Review: “Drain The Sun” by Skyless Aeons – Metal Noise “When it comes to Skyless Aeons atmosphere is everything. Opening cut “Ascension Towards Nothing” builds over nearly 4 minutes before delivering a satisfying change up crunch and delving into the black depths of Death Metal riffage; it’s nearly 5 minutes before any vocals hit; and when they do it’s a slap in the face with a bag of rusty nails, such is the power of Ferreira’s roar. 8/10″ https://metalnoise.net/2020/10/review-drain-the-sun-by-skyless-aeons
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0 Review: “Drain The Sun” by Skyless Aeons – Metal Noise “When it comes to Skyless Aeons atmosphere is everything. Opening cut “Ascension Towards Nothing” builds over nearly 4 minutes before delivering a satisfying change up crunch and delving into the black depths of Death Metal riffage; it’s nearly 5 minutes before any vocals hit; and when they do it’s a slap in the face with a bag of rusty nails, such is the power of Ferreira’s roar. 8/10”
0 EPK – Shores of Null – Beyond The Shores (On Death And Dying) (2020) (Spikerot Records)
EPK – Shores of Null – Beyond The Shores (On Death And Dying) (2020) (Spikerot Records)
Publicist – Jon Asher – asher[@]ashermediarelations[.]com
Album Title: Beyond The Shores (On Death And Dying)
Release Date: November 27, 2020
Label: Spikerot Records
Distribution: Goodfellas
For fans of Swallow The Sun, My Dying Bride, Paradise Lost, Amorphis, Saturnus
Spikerot.com/ | Shoresofnull.com | Facebook.com/shoresofnull | Instagram.com/shoresofnull | Twitter.com/shoresofnull
Youtube.com/user/shoresofnull | Youtube.com/user/ShoresOfNullVEVO
Shoresofnull.bandcamp.com | Spotify | Amazon
“Take a solid 40-minutes and give Beyond the Shores your full attention. It’s a special thing to get a lengthy track like this so well-executed and dripping with emotion. The heavy moments are gripping, and the sorrow-fueled moments feel serene. It all leads up to an impressive conclusion with just enough uplift and acceptance that’ll leave you quite impressed, and most importantly, want to take the journey for another listen. Longingly beautiful from start to finish.” – DeadRhetoric
“Shores of Null continues to impress and expand upon their doomy sound. An epic-length track worthy to sit amongst the best of these ventures (Edge of Sanity, Insomnium). Emotionally fulfilling and musically satisfying all at once.” – Dead Rhetoric (Best-of 2020)
“this album definitely is one of the best Doom Metal pieces I had the pleasure to look at in 2020. Once you plunge into its astonishing flow, there will be no escape from that majestic march through soaring soundscapes to those tear-drenched horizons.” – Rock Music Raider (Best of 2020)
“While the song / album is fairly slow for the most part, with a primary focus on the instrumentals, the musicianship delves into other genres along the way. Featuring some passages that are akin to that of more progressive metal, some sections even fall back into more hard rock. All this, before dropping back into some of the slowest doom metal I’ve encountered this year.” – Metal Injection
“it’s certainly ambitious (video for “Beyond the Shores (On Death and Dying)”), but if you have the time, it’s worth the watch. Steeped in quality and excellent videography, it definitely deserves the attention for the amount of effort used.” – Metal Injection
“Shores of Null rolled the dice with Beyond the Shores (On Death and Dying) and delivered in a big fucking way… Shores of Null have crafted something special; a heart-wrenchingly emotive and beautiful journey of sorrow, anguish, pain, and acceptance. Beyond the Shores (On Death and Dying) is a splendidly sombre, brilliantly written opus of commanding death-doom that demands attention.” – Teeth of The Divine
“With all that said, Shores of Null gambled heavily on this album, and in my eyes, it most certainly paid off handsomely. To make a one-song album that’s stretching near the 40-minute mark requires a hefty amount of guts to pull off, but in doing so, they’ve made something that takes the potential found on Quiescence, and adds a heaping amount of maturity and songwriting growth to the formula. The result is a fantastic album that sees Shores of Null standing tall among their doom and funeral doom contemporaries,2 as well as a guaranteed spot on my year-end list.” – Angry Metal Guy
“this album is phenomenal, both in terms of concept and its monumental delivery… with this magnum opus [Shores Of Null] have proved their position front and centre as depressed doom-titans…” – The Sleeping Shaman
“The greatest danger of a single track album is that such a lengthy and expansive piece of music can be difficult to maintain momentum and interest throughout. Shores of Null have definitely avoided this, and the album is not only interesting throughout, but thoroughly engrossing. This is music to lose yourself in, so that forty minutes seems to pass in the blink of an eye. I’m not sure if the band plans to play this album live, but if so, and if they have the chance to do so, it will be a phenomenal spectacle. Now, if you’ll excuse me, I’m off to play it again….” – The Progressive Aspect
