Posts By Asher

0 CDN Records: Canada’s Hexenklad (ft. members of SIG:AR:TYR, Eclipse Eternal, Pagan Ritual) Celebrate The Solstice With “Heathenheart” Music Video

June 25, 2021
by Asher
· Hexenklad - Heathenheart (CDN Records) (2021) · Music News

NEWS RELEASE

Montreal, QC – June 25, 2021

For fans of Moonsorrow, Amon Amarth, Ensiferum, Insomnium, Windir

CDN Records: Canada’s Hexenklad (ft. members of SIG:AR:TYR, Eclipse Eternal, Pagan Ritual) Celebrate The Solstice With “Heathenheart” Music Video

Video Premiere via Bravewords

New Album “Heathenheart” Out July 23rd via CDN Records

L-R: Michael Grund – Guitar, Andrew Chalmers – Drums, Timothy Voldemars Johnston – Vocals, Matt Collacott – Bass, John Chalmers – Guitar
Photo by Vikki Kay Photography

As true heathens, folk/black metal act Hexenklad(ft. members of SIG:AR:TYR, Eclipse Eternal, Pagan Ritual) summon interconnected energies in their new music video for the first single and title track off their upcoming album “Heathenheart”, which can be viewed via its premiere on Bravewords HERE.

Releasing around the summer solstice, the time of year that draws people together to celebrate the longest day of the year, the band brings a message that you are not alone, which is also fitting with the global crisis of the past year. The band explains the track further:

“’Heathenheart’ is a folk metal anthem. As soon as it started to come together, we knew this had to be the single we released first. It is just so memorable and so poignant and relevant to the times we are all going through. It is a song about being alone, yet all connected. All lone wolves yet all part of a larger pack. About protecting and raising each other up. The song feels like its message. It is uplifting, powerful, memorable, anthemic.”

According to the band, they didn’t go into the writing process for this album with any intention to create a specific sonic experience. It is more an amalgamation of all the varied influences of its members and they didn’t want to constrain where the music took them. Each song on the album has a different meaning, a different feel, a different purpose. Each song should elicit a different response from the listener and make them think. The common thread that binds all these songs together is that they are all intense musically, even the slower songs, and feature heathen lyrics, most of which are very uplifting in meaning, even the darkest of them.

As a whole “Heathenheart” is an intense black metal-influenced folk metal album full of heathen anthems to raise a horn to. The heathen’s heart is full of chaos, creation through destruction, Hagalaz, and this is a journey into it.

“Heathenheart” is recommended for fans of Amon Amarth, Ensiferum, and Insomnium and will be released on July 23, 2021 via CDN Records.

Album pre-order available at https://cdnrecords.com/shop/hexenklad-heathenheart/

Track Listing:
1. Heathenheart (5:02)
2. Cold Beauty of Winter (4:52)
3. Huginn and Muninn (4:14)
4. Dark Moon in Capricorn (5:13)
5. Rootbound (4:13)
6. The Raven Returns to the Knoll (4:33)
7. A Thousand Paths to Wisdom (4:26)
8. Olde Gods Awaken (5:53)
9. Beware the Outstretched Hand (5:21)
10. A Forest of Dead Trees (4:32)
11. Upon the Wings of Valkyries (7:03)
12. A Moment of Silence (1:00)
13. We Raise a Horn (4:07)
Album Length: 1:00:36

Album Credits:
Timothy Voldemars Johnston – Vocals, Lyrics
Michael Grund – Guitar. Bass on songs 4, 7, & 9
John Chalmers – Guitar. Bass on song 13
Andrew Chalmers – Drums & Percussion
Clare B. – Keyboards & Orchestrations
Emmanuel “Audeath” Audet (Black Empire/Winterfog) – Bass on Songs 2, 5, 8, 10, & 11
Matt “Coldcuts” Collacott – Bass on songs 1, 3, & 6
Nick Sauter – (Treats for Addicts) Guitar Solo on song 7
Alex Chalmers – Clarinet on song 13

