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Posts By Asher

0 EPK – Liminal Spirit – Unwell (2025)

  • October 8, 2025
  • by Asher
  • · EPKs · Liminal Spirit

EPK – Liminal Spirit – Unwell (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“My goal with this record is to explore ideas that represent some of my greatest fears. Given my previous experience in nursing homes from a former job, I can tell you they are the most miserable places on Earth, and I would hate to spend my final days there. I also couldn’t imagine the loss of my own faculties and have a lingering fear of spiritual judgment when passing on to the next plane.” – Liminal Spirit

For fans of Skepticism, Jesu, Confessor, Cynic, Anata

Band: Liminal Spirit
EP Title: Unwell
Release Date: October 31, 2025
Label: Self-Release
Genre: Doom Metal with Cinematic Storytelling
Location: Milwaukee, WI, USA

Facebook.com/people/Liminal-Spirit/61575618106702/ | Instagram.com/liminal_spirit_mke

Liminalspirit.bandcamp.com | Spotify

“The title track from this latest concept EP – being released on Halloween – from Milwaukee-based multi-instrumentalist Jerry Hauppa is an appropriately unsettling exploration of themes such as memory, guilt and spiritual reckoning delivered via a fusion of progressive doom metal with avant-garde narrative techniques, crafting what the composer and musician describes as “seance music”, a genre-defying sonic ritual meant to stir movement between spiritual realms:” – THE ÜBER RÖCK SINGLES CLUB DAILY PICK – LIMINAL SPIRIT (Oct 11, 2025)

“It’s dense. It’s dark. It demands your full attention. But give it that, and you’ll walk away changed—or at least slightly disturbed. Fans of Skepticism, Kayo Dot, or anyone who enjoys having their psyche gently disassembled: this one’s for you.”- Metalpapyjeff

[Download EP Cover | Download EP Lyrics]
Band: Liminal Spirit
EP Title: Unwell
Release Date: October 31, 2025
Label: Self-Release

Track Listing:
1.  Admittance  (5:27)
2.  Unwell   (6:52) (single)
3.  Visiting Day  (8:01)
4.  EOLC  (8:26)
5.  A Better Place  (5:42) (single)

EP Credits:
All songs written, performed, produced, and mixed by Jerry Hauppa.
Mastered by Jeff Wojtysiak at Spiral Sound Mastering

Lineup:
Jerry Hauppa – Guitar, microtonal guitar, bass, violin, synth, vocoder, drum programming

========================================================

About the EP Artwork:

The artwork shows the first-person perspective of the main character, Phillip, an elderly dementia patient confined in a nursing home, who is haunted by the spirits of two young children.

About The EP – LYRICALLY & MUSICALLY:

The album starts with the main character, Phillip, being admitted into a nursing home by his two children, Jonathon and Madeline.   Phillip is aware that his memory and body are failing, and hopes he was a good enough man to have a rewarding afterlife.  He is haunted by the spirits of two children who claim he murdered them years ago.  Phillip recalls nothing of the events and doesn’t believe he could do such a thing.  During the climax of the record, Phillip is killed by the vengeful spirits, then is cast into hell in the epilogue of the record.  The music on the record reflects the uncertainty and horror Phillip feels along the way, and there are multiple calls back to an old song, “Welcome to My World,” by Jim Reeves, that anchor the themes of possession felt through the release.

Track By Track – LYRICALLY & MUSICALLY:

1. Admittance- Phillip is admitted into the nursing home by his children, Jonathon and Madeline.  The song feels clean and jazz-inspired, then ends with Jonathon playing Phillip’s favorite song, “Welcome to My World,” to comfort him.

2. Unwell- Phillip ruminates on his own character and loneliness, not knowing who he is or what events contributed to his life.  The music is disjointed to reflect his mental state, composed on microtonal guitars to create an alien feeling.  The sound is more distorted than on “Admittance,” and the level of distortion increases with each subsequent track, leading to the album’s climax and epilogue.

3. Visiting Day- Phillip longs for a visit from his children, who checked him into the nursing home, but instead is visited by the ghosts of two children who claim that he was responsible for their deaths years ago.  The music shifts to reflect a sinister presence.  They tell him they will return in three days and that he is to repent in the meantime, but he has no recollections of the actions of which they speak.

4. EOLC- The vengeful ghosts return after three days and make Phillip relive the events of their deaths at his hands.  He is physically tortured and killed by them, as the music becomes more sinister and violent.

5. A Better Place- Phillip passes into a purgatory where he is judged for his actions, and ultimately cast into hell.  The music shifts to reflect the environment as evil, oppressive, and hopeless.  The descent into hell is mimicked with a chromatic descending passage.

==============================================

FUN FACTS:

Three of the five tracks are composed and performed on a microtonal guitar, which gives the songs a foreboding and alien sound that helps flesh out the themes.

Jerry Hauppa – Guitars, Vocals, Bass, Drum Programming, Synthesizer

Liminal Spirit is a solo project by Milwaukee-based multi-instrumentalist Jerry Hauppa (also known for his work with Deorbit), known for his progressive doom/avant-garde metal and “seance music” designed to channel spiritual passage. He returns in 2025 with his third EP since his self-titled debut in 2023.

