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Posts By Asher

0 Melodic and Merciless IN VIRTUE Unveils New Music Video “Desolation Throne” From Upcoming Album “Age of Legends” Out Nov 2025

  • October 16, 2025
  • by Asher
  • · IN VIRTUE · Music News

NEWS RELEASE

Montreal, QC – October 16, 2025

Melodic and Merciless IN VIRTUE Unveils New Music Video “Desolation Throne”

New Album “Age of Legends” Out Nov 2025

L-R Bruno Valverde (drums), Jamie Hush (bass), Trey Xavier (guitar/vocals), Alex Nasla (keys), Rami Khalaf (guitar)

Phot Credit: Felix Martin

Los Angeles progressive power metal band In Virtue has dropped another irresistible music video, “Desolation Throne”, in support of their long-awaited concept album “Age of Legends,” set to release on November 21st, 2025.

“Desolation Throne” is a sonic and emotional powerhouse, channeling the tortured ascent of Sisyphus to a self-made throne of darkness. Vocalist and songwriter Trey Xavier (founder of the website GearGods.net) delivers a commanding performance inspired by Symphony X’s Russell Allen, blending gritty cleans with metalcore chugging reminiscent of early Unearth and Killswitch Engage. The track’s bridge, Trey’s personal favorite moment on the album, dives deep into the character’s emotional insecurity and his destructive response to being misunderstood.

The video’s release marks a major milestone in a journey over a decade in the making. “Age of Legends” is more than an album; it’s a cathartic narrative of self-forgiveness, transformation, and rebirth. Inspired by the myth of Sisyphus, the album follows a flawed protagonist seeking redemption not from the gods, but from himself.

“It’s about releasing ourselves from guilt and regret, because until you do, you can’t do any good in the world, for yourself or anyone else,” explains Trey.

Musically, “Age of Legends” delivers a unified emotional journey, driven by thunderous riffs, infectious grooves, and cinematic layers that heighten the story’s most intense moments, not for show, but for substance. In Virtue’s signature sound, heavy, fast, melodic, catchy, and groovy, draws from influences like Soilwork, Amaranthe, Shinedown, Symphony X, and Sonata Arctica, yet carves out its own identity beyond genre conventions.

Born from a passion for power metal and a rejection of its fantasy tropes, In Virtue creates music rooted in real-world emotion, personal philosophy, and raw vulnerability.

“This album is the full realization of our sound. It’s a concept piece that casual listeners can vibe with, but those who dig deeper will find a flawed character fighting for self-forgiveness. It’s immersive, cohesive, and meant to be experienced start to finish, with headphones on and the world tuned out,” says frontman Trey.

The album’s artwork, created by Niklas Sundin (formerly of Dark Tranquillity), depicts Sisyphus breaking free from his eternal punishment, a visual metaphor for the album’s core theme of self-liberation.

Fans can immerse themselves in the world of In Virtue through the “Desolation Throne” video, an uncompromising glimpse into the soul of a band that refuses to play by the rules.

Watch the music video via its premiere on MetalInsider HERE. 

Add To Your Spotify Playlist (out Oct 17th) – https://open.spotify.com/artist/2VhxH4MVrksulYWmp62oFU

“Age of Legends” is available for pre-order / pre-save at https://orcd.co/agofle

Previous Single:

Music Video – “Gunslingers of the New American Desert” – https://youtu.be/eWYl7bdKCxo

Add To Your Spotify Playlist – https://orcd.co/invirtuegunslingers

Track Listing:​
1. Ascent Glorious (00:36)
2. Sisyphus Awakening (4:55)
3. Karma Loop (ft. Charlotte Wessels) (3:35)
4. Push That Rock (2:46)
5. Purgatory (4:39)
6. Exposed (3:27)
7. Scream (3:40)
8. Where The Edges Meet (3:16)
9. Gunslingers of the New American Desert (4:42)
10. Desolation Throne (3:03)
11. Thoughts in Freefall (ft. Dave Davidson of Revocation) (4:10)
12. The River (2:24)
13. Tempus Fugue (ft. Chaney Crabb of Entheos) (8:05)
14. Descent Limitless (1:22)
Album Length: 50:40

More info: Facebook.com/invirtue | Instagram.com//invirtue

About:

Los Angeles, California’s In Virtue is a band forging a new path, abandoning outdated conceptions of what heavy music is to redefine metal for a new era. Although In Virtue was initially formed in 2004 in California’s Bay Area, the band’s rebirth in 2015 is where the real story begins.

That’s when founding guitarist Trey Xavier made the difficult decision to take over lead vocals, move south to LA, and start the band over with a new lineup. This was the catalyst they needed, and the band’s final form took shape. Adding keyboardist Alex Nasla (The Mourning, ex-Witherfall), guitarist Rami Khalaf, and bassist Jamie Hush, their new sound was freed.

“I was tired of other people singing what I was writing,” says Trey (who you may know from his popular YouTube channel). “We had some pretty good singers, but it always felt like a compromise. It was pretty scary – I was 28 and I had never seriously sung before. But all the work I put in paid off, because now I can create my music as I envision it.”

And what a vision it has become – the band’s forthcoming album Age of Legends, due out in 2025, tells a haunting tale of Sisyphean struggle and redemption through a modern lens. This new era of In Virtue brought their first new music, 2019’s single “Purgatory”, which gave the world a brand new sound. Combining elements of power metal, groove, progressive metal, and pop, but somehow sounding like none of the above, “Purgatory” defined the sonic future of the band.