All songs by Hexenklad
Song 2 written by Jon Kal and Hexenklad
Lyrics on songs 4 & 8 by Michael Grund
Recorded at Shiver Sound Studios by John Chalmers
Audeath’s Bass recorded at Black Amp Studio
Mixed at BWC Studios by Greg Dawson
Mastered at West West Side Music by Alan Douches
Cover art by Darek Zawiązalec of Black Forest Forge
CD Layout by Robo of Element 6 Custom lmn6.ca
Photography by Vikki Kay Photography
Canadian Content (MAPL)

Live Band Line Up:
Timothy Voldemars Johnston – Vocals
John Chalmers – Guitar
Steve Bowen – Guitar
Matt “Coldcuts” Collacott – Bass
Andrew Chalmers – Drums

For more info:
CDNRecords.com
Facebook.com/hexenklad
Instagram.com/hexenklad
Hexenklad.bandcamp.com
Spotify
EPK

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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0 Games, Brrraaains & A Head-Banging Life – Maitreya “What we have here with Hyper Reels is a fresh take on both progressive metal and metalcore in general. Ten high-powered and heavy efforts that go in a myriad of unexpected and thrilling directions. If there’s one thing Maitreya do well on Hyper Reels, it is to keep you guessing all the time.”

June 24, 2021
by Asher
· Maitreya

Games, Brrraaains & A Head-Banging Life – Maitreya “What we have here with Hyper Reels is a fresh take on both progressive metal and metalcore in general. Ten high-powered and heavy efforts that go in a myriad of unexpected and thrilling directions. If there’s one thing Maitreya do well on Hyper Reels, it is to keep you guessing all the time.” https://www.gbhbl.com/album-review-maitreya-hyper-reels-self-released/

0 Hails Horns! \m/\m/ Thank You Canadian MDs and DJs for the airplay love! #9 – Osyron !earshot – The National Loud Chart For the Week Ending: Tuesday, June 22, 2021

June 23, 2021
by Asher
· Osyron

Hails Horns! \m/\m/

Thank You Canadian MDs and DJs for the airplay love!

#9 – Osyron

!earshot – The National Loud Chart

For the Week Ending: Tuesday, June 22, 2021

https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2021-06-22

0 EPK – Shumaun – Memories & Intuition (2021)

June 23, 2021
by Asher
· EPKs · Shumaun

EPK – Shumaun – Memories & Intuition (2021)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Rush, Dream Theater, Porcupine Tree

Shumaun.com | Facebook.com/shumaun | Instagram.com/zinkferd | YouTube

Shumaun.bandcamp.com | Spotify | Apple Music

Album Title: Memories & Intuition
Release Date: September 10, 2021
Label: Self-Release
Distribution: Self-Release

“When I started writing the melodies for this album I knew that I wanted it to be even more melodic than our previous couple albums. We’ve always been known as a melodic band, but I wanted to up the ante. Most of the songs came pretty quickly and organically. It was an honor to have guys like Thomas Lang, Mark Zonder, and Atma Anur reinterpret the drums on these tracks. This is the first time we included more than one instrumental… I just felt it was really appropriate and helped with the flow of the album. Instrumentals allow us for more musical exploration. The album was supposed to be released in the Summer of 2020, however production was delayed for obvious reasons. – Shumaun – (Farhad Hossain – guitar, vocals, keys)

WINNER: The Deli Magazine’s “BEST OF 2015 Reader’s Pick Award” for Washington DC

“It’s not just Orbin’s simple-complex drumming that shines here. Hossain’s soaring vocals, and the guitar/bass dynamics. They sound simple but scream progressive, forward-thinking. While pop-oriented progressive rock tunes aren’t usually on Decibel’s turntable (digital or physical), Shumaun was hard to deny.” – Decibel Magazine

“Great vocals, well-written songs, and solid musicianship are the hallmarks for the debut self-titled release by Shumaun. It’s a very enjoyable album for anyone who likes to sing along with their music. With Shumaun, the songs come first. And that makes for a very enjoyable experience.” – Progressive Music PLanet

“AWESOME! OK, this band is AWESOME and have produced probably my favourite album of the year.” – Decibel Geek

“Shumaun’s music is impressive and pretty close to brilliant – Background Magazine

