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Posts By Asher

0 Descend Into The Aztec Underworld With Cabrakaän’s Melodic “Mictlán” Off “Aztlán” Out November 2023

  • August 22, 2023
  • by Asher
  • · Cabrakaan · Music News

NEWS RELEASE

Montreal, QC – August 22, 2023

Descend Into The Aztec Underworld With Cabrakaän’s Melodic “Mictlán”

New Album “Aztlán” Out November 2023

Photo Credit – Angela Ambrose – Lunar Ring Sound & Graphics Inc.​

​Cabrakaän was formed in 2011 by drummer Marko Cipäktli and vocalist Pat Cuikani who are both from Toluca, Mexico and are currently based in Canada. They work with indigenous Mexican artists to incorporate authentic pre-Hispanic instruments like ocarinas, flutes, percussion instruments, and more in their dramatic, melodic music. They are ready to release their third album “Aztlán” this year along with a documentary to share their culture in a metal format. The first single off this release “Mictlán” (pronounced mickt-lahn), details the nine levels of the underworld in Aztec mythology through which the dead must overcome a series of challenges before reaching their final resting place. The band explains more:

“Through haunting melodies and thunderous rhythms, “Mictlán” delves into the depths of Mictlán, painting a sonic landscape that takes listeners on a journey through the nine levels of the Aztec underworld. With its powerful and energetic sound, the song captures the essence of Mictlán, enveloping the audience in an otherworldly experience. Mictlán is a concept that is still relevant today in understanding the meaning of our lives. The song contains the musical elements that make Cabrakaän who they are: a fusion of folkloric themes, orchestral arrangements, and, of course: heavy metal.”

The band’s sound and style were initially influenced by popular metal acts like Nightwish, Amon Amarth, and European folk metal bands. Soon after, the band established a distinct sound, style, and ambition to tell the forgotten pre-hispanic folk stories, mythologies, histories, and traditions of Mexico’s sociocultural past and present. Musically, “Mictlán” features nylon string instruments to emulate the sound of a vihuela (Spanish guitar), hompak (Mayan trumpet), and orchestral arrangements.

Cabrakaän’s lyrics and music are thematic and are heavily inspired by Mexican culture, history, and mythology. In the past, Cipäktli and Cuikani’s lyrics have engaged with Aztec and Mayan mythology. Lyrics from their upcoming album will engage with a mix of themes related to the Spanish conquest and more mythological concepts. It is recommended for fans of Nightwish, Epica, and Equilibrium.

Watch and listen to “Mictlán” at https://youtu.be/mPLYXJBGXGI

​

“Aztlán” is due out on November 17, 2023, and available for pre-order at https://cabrakaan.bandcamp.com/album/aztl-n​

Track Listing:​
1. Tonantzin – 3:50
2. Fuego – 5:28
3. Tlaloc – 4:01
4. Luces y Sombras – 3:51
5. Malintzin – 5:16
6. Mictlán – 4:25
7. Yolot – 5:16
8. Xóchitl – 2:42
9. La Cigarra (featuring Reed Alton) – 5:31
10. Mictlán (English Version) – 4:25
11. Fuego (English Version) – 5:28
Album Length: 50:13

Album Credits:​
– Produced by Marko Cipäktli and Cody Anstey
– All songs mixed by Cody Anstey at Clarity Recording & Mixing (Osyron, Ravenous E.H., Wu-Tang Clan)
– All songs mastered by Mika Jussila at Finnvox Studios (Nightwish, Children of Bodom, Amorphis)
– All lyrics by Pat Cuikani & Marko Cipäktli

Album Band Line-up:​
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar, Rhythm Guitar
David Saldarriaga Tobón – Bass, Classical Guitar

Live Band Line-up:​
Pat Cuikani, Vocals
Marko Cipäktli, Drums & Rough Vocals
Alex Navarro, Lead Guitar
Brendan Wilkinson, Rhythm Guitar
David Saldarriaga Tobón – Bass, Classical Guitar

For more info: Cabrakaan.com | Instagram.com/cabrakaan_band | Facebook.com/CABRAKAAN​

-30-

“In the world of metal music, where genres often blend and boundaries are pushed, there emerges a band that beautifully merges traditional folk elements with the raw power of heavy metal. Enter Cabrakaän, a Mexican folk metal band on a mission to reconnect with their ancestral roots and preserve the rich cultural heritage of Mexico.” – Infrared Magazine

“CABRAKAÄN has released an amazing, fun, well-written album with influences from various folk styles aligned with Death Metal. It’s definitely one of the best releases of the year in the style and the band deserves all the attention they are getting from the media and the public. 10/10” – Metal Temple (review 2019 – Cem Anahuac My Home)

“While the band may celebrate cultures that are unknown to most Canadian metal fans, Cipäktli says live performances by Cabrakaan are an immersive experience. The band, who wear face paint and costumes to conjure up the “time of the Aztecs,” like to give audiences both a visual and sonic feast.”

-Calgary Herald: “Symphonic Metal Band Cabrakaän Brings Spirit Of Ancient Mexico To Calgary”

“The use of traditional, lesser-known instruments that rarely leave Central/South America jamming along with metal instruments – in a way that would make Ozzy Osbourne in his prime proud – is the last thing Calgary expected to experience, and yet Cabrakaän is here.”

– Calgary Journal: “Cabrakaän, Calgary’s friendly neighbourhood Mexican folk metal fusion band”

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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0 Rockshots Records – DISARMONIA MUNDI To Release Limited Edition Vinyl For “Mind Tricks”; Launch Pre-Order

  • August 22, 2023
  • by Asher
  • · Disarmonia Mundi (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – August 22, 2023

​

Rockshots Records – DISARMONIA MUNDI To Release Limited Edition Vinyl For “Mind Tricks”

With 2006’s “Mind Tricks” Disarmonia Mundi created the album they will most likely be remembered for long after their passing.
​
Considered by melodeath fans an all-time classic “Mind Tricks” delivers Disarmonia Mundi at their peak showcasing the ultimate blend of venomous riffs, classic heavy metal melodies, furious rhythms, and a stellar death metal double vocal attack, featuring powerhouse death metal growler/screamer Claudio Ravinale equally sharing vocal duties with legendary Swedish singer Bjorn Speed Strid from the Swedish melodeath overlords Soilwork.
​
With more than 13 billion streams on Spotify alone “Mind Tricks” received overwhelming positive reviews upon its release and worldwide critical acclaim, praising both the amazing performance of every single component involved in the recordings (with Ettore Rigotti doing the lion’s share of the work being the multi-instrumentalist, producer and only composer of the band) and the amazing craft of tracks like Resurrection Code, Nihilistic Overdrive, Process of Annihilation or the smash hit Celestial Furnace.

Hard to pick one particular song out of the whole album, all 10 tracks stood the test of time becoming melodeath classics with billion of plays and streams worldwide on every single platform cementing the chemistry between Rigotti, Ravinale, and Strid, a chemistry that has endured till today.
​
Originally mixed at the legendary Studio Fredman in Sweden “Mind Tricks” is now considered one of 2000s melodeath masterpieces along classic bands such as Soilwork, In Flames, Dark Tranquillity, Arch Enemy and so on.
​
Now for the first time ever a very limited vinyl version of the album is being released by Rockshots Records providing the perfect opportunity to rediscover one of the best melodeath records ever made and to own a collector’s piece of metal history.
​
​“Mind Tricks” Vinyl Silver Marble LTD Edition is available for pre-order
​Exclusively Available via Rockshots Records Online Store:​
​https://bit.ly/MindTricksVINYL​

YouTube Album Stream – https://bit.ly/3YMdpyU

​

Spotify – https://spoti.fi/3OK5Js7

​

Disarmonia Mundi are:
​Ettore Rigotti – Vocals, Guitars, Bass, Drums, Synth
​Claudio Ravinale – Vocals
​Bjorn Speed Strid – Vocals
​
​For more info:​​
​https://www.rockhots.eu​​
​http://www.disarmoniamundi.com/​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Exitus Stratagem Records – Israel’s SINNERY Unleashes An Animated Thrash Assault w/ Single “Somber” + UK Tour Dates w/ Sworn Amongst

  • August 21, 2023
  • by Asher
  • · Music News · Sinnery (EXSR)

 

NEWS RELEASE

Montreal, QC – August 21, 2023

​

Israel’s SINNERY Unleashes An Animated Thrash Assault w/ Single “Somber”

New EP “Below the Summit” Out September 2023 via Exitus Stratagem Records

UK Tour Dates w/ Sworn Amongst

L to R – Alon Karnieli – Lead Vocals and Rhythm Guitar, Liam Fine – Drums, Saar Tuvi – Bass, Idan Kringle – Lead Guitar

Photo Credit – Or Shenkerman

Thrash metal fans, brace yourself for the next onslaught of music from Sinnery. The band is gearing up to drop their new EP “Below The Summit” this coming September to follow 2022’s break-out sophomore album “Black Bile”. Today, the band unleashes the second single “Somber”, which is ready to burrow into your ears with its animated music video. A blend of speed, technical prowess, and unyielding intensity, Sinnery will also be melting faces live this fall with UK tour dates with Sworn Amongst and a festival appearance at Metal Gates Festival in Romania alongside Katatonia, Rotting Christ, and more. The band comments on the single:

“‘Somber’ was the first song we wrote for the EP. We wanted a ferocious track combining everything we knew how to play up until that point in time. Musically, it’s probably one of the fastest, heaviest tracks we ever did. Lyrically, it’s about growing & emerging out of the soil and dirt that life can be for so many. It’s about dealing with some of the toughest issues in our lives.”