Titled “Unwell,” this five-track EP delves into haunting themes of memory, guilt, and spiritual confrontation. By blending progressive doom metal with experimental storytelling, Hauppa conjures what he calls “seance music”, a boundary-pushing sonic ritual designed to evoke shifts between spiritual dimensions. Enhancing its spectral and unsettling aura, three of the tracks feature microtonal guitar work, imbuing the EP with a unique dissonance and ghostly resonance.

“My goal with this record is to explore ideas that represent some of my greatest fears. Having worked in nursing homes, I’ve seen firsthand how miserable they can be. The thought of losing my faculties and facing spiritual judgment terrifies me—and that’s what I wanted to capture,” says Hauppa.

For fans of Skepticism, Jesu, Confessor, Cynic, and Anata, “Unwell” will be available on all major streaming platforms on October 31st, 2025.

Discography:
2024-Liminal Spirit EP
2025-Pathways EP
2025-Unwell EP

0 JON HARRIS Unleashes the Heavier Side of Album “Parallel Heart” in New Playthrough “Wasted Entertainment”

  • October 7, 2025
  • by Asher
  • · Jon Harris · Music News

NEWS RELEASE

Montreal, QC – October 7, 2025

JON HARRIS Unleashes the Heavier Side of Album “Parallel Heart” in New Playthrough “Wasted Entertainment”

Edmonton instrumental rock guitarist JON HARRIS returns with a new playthrough video for his track “Wasted Entertainment”, taken from his acclaimed album “Parallel Heart,” released via Epictronic in December 2024.

“‘Wasted Entertainment’ takes aim at our obsession with social media, calling out the endless scroll that eats away those precious hours of our lives. It’s one of the heavier songs on the album, built on an early riff and loaded with punchy textures and layered sounds that took me a few tries to get right. Recently, I met someone who said it was their favourite track on the whole record, so crank it up!” says Harris.

Watch “Wasted Entertainment” at https://youtu.be/gIiLPbsf6wI​

“Parallel Heart” is a vivid showcase of Harris’ multi-instrumental skills and compositional vision. While completely instrumental, the album conveys stories of tension and release, exploring the space between connection and chaos, creative ambition and everyday demands. From the pulsing energy of Togetherness to the shimmering retro feel of 97BPM, each track builds its own emotional narrative.
​
​Harris, who performed guitar, drums, bass, piano, and production on the record, proves himself not only a guitarist to watch but a full-scale sonic architect. His sound bridges blues-soaked rock, synth-driven textures, and funk grooves with cinematic flair, evoking a blend that’s reminiscent of Jeff Beck meeting Prince with a modern rock edge.

Stream the full album “Parallel Heart” now (released Dec 13, 2024): https://orcd.co/parallelheart​

Track Listing:​
1. If You Wouldn’t
2. Wasted Entertainment
3. Entitled
4. Mustard N Ketchup
5. Parallel Heart
6. Mehnoynoy
7. 97BPM
8. My Little Lady
9. Togetherness
10. Humpty Dumpty

More Info – https://linktr.ee/jonharrisrocks​

-30-

“It’s a looping track (Entitled) that turns noodling guitar solos into an optimistic resolve. ” – Exclaim!

“guitar virtuoso Jon Harris offers a welcome throwback on ‘Togetherness’, the second single to be released from his forthcoming LP ‘Parallel Heart’. An instrumental number, its mid tempo and groove oriented base is immediately reminiscent of works by Joe Satriani, but unlike so many fretboard freaks, Harris clearly values a great melody instead of a pure shred. Here, he lays down a semi bluesy tone over a solid rock groove, before branching out to inject a funk derived rhythm with a cleaner tone, and bell like melodies. The arrangement eventually finds room for a few slightly fuzzy sounding harmonics and a melody that could be one of Satch’s best, circa ‘The Extremist’.” – Real Gone Rocks

“It’s Friday! And we have the pleasure of adding the new single “Togetherness” from six-string slinger Jon Harris. An instrumental driving rock track with an accessible melody and plenty of layered soloing to keep you engaged throughout, “Togetherness” is a rewarding five minutes without those pesky vocals! Taken from his forthcoming album “Parallel Heart” set for a December release, catch Jon Harris on your Home for the Best New Rock…W-J-O-EEEE!”

“His artistic ability blends technical brilliance and emotional depth, creating immersive soundscapes that push the boundaries of rock.” – Video Sound Art Magazine

“If melodic and elegant instrumental hard rock is music you tend to enjoy, and you appreciate some occasional funky interceptions in such landscapes, then this is an album that you probably will find to be an enjoyable and rewarding experience.” – The Viking in the Wilderness

—
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0 THE FIXER Unleashes New Single “Ugly Knots” For “The Ugly Knots Tour” Across Canada w/ TEKNOSIS

  • October 7, 2025
  • by Asher
  • · Music News · The Fixer

NEWS RELEASE

Montreal, QC – October 7, 2025

THE FIXER Unleashes New Single “Ugly Knots” For “The Ugly Knots Tour” Across Canada w/ TEKNOSIS