“Has the best album of 2019 been released right at the beginning of the year? That’s not fair! Everyone else with a 2019 release has their work cut out for them, to stand up against Shumaun’s brilliant sophomore effort: “One Day Closer to Yesterday.” – Metal Asylum

“Farhad Hossain puts goose bumps on my arms with his beautiful voice.” – Rock Portaal

“This stuff is incredibly catchy, mostly due to the excellent vocals of Hossain. Sometimes I find the emphasis on lead vocals rather annoying, especially if the vocals are not up to snuff. That is far from the case here. His vocals are superbly melodic and had me completely transfixed throughout the disc’s fifty-two minute running time.” – Sea of Tranquility

Shumaun (L to R) – Jose Mora: Bass, Farhad Hossain: Vocals, Guitar, Keys, Tyler Kim: Guitar

Shumaun initially started as a solo project by Farhad Hossain (ex singer/guitarist/keyboardist of Iris Divine). After recording a few demos, he decided to recruit a few friends to help build the project into a full-fledged collaborative band. Through the course of recording their self-titled debut album, Shumaun went through a period of tribulation while securing a drummer. Original drummer Tanvir Tomal (ex Iris Divine) had to leave for professional obligations in the middle of the recording sessions and was later replaced with Waqar Khan (Entity Paradigm), who is also well known for his work with the platinum-selling Ali Azmat of the EMI recording artist Junoon (one of South Asia’s most successful rock bands). Waqar remained with the band long enough to record a few tracks on the debut record as well as appear live for some of the earlier shows. Travis Orbin (Darkest Hour, Periphery), Mark Zonder (Fates Warning, Warlord) recorded the remaining drums on the debut record that was released in the fall of 2015. Tanvir has since returned to the band as the live drummer.

2019 saw the band releasing their sophomore album “One Day Closer to Yesterday.” The album was once again mixed by Brett Caldas-Lima at Tower Studio in France. The album was rawer and heavier, but the melodies and vocals were never compromised. It includes the bombastic prog metal single “Go.”

2021 sees Shumaun releasing their third album “Memories & Intuition,” which features the amazing drumming of legends such as Thomas Lang (Peter Gabrie l, Paul Gilbert), Atma Anur (Jason Becker, Tony Macalpine), Mark Zonder (Fates Warning, Warlord), and Leo Margarit (Pain of Salvation). Shumaun once again tapped Brett Caldas-Lima and Tower Studio for mixing and mastering. The album is their most melodic to date and consists of their single “Memories of Water.”

The Shumaun sound is shaped by the soaring vocals and lead guitar work of Farhad Hossain, the pounding melodic bass lines of Jose Mora, and the subtle guitar nuances of Tyler Kim. The band has received many accolades, and have made it onto several “album of the year” lists from sites such as Progressive Music Planet, Decibel Geek, and Metal Asylum etc. The band also won The Deli Magazine’s “Best of 2015” for Washington DC bands, and have been featured on Revolver Magazine, and Decibel Magazine.

[Download Album Cover | Download Album Lyrics]

Album Title: Memories & Intuition
Release Date: September 10, 2021
Label: Self-Release
Distribution: Self-Release

Track Listing:
1. A Subtle Invocation (3:20)
2. Prisoners (3:51)
3. Memories of Water (3:33)
4. Jabriel’s Song (5:59)
5. Invincible (7:22)
6. Under the Sun (5:06)
7. The Pursuit of Happiness (5:11)
8. Tides (4:28)
9. Intuition Underground (4:39)
10. Breathing Light (9:00)
11. A Planetary Shift (5:40)
12. The Day We Said Goodbye (5:18)
Album Length: 1:03:26

Album Credits:
All songs written by Farhad Hossain
All songs performed by Shumaun
Produced by Farhad Hossain
Mixed and Mastered by Brett Caldas-Lima at Tower Studio
Album Art by Farhad Hossain