In the first song, the opening words are, “It feels like burying your mother,” because Sinnery wanted people to feel the intensities of the subject from the get-go. They wanted to present their human issues in the most loathsome and gruesome way possible while also focusing on dealing with them. The track combines all the things to love about metal – fast-paced riffs and drum licks take a bit from every genre that Sinnery admires and make it something very original. The initial concept behind “Somber” was taken from the book “The Subtle Art of Not Giving A Fuck” by Mark Manson, which talks about making the best out of the cards you are dealt in life.
​
Prepare to be swept away by Sinney‘s raw power and unapologetic attitude. Their live act is known to be extremely energetic and heavy & they tend to keep the mosh pretty intense throughout all their sets. Combining modern sound and old-school ferocity they are all about creating an intense experience for everyone in attendance. Recommended for fans of Power Trip, Trivium, and The Haunted.

Watch and listen to the animated music video for “Somber” – https://youtu.be/YD4BYI4xERE​

Digital – https://hypeddit.com/sinnery/somber

​

“Below The Summit” is due out on September 29, 2023, via Exitus Stratagem Records.

Previous Single:

“Share This” (Music Video) https://youtu.be/Yf5of0iJ_mw

​

Tour Dates:​
September 18 – The Cobbletones – Bridgewater, UK w/ Sworn Amongst
September 19 – The Black Heart – Camden, UK w/ Sworn Amongst
September 20 – Percy Picklebackers – Nottingham, UK w/ Sworn Amongst
September 21 – Fuel Rock Club – Cardiff, UK w/ Sworn Amongst
September 22 – The Gryphon – Bristol, UK w/ Sworn Amongst
September 23 – The Cavern – Exeter, UK w/ Sworn Amongst
September 28 – Quantic Club – Bucharest, RO – Metal Gates Festival w/ Katatonia, Rotting Christ

Track Listing:​
1. Somber – 3:27
2. An Ode (Knife Of Erato) – 5:16
3. We Just Want You To – 0:21
4. Share This – 2:19
5. Serene – 5:13
EP Length: 16:38
​
​EP Recording Credits:​
• All songs performed by: Sinnery
• All songs written by: SInnery
• Produced by: Sinnery
• Mixed by: Arie Aranovich
• Mastered by: Arie Aranovich
• EP Artwork by: Xul1349
​
​EP Band Lineup:​
Alon Karnieli – Vocals & Guitars
Idan Kringel – Guitars
Saar Tuvi – Bass
Liam Fine – Drums

For more info:​
​Exsrmusic.com​
​Facebook.com/SinneryBand​
​Instagram.com/sinnerybandofficial​

– 30 –

“I’ve said this many times in the past, but one of the many things I love about this business is following the progress of bands as they come of age, mature and get better at their craft. What’s not to love about paying early witness to a bunch of folks gelling and heading on an upward trajectory as they make the move towards proverbial world domination? Israeli thrashers Sinnery are one such band. Gathering their Exodus, Testament, Gojira, The Haunted and post-St. Anger Metallica influences, the quartet from Herzliya, Tel Aviv will soon be releasing their second full length, Black Bile via Exitus Stratagem Records. This new tasty little rager pops the clutch and pumps the gas on modern thrash with a grizzled edge that improves upon the roots planted with their 2016 debut A Feast of Fools and their 2013 demo, Showing Teeth.” – Decibel Magazine
​
“Sinnery [Israel] Proves Thrash is NOT Dead in Groove-Oozing Cesspit of ‘Black Bile’” – Metal Has No Borders
​
““Death thrash” is the simplified genre description for what Sinnery do, but it’s the strong melodies and the variations among and within the songs that make the album such an adventure to experience from start to finish. Compared to the debut all those years ago, which was entirely written by vocalist/guitarist Alon Karnieli back when he was about 16-17 years of age, these tracks are more elaborate, more sophisticated, more reflective of different moods, while at the same time being more brutally extreme.” – No Clean Singing
​
“You just gotta love a band that knows exactly what the hell they wanna be. Sinnery bow to no one, instead turning heel to scissor kick you in the temple with battering ram riffs, suplexing drums, and neck-twisting vocals. You know the opening of Back to the Future where Marty McFly plays a single guitar chord on Doc Brown’s hyper amplifier and goes flying across the room from the resulting sound? “The Burning” provides the same effect regardless of the size of your chosen sound output device – you will be ragdolled and tossed around like a frisbee in a college quad by the quartet’s supreme rippage.” – Everything Is Noise

“I am old enough to have seen the likes of Metallica, Anthrax and others perform live at small venues in London. I’m also a huge fan of the new wave of thrash like Dust Bolt, Lost Society, etc. Sinnery is welcome inclusion with their aggression, energy, and obvious hunger. They might verge on Death Metal a tad with the vocals but that’s ok. With Matt Hyde (Machine Head, Trivium, Slipknot) having mixed and mastered this beast you know the sounds are gonna be right in your face. An excellent sophomore effort – please just keep thrashing!” – My Global Mind

“Sinnery straddle those lines between conventional thrash and modern/groove metal with enough solid musicianship and heaviness to align well with a multitude of touring possibilities.” – Dead Rhetoric

“For those that just want to bang heads and go nuts, there are songs like “The Burning,” “Who Will Be Eaten First,” and “Anti Tribe.” “Hanged From The Sun” and “Holes” flesh out their thrash by either toning down the speed or putting an emphasis on melody.” – Heavy Music Headquarters

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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​

0 Gore House Productions – TORN THE FUCK APART Releases Brutal New Single “Stuck In The Trunk” Off New Album “Kill.Bury.Repeat” Out October 2023

  • August 18, 2023
  • by Asher
  • · Music News · Torn The Fuck Apart (Gore House Productions)

NEWS RELEASE

Montreal, QC – August 18, 2023

TORN THE FUCK APART Releases Brutal New Single “Stuck In The Trunk”

New Album “Kill.Bury.Repeat.” Out October 2023 via Gore House Productions

L-R – Brandon Mitchell (Bass), Michael Langner (Guitar / Vocals), Dylan Watt (Drums)

Photo Credit – Jeffrey Sisson

Since the formation of Kansas City, USA’s Torn The Fuck Apart in 2006, the band has been busy ripping people’s faces off with a relentless onslaught of brutal death metal and gory horror themes. To date, they have released five studio recordings (an EP and four albums), with the sixth “Kill.Bury.Repeat.” on the verge of climbing out of the mire to devour everyone later this year. Produced with esteemed music engineer Robert Rebeck (Origin), TTFA unleashes the first glimpse of the savagery to come in the single “Stuck In The Trunk”, which the band comments on:

“Stuck in the Trunk” is an infectious toe-tapper. A song that all fans of metal can enjoy. Nothing too complicated, just right-to-the-point death metal. A song about the horrors of being kidnapped, bound and gagged, and tossed in a car trunk by a demented menace, only to feel the momentary weightless terror as the car rolls off some cliff.”

Guitarist/vocalist Michael Langner, bassist/vocalist Brandon Mitchell, and drummer/vocalist Dylan Watt are all stoked to bring fans “Kill.Bury.Repeat.”, which is a collection of horror stories spawned from either their own imaginations or inspired by true events. They believe this album represents the next level of brutality that they have worked to achieve over the years not only musically, but also lyrically, something that any fan of metal can enjoy.

TTFA started writing music for this album back before the Covid pandemic, and during the course of developing songs, they wanted to shoot for quality over quantity. They used this mindset to utilize what they had put together to formulate this collection of songs. They are excited to step into a new era of TTFA as a three-piece, and they strive to provide an entertaining live experience with studio-quality performance.

