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Posts By Asher

0 Streaming Now! ANCIENT THRONES’ New Concept Album “Melancholia” Plunges Listeners Into A Surreal Narrative

  • September 18, 2025
  • by Asher
  • · Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – September 18, 2025

Streaming Now! ANCIENT THRONES’ New Concept Album “Melancholia” Plunges Listeners Into A Surreal Narrative

Ancient Thrones Current Line Up

L – Matt LeBlanc (Bass) | Top – Dylan Wallace (Guitar) | Bottom – Sean Hickey (Drums & Vocals) | R – Nick Leslie (Guitar)

Photo Credit – Matt Leblanc

Ancient Thrones, the Canadian progressive blackened death metal force known for their visceral storytelling and relentless sonic assault, is set to officially release their long-awaited sophomore album, “Melancholia,” on September 19th (Vinyl and Digital), and can be heard in full before its unleashed via its album stream premiere on Decibel Magazine HERE.
​
Described by the band as “the sound of existential exhaustion,” “Melancholia” is a 42-minute concept album that plunges listeners into a surreal narrative: a colourblind protagonist takes hallucinogens in a desperate attempt to see colour, only to spiral into a kaleidoscopic nightmare. From the explosive opening of “A Moon Fused Key” to the haunting decay of “Vacant,” the album is a relentless barrage of speed, aggression, and cinematic atmosphere.
​
​“This is truly an unapologetic extreme metal concept album. It’s a bad trip you can’t escape, jagged, abstract, and emotionally devastating,” says the band.
​
Formed in 2011 and rebranded in 2018, Ancient Thrones has evolved into a fully realized extreme metal entity, thanks in part to the addition of multi-band virtuoso Dylan Wallace. The writing process began in early 2020, just as the world was descending into pandemic-induced uncertainty. Rather than reflect the global crisis directly, the band channeled their energy into crafting a deeply personal and psychologically intense record.
​
​“We’re proud to share this album with our fans, old and new. We hope it moves you in unnatural ways. Enjoy the trip while it lasts,” adds the band.
​
​“Melancholia” is not just an album; it’s an immersive experience. The band’s signature blend of fast, extreme, progressive, cinematic, and existential metal is on full display, with every track contributing to the overarching narrative. Lyrically, the album explores themes of trauma, hallucination, and the dangers of idealism, all inspired by real-life experiences and a harrowing psychedelic episode.
​
Drawing inspiration from bands like The Red Chord, The Faceless, Archspire, and Deafheaven, Ancient Thrones pushes the boundaries of extreme music. Their sound is rooted in black metal, 2000s death metal, and modern tech death, but their cinematic approach and lyrical depth set them apart.
​
With “Melancholia” out on September 19, 2025, the band is already writing new material for the follow-up. Fans can expect more crushing, emotionally charged music in the near future.​
​
​Album pre-order (Vinyl, Digital) – https://ancientthrones.bandcamp.com​

Lyric Video – “A Moon Fused Key” – https://youtu.be/IfDBNhlJ0sI

​Music Video – “Melancholia” – https://youtu.be/_LvSTJ78kd8

​Playthrough – “A Turning Point” – https://youtu.be/zQ3wZqZj9EQ

​

Track Listing:​
1. A Moon Fused Key (5:12)
2. Achromatopsia (1:19)
3. Melancholia (6:17)
4. A Turning Point (5:46)
5. A Pellucid Prism (4:26)
6. Sacred Swollen Glass (6:16)
7. Blight (2:18)
8. A Pale Palace (4:55)
9. Vacant (5:31)
Album Length: 42:00

Band Lineup:​
Dylan Wallace – Guitar
Nick Leslie – Guitar
Matt LeBlanc – Bass
Sean Hickey – Drums & Vocals

More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones​

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“The music is indeed violent, and immediately so, exploding in a blast of turbulent riffing, heavily undulating bass tones, and furious beats. The guitars wildly writhe and rapidly spear off in crazed angles, kaleidoscopic in effect, and the words spit forth in caustic screams that are equally deranged. Dissonant and dismal tones intrude, along with guttural roars, blast-beat outbursts, and pulverizing blows, and the riffing also seems to swarm in agony, adding further dimensions of darkness to the song’s overarching manifestation of delirium. Backed by a pulse-pounding and highly headbangable groove, the song also introduces yet another dimension, an eerie guitar solo that slowly slithers, brightly swirls, and evolves into an entrancing harmony, very much like a beckoning and seductive presence that manifests within the mayhem.” – No Clean Singing (single – A Moon Fused Key – 2025)

What the press has said about 2020’s “The Veil”:

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing (2020 – The Veil)

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine (2020 – The Veil)

“Trailer Park Boys and Hobo With a Shotgun aren’t the only pieces of media that have emerged from Nova Scotia that you should get excited over.” – MetalSucks

“From the massive tremolo sections and bludgeoning riffs to the surprisingly melodic harmonies between guitarists Dylan Wallace and Nick Leslie, Ancient Thrones have definitely honed in on something special with this track.” – GearGods

“From earth crushing riffs and face-melting guitar solos to the overarching theme of grief and devastation that the record encompasses, this single really ramps up the intensity” – Bravewords

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound. The songs are both aggressive and intelligent in equal measure and run through a variety of different emotional tangents. There is a vile and harsh aspect to the band, but there is also a forward thinking one. It all results in a creative and dynamic listen.” – Heavy Music Headquarters (2020 – The Veil)

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble. Who among you fancies a 56-minute blackened death metal saga with an epic meditation on one man’s descent into the afterlife? No band thought it conceivable to write the metal version of Ingmar Bergman’s The Seventh Seal, but this Nova Scotia quartet are not just any band. This is a remarkable journey for the contemplative mind.” – Scream Blast Repeat (2020 – The Veil)
​
​
​“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life (2020 – The Veil)

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt (2020 – The Veil)

“It is fast, thrashing extreme metal with shrieked/growled vocals, and a headbanging attitude. They have elements of thrash, black and death but their method of delivery won’t confuse anyone. It is metal to make the fans move. It is pretty thrashy, pretty brutal but also melodic, and the guitar work has plenty to offer both in the riffs and the melodies.” – Metal Bulletin (2020 – The Veil)

—
ASHER MEDIA RELATIONS
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0 Gore House Productions Signs One Woman Band CORDYCEPS CORPSE for “From Flesh To Fluids” Cassette/CD Reissue + New Music Video For Title Track

  • September 17, 2025
  • by Asher
  • · Cordyceps Corpse (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – September 17, 2025

Gore House Productions Signs CORDYCEPS CORPSE for “From Flesh To Fluids” Cassette/CD Reissue + New Music Video For Title Track

​

Gore House Productions proudly announces the signing of one-person slam/goregrind juggernaut Cordyceps Corpse, the twisted brainchild of multi-instrumentalist and vocalist Nani. The label will reissue the band’s latest full-length album, “From Flesh to Fluids,” on CD and cassette later this year, with the digital release available now across all major platforms.

“After following Cordyceps Corpse (Cordy) on social media for several months, I am excited to welcome the project to our roster. Seeing Nani creatively market Cordy while composing filthy, slamming death metal, there was no question but to partner up with Cordy. Her debut album, “From Flesh to Fluids,” quickly became a favorite; I’m beyond stoked to give it a proper release,” comments Gore House Productions label founder Carlos Matt.​
​
To mark the occasion, Cordyceps Corpse has dropped a new music video for the title track, “From Flesh to Fluids,” a chaotic, anti-authoritarian blast of guttural vocals, slamming riffs, and visceral imagery that sets the tone for the album’s grotesque journey.
​
​“From Flesh to Fluids” is a sonic descent into madness, equal parts brutal, disgusting, and morbid. Inspired by slam legends like Devourment and Cephalotripsy, the album delivers a raw yet polished evolution of Cordyceps Corpse’s sound, now featuring live drums and tighter production while retaining the DIY filth fans crave.
​
Fans will blast earwrenching tracks like “Battery Acid Enema”, a vile, tongue-in-cheek collaboration with Nani’s partner Liv, “Stomach Bile For Miles” is a grotesque narrative of cannibalistic carnage, “Family Photo With Hella Cadavers” (feat. WORMFUCKER) is a dehumanizing snapshot of horror, and “Tools For Torture” is a slow-building frenzy inspired by Terrifier.
​
Nani, who writes, records, and performs every element of Cordyceps Corpse, describes the album as “pure chaos into heavy slam riffs.” Drawing inspiration from horror films, documentaries, and even neighborhood trash disasters, the music is driven by feeling rather than formula.

“I want this album to give the same feeling I got when I first heard Molesting the Decapitated by Devourment. Thick and brutal sound that just keeps hitting,” says Nani.
​
​Cordyceps Corpse began in late 2023 as a solo rebellion against the monotony of beat-making.

“I was bored with making music for other people. I wanted to form a band, but didn’t want to wait around. So I said, ‘f*** it, I’ll do it myself,” adds Nani.