Album Band Line Up:
Farhad Hossain – Vocals, Guitars, Keyboards
Jose Mora – Bass
Tyler Kim – Guitars
Drums: Thomas Lang (Tracks 2, 5, 9, 10)
Drums: Mark Zonder (Tracks 1, 3)
Drums: Atma Anur (Tracks 4, 7)
Drums: Leo Margarit (Tracks 6, 8)
Drums: Chris DeChiara (Track 11)
Additional keyboards on “Tides” by Bill Whitney

Discography:
2021 – Memories & Intuition
2019 – One Day Closer to Yesterday
2015 – Shumaun

0 Take A Rock N Roll Walk Through Japan With The Title Track From Rebel Priest’s “Lost In Tokyo”

June 23, 2021
by Asher
· Music News · Rebel Priest

NEWS RELEASE

Montreal, QC – June 23, 2021

For fans of Motörhead, ZZ Top, Rose Tattoo, Deep Purple, LA Guns

Take A Rock N Roll Walk Through Japan With The Title Track From Rebel Priest’s “Lost In Tokyo”

New EP “Lost In Tokyo” Out August 13th via Batcave Records

L-R – Jayme Black – Vocals/Bass, Nate Pole – Drums/Vocals, Benny Kemp – Guitars/Vocals

Vancouver’s Rebel Priest is well known in Western Canada for pumping out solid rock n roll tracks and putting on a deadly, old-school stage show. They have three full-length albums to date and to make sure people haven’t forgotten about them, have a four-track EP coming out this summer, “Lost In Tokyo”.

The first single off the EP is the title track; it’s a story about their first couple of nights in the Shinjuku district of Tokyo, Japan, which is famed for its entertainment including buzzing clubs and neon-lit karaoke bars. Consider this song your drunken guide to bars and places that the band has fond memories of. They explain further:

“This is your own personal guide to downtown Tokyo. This song will take you on a ride through Shinjuku on your way to Golden Gai, waking up in Shimokitazawa then taking the train to Shibuya and hanging with the strangers in Harajuku. This is based on a true story, though piecing the story together is a bit sloppy because it was over a few days. This is our love song to our favourite city in the world.”

Not only did Japan leave its mark on the band, but the boys left theirs as well. Every place mentioned in ”Lost In Tokyo” is an actual place that has Rebel Priest stuff on the walls, this was due to drummer Nate Pole and roadie Jerry “Pred S. Thompson” leaving the hotel the first night without any translator or ideas where they were going. To this day they don’t know how they got back or how people knew them in bars they had never been to.

The grease-infused Trash N’ Roll signature sound is recommended for fans of Motörhead, ZZ Top, and Rose Tattoo.

The single “Lost In Tokyo” can be heard at the following link:
YouTube – https://youtu.be/tfkmVniYEGE
Rebelpriest.bandcamp.com
Spotify – https://spoti.fi/3gmL38n

The EP releases on August 13, 2021 via Batcave Records. Pre-order links to be announced at a later date.

Track Listing:
1. Lost In Tokyo (3:29)
2. Back Alley Blues (3:03)
3. Vulgar Romance (4:15)
4. When The Whip Comes Down (4:33) (Slash Puppet Cover)
EP Length: 15:25

EP Recording Credits:
• All songs performed by: Rebel Priest
• All songs written by: Rebel Priest *except “When The Whip Comes Down”, Music: Slash Puppet, Lyrics: Mif
• Produced by: Rene D La Muerte
• Mixed by: Rene D La Muerte
• Mastered by: Rene D La Muerte
• Album Artwork by: Nate Pole
• Member of SOCAN
• Canadian Content (MAPL)

EP and Live Band Line Up:
Jayme Black – Vocals/Bass
Benny Kemp – Guitars/Vocals
Nate Pole – Drums/Vocals

For more info:
Batcaverecords.com
RebelPriestofficial.com
Facebook.com/rebelpriestofficial
Instagram.com/rebelpriestofficial
EPK

About:
Rebel Priest is a no-nonsense, real-deal rock n’ roll band composed of three seasoned musicians who have been making their way through the Western Canadian rock n roll scene for years. Vocalist/bassist Jayme Black (Lust Boys, The Toxiks); guitarist/vocalist Benny Kemp (Lust Boys, Road Rash); and drummer/vocalist Nate Pole (Kill Matilda, The Toxiks) bring nothing but unadulterated, high energy grease infused Trash N’ Roll!

