judas Priest, and hair metal bands like Motley Crue. The lyrics deal with the classic subject matter of an evil metal mistress who turns your heart to stone! Now is that old school metal or what?!

-Eric

=====================================================

Fun Facts – Story Angles:

1. The band members all used to attend the same high school! Riverside Secondary School in Port Coquitlam,

2. The guitarist, Ben Higgins, also plays guitar in the southern rock band Cache Creek

3. The lead vocalist, Eric Willmott, is also a voice actor. He has narrated several audiobooks, appeared in the mobile game Jorney Renewed: Fate Fantasy (as Sun Wukong Prime), and lent his voice to several YouTube animated shows, including Mammal Squad, Tamberlane, Supercell, and Lexie.

4. Eric also used to be in a My Little Pony-themed metal band called Equestrian Lord, back when the “brony” phenomenon was at its peak. Ironically, their most popular song on YouTube has nothing to do with My Little Pony, instead being inspired by the animated fantasy film The Thief and the Cobbler.

5. The band’s recording engineer, Michael Kraushaar, had no idea that he was recording a thrash metal band at first. Due to the band’s name, Cruzer, and his familiarity with Ben’s band Cache Creek, he assumed we were “gonna sound like Foghat or something!”

L-R: Nico Miraftab (guitar), Eric Willmott (lead vocals), Alex Gain (drums), Ben Higgins (guitar, bass), New member: Esteban Lleuful (bass; not pictured)

Photos: Caitlin R.D.

THRASHING FROM BEYOND THE STARS

Crüzer is not just a band—it’s a cosmic metal assault from the great white north. From Vancouver, Canada, Crüzer’s sound is as unstoppable as an alien invasion force, tearing through the atmosphere with electrifying solos and unforgettable hooks. 

But it’s not just the power of the riffs and the undeniable stage presence that make Crüzer’s music a celebration of the bizarre and otherworldly wonders of the universe. So strap in, crank it to 11, and prepare for an out-of-this-world heavy metal experience.

Discography:
Look To The Skies (EP, April 2025)
Born To Rise (Single, March 2025)
Pit Vyper (Single, February 2025)

Shared Stage with: Glyph, Tower Hill, Red Cain, Serpent Rider

Tours and Festivals: 2025 – Hyperspace Metal Festival VI – Vancouver

0 April / May Absolute Underground Magazine w/ Decimate Metalfest, CHÜZO, phear, Derev, Tumbleweed Dealer

  • May 12, 2025
  • by Asher
  • · CHUZO · Decimate MetalFest · Derev · PHEAR · Tumbleweed Dealer

April / May Absolute Underground Magazine
w/ Decimate Metalfest, CHÜZO, phear, Derev, Tumbleweed Dealer
https://absoluteunderground.tv/absolute-underground-magazine-issue-123

0 Rockshots Records – RIMMAR First Single & Video “Planet Mars” Off New Album “Raises” Out July 2025

  • May 9, 2025
  • by Asher
  • · Music News · Rimmar (Rockshots Records)

NEWS RELEASE

Montreal, QC – May 9, 2025

RIMMAR First Single & Video “Planet Mars” Off New Album “Raises” Out July 2025

“It’s a dream come true, lasting for years. Now everything can begin!”. With these words, Marco Rinaldi announces the official debut of Rimmar, his visionary solo project, and unveils the first single, “Planet Mars,” released via Rockshots Records.

Completely written, composed, and arranged by Rinaldi himself, “Planet Mars” is more than just a song—it’s the first chapter in a sonic journey that blends the power of classic, progressive, and industrial metal with disco and electronic elements. A bold and cinematic opening track that sets the tone for Rimmar’s debut album “Raises”, “Planet Mars” hovers between the past and the future, echoing with the urgency of rebirth and the desire to rise from a stagnant world. As the artist explains, “This album was born in the past, matured in the present, and projected into the future like a spaceship.”

Rimmar is not a traditional band but a one-man artistic endeavor. Marco Rinaldi is the sole author of the lyrics and music, building his songs from riffs and rhythmic structures before enriching them with orchestration, synths, and pads. The words are deeply inspired by readings, dreams, and philosophical reflections, but always subordinate to the music itself — “The word is a servant of music in my case,” he states.