“This album is incredibly dramatic and engrossing from start to finish, with the guest appearances, in particular, the female vocals and excellent violins, helping to elevate and oftentimes complement the music on this record quite significantly, turning what was already a great album into one of the musical highlights of 2020. In a year that has already seen a variety of great releases by bands with a more gothic sound and style, this is perhaps one of the more impressive and enduring ones, and easily stands as the best thing SHORES OF NULL have accomplished to date.” – Distorted Sound Mag
“Beyond The Shores (On Death and Dying)” is a near perfect, monumental achievement of doom. I can’t imagine any fan of the style not finding something here to enjoy.” – Metal Temple
“An enchanting, gloomy opus.” – Moshville Times
“A single track of incredibly well-realised melodic doom metal, layered with all sorts of treats and nuanced delivery.” – Wonderbox Metal
“A piece of delicious despair, delivered on a platter of storm-ridden and excellently executed Doom Metal. A record that left anybody else in the genre in 2020 quaking in their wake.” – Rock Music Raider
“their most intricate and brooding work to date… grandiose emotional impact.” – Metal Storm
“Every element plays a powerful role across this well thought out and constructed release. From the haunting piano and violins, the spoken elements, cleans and growls, all the way through to the crushing Doom rich segments, this takes you on a convoluted listening journey that, although at times painfully emotive for the listener, is at the same time an utterly superb listen that you want to tear yourself away from, yet can’t. Produced by Marco “Cinghio” Mastrobuono (Hour Of Penance, Fleshgod Apocalypse) ‘Beyond the Shores (On Death and Dying) is a magnificently powerful and moving release. Recommended for any and all Doom fans, especially fans of My Dying Bride, Paradise Lost, Swallow the Sun and Amorphis.” – Metal Talk
“Shores of Null stand out from their contemporaries in their ability to blend seemingly disparate elements and to sound overwhelmingly heavy and soothing at the same time. Blackened aggression stands alongside gothic-doom sections without either sounding out of place. A powerful monument to the medium of depressive doom (recommended especially fans of My Dying Bride, Paradise Lost, and Amorphis)”- Doomed and Stoned
“Beyond the Shores (On Death and Dying) might just be a single track but it is as epic and exhausting as a ten-track album. The lone track, nearly 40 minutes long and broken into segments that bury the mind under mountains of gloom and doom.” – Games, Brrraaains & A Head-Banging Life
“You are about to live an unique experience created by Shores of Null. It is complex to describe such an experience with words. If the song has to be listened in a single take, it develops different and complementary ambiences. The band’s melancholic and heavy basis permanently stays, and guests add their specific touch, beginning with Mikko Kotamäki and Thomas A G Jensen’s howlings, that enrich the group’s intense rhythmic with this melodic oppression… Shores of Null took a huge risk with this new album. However, Beyond the Shores (on Death and Dying) is an unusually pure treasure, of which sparkle will shine for years on the band’s career, which seems to be at its peak. 9.5/10” – Acta Infernalis
“This album is a giant step, as they haven’t released a track over 10 minutes up to this point in their career. The concept is strong, based on psychiatrist Elisabeth Kubler-Ross’ five stages of grief (denial, anger, bargaining, depression, acceptance). Torment echoes through the whole song, as the main character struggles with loss. The journey builds with an unrushed pace, giving the listener time to sink into its darkness. Shores Of Null are daring with this new effort, and those with the patience for a song this long should be satisfied.” – Heavy Music Headquarters
[Download Album Cover | Download Album Lyrics]
Album Title: Beyond The Shores (On Death And Dying)
Release Date: November 27, 2020
Label: Spikerot Records
Distribution: Goodfellas
Track Listing:
1. Beyond The Shores (On Death And Dying) [38:24]
Album Credits:
• All songs performed by: Shores Of Null
• All songs written by: Gabriele Giaccari and Raffaele Colace, lyrics and vocal arrangements by Davide Straccione
• Produced by: Shores Of Null and Marco “Cinghio” Mastrobuono
• Mixed by: Marco “Cinghio” Mastrobuono
• Mastered by: Marco “Cinghio” Mastrobuono
• Album Artwork by: Sabrina Carmanico
• Member of SIAE (Italy)
Album and Live Band Line Up:
Davide Straccione – Vocals
Gabriele Giaccari – Guitars
Raffaele Colace – Guitars
Matteo Capozucca – Bass
Emiliano Cantiano – Drums
L-R – Emiliano Cantiano (Drums) – Gabriele Giaccari (Guitars) – Davide Straccione (Vocals) – Matteo Capozucca (Bass) – Raffaele Colace (Guitars)
Photo Credit – Arianna Savo
Shores Of Null is a Rome-based metal band, an unwavering presence within the metal underground since their musical outset in 2013. They have churned out two impressive records: the melodic and somber “Quiescence” (Candlelight, 2014) and the darker and more complex “Black Drapes For Tomorrow” (Candlelight/Spinefarm, 2017), both of which were highly praised by the worldwide music press.