That DIY ethos extends to everything, from the music to the logo, which Nani designed on a refurbished iPad after watching YouTube tutorials.
​
With live shows described as chaotic parties, complete with crowd participation and impromptu mic screams, Cordyceps Corpse is poised to carve a unique space in the underground metal scene. And with Gore House Productions backing the reissue, the band’s reach is about to get a whole lot bloodier.
​
Watch the “From Flesh to Fluids” music video now and stream the full album digitally via Gore House Productions. CD and cassette editions will be available later this year.
​
Music Video – https://youtu.be/L4ExQ4UzRK8

​

Digital Album (released Aug 22, 2025) – https://orcd.co/from-flesh-to-fluids​

Track Listing:​
1. Intro to Putrefaction – (1:37)
2. From Flesh To Fluids – (2:07)
3. Decapitation – (2:34)
4. Slowly Poisoned – (2:32)
5. Battery Acid Enema – (2:41)
6. Stomach Bile For Miles – (3:16)
7. Family Photo With Hella Cadavers (feat. WORMFUCKER) – (2:08)
8. Left Over Limbs For Later – (3:03)
9. Tools For Torture – (2:17)
10. Skin Tortilla – (2:22)
Album Length: 24:37
​
​Album Recording Credits:​
• All songs performed by: Nani Porter
• All songs written by: Nani Porter
• Produced by: Nani Porter
• Mixed by: Nani Porter
• Mastered by: Nani Porter
• Album Artwork by: Nani Porter
​
​Album Band Line Up:​
Nani Porter – Guitars, bass, drums, and vocals
​
​Live Band Line Up:​
Nani Porter – Guitar and Vocals

More info: ​Gorehouseproductions.com​ | Instagram.com/cordycepscorpse | Tiktok.com/@cordycepscorpse | Youtube.com/@cordycepscorpseband​

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CORDYCEPS CORPSE REVIEWS & MENTIONS

Shay top 20 women fronted/all woman bands: https://www.tiktok.com/t/ZTHGeWoaHSaaB-6NEcX/​

Slam dad’s top slam albums 2025: https://www.tiktok.com/t/ZTHGe7svNe6Yg-XSZgA/ describes album “as thick and gross and I absolutely love it”​
​“dabbles into goregrind, a little bit brutal death meta,l but straight up slam”

Shortbus Pile Up slams of the week #38: https://www.tiktok.com/t/ZTHGe7oG6eawD-9smyt/ Bill “describes album as super fucking brutal …really good death metal”​
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Rockshots Records – “Shadow War” Ignites KARU’s Next Chapter in Symphonic Death Metal and New Album “Perdition” Out Nov 2025

  • September 16, 2025
  • by Asher
  • · KARU · Music News

NEWS RELEASE

Montreal, QC – September 16, 2025

“Shadow War” Ignites KARU’s Next Chapter in Symphonic Death Metal

New Album “Perdition” Out Nov 21st, 2025

Symphonic death metallers KARU return with the first single from their upcoming album “Perdition“. Out on September 16th, 2025, “Shadow War” sets the tone for the record’s epic narrative and sonic scope.

At nearly ten minutes in length, “Shadow War” embodies the essence of KARU’s sound: brutal, unforgiving riffs and guttural vocals contrasted by sweeping orchestration and haunting melodic passages. The track mirrors the conceptual backbone of “Perdition“, a journey through a folklore-inspired vision of feudal Japan, where villages are razed by demons and survivors confront both despair and resilience.

Musically, the single evolves like a saga. It opens with relentless death metal ferocity, transitions into an atmospheric middle section the band dubs the “Dreamworld,” and culminates in an emotionally charged guitar solo that balances virtuosity with narrative weight. This dynamic structure highlights the trio’s artistic synergy:

  • Niko Hienonen – vocals, production, orchestrations
  • Kalle Pöyskö – guitars
  • Toni Tieaho (ex-Mors Principium Est, Crystalic) – guitars

Produced, mixed, and mastered by Hienonen, “Shadow War” captures the next stage of KARU’s evolution after their acclaimed 2024 album “HYDRA”. With “Perdition“, the band pushes further, integrating clean vocals, Japanese voice acting, and even more intricate orchestration to craft an album designed as a seamless cinematic experience.

For fans of Wintersun, Brymir, Whispered, and Nightwish, KARU’s “Shadow War” is both a statement of intent and an invitation into a mythic, immersive world where extreme metal collides with symphonic drama.

DIGITAL: https://lnk.to/crEB2U​

To celebrate the release, KARU will also unveil an official lyric video for “Shadow War”, offering fans a visual entry point into the song’s story and atmosphere.

VIDEO: https://youtu.be/kmaz_NyPDOo

​

“Perdition” will be released worldwide on November 21st, 2025.

ALBUM PRE-ORDER – https://rockshots.eu/products/karu-perdition-cd​

Track Listing:
​
1. Shores of Mist and Blood
2. Shadow War
3. Alone in the Forest
4. Embers in the Skies
5. Trail of Fire
6. Path of the Unforgiven
7. Perdition

Karu Line Up:
​Niko Hienonen – Vocals, Production, Orchestrations
Kalle Pöyskö – Guitars
Toni Tieaho (ex-Mors Principium Est, Crystalic) – Guitars

More info:

​https://www.rockshots.eu

​https://www.instagram.com/karu_band/​

​https://www.facebook.com/KARUbandofficial​

ABOUT:
​
KARU
 was formed in 2017 by Kalle Pöyskö and Niko Hienonen as a studio project. In 2020, the boys came out with the first EP “KARU,” which paved the way for the future of the band. The EP introduced the driving metal force of the band as well as the beautiful orchestrations that would be more prominent in the band’s future releases. In 2023, KARU was formalized as a proper live band, and two singles were released from the upcoming album. In April 2024, the band’s first full-length concept album, “HYDRA,” was released. The album gathered attention from critiques and received critical acclaim for its unique atmosphere and attitude towards conjoining brutal metal and beautiful orchestras.

The band started to work on the next full length album already before “HYDRA” was released. The concept started as an epic journey through the wilderness of a fantasy themed Japan, drawing inspiration from the Japanese spiritual world, where all the forests have a spirit of their own. The band finished the album in the summer of 2025, only a year after their last album was released. The band went through some lineup changes, and the newest lineup is the founders Pöyskö and Hienonen, as well as the lead guitarist virtuoso Toni Tieaho (Crystalic, Existence Depraved, ex-Mors Principium Est). With the new lineup, the band’s sound evolved to wholly new levels, and “Perdition” is a testament to the band’s new sound.

With “Perdition,” the band aims to bring their music and energetic live show to new audiences within and outside of their native Finland.

-30-

​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Step Inside the Music: JON HARRIS Presents “If You Wouldn’t” Playthrough Off New Album “Parallel Heart” Out Now! via Epictronic

  • September 15, 2025
  • by Asher
  • · Jon Harris · Music News

NEWS RELEASE

Montreal, QC – September 15, 2025

Step Inside the Music: JON HARRIS Presents “If You Wouldn’t” Playthrough Off New Album “Parallel Heart” Out Now! via Epictronic

Photography by Yahozka Godfrey at Gabriela Cruz

Edmonton instrumental rock guitarist Jon Harris has unveiled the playthrough video for “If You Wouldn’t,” from his debut album “Parallel Heart,” released via Epictronic. With every note, he pulls you deeper into his world, where soulful riffs, graceful solos, and rich layers of guitar and keyboard create a sound that is both intimate and vast.

Watch If You Wouldn’t (Playthrough): https://youtu.be/0x1VhJE_HGw

​
​
​
The album is a vivid showcase of Harris’ multi-instrumental skills and compositional vision. While completely instrumental, “Parallel Heart” conveys stories of tension and release, exploring the space between connection and chaos, creative ambition and everyday demands. From the pulsing energy of Togetherness to the shimmering retro feel of 97BPM, each track builds its own emotional narrative.
​
​Harris, who performed guitar, drums, bass, piano, and production on the record, proves himself not only a guitarist to watch but a full-scale sonic architect. His sound bridges blues-soaked rock, synth-driven textures, and funk grooves with cinematic flair, evoking a blend that’s reminiscent of Jeff Beck meeting Prince with a modern rock edge.

Stream the full album “Parallel Heart” now (released Dec 13, 2024): https://orcd.co/parallelheart​

Previous videos from Parallel Heart:

Togetherness (Playthrough): https://youtu.be/hioOIfrUkpE​

Entitled (Visualizer): https://youtu.be/_B8KgOYCenA​

My Little Lady (Visualizer): https://youtu.be/ry28qp3DIUI​

Track Listing:​
1. If You Wouldn’t
2. Wasted Entertainment
3. Entitled
4. Mustard N Ketchup
5. Parallel Heart
6. Mehnoynoy
7. 97BPM
8. My Little Lady
9. Togetherness
10. Humpty Dumpty

More Info – https://linktr.ee/jonharrisrocks​

-30-

“It’s a looping track (Entitled) that turns noodling guitar solos into an optimistic resolve. ” – Exclaim!