“Raises” features a refined blend of styles and moods, reflective of Rinaldi’s wide musical background and personal influences ranging from 80s metal to 90s prog and even Italian avant-garde artists. The production also benefits from a remarkable cast of guest performers from the Italian rock and metal scene: Fabio Lione (Rhapsody of Fire, Angra) on tow songs “Mighty Messenger” and “Vortex”, Kyo Calati (MindAheaD), Marco Andreotti (Imagine Dragons tribute), Mattia Fagiolo (White Thunder, Dragonhammer), and Alessandro Cola (Eldritch) all contributed their unique voices and energy to the project.

On stage, Rimmar transforms into a full live band with experienced musicians delivering a performance that merges metal intensity with the aesthetics of electronic dance. As Rinaldi explains, “All we are interested in is ‘increasing’, ‘raising’ the volume, the intensity, rising from the rubble of our indifference, superficiality, ignorance and difficulty to communicate with others!”

“Planet Mars” is now available on all digital platforms and marks the beginning of an ambitious musical vision—emotional, genre-defying, and unapologetically bold.

LISTEN: https://lnk.to/heoLct​
​VIDEO: https://youtu.be/O2JwJ8UtSO4

​
​
​ALBUM PRE-ORDER: https://rockshots.eu/products/rimmar-raises​

Track Listing:​
1. Unreal (feat. Mattia Fagiolo)
2. Mighty Messenger (feat. Fabio Lione)
3. These Ruins (feat. Marco Bertuccelli)
4. 8th Sin (feat. Marco Andreotti)
5. Planet Mars (feat. Mattia Fagiolo)
6. Vortex (feat. Fabio Lione)
7. Queen of the Gold (feat. Marco Bertuccelli)
8. Cruel Summer (feat. Kyo Elisa Proietti)
9. Raises

​
​Rimmar Line Up:​
​Marco Rinaldi: Guitars
​Tommy Pellegrini: Rhythm Guitars
​Marco Moretti: Drums
​Alessandro Cola: Bass Guitar

​More Info:

– https://rockshots.eu/​

– https://www.facebook.com/profile.php?id=100063487690785​

– https://www.instagram.com/rimmar_official/​

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records – BERIEDIR Release Official Music Video for “Burnout” – The Quintessential Track from “Liminal Spaces”

  • May 9, 2025
  • by Asher
  • · Beriedir (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

BERIEDIR Release Official Music Video for “Burnout” – The Quintessential Track from “Liminal Spaces”

Following the release of “Liminal Spaces” via Rockshots Records, Italian progressive metal act Beriedir unveils the Official Music Video for “Burnout”, the album’s emotional centerpiece.

Musically and lyrically, “Burnout” captures the very essence of the record. A song about mental exhaustion, the crushing weight of self-imposed pressure, and the relentless cycle of overexertion, “Burnout” blends technical complexity with emotional immediacy. The track opens with hammering rhythmic patterns and aggressive riffs before collapsing into a fragile, almost sobbing pause culminating in a melodic death-inspired finale of overwhelming intensity.

“Filling all the time we have, keeping the furnace burning as everything gets consumed. Writing page after page, until something breaks. Silence falls in an instant, like the noises in the forest when a predator is present. But the only threat to us, in the solitude of sleepless nights, is ourselves. The cycle never stops: our mind becomes incandescent, works non-stop, then burns out. Then it starts again.”

The band comments:

“‘Burnout’ is a vocal and instrumental challenge in every aspect. It’s the most representative track of “Liminal Spaces”, where every musical choice mirrors the content of the lyrics. It’s hard to stay emotionally untouched while playing it.”

The official music video, directed once again by Luca Rapuzzi, visually amplifies the tension and vulnerability expressed in the track. Through stark and immersive imagery, Rapuzzi brings the song’s inner conflict and emotional unraveling to life, reinforcing “Burnout” as the album’s defining statement.

With “Liminal Spaces, “Beriedir has taken a bold step away from their power metal roots to fully embrace a progressive, melancholic, and immersive sound. The album explores trauma, nostalgia, longing, and emotional fragmentation, offering a listening experience that resonates deeply with those navigating dark and complex emotional states.