Shores of Null stands out from its contemporaries with its ability to blend seemingly disparate elements and their ability to sound overwhelmingly heavy and soothing at the same time. Blackened aggression stands alongside gothic-doom sections without either sounding out of place. Their music can be both melancholic yet majestic, made of chorale-like guitar textures across the instrument’s entire range, sustained by a powerful rhythmic section and punctuated by a refined mixture of clean and growled vocals, along with extensive use of pleasing vocal harmonies which have become the band’s trademark through the years.
Shores Of Null has performed over 150 shows, including six European tours (with In The Woods, Ereb Altor, Hooded Menace, Mourning Beloveth, Novembre, Harakiri For The Sky, Sylvaine, and more), dozens of shows and tours in their home country (with Primordial, Arcturus, Candlemass, Moonsorrow, Leprous, Saturnus, Negura Bunget, etc.) and many European Festivals (Inferno Festival, Eindhoven Metal Meeting, Winter Days Of Metal, Doom Over London, Metalitalia Fest, Frantic Fest, and more).
Shores Of Null’s third work, “Beyond The Shores (On Death And Dying),” is expected to be released in November 2020 via Spikerot Records, continuing to prove the band’s willingness to go off the beaten path and create their ultimate doom manifesto, a 38 minute-long suite emphasizing their heavier, slower and dramatic side, inspired by the five stages of grief formulated by the Swiss-American psychiatrist Elisabeth Kübler-Ross. The band has collaborated on the dark opus with many special guests, including two doom-titans, Mikko Kotamäki (Swallow The Sun) and Thomas A.G. Jensen (Saturnus), along with the angelic voice of Elisabetta Marchetti (Inno). The band is able to present an even more diverse and eclectic sound on the album thanks to the addition of classical instruments like piano and violin, along with the return of the talented Marco “Cinghio” Mastrobuono (Hour Of Penance, Fleshgod Apocalypse) behind the production desk.