“guitar virtuoso Jon Harris offers a welcome throwback on ‘Togetherness’, the second single to be released from his forthcoming LP ‘Parallel Heart’. An instrumental number, its mid tempo and groove oriented base is immediately reminiscent of works by Joe Satriani, but unlike so many fretboard freaks, Harris clearly values a great melody instead of a pure shred. Here, he lays down a semi bluesy tone over a solid rock groove, before branching out to inject a funk derived rhythm with a cleaner tone, and bell like melodies. The arrangement eventually finds room for a few slightly fuzzy sounding harmonics and a melody that could be one of Satch’s best, circa ‘The Extremist’.” – Real Gone Rocks

“It’s Friday! And we have the pleasure of adding the new single “Togetherness” from six-string slinger Jon Harris. An instrumental driving rock track with an accessible melody and plenty of layered soloing to keep you engaged throughout, “Togetherness” is a rewarding five minutes without those pesky vocals! Taken from his forthcoming album “Parallel Heart” set for a December release, catch Jon Harris on your Home for the Best New Rock…W-J-O-EEEE!”

“His artistic ability blends technical brilliance and emotional depth, creating immersive soundscapes that push the boundaries of rock.” – Video Sound Art Magazine

“If melodic and elegant instrumental hard rock is music you tend to enjoy, and you appreciate some occasional funky interceptions in such landscapes, then this is an album that you probably will find to be an enjoyable and rewarding experience.” – The Viking in the Wilderness

—
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0 EPK – Outlying – Oblivisci (2025)

  • September 13, 2025
  • by Asher
  • · EPKs · Outlying

EPK – Outlying – Oblivisci (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Hopefully, people will feel and understand the dark thoughts and experiences that influenced the lyrics and music. We also hope people will consider this a ‘no skipped tracks’ album, where every song matters and nothing was written as a filler.” – Fred A. Dubeau – Outlying

For fans of Dark Tranquillity, At The Gates, Testament, Evergrey, Machine Head

Band Name: Outlying
Album Title: Oblivisci
Release Date: November 21, 2025
Label: Self-Release
Distributed by Tunecore
Location: Trois-Rivieres, QC, Canada

Outlying.ca | Facebook.com/outlyingband |  Youtube.com/user/OutlyingBand |  Instagram.com/outlyingband | Tiktok.com/@outlying.band

Spotify | Apple Music

“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net

“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net

“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at

“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at

[Download Album Cover | Download Album Lyrics]

Band Name: Outlying
Album Title: Oblivisci
Release Date: November 21, 2025
Label: Self-Release
Distributed by Tunecore
Location: Trois-Rivieres, QC, Canada

Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49

Album Credits:
All songs performed, written and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau

Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussions
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals

Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums

=========================================================

About The Album Artwork

A post-apocalyptic version of our home city

About the album as a whole (LYRICALLY & MUSICALLY):

The album is called “Oblivisci,” which means “to forget” in old Latin. It’s been chosen to reflect the tendency to withdraw from reality and “forget” society and the existence you live in, so to speak. The songs express oppressive feelings of trauma, alienation, grief, loneliness, and the album ends with three-part songs about Fred’s experience with alcohol/drug addiction. The music is melodic, even with only one guitar player in the band. Compositions are intended to keep the listeners’ adrenaline level high, with fast parts, heavy parts, while sticking to trying to deliver certain emotions and messages.

Sometimes, clean vocals are used, as well as some guitar effects, to add texture and dynamics.

Complexity has never been important, as we don’t believe in self-indulgent playing. Sometimes there are trickier parts that require skill, but it’s all because the music asks for that kind of intensity.

Track by Track (LYRICALLY & MUSICALLY):

1. The Raven Is Gone – Fast, heavy, catchy, and epic, the song talks about escaping chaos and trying to find refuge somewhere.

2. Stigma – Old-school melodic death style, catchy choruses again, the song is about overcoming all the judgements that happen to you when you act in a way that doesn’t necessarily harm others, but is considered socially unacceptable and frowned upon. Like being part of a subculture, not getting married or having children, drug use, etc.

3. Snow – Epic, story-telling structure, with female vocals, lyrics are the tale of a young girl abused by her father.

4. Streets Of Rats And Vulture – More old-school thrashy and punk approach, the song is about how you should always be careful who you trust, as many people out there want to backstab you.

5. Pitch-Black Serum – Creepy and dark melodic death metal, the lyrics are about how some people just give up on society, and are infected by a sort of venom that makes them defeatist and just makes them spend their lives indulging in easy pleasures such as porn, food, and video games.

6. November – Catchy, epic, melodic death metal song, the song is about a crazy obsession for someone who isn’t available or doesn’t exist.

7. Sentinel – Now this one is, like on the other albums, the power ballad type of song. Even though Outlying is a mostly aggressive type of band, it seems like these kinds of songs always end up being some of the audience’s favorites. (“Scars Of Daylight” had “The Last Time”, and “Frameworks For Repression” had “Alicia’s Tales”). Slower, lots of clean vocals, the song surprisingly has a fast, aggressive bridge. Lyrics are about grief, and how your lost ones end up staying in your head like some sort of sentinel.

8. Impaired – Dark, aggressive, and melancholic, the lyrics are very pessimistic and about how you can feel rejected by society and driven to suicide.

9. Dreamless Nights Part I: A Lullaby For The Insomniac – First of all, the title “Dreamless Nights” refers to when you sleep while intoxicated by alcohol and drugs. Since this is low-quality sleep, you mostly don’t have any dreams. This three-part song is about the cycle of addiction, which keeps going over and over. This is from Fred’s actual struggles with past (mostly alcohol) addiction. Now Fred has been sober for years, but this is one of many reasons for the delay between the last album and the release of new music. The first part is fast, melodic, and heavy, with a mysterious-sounding ending. Lyrically, it’s about feeling powerless about all the chaos and struggles of life and wanting to find escape, which is, of course, the way a lot of addictions start.

10. Dreamless Night Part II: From Velvet Skies – Now entering the fake paradise, the song builds up with a bit of a Tool-esque intro, then atmospheric black metal, and then heavy and epic. The lyrics are about the bliss of escaping the real world and floating around in this bubble of brain manipulation. The song then fades away into the darkness.

11. Dreamless Nights Part III: Walking Out Of Eden’s Ashes – When Part II ends in near silence, Part III abruptly kicks in with very heavy parts, influenced by brutal death metal. Lyrics are about the ‘hangover’ part or ‘day after’ part, so to speak. It’s about how this was all fake; not only is reality still there, it’s only gotten worse because of all the abuse. The song and album end in a more epic and melodic manner, with various instruments and a bass melody.

============================================

FUN FACTS – STORY ANGLES:

1. In Outlying’s most recent lineup, everybody in the band was introduced to Fred as a pure coincidence. Martin “Frenchy” was listening to a metal podcast from Drummondville while still living in France and heard an interview with Fred saying he was looking for a permanent drummer. Frenchy already intended to move to Quebec and decided to send Fred a message saying he’d be interested in playing in the band. When Fred read the message, he thought it was either spam or a joke.

2. In a more recent time, Fred got contacted by a woman he knows, who was asking if she could borrow his soldering iron to fix her friend’s bass guitar. Fred then drove to the lady’s apartment with his soldering iron and was then introduced to Charles Alex. A couple of weeks later, Fred was trying to find a new bass player since J-D was gone, and remembered Charles Alex.

3.  Founding Outlying drummer Guy Provencher now plays bass in Strigampire and guitar in Hopeless Nation. Fred played bass and rhythm guitar in Strigampire for a couple of years, many years ago. Steve, who is the vocalist for Strigampire and drummer for Hopeless Nation, also played drums on Outlying’s “Scars Of Daylight” album, and played live drums in Outlying when Frenchy was back in France for a little while. Trois-Rivieres’ metal scene is small.

4. Back when the band started, it was very hard for Fred to find a job and money, so he found counterfeit versions of audio and graphic software and tried to make his own records by himself. He eventually really got into audio production and graphic design, and to this day still does all that work for the band, as well as for some local bands.

5. The city of Trois-Rivieres is known for the Trois-Rivieres Metalfest, and also, the most well-known band from the city is a tech metal band called Martyr. Martyr’s drummer played in Gorguts and Beneath The Massacre, and their vocalist and guitar player now also plays in Voivod. Voivod’s bass player is also from Trois-Rivieres.

6. Despite being based in Trois-Rivieres, none of the band members grew up there. Charles Alex is from around Victoriaville, Fred was raised in a town near Becancour, and Martin “Frenchy” is from a suburban area near Paris, France.

 

L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)

Photo by Sandy Champagne

Outlying, founded in 2007 by lead vocalist/guitarist, as well as producer and writer, Fred A. Dubeau, is based in an old industrial city in the province of Quebec, Canada. Their first EP, titled ‘Within The Jail Of The Unfortunate’, was released in 2008. In 2012, after a few line-up changes, the band released a full-length album titled ‘Scars Of Daylight’. Later that year, bassist JD Poirier and French drummer Martin Reithler joined the band. In 2016, the trio released ‘Frameworks For Repression’.

In 2024, after many years of writing, creating, performing, and managing various issues, the band recruited Charles Alex Bilodeau to be their new bass player.

Outlying is now completing another full-length album, while releasing new singles along the way, such as ‘November’ and ‘Pitch Black Serum’.

