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Posts By Asher

0 Out Now! Toronto’s PRIMALFROST’s New Album “Lost Elegies”

  • December 28, 2021
  • by Asher
  • · Music News · Primalfrost

NEWS RELEASE

Montreal, QC – December 28, 2021

For fans of Wintersun, Wolfheart, Stormlord, Kalmah, Insomnium

Out Now! Toronto’s PRIMALFROST’s New Album “Lost Elegies”

Primalfrost, the one-man melodic death shredding unit created by Canadian guitarist Dean Paul Arnold (Belphegor touring guitarist, Operus, ex-Vital Remains) first full-length in seven years is now available as of December 28th. Entitled “Lost Elegies”, this third album follows 2014’s “Prosperous Visions” and features eight tracks packing their own punch.

“I’m sure it will be received very well, it’s definitely a solid continuation of the band’s sound, but definitely in a matured/refined way. I’ve had plenty of time to really hone and refine every aspect of the sound, and to make sure it has the production quality/performance on my end to meet those requirements. If you’ve heard Primalfrost before it’s quite obvious there’s the influence of bands like Wintersun, Ensiferum, Kalmah, etc. My goal is to take influence from those sounds but add elements of grit, intensity, speed, & heaviness found in the more extreme genre” says Arnold.

As the sole composer/multi-instrumentalist, Arnold had songs composed solely on guitar pro, as well as written and arranged in an actual recorded pre-production setting. There are songs on “Lost Elegies” that are both years old and completely new, as well as material hashed together from both old/new ideas.

For the album’s recording, Arnold teamed up with Jonathan Lefrancois-Leduc (Blackguard, Ex-Deo) for mixing & mastering as well as Jan Yrlund (Manowar, Tyr, Korpiklaani) for artwork. A powerhouse of melodic metal with blistering riffs, guitar solos, orchestration, & more, this new offering is sure to be enjoyed by many.

“Lost Elegies” is available on the following platforms:
Primalfrost.bandcamp.com (CD, Digital)
Digital – Spotify, Apple Music
Music Video – Stormbearer – https://youtu.be/tVGP5mrZ480


Track Listing:
1. Maelstrom (5:11)
2. Bringer of Immensity (4:36)
3. Nomad (3:38)
4. Stormbearer (4:16)
5. Voyage Into Ruin (9:06)
6. Solace Kingdom (5:59)
7. As Embers Wane (1:57)
8. Tenebrous Skies (10:59)
Album Length: 45:47

Album Credits:
Dean Arnold – All Instruments, Vocals, & Orchestration
Recorded by Dean Arnold in Toronto, Canada
Mixed & Mastered by Jonathan Lefrancois-Leduc of Silverwings Studios in Montreal, Canada
Additional Orchestration by Jonathan Lefrancois-Leduc

For more info:
Facebook.com/Primalfrost
Instagram.com/Primalfrostofficial

About:
Primalfrost was formed in 2012 by Canadian musician Dean Paul Arnold when he was 15 years old. Dean is the sole composer, vocalist, and multi-instrumentalist behind the band since its inception. Primalfrost’s sound combines melodicism/lush symphonic with the grit/power of extreme metal, taking influence from bands like Wintersun, Wolfheart, Stormlord, Septicflesh, & more.

Primarily a guitarist, Dean has performed hundreds of shows in 30+ countries across four continents. Primarily touring with American Death Metal band Vital Remains, and now Toronto’s own Operus, Dean has acquired hard-touring experience in a vast variety of settings. Dean has had dozens of guitar solo appearances on a wide variety of metal albums, including Polish death metal band Hate’s 2017 album “Tremendum” (Napalm Records) and for Colorado’s Buried Realm, alongside players like Teemu Mäntysaari (Wintersun) and Brandon Ellis (Black Dahlia Murder).

– 30 –

“Epic Metal, in the veins of the Folky, the Black, and the Melodic Death, is a sound that is dominated almost entirely by WINTERSUN, who arguably created and dominated a scene all on their own. Up until now, I believed that no other band who attempted this style of music would be able to live up to them, but Canadian Epic Metallers PRIMALFROST do more than that, having created a seamless symphony of melody, heaviness, speed, story-telling, crunch and atmospherics, embellished by perfect mixing.” – 10/10 Metal-Temple (Prosperous Visions Review 2014)