Brutal, gory, fast, and technical, “Kill. Bury. Repeat.” is due out on October 6th, 2023 via Gore House Productions and is recommended for fans of Dying Fetus, Deicide, and Suffocation.

Listen to “Stuck In The Trunk” at the following links:

Youtube – https://youtu.be/Fxrdd4pG0x8​

Spotify – https://spoti.fi/3YHMjbP​

​Album Pre-Order / Digital Pre-Save – https://orcd.co/kill-bury-repeat

​

Track Listing:​
1. Corrosive Form – 3:28
2. A Statement Of Malicious Intent – 2:32
3. Something Went Wrong – 4:06
4. Stuck In The Trunk – 4:20
5. Submerged In Human Compost – 4:26
6. Kill.Bury.Repeat. – 4:26
7. Dead But Delicious – 4:19
8. Autopsy Report (Inconclusive) – 4:19
9. Scratch The Bone – 5:43
10. Unleashing The Bloodthirsty – 3:55 (Cannibal Corpse Cover)
Album Length: 41:38

Torn The Fuck Apart is
Michael Langner ( Guitars / Vocals )
Brandon Mitchell ( Bass / Vocals )
Dylan Watt ( Drums / Vocals )

More info:

​Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions​

​Facebook.com/ttfabandpage | Instagram.com/ttfametal | Twitter.com/ttfametal​

-30-

“The Kansas City brutal death dealers are incredibly good at what they do: song titles that could’ve come from the darker recesses of Jeffrey Dahmer’s mind, technical riffs, blast-happy drumming and grunted vocals.” – Emily Bellino – Decibel Magazine
​
“The band offer up a visceral blend of technical ferocity and rolling aggression, augmented with punishing grooves and even the occasional blood-red splash of melody.” – Wonderbox Metal

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 EPK – Torn The Fuck Apart – Kill.Bury.Repeat. (Gore House Productions) (2023)

  • August 18, 2023
  • by Asher
  • · EPKs · Torn The Fuck Apart (Gore House Productions)

EPK – Torn The Fuck Apart – Kill.Bury.Repeat. (Gore House Productions) (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Cannibal Corpse, Dying Fetus, Deicide, Suffocation, Cryptopsy

Band: Torn The Fuck Apart
Release Date: October 6, 2023
Label: Gore House Productions

“We in TTFA are extremely excited to bring you our newest album “Kill.Bury.Repeat.”, a collection of horror stories from our imagination or inspired from true events. We believe this album represents the next level of brutality that we have worked to achieve over the years not only musically but also lyrically, something that any fan of metal can enjoy.” – Torn The Fuck Apart

​Gorehouseproductions.com​ | ​Facebook.com/GoreHouseProductionsOfficial​ | ​Instagram.com/gorehouseproductions

Facebook.com/ttfabandpage | Instagram.com/ttfametal | Youtube.com/ttfametal | Twitter.com/ttfametal

Tornthefuckapart.bandcamp.com | Spotify | Apple Music

All Links- https://linktr.ee/ttfametal

Album Pre-Order / Digital Pre-Save – ​https://orcd.co/kill-bury-repeat

“The Kansas City brutal death dealers are incredibly good at what they do: song titles that could’ve come from the darker recesses of Jeffrey Dahmer’s mind, technical riffs, blast-happy drumming and grunted vocals.” – Emily Bellino – Decibel Magazine

“The band offer up a visceral blend of technical ferocity and rolling aggression, augmented with punishing grooves and even the occasional blood-red splash of melody.” – Wonderbox Metal

“The Kansas City-based band are known for a full-on, brutal approach, and  this new track is no exception. This is the second single (A Statement of Malicious Intent) released from the anticipated full-length, and it proves the band are not slowing their roll at all, as it pummels through fast and furious.” – Decibel Magazine

“”If you’re just after some brutality and aggression, you’ll find it on ‘Kill.Bury.Repeat’ and you’ll be happy with it.”” – Metal Underground

“Torn the Fuck Apart is one of the most unpretentious band names in extreme metal, and it’s also an example of “truth in advertising”: their music delivers what the name promises. Much the same could be said for this Kansas City’s band’s new album that’s due for release next month: Kill. Bury. Repeat.” – No Clean Singing

“TTFA have a penchant for gruesome lyrical themes that match up with their name. There is indeed a maelstrom of ruinous madness in the song (Corrosive Form) itself. Operating at a full-throttle pace from the very start, the band open with a maniacally swarming riff that nevertheless includes a vivid pulse, and then switch into a whining and writhing sensation that also includes feverish jackhammering jolts. There’s equally ruinous tumult in the low end and equally manic progressions in the snare-work (though it often fires like a machine weapon), with monstrous gutturals barking the words like a huge hellhound. But as the song surges ahead, subtle changes in the rhythms and the riffing keep coming, one after another, along with sudden stops and starts, without detracting from the song’s overarching sensation of crazed cruelty. And as forecast, the song also proves to be a highly infectious disease as well as a big dose of adrenaline.” – No Clean Singing

“The new full length sees the band trimming down to a trio from the quartet from which we last heard, and the result is ten songs which are lean, mean, and designed to punch a hole in your head like the blast from a 12 gauge shotgun. Unsurprisingly, the music is uncompromisingly aggressive, the lyrical content intense, and cover art suitably intimidating.” – The Pitch (Kansas City’s independent source for news and culture)

“If you’re into any sort of extreme metal, then you will love this. It’s got all sorts going on and I can hear shades of Obituary, Cannibal Corpse, Deicide, Goatwhore and others. TTFK might be a trio but they make one hell of a noise and are as tight as a ducks butt. Death metal is in safe, but dangerous, hands with these guys and I’ll be sourcing their back catalogue ASAP.” – My Global Mind

“Classic brutal death metal, a little black metal vox, otherwise, a meaty cannibal corpse type sound” – The Moshpit – WORT 89.9 FM (Madison, WI)

“With grim and guttural intent, Torn the Fuck Apart take no prisoners here. Sticking rigidly to the brutal death metal formula, but also infusing the album with a level of horror that makes for a bloodcurdling listen.” – Games, Brrraaains & A Headbanging-Life

“If you’re into any sort of extreme metal, then you will love this. It’s got all sorts going on and I can hear shades of Obituary, Cannibal Corpse, Deicide, Goatwhore and others. TTFK might be a trio but they make one hell of a noise and are as tight as a ducks butt. Death Metal is in safe, but dangerous, hands with these guys and I’ll be sourcing their back catalogue ASAP.” – Jace Media Music

“The title track is a collation of everything here and is an absolute cracker of how they can build songs that fit within the brutal genre without being one note. Great stuff. The later songs chart similar paths but album closer sees them go full tilt with Scratch the Bone which is just storming. That tightness, the changing modes just deliver one of the best metal songs of 2023. This and the title track represent a high watermark, and they should be proud of them, just total quality. The inclusion of the Cannibal Corpse cover is welcome, but not necessary because the songs are strong enough to stand up for themselves. I would go so far as to say it detracts from the great work they have done, but that is purely a personal view. They have achieved what they set out to do, raising their game in order to move forward and sit at the table with the likes of Dying Fetus et al.” 4/5″ – Metal Epidemic

“TTFA’s musical technique is undeniable” – Amplified Magazin

“With a band name and album title like that, of course it’s some brutal death metal. I’ll tell you what, it goes hard for it’s 40+ minutes, too. Heck, even the mixing is in-your-face, with everything feeling like it’s turned up to 11 and right there at the front. If I’ve written those in a way that make them sound like bad things, they aren’t at all. I surprisingly liked this album way more than I thought I would! There are a lot of fantastic riffs throughout, and the low growls are really impressive… I’d LOVE to see these tracks live and if anyone’s into this sort of music you’ll love it!” – Overtone Magazine


Band: Torn The Fuck Apart
Release Date: October 6, 2023
Label: Gore House Productions

Track Listing:
1. Corrosive Form – 3:28

2. A Statement Of Malicious Intent – 2:32
3. Something Went Wrong – 4:06
4. Stuck In The Trunk – 4:20
5. Submerged In Human Compost – 4:26
6. Kill.Bury.Repeat. – 4:26
7. Dead But Delicious – 4:19
8. Autopsy Report (Inconclusive) – 4:19
9. Scratch The Bone – 5:43
10. Unleashing The Bloodthirsty – 3:55 (Cannibal Corpse Cover)
Album Length: 41:38

Album Credits:
Recorded, mixed, and mastered by Robert Rebeck at GFM Recording and Chapter 2 studios.
Artwork by Giannis Nakos at Remedy Art Design
Michael Langner ( Guitars / Vocals )
Brandon Mitchell ( Bass / Vocals )
Dylan Watt ( Drums / Vocals )

========================================================================

About the Album Artwork:

When it comes to art we knew Giannis Nakos was our guy. He makes the type of art so detailed that every time you look at it you notice something new. We have toured with his band Mortal Torment in the past and became brothers instantly. We trusted him to take the title, and songs and have full control over the idea and imagery he felt captured what Kill.Bury.Repeat. was about, and he knocked it out of the park. We couldn’t have been happier with the product we got back.