The singles “Where The Edges Meet” and “Scream” followed soon after to expand on the story, each moving the story forward and bringing new life to the characters and their pain.

With way more to come on Age of Legends, In Virtue is looking forward to the next chapter and bringing their story to the world.

-30-

“Entirely self-released, this is a full-blown concept album that weaves together towering riffs, cinematic textures, and deeply personal storytelling.” – Metal Injection (2025)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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0 JULIET RUIN Channels Psychological Rebellion in Explosive New Video “Reactance Theory”; New EP “Regime” Out Oct 24th

  • October 16, 2025
  • by Asher
  • · Juliet Ruin · Music News

NEWS RELEASE

Montreal, QC – October 16, 2025

JULIET RUIN Channels Psychological Rebellion in Explosive New Video “Reactance Theory”

New EP “Regime” Out Oct 24th

L-R – Wesley Rands, Kent Geislinger, Jess Fleming, Jesse Bauman

Phot Credit – Brittany Lealand

Canadian metal outfit Juliet Ruin has dropped their electrifying second single and music video “Reactance Theory,” off their upcoming EP “Regime,” set to release November 7, 2025. Known for their genre-fluid blend of chunky riffs, soaring melodies, and emotionally raw lyricism, Juliet Ruin is back with what may be their most collaborative and high-energy track to date.
​
​“Reactance Theory” explores the psychological concept coined by Jack Brehm, which explains why people resist threats to their personal freedom. The song dives into the dopamine-fueled impulses that drive rebellion, wrapped in a belted, catchy vocal performance that came together in a moment of serendipity. Vocalist Jess Fleming mistook the verses for the chorus during the writing process, resulting in a track that’s relentlessly energetic from start to finish.
​
​“This song came together with a lot of input from each member. Wes brought in the initial hook guitar lead, and we built it piece by piece. It’s probably one of the most collaboratively written songs we’ve ever done,” says the band.
​
The accompanying music video amplifies the song’s themes with visceral visuals and dynamic performance shots, capturing the band’s signature live energy and studio-tight execution.
​
Formed in 2015, Edmonton, AB’s Juliet Ruin has steadily carved out a space in the modern metal scene with a sound described in five words: chunky, groovy, pretty, powerful, and catchy. Drawing influence from Spiritbox, Jinjer, Scion, and Alexisonfire, the band continues to evolve, growing heavier, more technical, and more emotionally resonant with each release.
​
Their upcoming EP “Regime” is a five-track journey through vulnerability, empowerment, and social reflection. From the introspective depths of “Chrysalis” and “Poems by a Poltergeist” to the explosive title track “Regime,” the EP balances brutal breakdowns with pop-infused melodies and unfiltered emotion. The artwork, created by Feen Murray, uses abstract imagery of skulls and hearts to reflect the tension between emotionality and overthinking.
​
​“This EP is everyone’s favorite so far. We’ve struck a good balance between our heaviest subject matter and our most vulnerable moments,” the band shares.
​
​Juliet Ruin’s writing process is deeply collaborative, with guitarists crafting riffs and Jess shaping them into emotionally raw songs drawn from her personal journals. Live, the band delivers a high-octane performance that rivals their studio recordings, with Jess’s vocals standing out for their precision and passion.
​
Fans can catch Juliet Ruin live at their upcoming release shows, featuring guest bassist Dale Myroniuk (Dahlmers Realm, Breaking the Silent). With “Regime,” Juliet Ruin continues to push boundaries, offering catharsis through crushing riffs and soaring choruses.

Watch the music video for “Reactance Theory” via its premiere on IDIOTEQ HERE. 

Add Single to your Spotify playlist (Oct 17th) – https://open.spotify.com/artist/54QrxuOJkvabZgah6SA4qv

EP pre-order (out Oct 24th) – https://julietruin.bandcamp.com/

Previous Single:

Lyric Video – “Poems By a Poltergeist” – https://youtu.be/rmvQVzNkMmY

Track Listing:​
1. Reactance Theory (4:03)
2. Chrysalis (4:01)
3. Poems By a Poltergeist (3:02)
4. The Art of Being Wise (4:09)
5. Regime (5:02)
EP Length: 20:18​
​
​EP Credits:​
Performed and Written by Juliet Ruin
Produced by Juliet Ruin and Diego Fernandez
Mixed and Mastered: Oracle Recording Studios
Artwork by: Feen Murray
SOCAN member
Canadian content
​
​Album Line-Up:​
Jess Fleming – Vocals
Kent Geislinger – Guitar, Bass
Wesley Rands – Guitar
Jesse Bauman – Drums
​
​Live Line-Up​
Jess Fleming – Vocals
Kent Geislinger – Guitar
Wesley Rands – Guitar
Jesse Bauman – Drums
Dale Myroniuk – Bass

More info:

https://www.facebook.com/julietruinband

https://www.instagram.com/julietruin

– 30 –

“If you are a fan of the likes of JINJER, INFECTED RAIN, THE AGONIST and BUTCHER BABIES then the “Dark Water” E.P is one for you to check out. The E.P opens with the title track “Dark Water” as a ferocious riff creeps in as the rhythm section sounds away. From then the band are now in full swing as the very haunting sounding vocals coming in. The song leads to a sing along chorus with a cool lead line afterwards. When the breakdown hits the vocals add a sort of dreamy feel to it until the guitar solo sections kick in. Great way to start things off.” 8/10 – Metal Temple (2023 – Dark Water EP)