“There seems to be something in Canadian waters that produces high quality one-man projects, especially in the viking/black/folk metal areas…. Brainchild of Dean Arnold, Prosperous Visions is his full-length debut after the EP Chapters of Time two years ago and it has turned out to be a nice slab piece of epic black/power/folk metal… Prosperous Visions is pretty impressive for a 17 year old! And the album is not that easy to pigeonhole, since Arnold manages to layer the songs well and almost constantly shifting tempo without losing focus or flow.” 9/10 – Metal-Observer (Prosperous Visions Review 2014)

“Music wise, the riffs and symphonic orchestrations take on a Scandinavian flavor reminiscent of legendary Bathory and Immortal, as well as touches of Ensiferum. The record’s blackened power/folk metal sound has a frosty, Nordic battle warrior vibe… Fans of this style of metal will be ecstatic over Prosperous Visions. It’s not as top-shelf as the previously-mentioned bands, but for a debut, Primalfrost shows heaps of promise.” – Bravewords (Prosperous Visions Review 2014)

“Prosperous Visions is 55 minutes of prime-time Melodic Black Metal. If you want the epic, fantastical grandeur of Power Metal with the rougher, more aggressive delivery of Black Metal then this is for you. An ambitious album and well worth adding to your collection. May they prosper for many years to come.” – Wonderbox Metal (Prosperous Visions Review 2014)

“there are no parts of the album that can be considered disappointing in any way, as Primalfrost provides plenty of great riffs, brutal moments, and glorious sounds.” Skull Fracturing Metal (Prosperous Visions Review 2014)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Metal Temple Ravenous E.H “Not only is this a fantastic Power Metal album, but a thoroughly outstanding metal album, period. There are colourful solos, tight drumming and all the atmosphere and layers one would want from the very best this genre has to offer. A genuine triumph, with hopefully more output of this quality to follow from these Canadian heavyweights.”

  • December 24, 2021
  • by Asher
  • · Ravenous

Metal Temple Ravenous E.H “Not only is this a fantastic Power Metal album, but a thoroughly outstanding metal album, period. There are colourful solos, tight drumming and all the atmosphere and layers one would want from the very best this genre has to offer. A genuine triumph, with hopefully more output of this quality to follow from these Canadian heavyweights.” http://www.metal-temple.com/site/catalogues/entry/reviews/cd_3/r_2/ravenous-hubris.htm

0 PLANESWALKER (ft. members of Helion Prime, Gloryhammer) Unveil Music Video “The Spark”; Debut Album “Tales of Magic” Out Jan 21st

  • December 24, 2021
  • by Asher
  • · Music News · Planeswalker

NEWS RELEASE

Montreal, QC – December 24, 2021


Magic The Gathering Inspired Power Metal PLANESWALKER (ft. members of Helion Prime, Gloryhammer) Unveil New Single “The Spark”

Debut Album “Tales of Magic” Out January 21, 2022

Inspired by the Magic The Gathering card game, Planeswalker is the new power metal band founded by Helion Prime guitarist Jason Ashcraft and newly added Gloryhammer vocalist Sozos Michael.

Today, the duo is unveiling the music video for their second single “The Spark” from their forthcoming debut album “Tales of Magic” due out on January 21, 2022.

Watch at https://youtu.be/RkuuZjpvdzs

“Tales of Magic” includes guest performances from Brittney Slayes (Unleash the Archers), Heather Michele (ex-Helion Prime), Taylor Washington (Paladin), R.A. Voltaire (Ravenous), and more!

Album pre-order available at the following links:

Big Cartel Pre-Order (Shirts and Physical Copies): https://planeswalkerpreorder.bigcartel.com

Bandcamp Pre-Order: https://planeswalkersozjas.bandcamp.com/album/tales-of-magic

First single and album title track – Tales of Magic – Lyric Video – https://youtu.be/-xsmtpXXzVU

Track Listing:
1. Tales of Magic
2. The Spark
3. Shadow of Emeria
4. Blackblade
5. The Forever Serpent
6. Oath of the Gatewatch
7. A Million to One (Kiss Cover)

For more info:
Facebook.com/planeswalkermetal
Instagram.com/planeswalkermetal

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Metal Epidemic – Primalfrost – Lost Elegies – “Primalfrost is in a league all its own. This will easily go down as a favourite of mine in 2021. To simply put it, though, this album fucking jams!”