Discography:
2020 – Beyond The Shores (On Death And Dying) (Spikerot Records) – LP
2017 – Black Drapes For Tomorrow (Candlelight/Spinefarm) – LP
2014 – Quiescence (Candlelight Records) – LP
ABOUT “BLACK DRAPES FOR TOMORROW” (2017)
“An impressive piece that captures poignant awareness wonderfully both lyrically and musically” Metal-temple (10/10)
“A glorious, alluring and gripping album.” Ave Noctum (9.5/10)
“Is Shores of Null one of the more underappreciated gems within the current metal scene?” Dead Rethoric (9/10)
“This is truly an emotionally polarizing experience which deserves everyone’s time of day.” Ghost Cult Mag (8/10)
“This album is a solid collection of eleven beautiful songs.” Powerplay Magazine (8/10)
“This album haunts you from start to finish! A top notch album of its genre.” Lords Of Metal (89/100)
“Among the best italian bands, their sophomore album confirms them at the top of emotional and introspective metal.” Rock Hard Italy
“It’s very european, and all the better of it.” Terrorizer
ABOUT QUIESCENCE (2014)
“This is how metallic darkness should sound in 2014.” Dead Rethoric (9.5/10)
“These guys have huge potential to create some masterworks in the years to come” Metalriot.com (4/5)
“Quiescence will stand as a contender for being one of the best albums of 2014” Metal-Temple (9/10)
“The explosion has yet to come but if, and when it does, Shores Of Null damn well better be leading the pack” Metal Observer (8/10)
“A debut wrought with much of the same free-spirited experimentation at the core of Opeth’s pre-Still Life era.” Metal Hammer UK (3,5/5)
“A dark, progressive exclamation mark” Powermetal.de (8/10)
Shared Stage with:
European tour w/ In The Woods, Erab Altor, Hooded Menace, Mourning Beloveth, Novembre, Harakiri For The Sky, Sylvaine
Italian shows w/ Arcturus, Candlemass, Primordial, Leprous, Saturnus, Moonsorrow, Negura Bunget)
EUROPEAN TOURS
2019 w/ In The Woods, Ereb Altor, Isole
2018 Shores Of Null only
2017 w/ Harakiri For The Sky, Sylvaine
2016 w/ Novembre, Isole
2015 w/ Doomraiser
2015 w/ Hooded Menace, Mourning Beloveth
FESTIVALS
2020 – Metal Days – Tolmin, Slovenia (postponed to 2021)
2018 – Winter Days Of Metal – Bohinj, Slovenia
2017 – Metalitalia.com Festival – Milan, Italy
2017 – Frantic Fest – Francavilla al mare, Italy
2016 – Inferno Metal Festival – Oslo, Norway
2016 – Metal Over Malta – Siggiewi, Malta
2015 – Eindhoven Metal Meeting – Eindhoven, The Netherlands
2014 – Candlefest – London, UK
2013 – Doom Over London – London, UK
0 EPK – Johnny Nocash and The Celtic Outlaws – Burned Alive (single) (2020)
EPK – Johnny Nocash and The Celtic Outlaws – Burned Alive (2020)
Single Title: Burned Alive
Release Date: October 27, 2020
Label: Self-Release
Distribution: DistroKid
Johnnynocash.com | Facebook.com/johnnynocashoutlaws | YouTube.com | Instagram.com/johnnynocashofficial
Johnnynocash.bandcamp.com | Spotify | Apple Music
“Are you looking for music to spice up your drinking nights? Well look no further than Toronto’s Johnny Nocash and the Celtic Outlaws.” – Metal Injection
“There is a songwriting style to the band, one they seem to have mastered, with highs and lows, and plenty of contrast. Recorded at Helm Studio by David Partridge, and having listened to the album on my phone, on good speakers, and on headphones, the production sounds great, crisp and bold. The songwriting is strong enough, however, in conjunction with the excellent production sound, this album is an easy sell.” – Metal Nation (2019 – To The Gallows (EP))
“Johnny Nocash and The Celtic Outlaws’ new self-titled release is a gritty rockers dream and a new country fans nightmare.” – Five Magics Music
“Johnny NoCash & The Celtic Outlaws have made themselves into a most polished, authentic down and dirty rock band I am aware of in GTA. This band that holds onto there punk and metal roots at the same time creating bleeding-edge rock n roll. Going so far as to create their own genre calling it “Celtic Death Country“. Now with back-to-back songs with very strong video releases this band is very, very ready for export globally.” – See Rock Live
Single Title: Burned Alive
Release Date: October 27, 2020
Label: Self-Release
Distribution: DistroKid
Track Listing:
Burned Alive (3:22)
Single Credits:
• All songs performed by: Johnny Nocash and the Celtic Outlaws
• All songs written by: Johnny Nocash and the Celtic Outlaws
• Produced by: Alex Holycross
• Mixed by: Lee Hoffman
• Mastered by: Lee Hoffman
• Album Artwork by: Mirko Kranitzer
• Member of SOCAN
• Canadian Content (MAPL)
Band Line Up:
Johnny Nocash – Vocals/ Guitar
Memphis Raines – Lead Guitar
LC J – Bass
Cory Hofing – Drums
L-R – Memphis Raines – Lead Guitar I Johnny Nocash – Vocals/ Guitar I Cory Hofing – Drums I LC Jay – Bass Photo credit: Dan Clement
“From the North, we come to RAID”
Celtic Death Country pioneers Johnny Nocash and The Celtic Outlaws are a whiskey fuelled, smoked out Armageddon of chaos. This is the dark reinvention of country we’ve been waiting for.