L-R: The Fixer Current Line Up | Vic Sin (Guitar) | Null (Drums) | Busuzu (Bass) | Melladonna (Vocals)
Photography by: Chu Shang​

Thunder Bay, Canada’s The Fixer has dropped their new single “Ugly Knots”, a sonic and emotional powerhouse that sets the tone as they kick off their “The Ugly Knots Tour” this October with fellow hometown band Teknosis.
​
​“Ugly Knots” is a raw, genre-defying track that fuses industrial metal with hardcore grit and ambient textures. It opens with abrasive riffs and harsh electronics before evolving into a sweeping, melodic climax, mirroring the emotional journey the band intends for listeners.
​
​“This song is for the kind people we’ve seen be hated, harassed, and threatened. It’s written from the first-person perspective, but the spoken word section—contributed by our friend John Forget—comes directly from someone who lived that experience. It’s a message of strength in the face of cruelty,” says the band.
​
Lyrically and musically, “Ugly Knots” is one of The Fixer’s heaviest and most artful releases to date. Eschewing formulaic conventions, the band leans hard into their industrial roots while exploring themes of anger, sadness, and resilience. Fans of their heavier material will find plenty to latch onto, while new listeners will be drawn into its emotional depth.
​
The single marks the beginning of a new chapter for The Fixer, as they prepare to hit the road with Teknosis for a tour of Quebec, Ontario, Manitoba, Saskatchewan, and Alberta (dates listed below) that promises catharsis, chaos, and connection. “Ugly Knots” is more than a song; it’s a statement.

Listen to “Ugly Knots” at the following links:

YouTube – https://youtu.be/n3WZWMESNn8

​Add to your Spotify playlist – ​https://open.spotify.com/track/3hvFHi6mVgqRlmDWHlAo8f

​

L to R – Andrew Wojciechowski – Vocals | Craig Kainulainen – Guitar | Ian – Drums | Travis Doggett – Bass

Photo Credit – Incompass Photography​

Formed out of pure love for metal. Teknosis has quickly evolved into a tight, aggressive unit with a shared vision: to make heavy music that hits hard and leaves no room to breathe. Set to ignite stages across the country this October, Teknosis is bringing their relentless live energy to fans in support of their acclaimed 2024 EP “Return to Civilization”, a five-track barrage of groove-laced hardcore and death metal influences. It’s a compact, violent sonic explosion that lyrically channels frustration and isolation from lockdowns, with themes ranging from societal collapse to personal survival.

With ambient samples bridging each track, Teknosis will be a visceral live experience as they deliver a seamless, high-impact set that’s organic, heavy, and hypnotic.

“We still believe in live amps and drums straight to the cochlea. It’s all about maximum intensity. A sonic experience that’s as brutal as it is addictive,” says bassist Travis Doggett.
​
Fans can expect new singles starting in Fall 2025, leading up to a full-length album in late 2025 or early 2026. The October tour will feature tracks from “Return to Civilization” alongside unreleased material, giving audiences a taste of what’s to come.

Lyric Video – Teknosis – Shapeshifter – https://youtu.be/dWfqfwHSbQY

​Add to your Spotify playlist – https://open.spotify.com/artist/5Cu2jRvDUKvEZdqJd5QjwJ

​

Ugly Knots Tour 2025 – The Fixer, Teknosis
​
Oct 2 – La Sarre, QC – La Brute du Coin *
Oct 3 – Montreal, QC – Piranha Bar *
Oct 4 – Levis, QC – Taverne La Barricade *
Oct 9 – Fort Frances, ON – Pink Parasol Tea Room
Oct 10 – Brandon, MB – The 40
Oct 11 – Prince Albert, SK – Studio Q
Oct 12 – Edmonton, AB – The Rendezvous
Oct 13 – Calgary, AB – Pin Bar
Oct 14 – Lethbridge, AB – The Slice
Oct 15 – Moose Jaw, SK – Chillers
Oct 16 – Saskatoon, SK – Green Room
Oct 17 – Regina, SK – The Exchange
Oct 18 – The Pas, MB – The Wescana Inn
Oct 19 – Winnipeg, MB – Osborne Taphouse
Oct 31 – Thunder Bay, ON – The Hunger 18 (Downtown-wide Hallowe’en Festival)
* = without Teknosis
​
​More Info:

​https://www.facebook.com/TheFixerBand | https://www.instagram.com/thefixercanada | https://www.tiktok.com/@thefixercanada​

​https://www.facebook.com/teknosismetal | https://www.instagram.com/teknosis.metal/​

-30-

“Teknosis puts listeners through their paces. It feels like the songs could go off the rails at any moment, but remain incredibly syncopated throughout…. Teknosis has created an EP that lays the groundwork for bigger things to come and leaves listeners eager to hear more.” Jason Wellwood – Walleye Magazine

“Dark. Sexy. Loud. It’s The Fixer, and they create a soundtrack that would be fit for a disco in Hell. The Canadian four-piece straddle the line between rock and metal” – Games, Brrrains & A Headbanging Life

