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Posts By Asher

0 EPK – Rockin’ Engine – Altered By Evil (2023)

  • May 25, 2023
  • by Asher
  • · EPKs · Rockin' Engine

EPK – Rockin’ Engine – Altered By Evil (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Gojira, Metallica, Megadeth, Slayer, Lamb Of God

EP Title: Altered By Evil
Release Date: July 7, 2023
Label: Self-Release

“People who already follow us will notice a huge musical growth since our last EP in 2020. Our sound has evolved quite a bit, technical and more refined, but still punchy and heavy as Hell! After “The Wretched And The Damned”, we knew exactly where we were heading with our next record, and we can proudly say that we achieved our goal. It’s horror, it’s creepy, it’s dark, yet it’s also creative, fun and theatrical at times. Anyone who listens to this album will be brought into a psycho-horror fantasy, where Wes Craven meets Stanley Kubrick, where Ramirez meets Bundy, where “Tubular Bells” meets “Dies Irae”. The various subtle influences and nuances gathered in this work will please any hardcore horror movie fanatic, but also anyone who can plunge themselves into an imaginary world of monsters and evil spirits. We are certain that our new EP ‘Altered By Evil’ will define the future of Rockin’ Engine and that fans will receive this as our best work yet!” – Rockin’ Engine

Facebook.com/rockinengineofficial | Instagram.com/rockinengine | Twitter.com/Rockin_Engine | Youtube.com/c/RockinEngine

Rockinengine.bandcamp.com | Spotify | Apple Music

“It’s a six-song, high-energy EP that’s just as succinct in purpose and impact as it is intricately composed.” – Metal Underground

“There’s a scathing, contemporary thrash quality throughout the song “Libre Ex-Mortis” that brings to mind Lamb Of God musically while juxtaposed against melodic vocals that are almost pop-like in the vein of Night Demon. This contrast is interesting and most notable on “Monsters Under Your Bed” because of the interplay between the beaming vocals and the slick, pseudo-death metal barrage. Considering the accessible sounds, it’s obvious that the Canucks seek commercial success should that path become available to them. However the cookie may crumble in time, “Altered By Evil” is an enjoyable release for those who don’t mind aspects of the popular side of modern metal.” – Metal Underground

“Altered by Evil is a powerful and adrenaline-fueled ride through the realms of Heavy Metal. With their impressive musicianship, strong songwriting, and commanding vocals, Rockin’ Engine delivers an album that will leave fans of the genre craving more.” – Metal Express Radio

“The fusion of hard rock, thrash, and modern groove metal gives Rockin’ Engine potential to appeal to numerous audiences based on the material present with Altered by Evil. Standing on the precipice of glory, this quartet could be valuable to most label rosters based on the talent and quality songwriting delivered here. 8/10” – Dead Rhetoric

“The Shining inspired “Room 185” finds the band joined by Steph Jomphe of Insurrection fame for a cut that brings the blood stained curtain down in style. The riffs hit like tidal waves, the percussion from Joel Bilodeau absolutely huge and the mix from Dark Moon Productions absolutely nailed to perfection [8.5/10]” – Metal Noise

“Unlike others who choose to combine their love of horror and metal, what makes Rockin’ Engine stand out is they’re not winking at us here. These are tracks inspired by horror, both fiction and non-fiction, and moulded around Rockin’ Engine’s thrash sound. They’ve not adapted their music to fit the horror, it’s the other way around. 8/10” – Games, Brrraaains & A Head-Banging Life

“Vocalist/guitarist Steve O Leff is the ceremonial leader to this dramatic mayhem, whether from the perspective of a murderer on “Psycho Path” or the literal ringleader to a psychopathic band of killers on “Carnival Of Evil.” For those with knowledge of all things horror, half of the enjoyment to Altered By Evil is figuring out what each song is about.” – Heavy Music Headquarters

““Altered By Evil” has an enormously powerful and balanced sound for a disc that was created entirely on its own. Respect gentlemen! Mandatory listening!” – My Revelations

“Heavy, powerful and charismatic, “Altered By Evil” is by far their best work. Look forward to the hell Rockin’ Engine will ignite wherever they perform. If Gojira, Lamb Of God and Rob Zombie had a child, Rockin’ Engine would be their bastard son. Their fusion of hard rock and thrash metal will set any stage ablaze and leave everyone with bad whiplash.” – Amplified Mag

“Another skull battering of technical riffs with a killer guitar tone “Monsters Under Your Bed” is a huge arena filling sing-a-long anthem with a *ahem* monstrous chorus but doesn’t lose any of the bands trademark guitar punch in its creation. The balance they have found on this one is on a knife edge and if it didn’t happen to be the bands tribute to Wes Craven and the Nightmare on Elm Street saga then Steve O Leff has actually done a fantastic job at giving us something lyrically to which we can all relate. Who hasn’t had a sleepless night running from the demons of their past mistakes?” – Metal Noise

“This is obviously a band that knows how to play to their strengths. As the subject matter changes for each song, The Exorcist, The Evil Dead, The Shining, etc.. so does the music. Not drastically, you can still tell it’s the same band, but it keeps everything nice and fresh through the release. Six tracks over a 30-minute period is about right… other bands take note… Quality over quantity wins it for me every time. This is as good as anything I hear from mid-sized labels over here in Europe. The fact that this is a self-release tells you how fucked our industry is as this really deserves a bigger and more widespread audience that’ll probably get. Puck this up on July 7th.” – Smorg Mag

“Although the band is often labeled a Heavy Metal band on the album’s opening notes, we clearly feel more violent influences than heavy, we could almost put them on the border of Thrash. So the band proposes an album having an identity that is its own while trying to renew the style, the prod while being modern does not fall into the cliché of the over-auction and the crossing of different styles gives an excellent result so you can be tight be surprised to hear a riff or beat that could very well have been in the middle of a death album to which the band add a brilliant voice for a very convincing result. We’ll wait to see the sequel to know if the group will want to lead, even if we don’t really know where the group wants to go, it’s a refreshing approach to them.” – Metal In Veins

“If you like it a bit spooky and love rock at the same time, this is the place for you. Let’s go” – Metal-Heads.de

“This is a seriously interesting half hour of entertainment, both music and story wise.” – Wings of Death

“Speed, brutal, so good !!” FRÉQUENCE METAL

“this ENGINE is runnin’ and rockin’ on all cylinders with no signs of slowing down anytime soon.” – KNAC

“Anyone who likes groovy and modern Heavy Metal should definitely risk an ear here and get an idea of the morbid goings-on.” – PowerMetalde

“Followers of PANTERA, MEGADETH, FIFE FINGER DEATH PUNCH, GOJIRA, LAMB OF GOD and PRONG should feel addressed by this motley horror metal cocktail mix. Interested people should risk an ear and listen to be on the safe side.” – FFM-Rock

“I have the feeling that as the EP progresses the music gets darker and darker, and I like that. Of course horror is an interesting source of inspiration for dark (metal) music, I think Rockin’ Engine has handled that very well here. This is a seriously interesting half hour of entertainment, both music and story wise.” – Wings of Death

“Midnight Road Rage” has great instrumental ideas. It’s an album that makes us proud. Love at first sound. It’s such a pity that it is only of eight tracks. Believe me. You won’t regret.” – Metal Addicts (2019 – Midnight Road Rage)

“a bombastic and heavy hitting forty minutes of metal and rock, full of swagger and sass.” – Metal Gods TV (2019 – Midnight Road Rage)

Matzes Gitarrenbude Radio Station: Album Of The Year – 2019 – Midnight Road Rage

[Download EP Cover | Download EP Lyrics]

EP Title: Altered By Evil
Release Date: July 7, 2023
Label: Self-Release

Track Listing:
1. Carnival Of Evil – 5:45
2. Day Of Wrath – 4:22
3. Liber Ex-Mortis – 4:59
4. Monsters Under Your Bed – 5:11
5. Psycho Path – 5:23
6. Room 185 – 4:13 ft. guest vocals Steph Jomphe (Insurrection)
EP Length: 29:55

EP Credits:
All songs performed by: Rockin’ Engine (Guest feature of Steph Jomphe “INSURRECTION” in Room 185)
• All songs written by: Rockin’ Engine
Produced by: Dark Moon Productions
Mixed by: Dark Moon Productions
Mastered by: Dark Moon Productions
Album Artwork by: Steve O Leff (Image reference from Adobe Stock and Shutterstock)
Member of SOCAN

EP Recording and Live Band Lineup:
Steve O Leff – Vocals/Rhythm Guitar
Ste Vy Leff – Lead Guitar
JP Buzzard – Bass
Joel Bilodeau – Drums/Vocals

==================================================================

The EP as a whole

“Altered By Evil” is a tribute to everything we love about horror movies and serial killer documentaries. There’s a fascination behind the love of the macabre and the grotesque that we wanted to explore with our lyrics and expose different nuances of some classic works of art. With this album, we’re bringing the audience into a fantasy world of monsters and evil spirits, with a dash of historical elements that makes the listening experience even more interesting. 