  • December 23, 2021
  • by Asher
  • · Primalfrost

Metal Epidemic – Primalfrost

“Lost Elegies feels massive. Lush melodies, grandiose keyboard orchestrations, blistering metallic guitars and aggressive vocals form a memorable Cacophony of Extreme Metal. The ambitious fusing of Death, Power, Black and Folk Metal successfully composes a divergent whole. Primalfrost is in a league all its own. This will easily go down as a favourite of mine in 2021. To simply put it, though, this album fucking jams!”

https://www.metalepidemic.com/primalfrost-lost-elegies/

0 PESTILENCE’s Joost van der Graaf Explores Medieval Dancing Plagues w/ Experimental Prog/Funk Project CHOREOMANIC

  • December 23, 2021
  • by Asher
  • · Choreomanic · Music News

NEWS RELEASE

Montreal, QC – December 23, 2021

 

PESTILENCE’s Joost van der Graaf Explores Medieval Dancing Plagues w/ Experimental Prog/Funk Project CHOREOMANIC

Streaming First Single “Time To Let It Out”

Self-Titled Debut Out February 18, 2022

CHOREOMANIC saw the light when the world came to a halt in spring 2020 due to the Covid pandemic. With canceled tours and no local gigs, musician Joost van der Graaf (Pestilence, Dew-Scented, I CHAOS) started writing music in which different influences from his past came together.

“I had just joined Pestilence and was busy with the material, preparing for a beautiful US tour with Possessed. Then the pandemic struck. Tour canceled everything on hold. I suddenly had a lot of time on my hands with all the other work canceled as well (music school closed, no more local gigs) so I decided to record a punk album to get rid of some of the frustration and anger that had built up inside. What I started writing had little to do with punk though… It was pretty spontaneous from the start and all I knew was that I wanted to create heaviness without any guitars.” says Graaf.

Somewhere halfway through the material, Graaf got the crazy idea to incorporate horns. He had never written music for horns ever before so he started experimenting with that.

“That’s probably the greatest joy when creating music: having no idea what you’re doing! Being pleasantly surprised by the total sound, I decided to stay on this path. It resulted in something I never thought I would ever do, but apparently, I just did…. Why not go all the way then? Honestly? I’m not even sure there ARE any fans for this, but I do know that listeners of Pestilence for instance, or of one of the other death metal bands I was part of, will probably be a bit surprised at least. I like to think that crazy people (like myself) will appreciate this.” adds Graaf.

As soon as the material was ready to record, Graaf reached out to some great musicians friends to help him complete the project. He recruited drummer Koen Herfst (VandenBerg, I CHAOS, Dew-Scented), keyboardist Thijs Ronteltap (Disuse, Epistulum), saxophonist Tommie Freke (Gallow Street), trombonist Jeroen Verberne (Sjef’s Special) along with trumpeter and bugler Gidon Nunes Vaz. Once the full-length was mixed and mastered at Nutsville Noiselab, The Hague, the self-titled debut “CHOREOMANIC” was a fact and ready to take on the world.

The album features twelve bass-orientated tracks experimenting in realms of prog, funk, and everything else on the planet that has musically inspired Graaf over his thirty-plus year career. The full length’s lyrical concept explores Choreomania, an uncontrollable urge to dance, especially in a frenzied, convulsive manner also known as the Medieval Dancing plagues. Graaf explains in further detail:

“In 2019, I became pretty obsessed by the mysterious dancing plagues of the middle-ages. I started reading different studies, learning about the different theories about the cause. It’s still one of the biggest unsolved mysteries in history! One of the theories that made the most sense to me is that people had been suppressed by the ruling class (church, inquisition) for generations. There was collective fear of God and let’s not forget about the black plague! So there was this anxiety relief at a certain point that became infectious and caused convulsions and psychotic dancing, resulting in exhaustion, dehydration, and even death. It spread across Europe and there were large gatherings in towns and villages with frantically dancing people, accompanied by traveling musicians and all kinds of interested parties. These things sometimes became true festivals with people selling food, etc. With today’s reality, the phenomenon seems to have become relevant once again! This project is not only a musical statement, but also a call to action against (cultural) oppression. May everyone move and create in freedom!”

Recommended for fans of Mr. Bungle, Zappa, John Zorn, Infectious Grooves, and Brian Setzer Orchestra, CHOREOMANIC is due out February 18, 2022.

Digital pre-save is available at https://emubands.ffm.to/choreomanic and limited edition CD pre-order at https://choreomanic.bandcamp.com.