The band has had the pleasure of touring Japan, and performing alongside bands such as Udo (Accept), Lordi, Diamond Head, Crystal Pistol, Flotsam, and Jetsam along with playing many headlining gigs with the energy of Motorhead meets Motley Crue.
Since forming in 2014, the band has released three studio albums “R’ley Heavy” (2019), Enabler (2017 ), Self-Titled (2015) along with one live record “Dead Alive @ SBC (2017).

Now in 2021, they offering up a slab of new music in the shape of an EP “Lost In Tokyo”, which was written in Japan at the very end of 2019, before the closure, and the band has been sitting on the tracks for over a year. The band even shares a cover rendition of Toronto 80s metal band Slash Puppets’ “When The Whip Comes Down”.

“We had a batch of headbangers and a few didn’t make it, but sometimes songs just need other means to come out. We wanted to set the tone for each one on this EP as opposed to a full-length concept album. Each one is a juggernaut on their own and will stand strong without having to be bound to the others… and as for more music … oh Lemmy tell ya! We aren’t slowing down, we are gonna have stuff coming at ya throughout the rest of the year, LIKE A FREIGHT TRAIN!” adds Jayme Black (vocals/bassist).

Recommended for fans of Guns n’ Roses, AC/DC and Motley Crue, Rebel Priest’s new EP “Lost In Tokyo” will be available on August 13th, 2021 via Batcave Records.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Progressive Chaos Ensues With “Destruction” From Knecht Off Upcoming Self-Titled Release

June 23, 2021
by Asher
· Knecht · Music News

NEWS RELEASE

Montreal, QC – June 23, 2021

For fans of Haken, Dream Theater, Porcupine Tree, Plini, Liquid Tension Experiment

Progressive Chaos Ensues With “Destruction” From Knecht Off Upcoming Self-Titled Release

Self-Titled Debut EP Out July 16th

Pictured – Joseph Knecht – Photo credit – Tristan Ahearn

Knecht is the solo project of New Jersey’s Joseph Knecht who has been playing music since he was a small child. He is gearing up to release his debut self-titled EP this summer and has the next single “Destruction”.

Citing that he “has never been the best at writing lyrics”, Knecht takes a purely instrumental stance with his music. He continues to explain:

“I write my guitar melodies like vocal melodies. I think to myself how I would want someone to sing over this part. When I wrote Destruction, I knew this was going to be the finale. It captures everything about my style, with elements from 70s and modern prog rock. It’s based around B Lydian dominant, which gives it a really interesting sound harmonically. It’s upbeat and has a bouncing quality, it is my favorite song on the EP.”

Listen to “Destruction” at the following links:
YouTube – https://youtu.be/3OeTgXI24GE
Spotify – https://spoti.fi/2TTF2sq

When commenting on the EP as a whole, Knecht says that he intended to write something short that listeners could groove to along with giving a sampling of his complex creativity and intricate songwriting.

“Knecht” is recommended for fans of progressive and groove metal, especially those interested in bands such as Deep Purple, Dream Theater, and Led Zeppelin.

“Knecht” will be available on all digital platforms on July 16, 2021.

Previous single “Overture (Excerpt From Halo Reach)” can be heard at the following links:
YouTube – https://youtu.be/wXg0SuMSqEQ
Spotify – https://spoti.fi/3pzbHPv

Track Listing:
1. Transformation (4:50)
2. Tabernacle Jam (3:50)
3. Working Title (4:42)
4. Overture (Excerpt From Halo Reach) (3:42)
5. Summer Nights (3:16)
6. Destruction (5:09)
EP Length: 25:31

EP Recording Line Up:
Joseph Knecht – Guitar, Bass and Keyboards
Drums – Jason Stewart

EP Credits:
• All songs performed by: Joseph Knecht and Jason Stewart
• All songs written by: Joseph Knecht
• Produced by: Joseph Knecht
• Mixed by: Charles-Henry Volk
• Mastered by: Charles-Henry Volk
• Member ASCAP

For more info:
Instagram.com/joeknecht.exe
Facebook
EPK

About:
Joseph Knecht, from Tabernacle, New Jersey, USA, has been playing music since he was a small child. He started out with piano when he was five and picked up the guitar a year later. Bass came along in high school and he attended Berklee College of Music to further his music education.