Track by Track explained:

Carnival Of Evil:

Inspired by the works of Rob Zombie, more specifically Sid Haig’s fictional character Captain Spaulding, the Carnival Of Evil is a group of creepy gypsy-looking psychopathic killers moving from town to town, not only to amuse the audiences but also to terrorize them as their spectacles take place. They are ruthless yet charismatic, and they will stop at nothing to deliver a performance to die for!

Day Of Wrath:

This dramatic piece was originally inspired by one of my favourite horror movies, The Exorcist. However, it was only when I did some research on the origins of its musical score that I discovered the amazing historical value behind this masterpiece. Mike Oldfield’s Tubular Bells, is probably one of the best horror movie songs ever written, but there were certain parts in the movie where I had the feeling I’ve heard similar music before and it got me curious. In fact, Dies Irae (Day Of Wrath) was originally a poem written by Christian monks in the thirteenth century describing the day that God would descend on earth and unleash his final judgment on us all. This poem was later compiled amongst other literature pieces in a manuscript named Carmina Burana. The manuscript, which is thought to have been written in the fifteenth century, was only found in 1803 in the Benedictine monastery of Benediktbeuern, in Bavaria. This collection later inspired many orchestral virtuosos, including Verdi and Carl Orff, to compose what I think are the best classical works of all time.

Liber Ex-Mortis:

Inspired by the amazing Evil Dead saga, more specifically Army Of Darkness, Liber Ex-Mortis (Book Of The Dead) is the story of a man who was sent into the Middle Ages through an evil spirit wormhole and is forced to battle the undead in his quest to return to the present. He forms an alliance with two rival armies, and together, they vanquish the forces of evil to send them back into the Book Of The Dead, the spirit world.

Monsters Under Your Bed:

This is the story of a young woman haunted by her past, her imaginary monster. Being sleep deprived for a long time, she fears falling asleep as she constantly feels her monster’s presence around her. The monster, however, can only harm her in her dreams, her nightmares… or so she thinks! Inspired by the genius work of Wes Craven, Monsters Under Your Bed is our version of the infamous Nightmare On Elm Street. This piece is heavy, punchy, and catchy, and will satisfy the eyes and ears of any horror movie fanatic!

Psycho Path:

I’ve always been fascinated and intrigued by human behaviour, especially the deviant nature of humans. I’m a huge fan of serial killer documentaries, not because I support their actions, but mostly to try to understand the origin and the nature of Evil. Actor Christian Bale in his role in American Psycho is actually the main reason why I started learning more about actual historical psychopathic characters such as Ted Bundy and Richard Ramirez. During the writing process of this song, I wanted to take a different approach to their stories and tell them according to their point of view, like an actual psychopath. It’s the most evil and disturbing song we’ve ever written!

Room 185:

Jack Torrance, the character played by Jack Nicholson in Stanley Kubrick’s The Shining, has to be my favourite horror movie character of all time. That performance is what made me addicted to horror movies. I wanted to write a song about this movie as an homage to this masterpiece. When we started to work together on this song, we soon realized that this would be our heaviest composition to date, and we needed someone to help us express this emotion in order to be satisfied with our work. After doing some research, we approached Insurrection’s lead vocalist Stef Jomphe in an attempt to have his voice on the track, just to make it that much better! We were absolutely honoured and excited when he accepted the project and headed straight to the studio. This song hits you in a way that you have no choice but to headbang!

=====================================================================

BAND STORY ANGLES / FUN FACTS

1. Being huge fans of the 80’s rock era, Joel and Ste Vy once decided to kidnap me (Steve O Leff) to go see Steel Panther live in Quebec City, which was a 5-hour drive from where we live. We unfortunately missed the show since the place was sold out and we couldn’t get in. We ended up in a bar to see our friends from The Agonist perform and spend the night. Surprisingly, the guys from Steel Panther end up in the same bar and we told them about our little misfortune. We ended up partying with them all night, singing karaoke, and drinking tequila shots. One thing’s for sure, they certainly live up to their image!

2. All our music videos have references to popular movies. We also do all our special effects, costumes, and makeup for the video shoots. I also like to write a script beforehand to help everyone grasp the ideas behind every scene, that way we can really capture the emotions we’re trying to expose in the videos. 

3. When we shot the video with Dark Moon Productions for our song “The State Of Nature”, we rented a Victorian-style reception space, located in a church basement in Ottawa. Everyone was dressed in Victorian gothic fashion, with vampire fangs, pale skin, and some blood. Joel built a super nice table for the human sacrifice scene, which was very bloody of course. Little did we know, a mass was taking place in the church above us and two priests came downstairs to ask us to lower the music. Let’s just say that when they came on set and saw all the blood and vampires everywhere, their faces were priceless!!!

4. As we did in our previous music videos, we always build our own props and video sets ourselves. Only, with the videos for this album, we decided to go big and build our own mechanical effects as well. After posting a few of our projects on social media, we started receiving demands to build props and special effects for other bands, which made us realize that we had something special to offer. We are now working on commercializing our creations to help out music video and even movie producers, while creating amazing professional relationships and perhaps making a living out of it.

5. JP Buzzard is quite the animal on stage! He really brings the spirit with his wicked long hair, leather pants, and signature moves. One of his moves is to throw his bass toward the crowd at the very end of our show but quickly grabs it back with his bass strap before it hits someone. But since not all stages are made for this beast, he once threw his bass right on a sprinkler head and everyone was going nuts… until we realized the sprinklers were deactivated. Talk about being lucky!

L-R – Ste Vy Leff (Lead Guitar), Steve O Leff (Vocals, Guitar), Joel Bilodeau (Drums), Jean-Pierre Proulx (Bass).

Photo Credits: Lisa Thompson of Dark Moon Productions

PEDAL TO THE FLOOR, MOTOR RUNNING HIGH

That’s how Rockin’ Engine rolls, full throttle, no compromise. Officially formed in 2018, they released their first self-produced album “Midnight Road Rage” which caught the attention of many hard rock and heavy metal enthusiasts throughout Europe and America. After joining forces with Dark Moon Productions to produce their first professional music videos, it was clear that this quartet’s path toward heavy metal eminence was only beginning. They later released a post-apocalypse concept EP, “The Wretched And The Damned”, that truly reflected the direction in which the band was heading. Their creativity, high-octane energy, and will to succeed, granted them a few honourable opening performing spots with Tony MacAlpine, Ross The Boss, Death Angel, and Yngwie Malmsteen.

Switching things into high gear for 2023, Rockin’ Engine produced their very anticipated new EP “Altered By Evil” inspired by 80’s psycho horror, ready to be released this summer. They claim it is by far their best work yet and look forward to raising Hell wherever they set foot. If Gojira, Lamb Of God, and Rob Zombie made a baby, Rockin’ Engine would be their bastard son. Their fusion of Hard Rock and Thrash Metal will set fire to any stage and leave everyone with a bad case of whiplash.

Rockin’ Engine is:
Steve O Leff – Vocals/Rhythm Guitar
Ste Vy Leff – Lead Guitar
JP Buzzard – Bass
Joel Bilodeau – Drums/Vocals

Discography:
2023 – Altered By Evil
2020 – The Wretched And The Damned
2019 – Midnight Road Rage

Shared Stage with: Angelus Apatrida, Yngwie Malmsteen, Anvil, Death Angel, Exmortus, Hell Fire, Ross The Boss, Tony MacAlpine, Warrior Soul, Ghoulunatics, Fractures & Outlines, Cevilain, Colorsfade, Scepter, Lycanthro, Cynical Sons.

Tours and Festivals:
2019 – Canadian Army Run, Ottawa.
2018 – Canadian Army Run, Ottawa.
2017 – Canadian Army Run, Ottawa.
2016 – Canadian Army Run, Ottawa.