CHOREOMANIC
‘s debut single “Time To Let It Out” can be heard and viewed via Graaf’s bass playthrough video at https://youtu.be/VZpFI2A9yoU


Track Listing:
1. This Is Not A Drill (3:50)
2. Spun Sugar (2:45)
3. What You Get (3:26)
4. Red Flags (2:26)
5. Choreomanic (2:17)
6. Walk With Urgency (2:33)
7. Off With The Figurehead (2:18)
8. Time To Let It Out (2:08)
9. Calling God (4:28)
10. Take The Money Give It To Me Now (2:31)
11. Story About The Moon (2:46)
12. Away From The Sun (5:52)
Album Length: 37:25

Album Recording Credits:
• All songs performed by: CHOREOMANIC
• All songs written by: Joost van der Graaf
• Produced by: Michiel Eilbracht & Joost van der Graaf
• Mixed by: Michiel Eilbracht
• Mastered by: Michiel Eilbracht
• Album Artwork by: Yvo Sprey

Album Recording Band Line Up:
Thijs Ronteltap – Keys
Jeroen Verberne – Trombone
Tommie Freke – Saxophone
Gidon Nunes Vaz – Trumpet & Bugle
Koen Herfst – Drums
Joost van der Graaf – Bass, Sampling, Voice & Percussion

For more info:
Choreomanic.com
Facebook.com/choreomanic
Instagram.com/choreomanic

About:
Dutch bassist Joost van der Graaf (1973) has been active in music since he was fourteen years old. In the early 90’s he toured Europe for the first time, as a bass player/ vocalist in Creepmime (Mascot Records), to promote the album ‘Chiaroscuro’. After Creepmime he studied music in Amsterdam and became a working musician, performing and teaching.

In the new millennium, Joost co-formed I CHAOS (RITF records, Suburban distr.) The band released two albums: ‘The Human Repellent’ and ‘Masterbleeder’. In this period he was also a stand-in bassist for Sinister, touring Russia.

In 2012, he became a permanent member of GermanThrashers Dew-Scented (Metalblade), releasing three full-lengths with them up to 2018: ‘Icarus’, ‘Insurgent’ & ‘Intermination’. The band toured extensively through Europe but also in Japan, together with renowned bands from the international metal scene (Testament, Exodus, Death Angel, and others).

Joost teaches ‘Bass Skills’ and ‘Band Development’ at The Metal Factory in Eindhoven, The Netherlands. Since 2019 he proudly plays with Dutch iconic act Pestilence (Agonia Records) appearing on the album ‘Exitivm’.

In 2020, he started working on his own project CHOREOMANIC, in which different musical influences from his past come together. Obviously one of these influences is metal, but also other styles like funk & prog.

His self-titled debut album CHOREOMANIC will be out on February 18, 2022.

Joost van der Graaf’s Discography:
2022 – Choreomanic – Self-Titled (Self-Release)
2021 – Pestilence – Exitivm (Agonia Records)
2015 – Dew-Scented – Intermination (Metal Blade Records)
2015 – Dew-Scented – Immersed – 7#split EP (Metal Blade Records)
2015 – I Chaos – Masterbleeder (RITF Records/Suburban Distribution)
2013 – Dew-Scented – Insurgent (Metal Blade Records)
2012 – Dew-Scented – Icarus (Metal Blade Records)
2011 – I Chaos – The Human Repellent (RITF Records/Suburban Distribution)
2009 – I Chaos – Self-Titled – EP (Self-Release)
2008 – Cypher – MMVIII – EP (Self-Release)
1995 – Creepmime – Chiaroscuro (Mascot Records)

Endorsed by:
Ibanez , Peavey, Tech 21, DR Strings, Rock n Soul

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – CHOREOMANIC – Self-Titled (2022)

  • December 21, 2021
  • by Asher
  • · Choreomanic · EPKs

EPK – CHOREOMANIC – Self-Titled (2022)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans Zappa, Mr. Bungle, John Zorn, Infectious Grooves, Brian Setzer Orchestra

Album Title: CHOREOMANIC
Release Date: February 18, 2022
Label: Self Release
Distribution: Self Distribution

Choreomanic.com – Facebook – Instagram – Youtube – Bandcamp – Spotify

Digital Pre-Save – https://emubands.ffm.to/choreomanic

“With ‘Choreomanic’ Joost van der Graaf shows a completely different side of himself. It is a special musical whole that you really have to listen to several times to process it. You keep hearing new things in every song. No guitars and yet heavy, it is a special mix that will certainly appeal to fans of more technical work. The special thing is that Choreomanic will probably also appeal to audiences from other genres such as jazz. In any case, it is not everyday. However, the production is so strong that you should at least give it a listen, whether you’re a fan of the harder work or not, ‘Choreomanic’ is too good to pass up.” – Metal-Experience

[Downlaod Album Cover | Download Album Lyrics]