““Dark Water” by JULIET RUIN is a great listen and one I really enjoyed. From listening the vocals have a lot of range as Jess goes from hauntingly clean to aggressive death growls. The band has a very modern sound that is filled with great riffing and killer grooves. The songs here are great and you can hear their influences at times too. This is a band that, from listening to this, sounds like they need to be experienced in a live setting and I would love to hear more from them in the future.” – Metal Temple (2023 – Dark Water EP)

“As mentioned, Juliet Ruin is not a stranger to attention and praise and can expect a lot more with Dark Water. It is their most striking offering yet and with the new evolution in the band’s already potent sound, surely the first step to greater things.” – The RingMaster Review (2023 – Dark Water EP)

“Bang your heads to the new EP by this amazing Canadian Modern Metal crew, reflecting a turn to darker sounds and grittier vocals while still preserving the spirit of what makes the band who they are.” – The Headbanging Moose (2023 – Dark Water EP)

“Bloody love it! One of the best EPs I’ve heard this year so far. ” – Ever Metal (2023 – Dark Water EP)

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Merci Metallian \m/\m/ Août – Septembre 2025 Exitus Stratagem Records – Visitant, Devolver, Ancient Thrones, Doll, Night’s Edge

  • October 14, 2025
  • by Asher
  • · Ancient Thrones · Devolver · DOLL · Night's Edge · Visitant

Merci Metallian \m/\m/ Août – Septembre 2025
Exitus Stratagem Records – Visitant, Devolver, Ancient Thrones, Doll, Night’s Edge
https://www.metallian.online/accueilpro

 

 

0 Exitus Stratagem Records – AITTALA Announces Second EP of 2025 “Ill-Gotten Gains”; Unveils Music Video “Isolation”

  • October 14, 2025
  • by Asher
  • · Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – October 14, 2025

AITTALA Announces Second EP of 2025 “Ill-Gotten Gains”; Unveils Music Video “Isolation”

EP Out Nov 21st via Exitus Stratagem Records

AITTALA Lineup – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox)

Genre-blurring metal duo AITTALA (pronounced “EYE-tah-la”) returns with their latest and second EP of 2025, “Ill-Gotten Gains,” dropping November 21, 2025, via Exitus Stratagem Records. The EP’s lead single, “Isolation,” is accompanied by a gripping music video that captures the emotional weight and sonic depth of the track.

“Isolation” sets the tone for the EP with its doomy atmosphere, heavy guitars, and unexpected time signature shifts. Lyrically, it explores the consequences of past decisions, a theme that runs throughout the entire release.

Watch and listen to the music video via its premiere on Doom & Stoned HERE.

Single pre-save – https://hypeddit.com/aittala/isolation

“Ill-Gotten Gains,” AITTALA’s second EP of 2025 following Machines, marks a bold step forward in the band’s evolution. Retaining their core sound while pushing deeper into lyrical vulnerability and songwriting complexity, the EP continues their tradition of defying genre boundaries — weaving together elements of traditional metal, doom, groove, and progressive styles into a cohesive and immersive experience. Thematically, it explores the darker side of the human psyche, from chaos and exploitation to the consequences of those actions and the search for redemption, offering a cathartic journey for fans of genre-fluid metal.
​
The EP cover features an updated rendering of AITTALA’s long-standing mascot Frank, a cartoon pig head in a pentagram, first introduced in 2014’s “Effigy” album. Frank is the kind of character who’ll help you acquire “Ill-Gotten Gains” no questions asked, as long as you’ve got the cash.
​
Formed in 1991 in the Netherlands by guitarist/vocalist Eric Aittala, the band quickly became a fixture in the Dutch metal scene, sharing stages with acts like The Gathering and Sadist. After a long hiatus, AITTALA was resurrected in 2008 and has since released six full-length albums and multiple EPs, each showcasing a unique blend of classic heavy metal, doom, progressive, power, thrash, and hard rock. Now based in the U.S., AITTALA’s current lineup features Eric Aittala and powerhouse drummer Gary “Zeus” Smith (THE FIFTH, ex-MR BLACKWELL). Together, they continue to push boundaries with music that’s as technically sharp as it is emotionally resonant.

EP pre-save (out Nov 21) – https://hypeddit.com/aittala/illgottengains

Track Listing:​
1. Isolation – 4:22
2. Ill Gotten Gains – 4:20
3. Black Listed – 3:35
4. Ever After – 4:29
5. Ashes – 3:50
EP Length: 20:37

For more info: Exsrmusic.com | Aittala.com | Facebook.com/aittalamusic | Instagram.com/aittalamusic

– 30 –

“Bookended by “Machines (Prologue)” and “Machines (Epilogue)”, the album’s structure feels like a full-circle journey. One that captures the essence of the band’s evolution. The blend of storytelling and heavy music makes it clear why these tracks were worth bringing back. With Machines, Aittala doesn’t just revisit the past. They make it hit harder than ever.” – Amplify The Noise (2025 – Machines EP)

“Captivatingly versatile, genre-connecting with plenty of attitude. An intensely powerful and emotionally captivating Electric Doom/Heavy/Power HouseTrip that is excellent at combining expansive melodies and atmospheric melancholic heavy touch. 8/10” – FFM-Rock (2025 – Machines EP)