“One of the great young acts I found in 2023 came from Canada, The Fixer, who have created bold music and an even bolder look. Led by vocalist Melladonna, the band tries to give the look of a goth outfit. The music, however, tells a different story, as the band rocks as hard as anything you might hear out there now (if not more aggressive). The hook song was “Smoke Show,” but there were quality tracks all through the record. I enjoyed “Ghosts Will Talk,” which presents a spookier sound, and the bookends to the album, the title track and “Your Truth,” which gives a storytelling aspect to the album. I will be interested in seeing where this band goes, and I certainly hope they can get down to the southern tip of North America to bring their sound to an audience that would enjoy them!” – Rock At Night

“The song material is simply great, the emotions are wonderfully combined, and the performance is absolutely over the top.” – PowerMetal.de

“A high-resolution journey through pop rock, goth spirit, punk moods, metal vibes, and party glam rock, with a hint of comedy horror. ‘Your Lie’ is a spiky sound with a razor-sharp edge throughout.” – Rock Queen Reviews

—
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0 Fiddle Meets Fire THUNDEROR’s Celtic Rock Anthem “Cape Breton Home” Celebrates Maritime Heritage

  • October 6, 2025
  • by Asher
  • · Music News · Thunderor

NEWS RELEASE

Montreal, QC – October 6, 2025

Fiddle Meets Fire THUNDEROR’s Celtic Rock Anthem “Cape Breton Home” Celebrates Maritime Heritage

Thunderor L-R: Jonny Nesta (Guitar) | JJ Tartaglia (Vocals, Drums) | Brycen Gunn (Bass)

Photo Credit – Rae Chatten

Canadian rock powerhouse THUNDEROR returns with a stirring new single and music video, “Cape Breton Home,” a Celtic Rock anthem that pays homage to the island roots of frontman JJ Tartaglia. Known for their electrifying blend of heavy metal, pop punk, and rock opera, the band takes a reflective turn with this release, weaving nostalgia and tradition into their signature sound.

“I wanted to write a song inspired by back home, maybe it’s the time passing by, I felt a bit nostalgic and needed something to reconnect me to the island. What better way than with music! And I think in return, Cape Breton also needs a song like this,” says Tartaglia.

The track features a guest performance by acclaimed fiddler Colin Grant, whose work with Rum Ragged earned a 2021 JUNO nomination for Traditional Roots Album of the Year. Grant’s authentic Cape Breton fiddle style adds a rich layer of heritage to the song, grounding it in the island’s musical legacy.

The accompanying video, filmed on location in Cape Breton, captures the rugged beauty and emotional resonance of the place that inspired the song.

“I had a great trip back to shoot the video. It was a full-circle moment,” Tartaglia adds.

Formed in 2020 by multi-JUNO-nominated musicians JJ Tartaglia and Jonny Nesta (Skull Fist), THUNDEROR has quickly carved out a global following. Their debut album “Fire It Up” topped Earshot’s National Loud Chart, and their theatrical rock opera “Thunderor the Musical” premiered at the Toronto Fringe Festival in 2025 to rave reviews.

With “Cape Breton Home,” THUNDEROR continues to evolve, proving that even the loudest bands have a quiet place in their hearts.

Music Video – https://www.youtube.com/watch?v=DfmVtc8HU1k

​Add to your Spotify playlist – https://open.spotify.com/album/3UTjzJzo4teUElvWLgEyjY

​

Appreciated by fans of Judas Priest, Van Halen, and Saxon, Thunderor‘s releases are available via Boonsdale Records.

CD – https://thunderor.bigcartel.com​

For more info: Boonsdalerecords.com/thunderor | Facebook.com/ThunderorOfficial | Instagram.com/thunderor_official | Musicnovascotia.ca/artist/thunderor/​

– 30 –

“The bottom line for THUNDEROR is that a listen is urgently required. Those who like the singing will have a lot of fun with the CD” – Vampster
​
“If you’re looking for a solid rock record that’s equal parts pop and metal, Fire It Up could be your jam. The songs are well crafted, catchy and fun road companions. Take it on your next drive or spin it at Saturday’s kegger. Thunderor takes not being serious very seriously. They recaptured the spirit of 80s rock staples like Ozzy to Journey but also managed to put their own stamp on it. Not many throwback NWOTHM acts succeed in putting this much character in their sound.” – Angry Metal Guy

“The moment I first heard “How We Roll,” I knew I was in trouble…and instantly hooked. Other numbers like “All or Nothing,” “On the Run,” “We Can Make It,” and the epic title track, infuse multiple sub-genres like thrash, power, and synth metal, and are the type of adventurous anthems that make life still feel like it’s worth living even on its darkest of days.” – Rewind It Magazine

“The spirit of the glorious 80’s is omnipresent on the debut, those who like authentic 80’s sound should definitely check out.” 8/10” – Rock It!