Discography:
2025 – Oblivisci
2024 – Pitch-Black Serum – Single
2023 – November – Single
2016 – Frameworks For Repression – Album
2012 – Scars Of Daylight – Album
2008 – Within The Jail Of The Unfortunate – EP

Shared Stage with: The Agonist, Gone In April, Augury, Burning The Oppressor, Mass Murder Messiah, Lancaster, Last Dance Among Wolves

Tours and Festivals:
2021 – Breakout Tour – Quebec Tour
2015 – Trois-Rivieres Metalfest – Trois-Rivieres

0 EPK – In Virtue – Age of Legends (2025)

  • September 13, 2025
  • by Asher
  • · EPKs · IN VIRTUE

EPK – In Virtue – Age of Legends (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I think they’ll be pleasantly surprised, because although it builds on our past releases, it’s really the ultimate form of the same beast. The casual listener will be able to enjoy all of it without clocking the story, but anyone who wants to go deeper will be rewarded with the dark journey of a deeply flawed character on a quest to forgive himself by asking the big questions, making mistakes, and doing the hard work. It’s an emotional deep dive, a rollercoaster of textures and colors, but a cohesive trip that doesn’t just feel like a series of disconnected singles. A true concept album, the kind you should turn your phone off and light a candle to listen to on your bed with headphones from start to finish. A relatable protagonist who seeks what we all seek, to love himself in spite of himself and his flaws, to know himself deeply, and to win his battle against crushing self-doubt.” – Trey Xavier – In Virtue

For fans of Soilwork, Amaranthe, Shinedown, Symphony X, Bad Wolves

Band: In Virtue
Album: Age of Legends
Release Date: November 21, 2025
Label: Self-Release
Distribution: CMM/Orchard
Album Length: 50:40

Facebook.com/invirtue | Instagram.com//invirtue | Youtube.com/@InVirtue

Invirtue.bandcamp.com | Spotify | Apple Music

[Download Album Cover | Download Album Lyrics]

Band: In Virtue
Album: Age of Legends
Release Date: November 21, 2025
Label: Self-Release
Distribution: CMM/Orchard
Album Length: 50:40
Track Listing:
1. Ascent Glorious (00:36)
2. Sisyphus Awakening (4:55)
3. Karma Loop (ft. Charlotte Wessels) (3:35)
4. Push That Rock (2:46)
5. Purgatory (4:39)
6. Exposed (3:27)
7. Scream (3:40)
8. Where The Edges Meet (3:16)
9. Gunslingers of the New American Desert (4:42)
10. Desolation Throne (3:03)
11. Thoughts in Freefall (ft. Dave Davidson of Revocation) (4:10)
12. The River (2:24)
13. Tempus Fugue (ft. Chaney Crabb of Entheos) (8:05)
14. Descent Limitless (1:22)
Album Length: 50:40
Album Credits:
Produced by Trey Xavier
Mixed by Mazen Ayoub and Miami Dolphin
Additional mixing by Alexander Backlund
Mastered by Jens Bogren and Tony Lindgren at Fascination Street Studios
Cover art by Niklas Sundin
Additional vocal engineering by Eyal Levi on “Purgatory” and “Where the Edges Meet”
Guest vocals on “Karma Loop” by Charlotte Wessels
Guest vocals on “Tempus Fugue” by Chaney Crabb of Entheos
Guest guitar solo on “Thoughts in Freefall” by Dave Davidson of Revocation
Additional background vocals by Court Henson
Tracked at 1008 Studios, Prairie Sun Studios, West Alley Studios
Member of ASCAP
Album Lineup:
Trey Xavier – Guitar, Vocals
Alex Nasla – Keyboards, Vocals
Rami Khalaf – Lead Guitar
Jamie Hush – Bass
Mazen Ayoub – Drums

=======================================================

About The Album Artwork:

When I saw the cover for Dark Tranquillity’s “Character” album, I knew I had to have something like it. So I looked up the artist, who turned out to be their (now former) guitarist Niklas Sundin. I commissioned him to create the cover art, which depicts Sisyphus breaking out of his eternal punishment of rolling a boulder up a mountain forever. He is returning to the real world, and the boulder rolls down the hill behind him. Niklas was excellent to work with, and he took the concept I gave him and really brought it into reality with such a unique flavor.

About the album as a whole (LYRICALLY & MUSICALLY):

On this album, the lyrics are extremely personal. It’s a story about a character, but he’s just the proxy for my own experiences and ideas. It’s a concept album about someone who has made poor choices in the past and is on a journey of self-forgiveness. The character in the story is based on Sisyphus, who was a terrible, tyrannical king who was deserving of punishment – but is there truly anything someone can do to deserve eternal punishment?

In it, this Sisyphus character decides (with a little help from a character called The Catalyst) that after thousands of years of torment, he’s done his time and that he’s going to seek forgiveness from the most important person we all need it from – ourselves.

I wrote it as a way of working through my own self-imposed punishment for my own failures and shortcomings, a catharsis to carve a way forward for myself. Realistically, none of us will ever do anything nearly as horrible as Sisyphus or any equivalent monster. But we still often hold the regret and guilt over our heads for so long.

As I wrote in the song “Purgatory”,

“Paper handcuffs and shadow walls

Shackled here by guilt alone”

So it’s about releasing ourselves from this state and moving on with our lives, because until you do, you can’t do any good in the world, for yourself or anyone else.

Musically, it’s built on a classic foundation of heavy riffs and groovy drums, but with layers of cinematic elements like synths and orchestration to transport the listener and elevate the songs at key moments. It’s not symphonic metal in the traditional sense like Nightwish or something – the orchestration isn’t there as an end unto itself, or to just make it epic. Vocally, it covers a lot of range, from gritty powerful cleans to more guttural growls and screams, and a lot in between. There are a fair bit of guitar and keyboard solos, but none overstay their welcome.

Track by Track (LYRICALLY & MUSICALLY):

1. Ascent Glorious
This is the album intro – it’s purely orchestration, and it introduces the primary melodic theme, as well as what I call “The Sound” – a sort of bell-like tone that represents The Catalyst’s awakening of Sisyphus from his torment.

It’s a bit Disney, but I love the melody so much. It comes back several times throughout the album, in different forms and variations.

2. Sisyphus Awakening
This song is one of the first I wrote for the album. It has an extremely strong opening, and it segues nicely from the intro track, I think. Since it’s one of the older ones, it still has a bit of leftover prog ambition, which I think is apt for it to be so early on in the track listing, then as we move into the future, we move away from it.

It represents exactly what the title says – it’s Sisyphus awakening from the endless grind of his torment, and breaking his shackles to escape from his eternal punishment.

3. Karma Loop
This was actually the last song to be written for the album, I think. It features my friend Charlotte Wessels on vocals, and she brought so much energy and beautiful harmony to the song that it wound up becoming my favorite.

It was actually based around a guitar part (the opening lick of the song) that I wrote a long time ago for a guitar demo for my YouTube channel, and our former drummer, Mazen (Ayoub, who plays on the album) sat down and turned it into a song one day.

Lyrically, it’s a conversation between Sisyphus and The Catalyst, in which she is convincing him that his punishment is self-inflicted, and  he is worth doing the work to redeem himself.

Fun fact: The lyrics make reference to an old song by the Kingston Trio called “M.T.A.”, in which a man can’t get off the train because he doesn’t have money to pay his fare, of which he is a nickel short (“one more nickel”). It also references the “buy the ticket, take the ride” quote from Hunter S. Thompson.

4. Push That Rock
In which Sisyphus goes from the lowest possible point in his life to a place of high hope. It consists almost entirely of one line of lyrics: Push that rock back up that hill. It’s a mantra that we’ll revisit later in the album, and between now and then, the meaning will transform – but at this point, it’s his entire existence, it’s all he knows. It’s the torment he brought on himself, and he hates it.

Fun fact: I recorded some of the vocals for this in the Tom Waits room of Prairie Sun studio, on the mic that he sings into on his albums. I thought it fit the vibe pretty perfectly, and we recorded drum tracks there for Purgatory and Where The Edges Meet, so it worked out.

5. Purgatory
This was the first song we recorded and released with the new lineup, when the plan was for Age of Legends to be a 3-song EP. We road-tripped up to Prairie Sun studios in Cotati, California, to track the drums because initially, I was going to record a different drummer for these songs before we found Mazen, and it was too late to get my deposit back.

In this song, he describes the depth of his torment and what he longs to escape from.

6. Exposed
This is one of two songs we worked on with my friend and producer Sahaj.

Lyrically, it describes Sisyphus’ relationship with The Catalyst, and the gift she’s given him by not only setting him free, but by giving him a reason to want to even bother to try.

7. Scream
This is the second of the two songs we worked on with Sahaj, who provided some much-needed perspective on the songs, much like The Catalyst does for Sisyphus.

In this song, we get a closer look at the message from The Catalyst to Sisyphus in his state of eternal punishment. She can’t free him – only he can do that. No one else is coming to save him.  In order to break free, he first has to believe he’s worthy, and then he has to care enough to try. He can’t just be complacent – he needs to be angry enough to SCREAM.