“A pure blast of good tunes flying around for life. A retro llike cover artwork, it matches it all. The atmosphere and the old tunes still ringing after so many years like it was yesterday. A very good album to own with pleasure. Aittala is here to stay, get your dose of good tunes 100/100.” – The Metal Mag (2025 – Machines EP)

“Eric Aittala is obviously nostalgic on ‘Machines’. But that in no way means that the sound is frozen in the past. On the contrary, the production is modern and powerful. The individual songs are thus transferred to the here and now. A good album, even if the band is ‘only’ a duo.” – Metalheads Forever Magazine (2025 – Machines EP)​
​​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Thank You Canadian MDs and DJs for the airplay love! \m/\m/ For the Week Ending: Tuesday, October 7, 2025 92.5 FM CFBX “the X” – Kamloops Loud – #2 Eternal Drak | CFUV 101.9 FM – Victoria Loud – #1 Ivy Gardens | CJSW Radio 90.9FM – Calgary Loud – #10 Crüzer | CFRU 93.3 FM – Guelph Top 30 – #30 Devolver | CFUV 101.9 FM – Victoria Top 30 – #7 Ivy Gardens | Smithers Community Radio CICK 93.9 – Smithers Top 30 – #14 Z-Cocoon

  • October 13, 2025
  • by Asher
  • · Cruzer · Devolver · Eternal Drak · Ivy Gardens · radio charts · Z-Cocoon

Thank You Canadian MDs and DJs for the airplay love! \m/\m/
For the Week Ending: Tuesday, October 7, 2025
92.5 FM CFBX “the X” – Kamloops
Loud – #2 Eternal Drak
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-10-07
=========================
CFUV 101.9 FM – Victoria
Loud – #1 Ivy Gardens
https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2025-10-07
=========================
CJSW Radio 90.9FM – Calgary
Loud – #10 Crüzer
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2025-10-07
=========================
CFRU 93.3 FM – Guelph
Top 30 – #30 Devolver
https://earshot-online.com/charts/cfru.cfm?dWeekOfID=2025-10-07
=========================
CFUV 101.9 FM – Victoria
Top 30 – #7 Ivy Gardens
https://earshot-online.com/charts/cfuv.cfm?dWeekOfID=2025-10-07
=========================
Smithers Community Radio CICK 93.9 – Smithers
Top 30 – #14 Z-Cocoon
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-10-07

0 Reminder – Deadline October 15th – ARMSTRONG METALFEST Opens Band Submissions For 2026 Lineup – The Okanagan’s Ultimate Mountain Mosh Pit Returns

  • October 13, 2025
  • by Asher
  • · Armstrong Metal Fest · Music News

NEWS RELEASE

Montreal, QC – October 13, 2025

Reminder – Deadline October 15th

ARMSTRONG METALFEST Opens Band Submissions For 2026 Lineup – The Okanagan’s Ultimate Mountain Mosh Pit Returns

“It’s one of the premier festivals of its kind in Canada, showcasing the biggest names in local, national, and international heavy metal music.” – Vancouver Sun

Following a landmark celebration of 15 years of extreme metal in British Columbia’s Okanagan Valley, marked by record-breaking attendance and its most triumphant edition yet, ARMSTRONG METALFEST is officially set to return in 2026 on July 17th and 18th at the Hassen Arena, for two days of moshing, headbanging, and camping.

Armstrong MetalFest’s 15th year of mountain moshing roared to life with a powerhouse 2025 lineup featuring BORN OF OSIRIS, HAVOK, GLYPH, RIOT CITY, THE BROWNING, VIRVUM, and many more heavy hitters from across Canada and beyond. On July 11th and 12th, the town of Armstrong, BC, was transformed into a metal haven, complete with Yeti Games, the Metal Madness Market, and the chaos of Thrash Wrestling.

Check out the Armstrong MetalFest 2025 Spotify playlist – https://spoti.fi/4i4u2OV​

Armstrong MetalFest has also released a promotional video that traces its journey from humble beginnings to becoming one of Canada’s premier metal festivals in British Columbia. Watch the full recap here: https://youtu.be/47QjFrOHLv8

Band submissions for the 2026 edition of Armstrong MetalFest will end on October 15th, inviting artists to become part of the next chapter in the festival’s legendary legacy.

Interested bands can apply through the official portal: https://armstrongmetalfest.ca/band-submissions/

“To close the night and the weekend, Born of Osiris delivered a high-octane headline set that tore the roof off. It was the perfect finale to an unforgettable weekend. When the last note rang out, it hit us — AMF 2025 was coming to a close. There’s always that bittersweet feeling as you start packing up. But that’s the beauty of this festival: it stays with you long after the amps cool down. Every year, Armstrong Metalfest brings together a community that truly loves heavy music. It’s not just about bands and beer — it’s about belonging. The friends you make, the moments you live, the memories that stick — they’re why we keep coming back. If you’ve never been to AMF, consider this your sign. It’s more than a music festival—it’s a metal rite of passage. Once you go, it gets into your blood. We’re already counting the days until the next one.” – Stan Schinners of Broken Neck Radio / Absolute Underground Magazine (Live Review AMF 2025)

Tickets for AMF 2026 will be announced at a later date, granting general admission and access to the festival grounds, camping area, and arena from 9:00 AM on Friday, July 17, 2026, until 10:00 AM on Sunday, July 18, 2026. Free camping is included.