“The good mood album of the season comes from Canada. Crisp, consistently catchy songs with excellent guitar work, sometimes enhanced with appropriate keyboard sounds.” 8,5/10” – Deaf Forever

“There must be room somewhere between Steel Panther, The Darkness and The Night Flight Orchestra!” – Metal Hammer

“Thunderor the Musical is infectious, hard-rocking comic book fun that blows the roof off the place – I smiled my way through the whole show – I bet you will, too.” – Sesaya Arts Magazine

“Thunderor the Musical is raucous fun with shredding guitars and driving drums… filled with catchy anthems, flawlessly performed by powerhouse musicians.” – Grind Mag

“I’m always impressed when a drummer handles lead vocals, especially in metal, where the physical demands of drumming are intense. JJ Tartaglia nailed it, delivering flawless vocals without missing a drum beat.” – Allfather Metal

—

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0 Montreal Brass Metal Pioneers FALLSTAF Returns 15 Years After Debut With New Album “Ode To The Dead” Out Nov 2025; Unveil Lyric Video For Title Track

  • October 3, 2025
  • by Asher
  • · Fallstaf · Music News

NEWS RELEASE

Montreal, QC – October 3, 2025

Montreal Brass Metal Pioneers FALLSTAF Returns 15 Years After Debut With New Album “Ode To The Dead” Out Nov 2025

Unveil Lyric Video For Title Track

SIMM/Guitars – RICKK /Horns – IANN/Vocals – GOYY/ Bass – MATT/Drums

Photo: Sébastien Roy

After nearly a decade of silence, Montreal’s genre-defying metal band Fallstaf is back with a vengeance. Their long-awaited sophomore album, “Ode to The Dead”, is set for release this Fall 2025, and its first single, the title track, is streaming everywhere alongside a gripping lyric video.
​
Known as the pioneers of “brass metal,” Fallstaf made waves in 2011 with their debut ‘Bastard Son of a Pure Breed,’ produced by Kevin Jardine (Slaves On Dope). Their signature sound—groove-heavy, progressive metal laced with trombone earned them cult status in the Quebec metal scene. But in 2016, tragedy struck when frontman IANN suffered a near-fatal accident, leading to the band’s dissolution.
​
Now, after years of recovery and reflection, Fallstaf has reunited, reignited, and reimagined their sound. “Ode to The Dead” is a powerful, autobiographical journey through survival, grief, and rebirth. Produced once again by Jardine, the album features seven new tracks that blend sludge, thrash, and hardcore influences with melodic hooks and brass-driven chaos.
​
​“This album wasn’t made to impress; it was made out of friendship. Music is therapeutic. Metal brings people together, and we missed that energy,” says the band.
​
The first single and title track is a tribute to the deceased.

“They are no longer physically here, but they are always in our thoughts; that is the reason for the phrase “they walk among us”. The riff of the chorus gave rise to the rest of the song,” adds the band.

Watch the lyric video for “Ode To The Dead” and experience the rebirth of one of Montreal’s most original metal acts.

Lyric Video – https://youtu.be/GM4EPsLnMlE

​
​
​Fallstaf’s live shows remain unforgettable: suits and ties, a masked brass player, and a frontman with a robotic leg. “People think we’re a ska band—until the first chord hits,” they laugh. Stay tuned. Fallstaf will be kicking ass live soon!
​
​“Ode to the Dead” will be available on all major streaming platforms on November 14th, 2025, along with an exclusive interactive collectible coffin USB drive.

Album pre-order – https://fallstaf.bandcamp.com/​

Track Listing:​
1. Sunless Friday – 2:57
2. Ode to the Dead – 3:27
3. Battered Soul – 3:40
4. Kings of the West Side – 3:31
5. Under the Same Sky – 3:31
6. Bastard Son – 3:45
7. The Burden – 4:41
Album length: 25:37

Album Credits:​
Songs performed by: FALLSTAF
Songs written by: Ian Lavoie/Kevin Jardine
Produced by: Kevin Jardine
Mixed by: Kevin Jardine
Mastered by: Kevin Jardine
Album artwork by: Ian Lavoie
MAPL – Canadian Content

BAND LINE UP:​
SIMM / Guitars
RICKK / Horns
IANN / Vocals
GOYY / Bass
MATT / Drums

More info: https://www.facebook.com/fallstafmontrealbrassmetal​

-30-

“Groovy mix of hardcore and other metal styles with an interesting addition in the trombone” Metal Underground (2011 – Bastard Sons of a Pure Breed – LP)

“to every track of the album, giving their rather intense metal a rather nice jazzy touch. This allows Fallstaf to step outside the conventional paths to get closer to the masters of the genre like Diablo Swing Orchestra or the Norwegians from Shining” – Music Waves (2011 – Bastard Sons of a Pure Breed – LP)

“These guys are a lot different than most bands out there and I really dig what they are doing. Check them out before they get really popular and there are tons of clones of them popping up everywhere “ – Beowolf Productions (2011 – Bastard Sons of a Pure Breed – LP)

“Looking for a Different Sort of Metal? Try FALLSTAF » – A Journal Of Musical Things (2011 – Bastard Sons of a Pure Breed – LP)​
​
—
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0 THE RETICENT’s Fifth Studio Album “please” Explores The Struggles of Mental Illness; Unveil Music Video For Single “The Concealment”

  • October 3, 2025
  • by Asher
  • · Music News · The Reticent

NEWS RELEASE

Montreal, QC – October 3, 2025

THE RETICENT’s Fifth Studio Album “please” Explores The Struggles of Mental Illness

Unveil Music Video For Single “The Concealment (Those Who Don’t Want To Wake)”

L to R – James Nelson (Lead Guitar), Chris Hathcock (Vocals, Guitar, Drums), Paul McBride (Bass)

Photo Credit by Justin H. Reich

Generation Prog Records is proud to announce the release of “please,” the emotionally searing new album from progressive metal act The Reticent. Led by Grammy-nominated music educator and multi-instrumentalist Chris Hathcock, “please” is a concept album that plunges listeners into the harrowing realities of mental illness, suicide, and survival. The album will be available on November 13th, 2025.
​
The first single, “The Concealment (Those Who Don’t Want To Wake),” is accompanied by a haunting music video that captures the anguish of hiding one’s suffering in plain sight.