The band’s stylistic shift is both natural and deliberate, shaped by years of personal growth and sonic exploration. As frontman and primary songwriter, Stefano Nusperli explains, it all began with a USB drive full of music from bands like Vision Divine, Dream Theater, Dark Tranquillity, and Children of Bodom—a discovery that sparked the initial flame of Beriedir and ultimately led to “Liminal Spaces”.

Now, with a more collaborative approach and a renewed focus on progressive and alternative metal, Beriedir’s sound draws comparisons to Pain of Salvation, Leprous, Katatonia, Gojira, Trivium, and Dark Tranquillity. The album was mixed and mastered by Simone Mularoni at Domination Studio, ensuring a sonic depth that matches its lyrical weight.

​
​Video: https://youtu.be/YXvhjCx_o6s​
​Listen to “Liminal Spaces“: https://open.spotify.com/album/2l106cYkaLYZVQHodDqJVA​
​Order the album: https://lnk.to/AR9Bpc​

Previous Videos:

Music Video – “Neon” – https://youtu.be/R5WalIheULc​

Music Video – “Halo” – https://youtu.be/vb-QwoHrU8c​

Track Listing:
1. Halo
2. Neon
3. In The Corner Of My Eyes
4. As Tight As Phantoms Hold
5. F.I.V.E.
6. More Than Starlight
7. Burnout
8. Anemoia
9. Massive
10. In The Liminal Space

Line-up:​
Stefano Nüsperli: Vocals, Keyboards
Simone Bacchi Mottin: Guitars, Backing Vocals
Francesco Ideo: Guitars
Ciro Salvi: Drums
Daniele Cantaboni: Bass Guitar

More info: https://www.rockshots.eu | https://www.facebook.com/BeriedirOfficial | https://www.instagram.com/beriedirofficial​

-30-

“Melodies accompanied by explosive rhythms” – Loud And Proud

“I am utterly convinced that Beriedir will begin to achieve a level of success that their obvious talent fully deserves.” – Man Of Much Metal

“Not only will Beriedir pull your face off, but they’ll do it at breakneck speed in 5/4 time. ‘Aqva’ is a fast-paced album, thrashing machine gun powered guitars do endless battle with the fanfare of keyboards which blast with all the fun of those Euro-pop power metal sound.” – The Metal Crypt

“Metaphysical lyrics […] Through the entire song I thought somehow that a whole orchestra is with the band, so these guys truly know how to play their instruments properly and make magic out of them.” – Abaddon Magazine

“The word “elegant” comes to mind to describe the atmosphere of this album. None of these songs is superfluous. The strength of this release lies in the coherence and articulation of the songs. This clever structure supports an emotional journey. It evokes gigantic waves crashing on your heads.” – Metal Express Radio

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ASHER MEDIA RELATIONS
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0 DOUBLE EXPERIENCE New Geek Rock Single “Expensive Taste” + NXT LVL Emerging Artist Festival + Nominated for Ottawa Capital Music Award for Album of the Year “Undefeated”

  • May 9, 2025
  • by Asher
  • · Double Experience · Music News

NEWS RELEASE

Montreal, QC – May 9, 2025

DOUBLE EXPERIENCE New Geek Rock Single “Expensive Taste”

+ NXT LVL Emerging Artist Festival

Nominated for Ottawa Capital Music Award for Album of the Year, “Undefeated”

Single Artwork – Double Experience – Expensive Taste

Double Experience (L-R – Ian Nichols – Vocals and Bass, Brock Tinsley – Guitar)

With their upcoming performance at this year’s inaugural NXT LVL Emerging Artist Festival in Ottawa, and nomination for a Capital Music Award for Album of the Year (gala hosted on May 22nd, 2025 at Southam Hall at the National Arts Centre (1 Elgin Street) https://ottawamic.com) for their fourth album “Undefeated”, geek culture rock duo Double Experience are sharing their follow up single “Expensive Taste”.