Album Title: CHOREOMANIC
Release Date: February 18, 2022
Label: Self Release
Distribution: Self Distribution

Track Listing
1. This Is Not A Drill (3:50)
2. Spun Sugar (2:45)
3. What You Get (3:26)
4. Red Flags (2:26)
5. Choreomanic (2:17)
6. Walk With Urgency (2:33)
7. Off With The Figurehead (2:18)
8. Time To Let It Out (2:08)
9. Calling God (4:28)
10. Take The Money Give It To Me Now (2:31)
11. Story About The Moon (2:46)
12. Away From The Sun (5:52)
Album Length: 37:25

Album Recording Credits:
• All songs performed by: CHOREOMANIC
• All songs written by: Joost van der Graaf
• Produced by: Michiel Eilbracht & Joost van der Graaf
• Mixed by: Michiel Eilbracht
• Mastered by: Michiel Eilbracht
• Album Artwork by: Yvo Sprey

Album Band Line Up:
Thijs Ronteltap – Keys
Jeroen Verberne – Trombone
Tommie Freke – Saxophone
Gidon Nunes Vaz – Trumpet & Bugle
Koen Herfst – Drums
Joost van der Graaf – Bass, Sampling, Voice & Percussion

Live Band Line Up:
TBD

===========================================

Track by track explained by Joost van der Graaf:

1. This is not a drill: I think is a great first song with a noisy modular intro and a really “busy” structure once it goes. Lyrically inspired by corruption, panic drills, and nuclear attack.

2. Spun Sugar: instrumental track with a “circus” vibe to me…

3. What you get: easy intro and then panic all the way. A person is chased by dogs and there’s shooting. It ends badly.

4. Red flags: short instrumental with an almost happy horn melody on top of a harsh intro. Time signature changes just because it happened. Due to one of many theories on Choreomania, a person suffering from it would immediately start convulsing and tripping at the sight of the color red. I think I imagined such a person being surrounded by red flags…..

5. Choreomanic: Obviously the title track. Instrumental (apart from the exclamation of the word) This was the very first idea I got for the album. It has some sort of a Punk vibe I believe…

6. Walk with urgency: the cool thing about this song is that the main groove and bassline are inspired by the intro of a song by my first serious band Creepmime! That song is called ‘King Of Misrule’, from the album ‘Chiaroscuro’ 1995… Instrumental. Titel refers to the way a junky walks with urgency on the way to scoring.

7. Off with the figurehead: I somehow have trouble with figureheads in general. Pretty much an instrumental Thrash song.

8. Time to let it out: 12/8 is probably my favorite time signature, so I guess I clapped my hands in sheer joy! This one is the single for good reasons I think. Short song, a lot going on, annoying repetitive horn parts, yep…

9. Calling God: the heavy midtempo one. I absolutely love the sound of that desolate Bugle! Lyrically: a joke that is not supposed to be funny. Don’t play outro with kids around!

10. Take the money give it to me now: Title says it all. Here the junky finds what he’s looking for and is reborn. Thrash with horns!

11. Story about the moon: instrumental, a bit of a prog track. About the title: I am one of those people who does not buy the moon landing lie. Bring it on!

12. Away from the sun: actually a long outro based on a bass drone idea I had been carrying with me for some years. Awesome horn parts based on original ideas for guitar and keys by Andy Judd (longtime friend and Creepmime mastermind) and Thijs Ronteltap. Would make a nice movie soundtrack I think.

Instrumental track, kind of a death march. There’s a vibe of blistering heat, hence the title.

Dutch bassist Joost van der Graaf (1973) has been active in music since he was fourteen years old. In the early 90’s he toured Europe for the first time, as a bass player/ vocalist in Creepmime (Mascot Records), to promote the album ‘Chiaroscuro’. After Creepmime he studied music in Amsterdam and became a working musician, performing and teaching.

In the new millennium, Joost co-formed I CHAOS (RITF records, Suburban distr.) The band released two albums: ‘The Human Repellent’ and ‘Masterbleeder’. In this period he was also a stand-in bassist for Sinister, touring Russia.

In 2012, he became a permanent member of GermanThrashers Dew-Scented (Metalblade), releasing three full-lengths with them up to 2018: ‘Icarus’, ‘Insurgent’ & ‘Intermination’. The band toured extensively through Europe but also in Japan, together with renowned bands from the international metal scene (Testament, Exodus, Death Angel, and others).

Joost teaches ‘Bass Skills’ and ‘Band Development’ at The Metal Factory in Eindhoven, The Netherlands. Since 2019 he proudly plays with Dutch iconic act Pestilence (Agonia Records) appearing on the album ‘Exitivm’.