0 ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

  • May 25, 2023
  • by Asher
  • · Ethereal Void · Music News

NEWS RELEASE

Montreal, QC – May 25, 2023

 

ETHEREAL VOID Explore War, Suffering And Demise In “Gods of a Dead World” Streaming Now!

Behold Ethereal Void, a trinity of death metal musicians whose music emanates from the shadows of Ontario, Canada. Infused with groove and progressive elements, their rhythmic dirges speak of the void beyond time and space, a place of emptiness and desolation. Forged in that void, their music embodies the hopelessness of existence, reminding us of the futility of our struggles. Their third album “Gods of a Dead World” is now ready to be shown the light of day and they invite you to indulge in the album stream. They comment:

“This album is definitely our most consistent offering to date. We refined the sound both in writing and production while maintaining a unique angle for every song. The biggest stand-out is the introduction of orchestral elements to the sound. It feels like a long time coming, at least from my perspective. The album is much more refined musically as well. While we generally keep to the traditional EV themes, There is a constant-running sub-theme of the futility and violence of warfare.”

Throughout the album, Ethereal Void takes up through moments of tension, traditional death metal, instrumental interludes, relentless riffs, and anxious melodies. They cover bleak and harsh topics such as war, suicide, a dying planet, and the worship of entropy. The organic conjuring of the album is initially created by Terci Ruina creates, further embellished by Nemesis, and completed by “Voiicide” who also produced, mixed, and mastered it.

“Gods of a Dead World” is raw, visceral, and primitive. The groove-based death metal darkness within is recommended for fans of Gojira, Septic Flesh, and The Design Abstract.

Listen to it in full via its album stream premiere on Bravewords HERE.

​“Gods of a Dead World” is due out May 26, 2023, via Abstrakted Records.

Album pre-order – https://design.bandcamp.com/album/gods-of-a-dead-world​

Lyric Video – Seeds of Hatred – https://youtu.be/ZN2wTUjij8c​

Track Listing:​
1. Overture to Annihilation (1:35)
2. The Voiceless (2:59)
3. Seeds of Hatred (3:44)
4. The Art of Ruination (2:48)
5. Psychosomatic Suicide (2:59)
6. Decay (Interlude) (0:46)
7. Return to the Void (3:34)
8. The Brown Stone Spire (2:32)
9. Gods of a Dead World (5:49)
Album Length: 26:50

For more info: Facebook.com/EtherealVoid​

– 30 –

““The Voiceless” is a rushing charge. It gets the listener’s pulse pumping because the song itself has such a mad pulse. Many of them actually, from the fast jolts in the fuzzed-out riffage to the die-stamp hammering of the snare and the jackhammer impact of the bass. And it does sound like a mad pulse, thanks to the swarms of frantic tremelo’ed fretwork, the relentless double-bass strafing, and the ugly ravenous growls. While the head-hooking energy of those assaulting ingredients never really lets go, the music does also move sideways. Eerie spectral tones ring out, creating an overlay of melancholy. The music even seems to elevate in wailing splendor, as a prelude to a sorcerous guitar solo that sounds both inviting and yearning, both enticing in its glimmering tones and downcast in its mood. Even the unhinged screams of the vocalist almost sound like singing (almost).” – No Clean Singing

“A compact and concise release, Gods of a Dead World comes in at around 26-minutes long and features a number of sharp and savage pieces of music. Kicking off with a frantic showcase of guitar screams and squeals, with the chunky familiarity of death metal heaviness, Overture to Annihilation gets in, smashes stuff up, and gets out.” – Games Brrraaains & A Head-Banging Life​
​
​“or a Death Metal cut “Overture to Annihilation” is a real eye opener, blood soaked in cinematic orchestration and virtuoso lead guitars, the barked vocals having that story telling quality to them. That flows nicely into “The Voiceless“, which introduces the lyrical themes and creatures with Voiicide playing both victim and killer as vocals come from alternate angles with a vocal tweak. It works incredibly well, the riffs flowing freely with chugging aggression, the leads bright and vibrant against the darkness. The way the cuts have been put together has been well thought through, the segway into “Seeds of Hatred” barely noticeable as the flow continues like an orchestral piece but there is also enough of shift to identify the track as being separate.” – Metal Noise​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

  • May 25, 2023
  • by Asher
  • · Music News · Whythre

NEWS RELEASE

Montreal, QC – May 25, 2023

​

Streaming Now! WHYTHRE’s Electrifying Melo-Death Album “Impregnate My Hate”

L-R – Steve Fournier – Drums, Adam Chambers – Vocals, Guitars, Synths, Eric Close – Bass, Shon Petrey – Guitars, Synths
(Photographer Credit – Carolina Chambers)

Seattle-based Whythre’s new album “Impregnate My Hate” is about to be released on Friday, May 26th and before it officially drops, its full album stream is being premiered on Metal-Rules HERE.

Whether it’s writhing with wailing solos, slithering with sinuous synth lines, or awash with waves of riptide riffs, Whythre’s latest is without remorse. They came to lay waste and write solid album titles — and they’re all out of album titles. Consequently, “Impregnate My Hate” opens with the single “Scorchbreath”, an onslaught of solos, slamming breakdowns, subtle orchestration, and a sing-along chorus that embodies Whythre’s deft formulation of melodic death metal singed with a blackened edge.

Having been fixtures in the Seattle metal scene since 2016, band members Shon Petrey, Adam Chambers, Eric Close, and Steve Fournier know their way around both riff craft and laying down a tight performance. But Whythre’s latest expulsion of fury seethes like a band that’s only getting started, from the first violent lick to the final double-bass kick.

Follow along to standout tracks like “Immanence”, which thunders along with the certainty of slow death and offers little in the way of forgiveness, or to Scorpions of Sinai, which has a groove guaranteed to move any circle pit. The fury of Whythre’s writing is real, but fury is rarely this much fun: expect to get your ass kicked, and enjoy it.

When asked how they expect the album to be received by fans, Chambers replies that they just enjoy the creative process and evoking good memories, and are otherwise not concerned about how other people view it. Petrey expects that his mother will be just as, if not more disappointed with this one as previous efforts, Fournier suggests that fans will be surprised with their new material citing new blood in the band and a concise vision helped shape their most impressive record to date; and Close says that fans will be able to feel the energy from the album and that it will provide an electrifying experience for them.

For those who have the privilege of seeing Whythre play live, at the conclusion of their performance they will either hear the Mortal Kombat voice in their heads saying ‘FLAWLESS VICTORY’ or feel relief that they chose to shelter in the bathroom during their set.

The album was produced and mixed by Shon Petrey, it was mastered by Levi Seitz at Black Belt Recordings, the album artwork was done by Andrzej Masianis and the graphic design was done by Ryan Ricketts.

Recommended for fans of Children of Bodom, Hypocrisy, and Hans Zimmer, “Impregnate My Hate” is due out on May 26th, 2023 via High Point Records and is available for pre-order at https://whythre.bandcamp.com.​

Music Video – Scorchbreath – https://youtu.be/tVGnpIA6Gk8

​

Lyric Video – Scorpions of Sinai – https://youtu.be/cowdXndpbVU

​

Animated Video – Impregnate My Hate – https://youtu.be/strDy2KrWs4

​

Track Listing:​
1. Scorchbreath (3:54)
2. Impregnate My Hate (3:11)
3. Can’t Escape This (4:55)
4. Scorpions of Sinai (3:29)
5. C Section S1urpee (2:48)
6. Death Frontier (3:09)
7. Tantric Aspects of the Cross (2:32)
8. Immanence (4:02)
9. Run it Red (3:50)
Album Length: 31:54

For more info: Whythre.com | Facebook.com/Whythre | Instagram.com/whythreofficial

– 30 –

“The album as a whole is a hell of a twisting and turning trip, which might appeal especially to fans of Hypocrisy and Children of Bodom. You’ll get another taste of the album in its first single, “Scorchbreath“, which features backing vocals by Gabe Tachell (Whythre‘s first vocalist) and Carolina Chambers.” – No Clean Singing