The song speaks of the simple pleasures of life ruined by the ever-expanding reach of modern consumerism and was written to contain the geeky core of Double Experience, but enveloping it in the most layers of candy coating they’ve ever dared to attempt. As a band very familiar with touring, the duo wrote songs that would enhance their visceral concerts in sweaty bars and clubs. This time around, their music has a clear, crisp sound and a new sheen of consummate professionalism. The band explains the single further:

“Take, for instance, the pastime of video games – an innocent slice of escapism now rife with microtransactions designed to make those without feel inferior. In other words, do not let vanity get the better of whatever makes your heart flutter. If you aren’t feeling the warmth of the midsummer sun by the end of “Expensive Taste”, you’re already dead inside.”

Listen to “Expensive Taste” at the following links:

Spotify – https://spoti.fi/4daHj75​

YouTube – https://youtu.be/NQl55GTsFtQ

​

2024 album “Undefeated” is available on all digital platforms – https://linktr.ee/2xxp​

Tour Dates:​
May 17 – Ottawa, ON – Broadhead Brewery – info​
May 23 – Ottawa, ON – Rainbow (NXT LVL Emerging Artist Festival) – info​

More info:​
​https://www.2xExperience.com​
​https://www.facebook.com/DoubleExperience​
​https://www.youtube.com/DoubleExperience​
​https://www.instagram.com/DoubleExperience​
​https://www.twitch.tv/DoubleExperience​

About:

By taking influence from Coheed and Cambria, Weezer, and Palaye Royale, Double Experience bounces between sounds in a quest to compose music as diverse as an arcade gallery. In doing so, Double Experience has bonded with a passionate global fan base with their undeniable live prowess amounting to nearly 1000 concerts across 18 countries, opening for all manner of acts, from Badflower to Danko Jones, from JJ Wilde to Galactic Empire.

By day, mild-mannered band members Ian Nichols (vocals, bass) and Brock Tinsley (guitar) deliver band-oriented workshops and panels at conferences, conventions, and festivals (IndieWeek, MAGFest, Ottawa ComicCon), teaching up-and-coming creatives how to take control of their destiny, similar to the duo’s musical alter-ego. The band has co-written songs with Jayson DeZuzio (Imagine Dragons), and in 2016, their Destiny-themed anthem “The Glimmer Shot” caught the attention of the game’s developers at Bungie.

Their fourth studio album “Undefeated” was released in May 2024 via Colfax Music Ltd. and was inspired by the fans through live streaming on Twitch, and has all things nerdy, and is all about perseverance.

Discography:​
2025 – Expensive Taste (single)
2024 – Undefeated – (LP)
2020 – Alignments – (LP)
2017 – Rock (Geology) – (EP)
2016 – Unsaved Progress – (LP)
2014 – 721835 – (LP)

-30-

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s Third Album “A Battle to the End Fought on the Edge of a Knife”

  • May 9, 2025
  • by Asher
  • · Music News · Slug Comparison

NEWS RELEASE

Montreal, QC – May 9, 2025

Out Now! FEN’s Doug Harrison’s Solo Project SLUG COMPARISON’s Third Album “A Battle to the End Fought on the Edge of a Knife”

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Canadian vocalist, guitarist, and songwriter Doug Harrison, known for his progressive rock outfit FEN, is excited to share his solo project SLUG COMPARISON’s third album, “A Battle to the End Fought on the Edge of a Knife,” out now, as of May 9th, 2025.

Recorded over the same period as Fen‘s Dear Mouse (Sept 2024). Both recordings had been a long time coming, and then by chance, they converged to completion at the same time.

“It became a bit of a competition to see which one would be mastered first. In the end, it was pretty much a tie, because I had a couple of recalls for the Slug Comparison master, but I wanted to put out Dear Mouse first, because it had been so bloody long in the making, and we were desperate to wash our hands of it,” adds Harrison.

Slug Comparison‘s previous records were built on the layering of electric and acoustic guitars, and earnest, melodic vocals. This latest 11-song album has abandoned the acoustics and is more riff-heavy to lean into his early influence of grunge.