In 2020, he started working on his own project CHOREOMANIC, in which different musical influences from his past come together. Obviously one of these influences is metal, but also other styles like funk & prog.

His self-titled debut album CHOREOMANIC will be out on February 18, 2022.

Joost van der Graaf’s Discography:
2022 – Choreomanic – Self-Titled (Self-Release)
2021 – Pestilence – Exitivm (Agonia Records)
2015 – Dew-Scented – Intermination (Metal Blade Records)
2015 – Dew-Scented – Immersed – 7#split EP (Metal Blade Records)
2015 – I Chaos – Masterbleeder (RITF Records/Suburban Distribution)
2013 – Dew-Scented – Insurgent (Metal Blade Records)
2012 – Dew-Scented – Icarus (Metal Blade Records)
2011 – I Chaos – The Human Repellent (RITF Records/Suburban Distribution)
2009 – I Chaos – Self-Titled – EP (Self-Release)
2008 – Cypher – MMVIII – EP (Self-Release)
1995 – Creepmime – Chiaroscuro (Mascot Records)

Endorsed by:
Ibanez – https://www.ibanez.com
Peavey – https://peavey.com
Tech 21 – https://www.tech21nyc.com/products/amplifiers/powerengine-dd/
DR Strings – https://www.drstrings.com
Rock n Soul – https://www.rocknsoul.nl

 

0 MetalTalk – DECEREBRATION / FOLLOW THE SCARS BRINGS DELIGHTFULLY BRUTAL POSITIVITY OUT OF ADVERSITY

  • December 21, 2021
  • by Asher
  • · Decerebration

https://www.metaltalk.net/decerebration-follow-the-scars-brings-delightfully-brutal-positivity-out-of-adversity.php

0 Rockshots Records – SARTORI Shares Next Single “Devil In Disguise” Off Upcoming Album “Dragon’s Fire”

  • December 20, 2021
  • by Asher
  • · Music News · Sartori

NEWS RELEASE

Montreal, QC – December 20, 2021



Rockshots Records – SARTORI Shares Next Single “Devil In Disguise” Off Upcoming Album “Dragon’s Fire”

Debut Album “Dragon’s Fire” Out January 28, 2022

Neo-classical power metal SARTORI will be releasing their debut album “Dragon’s Fire” on January 28, 2022 via Rockshots Records.

Today, the band is sharing their second single “Devil In Disguise” in preview to the forthcoming full length.

Lyric Video – https://youtu.be/Mo6Nxqhh8_U
Spotify – https://spoti.fi/32nRZip

The epic record is nine tracks that are melodic, technical, and progressive. Led by main composer and guitarist Andy Sartori, with vocalist Scott Board, drummer Dino Castano and bassist Rod Viquez, the band sets the mood for something more than just singing over music.

With grandiose instrumentals and heroic vocals, Sartori creates complex, melodic tunes that command attention. They are heavily influenced by classical baroque music, so the band stands as the symphony behind Andy Sartori as the ‘maestro’. What sets these guys apart from other bands is their music composition. Andy Sartori explains further:

“We use a lot of arrangements that you won’t find any other bands doing. Lots of vocals, lots of guitar quartets, duets, and harmony arrangements. My writing is based on positive vibes, positive lyric content, no criticism, no anger, and I write sometimes about spiritual content in the matter of being a better human and about life experiences, personal and in general along with influence from movies and stories I enjoy… sometimes.”

Album Pre-order – https://bit.ly/DragonsFire_CD
Digital pre-save – https://bfan.link/Sartori-Dragon-s-fire

Title track and first single “Dragon’s Fire”:
Visualizer – https://youtu.be/K4JGyxThqTo
Spotify – https://spoti.fi/30FTvMf

Band Line Up:
– Andy A Sartori: Guitars
– Scott Board: Vocals
– Rod Viquez: Bass
– Dino Castano: Drums

Track Listing:
1. Evil Hearts (3:02)
2. One Distant Heart (3:57)
3. From Hell To Heaven (4:10)
4. Little Aria In G Major (Instrumental) (0:37)
5. Devil In Disguise (3:54)
6. Through The Eyes of My Soul (3:48)
7. Castles of Lost Souls (Instrumental) (4:18)
8. Battles In The Distant Lands (3:42)
9. Dragon’s Fire (2:57)
Album Length: 30:30

Album Credits:
– Mixed and engineered by Joe Demaio at Shorefire Recording Studios, Long Branch, NJ
– Drums Recorded and Mixed by Giuseppe Di Giola and Dino Castano at Valentino Recording Studios, Puglia – Italy
– Mastered by Leon Zervos at Studio 301, Sidney – Australia.
– Art Cover by Antonella Troiano.
– All songs composed and written by Andy A. Sartori in cooperation with Dino Castano, Scott Board and Rod Viquez
– Produced by Andy A. Sartori.
– 2007/2021 All Rights Reserved.