“There is no mistaking that with this new album Whythe sound rejuvenated, the new rhythm section as precise and destructive as a laser guided missile. As a listener, opening cut “Scorchbreath” is exactly what you want. Punchy and aggressive, crossing sub-genre territories with death defying leaps with an onslaught of Thrash infused riffage, short and violent bursts of Black Metal inspired blast beats, gang chant moments in the chorus and the odd ethereal touch a real demonstration of prowess. That’s before we’ve mentioned the twin axe attack of the extended solo which will melt your face off… before the kick in the guts that is the title track “Impregnate My Hate“.” – Metal Noise

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 EPK – All Else Fails – The Incident at Black Lake (2022)

  • May 24, 2023
  • by Asher
  • · All Else Fails · EPKs

EPK – All Else Fails – The Incident at Black Lake (2022)

Publicist – Jon Asher – jon[@]ashermediarelations.com

“This EP is an evolution of All Else Fails in every aspect of its musicality, its songs are heavier, more complex, and deeper than ever. Employing elements of other genres like industrial noise, moody electronics, or ambient sampling has always been a hallmark of the band, but “The Incident at Black Lake” takes a new approach. It is a fusion of these core elements with a new level of technical metal prowess and a dramatically more dynamic vocal style. The three original songs and one cover explore themes of devastating mental illness, dystopic mass existential nihilism, and ideological fascism. “It took over 2 full years to write and produce this EP, we took our time with every part, every note, every modulated warble. Every musical element has a place and purpose. We are telling a horrifically personal, furiously aggressive, and unnervingly beautiful musical story of mental terror and surviving despair. With a dark heart, we present The Incident at Black Lake”.” – Barrett Kelsko – All Else Fails

 

For fans of Chimaira, Killswitch Engage, Revocation, Soilwork, Fleshgod Apocalypse

Band: All Else Fails
EP Title: The Incident at Black Lake
Release Date: Sept 30, 2022
Label: Self-Release
Distribution: CD Baby

Facebook.com/AllElseFailsCanada | Instagram.com/allelsefailscanada | YouTube.com/user/allelsefailscanada

Allelsefails.bandcamp.com | Spotify | Apple Music

“The Incident at Black Lake might be “just” a four-track EP by All Else Fails, but its 25 minutes of music are absolutely intense and electrifying, proving why they’re undoubtedly one of the most important names of the Canadian Metalcore scene.” – The Headbanging Moose

“The third theme is my favorite without a doubt. “Flesh/Excess/Wealth” has one of the most vibrant riffs starting at minute 2`40« and they make up for it with a percussion chorus that had previously been heard on the vocals. Finally, when I couldn’t like it more, ALL ELSE FAILS decides to end with a tribute to my beloved DEATH. The cover that they do with “Crystal Mountain”, uniting the trail that Chuck Schuldiner left us while leaving his personal mark, to take off his hat. I love these Canadians and look forward to their next album.” – 9.5/10 – Necromance Magazine

“The EP itself is a cyclone of melodic metalcore fire, death metal toxicity and progressive imagination revealing ALL ELSE FAILS at their most open, intense and thrilling.” – The Ringmaster Review

“Being dark in nature, it tells the suffering that Klesko was facing and what he was seeing in his head. While very dark at times, it’s mind-bendingly beautiful to see it from this perspective. And I can’t wait to hear what else the band has to offer.” 4/5 – Metal Epidemic

““Flesh/Excess/Wealth” is a close second for my favorite song, however. Klesko says he wrote it about losing his sense of humanity. It’s a really aggressive song, but also contains some really beautiful clean singing and a wicked guitar solo. The final song on the EP is a cover of “Crystal Mountain” by the band DEATH, a song much loved by the band. Lyrically, the song fits the dark tone the band set for the previous songs on the EP. I think the band did a good job with the cover and putting their own sound to it. Overall, I thought this was a great EP where I could really feel the emotions that went into writing it.” – Metal-Temple

“”The Incident At Black Lake” is a solid EP” – Powermetal.de

“Canadian band All Else Fails are out with the EP “The Incident at Black Lake”, and this is a production that probably will be of interest to some fans of progressive metal. While a variety of a core based style of metal is at the heart of the proceedings here, the different vocal tones, the changes and alterations over to atmospheric laden and melodic metal, what might be described as thrash metal as well as some quirky instrument movements and expressive arrangement choices does add what I’d describe as a progressive spirit to the proceedings here… If metalcore with an expressive orientation and progressive aspirations sounds interesting to you, this is an EP you might consider becoming a bit more familiar with.” – Progressor

“A Monster of a Metal Opus” – The Edmonton Journal (The False Sanctuary 2018)

“All Else Fails has a striking level of detail, constant melodic bloodshed and unremitting rhythms that push through your throat leaving you with no choice but to bang your head.” – Boston Rock Radio (The False Sanctuary 2018)

“They are by turns pissed and melodic, speedy and anthemic – but always organic sounding….their song “The Sons Of Plenty”, a tune that encompasses all those things and demonstrates what the band is capable of.” – Gear Gods (The Forever Lie 2017)

“Guttural heaviness + impacting music = You’ll like it!” – CFMU 93.3 FM – Master Radio (Hamilton, ON) ( The Forever Lie 2017)

“From song to song you are greeted by pummeling riffs, heavy blasting drums, thick bass lines and vocals that transition between menacing and deadly growls to soaring and highly intoxicating cleans. Before you know it All Else Fails has you headbanging and singing along to each of their songs.” – Cadaver Garden  (The Forever Lie 2017)

“this six track EP sees this quartet expand their mutant thrash blueprint with doses of melodic crooning and bursts of dizzying orchestral strings on Obedience At The Altar Of Sacrifice.” – Metal Hammer Mag UK (Fucktropolis – 2013)
““Fucktropolis”. What an awesome name for an EP. And what an awesome EP it is.” – Metal Temple (Fucktropolis – 2013)

“They have a very ominous sound, if you will, with quick, intricate and skillful instrumentals – especially the drumming. Their talent really shows through in their final product.” – Spill Magazine (Fucktropolis – 2013)

[Download EP Cover | Download EP Lyrics]

Band: All Else Fails
EP Title: The Incident at Black Lake
Release Date: Sept 30, 2022
Label: Self-Release
Distribution: CD Baby

Track Listing:
1. I, Defiler (5:48)
2. Devour the Sun (8:24)
3. Flesh /Excess /Wealth (5:36)
4. Crystal Mountain (5:19)
EP Length: 25:09

EP Recording Credits:
• All songs performed by: All Else Fails (Barrett Klesko, John Saturley, Coco Lee, Nelson Collins-Lee)
• All songs written by: All Else Fails (Barrett Klesko, John Saturley, Coco Lee, Nelson Collins-Lee)
• Produced by: All Else Fails (Barrett Klesko, John Saturley, Coco Lee, Nelson Collins-Lee)
• Mixed by: Bevin Booth
• Mastered by: Bevin Booth
• Album Artwork by: Zulmi_m (https://www.fiverr.com/zulmi_m)
• Member of SOCAN
• Canadian Content (MAPL)
EP Recording and Live Band Line Up:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

==============================================

The EP as a whole (LYRICALLY & MUSICALLY):

This EP is fucking dark, musically and lyrically. I wrote my parts in the darkest, most distressed headspace I have ever been in. Most of the time during the writing of this EP, I was convinced that I had been unglued from time, I was barely functioning. Through the fog and sensation of reality warping around me, I somehow found clarity in my writing. Weirdly, at first, I didn’t know that I was writing about myself, I was just kind of writing. I remember there was a day when we got our first mix back, and I hadn’t heard the songs in a few weeks, 30 seconds into the first verse, I collapsed in this park I was walking in, and I realized that the songs were me, describing the suffering I had been experiencing so that I could understand what was happening in my own head, it was completely overwhelming. I had created something so direct, with zero awareness that I was doing so. It was a mind-bending experience as if a past version of myself had reached out through time to help me understand what was happening to me, an absolute headfuck. For my contributions musically I created tones and sounds that conveyed how distorted the world around me felt, I was attempting to use the music to level out the turmoil I was experiencing internally. I was experiencing reality in waves of vertigo, time-loss, and visual blackouts, I was trying to push back on these sensations with music. I think this EP is beautiful, there is elegance in darkness. I think it’s sad because I know the turmoil and pain it took to write it, and I think it’s powerful because it’s the first time I have truly been honest in my music.