From the artist Giannis Nakos:
“Me and TTFA go back a few years so I was more than happy when the guys asked me to create the cover art for their new album. I already knew the guys were all about straightforward brutality so I wanted to create something massive and big, something that screams DEATH METAL from miles away. So, skulls, horns, hellfire, and all sorts of nasty visuals combined in a piece that demands the viewer’s attention. I really liked the band’s idea to add a couple of human figures, it really adds to the proportion and scale of the whole piece.”

The album as a whole:

KILL. BURY. REPEAT. is a special album for us, an album that represents the beginning of a new era. As such, the writing process was approached differently, with each member working off the other, from the bedrock all the way to the finished product. Musically and lyrically, it is our most polished and mature work to date. Instead of pushing the boundaries of our playing capabilities, we chose to identify our strong points and utilize those aspects for the music. With less focus on the technicality of the riffs, we worked on writing good songs, catchy riffs, and keeping the perspective on the song as a single piece. Our drummer Dylan has an amazing ear for writing lyrics and phrasing. Grasping the concept of the album almost immediately, he wasted no time in acclimating himself within the band and enhancing the parts that we had established. The lyrics are typically themed around horror movie tropes or inspired by true events. We’re not to be taken too seriously, and we like to bring a little humor into our lyrics and have fun with it. There is no hidden message, agenda, or opinion, just some good old-fashioned death metal with a little personal flair. This album has the best production we’ve ever had, recorded in a professional studio by a veteran engineer, Robert Rebeck. The process was an absolute blast in no small part thanks to Robert, who we couldn’t think of anyone else we’d rather work with. We feel when you listen to this album, you can hear the amount of fun it was to create. We hope this album provides an enjoyable ride from beginning to end.

Track By Track

1. Corrosive Form

The torture and disposal of victims by forms of evil twisted chemistry. Acids and Lye are the tools of choice by a deranged madman with a formidable love of destructive science. Kept in Barrels of Biohazardous waste, the remnants of the dead are now souls, liquified for eternity.

2. A Statement of Malicious Intent

A Statement of Malicious Intent is inspired by the true events of the Hollywood shootout on Feb. 28, 1997. The North Hollywood shootout was a confrontation between two heavily armed and armored bank robbers, Larry Phillips Jr. and Emil Matasareanu, and members of the Los Angeles Police Department in the North Hollywood area. More than 2,000 rounds were fired. It is considered one of the bloodiest shootouts in the history of the United States police force. Phillips was shot nearly a dozen times. His gun jammed when he was pinned down behind a car. He shot himself in the head, but an autopsy report noted the coroner could not determine whether he or the police fired the fatal shot and Matasareanu, shot several times in the legs, bled to death a short time later.

3. Something Went Wrong

A cover-up of gruesomely horrific proportions. A small confrontation at the top of a 102-story high rise ends in a free fall so high the helpless victim was vaporized on impact. Not to mention the live power lines that severed him in half. Finally, he makes repulsive contact with his fate. “He just lost his footing,” they said…

4. Stuck In The Trunk

Stuck in the Trunk is an infectious toe-tapper. A song that all fans of metal can enjoy. Nothing too complicated, just right-to-the-point death metal. A song about the horrors of being kidnapped, bound and gagged, and tossed in a car trunk by a demented menace, only to feel the momentary weightless terror as the car rolls off some cliff.

5. Submerged In Human Compost

Imagine, being dropped in the middle of a lake of decomposing bodies. Wading in absolute panic through blood and fluids squirming with maggots, as a cloud of ravenous flies attacks your every exposed office. So thick with flesh and bones you begin to sink deeper and deeper into the compost pile of human waste.

6. Kill. Bury. Repeat.

With his rusty-edged shovel, and moonlight to guide his purely evil drive to kill. One mass murderer hunts his endless victims, and dismembers the corpse by shovel blade, to fill numerous shallow graves on his secluded plot of hell on earth.

7. Dead But Delicious

By sickly black magic, a brood of rot-thirsty hogs ravages corpses. They glutinously feast on the recently deceased, trapping the souls in purgatory. The squeals of their horror are unwillingly heard by the ones next to die.

8. Autopsy Report (Inconclusive)

A perfectly preserved Jane Doe is booked into the morgue. As the autopsy is performed, the strange discoveries begin… Organs re-arranged, re-attached, and grotesquely sewn together, all filled and nearly bursting with live maggots… with not one visible entry wound or sign of foul play, how could this have happened?

9. Scratch The Bone

They’re inside, squirming and crawling through the flesh. Eating the meat below the surface. A junkie’s only escape from these parasites is the dirty old needles that sedate this living nightmare. Never seen again… and not a wonder why… in the back of a dilapidated train car, sits a pile of torn flesh and bones, scraped, and whittled unrecognizably. The demons that lead him to expiration lie deep within all of us.

10. 10. Unleashing The Bloodthirsty (Cannibal Corpse Cover)

Cannibal Corpse has always been a huge influence on TTFA. One of the first bands that got us into playing Death Metal in general. Unleashing the Bloodthirsty was not only one of our favorite albums but also one of our favorite songs. Something about the tone and attitude of unleashing the bloodthirsty is haunting, fearsome, and violent as is the nature of Cannibal Corpse.


L-R – Brandon Mitchell (Bass), Michael Langner (Guitar / Vocals), Dylan Watt (Drums)

Photo Credit – Jeffrey Sisson

Prepare for an auditory onslaught as Torn The Fuck Apart unleashes their highly anticipated fifth studio album, “Kill. Bury. Repeat.” This Kansas City death metal trio once again proves why they are at the forefront of the genre, combining technical precision, relentless brutal blast beats, and a blood-curdling storytelling that will send shivers down your spine.

“Kill. Bury. Repeat.” is a horrifying journey through the darkest corners of the human psyche. With each track, the band weaves intricate tales of murder, madness, and mayhem, immersing listeners in a world where nightmares come to life. From the guttural growls to the searing guitar work, the musicianship displayed on this album is unparalleled, showcasing the band’s mastery of their craft.

“We in TTFA are extremely excited to bring you our newest album “Kill.Bury.Repeat.”, a collection of horror stories from our imagination or inspired from true events. We believe this album represents the next level of brutality that we have worked to achieve over the years not only musically but also lyrically, something that any fan of metal can enjoy.” says the band.

“Kill.Bury.Repeat.” is due out on via Gore House Productions on October 6, 2023.

Torn The Fuck Apart is
Michael Langner ( Guitars / Vocals )
Brandon Mitchell ( Bass / Vocals )
Dylan Watt ( Drums / Vocals )

More background info:

Since the formation of Kansas City’s Torn The Fuck Apart, the band has been busy ripping people’s faces off with a relentless onslaught of brutality. With the release of their EP, “Skinned Alive” in 2006 and consistently playing shows in and around the region, the band began to build a steady following.

In July of 2009, they released their next self recorded album, “Gods of Gore”, and embarked on an east coast tour with metal veterans Monstrosity in support of it. April 2012 saw the release of “…The Dissection of Christ”, their first full length studio effort. The band continued to grow their fan base by playing both locally and regionally in support of their new record. In the course of their campaign to bring their brand of death metal to the masses, they have had the honor to share the stage with suchacts as: Morbid Angel, Cryptopsy, Origin, Nile, Dying Fetus, Vader, Deicide, Gorgasm, 1349, Kataklysm, Belphegor, Jungle Rot, Broken Hope, Vital Remains, and many more.

In June 2014, TTFA released their second full length studio recording, “Sexually Transmitted Torture”; on Ossuary Industries, and hit the road for a west coast tour in support of the new album.

In 2018, the band released “A Genetic Predisposition to Violence” on Gorehouse Productions, and promoted the album playing festivals such as Maryland Death Fest, Full Terror Assault, and Chicago Domination Fest. They also embarked on a short tour with Origin, Defeated Sanity, and Beneath the Massacre.

As the Covid pandemic wore on, TTFA continued to write new material for their next album as a power trio. Working with esteemed music engineer Robert Rebeck (Origin), they are proud to present their upcoming album, “Kill.Bury.Repeat” on Gorehouse Productions, showcasing the next chapter in the evolution of TTFA.