Harrison comments:

“For past albums, it was tricky keeping the momentum going with half the songs being acoustic and light and the other half being heavy-ish. This time around, electric guitars carry the listener from beginning to end. A straight-up rock album. That was the goal. And lyrically, it follows in the tradition of songs like AC/DC’s “It’s a Long Way to the Top,” the difference being that Slug Comparison hasn’t left the house yet. A Battle to the End Fought on the Edge of a Knife is a grief statement about the abandonment of rockstar dreams. It’s also a collection of yearnings, regrets, and celebrations along the way.”

“A Battle to the End Fought on the Edge of a Knife” was written by Harrison along with vocals, guitar, bass, and programming. He is joined by drummer Flavio Cirillo (Art of Dying, Puddle of Mudd), along with a collaboration on the song “Wish to Adapt” with Matt McCallum. Mixing was done by Ben Kaplan (Biffy Clyro, Bend Sinister, Ninjaspy, Mother Mother, Corb Lund) and mastering by Brock McFarlane at CPS Mastering (Mother Mother, Corb Lund).

Harrison does assure fans that future releases will continue to explore the moody, acoustic-based territories that defined his earlier work. After this album, fans can expect a new EP from Slug Comparison in 2026. Recommended for fans of Mother Mother, The Killers, and Porcupine Tree, “A Battle to the End Fought on the Edge of a Knife” is available at the following links:

Spotify – https://spoti.fi/452Fk2t​

Bandcamp – https://slugcomparison.bandcamp.com/album/a-battle-to-the-end-fought-on-the-edge-of-a-knife

Song Stream –“Wish to Adapt” – https://youtu.be/zCntMSHpp1A​

Song Stream – “March Through the Forest” – https://youtu.be/WPwp061C0ZU​

Track Listing:​
1. Wish to Adapt (3:46)
2. March through the Forest (3:54)
3. Game of Repression (3:57)
4. Undead Plots (4:06)
5. Outta the Jam (4:51)
6. A Battle to the End Fought on the Edge of a Knife (4:13)
7. Too Much Love (5:04)
8. Metal Roots Came Twisting (6:45)
9. Played for a Centipede (2:36)
10. Of Being Apart (5:19)
11. Hamsters in a Tub (3:02)
Album Length: 47:33

More info: Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison​

-30-

“the quite outstanding A Battle to the End Fought on the Edge of a Knife, a record that cements Doug Harrison and SLUG COMPARISON as a perpetual spark and joy for ears as songwriter and musician and itself as a forerunner if not dead cert for best of year choices come December.” – The RingMaster Review (2025 – A Battle to the End Fought on the Edge of a Knife)

“Fen’s Doug Harrison has a solo project, Slug Comparison, and their current single ‘Wish To Adapt’ is great. The track’s verses share an almost agit-inflicted rhythm, taking the melody from a rock core into the realms of post punk and retro new wave, which Harrison accents further by adding a quirky, near spoken vocal. This gives the track a very rigid and uneasy quality. Then, everything does a massive about turn to smack the listener in the face with a huge sounding melodic rock chorus that sounds like a throwback to ‘The Colour & The Shape’ era Foo Fighters, making everything really accessible and welcomingly familiar. The more commercial moments of this rocker are big and impressive and eventually dominate, but that shouldn’t detract from the artier moments here, and Doug should be applauded for mixing styles in such an interesting manner.” – Real Gone Rocks (2025 – A Battle to the End Fought on the Edge of a Knife)

“Harrison’s skills as a guitarist and bass player, plus a way above average knowledge of programming, enabled him to make the songs sound like a full band having a blast. Whether he goes fast (Outta the Jam) or takes it down a notch in the self-deprecating title track when he describes his job as punching in numbers into a blue screen with the great line “I want to die with only minor regrets”. The highlight is a twisted power ballad about to having much too much of a good thing (Too Much Love). Whatever he goes on about, Harrison never misses the opportunity to throw in a couple of smart chord changes or rhythmic shifts, preferably both of them. This is a record for musos first, but it is fine for those who are not about dissecting the music to enjoy it as such. Recommended if you like Deadwing-era Porcupine Tree.” – Here Comes The Flood (2025 – A Battle to the End Fought on the Edge of a Knife)

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

—​
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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