——————————
Johnny Nocash struggled as a one-man act playing local dive bars for years in the west end of Toronto in the late 2000s. The songs were rough, honest, and personal and they connected with the people he played for. After years of playing solo and being recognized as a one-man powerhouse, he expanded the sound and brand to a full band with The Celtic Outlaws. Adding thick rhythmic sections with soaring Celtic/ country leads all supported by Johnny’s unforgettable and truly unique voice they created a sound that can only be described as Celtic Death Country.
2019 saw their latest and most complex EP “To The Gallows”, produced and recorded at Clean as Dirt Studios in Michigan. They toured for the first set of international shows in southern Germany, played sold-out shows with The Lazy’s and Days n Daze and won the Toronto International Short Film Festival for the best music video “SOUTHBOUND”.
Discography
2019 – To The Gallows (EP)
2018 – Self Titled (EP)
Artist Endorsements:
Los Cabos Drumstick
Mapex Drums
Shared Stage with:
The Lazys, DaysNDayz, Beyond Creation, The Native Howl, The Anti-Queens
0 Powerplay Magazine – August 2020 – Reviews – Sons Of Butcher, Osyron, The Naked High, Red Cain, Saints Of Death,
0 Rock Out Stand Out – ALBUM REVIEW: Protokult – Transcending The Ruins “Transcending The Ruins is my first experience of PROTOKULT and I am now a new fan because of this mesmerizing record. With its huge variety of tracks, I am certain this will appeal to a wide variety of metal fans. 9/10”
Rock Out Stand Out – ALBUM REVIEW: Protokult – Transcending The Ruins “Transcending The Ruins is my first experience of PROTOKULT and I am now a new fan because of this mesmerizing record. With its huge variety of tracks, I am certain this will appeal to a wide variety of metal fans. 9/10” https://rockoutstandout.com/2020/09/29/album-review-protokult-transcending-the-ruins/
0 Canadian Progressive Death Skyless Aeons Streaming New Album “Drain The Sun”, Album Stream via MetalInsider
(contact info below)
NEWS RELEASE
Montreal, QC – October 1, 2020
Interview request at asher[@]ashermediarelations[.]com
For fans of Opeth, Dark Tranquillity, Death, Garden of Shadows, Dissection
Canadian Progressive Death Skyless Aeons Streaming New Album “Drain The Sun”
Album Stream via MetalInsider
“Drain The Sun” Out via CDN Records
L-R: Stefan Oliva (Bass), Nicholas Luck (Guitars/Vocals), Nathan Ferreira (Lead Vocals), Martin Burchill (Drums)
Photo Credit: Skye Camara
Canada’s Skyless Aeons will be unleashing their new album “Drain The Sun” via CDN Records on October 2nd, 2020. Before the record officially drops, they have teamed with MetalInsider.net for its full stream HERE.
Meticulous and methodical, the writing process for “Drain The Sun” was roughly two years long to follow their debut EP “The Era of Famine” released in 2016. This new album adds more progressive, technical, and yet somehow more deliberate and doomy influences simultaneously, leading to a more progressive death metal sound.
The band comments on “Drain The Sun”:
“We are extremely excited to finally be releasing our first full-length “Drain the Sun”. On our previous EP four years ago, we were more focused on paying tribute to some of our favourite bands and getting every good idea we had onto a recording. With our new album, we wanted to create something that felt like a complete album from front to back. On “Drain the Sun” we have found our true sound, one that adds more from death, doom, and progressive metal to create a more atmospheric experience. Expect the same melodic turbulence and technical flourishes as before, with a darker, more dissonant approach all our own that we hope will bring in a variety of new extreme metal fans.”
Album pre-order on CDN Records here (CD), Bandcamp (Digital)
Track Listing:
1. Ascension Towards Nothing (6:30)
2. A Consciousness Decays (7:09)
3. Go Forth and Multiply (3:19)
4. The Age of Regression (7:32)
5. Dimensional Entrapment (6:31)
6. Path of Desolation (6:15)
7. Drain The Sun (8:05)
Album Length: 45:23
More info:
Facebook.com/SkylessAeons
EPK
About:
Around 2014, guitarist Nicholas Luck and drummer Martin Burchill met as a result of an errant bus ride in London, Canada. At this time, Burchill was looking for a stable project after drumming in various rock/punk/metal bands over the last decade or so, and Luck, only 18 at the time, was looking to start a death metal band.