Looking to share the music he was writing and playing, he created his instrumental solo project Knecht, where he plays everything from classic rock to more modern progressive metal. He performs originals and covers as well as teaches private guitar lessons.

With influences rooted mainly in progressive and groove metal, he replaces vocals with sweeping, complex guitar melodies that are written like vocal melodies. A typical song starts with the rhythm, for him the rhythm guitars by themselves should be interesting and be able to garner attention through the piece. While he is doing this, he is thinking about what he might want the other instruments to be doing as well as keyboard sounds if there will be keyboards. For the drums, he will program a track for writing and recording purposes, but ultimately leaves it wide open for Jason Stewart.

Knecht’s debut self-titled EP is available on July 16, 2021. It features Jason Stewart on drums and was mixed and mastered by Charles-Henry Volk.

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records: It’s Time For The “Midnight Man” BLOODY HELL Release Video For New Album “The Bloodening”

June 23, 2021
by Asher
· Bloody Hell (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – June 23, 2021

For fans of Iron Maiden, Judas Priest, Accept, Armored Saint

Rockshots Records: It’s Time For The “Midnight Man” BLOODY HELL Release Video For New Album “The Bloodening”

Photo Credit: Lana Gonch

Finland’s BLOODY HELL‘s new album “The Bloodening” hit the mosh pit this past April via Rockshots Records. In support of the record, the band is presenting a new music video for the banger “Midnight Man”. The track tells a story of a man with issues (which any one person can relate to). This was originally one of the first songs the band wrote and it’s simply a straight-up speedster of headbanging glory.

Watch “Midnight Man” via Rockshots Records YouTube channel – https://youtu.be/S3YlVEIKT4Q

Formed to cause confusion and fear in people who don’t understand what heavy metal is about, Helsinki, Finland’s BLOODY HELL (ft. members of Moottörin Jyrinä, Metal De Facto) have been wowing fans around the globe with their loud, unapologetic, speed demon tyranny for two decades. Known for their drunken wild shows, the band has always presented good times in the circle pit with anthems about drinking, hangovers, devil-worshipping among other important matters.

Taking a hiatus after releasing two EPs, Hangover Riders (2010), What The Hell (2003) and a self-titled album (2015), along with all members focusing to perform with their other project Moottörin Jyrinä (a children’s heavy metal band that plays cover songs from classic 1980s heavy metal songs with child-friendly Finnish language lyrics with an educational tone), the quartet returns in 2021 to continue the party as grumpy old men with strong 18-year-old angst. Their new album “The Bloodening” features 12 fist-pumping songs to kick the band’s new found momentum into overdrive.

For fans of old-school 80’s metal in the vein of Iron Maiden, Judas Priest, Accept, and Helloween, Bloody Hell‘s “The Bloodening” is available at the following links:

CD http://bit.ly/TheBloodening
Digital https://smarturl.it/TheBloodening
Spotify https://spoti.fi/2PE6A3a

Lyric Video – In The Night We Burn – https://youtu.be/d_FpdM_EKTo

Track Listing:
1. Hangover Rider (4:37)
2. Face In Hell (4:02)
3. The Undertaker (4:54)
4. In The Night We Burn (4:30)
5. Smoking (5:16)
6. What The Hell (4:11)
7. Burn Witch Burn (3:57)
8. Muders She Wrote (5:01)
9. Midnight Man (3:43)
10. Long Road To Hell (5:32)
11. Bite (4:24)
12. Kiesma (The Museum of Modern Art) (7:03)
Album Length: 57:17

Album Details:
Bloody Hell:
Marko Skou – Vocals , Bass
Jaakko Halttunen – Guitar
Esa Orjatsalo – Guitar
Atte Marttinen – Drums