Please Note: Camping – RV / Non-Hookup RV / Vehicle Passes: Make sure to reserve your vehicle spot to get the best location on the grounds. A fee is required for a weekend pass per vehicle in addition to your day or weekend pass. RV hookups include water and power. If you choose to park your vehicle outside the camping area in the main parking lot, then a vehicle pass is not required.

About:

Since its inception in 2009 (with a brief hiatus in 2020 and 2021 due to the COVID-19 pandemic), West Metal Entertainment and Armstrong MetalFest have championed hundreds of local bands while welcoming renowned international acts to the quiet town of Armstrong, British Columbia.
​
Every year, metalheads from across Canada and the U.S. converge on the scenic Okanagan Valley for three days of camping and two days packed with heavy metal mayhem. Under the blazing summer sun, fans revel in live performances, wrestling spectacles, scavenger hunts, and reconnecting with their extended metal family.
​
Armstrong MetalFest has hosted legendary headliners like Kataklysm, Cattle Decapitation, Archspire, Nekrogoblikon, Origin, Rivers of Nihil, Warbringer, Fallujah, Striker, and Beyond Creation, alongside rising stars from across North America. And when the final riff fades, the festival vanishes without a trace, leaving the landscape as untouched as it was before.
​
West Metal Entertainment, a non-profit society, not only produces Armstrong MetalFest annually but also supports the regional music scene by organizing performances at various venues, including all-ages shows, to inspire musical passion in both youth and adults.

For more info:​
​http://www.armstrongmetalfest.ca/​

​https://www.facebook.com/armstrongmetalfest/​

​https://www.instagram.com/armstrongmetalfest/​
​
​https://x.com/amfcanada​

Partners:​
WCMFA
AlumaPro Welding & Fabrication Ltd
Vox and Hops
Rancho Vignola
Creative BC
Province of BC
Shepherds Hardware
Askews Foods
ACE Containers
Asher Media Relations
Staggs Head
Sunbelt Rentals
Bravewords
V13
Metal-Rules
Absolute Underground Mag
Broken Neck Radio
Ghost Cult Magazine
This Day In Metal
Valstar Electric
Voets

What the press is saying:

“Armstrong Metalfest brings aggressive music to the North Okanagan” – Global BC News

Kelowna Now: Armstrong Metal Festival Co-founder reflects on a decade of metal – Video Interview here.

CHBC – Global Okanagan: Metalheads celebrate a decade of gathering in Armstrong – Video Interview here.

Global Okanagan – Armstrong Metalfest brings aggressive music to the North Okanagan – Video here.

“In the past, metalheads had to travel to Germany to experience the rush of a big festival, such as Wacken Open Air. But local headbangers decided to bring that feeling home with Armstrong Metalfest.” – Vernon Morning Star

“Go Big or Stay at Home: Armstrong has that welcoming feeling for a rock show.” – The Valley Voice

“To witness such a gathering of talent is an absolute privilege, and for that fact alone, I will certainly be returning to Armstrong Metal Fest.” – Beatroute BC

“This festival is now going to be my yearly must-go-to event and if you’re a metal head that hasn’t attended or a curious metal voyeur, do yourself a favour and check it out, you will not regret it.” – Abort Mag

“The Armstrong Metalfest is one such event and has grown from its initial, humble beginnings seven years ago to be a regular mainstay, with its south-central BC location making for a popular summertime destination for fans and bands alike.” – Decibel Mag

Named one of the out-of-town music festivals worth the trip by The Vancouver Sun
​
​
​“For metalheads, this is a great vacation where groups of all sizes can enjoy their favourite musical genre in a fun, energized environment. Not to mention, the camping!” – The Permanent Rain Press

“From farm to stadium: Armstrong Metal Fest’s humble beginnings” – Info News

– 30 –

​

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Toronto’s DAWN VALLY Unleash Jailhouse Rage with New Single “Graves” Off Forthcoming EP Out In 2026

  • October 10, 2025
  • by Asher
  • · Dawn Vally · Music News

NEWS RELEASE

Montreal, QC – October 10, 2025

Toronto’s DAWN VALLY Unleash Jailhouse Rage with New Single “Graves” Off Forthcoming EP Out In 2026

L-R: Joe Bartolo (Drums), Antonio Bratta (Guitar), Zac Emmons (Vocals), Jeff Bartolo (Bass)

Photo Credit: Josh Vicente

Canadian deathcore outfit Dawn Vally has dropped their latest single, “Graves,” a punishing, raw track that marks a new chapter in the band’s evolution. Formed in 2007 by twin brothers Jeff (bass) and Joe Bartolo (drums), Dawn Vally has built a reputation for delivering aggressive, high-intensity music that blends metalcore and deathcore with fearless originality.
​
​“Graves” is the second single from the band’s upcoming EP, slated for release in early 2026. It’s also the first recording to feature new vocalist Zac Emmons, formerly the guitarist of hardcore band Pound Of Flesh. Zac joined the band earlier this year, bringing a visceral lyrical style rooted in personal experience.