“The Concealment could be thought of as the thesis statement of the new album. It tries to capture what it is to attempt to carry on with your life while struggling with the crushing weight of mental illness. At work, with family, at school, wherever, we have to don masks and pretend we are ‘just fine’ when inside we may wish to go to sleep and never wake up again. 1 in 4 adults will have a mental health crisis this year, and there are 1.5 million suicide attempts per year in this country. It’s all around us, yet most will not talk about it, most will not get help, and most will suffer in silence. We are not alone, yet we feel intensely lonely because of that disconnection. For me, I have to pretend to be someone else every day as a teacher – confident, smart, strong – whilst inside I often wish fervently for oblivion to end my near constant pain. When the despair and the grief and the hopelessness come, the isolation and hollowness of all things can rob life of any color. For those who know what it is like to live with these disorders, it is indeed lonely here,” says Hathcock.

Watch the music video premiere on MetalAddicts HERE.

Featuring ten emotionally driven tracks, the album was written in just six months. Drums were recorded in a single day, all other instruments in two, but vocals took two weeks, leaving Hathcock with a laryngeal injury so severe he couldn’t speak for six weeks. During the filming of “The Concealment” video, Hathcock broke two toes, sprained three others, and tore his rotator cuff. He performed at ProgStorm Festival in Montreal, Canada, just six days later, concealing his injuries behind the band’s emotionally intense stagecraft.
​
​“please” is also The Reticent‘s first album, engineered almost entirely by Hathcock at his Silent Muse Studio. Only the drums were tracked at The Basement Studios with longtime producer Jamie King (BTBAM, The Contortionist), who also took care of mixing and mastering for the record.
​
This fifth studio album includes subtle nods to clinical psychologist Kay Redfield Jamison, with lyrical references to her books “Night Falls Fast” and “An Unquiet Mind,” and samples of her voice appearing in “Discharge.”
​
Hailed as “prog’s most emotionally gut-wrenching” band, The Reticent began as Hathcock’s solo outlet for personal trauma. Over time, it evolved into a full-fledged progressive metal force, known for concept albums like “On The Eve Of A Goodbye” and “The Oubliette.” Joined by guitarist James Nelson (Nospūn) and bassist Paul McBride (Voraath), The Reticent delivers live performances that are more performance art than concert, intensely immersive and emotionally devastating.
​
The band has performed at prestigious festivals, including ProgPower USA, where Metal Injection called their set “one of the most heart-wrenching performances in ProgPower history.”
​
For those who seek truth in music, The Reticent offers a mirror to the soul and a plea for understanding.

Recommended for fans of Opeth, Cynic, The Contortionist, Wilderun, and Devin Townsend.

“please” will be available via Generation Prog Records on November 13, 2025. A sixth album is also complete, as it was recorded simultaneously with “please” and will follow for release in 2026.

CD pre-order (North America) – https://thereticent.net/please-pre-order​

CD pre-order (EU) – http://www.generation-prog.com/shop/​

Digital Album pre-save – https://show.co/MoPdl8W​

Track Listing:​
1. Intake – 1:45
2. The Concealment (Those Who Don’t Want To Wake) – 6:06
3. The Night River (Those Who Can’t Rest) – 6:55
4. Diagnosis 1 – 2:18
5. The Bed of Wasps (Those Consumed With Panic) – 5:47
6. The Scorn (Those Who Don’t Understand) – 8:12
7. Diagnosis 2 – 2:39
8. The Riptide (Those Without Hope) – 6:09
9. The Chance (Those Who Let Go) – 6:52
10. Discharge – 2:56
Album Length: 49:45

Album Recording Credits:​
All instruments and vocals performed by Chris Hathcock except
– Lead Guitar and Additional Acoustic Guitar by James Nelson
– Guest Vocals on “The Bed of Wasps” by Brian Kingsland
– Narration by Vienna Gloom
All songs written by Chris Hathcock
Produced by Chris Hathcock
Engineered by Chris Hathcock
Drums engineered by Jamie King
Mixed and Mastered by Jamie King
Album Artwork by Joscelyne Hauserman

Band Line Up:​
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Paul McBride – Bass, Backing Vocals

For more info: Thereticent.net | Facebook.com/thereticentmusic | Instagram.com/The.reticent.band​

– 30 –

“A taut, compelling progressive metal opus.” – Angry Metal Guy (2020 – The Oubliette)

“A narrative masterpiece. 10/10” – Rock Magazine (2020 – The Oubliette)