8. Where The Edges Meet
This was the second single we released, and the second song we recorded with the new lineup.

Sisyphus is at last free and returns to the real world to find a divided people.  He reflects on his personal struggles that led him to act the way he did in his past life, and considers how to move forward in this new world.

This song introduces the album title – Age of Legends – which references a concept I borrowed from The Wheel of Time series. In the Age of Legends, mankind enjoyed peace, prosperity, and technology that became lost due to humanity’s inability to be content and coexist.

Sisyphus again becomes a leader in the modern world by championing this concept, inspiring people to be good to each other and lift each other up. But it won’t last…

9. Gunslingers of the New American Desert
…because power calls to him. In Gunslingers, Sisyphus can’t resist the call, and the song details his breaking bad arc. He sees the opportunity to seize the kind of power he once held, and takes it by force, falling back into his old ways.

I had actually once conceptualized a whole album of sort of post-apocalyptic sci-fi steampunky space Western songs with the same title, and this was the only thing that actually came from it.

This is by far the slowest song in the entire In Virtue catalog, and in my estimation, the heaviest thing I’ve ever written. The lyrics are also very emotionally heavy, describing the tradeoff of humanity for the empty promise of power, and the human toll such a deal takes.

10. Desolation Throne
In which Sisyphus ascends to his throne of evil, convincing himself that he’s earned it by his suffering.

I was trying to channel Russel Allen in my vocal performance, to make it sound mean and evoke a gangster-like quality similar to the Symphony X Underworld album. I also put in a little 2005 metalcore chugging to hearken back to my days watching bands like Unearth and Killswitch Engage at small venues throughout Massachusetts.

The bridge of this song is my favorite single moment on the whole album. It simultaneously shows his emotional insecurity and how small he feels, and how he reacts to that by lashing out at the world that doesn’t understand him and trying to dominate it.

It also features one of my favorite guitar solos.

11. Thoughts in Freefall
In Desolation Throne, he is ascending to power, climbing upwards ever higher without considering how high above the ground he is. He comes to the highest peak possible – there’s no higher he could go.

Consumed with his lust for power and insane, in Thoughts in Freefall, he posits that “If I fall forever, I will never hit the ground”.  He thinks himself invincible and needs little provocation to demonstrate that fact. “I am immune to gravity”.

Naturally, he is about to make contact with the consequences of his actions.

Features an absolute dickripper of a guitar solo by Dave Davidson of Revocation.

12. The River
The “find out’ in Thoughts in Freefall’s “fuck around”.

Where previously he said, “If I fall forever”, we begin with “I fell forever”.

He loses everything, including The Catalyst, those who believed in him. He

Generally, I’m not a fan of ballads. The River started life as a suggestion from Mazen that we include a ballad of some kind on the album, which I initially resisted. But I realized that I didn’t have to write a Diane Warren-type ballad, or something corny, and that the moment called for something stripped down. So Alex and I sat down with a very vague concept of what we needed to achieve, and came up with what I consider to be a very powerful and understated moment on the album. It’s almost entirely just piano and one vocal, whereas I tend towards maximalism in my writing, with layers and layers of orchestration, synths, and vocal harmonies. It’s a bare naked moment for both Sisyphus and I, where he is broken by his own hand, once again at the bottom of the mountain, having pushed the rock all the way to the top, only to fall to the bottom again.

Literal rock bottom.

13. Tempus Fugue
“Tempus fugit” is a saying that means “time flies”, and a fugue is a musical form. On past In Virtue albums, I have included long-winded overtures of the album’s musical themes (“Underture” and “Afterture” ) that were both ill-conceived and poorly received, self-indulgent. On this album, I wanted the chance to make a meaningful tour de force of the motifs while wrapping up the story and tying it all together. This is the longest song on the album, and covers a lot of ground.

In this song, Sisyphus addresses the futility of time and its cyclical nature, to which he has had the most painfully vivid relationship. He also recognizes the healing power of time, to which we owe his entire redemption cycle, in fact.

He finally comes to an important conclusion about life on earth, and the value of true intention and effort – the work of life. Pushing the rock is something we all do, every day – we wake up and we try. We all have our own boulder and our own hill, and even in the apparent futility of time, we create something meaningful and beautiful from our struggles to ascend to something higher and better than ourselves.

And that we need to forgive ourselves, so we can push the rock again tomorrow.

We once again reprise the “Push that rock back up that hill” mantra.

Features a devastating vocal spot by Chaney Crabb of Entheos.

14. Descent Limitless
The outro of the album, with the triumphant motif from the intro once again, in its final form, as Sisyphus takes up his boulder, but with new meaning and understanding this time. We hear “The Sound’ one last time as the album wraps.

====================================================

FUN FACTS – STORY ANGLES:

1. The band is fronted by Trey Xavier, who you may know from his YouTube channel or the website Gear Gods. He’s also the singer on the viral (2 million views) YouTuber collab song “Dread Machine” (https://www.youtube.com/watch?v=kJfraNCvR8s)

2. 3 of the band members (Alex, Jamie, and Rami) are software developers.

3. Trey has a music degree in composition and teaches several online courses on songwriting and composition.

4. The album took 6 years from when we started tracking it to get done because our producer ghosted us with like 10% left to finish. We thought he was dead or something. Just straight up vanished. I sent him hundreds of texts and online messages with no reply. I had to re-track many of my vocal parts in my home studio to get it done.

5. The band has only played live once with the current lineup.

6. During the recording of the album, I got so mad at the drummer/producer that I lifted my laptop over my head and smashed it on the floor of the studio and kicked a chair, which is VERY out of character for me (we made up and it’s all good now).

L-R Bruno Valverde (drums), Jamie Hush (bass), Trey Xavier (guitar/vocals), Alex Nasla (keys), Rami Khalaf (guitar)

Phot Credit: Felix Martin

Los Angeles, California’s In Virtue is a band forging a new path, abandoning outdated conceptions of what heavy music is to redefine metal for a new era. Although In Virtue was initially formed in 2004 in California’s Bay Area, the band’s rebirth in 2015 is where the real story begins.

That’s when founding guitarist Trey Xavier made the difficult decision to take over lead vocals, move south to LA, and start the band over with a new lineup. This was the catalyst they needed, and the band’s final form took shape. Adding keyboardist Alex Nasla (The Mourning, ex-Witherfall), guitarist Rami Khalaf, and bassist Jamie Hush, their new sound was freed. 

 “I was tired of other people singing what I was writing,” says Trey (who you may know from his popular YouTube channel). “We had some pretty good singers, but it always felt like a compromise. It was pretty scary – I was 28 and I had never seriously sung before. But all the work I put in paid off, because now I can create my music as I envision it.”

And what a vision it has become – the band’s forthcoming album Age of Legends, due out in 2025, tells a haunting tale of Sisyphean struggle and redemption through a modern lens. This new era of In Virtue brought their first new music, 2019’s single “Purgatory”, which gave the world a brand new sound. Combining elements of power metal, groove, progressive metal, and pop, but somehow sounding like none of the above, “Purgatory” defined the sonic future of the band. 

The singles “Where The Edges Meet” and “Scream” followed soon after to expand on the story, each moving the story forward and bringing new life to the characters and their pain. 

With way more to come on Age of Legends, In Virtue is looking forward to the next chapter and bringing their story to the world.

Discography:
2025 – Age of Legends
2012 – Embrace the Horror
2008 – Delusions of Grandeur

Artist Endorsements: Kiesel Guitars, Revv Amps, Sennheiser Wireless

0 EPK – Stellvris – Shatter and Bloom (2025)

  • September 13, 2025
  • by Asher
  • · EPKs · Stellvris

EPK – Stellvris – Shatter and Bloom (2025)

Publicist – jon[@]ashermediarelations[.]com

“We believe this EP will be received very well. Once again, we’ve taken huge steps forward musically. The sound was crafted by Christoph Wieczorek at Sawdust Recordings, a guarantee of top quality. We’ve added more electronic elements and catchier choruses, while still keeping the brutal breakdowns that our fans love. Each track offers a different journey — every song carries its own surprising moments and unique elements. While the foundation is firmly rooted in modern metal, we’ve carefully blended in touches of other genres to keep the experience dynamic, fresh, and exciting for listeners from start to finish.”