Vocalist Nathan Ferreira and bassist Steve Oliva followed shortly after and with a scathing collective disdain for the larger structures of society and a commitment to constant evolution in sound and ethos the band recorded and released the “Era of Famine” EP in 2016.
The band has already gained a reputation through local shows as one of the more unique and energetic death metal bands in the scene, opening up for artists such as Ashbringer, The Convalescence, Nesseria, and Killitorous – a wide variety of styles, yet somehow, Skyless Aeons shares musical similarities with all of them.
At a live show, one can expect certain synchronicity and chemistry that can only come from years of experience and practice feeding off of each other’s ideas. Couple that with vocalist Ferreira’s on-stage recklessness mixed with unusually sardonic and self-deprecating stage banter, and it’s no surprise that Skyless Aeons are gaining notoriety and drawing more and more people to their local performances as of late.
2020 brings a new album “Drain the Sun”; it takes a different approach, using much heavier and expansive riffing textures and shows refining and maturation of the band’s identity. It can best be described as “; progressive death metal” with some dissonant, doom-influenced leanings.
– 30 –
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia
0 Indulge Yourself With Video “Revelation” From Lyonen’s Debut Album “This is Lyonen”
(contact info below)
NEWS RELEASE
Montreal, QC – October 1, 2020
For fans of Iron Maiden, Judas Priest, Metallica, Stratovarius, Helloween, Avenged Sevenfold
Indulge Yourself With Video “Revelation” From Lyonen’s Debut Album “This is Lyonen”
Tato Rivas – Guitarist and Producer – Photo Credit: Barbara Gomez
Luis “Tato” Rivas is fueled by a passion for music, and willingness to spread his message through his solo-project, Lyonen. This comes forth in his debut album “This is Lyonen” released on August 13th, 2020.
Lyonen will have listeners engulfed into the world he creates with his innate talent and powerful compositions. Lyonen is an artist to keep an eye on and ear out for as he is set to cement himself in the music industry for years to come. Rivas shares his excitement about this album:
“This is the beginning of a dream. This album represents a younger version of me trying to reach dreams that were perturbed by opinions, lack of support from family. The cover art is inspired by that boy looking at the horizon with a clear vision of what he wanted, many emotions, and a huge challenge. This album for me is a way to say “I can” no matter what. In the middle of the pandemic without a job without money I said, I am going to do this, and I did it. I want to prove that anyone can do anything they want.”
The track “Revelation” is about not being engrossed in the lives of others and how you need the courage to do your own thing. The lyric, “the weak men always die” infers that a man with no passion is just an empty soul running on autopilot. Soaring powerful vocals are provided by the UK’s Craig Cairns.
Recommended for fans of Iron Maiden, Helloween, and Stratovarius, this release is just the tip of the iceberg for Lyonen; music is constantly being written and there are plans for a follow up album next year.
The album is out now and available on Apple Music, Spotify, and Lyonen.com/music.
Watch the video for “Revelation” on YouTube.
Track Listing:
1. Revelation (4:39)
2. Lyonen (4:54)
3. No Borders (4:52)
4. Nehme die Sünde (3:23)
5. I Am Not Wild (4:43)
6. Angels of Freedom (5:59)
7. Dancing Free (5:40)
8. Hard To Destroy (4:13)
9. Breaking The Silence (4:29)
10. 2 Hours to Go (3:20)
11. Outro (1:35)
Album Length: 47:54
For more info:
Lyonen.com
Facebook.com/lyonenofficial
Instagram.com/lyonenofficial
YouTube
EPK
About:
Music is energy – Luis Rivas said so. Music composer and Creator of the band “Lyonen,” Luis Rivas – nicknamed Tato Rivas – spent a significant part of his life devoted to music production in the genres of Metal and Rock. When it comes to the genre of metal, music requires a whole new level of involvement. “I started playing in 1995, and I have not stopped since,” Tato said.
Tato Rivas was born in Caracas, capital of Venezuela, spent his childhood listening to popular metal bands, and moved to Maryland, United States in 2016 for professional reasons and now he is getting ready to fulfill his dreams in the music industry and build his name. It has been a lifelong goal of him to find opportunities in music career – therefore, his unstoppable passion is getting closer to that moment.