Track by Track explained (LYRICALLY & MUSICALLY):

I, Defiler: The first song I wrote lyrically for the EP. In the early days of my spiral, when confusion about my own state was at its highest. I was doing everything I could to understand the suffering I was experiencing. I tried using Acid in an attempt to explore my own mind. Informally guided trips allowed me to see aspects of myself that I hadn’t considered, and I was desperately searching for clarity I couldn’t find in the real world. Primarily this song is about those explorations of self, both the positives and the futility. The song opens with the line “We are the Watcher” which is the experience of standing outside my own body and judging myself as lacking. During one of these trips my mind disconnected from the flow of time for the first time, I describe it as being able to “slide the scale” into different times in my own life, often which had points anchored in trauma, but occasionally were sitting in places of peace and beauty. The lyrics attempt to put to music these sensations, and the following experiences of both déjà vu and Jamais vu, sometimes simultaneously. Musically the song is erratic, kinetic, and industrial. It is heavy, both in guitars but in electronics and noise as well, and carries a time change into its bridge that furthers the disconnect between perception and reality.

Devour the Sun: This song is an allegory. A child from a beautiful nameless place travels across existence. It was born in warmth and life, from an engine of creation, and its only need is to share who it is with whatever it comes in contact with. As it travels, it leaves a piece of its radiance behind as a gift, a tiny slice of its essence that it shares with exuberance. It travels for years, shining it’s light on whatever it encounters, however, over the long years, it eventually forgets who it is, and with that, where it came from. The child drifts, older now, and comfortable at first to be pulled along by the forces around it, buffeted across the ether, fulfilled by the simple act of experience. Over time, however, discontent begins to grow. Who was it? There must be a purpose beyond drifting endlessly in the black. Its questions turn to screams and cries in the heavens, but the black has no answers. Eventually, devoid of solace, its voice becomes quiet and its mind despondent. It slowly diminishes, becoming a faded husk, lost inside its own ruminations, until one day it enters the atmosphere of a nameless biome. For the first time in years, it sees its own reflection. Cast back unto itself by the starry eyes of a young girl, undistorted by expectation, its fragmented and damaged memories return. It knows once again that long ago it was a star, a sun, burning bright in the deepest reaches of the universe. In this child’s eye, the light that was once a star becomes an experience; bright, beautiful, and warm, and then a memory; comforting and soft. For a moment, the light knows peace in the surety of itself, but the child sleeps, the memory fades, and the light from the long-dead star is lost forever in nothingness. Musically this song follows an unconventional narrative. It ebbs and flows, thrash riffs turn to piano-esq clean parts. Soaring melodies devolve into full-bodied guttural torment before becoming aethereal whispers.

Flesh /Excess /Wealth: This song explores the horror of having the sense of my own humanity removed from my conscious existence. I live in a time where I am taught to ignore my strongest human instincts, to follow systems put in place to hurt me, and to ignore what I perceive with my senses. I put progress and individualism over kindness and community, I have forgotten that I am part of a greater universe to which humanity has barely opened our eyes to. I hurt myself in the name of our god; currency, I humiliate myself at the altar of ego. I place the needs of the unknown few above the wanting many and am often not aware of doing so. This song is about disconnection. Musically it is oppressive, militant, violent, and aggressive.

Crystal Mountain: This is a song we love, and felt that we could cover faithfully at its core, while adding our own twists to its soundscape, to justify its existence. Lyrically it speaks to religious oppression on a personal and community level.

=======================================================

BAND STORY ANGLES / FUN FACTS:

1. During a festival performance in India, Barrett was stage diving in the crowd. When he tried to return over the barricade, he was mistaken for a fan rushing the stage, and beaten with what he describes as “whapping sticks”.  Post-show, the security team asked for selfies which Barrett agreed to on the condition that he got to hold one of the sticks.

2. During the recording of this album the band founded a “Bourbon Club”, in which they sampled (consumed) and reviewed over 60 bottles of Bourbon. The group favorite for both quality and price point: Four Roses.

3. The band initially intended to release this album as one 25-minute song due to the flow between songs and old-school story telling vibe that it evoked, but scrapped the idea in favour of a more fan friendly, standardized experience. The album is still recommended by the band to be consumed as a whole.

4. John and Barrett miscalculated the strength of some weed edibles once on tour, leading to an incident called “The Brain-Lasering”.

5. The programming / keyboards / noise were originally started as an afterthought to a very guitar forward album, but as the band began work on writing these parts, the songs took on a whole new dimension, fundamentally changing their sound. The intensity of the work and the level that these layers affected the songs have led us to described the process as “scoring the soundtrack to our own album”.

About:

Over the last 15 years, Edmonton, Alberta based award-winning metal band All Else Fails has become a cornerstone of the melodic heavy metal community in Canada. Combining intense riffs, intricate rhythm sections, brutal guttural screams, and melodic yet unusual vocal lines paired with relevant and relatable lyrics, All Else Fails’ message resonates with us all.

Formed in 2006 with the release of their self-titled EP, All Else Fails has gone on to release 9 studio albums, many of which have garnered awards and nominations from across the Canadian music industry and have propelled the band into live performances all over the world, including their massively successful tour of India in 2017.

For the past two years, the band has been hard at work writing their new album “The Incident at Black Lake.” A deeply personal, brutally honest, and staggeringly complex take on the reality-bending mental struggles of vocalist and founder, Barrett Klesko (The Misfires, The Order of Chaos). The band is filled out by guitarist John Saturley (The Order of Chaos, Skepsis), bassist and vocalist Coco Lee (Eternal Prophecy), and drummer Nelson Collins-Lee (The 21st Agenda, Skepsis). The album is produced by Bevin Booth of In the Booth Recordings and engineered at The Electric Treehouse in Edmonton, Alberta.

In 2022, the band is returning to their DIY roots by mindfully abandoning their social media and redirecting their energy to contributing to their local metal scene by building a direct personal connection to their fans and followers, living in line with a humanist philosophy and encouraging a culture of support between artists. All Else Fails’ new single “Flesh /Excess /Wealth” drops in early September with the full EP “The Incident at Black Lake” releasing September 30th. Fans can experience their explosive new live show this fall in Western Canada.

All Else Fails is:
Barrett Klesko – Vocals, Guitar
John Saturley – Guitar
Coco Lee – Bass, Vocals
Nelson Collins-Lee – Drums

Discography:
2022 – The Incident at Black Lake (EP)
2018 – The False Sanctuary (EP)
2017 – The Forever Lie (EP)
2013 – Fucktropolis (EP)
2012 – Ruins Punk for Everyone – LP
2011 – The Oracle: What Was, Is, and Could Have Been Special Edition Re – Release (full length)
2010 – The Oracle: What Was, Is, and Could Have Been EP
2008 – Against the Darkening Sky – LP
2007 – Of Ashes and Accusations Live DVD / CD
2006 – Self-Titled EP

0 ROCKIN’ ENGINE’s Video For “Monsters Under Your Bed” Will Give You Reason To Stay Awake At Night + New EP “Altered By Evil” Out July 2023

  • May 24, 2023
  • by Asher
  • · Music News · Rockin' Engine

NEWS RELEASE

Montreal, QC – May 24, 2023

 

ROCKIN’ ENGINE’s Video For “Monsters Under Your Bed” Will Give You Reason To Stay Awake At Night

New EP “Altered By Evil” Out July 2023

Pedal to the floor, motor running high! That’s how Ottawa, Canada’s Rockin’ Engine rolls – full throttle, no compromise. Officially formed in 2018, they released their first self-produced album “Midnight Road Rage”, which caught the attention of many hard rock and heavy metal enthusiasts throughout Europe and America. Switching things into high gear for 2023, Rockin’ Engine produced their very anticipated new EP “Altered By Evil” inspired by 80’s psycho horror, ready to be released this summer. Each track is chock full of high-octane riffs, thunderous drums, and catchy vocals that deliver chilling lyrics with power and finesse. The first single accompanied by a high-production video is “Monsters Under Your Bed”, which tells the story of a woman haunted by her past. The band comments:

“The video for this song was a very challenging project. Musically, we wanted people to hear the evolution in our style, without being too drastic in our change. Gojira was a huge inspiration in the writing process of the music, with a rhythmic introduction and heart-pounding riffs, to melodic choruses that keep playing in your head over and over again. The main inspiration for the lyrics was the storyline of Wes Craven’s Nightmare On Elm Street. So visually, we wanted to recreate our own version of certain scenes in the movie and make the cinematic experience as big as possible.