For fans of Jinjer, Spiritbox, Holy Wars, Arch Enemy, I Prevail

Band: Stellvris
EP Title: Shatter and Bloom
Label: Self-Release
Release Date: November 7, 2025
EP Length: 18:27
Genre: Modern Metal
Location: Prague, CZ

Facebook.com/STELLVRIS.band | Instagram.com/stellvris_band | Youtube.com/@STELLVRISband

Spotify | Tiktok.com/@stellvris_band| Stellvris.bandcamp.com

“Ready-made for fans of Spiritbox and Holy Wars, STELLVRIS’ latest takes on the theme of a toxic relationship, whether romantic, platonic or professional, and urges the listener to push back and escape. As for the video, it captures the band in action, with vocalist Nicol adopting distinct personas, including a red-cast demonic one.” – Revolver Magazine

“Stellvris work best because they are able to balance the more melodic aspects of modern metal with a scorching amount of heaviness. There’s an overall adrenaline injection and flow to Persistence that makes it incredibly digestible, with the need to listen to it over again to get that same rush once it finishes. What’s great is that the aggression sticks around on repeated listens, without giving you a case of diminishing returns. Expect big things from this act in their near future for sure, but Persistence already establishes them as a modern metal force to be reckoned with.” – Dead Rhetoric (2023 – Persistence)

“The latest single “Scorpio” was a perfect song to sum up STELLVRIS’s musical identity as a band. The energetic riff and beats with Nicol switching between clean vocals and harsh vocals and even harsher vocals have been a common denominator for almost every song by STELLVRIS. “Scorpio”, however, took that electrifying awesomeness and multiplied it by a thousand! The song is three minutes of pure energy that even my conservative grandmother would headbang to (going to test this theory next family dinner). It’s a song that would be perfect when performed live! Of course, the song was released with a music video that matches the quality of the audio with visual Metal brilliance.” – FemMetal (2023 – Single – Scorpio)

[Download EP Cover | Download EP Lyrics]

Band: Stellvris
EP Title: Shatter and Bloom
Label: Self-Release
Release Date: November 7, 2025
EP Length: 18:27
Genre: Modern Metal
Location: Prague, CZ

Track Listing:
1. Shatter and Bloom – 3:18
2. Silence After Violence – 3:14
3. Monster – 4:16
4. Time’s Up – 3:32
5. Starships (Nicki Minaj Cover)
EP Length: 18:27

EP Credits:
• All songs performed by: STELLVRIS
• All songs written by: STELLVRIS
• Produced by: Christoph Wieczorek of Sawdust Recordings
• Mixed by: Christoph Wieczorek of Sawdust Recordings
• Mastered by: Christoph Wieczorek of Sawdust Recordings
• EP Artwork by: František Jelen

Band Line Up:
Nicol Hofman (vocalist)
Libor Hřebík (bassist)
Andreas Polášek (guitarist)
Hanz Polášek (drummer)

================================================

About the EP Artwork:

About the album as a whole (LYRICALLY & MUSICALLY):

Shatter and Bloom is a five-track EP that dives into themes of destruction, rebirth, and the struggles of modern life.

The title track Shatter and Bloom speaks about breaking down what no longer works and letting something new grow. Silence After Violence tackles rising aggression in society, even among the youngest, serving as a wake-up call. Monster captures the pain and strength found in toxic relationships, while Time’s Up criticizes a life lived only online, disconnected from reality. Closing track Starships reimagines Nicki Minaj’s hit as a heavy, metal-fueled summer anthem.

Musically, the EP blends modern metal, metalcore, and nu-metal with electronic elements, powerful choruses, and crushing breakdowns. It’s a record full of energy, honesty, and transformation.

Lyrically, the EP is deeply emotional and unflinchingly honest, confronting themes of brokenness, anger, betrayal, and healing. Musically, it pushes our sound further than ever — blending modern metalcore and nu-metal influences with electronic textures, massive choruses, and bone-crushing breakdowns. Each song carries its own unique flavor, but together, Shatter and Bloom is about destruction, rebirth, and the power of transformation.

Track by Track (LYRICALLY & MUSICALLY):

Our upcoming EP, Shatter and Bloom, is a raw and honest collection of five tracks, each telling its own story while forming a powerful whole.

1. The title track Shatter and Bloom is both a reflection and a statement — it speaks about people who dream big but refuse to change themselves, expecting everything to fall into place without effort. At the same time, it’s about breaking what no longer works, burning down what’s rotten, and allowing something new, stronger, and more authentic to grow in its place.

2. Silence After Violence reflects on a growing wave of frustration and aggression in society, which we now see taking root at younger and younger ages. It’s both a warning and a cry for awareness, channeling raw energy into a song that mirrors the state of the world around us.

3. Monster is the most personal of the tracks, diving deep into the scars left by toxic relationships. It embodies both the suffocating weight of manipulation and the strength it takes to break free — a cathartic release for anyone who has ever felt trapped by someone they trusted.

4. Time’s Up explores the emptiness of a life lived only online. It portrays a character who hides behind likes and posts, betrays his closest friend, and never faces the responsibility of real life. It’s a sharp reminder of how toxic escapism and immaturity can destroy human connections.

5. Finally, Starships — our metal reimagining of Nicki Minaj’s pop hit — closes the EP on a contrasting note. It’s a celebration of carefree, summer nights and youthful joy, but reframed with crushing breakdowns and modern metal intensity. It serves as a reminder that even amidst heavy topics, there is still room for lightness, fun, and release.

====================================================
FUN FACTS – STORY ANGLES

–  Energetic Live Connection – Our shows are not just about playing songs; they’re about connecting with the audience. We’ve done circle pits, walls of death, and stage dives – fans become part of the show, making every performance unique.

–  From Real Life to Lyrics – Our lyrics are inspired by personal experiences and stories from our fans. We tackle mental health, toxic relationships, and bullying – our music is meant to empower those who need it most.

–  Catchy but Heavy – While we’re a metal band, our songs include surprising elements – electronics, melodic choruses, and brutal breakdowns – which attract even non-metal listeners.

– Viral Moments in the Studio – During the recording of the Shatter and Bloom EP, we experimented with unique sounds for the title track. The guitarist tried phone vibrations, and the “WAKE UP MOTHERF***ER” moment was born – a studio moment that turned into a viral highlight.

–  Festival Footprint – We’ve played some of Europe’s biggest festivals, including Summer Breeze, and continue to grow our audience across Europe and soon the U.S. Every show is an unforgettable experience for both us and our fans.

========================================================

L-R – Libor Hřebík (Bass), Andreas Polášek (Guitar), Nicol Hofman (Vocals), Hanz Polášek (Drums)

Photo Credit – Julia Ramm

Founded in 2019, STELLVRIS is a European modern metal band with a mission: to turn pain into power. Their music speaks to those battling anxiety, toxic relationships, bullying, and the weight of everyday struggles. Every riff, scream, and soaring chorus carries a message of strength, courage, and connection — a reminder that no one has to fight alone.

Their debut releases Upside Down (2022) and Persistence (2023) introduced a sound that blends crushing heaviness with haunting melodies, winning the band a devoted following across Europe and the UK. Songs quickly became anthems for fans who saw their own stories reflected in the music.STELLVRIS are not just a band to listen to — they are a band to experience. Their live shows erupt with unstoppable energy, drawing in both seasoned metal fans and people who never thought they’d find themselves at a metal show. That connection has carried them to stages alongside Megadeth, Jinjer, The Black Dahlia Murder, The Ghost Inside, and many more, as well as to festivals including Summer Breeze, Fallen Fortress, Kave Fest, Brutal Assault, Basinfirefest, Fajtfest, and a wide range of others across Europe.

In 2025, STELLVRIS continues their journey with the release of their new EP Shatter and Bloom (out November 7), produced in collaboration with Christoph Wieczorek of Sawdust Recordings (Annisokay, Caskets, Escape The Void). With each song, the band shows no fear in addressing the darker sides of society — from mental health to violence and betrayal — and transforming them into music that unites, empowers, and heals. A music video for the single Monter was premiered exclusively on REVOLVER Magazine.

For STELLVRIS, it’s never just about the sound. It’s about creating a safe space where pain can turn into resilience, and where the silence after violence can be broken by music.