Discography:
2023 – Kill.Bury.Repeat.
2018 – A Genetic Predisposition of Violence
2014 – Sexually Transmitted Torture
2012 – The Dissection of Christ
2009 – Gods of Gore
2006 – Skinned Alive – EP

Shared Stage with:
Origin / Beneath the Massacre / Defeated Sanity / Internal Bleeding / Power Trip / Aborted / Morbid Angel / Suffocation / Nile / Monstrosity / Vital Remains / Wretched / Exmortus / Deicide / Severed Savior / Arkaik / Broken Hope / Unmerciful / Dreaming Dead / Dying Fetus / Cryptopsy / Decrepit Birth / Six Feet Under / Jungle Rot

Tours and Festivals:
2009/2011/2013/2014/2015 – West Texas Death Fest
2009 – Philadelphia Death Fest
2018 – Maryland Death Fest – Baltimore, MD
2018 – Full Terror Assault – Fayetteville, IL
2019 – Chicago Domination Fest – Chicago, IL
2022 – SlamDakota – Sioux Falls, SD
2009 – Tour supporting Monstrosity w/ Dreaming Dead
2014 – Beaten & Eaten Tour w/ Troglodyte
2018 – The Road Leads to Death Tour
2019 – Tour with Atoll / Mortal Torment
2020 – Tour supporting Origin / Defeated Sanity / Beneath the Massacre

0 Rockshots Records – Norwegian Power Metal EUNOMIA’s New Single “My Heart” ft. Olaf Hayer (Luca Turilli’s Band, Dionysus), Anders Sköld (Veonity); New Album “The Chronicles of Eunomia Part 2” Out Sept 2023

  • August 18, 2023
  • by Asher
  • · Eunomia (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – August 18, 2023

Rockshots Records – Norwegian Power Metal EUNOMIA’s New Single “My Heart” ft. Olaf Hayer (Luca Turilli’s Band, Dionysus), Anders Sköld (Veonity)

New Album “The Chronicles of Eunomia Part 2” Out Sept 2023

Album Guests From Twilight Force, Alkemyst, Falconer, ShadowStrike, Lords of The Trident, Crystal Eyes, Dionysus, Veonity

Norwegian adventure power metallers EUNOMIA will be releasing their sophomore full-length “The Chronicles of Eunomia Part II” on Rockshots Records this coming September. The band shared their first single “The Story Goes On” this past July and today are ready to offer the next glimpse from the album with the track “My Heart”. The song features guest vocals from Olaf Hayer (Luca Turilli’s Band, Dionysus) and Anders Sköld (Veonity) along with a guest guitar solo from Nick Giannakos (Wretched).

“I had a lot of fun recording this song. My brother Marius help me with the lyrics. Olaf Hayer and Anders Sköld sing this catchy and fast power metal song. I have had this chorus stuck in my brain so many times. I hope the fans will go around singing this song all the time as well.” adds Pete Danielsen (Vocals, Keyboards).

Listen to “My Heart” at the following links:

Lyric Video – https://youtu.be/Z8zk0BX1ho0​

Digital – https://bfan.link/my-heart-5

​

Presenting epic, bombastic, fast, powerful fantasy through their compositions, this second record from Eunomia is a group effort, as the first full-length was completely written by band founder, vocalist, and keyboardist Peter Danielsen. Joined by his brother Marius Danielsen (Legend of Valley Doom), bassist Alexander Ormseth, guitarist Magnar Winther Skorgenes and drummer Alessandro Kelvin (Perc3ption), the tracks on this new offering are more powerful and stronger than before with much more variety than their first effort.

“The Chronicles of Eunomia Part II” also features guests Alessandro Conti (Twilight Force), Arnaud Ménard (Alkemyst), Jimmy Hedlund (Falconer), Matt Krais (ShadowStrike), Ty Christian (Lords of The Trident), Mikael Dahl (Crystal Eyes), Olaf Hayer (Luca Turilli’s band, Dionysus), and Anders Sköld (Veonity). Overall, this second full-length has everything from power and symphonic metal elements to contagious choruses, fast double bass drums, and even slow epic songs that fit the storytelling perfectly.

“Everyone in the band has helped shape the new album. We worked hard to get this album the way it sounds. Re-written parts on many songs to make them as perfect as we could. I think the fans will hear that the band has evolved and become better, tighter, and more creative than on the first album. Better melodies, better songwriting, and even more epic than ever. We have leveled up significantly on this album. I believe this album is 10x better than the first one and I think the choruses will be stuck in the minds of fans and I hope they press the replay button many times after listening to it for the first time.” adds Peter Danielsen.

Marius Danielsen also adds:

“As the mixing and mastering engineer for this album, I must say it has been quite a journey. My brother and I have worked closely together on this album for about two years. Learning new mixing tricks and carefully carving out space for every single instrument in a dense mix consisting of 250 tracks or so per song has been a cool process to be part of. I think we managed to create an epic-sounding Power Metal album full of glorious melodies and memorable hooks.”

Not slowing down, the band is already in the works for writing “The Chronicles of Eunomia Part 3” and looks forward to performing live.

“I can’t wait to bring back Eunomia as a live band again now that most of us live in the same city again. We will try to tell the story of Eunomia with great energy, perfect performances, amazing guest artists, and awesome setlists.”

Recommended for fans of Rhapsody Of Fire, Twilight Force, Dragonforce, Freedom Call, and Hammerfall, “The Chronicles of Eunomia Part II” is due out on September 15, 2023.

Album pre-order – https://bit.ly/Eunomia2​

First single: “The Story Goes On”

Lyric Video – https://youtu.be/2iKkb0Sqdww​

Digital – https://bfan.link/the-story-goes-on

​

Track Listing:​
1. The Search” ft. Alessandro Conti (Twilight Force), Arnaud Ménard (Alkemyst), Jimmy Hedlund (Falconer) – 5:20
2. Glorious ft. Artemij Ryabovol, Ronny Castillo – 3:58
3. A New Dawn – 5:07
4. Battle of the Overlook ft. Jimmy Hedlund (Falconer) – 6:08
5. Another Dimension – 4:09
6. My King – 5:40 ft. Matt Krais (ShadowStrike), Fredrik Enochson
7. Clash of Steel – 4:44
8. Carry On – 5:53
9. Riding Towards The Sunset ft.Ty Christian (Lords of The Trident) – 6:20
10. Raise Our Banners ft. Mikael Dahl (Crystal Eyes), Ty Christian (Lords of The Trident) – 5:01
11. My Heart ft. Olaf Hayer (Luca Turilli’s band, Dionysus, Anders Sköld (Veonity) – 4:13
12. The Story Goes On ft. Ivan Giannini (Derdian/Vision Divine), Arnaud Ménard (Alkemyst), Jimmy Hedlund (Falconer) – 4:17
Album Length: 1:00:55

More Info: Rockshots.eu | Facebook.com/Eunomiaband​

-30-

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0 EPK – J.P. Krom – Luna Plutón off Astro Metal (EP) (2023)

  • August 17, 2023
  • by Asher
  • · EPKs · J.P. Krom

EPK – J.P. Krom – Astro Metal (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Luna Plutón calls us to the dark depths, where the most secret emotions are housed, those that burn within us looking for redemption”. – J.P. Krom

For fans of Type O Negative, Lacrimas Profundere, Paradise Lost, Moonspell, The 69 Eyes

Single Title: Luna Plutón off Astro Metal (EP)
Single Release Date: August 17th, 2023
Label: Self-Release

Jpkrom.com | Facebook.com/jpkromofficial | Twitter.com/jpkrom | Youtube.com/JPKromofficial | Instagram.com/jpkrom

Jpkrom.bandcamp.com | Spotify

“Con una impronta que él mismo define como Astrometal, uniendo todo lo relacionado a los signos zodiacales y la astrología con los sonidos más pesados, la banda mostró lo suyo en una media hora que contó con el apoyo de los primeros asistentes que llegaron al Club Chocolate. Con una buena cercanía con los presentes, el líder y sus acompañantes sacaron aplausos con su propuesta con influencias de Type O Negative o The Sisters of Mercy, entre varios otros, presentando canciones como ‘Poison Girl’, ‘Tower of Destruction’ o ‘Abstract Illusion of an Existence’, aprovechando de adelantar lo que será su próximo lanzamiento en estudio, el cual llegaría en agosto. Con mucha música todavía en el horizonte, este nombre local mostró su solidez en un evento en el que fue más que idóneo, y claramente fue una gran oportunidad para llegar a más adeptos a este estilo, siendo aprobado por quienes se apostaban en el local del barrio Bellavista”. Rockaxis.com