Luis graduated in Audio Engineering in 2003 with four years of Study of Music, including Classical Guitar. With currently working as a Multimedia Producer, Luis has additional insight into the world of music videos and photography – which landed him the Promax BDA Award doing Promotion Audio Mixing for a TV Station and other awards as Director of a Documentary short film.
In 2017, Luis started his one-person project like a metal band named Lyonen, which produces music in the forms of Heavy Metal, Power Metal, and Rock. His profound influence in metal icons like Iron Maiden, Metallica, Helloween, Joe Satriani, Stratovarius, and much more motivated him to hold his position gracefully as a Guitarist, Music Producer, Composer, and Audio Engineer for his band Lyonen.
So far, Tato has been passionate about Heavy Metal, but he aims to produce music in other genres, such as Pop, Classical, and more. Tato Rivas – under the name of Lyonen – is all set for releasing his much-anticipated Debut Album named “This is Lyonen,” which is scheduled to release on 13th August 2020 on all mainstream music platforms like Spotify, iTunes, Youtube Music, Deezer, and many more.
Discography:
2020 – This is Lyonen
– 30 –
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 Nile’s Brian Kingsland Debuts Single For New Project Imperishable, Premiere “Exclusion Continuum” via MetalInjection
(contact info below)
NEWS RELEASE
Montreal, QC – September 30, 2020
For fans of Emperor, Angelcorpse, The Legion, Morbid Angel, Obituary
Nile’s Brian Kingsland Debuts Single For New Project Imperishable
Premiere “Exclusion Continuum” via MetalInjection
L-R – Alex Rush – Bass, Brian Kingsland: Guitar/Vocals, Tommy Harrison: Drums
Photo Credit: Kevin Nealey
Imperishable is a brand new extreme metal band out of South Carolina. Created by NILE guitarist Brian Kingsland, they are off to a solid start with plans to release the EP “Revelation In Purity”(release date to be determined). Before presenting the final cut, the band is introducing themselves with their debut single, “Exclusion Continuum”. The track is dark, aggressive and catches the overall feel of the forthcoming EP, which summons riffs molded around power rather than flash. No overthinking, just pure unadulterated metal.
Joined by Alex Rush (bass) and Tommy Harrison (drums), the trio is determined to deliver ferocious material while retaining memorable hooks. Grinding, yet, groovy this mindset allows the group to focus on what inspires them; head banging compositions.
When asked what fans can expect from them, Kingsland responds:
“If you enjoy lots of technical wanky guitar, overly polished production; you won’t enjoy this record. This album will be more old school and raw. Topics lean heavily on self-confidence and strength in one’s beliefs. We shred, but only when it fits the composition. This band is all about the riffs and songwriting.”
Recommended for fans of Angelcorpse, Emperor, and Obituary, Imperishable is getting your attention with a swift kick in the teeth!
Watch the music video for the debut single “Exclusion Continuum” via its premiere on MetalInjection HERE.
The single is available for download on Bandcamp, Apple Music and stream on Spotify.
The release of their debut EP will be announced at later date.
For updates and news, follow the band on their Facebook and Instagram.
For more info:
EPK
About:
Imperishable is an extreme metal side project created by Brian Kingsland (Nile/Enthean), who writes the majority of the music, plays guitar and takes up vocal duty, with contributions from bassist Alex Rush (Enthean), and the pummeling drums of Tommy Harrison.
From South Carolina, the band was started as an outlet for Kingsland’s musical ideas that didn’t necessarily fit with his other bands; the predominant influences are the darkness of black metal and the power of death metal; namely, Emperor, Angelcorpse, and Morbid Angel.
The writing process for the band varies between the songs, Kingsland is always writing, tracking ideas with a growing repertoire waiting to be refined. With accommodations for musical personalities and influences, the song takes shape, with Kingsland’s lyrics adding the final touch. Lyrical themes are generally up to listener interpretation, but largely positive, confident and have some real-life application thrown in.
Conceived in late-2019, Imperishable will be releasing a four-track EP “Revelation In Purity” (date to be determined), which is produced and mixed by Kingsland. Mastered by Jamie King. There will likely be more music coming from the band in the future.
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