With elaborate set design and props and hours of labour, Rockin’ Engine has succeeded in making a music video that is as entertaining and dramatic as the music they make. This is only the beginning of their cinematic adventure and they are looking forward to making more detailed videos in the future.

“Altered By Evil” is intended for horror fans and rockers alike. Those brave enough to dive into the darkness will be brought into a psycho-horror fantasy, where Wes Craven meets Stanley Kubrick, where Ramirez meets Bundy, where “Tubular Bells” meets “Dies Irae”. The various subtle influences and nuances gathered in this work will please any hardcore horror movie fanatic, but also anyone who can plunge themselves into an imaginary world of monsters and evil spirits. The EP is recommended for fans of Megadeth, Slayer, and Lamb of God.

Watch and listen to “Monsters Under Your Bed” via its premiere on Metal-Rules HERE. ​

“Altered By Evil” is due out on July 7, 2023.

EP pre-order – https://rockinengine.bandcamp.com​

Track Listing:​
1. Carnival Of Evil – 5:45
2. Day Of Wrath – 4:22
3. Liber Ex-Mortis – 4:59
4. Monsters Under Your Bed – 5:11
5. Psycho Path – 5:23
6. Room 185 – 4:13 ft. guest vocals Steph Jomphe (Insurrection)
EP Length: 29:55

For more info: Facebook.com/rockinengineofficial | Instagram.com/rockinengine | Twitter.com/Rockin_Engine

– 30 –

“this ENGINE is runnin’ and rockin’ on all cylinders with no signs of slowing down anytime soon.” – KNAC

“Midnight Road Rage” has great instrumental ideas. It’s an album that makes us proud. Love at first sound. It’s such a pity that it is only of eight tracks. Believe me. You won’t regret.” – Metal Addicts (2019 – Midnight Road Rage)

“a bombastic and heavy hitting forty minutes of metal and rock, full of swagger and sass.” – Metal Gods TV (2019 – Midnight Road Rage)

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 EPK – Dorea

  • May 23, 2023
  • by Asher
  • · Dorea · EPKs

EPK – Dorea

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

Band: Dorea
Single Title: Hypnotic:
Release Date: May 22, 2023
Label: Self-Release

“We hope the fans perceive the sound as something fresh & unique. We continue to write music because it is our passion and we want to leave behind a legacy and repertoire of timeless music. We are really devoted to making the songs as groovy, heavy, melodic, and catchy as possible while at the same time adding elements of virtuosity. In other words, the goal is for the listeners to sing along to the hooks but at the same time appreciate the musicianship and technical aspects of each member’s individual performance.” – Dorea

Doreaband.com | Facebook.com/Doreaband | Instagram.com/doreaband

Digital – https://distrokid.com/hyperfollow/dorea/hypnotic

 

L-R – Manuel Iradian – All Guitars/ Bass/ Vsts, Hugo McSween – Vocals, Kevin Alexander – Drums

Montreal, Canada’s Dorea is a fresh metal band on the scene that features high energy, tightness, and precision, a clear, modern sound with both clean and harsh vocals, insane guitar solos, and crushing drums. They are eager to introduce themselves to the world with their debut single along with many others they have recorded since their inception. They have carefully chosen their forthcoming music to show listeners what they’re capable of and they deliver nothing less than catchy hooks, moving lyrics, and melodies that give way to bone-shaking riffs. The band’s first introduction “Hypnotic” is presented with a dark and gloomy music video, which complements the dark theme of the lyrics. The band shares their thoughts:

“This song speaks about a man that loses everything he has, reminiscing about his past life and searching for truth in answers he never found. The song has everything from ballads to ripping guitar solos and complex riffing. It’s a melting pot of styles. We hope the fans perceive the sound as something fresh & unique. We continue to write music because it is our passion and we want to leave behind a legacy and repertoire of timeless music.”

Devoted to making the songs as groovy, heavy, melodic, and catchy as possible while at the same time adding elements of virtuosity, Dorea’s goal is to entice listeners to sing along to the hooks and at the same time, appreciate the musicianship and technical aspects of each member’s individual performance.

Their music is colorful, rich in its diversity of styles, with even some pop elements that can be heard from time to time. “Hypnotic” was chosen as the debut single as it is the most accessible in terms of its diversity of listening ability. It takes the audience on a journey by creating complex structures with fluid transitions, but unexpected heaviness hits you right in the face.

There is no fluff with Dorea, and they are devoid of any theatricals, they are simply three metal dudes writing and performing some of the best material they can. Edgy, and familiar, Dorea is recommended for fans of Avenged Sevenfold, Pantera, Symphony X, and Opeth.


Band: Dorea
Single Title: Hypnotic:
Release Date: May 22, 2023
Label: Self-Release

Single Credits:
• All songs performed by: Manuel Iradian, Kevin Alexander, Hugo McSween
• All songs written by: Manuel Iradian, Kevin Alexander & Vocals/Lyrics by: Hugo McSween
• Produced by: Manuel Iradian & Kevin Alexander
• Mixed by: Chris Donaldson
• Mastered by: Chris Donaldson
• Single Artwork by: AI
​
​Dorea is:
Hugo McSween – Vocals
Manuel Iradian – All Guitars/ Bass/ Vsts
Kevin Alexander – Drums

0 Canada’s ORCHID’S CURSE Contrast Melodic Death Metal And Thrash Metal In New Single “Dead Idols” Off “The Decay” Out June 2023

  • May 23, 2023
  • by Asher
  • · Music News · Orchid's Curse

NEWS RELEASE

Montreal, QC – May 23, 2023

 

Canada’s ORCHID’S CURSE Contrast Melodic Death Metal And Thrash Metal In New Single “Dead Idols”

New EP “The Decay” Out June 2023

L-R = Alex Wrathell (Drums), Brian Jones (Guitar), Keith MacLeod (Guitar), Jason Szeto (Bass), Josh Hogan (Vocals)

Since forming in Halifax, Nova Scotia, in late 2005, Orchid’s Curse has positioned itself at the forefront of the highly underrated East Coast metal scene in Canada. They ensure that every show leaves them drained of all they had and every album is created with the most care and the best team they can find. This determination and attention to detail is what makes their new EP “The Decay” a melodic death album you’ll definitely want in your rotation. The second single is “Dead Idols”, which the band details:

“Unlike the opening track, “Better Men”, this song gets right into it from the opening note. It is a four-minute melodic death and thrash-inspired banger. Lyrically this song explores society’s idolizations of people who may not deserve the adoration.”

Juxtaposed against the atmospheric opener and the sludgy and experimental track that follows, “Dead Idols” is yet another display of varied influences brought together seamlessly with care and dedication. In the early days, the band had more of a standard, mid-2000s metalcore sound. With each new release, the band has continued to progress and refine its sound. With “The Decay”, Orchid’s Curse continues this trend incorporating a multitude of sounds and influences across the heavy metal spectrum and beyond.

Over the course of their career, Orchid’s Curse has performed and toured with some of their favourite bands including 3 Inches of Blood and Goatwhore. Their ferocious passion is remarkable and no one should sleep on a chance to see them live. They are especially recommended for fans of The Black Dahlia Murder, Burnt By The Sun, and Darkest Hour.

Listen to “Dead Idols” via its premiere on NoCleanSinging HERE.

“The Decay” is due out June 16, 2023.

Album pre-order – https://orchidscurse.bandcamp.com/​

Previous Single:

Divided by Everything – https://youtu.be/6fVni9JkTqo​

Track Listing:​
1. Better Men – 5:42
2. Dead Idols – 4:24
3. The Divergence of Man – 4:45
4. Divided by Everything – 2:31
5. Pay to Prey – 6:24
EP Length: 23:47

Orchid’s Curse is:​
Josh Hogan – Vocals
Brian Jones – Guitar/Vocals
Keith MacLeod – Guitar
Jason Szeto – Bass
Alex Wrathell – Drums

For more info: Orchidscurse.com | Facebook.com/orchidscurse | Instagram.com/orchidscurse​

About: With over a decade of musical output, Orchid’s Curse continues to create a beautiful amalgamation of brutal metal, progressive melody, and intelligent thought-provoking lyrics. Whether in a live setting or on an album, Orchid’s Curse refuses stagnation and orders your full attention.

Since forming in Dartmouth, Nova Scotia in late 2005, Orchid’s Curse has positioned itself at the forefront of the highly underrated East Coast metal scene in Canada. Ensuring that every show left the band drained of all they had and every album was created with the most care and the best team they could find. Now with their sixth release “The Decay” ready to release, the band continues to position itself at the forefront of maritime metal.