“El encargado de abrir el magno evento fue el músico chileno J.P. Krom, donde su banda presentó su estilo musical único conocido como “Astrometal”, el cual es una curiosa creación mezcla de signos zodiacales y astrología con sonidos potentes y riffs demoledores, los cuales cautivaron al público desde el primer momento, dejando a la gente muy atenta y poniendo atención al show del artista. La banda también aprovechó la oportunidad para dar una probadita de lo que será su próximo álbum, programado para agosto. El evento fue el marco perfecto para presentar su música a un público más amplio, y demostraron su capacidad para conectar con los fanáticos del género. Sin duda, una presentación que dejó a todos los asistentes satisfechos y contentos en el Club Chocolate, con pasadas por sus temas ya conocidos como “Tower of Destruction”, una gran canción sumamente destacable la cual fue el peak de la presentación de J.P. Krom, con armonías muy pesadas y un sello personal en cuanto a la técnica y sonoridad, combinable con una fuerte influencia a Type O Negative”. The Resistance.cl

“Puntual a las 19:00 horas, los músicos de JP Krom se suben para interpretar la primera melodía ‘Rondó Alla Torre’ seguida de ‘Luna Plótón’ donde visualizamos a varias personas grabando con sus celulares y no es de extrañar, ya que esta será parte del segundo disco de la banda, que espera salir en el segundo semestre de este año. En ‘Poison Girl’, los chicos nos hacen saber que están felices de pisar el escenario del Club Chocolate y además abriendo la jornada para Moonspell, dando así paso a ‘Tower of Destruction’, notando que los asistentes ya se ponían aún más a tono y fue disfrutada por completo junto a ‘From my Hands’.

Recalquemos que la música de JP Krom está ligada a todo lo que es el misticismo y esoterismo, por lo que sus canciones están dedicadas a los signos zodiacales, entre otros de estos temas, y es así como la última canción de su show, estaría dedicada a los de signo Leo, haciendo presencia varias personas del público al levantar sus manos y mover sus cabezas al son de ‘Omnipotent Egotist’. De esta forma, Braulio Morales, Reynaldo Catalán, Guillermo Pereira, el guitarrista invitado Diego Caniulao y el mismo Juan Pablo Piderit dieron a conocer parte de su trabajo estudio de ‘The Inner Gods’ y el EP YOD, dejando el clima preparado para el plato fuerte. “Headbangers Latinoamerica”

 

[Download Single Artwork | Download Single Lyrics]

Single Title: Luna Plutón
Single Release Date: August 17th, 2023.
Label: Self-Release

About The Artwork:
Luna Plutón artwork represents the woman that is on the videoclip. With a crown of a blood moon, with a halo of an eclipse, and a waxing and waning moon. These last ones are the phases of the moon, representing the full moon as the more intense moon, the halo calls all of the darkness that an eclipse brings. Reminding us of the darkness of the deepest abyss where all the hidden secrets that all of us have.

About The Track:
Luna Plutón tells us about dark family secrets, kept in the dark of our minds. Secrets that some know and use to manipulate, generating resentment and an obsession with these emotions fixed in the deep.

It seems that nothing can purge our blame, and most of the time we try to deny it.

Track Listing
Single – Luna Plutón – Length (3:55)

Single Recording Credits:
• All songs performed by:
J.P. KROM (Vocals & Guitars)
Reynaldo Catalán (Bass)
Braulio Morales (Synthesizers)
Guillermo Pereira (Drums)
• All songs written by: J.P. KROM
• Produced by: Juan Pablo Piderit Pinchon
• Mixed by: Erick Martínez
• Mastered by: Erick Martínez
• Album Artwork by: José Canales/Valeria Jara

Album Band Lineup:
J.P. KROM – Vocals & Guitars
Reynaldo Catalán – Bass
Braulio Morales – Synthesizers
Guillermo Pereira – Drums

Live Band Lineup:
J.P. KROM – Vocals & Guitars
Kagno – Lead Guitar
Reynaldo Catalán – Bass
Braulio Morales – Synthesizers
Guillermo Pereira – Drums

======================================================

BAND STORY ANGLES / FUN FACTS:

1. J.P. studied astrology for three years in two places “Escuela Quirón” and “Centro Astrológico de Chile”. He studied too Tarot in “Escuela Quirón”. J.P. used to make “astrological consultations” and he used to teach basic astrology, using his knowledge as a teacher and master of education. All of the songs of J.P. are based on astrological/Tarot concepts, translated (the most of them) to personal experiences; except for the last song on the EP 2023, called I Don’t Feel Love; which was going to be a bonus song.

2. Woman Hermit (from ASTROMETAL EP) is a song dedicated to the Tarot Card “The Hermit”, but instead to be a man it is a woman, based on his first girlfriend that represents these characteristics, as other women in J.P.’s life. Poison Girl (from YOD EP) represents a relationship he had years ago with a Scorpio (the more metalhead/dark sign as J.P. says) woman, that marked J.P., even though the relationship was short it was pretty intense. At the same time, he uses the song to develop what a Scorpio energy in a relationship could be, in a literal a non-literal way.

3. I Don’t Feel Love (from ASTROMETAL EP) is a song J.P. composed more than 10 years ago, dedicated to a girl that finished the relationship with J.P. After the end of the relationship, J.P. told her that he composed a song for her. It looks like the girl was expecting a “love song” so she can come back to J.P.’s arms, but it looks as if it was a little revenge from J.P. for ending the relationship. The song explores changes of key, using the knowledge just learned when he was studying music at University.

4. Braulio Morales is working with J.P. since “The Inner Gods” album, in one way or another, till now that is a partner in various parts of the execution of this project. He has a disability, he was born with almost half of the right side of his body with difficulties using it, so Braulio plays only with his left hand the keyboards. Besides that, he doesn’t live in the same city as J.P., so when they have a concert, he has to travel and stay in different places. As it happens when we shared the stage with Moonspell this year.

5. J.P. was part of a medieval choir. This choir was only composed of men, so J.P. could learn more about vocal arrangements and vocal techniques. But when he learned the most about vocal technique he was on speech therapy, because one of his vocal chords wasn’t closing.

A son of Poseidon, J.P. Krom is a Chilean writer/ composer, singer/guitarist, being the one or part of a few who cultivates the gothic metal style in his country. His music is a blend of astrological /esoteric metaphors/concepts with the sounds and structures of metal where the visuals/graphics are hand in hand. His story starts with a lover: a pagan mistress who gifted him with an astral chart, an irresistible invitation to the esoteric.

Kings and powerful men use this device to see into the future, but to J.P. it’s a tool for self-knowledge: every passion, every act of good and horror, can be understood with the map of the stars at the moment we are born.

OTHER FACTS

J.P. Krom majored in music –which exposed him to classical composers and new songwriting/arrangement possibilities –and even sang in a medieval choir.

His father was an artist, and J.P. has graphic design studies, which made a strong like to the arts with his music -and that is what you see in his album covers.

Even though his first album is a kind of groove metal, his penchant for the dark steered him towards Type O Negative, Moonspell, Paradise Lost, and The 69 Eyes– the final ingredient of his metal alchemy.

Shared Stage with:
Moonspell, L1bera, Morver, V Mente, Anna Frank, Alevosía

DISCOGRAPHY:

ASTROMETAL (EP 2023)

Six intense, deep, and powerful tracks conform to this new EP, an obvious evolution from YOD, affirming the gothic metal style that suits better for J.P. with his “smoke voice”. The first song composed in Spanish (J.P.’s native language), “LUNA PLUTÓN”, to bring closer Spanish-speaking audience, it’s the first single of the EP, with its own video clip and cover. The next songs are “Woman Hermit” (dedicated to a Tarot card) and “I Tried” (for Venus & Saturn), with classical sounds of gothic metal -a consolidated style for J.P.- And “Breaking the Walls”, with an epic symphonic arrangement from interlude, that takes us to the past through ancient times. “You & I” is a love song, a declaration from a father to his son, where synths take protagonism and a J.P. singing with the lowest possibilities of his range; reminding us again of the great frontman Peter Steele. From a love song, we pass to a no-love song: the experimental-electronic track “I Don’t Feel Love”. A sad and introspective tune that rules the song, combining a spoken low range from J.P., in contrast with the “harmonic” chorus of the song.

=============
YOD (EP 2021)

Four tracks together make up this extended play, using as a basis the position by a sign of three planets: Mercury in Gemini, Venus in Scorpio, and Pluto in Capricorn (at the same time a reference to 16th card of Tarot, The Tower); all
of them represented in its cover.