Discography:
2025 – Shatter and Bloom – EP
2023 – Persistence – LP
2022 – Upside Down – EP
Shared Stage with: Megadeth, Jinjer, The Black Dahlia Murder, Emmure, Infected Rain, Tetrarch, Filth, Heart Of A Coward, Ghost Iris, Pestilence, Space of Variations
2025
8.3. Žlutý pes club, Pardubice (CZ)
11.4. Café na půl cesty, Prague (CZ)
12.4. WATT Music Club, Plzeň (CZ)
5.5. Live-Club, Bamberg (DE)
7.6. Březfest, Jihlava (CZ)
13.6. AWO Proberaumhaus Monkeys, Solingen (DE)
14.6. O.J.V. de Koornbeurs, Delft (NL)
15.6. Ragnarok Live Club, Bree (BE)
16.6. Moritzbastei, Leipzig (DE) supporting Tetrarch
17.6. Kulturladen, Konstanz (DE) supporting FILTH
18.6. Cafe Glocksee, Hannover (DE) supporting Tetrarch
19.6. Manege Lintorf, Ratingen (DE) supporting Tetrarch & FILTH
26.6. Basinfirefest, Spálené Poříčí (CZ)
3.7. Flex, Vienna (AT) – supporting Tetrarch
5.7. Kave Fest, Gisors (FR)
19.7. Festiwal Wykopaliska, Rekowo (PL)
16.8. Summer Breeze, Dinkelsbühl (DE)
23.8. Fallen Fortress festival, Bad Dürkheim (DE)
30.8. Dobříšské pivní slavnosti, Dobříš (CZ)
6.9. HARD SUMMER FESTIVAL, Falkenfels (DE)2024
10.2. Nová Melodka, Brno (CZ)
16.2. Barrak, Ostrava – support for Space of Variations (CZ)
20.3. Rock Café Prague,  Prague – support for Space of Variations (CZ)
21.3. Voodoo, Warsaw – support for Space of Variations (PL)
2.4. Café na půl cesty, Prague (CZ)
19.4. Divadlo pod lampou, Pilsen (CZ)
20.4. Mrákofest, Mrákotín (CZ)
4.5. Klub Potok, Warsaw (PL)
10.5. MÁJ a LES festival, Kojetín (CZ)
17.5. Explosiv Halle, Graz (AT)
18.5. Redlock festival, Sczene, Wien (AT)
8.6. Modrá Vopice, Prague (CZ)
9.6. M2 Event Venue, Timisoara (RO)
10.6. Romexpo, Bucharest (RO)
11.6. La Tevi, Cluj Napoca (RO)
12.6. Republic Club, Santana Mures (RO)
13.6. Rockhalle, Constanta (RO)
14.6. Club Smile, Varna (BG)
15.6. Rock Club Madrid, Karlovo (BG)
20.6. Arch Club, Athens – support for The Black Dahlia Murder (GR)
21.6. Block 33, Thessaloniki – support for The Black Dahlia Murder (GR)
22.6. Mixtape 5, Sofia (BG)
26.6. Lowland Fest, Hódmezővásárhely (HU)
29.6. Bangarang festival, Chwałkowo (PL)
30.6. Rock pod kameňom, Snina (SK)
5.7. Fajtfest, Velké Meziříčí (CZ)
1.8. HelmFest, Helmstedt (DE)
5.8. Barrák music club, Ostrava – support for Emmure (CZ)
6.8. Brutal Assault, Jaroměř (CZ)
24.8. Mosh open air, L.A.Cham, Cham (DE)
7.9. FROVfest, Vodňany (CZ)
14.9. RENAISSANCE IV., Kremnica (SK)
20.9. Breeding Festival, Flensburg (DE)
27.9. Bandhouse Leipzig, Leipzig (DE)
2.10. Hyde Park Book Club, Leeds (UK)
3.10. Gullivers, Manchester (UK)
5.10. Bear Cave, Bournemouth (UK)
6.10. Subside, Birmingham (UK)
9.10. Sixsix Bar, Cambridge (UK)
10.10. 229, London (UK)
11.10. The Cavern, Exeter (UK)
13.10. MCP APACHE, Fontaine-l’Évêque (BE)
14.10. Kult41, Bonn (DE)
18.10. Klub Łącznik Wroclav (PL)
19.10. Flex club, Vienna (AT)
16.11. G6, Neumarkt (DE)
23.11. Klanggerüst, Erfurt (DE)
30.11. Club Zentral, Stuttgart (DE)
14.12. Sklep club, Spálené Poříčí (CZ)
20.12. Collosseum Club, Košice (SK)2023
31.3. Rock Clum Nordbayern, Selb (DE)
27.5. Camping Battleground Festival, Öttingen (DE)
3.6. Divadlo pod lampou, Pilsen (CZ)
15.6. Conrad Sohm, Dornbirn – support for Jinjer (AT)
20.6. Arena Wien, Vienna – support for Jinjer (AT)
23.6. TOPFEST, Letisko Abrahám (SK)
24.6. Hardcore Day, R Klub, Chrudim (CZ)
7.7. Fajtfest, Velké Meziříčí (CZ)
22.7. Orlovňa Skalica – support for Infected Rain (SK)
26.7. Tolminator Metal Fest, Tolmin (SI)
28.7. Escape, Vienna (AT)
12.8. Šluknov festival, Šluknov (CZ)
18.8. Nová Pekáreň, Nitra (SK)
19.8. Bošianska Metelica, Bošany (SK)
25.8. Metalacker Tennenbronn, Tennenbronn (DE)
26.8. MOSH OPEN AIR, Cham (DE)
9.9. Black Hornet Festival, Újezd u Přelouče (CZ)
16.9. Collosseum Club, Košice (SK)
22.9. Instant-Fogas Komplexum, Budapest (HU)
27.9. Kabinet Múz, Brno (CZ)
29.9. Rock Depo Music Club, Velké Meziříčí (CZ)
30.9. Divadelní Klub Polička, Polička (CZ)
6.10. Rock Café Southock, Jablunkov – support for Heart of a Coward (CZ)
13.9. Divadlo pod lampou, Pilsen (CZ)
27.10. Rock Café, Prague (CZ)
28.10. MusicClub Sklep, Spálené Poříčí (CZ)
29.10. Rock’N’Roll Club RHO, Milan (IT)
30.10. Alchemica Music Club, Bologna (IT)
31.10. Il Borgo, Vicenza (IT)
1.11. Stromoradie, Prešov (SK)
3.11. Music Club Pecka, Chomutov (CZ)
4.11. G6, Neumarkt (DE)
5.11. Replugged, Vienna (AT)
6.11. Explosiv, Graz (AT)
9.11. Fuga, Bratislava (SK)
10.11. Smer Klub 77, Žilina (SK)
11.11. Fajtfest Fryslân, Neushoorn, Leeuwarden (NL)
17.11. S-klub, Olomouc (CZ)
9.12. Memory Error, Kanianka (SK)
25.12. Bigbeatové Vánoce, Rýmařov (CZ)2022
11.3. Palác Akropolis, Praha (CZ)
15.4. Klubovna Fajtfest Night, Fabrika, České Budějovice (CZ)
23.4. Rock Club Nordbayern, Selb (CZ)
28.4. Live Music Hall, Morlenbach (DE)
30.4. Citrons Masqués, Yverdon les Bains (CH)
14.5. Fajtfest Help Party, Velké Meziříčí (CZ)
21.5. Štěpfest, Štěpánov (CZ)
16.6. MetalGate Czech Death Fest, Červený Kostelec (CZ)
24.6. Basinfirefest, Spálené Poříčí (CZ)
25.6. Chlístovský Hejk, Chlístov (CZ)
16.7. Fajtfest Afterparty, Modrá Vopice, Prague (CZ)
23.7. WooDride&RegionBeat, Ostrov (CZ)
30.7. South of Heaven Festival, Zbytiny (CZ)
13.8. Brutal Assault, Jaroměř (CZ)
20.8. Death Coffee Párty, Litoměřice (CZ)
27.8. Heartshapedfest, Humpolec (CZ)
9.9. Musikmeile, Chemnitz (DE)
10.9. Klubovna Fajtfest Night, Pacov (CZ)
15.10. Kulturní dům Volduchy, Volduchy (CZ)
22.10. Halloween party, Cross Club, Prague (CZ)
12.11. Memory Error, Kanianka (SK)
25.11. Dead End Festival, Kulturní dům Gerbera, České Budějovice (CZ)
1.12. Futurum Music Bar, Prague (CZ)
17.12. Music Club Modrá Vopice, Prague (CZ)
17.12. Zimní Basinfirefest, Spálené Poříčí (CZ)
25.12. Bigbeatové Vánoce, Rýmařov (CZ)

0 EPK – The Interrogation – Wicked Happy (single) (2025)

  • September 12, 2025
  • by Asher
  • · EPKs · The Interrogation · Uncategorized

EPK – The Interrogation – Wicked Happy (single) (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Fans who know the catchy melodies from the Posters on My Wall EP will experience a more raw, in-your-face energy with Wicked Happy that screams togetherness and positive energy. As the band’s first release in five years and its first since it began playing live shows, it will inspire fans to be part of the energy of our live performance. We’re aiming to send the energy of our live show through the listener’s speakers with this single. In an era where so many pop punk recordings are full of production, Wicked Happy brings the same experience in the recording as it does live. The gang vocals in the chorus aim to make everyone a part of the performance.” – The Interrogation

For fans of A Day to Remember, New Found Glory, The Story So Far, Four Year Strong, Bayside

Facebook.com/theinterrogationband | Youtube.com/@theinterrogation437 | Instagram.com/theinterrogation

Theinterrogation.bandcamp.com | Spotify | Apple Music

“Posters On My Wall, a solid EP that combines solid musicianship and stellar songwriting, giving us something positive to latch onto during the pandemic when so many of us sorely needed it. With influences that range from New Found Glory and Story of the Year to Coheed and Cambria, The Interrogation has a sound that is a unique blend of pop-punk with a dash of hardcore and a smidge of old school punk riffage. The band shines on every track whether it’s the harder-hitting “Final Mystery” that touches on feelings of alienation or the summer, feel-good song “Shine” that has the band reminiscing of summers gone by.”  – Shutter 16 (2021 – Interview)

[Download Single Cover | Download Single Lyrics]

Band: The Interrogation
Single Title: Wicked Happy
Single Length: 3:38
Release Date: September 19, 2025
Label: Self-Release
Distribution: Distrokid
Single Credits:
Performed by The Interrogation
Written by Thomas Turner
Produced by The Interrogation
Recorded, mixed and mastered by Matt Roach at Rain City Recorders
Song Artwork by: Sebastian Valdivia
Member of BMI
MAPL – Canadian Content Artist and PerformanceSingle Band Lineup:
Joel French – Lead Vocals, Bass
Thomas Turner – Lead Guitar, Backup Vocals
Travis Howie – Rhythm Guitar
Nik Eason – Drums

================================================

About The Single Album Artwork

Done by Sebastian Valdivia, our drummer and newest addition, it sets the mood. The sun is shining, but just out of focus. Making you squint and strive to reach for the sky.