“Graves lyrically is a song about betrayal and the emotions that come with it. I went into a dark place in my mind to get the words,” says Zac.
​
Musically, “Graves” builds on the foundation laid by their previous album, “Blueprints of the 416,” but pushes the intensity even further. With punishing breakdowns and relentless energy, the track is already being hailed as Dawn Vally’s heaviest release to date.
​
The single’s artwork, created by Paul Padgett of Eightfold Visuals, features a horror-tinged jailhouse setting that perfectly complements the song’s themes of emotional confinement and rage.
​
​Dawn Vally’s sound is a collaborative effort, shaped by the eclectic influences of its members. While metalcore and deathcore dominate, the band draws from jazz, classic rock, and hardcore to create a sonic landscape that’s both brutal and nuanced. Guitarist Antonio Bratta, a classically trained musician with a jazz background, adds a unique layer to the band’s dynamic compositions.
​
With plans to expand their reach across Canada in 2026, Dawn Vally is preparing for tours both out west and east. Their live shows promise the same raw energy and sonic devastation that fans have come to expect.

For fans of Whitechapel, Parkway Drive, BMTH, and Hatebreed, Dawn Vally is a band that doesn’t just play metal; they live it.

“Graves” is now streaming on all major platforms, along with its music video filmed and created by Brett and Hayley Wright, who have worked with other artists such as LÜZR, Seagrave, and CRUELINTENT.

Add to your Spotify playlist – https://ampl.ink/ezq3P​

Music Video – https://youtu.be/xRxnMQq8xgU

More info: https://linktr.ee/Dawn_Vally​

– 30 –

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0 This Halloween, Avant-Garde Prog Doom LIMINAL SPIRIT Will Unleash An EP Séance “Unwell”; Streaming Title Track

  • October 10, 2025
  • by Asher
  • · Liminal Spirit · Music News

NEWS RELEASE

Montreal, QC – October 10, 2025

This Halloween, Avant-Garde Prog Doom LIMINAL SPIRIT Will Unleash An EP Séance “Unwell”; Streaming Title Track

Photo – Jerry Hauppa – Liminal Spirit

This Halloween, Milwaukee’s solo project Liminal Spirit unveils its most intense and cinematic offering to date: “Unwell,” a five-track EP that plunges deep into themes of memory, guilt, and spiritual reckoning. Helmed by multi-instrumentalist Jerry Hauppa (also known for his work with Deorbit), the release fuses progressive doom metal with avant-garde narrative techniques, crafting what Hauppa describes as “seance music”, a genre-defying sonic ritual meant to stir movement between spiritual realms. Adding to its eerie and otherworldly atmosphere, three of the tracks were composed using microtonal guitars, lending the EP a distinct sense of unease and spectral depth.

“Unwell” follows the story of Phillip, an elderly dementia patient confined to a nursing home, haunted by the spirits of two children who claim he murdered them decades ago. As Phillip’s mind unravels, the music mirrors his psychological collapse, shifting from jazz-inspired calm to microtonal chaos and oppressive distortion. The EP culminates in Phillip’s death and spiritual judgment, casting him into hell in a chilling epilogue.

The lead single and title track captures Phillip’s inner turmoil and identity crisis. Composed on microtonal guitars, the song’s alien tonalities and increasing distortion reflect his fractured mental state. “Unwell” is a sonic embodiment of isolation and existential dread, setting the tone for the EP’s descent into darkness.

“My goal with this record is to explore ideas that represent some of my greatest fears. Having worked in nursing homes, I’ve seen firsthand how miserable they can be. The thought of losing my faculties and facing spiritual judgment terrifies me—and that’s what I wanted to capture,” says Hauppa.

Listen to the title track at the following link:

YouTube – https://youtu.be/IeiBBqAmu9o

​

For fans of Skepticism, Jesu, Confessor, Cynic, and Anata, “Unwell” will be available on all major streaming platforms on October 31st, 2025.

EP pre-save – https://distrokid.com/hyperfollow/liminalspirit2/unwell​

EP pre-order – https://liminalspirit.bandcamp.com/

​

Track Listing:​
1. Admittance (5:27)
2. Unwell (6:52) (single)
3. Visiting Day (8:01)
4. EOLC (8:26)
5. A Better Place (5:42) (single)

EP Credits:​
All songs written, performed, produced, and mixed by Jerry Hauppa.
Mastered by Jeff Wojtysiak at Spiral Sound Mastering

Lineup:​
Jerry Hauppa – Guitar, microtonal guitar, bass, violin, synth, vocoder, drum programming

More Info:​
​https://www.facebook.com/people/Liminal-Spirit/61575618106702/​
​https://www.instagram.com/liminal_spirit_mke​

Liminal Spirit is the solo endeavor of Jerry Hauppa, known for his work in Deorbit and the Milwaukee metal scene. The project fuses doom metal with cinematic storytelling, drawing influence from Skepticism, Anata, My Bloody Valentine, Jesu, and Confessor—though Hauppa insists Liminal Spirit sounds like none of them. With roots in old-school death metal and a growing interest in psychedelic electronic music, Liminal Spirit continues to push sonic boundaries.

-30-

​
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0 Rockshots Records – Norway’s ALIEN ORCHESTRA Unveil New Single “The Last Horizons” – First Glimpse Into Upcoming EP “Under My Pale Skin”

  • October 10, 2025
  • by Asher
  • · Alien Orchestra (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 10, 2025

Rockshots Records – Norway’s ALIEN ORCHESTRA Unveil New Single “The Last Horizons”

First Glimpse Into Upcoming EP “Under My Pale Skin”

After years of silence, Alien Orchestra, the Oslo-based studio band led by Jan “EpicAlien” Mojdis, returns with a new sense of purpose and creative rebirth. The single “The Last Horizons”, taken from the upcoming EP “Under My Pale Skin” due out in December 2025 (release date TBA), marks a powerful comeback for a project that merges heavy metal intensity with cinematic orchestration, crafting an evocative and deeply emotional soundscape.