Guests:
Mika Grönholm – Lead Guitar on Kiesma (The Museum of Modern Arts)
Micko Hell – Vocals on Kiesma (The Museum of Modern Arts)

Drums on the Bloodening by Tom Rask
Recorded at Tom Rask Drum Record Factory by Tom Rask
Mixed and mastered at Tadaa Music Studio by Esa Orjatsalo

Music: Bloody Hell
Lyrics: Bloody Hell & Aleksi Koskinen
Cover artwork by Pate Vuorio
Cover layout Svetlana Goncharova
Esa Orjatsalo uses ESP guitars and Neural DSP plugins

More info:
Rockshots.eu
Facebook.com/bloodyhellfinland

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“Bloody Hell plays classic, keep-it-true, heavy metal… Most of their tunes are riff revved up, fast and heavy, metal tunes with assertive, yet harmonious, vocals, and an abundance of killer guitar solos. Listeners will hear this formula self-evident and repeated throughout the album with notable songs: The Undertaker, What The Hell, Bite, the drum driven fast and heavy Burn Witch Burn. 4/5” – Dangerdog Music Reviews

“Clearly having a blast, Bloody Hell want you to have a blast as well and to help make that a reality, they’re dropping a 12-track album of good time heavy head-bangers. Classic heavy metal with thrash and speed sensibilities, The Bloodening is an album filled with energy, dirty groove and thumping heaviness.” – Games, Brrraaains & A Head-Banging Life

“For everyone who loves good old classic heavy metal, the new record by BLOODY HELL is perfect.” – Metal.de

“BLOODY HELL are sure to ensure a good time for the pandemic-isolated Metaler” – Stormbringer

“The Bloodening is definitely something perfect to blast, whether the pandemic is ruling everyone’s life or not. It is also a great excuse to enjoy some rum or bourbon when it cannot be done in a company – because drinking to Metal, even by oneself, is not drinking, it is keeping oneself alive.” – Metal Express Radio

“Bloody Hell have struck a solid formula for the creation and delivery of their brand of heavy metal. Keeping it simple in terms of sonic display and lyrical content. Incorporating themes and techniques of their influences while ensuring their own stamp is prominent… it does put a massive grin on your face. When all is said and done, isn’t that the point of metal.” – Uber Rock

“Twelve songs in this new album opened by anthemic groovy metal of HANGOVER RIDER, enriched by an embracing riffing, and FACE IN HELL, with its metallized heavy rock.” – Hard Rock Heavy Metal

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 DeadRhetoric – Interview – Lycanthro – Fighting the Good Fight

June 22, 2021
by Asher
· Lycanthro

https://deadrhetoric.com/features/lycanthro-fighting-the-good-fight/?fbclid=IwAR0UIWXqN_vTgNamEa3oEsxQiFA2gnInRqcAQ95tIDejLTuLeg8AjbWD_I0

0 The Prog Space – Maitreya – Hyper Reels

June 22, 2021
by Asher
· Maitreya

https://theprogspace.com/maitreya-hyper-reels/

0 Thrash La Reine Releases Cover Of Traditional French Canadian Singalong “Au Chant de l’Alouette”

June 22, 2021
by Asher
· Music News · Thrash La Reine

NEWS RELEASE
(Version Française Ci-Dessous)

Montreal, QC – June 22, 2021

For fans of Alestorm, Powerwolf, Ghost, King Diamond, Anonymus

Thrash La Reine Releases Cover Of Traditional French Canadian Singalong “Au Chant de l’Alouette”

Montreal, Canada’s Thrash La Reine, is coming at you hard and fast in their usual manner, but they take a hard turn into folk metal territory with their forthcoming album “Notre-Dame-de-l’Enfer”, which will be a compendium of French Canadian/ Quebec folk tales. The first single off this album is “Au Chant de L’Alouette”, a cover of a traditional French Canadian song. The band explains the track:

“A lot of people already know the lyrics of this song as it is often sung in family reunions or at night around campfires. For people who do not know about it, this type of song is a ‘’chanson à répondre’ (answering song)’ which means that the lead singer sings the first line of the verse, then the other singers or crowd answer by singing the same line. It is often sung during parties and gatherings. We wanted to give the song a modern edge, so we changed the melodies a bit and added a lot of gang vocals to throw the party in!”