Quick Fact:
Leadman, Andy Anderson Sartori was born in Brazil with Italian roots and has lived all over the globe, including London and now the United States. His sound is universal and has recorded music from England to Brazil. Andy Sartori’s music is also very popular in Japan. His biggest influence is Wolfgang Amadeus Mozart.

For more info:
Rockshots.eu
Facebook.com/Sartori-207460432645058/

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Canada’s FALL IN AUTUMN’s New Single “This Dark Night” Takes You On A Dark Melancholic Journey

  • December 20, 2021
  • by Asher
  • · Music News

NEWS RELEASE

Montreal, QC – December 20, 2021



Canada’s FALL IN AUTUMN’s New Single “This Dark Night” Takes You On A Dark Melancholic Journey
Photo credit: Gina Săndulescu

With the change in seasons, as autumn is eclipsed by winter, something wicked this way comes; the elegantly eerie new project, FALL IN AUTUMN, which pervades your senses as autumn ends and dark nights overtake us.

Led by Jennifer McInnis, who is responsible for all vocals and instrumentation aside from the drums, she takes you on a dark, melancholic journey brimming with ’70s acid rock, ’90s grunge, and a myriad of moods and mysticism that brews from within her.

“This Dark Night” follows the singles “Luna”/“Years Lost”, which launched to an unsuspecting world on Halloween 2020.

Guiding her along the murky path is the multi-talented Iver Sandøy who mixed, mastered and played percussion on “This Dark Night” at his Solslottet Studio in Bergen, Norway. Of course, he is most well-known as the drummer in Enslaved, Ivar Bjørnson and Einar Selvik, Emerhoff and The Melancholy Babies and Oppnedbass.

Only recently returning to her Southern Ontario birthplace, McInnis spent a number of years in Norway deeply entrenched in the music scene and quietly honing her grimness for mass consumption.

“For me, songwriting is alchemy,” McInnis describes, “which can be defined as ‘a seemingly magical process of transformation, creation or combination.’ Inspired by my fascination with mysticism, ‘This Dark Night’ tells a tale of ominous ritual and the unknown.”

“This Dark Night” was recorded at Witch Lair Studio in Southern Ontario.

Listen to “This Dark Night” at https://youtu.be/q3X2-IHTRxM

For more info:
FallInAutumnmusic.com
Facebook.com/fallinautumn
Instagram.com/fallinautumnmusic

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Toronto’s PRIMALFROST To Unleash New Album “Lost Elegies” Dec 28th

  • December 20, 2021
  • by Asher
  • · Music News · Primalfrost

NEWS RELEASE

Montreal, QC – December 20, 2021

For fans of Wintersun, Wolfheart, Stormlord, Kalmah, Insomnium

Toronto’s PRIMALFROST To Unleash New Album “Lost Elegies” Dec 28th

Primalfrost, the one-man melodic death shredding unit created by Canadian guitarist Dean Paul Arnold (touring guitarist Belphegor, Operus, ex-Vital Remains) announces the release of the first full-length in seven years. Entitled “Lost Elegies”, this third album follows 2014’s “Prosperous Visions” and features eight tracks packing their own punch.

“I aimed for there to be no fillers/empty space on the album whatsoever. I want it to be memorable from start to finish,” adds Arnold

As the sole composer/multi-instrumentalist, Arnold had songs composed solely on guitar pro, as well as written and arranged in an actual recorded pre-production setting. There are songs on “Lost Elegies” that are both years old and completely new, as well as material hashed together from both old/new ideas.

For the album’s recording, Arnold teamed up with Jonathan Lefrancois-Leduc (Blackguard, Ex-Deo) for mixing & mastering as well as Jan Yrlund (Manowar, Tyr, Korpiklaani) for artwork. A powerhouse of melodic metal with blistering riffs, guitar solos, orchestration, & more, this new offering is sure to be enjoyed by many.