About The Single (LYRICALLY & MUSICALLY):

Wicked Happy starts with a punchy, high-energy guitar riff that instantly gets a crowd moving. The call and response vocals between Joel and Thom in the verses propel the song forward and build the song’s momentum for the half-time chorus, with its “reach for the sky” gang vocals earworm. The driving outro that begins by asking “so what’s stopping you?” is the landing for this song of hope and inspiration, with the mosh pit feel flowing right through to the final chord.

===================================================
FUN FACTS – STORY ANGLES:

1. The Interrogation is a band based on the story of Daren and his family. Through struggle, loss, and isolation, they find their way to unity through love and positivity. Spanning multiple lives, time periods and states of being the truth of their destinies is sewn.

2. Our 2020 EP Posters on My Wall was recorded by Kevin Billingslea, who has produced several Lamb of God albums. All instruments on the EP were played by Thomas Turner, with the exception of drums.

3. Thomas Turner is a graduate of the Berklee College of Music and once served as a touring guitarist for Hawthorne Heights.

4. We come from a wide variety of backgrounds, with Thomas born and raised in upstate New York (now a permanent resident in Canada), Joel born and raised in Saskatchewan, Erik born and raised in Vancouver with a Vietnamese family background, and Sebastian born in Peru and raised in Colombia (now a Canadian citizen).

=====================================================

L-R – Joel French (Lead Vocals, Bass), Thomas Turner (Lead Guitar, Backup Vocals), Sebastian Valdivia (Drums), Erik Nguyen (Rhythm Guitar, Backup Vocals)

Photo Credit – Shimon Karmel

Born from grief and forged in resilience, The Interrogation is a high-energy pop punk band from the Pacific Northwest that blends raw emotion with infectious hooks and heavy riffs. Founded in 2018 by Thom Turner (Freya, touring guitarist for Hawthorne Heights) as a solo project following the loss of his mother, the band began as a personal outlet, a way to wrestle with pain through songwriting. What started as four deeply personal demos became the 2020 debut EP “Posters On My Wall”, released with the help of longtime friend and producer Kevin Billingslea.

Originally never intended for the stage, The Interrogation evolved into a full band through the support of close friends and fellow musicians. Their live debut came in 2023, and with it, a new chapter of connection, catharsis, and crowd-surfing chaos. Their sound, described in five words as energetic, catchy, heavy riffs, guitar-driven, channels the spirit of bands like New Found Glory, Four Year Strong, Coheed and Cambria, and A Day To Remember, while carving out a voice that’s distinctly their own.

Their latest release, the single “Wicked Happy,” marks the band’s first new music in five years and captures the raw, unfiltered energy of their live shows. With gang vocals, anthemic choruses, and lyrics that speak to the outsider in all of us, the track is a rallying cry for self-expression and emotional honesty. It’s a celebration of awkwardness, defiance, and the power of reaching beyond what others expect.

At the heart of The Interrogation is Thom’s songwriting, a process that begins with a hook and builds outward from the emotional impact of a single phrase. While Thom writes the core of each song, the band collaborates to refine and elevate the material, adding their own flavor and fire to every track. Bassist Joel French, also of Vultures at Dawn, brings fiery vocals and a stage presence that amplifies the band’s dynamic sound.

Live, The Interrogation delivers authenticity and intensity. No backing tracks. No pretense. Just tight harmonies, driving guitars, and a connection that lingers long after the final chord. With more singles planned for release in 2026, the band continues to grow — not just in sound, but in spirit.

For fans who crave catchy melodies, honest lyrics, and a reason to scream along, The Interrogation is more than a band. It’s a movement. One that invites you to reach for the sky — and never settle for less.

Shared Stage with: Chief State, Rong, Halfway Atlantic, Danger Box

Tours and Festivals:
2024 – Vancouver Island mini tour with Danger Box, Red Lenses

0 Thanks for the airplay love Canadian DJs and MDs \m/\m/ For the Week Ending: Tuesday, September 9, 2025 CJLO – 1690AM – Montreal Loud – #2 Woodhawk – Love Finds a Way, #6 Ivy Gardens – Death of Don Valley | CJSW Radio 90.9 FM – Calgary Loud – #1 Harvested – Dysythymia, #4 Crüzer – Look to the Skies | CFRU 93.3 FM – Guelph Loud # 4 Devolver – Non Compos Mentis, #6 Ivy Gardens – Death of Don Valley | CFOU 89.1 MHz – Trois-Rivieres Loud – #5 Woodhawk – Love Finds a Way | CJSW Radio 90.9 FM – Calgary Top 30 – #3 Harvested – Dysthymia, #14 Woodhawk – Love Finds a Way | Local 107.3fm – Saint John Top 30 – #6 Harvested – Dysthymia

  • September 12, 2025
  • by Asher
  • · Woodhawk · Devolver · Harvested · Ivy Gardens · radio charts · Cruzer

Thanks for the airplay love Canadian DJs and MDs \m/\m/
For the Week Ending: Tuesday, September 9, 2025
CJLO – 1690AM – Montreal
Loud – #2 Woodhawk – Love Finds a Way, #6 Ivy Gardens – Death of Don Valley
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2025-09-09
===================
CJSW Radio 90.9 FM – Calgary
Loud – #1 Harvested – Dysythymia, #4 Crüzer – Look to the Skies
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2025-09-09
===================
CFRU 93.3 FM – Guelph
Loud # 4 Devolver – Non Compos Mentis, #6 Ivy Gardens – Death of Don Valley
https://earshot-online.com/charts/cfru.cfm?intChartTypeID=6&dWeekOfID=2025-09-09
===================
CFOU 89.1 MHz – Trois-Rivieres
Loud – #5 Woodhawk – Love Finds a Way
https://earshot-online.com/charts/cfou.cfm?intChartTypeID=6&dWeekOfID=2025-09-09
===================
CJSW Radio 90.9 FM – Calgary
Top 30 – #3 Harvested – Dysthymia, #14 Woodhawk – Love Finds a Way
https://earshot-online.com/charts/cjsw.cfm?dWeekOfID=2025-09-09
===================
Local 107.3fm – Saint John
Top 30 – #6 Harvested – Dysthymia
https://earshot-online.com/charts/cfmh.cfm?dWeekOfID=2025-09-09

0 Rockshots Records – Out Now! Italian Folk Metal BALT HÜTTAR New Album “Tanzerloch” – A Concept Record of Myths, Memories, and Scars

  • September 12, 2025
  • by Asher
  • · Balt Hüttar (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – September 12, 2025

Out Now! Italian Folk Metal BALT HÜTTAR New Album “Tanzerloch” – A Concept Record of Myths, Memories, and Scars

Rooted in the ancient Cimbrian heritage of Italy’s Altopiano dei Sette Comuni, Balt Hüttar return with “Tanzerloch”, their most powerful and metal-driven chapter yet.

Active since 2011 and winners of multiple national & international contests, the band carries a unique mission: reviving the history, language, and traditions of the almost-forgotten Cimbri. BALT HÜTTAR‘s new album “Tanzerloch” is a concept record that delves into the myths, memories, and scars of the Altopiano. Across 11 tracks sung in Italian, English, and Cimbrian, the band fuses the storytelling of folk traditions with the intensity of metal, creating a visceral and immersive soundscape. Produced by Christian Zecchin and released by Rockshots Records, “Tanzerloch” marks a new creative peak for the band.

For fans of Korpiklaani, Eluveitie, and Folkstone, BALT HÜTTAR deliver not just music, but a mission: to give voice to a forgotten culture and to use ancient stories to speak to today’s world.

Add to your Spotify playlist – https://open.spotify.com/album/3QF2FVqRsvXmfvahc76gpL

​

Album Order: https://rockshots.eu/products/balt-huttar-tanzerloch-digipack​

Videos:

“Tanzerloch” – https://youtu.be/da6gn1NY6g4

​“Prüdare Liebe” – https://youtu.be/zuD_jjFpyyY

​

Track Listing:​
1. An Naüjez Lant
2. Ghebar Khriegan
3. Vaia – ´Z Gadénkhe
4. Dar Aatom me Pèrge
5. Gakhrieget Lant
6. Il Minatore
7. Grésatar Stòan
8. 1310
9. Prüdare Liebe
10. Tin Tan Nona
11. Tanzerloch
​
​BALT HÜTTAR Line Up:
Ilaria Vellar: diatonic accordion, piano accordion, keyboards, vocals
Jonathan Pablo Berretta: vocals, flutes
Mattia Pivotto: guitar, Irish bouzouki, flutes, bagpipes, bodhrán, tagelharpa, vocals
Nicola Pavan: bass
Federico Rebeschini Sambugaro: drums

More info: ​
​https://www.rockshots.eu​
​
​FOLLOW:​
Facebook: https://www.facebook.com/balthuttar​
Instagram: https://www.instagram.com/balt.huttar/​
​

-30-

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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