Another key element found in Quebecois music is present in the bridge, one voice sings the same note while the lead voice sings a melody. The subtlety adds to the immersion that Thrash La Reine prides itself on, all of their lyrics are in French while still remaining accessible for people not fluent in the language.

This upcoming album will be the third release from the band, following “La Foi, La Loi, La Croix” (2019) and “Le Métal Est Notre Langue” (2018). It is the band’s attempt to make a metal opera about French Canadian stories, which will shine some light on French folklore presented in an energetic and catchy fashion. Thrash La Reine is recommended for fans of Alestorm, Powerwolf, and King Diamond.

To ensure everyone has a cool song to party to during the French Canadian national holiday and for the summer, “Au Chant de L’Alouette” will be available on St-Jean-Baptiste (Fête Nationale du Québec), June 24, 2021 and the entire album will be released in autumn of this year.

Listen to “Au Chant de L’Alouette” at the following links:
YouTube – https://youtu.be/zPGHgjACMdY
Thrashlareine.bandcamp.com/track/au-chant-de-lalouette
Spotify – https://spoti.fi/3wQiAPj
Apple Music – https://apple.co/2TNuJ97

For more info:
Thrashlareine.com
Facebook.com/thrashlareine
Instagram.com/thrashlareine
Twitter.com/ThrashLaReine
EPK

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Thrash La Reine sort une reprise de la chanson à répondre traditionnelle “Au Chant de l’Alouette”

Les Montréalais de Thrash La Reine reviennent à la charge dans leur style lourd et rapide, mais ils prennent cette fois-ci un tournant radical dans le territoire du folk métal avec leur prochain album “Notre-Dame-de-l’Enfer”, qui recueillera des chansons traitant des contes et légendes du folklore québécois. Le premier extrait de cet album : « Au Chant de L’Alouette », est une reprise d’une chanson traditionnelle canadienne-française. Le groupe explique le morceau :

« Beaucoup de gens connaissent déjà les paroles de cette chanson car elle est souvent chantée dans les réunions de famille ou le soir autour des feux de camp. Pour ceux qui ne la connaissent pas, ce type de chanson est une ”chanson à répondre”, ce qui signifie que le chanteur principal chante la première ligne du couplet, puis les autres chanteurs ou la foule répondent en chantant la même ligne. Elle est souvent chantée lors de fêtes et de rassemblements. Nous voulions donner à la chanson une touche moderne, alors nous avons changé un peu les mélodies et avons ajouté beaucoup de «gang vocals» pour donner un esprit festif et rassembleur à la chanson. »

Un autre élément clé de la musique québécoise est présent dans le pont de la chanson, où une voix chante la même note tandis que la voix principale chante une mélodie. Cette subtilité s’ajoute à l’originalité et à la fierté de Thrash La Reine : toutes leurs paroles sont en français tout en restant accessibles aux personnes ne maîtrisant pas la langue.

Ce prochain album sera la troisième publication du groupe, après « La Foi, La Loi, La Croix » (2019) et « Le Métal Est Notre Langue » (2018). Il marque une tentative de faire un opéra métal sur des histoires canadiennes-françaises, en mettant l’emphase sur le folklore québécois présenté de façon énergique et entraînante. Thrash La Reine est recommandé pour les fans d’Alestorm, Powerwolf et King Diamond.

Pour s’assurer que tout le monde ait une chanson entraînante pour faire la fête lors de la fête nationale canadienne-française et pour l’été, « Au Chant de Alouette » sera disponible pour la St-Jean-Baptiste (Fête Nationale du Québec), le 24 juin 2021. Quant à l’album, il sortira à l’automne de cette année.

Écoutez «Au Chant de L’Alouette» en suivant ces liens:
YouTube – https://youtu.be/zPGHgjACMdY
Thrashlareine.bandcamp.com/track/au-chant-de-lalouette
Spotify – https://spoti.fi/3wQiAPj
Apple Music – https://apple.co/2TNuJ97

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