“I’m sure it will be received very well, it’s definitely a solid continuation of the band’s sound, but definitely in a matured/refined way. I’ve had plenty of time to really hone and refine every aspect of the sound, and to make sure it has the production quality/performance on my end to meet those requirements. If you’ve heard Primalfrost before it’s quite obvious there’s the influence of bands like Wintersun, Ensiferum, Kalmah, etc. My goal is to take influence from those sounds but add elements of grit, intensity, speed, & heaviness found in the more extreme genre”

“Lost Elegies” is due out December 28, 2021.

Album pre-order is available at https://primalfrost.bandcamp.com.

Primalfrost has three singles currently streaming in support of “Lost Elegies”, which can be hard below.

Stormbearer – Music Video – https://youtu.be/tVGP5mrZ480
Nomad – https://youtu.be/yJxG5FX3bV8
Maelstrom – https://youtu.be/ZnTGSuCYqrg
Spotify – https://spoti.fi/2XuyUZe


Track Listing:
1. Maelstrom (5:11)
2. Bringer of Immensity (4:36)
3. Nomad (3:38)
4. Stormbearer (4:16)
5. Voyage Into Ruin (9:06)
6. Solace Kingdom (5:59)
7. As Embers Wane (1:57)
8. Tenebrous Skies (10:59)
Album Length: 45:47

Album Credits:
Dean Arnold – All Instruments, Vocals, & Orchestration
Recorded by Dean Arnold in Toronto, Canada
Mixed & Mastered by Jonathan Lefrancois-Leduc of Silverwings Studios in Montreal, Canada
Additional Orchestration by Jonathan Lefrancois-Leduc

For more info:
Facebook.com/Primalfrost
Instagram.com/Primalfrostofficial

About:
Primalfrost was formed in 2012 by Canadian musician Dean Paul Arnold when he was 15 years old. Dean is the sole composer, vocalist, and multi-instrumentalist behind the band since its inception. Primalfrost’s sound combines melodicism/lush symphonic with the grit/power of extreme metal, taking influence from bands like Wintersun, Wolfheart, Stormlord, Septicflesh, & more.

Primarily a guitarist, Dean has performed hundreds of shows in 30+ countries across four continents. Primarily touring with American Death Metal band Vital Remains, and now Toronto’s own Operus, Dean has acquired hard-touring experience in a vast variety of settings. Dean has had dozens of guitar solo appearances on a wide variety of metal albums, including Polish death metal band Hate’s 2017 album “Tremendum” (Napalm Records) and for Colorado’s Buried Realm, alongside players like Teemu Mäntysaari (Wintersun) and Brandon Ellis (Black Dahlia Murder).

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“Epic Metal, in the veins of the Folky, the Black, and the Melodic Death, is a sound that is dominated almost entirely by WINTERSUN, who arguably created and dominated a scene all on their own. Up until now, I believed that no other band who attempted this style of music would be able to live up to them, but Canadian Epic Metallers PRIMALFROST do more than that, having created a seamless symphony of melody, heaviness, speed, story-telling, crunch and atmospherics, embellished by perfect mixing.” – 10/10 Metal-Temple (Prosperous Visions Review 2014)

“There seems to be something in Canadian waters that produces high quality one-man projects, especially in the viking/black/folk metal areas…. Brainchild of Dean Arnold, Prosperous Visions is his full-length debut after the EP Chapters of Time two years ago and it has turned out to be a nice slab piece of epic black/power/folk metal… Prosperous Visions is pretty impressive for a 17 year old! And the album is not that easy to pigeonhole, since Arnold manages to layer the songs well and almost constantly shifting tempo without losing focus or flow.” 9/10 – Metal-Observer (Prosperous Visions Review 2014)

“Music wise, the riffs and symphonic orchestrations take on a Scandinavian flavor reminiscent of legendary Bathory and Immortal, as well as touches of Ensiferum. The record’s blackened power/folk metal sound has a frosty, Nordic battle warrior vibe… Fans of this style of metal will be ecstatic over Prosperous Visions. It’s not as top-shelf as the previously-mentioned bands, but for a debut, Primalfrost shows heaps of promise.” – Bravewords (Prosperous Visions Review 2014)

“Prosperous Visions is 55 minutes of prime-time Melodic Black Metal. If you want the epic, fantastical grandeur of Power Metal with the rougher, more aggressive delivery of Black Metal then this is for you. An ambitious album and well worth adding to your collection. May they prosper for many years to come.” – Wonderbox Metal (Prosperous Visions Review 2014)

“there are no parts of the album that can be considered disappointing in any way, as Primalfrost provides plenty of great riffs, brutal moments, and glorious sounds.” Skull Fracturing Metal (Prosperous Visions Review 2014)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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