“The Last Horizons” features Mats Haugen (Circus Maximus) on lead guitar and Simen Sandnes (Evergrey, Temic, Shining) on drums, adding remarkable depth and musicianship to the song’s dramatic composition. The track blends soaring melodies, layered orchestrations, and heavy metal drive, embodying Alien Orchestra’s trademark fusion of epic atmospheres, melodic metal, and ambient textures.

Founded in 2014, Alien Orchestra has always existed at the intersection between metal and film music, exploring themes of the deep universe, extraterrestrial life, and the mysticism of Nordic nature. The upcoming EP “Under My Pale Skin” was written in the aftermath of Jan’s victorious battle against cancer — a struggle that profoundly shaped his outlook and songwriting.
​
While he composed the main riff for the EP on piano back in 2022, his true creative return took place in 2024 when he was finally able to play guitar again and give life to a new chapter of Alien Orchestra’s story. The record stands as both a reflection on survival and renewal and a tribute to those who fought and fell — especially children.

Mixed and mastered by Drop RMX at Downtone Studio and EpicAlien, “Under My Pale Skin” delivers four tracks that range from sorrowful cinematic passages to powerful metal energy — a sonic journey that captures the fragility and strength of the human spirit.
​
With “The Last Horizons” and its official video, Alien Orchestra invites listeners to step into a world where sound meets emotion and metal meets infinity.

LISTEN to “The Last Horizon” – https://lnk.to/eYeBFj​

Watch the video – https://youtu.be/axo2XZjI8gA

​

TRACKLIST:​
1. Inside The Worn Shell
2. The Last Horizons (Radio Edit)
3. Svært Mysterium
4. The Last Horizons

Credits:​
Songwriting:
All songs written by EpicAlien
Simen Sandnes – drum parts on “Inside The Worn Shell” and “The Last Horizons”
Mats Haugen – lead guitar writing, and performance on both versions of “The Last Horizons”
Production:
Mixed and mastered by Drop RMX at Downtone Studio and EpicAlien
Line-up:
EpicAlien – guitars, bass, alienscapes, orchestration

More info: https://www.rockshots.eu | https://www.facebook.com/alienorchestraofficial | https://www.instagram.com/alienorchestraofficial​

ABOUT:

ALIEN ORCHESTRA is an Oslo-based cinematic metal project founded in 2014 by Jan Batista Mojdis, known artistically as EpicAlien. Initially conceived as an experimental studio act, the project quickly evolved into a unique blend of heavy metal, cinematic orchestration, ambient, and trailer music, merging the intensity of metal with the grandeur and emotion of film scores.

Alien Orchestra’s music often draws inspiration from science fiction, cosmic exploration, underwater worlds, and the vast Nordic landscapes, transforming these themes into soundscapes that feel both otherworldly and deeply human.

The project’s early releases, including the debut EP Fall of Mars and the single Dark Nordic Dramæ, established its distinctive atmosphere and storytelling approach. In 2021, EpicAlien returned to writing after a long battle with leukemia and a bone marrow transplant, channeling his experience of struggle and rebirth into a new creative cycle.

The result is the new mini album Under My Pale Skin — a deeply personal work that narrates a journey through pain, healing, and hope. Featuring renowned guests such as Mats Haugen (Circus Maximus) on guitars and Simen Sandnes (Evergrey, Shining, Temic) on drums, the EP marks a turning point where Alien Orchestra solidifies its identity as a metal-driven yet cinematic act.

As EpicAlien himself describes it, Alien Orchestra represents “the meeting point between the human spirit and the cosmic unknown — where heavy metal riffs collide with orchestral emotion and alien soundscapes.”

-30-

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0 Quebec’s BORN DIVIDED Unleashes New Video For Title Track “Chronicle of a Shipwreck” From Upcoming Album (Mixed and Mastered by Chris Donaldson (Cryptopsy)

  • October 10, 2025
  • by Asher
  • · Born Divided · Music News

NEWS RELEASE

Montreal, QC – October 10, 2025​

Quebec’s BORN DIVIDED Unleashes New Video For Title Track “Chronicle of a Shipwreck” From Upcoming Album

(Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Michael Beaudoin – Guitar, Fred Bedard – Guitar, Maxim Levesque – Vocals, Lucas Biron – Drums, Tommy Demers – Bass

Photo Credit – Paul Giacomo

Quebec City progressive melodic death Born Divided returns with a thunderous new visual offering: the official music video for “Chronicle of a Shipwreck,” the title track from their sophomore album set for release on October 24th. Mixed and mastered by Chris Donaldson of Cryptopsy, the track plunges listeners into a dark, emotionally charged soundscape that showcases the band’s evolution and raw intensity.

Formed in 2020 by former members of Blinded by Faith, Tommy Demers (bass), Michaël Beaudoin (guitar), and Fred Bédard (guitar), Born Divided quickly cemented their place in the Québec metal scene. Joined by Lucas Biron (drums) and Maxim Levesque (vocals), the band debuted with 2022’s “Impending Doom,” a seven-track barrage of precision and power. Now, with “Chronicle of a Shipwreck,” they push deeper into their signature blend of epic orchestration, aggressive riffing, and progressive structure.