YOD includes four tracks inspired by astrology, with a gothic metal style, a perfect style for the voice of J.P. Krom, which is reminiscent of the great Pete Steele, from Type O Negative.

In the instrumental, YOD has a strong predominance in keyboards that range from electronic to symphonic, accompanied by heavy guitars reminiscent of great exponents of the genre such as Nightwish and Within Temptation.

“Rondó Alla Torre” is an exploration of acoustic sounds with Latin American sounds, such as cueca (a native style from Chile and Argentina), flamenco, and classical sounds. Rondó is an introduction -with his own personality- for Tower of Destruction, that is connected with themes within the musical piece, with a view to the depths of oneself with melancholy that acoustic sounds can give.

======================

THE INNER GODS (LP 2017)

Twelve relentless tracks –one for each sign of the Zodiac– looking at the archetypes feeding our primal urges from the perspective of ancient knowledge.

Two singles: the punishing “Omnipotent Egotist” (a meditation on the sign of Leo) and the hard-hitting “As you bleed for me” (an exploration of Aries).

Mixed/mastered by All Tomorrows’ Pepe Lastarria, a legend in the Chilean djent and prog. metal circuit.

Features a 16-page booklet with illustrations for each sign of the zodiac by local and international artists.

The album has received airplay in Latin America, the United States, Italy, Spain, and Germany, as well as coverage from metal publications in Chile, South America, North America, and Europe.

0 Streaming Now! ATRIA’s New EP “Ground Zero” Exorcises The Frustration of Life

  • August 17, 2023
  • by Asher
  • · Atria · Music News

NEWS RELEASE

Montreal, QC – Aug 17, 2023

Streaming Now! ATRIA’s New EP “Ground Zero” Exorcises The Frustration of Life

L-R: Joe Mullen (Bass), Jerad Sterling (Drums), Tom Emmans (Vocals), Tim Ross (Guitar), Brody King (Guitar)

Photo Credit – Lisa Thompson – Dark Moon Productions

With a fresh lineup and a new musical direction, ATRIA’s new EP “Ground Zero” gets very personal to exorcise the darkness of the mind, the frustrations of life, and battling your inner demons. Lead lyrically by vocalist Tom Emmans, the EP is his personal outlet to express his observations of the world. He explains further:

“I find myself in a world that I barely believe in, I try to be hopeful when I can but at the end of the day, we’re all just a little broken. I am expressing the broken side so I can be healthy when I walk off stage. It’s therapeutic, cathartic, but it’s really hard. It comes from a real place and it’s not always fun. Musically, for this record, it’s definitely gotten more aggressive, we always wanted to blend a lot of melodies and an anthemic chorus’ with brutality. I feel like the fans will agree that on this new one, we’ve gotten much better at doing that.”

Teaming up once again with producer Jon Howard (Threat Signal), and a new lineup that features Jerad Sterling (Tortured Saint) on drums, Brody King on lead guitar, and bassist Joe Mullen to join founding members vocalist Tom Emmans (Odium, Deathpoint, Choices, Scaithe) and guitarist Tim Ross, “Ground Zero” is an anthemic five track jolt of crushing infectious metalcore.

From its award-winning single “Antiheroes” (“Best Metal”- 2023 Forest City London, ON Music Awards) that captivates with its riffs and simply impossible-to-forget chorus, it sinks in and does not let go as you flow from each track to the next and let the music guide to the messages the band is expressing. “Antiheroes” is about losing faith in government and media, “Dysmorphia” is about body dysmorphia and the way the media will sell you a dream that will never come true, to “Just a Number”, a song about knowing how hard you work every day and feeling you’re nothing more than a cog in a machine and it’s all pointless, to EP closer “The Brightest Lights’, a lullaby to an unborn dead child.

Recommended for fans of Avatar, Slipknot, Mudvayne, Soilwork, and Killswitch Engage, ATRIA‘s second EP “Ground Zero” is due out on August 18, 2023, and before it officially drops, the band has teamed up with MetalInsider for its full stream premiere HERE.

The EP is available for pre-order at https://atriaofficial.bandcamp.com.

The music video for “Antiheroes” was filmed by Joe Lyko of Dark Moon Productions and can be viewed at https://youtu.be/q6tLwvJH6fc​

Show Dates:​
Aug 17 – London, ON – Rum Runners (EP Release Party) w/ Solarus, We Are Human, Aquila
Aug 23 – Kingston, ON – The Broom Factory w/ Upon A Burning Body, As The Structure Fails, Exogen

Track Listing:​
1. Ground Zero – 5:58
2. Antiheroes – 5:05
3. Dysmorphia – 2:35
4. Just a Number – 5:37
5. The Brightest Lights – 6:09
EP Length: 25:27

More Info: Facebook.com/AtriaOfficialCanada | Twitter.com/official_atria | Instagram.com/atria_band​

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​
​Forest City London, ON Music Awards – Best Metal Band – 2023

“Atria are from Ontario, Canada, and ‘New World Nightmare’ is their debut EP and what a little gem it is… Atria were a very nice surprise this month and are now band I will be looking out for in the future, because a full album of material this good will be very special. 9/10 – Power Play Magazine UK

“As this is the bands first outing, it is a strong start. I can see them being part of a regular playlist of mine as they are the exact kind of band I listen to. Metalcore is a very selective genre when it comes to what is involved, with bands drifting away from it every day. Atria have found the spot they want and are already planting their feet into the ground of the Canadian metalcore scene. I can see these guys playing a huge festival in the near future.” – Canadian Beats

“Citing Tool, Slipknot and Lamb of God as primary influencers, Canadian rookies Atria get the blood rushing on their inaugural EP. Despite inhabiting that familiar sonic sphere, it’s how they mystically stitch melodic passages with headbanging sequences that elevate them above the chaff. Scrumptious sonic trimmings are merely icing on the industrial cake. Yet at only four songs this searing thunderbolt of heavy metal domination serves mostly as a down payment on future excellence. Mosh on.” – Music Connection

“this is definitely a band to keep an eye out for when they release a full-length.” – Metal Temple

“A Canadian act willing to fuse together elements of melodic death and modern metal to pummel your senses, Atria unleash a fierce and engaging debut four-song EP with New World Nightmare.” – Dead Rhetoric

“The fact is that Atria, apart from all influences and using all influences, delivers a nice calling card with New World NIghtmare that we can do with for the time being. However, it is a business card that is neatly stored until further notice. I’m sold.” – Rock Portaal

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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​

 

0 Chile’s J.P. Krom Conjures The Mystical With “Luna Plutón” Off Upcoming Gothic Metal EP “AstroMetal”

  • August 17, 2023
  • by Asher
  • · J.P. Krom · Music News

NEWS RELEASE

Montreal, QC – August 17, 2023

Chile’s J.P. Krom Conjures The Mystical With “Luna Plutón” Off Upcoming Gothic Metal EP “AstroMetal”

A son of Poseidon, J.P. Krom is a Chilean writer/composer, singer/guitarist, and one of a few who cultivate the gothic metal style in the country. His music is a blend of astrological /esoteric concepts overlaid with the sounds and structures of gloomy metal, which are further enhanced with stunning visuals. Initially inspired by an astral chart, an irresistible invitation to the esoteric he began to hone his classical training into the both brooding and effervescent music that is found on the third album “AstroMetal” set to be released later this fall. In the meantime, he offers the Spanish single “Luna Plutón”, which invokes harmonious leads and bassy vocals that draw you in. Krom comments:

“Luna Plutón tells us about dark family secrets, kept in the dark of our minds. Secrets we all have, and some know and they use them to manipulate, generating resentment and an obsession with these emotions fixed in the deep. It seems that nothing can purge our blame, that most of the time we try to deny.”

“Astrometal” contains six intense, deep, and powerful tracks, which are an obvious evolution from the 2021 EP “YOD”, affirming the gothic metal style that better suits J.P. with his “smoke voice”. Alongside “Luna Plutón”, the forthcoming EP has tracks “Woman Hermit” (dedicated to a Tarot card), “I Tried” (for Venus and Saturn), and “Breaking the Walls”, which features an epic symphonic arrangement that takes us to the past through ancient times. “You & I” is a love song, a declaration from a father to his son, and finally rounded out with the experimental-electronic track “I Don’t Feel Love”, a sad and introspective tune.

With “Astrometal”, the listener is invited to travel to dark passages, with sticky melodies, and uncover an esoteric listening experience, a polished and powerful sound, with a deep “smoky” voice crooning out into the abyss. J.P. Krom is recommended for fans of Type O Negative, Lacrimas Profundere, and Paradise Lost.