Metalsucks.net captured the band’s goal of blending various genres of metal, declaring “Orchid’s Curse is one of those bands that play around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub-genre tags and earn the simple, yet elegant classification of ‘metal’.” while Canada’s Hellbound.ca recognized the bands continued progression and growth over the years stating, “Few bands demand that each album be a progression, a growth, in the way that Orchid’s Curse does. No musical influence is turned away, but everything is twisted, melded into an intense metal experience that makes your head bang one moment and your toes tap the next”

Since 2006 Orchid’s Curse has shared the stage with an incredibly diverse lineup of bands including, The Black Dahlia Murder, Children of Bodom, Every Time I Die, Cancer Bats, 3 Inches of Blood, Goatwhore, Exhumed, Fuck the Facts, KEN Mode, Misery Index, Counterparts, Baptized in Blood, Martyr, Beneath the Massacre, Vilipend, Ion Dissonance, Neuraxis, L’Espirit du Clan, Unexpect, Trigger Effect, Ninjaspy, Unbreakable Hatred, Misguided Aggression, Greber and many more.

– 30 –

“Orchid’s Curse is one of those bands that plays around with melodeath, groove, thrash, and occasionally prog with enough fluidity to rid themselves of any sort of pesky sub genre tags and earn the simple, yet elegant classification of ‘metal’.” – Metal Sucks

“Orchid’s Curse employ their familiar tactic of borrowing the techniques of multiple genres, from filthy death metal riffs to hardcore barks, progressive guitar explorations and dirge-like, doom-influenced song structures.” – Exclaim!

“Thick, brutal, aggressive and borderline cacophonous, at times, Voices is relentlessly engaging and explosive while maintaining a decisively melodic essence.” – Exclaim!

“heavy riffs built for headbanging” – Metal Storm

“Cynics & Liars, is very much an EP which epitomizes everything good about metal in 2016” – PureGrainAudio / V13

“Orchid’s Curse are versatile, able to play everything from menacing thrash to accessible melodeath to punishing metal” – HeavyMetal.About.com

“Every song punches you right between the eyes” – Mettalworx

“This album is just laced with hook after hook. Whether it be a classic metal riff, a psyched out interval or just a standard heavy rock n’ roll beat; the album is catchier than an STD on 2-for-1 night at a brothel.” – Echoes and Dust

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Extreme Metal Music – Venice’s MEMBRANCE Pay Tribute To Lost Sailors In New Music Video “Marubio” Off New Album “Undead Island” Out June 2023

  • May 23, 2023
  • by Asher
  • · Membrance · Music News

NEWS RELEASE

Montreal, QC – May 23, 2023

​

Extreme Metal Music – Venice’s MEMBRANCE Pay Tribute To Lost Sailors In New Music Video “Marubio”

New Album “Undead Island” Out June 2023

Italian death metallers Membrance are unleashing their second second single “Marubio” accompanied by a new music video to support the release of their new album “Undead Island” due out on June 23 2023 via Extreme Metal Music, a subsidiary of Rockshots Records.

“Here in Venice, we say Marubio when there is bad weather coming, the sky darkens, the wind rises, and you can hear the thunder from the darkest clouds grouping overhead. It often comes from the sea. Anyone who doesn’t pay attention to the marubio risks a very bad time or worse. The folklore of the dead at sea or in the lagoon is the oldest and most are handed down to the generations so that we can remember, and with this song, we want to sing a tribute to the most heartfelt among sailors and Venetians.” adds the band.

Watch the video for “Marubio” https://youtu.be/6MZKU4PI5Dg​

Digital – https://spoti.fi/45oyZfC

​

“Undead Island” is the materialization and the channeling of all the ideas and energies expressed so far by Membrance in a unique and well-defined tangible direction. The band has partly abandoned the death n roll influences to give more space to inject black metal and has limited the progressive digressions to have more direct and compact tracks. The lyrical path of the full length is influenced by everyday life, dealing with themes not only of the band’s personal ones but also sometimes not discussed in metal music in general.

With these premises, the band is absolutely sure that their fans will appreciate this work more than its predecessors, and Membrance is equally sure that with this album they will push messages in equal measure to what they have always pushed mainly with the music.

The band adds:

“We want to offer an experience of deep anger, like being able to identify with an innocent prisoner kicking and screaming behind steel bars. We want to bring to the mind of anyone who listens to us the auspicious lagoon folklore that is fading away and to recall the times of a Serenissima that made us proud of our city but which is now almost forgotten. With this record, we want to convey our frustration and anger in our impotence and make people feel all the strength and energy we still have to fight, scream and cling tooth and nail to what we have left of our memories so as not to lose it permanently.”

Membrance was born in Venice in 2012 from the mind of founding member Davide Lazzarini as a Death Metal and Black Metal crossover project, it wasn’t until 2014 and onwards, after several line-up changes, that the group stabilized in old-school Death Metal with blues/rock n’ roll influences, which was reinforced by the entry of lead guitarist Pietro Battiston.

After an intense period of live activity in the underground and various demo recordings, in 2017 Giovanni De Fraja joined as the drummer and Membrance decided to work more seriously on their own music. They immediately recorded and produced their own debut album “Abyss”, initially released independently it was quickly picked up by the Ukrainian label Envenomed Music.

Thanks to this first release, the group received a fair amount of approval in the Italian and European underground scene, and we’re contacted to play at Metaldays of Tolmin 2018 in Slovenia, along with the Winterdays of Metal of the same year, plus asked to be opening support for various international bands on tour in Italy such as Marduk, Brujeria, and Necrodeath.

These successes pushed the group to collaborate again with Envenomed Music and with the support of Narcoleptica Productions, Membrance produced their second studio album “Morality’s Collapse”, which was released at the beginning of 2019 with the sound evolution of 16th Cellar Studio in Rome (Fleshgod Apocalypse, Hideous Divinity, Hour of Penance), starting a path towards the Swedish old school Death sound “HM2 style”.

However, with the arrival of the Covid pandemic, despite growing approval and greater support for the international live scene such as Entombed A.D., Cripple Bastards, and Benediction, after 5 years of activity, Pietro decided to abandon the group leaving to Gregorio, the rhythmic player who just recently entered the group, the task of replacing him.

Giacomo Rusconi also entered the band as the second guitarist, the group embarked on a path of musical evolution in the following years in which it abandoned the blues influences to embrace a more black metal style and worked on texts in Venetian dialect along with lyrical influences inspired by the lagoon folklore.

During the summer of 2022, the recordings of the third studio work “Undead Island” were concluded with the support of the AudioCore Studio, which further develops the sound path started on the basis of the Swedish HM2 sound.

“Undead Island” is due out June 23, 2023.

Album pre-order – https://bit.ly/Membrance_CD​

Music Video – “Riva de Biasio” – https://youtu.be/F0njCYNC8eM​

Digital – https://spoti.fi/3VdJKgg​

Track Listing: ​
1. Zombie Massacre – 3:33
2. Spirar nel Caigo – 3:44
3. Spetro Malcontenta – 3:00
4. 1348 – 3:51
5. Marubio – 3:07
6. Armor of Hate – 4:02
7. Riva de Biasio – 3:50
8. Sepolto in Velma – 3:40
9. Stench of Rot – 4:21
10. The Shores Crumble – 3:50
Album Length: 37:03

Membrance is:
Davide Lazzarini – Singer, Bass guitar and Keys
Gregorio Di Angilla – Rhythm and Solo Guitar
Giacomo Rusconi – Rhythm and Solo Guitar
Giovanni De Fraja – Drum and Percussions

Album Credits:
​
Instruments Recorded at Mestre and Campalto (Venezia) during Spring 2022.
Recording of the vocals, Mixed and Mastered at AudioCore Studio in Parma during the Summer of 2022 by Luca “Cocco” Cocconi and Simone “Sygo” Sighinolfi.
Cover Art painted by Francesco Cagali (China on wood)
“Zombie Massacre” Solo by Jack Draven from Ulvedharr
Sample on “Zombie Massacre” from “Zombie 2” (Lucio Fulci, 1979)
Sample on “1348” from “Morte a Venezia” (Luchino Visconti, 1971)