The new video captures the emotional devastation and triumph woven into the song’s DNA. With haunting Black Metal undertones and one of the album’s most soaring choruses, “Chronicle of a Shipwreck” is a visceral journey through chaos and catharsis. Vocalist Maxim Levesque delivers a standout performance, channeling both fury and fragility, while the band erupts into a storm of chaotic riffs and blast beats before returning to a triumphant reprise.

“This track represents everything we’ve built toward. It’s heavy, cinematic, and brutally honest, just like the album itself,” says bassist and founding member Tommy Demers.

The album features seven meticulously crafted songs selected from twelve original compositions, each offering a unique listening experience. From the emotionally rich opener “Everything Comes to an End” to the abyssal finale “Anxiety,” “Chronicle of a Shipwreck” is a sonic voyage through melody, aggression, and introspection. Lyrically penned by longtime collaborator Danny Emond, the record explores themes of collapse, resilience, and transformation.

Born Divided’s sound has drawn comparisons to Ne Obliviscaris, Scar Symmetry, Persefone, Dimmu Borgir, and Symphony X, fusing death, black, and heavy metal influences into a cohesive and compelling force. Their live performances match the intensity of their recordings, delivering precision, energy, and connection with every show.

The music video for “Chronicle of a Shipwreck” can be viewed at https://youtu.be/0LtUFyeaC-M

​Add to your Spotify playlist – https://open.spotify.com/track/5VcfDE6DOkWaYau0xwZQsT​

Album pre-order (out Oct 24th) – https://borndividedofficial.bandcamp.com/​

Music Video – “Everything Comes to an End” – https://youtu.be/IVkHsg6vkk0

​

Track Listing:
​
1. Everything Comes to an End – 5:09
2. Chronicle of a Shipwreck – 4:10
3. Illusion Factories – 7:38
4. The Dead Inside Ourselves – 5:54
5. Run, Burn, Die! – 7:52
6. Subterranean Corridors – 4:48
7. Anxiety – 7:57
Album Length: 43:31
​
​Born Divided is:​
Tommy Demers – Bass
Maxim Levesque – Vocals
Michael Beaudoin – Guitars
Fred Bedard – Guitars
Lucas Biron – Drums

For more info: https://linktr.ee/borndivided​

– 30 –

“It doesn’t matter whether BORN DIVIDED plays fast and furious, slow and deliberate or is hovering somewhere in between, everything on “Chronicle Of A Shipwreck” is as it should be. 9/10” – Metal-Temple​
​
​“If it wasn’t obvious, Born Divided’s Chronicles of a Shipwreck was a very good experience for me. This one netted me about 8–10 listens (I stopped counting around 6) and I never felt like there was a song that didn’t fit. Nothing was skipped, and I remain entirely impressed this one was self-released. So, here’s one for us Canadians!” – Dire Notes

“Born Divided is in every way my surprise for 2022. I’m really looking forward to seeing them in concert. This is a new group that I think is likely to break through if the right people hear them. Born Divided – Impending Doom = 9.8/10” – Ondes Chocs (Impending Doom 2022)

“Alternating between clear vocals and « growl», melodies and aggressiveness, it’s a promising album!” – Metal Universe (Impending Doom 2022)

“This was the group I was looking forward to. I had the opportunity to see the musicians of the group with their other projects (except the singer), but never all together. We’re talking about groups like Blinded by Faith, Moonlight, Kalter and GFK. I want to say that I was not disappointed… Born Divided is a new group that, in my opinion, deserves to be on big shows or even tours. They have their own sound. A group to watch!!” – Ondes Chocs (Live Review -Le Corsaire, Lévis – May 20, 2023)

“A solid opening performance for this promising group with experienced musicians and compositions that adapt wonderfully well to live performances. If you still haven’t listened Impending Doom, I highly recommend this first album.” – Metal Universe (Live Review – Quebec City – Source de la Martinière – June 15, 2024

“Born Divided delivers the listener’s ears with a musical spectrum consisting of melodic sections of melodic death metal combined with a high level of complex/technical proficiency, intricacy, and dynamics from progressive music. They also blend orchestration arrangements within their musical spectrum. Impending Doom doesn’t just deliver a fruit of art death metal to the listener’s ears -but the lyrical concept (without looking into it – it’s there in front of the listener) that has a solid/meaningful lyrical meaning.” – Aathenaeumofsinreviews (Impending Doom 2022)

“While it is a fact that tight, hard and intense extreme metal parts dominate this production, this is also a band that appears to know their way around progressive metal landscapes. Just about all the compositions here will twist and turn multiple times, alternating the extreme metal onslaught with delicate and atmospheric interludes, instances of classic era progressive metal and also passages exploring a more distinct and melodic variety of atmospheric metal. Orchestral style backing is applied for both the extreme and some of the less intense parts, and quirky, technical details is a recurring feature too. The vocals alternate between harsh, distorted vocals and clean, clear and melodic singing, with the former mainly being restricted to the extreme metal parts and the latter mainly restricted to the passages that doesn’t venture into the most extreme passages here. Progressive death metal is apparently a thing, and those who tend to enjoy music defined in that manner can safely add this album to their list of music to get more familiar with.” – Progressor (Impending Doom 2022)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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