“Something all fans of music will want to experience.” – Metal Temple (2020 – The Oubliette)

“Prog’s most emotionally gut-wrenching band returns!” – Metal Storm (2020 – The Oubliette)

“One fact is incontrovertible: songwriter Chris Hathcock is a genius.” – Legacy Magazine (2020 – The Oubliette)

“Undoubtedly one of this year’s best albums, if not THE best album.” – Scream Magazine (Norway) (2020 – The Oubliette)

“As beautiful as it is sorrowful, masterful instrumentals and intense sounds accompany the story of this concept album that explores the slow descent into oblivion that sufferers of Alzheimer’s disease experience. Fans of metal will come for the riffs, and stay for the depth of atmosphere and storytelling. You’ll be left pondering existence after one of the best albums of the year.” – Cave Dweller Music (2020 – The Oubliette)

The Oubliette was included on numerous “best of” lists and was called The Most Essential Progressive Metal Album of 2020” by RTMBA Magazine. More recently, The Oubliette was included on Metal Injection’s 10 Extremely Underrated Progressive Metal Albums list and their 10 Extremely Underrated Metal Albums of the 2020s list.​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media PR News
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0 Thank You Canadian MDs and DJs for the Airplay Love! \m/\m/ For the Week Ending: Tuesday, September 30, 2025 !earshot – The National Loud Chart #3 Eternal Drak, #7 Ivy Gardens | 92.5 FM CFBX “the X” – Kamloops Loud #2 Eternal Drak | CJLO – 1690AM – Montreal Loud #1 Ivy Gardens | CJSW Radio 90.9 FM – Calgary Loud #7 Crüzer, #8 Eternal Drak | CHLY 101.7 FM – Nanaimo Top 30 #19 Cordyceps Corpse Gore House Productions | Smithers Community Radio CICK 93.9 – Smithers Top 30 #19 Z-Cocoon

  • October 2, 2025
  • by Asher
  • · Cordyceps Corpse (Gore House Productions) · Cruzer · Eternal Drak · Ivy Gardens · radio charts · Z-Cocoon

Thank You Canadian MDs and DJs for the Airplay Love! \m/\m/
For the Week Ending: Tuesday, September 30, 2025
!earshot – The National Loud Chart
#3 Eternal Drak, #7 Ivy Gardens
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2025-09-30
=====================
92.5 FM CFBX “the X” – Kamloops
Loud #2 Eternal Drak
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-09-30
=====================
CJLO – 1690AM – Montreal
Loud #1 Ivy Gardens
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2025-09-30
=====================
CJSW Radio 90.9 FM – Calgary
Loud #7 Crüzer, #8 Eternal Drak
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2025-09-30
=====================
CHLY 101.7 FM – Nanaimo
Top 30 #19 Cordyceps Corpse Gore House Productions
https://earshot-online.com/charts/chly.cfm?dWeekOfID=2025-09-30
=====================
Smithers Community Radio CICK 93.9 – Smithers
Top 30 #19 Z-Cocoon
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-09-30

0 Thank You Canadian MDs and DJs for the airplay love! \m/\m/ For the Week Ending: Tuesday, September 23, 2025 CFUV 101.9 MHz – Victoria – Loud #8 Ivy Gardens | CJLO 1690 kHz – Montreal – Loud #2 Ivy Gardens, #9 Devolver | CJSW 90.9 MHz – Calgary – Loud #2 Harvested | CJLO 1690 kHz – Montreal – Top 30 #20 Ivy Gardens | CFBX 92.5FM – Kamloops – Top 30 #27 Eternal Drak | CICK 93.9 – Smithers – Top 30 #12 Z-Cocoon

  • October 2, 2025
  • by Asher
  • · Devolver · Eternal Drak · Ivy Gardens · radio charts · Z-Cocoon

Thank You Canadian MDs and DJs for the airplay love! \m/\m/

For the Week Ending: Tuesday, September 23, 2025

CFUV 101.9 MHz – Victoria – Loud

#8 Ivy Gardens

https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2025-09-23

=========================

CJLO 1690 kHz – Montreal – Loud

#2 Ivy Gardens, #9 Devolver

https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2025-09-23

=========================

CJSW 90.9 MHz – Calgary – Loud

#2 Harvested

https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2025-09-23

=========================

CJLO 1690 kHz – Montreal – Top 30

#20 Ivy Gardens

https://earshot-online.com/charts/cjlo.cfm?dWeekOfID=2025-09-23

==========================

CFBX 92.5FM – Kamloops – Top 30

#27 Eternal Drak

https://earshot-online.com/charts/cfbx.cfm?dWeekOfID=2025-09-23

===========================

CICK 93.9 – Smithers – Top 30

#12 Z-Cocoon

https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-09-23

0 Canadian Death Metal HARVESTED Earworm Ferocious “Voices of the Void” Band Playthrough From New Album “Dysthymia” Out Now!

  • October 2, 2025
  • by Asher
  • · Harvested · Music News

NEWS RELEASE

Montreal, QC – October 2, 2025

Canadian Death Metal HARVESTED Earworm Ferocious “Voices of the Void” Band Playthrough

New Album “Dysthymia” Out Now!