For more info: Extremetalmusic.com | Facebook.com/membranceband​

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Seek New Lands And Musical Experiences With Playthrough Video For PHAETON’s “Terra Australis”

  • May 22, 2023
  • by Asher
  • · Music News · Phaeton

NEWS RELEASE

Montreal, QC – May 22, 2023

 

Seek New Lands And Musical Experiences With Playthrough Video For PHAETON’s “Terra Australis”

L-R – Colin Righton – Drums & Percussion, Daniel Airth – Lead & Rhythm Guitars, Kevin Thiessen – Lead & Rhythm Guitars, Keyboards, Ferdy Belland – Electric & Fretless Bass
Photo by Julian Bueckert

Phaeton has been a noticeable force in the underground Canadian progressive metal scene since their debut self-titled album in 2018. The band has amassed a dedicated following for their instrumental attention-focused listening experience. One drenched in joy and wonder and the emotional, visceral release that only prog-metal can deliver. And the lack of lyrical interference only allows the listener the better opportunity to let their imaginations run wild with the music, drifting emotionally away on the solar winds to wherever they wish to soar. They recently released their second album “Between Two Worlds” and now fans can dig into the technical goodness with a playthrough video for the track “Terra Australis”. Bassist Ferdy Belland comments:

“The intro to this one always kills me, what with Kevin’s weird jazz chords trading off against the crunch chords and the tapping, and then the groove sets in the lead guitar gets to work. When the complicated melodies really get revving up, you can almost hear the tortured squeak of our helpless tendons as we desperately crawl our fretting fingers across the fretboard in pretzel patterns. There’s a slight reprieve where we bring it down and present you with another hummable melody, and then things just start getting ridiculous again and it’s Phull On Phaeton.”

The members of Phaeton are fascinated with astronomy, and the idea of life itself, in all its beauty and wonder and majesty, emerging from an instant of catastrophic cosmic violence intrigued us conceptually. This is reflected in their dramatic music which emerges from the void in thrilling bursts and unexpected turns.

Interplanetary instrumental heavy prog metal awaits with “Terra Australis”, which is recommended for fans of Gojira, Meshuggah, and Mastodon.

Watch and listen to “Terra Australis” via its premiere on Technical Music Review HERE.

“Between Two Worlds” was released on April 21st, 2023, and is available at Phaetonband.bandcamp.com, Spotify.​

Band playthrough – “Monsoon” – https://youtu.be/-sRzrejyHuA​

Track Listing:​
1. Predestination – 4:57
2. Oceans of Time – 6:44
3. Terra Australis – 4:42
4. Monsoon – 6:06
5. Refraction – 4:48
6. Geomorphic – 4:51
7. Magma Chamber – 6:09
8. Between Two Worlds – 9:21
Album Length: 47:40

For more info: Facebook.com/Phaetonband | Instagram.com/phaetonband | Twitter.com/phaetonband​

About: PHAETON was formed in Kimberley, BC in March 2017 by Kevin Thiessen (lead & rhythm guitar), Daniel Airth (lead & rhythm guitar), Colin Righton (drums & percussion), and Ferdy Belland (electric & fretless bass). Combining technically ferocious compositions of modern metal with the ambitious song-arrangement mindset of classic prog-rock, PHAETON (named for the theoretical proto-planet which collided with Ancient Earth during the Primordial Era) stands alone in the wilderness of British Columbia with their unique approach to instrumental prog-metal.

Phaeton is:
Kevin Thiessen – Lead & Rhythm Guitars, Keyboards
Daniel Airth – Lead & Rhythm Guitars
Ferdy Belland – Electric & Fretless Bass
Colin Righton – Drums & Percussion

Discography
2018 – Self Titled – LP
2023 – Between Two Worlds – LP

– 30 –

“It’s Prog Mag’s brand new Tracks Of The Week! (April 21, 2023) – “Hailing from Columbia, Canada’s Phaeton are an interplanetary instrumental heavy prog metal quartet and as their name suggests, they are fascinated with astronomy, and the idea of life itself, in all its beauty and wonder and majesty, emerging from an instant of catastrophic cosmic violence. The epic Between Two Worlds is the title track of the band’s latest album.”​
​
​“Phaeton are relatively unknown, especially compared to the above mentioned bands (scale The Summit, Animals as Leaders), but they definitely hold their own on Between Two Worlds. All members absolutely kill it on their instruments, the songs are wonderfully arranged and produced, and there’s plenty of variety here to hold our attention. Instrumental prog might be a little talked about genre, but Phaeton belong in the conversation.” – Havvy Music Headquarters​
​
​“All metal influences flow into the respective songs and riffs and power chords are widely spread. The sound of the opener “Predestination” is very reminiscent of GHOST.” – Hellfire Magazin​
​
​“”Between Two World” was very competently arranged and recorded by PHAETON. Prog fans, who like sounds and virtuosity above all, will be well served with the disc.” – PowerMetal.de
​
“If you’re open minded in your choice of Metal genres, you should feel free to let this instrumental work slip through your ears. It takes a little getting used to, so completely without singing. But if you get involved and listen carefully, one or the other will surely like something. The whole thing should appeal to fans of RUSH or DREAM THEATER.” – Hellfire Magazine
​
​
​“Top-tier instrumental prog-metal-math music from the East Kootenay region performed by a quartet of veteran musicians.” – Stuart Derdeyn (The Vancouver Sun)​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 DOREA’s Debut Video “Hypnotic” Ensnares You Into Another Consciousness; Mixed/Mastered by Chris Donaldson (Cryptopsy)

  • May 22, 2023
  • by Asher
  • · Dorea · Music News

NEWS RELEASE

Montreal, QC – May 22, 2023

DOREA’s Debut Video “Hypnotic” Ensnares You Into Another Consciousness

Mixed and Mastered by Chris Donaldson (Cryptopsy)

L-R – Manuel Iradian – All Guitars/ Bass/ Vsts, Hugo McSween – Vocals, Kevin Alexander – Drums

Montreal, Canada’s Dorea is a fresh metal band on the scene that features high energy, tightness, and precision, a clear, modern sound with both clean and harsh vocals, insane guitar solos, and crushing drums. They are eager to introduce themselves to the world with their debut single along with many others they have recorded since their inception. They have carefully chosen their forthcoming music to show listeners what they’re capable of and they deliver nothing less than catchy hooks, moving lyrics, and melodies that give way to bone-shaking riffs. The band’s first introduction “Hypnotic” is presented with a dark and gloomy music video, which complements the dark theme of the lyrics. The band shares their thoughts:

“This song speaks about a man that loses everything he has, reminiscing about his past life and searching for truth in answers he never found. The song has everything from ballads to ripping guitar solos and complex riffing. It’s a melting pot of styles. We hope the fans perceive the sound as something fresh & unique. We continue to write music because it is our passion and we want to leave behind a legacy and repertoire of timeless music.”

Devoted to making the songs as groovy, heavy, melodic, and catchy as possible while at the same time adding elements of virtuosity, Dorea’s goal is to entice listeners to sing along to the hooks and at the same time, appreciate the musicianship and technical aspects of each member’s individual performance.

Their music is colorful, rich in its diversity of styles, with even some pop elements that can be heard from time to time. “Hypnotic” was chosen as the debut single as it is the most accessible in terms of its diversity of listening ability. It takes the audience on a journey by creating complex structures with fluid transitions, but unexpected heaviness hits you right in the face.

There is no fluff with Dorea, and they are devoid of any theatricals, they are simply three metal dudes writing and performing some of the best material they can. Edgy, and familiar, Dorea is recommended for fans of Avenged Sevenfold, Pantera, Symphony X, and Opeth.

Watch and listen to “Hypnotic” via its video premiere on Bravewords HERE. ​

Digital – https://distrokid.com/hyperfollow/dorea/hypnotic​

Single Credits:
• All songs performed by: Manuel Iradian, Kevin Alexander, Hugo McSween
• All songs written by: Manuel Iradian, Kevin Alexander & Vocals/Lyrics by: Hugo McSween
• Produced by: Manuel Iradian & Kevin Alexander
• Mixed by: Chris Donaldson
• Mastered by: Chris Donaldson
• Single Artwork by: AI
​
​Dorea is:
Hugo McSween – Vocals
Manuel Iradian – All Guitars/ Bass/ Vsts
Kevin Alexander – Drums

For more info: Doreaband.com | Facebook.com/Doreaband | Instagram.com/doreaband

– 30 –
​

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

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