Watch and listen to the music video for “Luna Plutón” at https://youtu.be/T34TkGnv5JU

​

Spotify – https://sptfy.com/OJPO

​

Single Video Recording Credits:​
• All songs performed by:
J.P. KROM (Vocals & Guitars)
Reynaldo Catalán (Bass)
Braulio Morales (Synthesizers)
Guillermo Pereira (Drums)
• All songs written by: J.P. KROM
• Produced by: Juan Pablo Piderit Pinchon
• Mixed by: Erick Martínez
• Mastered by: Erick Martínez
• Artwork by: José Canales/Valeria Jara

EP Band Lineup:​
J.P. KROM – Vocals & Guitars
Dean Gaudoin – Bass
Braulio Morales – Synthesizers
Guillermo Pereira – Drums

Live Band Lineup:​
J.P. KROM – Vocals & Guitars
Kagno – Lead Guitar
Reynaldo Catalán – Bass
Braulio Morales – Synthesizers
Guillermo Pereira – Drums

More info: Jpkrom.com | Facebook.com/jpkromofficial | Twitter.com/jpkrom | Instagram.com/jpkrom

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“With an imprint that he himself defines as Astrometal, uniting everything related to zodiacal signs and astrology with the heaviest sounds, the band showed its own in a half hour that had the support of the first assistants who arrived at the Chocolate Club. With a good closeness to those present, the leader and his companions drew applause with his proposal influenced by Type O Negative or The Sisters of Mercy, among several others, presenting songs such as ‘Poison Girl’, ‘Tower of Destruction’ or ‘Abstract Illusion of an Existence’, taking advantage of advancing what will be its next studio release, which would arrive in August. With a lot of music still on the horizon, this local name showed its solidity in an event in which it was more than suitable, and clearly it was a great opportunity to reach more followers of this style, being approved by those who bet on the local Bellavista”. Rockaxis.com
​
“The one in charge of opening the great event was the Chilean musician J.P. Krom, where his band presented its unique musical style known as “Astrometal”, which is a curious creation mix of zodiac signs and astrology with powerful sounds and devastating riffs, which captivated the audience from the first moment, leaving people very attentive and paying attention to the artist’s show. The band also took the opportunity to give a taste of what will be their next album, scheduled for August.The event was the perfect setting to present their music to a wider audience, and demonstrated their ability to connect with fans of the genre. Without a doubt, a presentation that left all the attendees satisfied and happy in the Chocolate Club, with past songs already known as “Tower of Destruction”, a great song that was the peak of J.P. Krom’s presentation, with very heavy harmonies and a personal stamp in terms of technique and sonority, combinable with a strong influence to Type O Negative”. The Resistance.cl

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ASHER MEDIA RELATIONS
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0 KING OV WYRMS Unleash The Second Chapter of Black Metal Domination With “In Aeons We Spoke”; New Album “The Womb Ov Borealis” Out Oct 2023

  • August 16, 2023
  • by Asher
  • · King Ov Wyrms · Music News

NEWS RELEASE

Montreal, QC – August 16, 2023

​

King Ov Wyrms Unleash The Second Chapter of Black Metal Domination With “In Aeons We Spoke”

New Album “The Womb Ov Borealis” Out October 2023

L-R – Michael Oneirous Sanchez – Vocals, Guitars, Bass (Studio) – Ricky Williams – Drums

The hot winds of Tuscon, USA carry the cold and relentless black metal of King Ov Wyrms to eager metal heads around the world who are ready to dive into the latest album “The Womb Ov Borealis”, which takes listeners into new depths of the death and black metal realms. This is their second release, following 2020’s “Lord Ov Thrones” and the band cites that it is a step away, taking no inspiration from anything else and blindly embracing their creativity, forging their own identity and seeing where it takes them. This new look at the band first comes with the single “In Aeons We Spoke” which the band comments on:

“In Aeons is essentially the title track for us, it’s by far the biggest embodiment of the album and a great entryway into what’s about to come. The track starts out with the haunting bellowing sounds of otherworldly entities while we creep in with our instruments to set the stage for the horror we are trying to bring forth. It’s definitely the “attention grabber” of the album, and the instruments going in full force lets you know what this album is gonna give you straight from the beginning.”

King Ov Wyrms decided to take a chance this time around and make a music video actually featuring them performing the song even though they are primarily a studio project without a performing lineup. The band wanted the physical presence of guitarist/vocalist Oneirous and drummer Ricky Williams ushering in their new form. They have rebirthed themselves in the fires of chaos and come out even stronger than before with new drive and fervour.

Extreme and dark, “In Aeons We Spoke” is a massive step forward for the band, who have taken on a more diverse writing style and approach to the material. They almost have taken a more progressive approach to the material while staying close to their death and black metal roots. The video is available now via its premiere on SlamWorldwide at https://youtu.be/dZQ36xGDi-k

​

Recommended for fans of Belphegor, Vader, and Morbid Angel, King Ov Wyrms’ sophomore album “The Womb Ov Borealis” is due out on October 6, 2023, and is available for pre-order at https://kingovwyrms.bandcamp.com.

Track Listing:​
1. In Aeons We Spoke – 08:21
2. Grave Ov Birth – 04:08
3. Sulphur – 06:56
4. Desolation Fog – 08:32
5. To March From Darkness – 06:01
6. Illusory Veil – 08:52
7. Sightless Vision – 05:30
8. What Time Has Wrought – 13:43
Album Length: 1:02:20

King Ov Wyrms – The Womb Ov Borealis – Recording Line Up:​
Michael Oneirous Sanchez – Vocals, Guitars, Bass (Studio)
Ricky Williams – Drums
Derrek Page – Session Bassist on tracks 3. 4, and 5

For more info: Facebook.com/KingOvWyrms | Instagram.com/oneirous_oss | Spotify​

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“Fury does indeed radiate from the music in violent waves. The song (Thorne Bearer) takes flight through rapid-fire drum battery and deep, dismal, heaving tremolo’d riffing that climbs and flares in manifestations of madness and misery, and squalls in blasts of vicious, mauling cruelty. Sanchez contributes his own vocals to the melee, venting horrid growls and scorching screams, which add to the music’s enraged and ferocious striking power. The song’s urgent pace never relents, but the drum patterns morph, as do the riffs, which feverishly squirm and flail as well as jolt and jar in savage, pulsing fashion. The jet-fueled energy and barbarous intensity of the music are both intense and captivating, and they’re joined in the red zone by sensations of rage and maniacal menace.” – No Clean Singing

“some beautiful, new extremity from King Ov Wyrms! Be on the lookout for their forthcoming album “Lord Ov Thornes”” – The Circle Pit

“King Ov Wyrms provide an unrelenting onslaught of classic death/black metal that should appeal to fans of Morbid Angel, Bloodbath, and Vader.” – Lambgoat

“Some pretty savage blackened death metal here. Lord ov Thornes is one of those albums that starts at full speed and doesn’t slow down much, if at all. Take 51 minutes of that and call me in the morning… If you’re at all a fan of very fast and heavy black and death metal and have been looking for a new band that does it well, King of Wyrms just delivered the goods for you.” – The Metal Crypt

“Lord Ov Thornes is a sickening effort that blazes with satanic and ritualistic power. Marvel in horror at what is crafted here, beginning with the unforgiving Threnody and the sheer brutality of The Great Sleeper. Within the first two tracks, it’s abundantly clear what we have here is something dredged from a well situated in hell.” – Games, Brrraaains & A Head-Banging Life

“Lord Ov Thornes”, the debut album by KING OV WYRMS, a worthy contender in the late year heralding the cold and darkness that is coming for us. The man has left nothing to chance, electing to fill every position himself on both sides of the studio glass, and the end result is a consistent and thought-out fifty-one minutes of solid metal.” – Metal Temple

“it deserves a place on your playlist if you like your music heavy, malevolent and underpinned by Lovecraftian themes.” – Scream Blast Repeat

“King Ov Wyrms is blasting brutal death loaded with lots of black metal riffs and dual growl/shriek vocals, with a death/brutal production. Press “play” and watch this thing launch into linear relentless attacks of brutality over and over for the duration. It is almost totally nonstop blasting, energetic, superfast extremity only for the true love-it-all fanatics.” – Metal Bulletin

“King Ov Wyrms sees Sanchez present a straightforward, ruthless, rampaging festival of hard hitting, heavy riffs encased in a thick, apocalyptic atmosphere. Embodying the spirit of the classic late eighties and early nineties acts with a new, modern aggression… From the album’s cataclysmic opening with ‘Threnody’ to its closing dissonant chord found in ‘Ascendance Of A Continual One’ which echoes into the back void, this is a straightforward blackened death metal album that is out to take the scene by the throat.” – Noizze UK

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

 

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