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Canadian death metal outfit Harvested has dropped a ferocious, earworming band playthrough video for “Voices of the Void,” a standout track from their latest full-length album, “Dysthymia.” The video showcases the band’s technical prowess, raw aggression, and unrelenting energy, hallmarks of a sound they describe as “Heavy, Brutal, Fast, Aggressive and Violent.”
​
Formed in 2019 as a creative outlet for members of other local projects, Harvested has evolved into a powerhouse of modern death metal. With roots in bands like A Scar For The Wicked, Sons Of The Nether, Thalassophobia, and Fumigation, the group brings together a wealth of experience and a shared passion for pushing sonic boundaries.
​
​“Voices of the Void” is a dynamic track that blends chaotic tempo shifts with crushing grooves, embodying the band’s signature fusion of old-school death metal and deathcore. Lyrically, it delves into themes of dissociation and psychological turmoil, part of the album’s overarching exploration of mental illness.
​
​“This album is the evolution of our sound. We’ve taken influences from technical death metal giants like The Zenith Passage and Cattle Decapitation, but stayed true to our roots. Dysthymia is a level-up in every way—production, songwriting, and performance,” says guitarist Mitchi Dimitriadis.
​
The playthrough video offers fans an intimate look at the band’s musicianship, with each member delivering a tight, high-speed performance that reflects their commitment to precision and intensity.

“We pride ourselves on being athletes with our instruments. It’s not just about brutality, it’s about groove, cohesion, and constantly challenging ourselves,” adds Dimitriadis.
​
​“Voices of the Void” is one of nine tracks on “Dysthymia,” each confronting different facets of psychological distress, from cult mentality and shadow selves to global political psychosis. The album’s artwork, a psychedelic depiction of mental chaos, complements its lyrical depth and sonic ferocity.
​
With “Dysthymia” now unleashed and the band’s live shows gaining momentum, Harvested is poised to make a lasting impact on the Canadian metal scene.
​
Prepare for a heavy, aggressive, and unforgettable ride with the full playthrough for “Voices of the Void” via its premiere on MetalInsider HERE.

Recommended for fans of Cattle Decapitation, Decapitated, and Cannibal Corpse, Harvested‘s “Dysthymia” is available at the following links:

Album Stream – YouTube – https://youtu.be/ni9XelZ6zHE​

Spotify – https://distrokid.com/hyperfollow/harvested1/dysthymia​

Album order (released August 1st) – https://harvested.bandcamp.com​

Music Video “Harvested” – https://youtu.be/geF_C-Qn_7s​

Lyric Video “The Infestation” – https://youtu.be/XwQ1bs7NdZw​

Playthrough “Synaptic Confusion” – https://youtu.be/HzvwY-r_NMg​

Track Listing:​
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:​
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband​

– 30 –

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine
​
“Your muscles are about to reflexively twitch, your head is about to hammer, your pulse is about to accelerate. Audio worms will slither into your ear canals and take up residence there. Some of your cranial neurons may start spinning, creating visions of fast devils and hulking monsters. Those are our predictions of what will happen when you see and hear the playthrough video we’re premiering for the song “Synaptic Confusion” by the Ottawa-based death metal band Harvested. It’s an excellent way to rev up your own motor as Harvested rev up theirs.” – No Clean Singing
​
​
​“Dysthymia is an impressive first full-length effort for Harvested. It’s absolutely brutal and groovy in it’s more ’90s death metal approach, but they give it a modern coating of paint that makes it feel more relevant and weaves in some intricacy for the tech-fiends without losing sight that it’s still an aggressive death metal album. There’s something for pretty much anyone who likes extreme music here. A very promising future for these guys.” – Dead Rhetoric​
​
​“Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.” – Angry Metal Guy​
​
​“If you had the chance to see their video of ‘Harvested’ before the album release, you would be able to see how brutal and technical they sound. Harvested knows how to hit you like a punch in your chest, from their first riffs. By the way, riffs are something that you won’t miss here. Mitchi Dimitriadis and Vitto Oh are responsible machine-gun-like guitar picks. The drum sound also hits you with all blasts, and thankfully it’s not that digitalized soulless recording style that a lot of bands fall into now. It carries good organic production qualities, in good measure. My honourable congratulations also go to all the effort the bassist Eric Forget has made to keep his bass present among all the heaviness of the other instruments, and through the complexity of playing his own parts. The vocalist Adam Semler completes the team with good vocal lines… As always, Heavy Metal Canadian bands never disappoint us! And Harvested is one more band to honour its Heavy Metal scene with this incredible album, “Dysthymia”.8.5/10” – Ever -Metal​
​
​“If you’re into relentless death metal in the vein of CANNIBAL CORPSE and DYING FETUS, HARVESTED from Ontario could be your favorite new band. These guys have churned forth a classic of brutality with “Dysthymia”. The sound is just as clear and professional as those bands and HARVESTED deal crushing riffs and transitions with appalling intensity. One of the best things about this album, which separates it from a lot of “brutal” efforts, is that the songs are easily distinguishable and don’t melt together in a faceless mush.” – Wormwood Chronicles​
​
​“Following a demo released in 2022, Dysthymia represents a true validation of the potential of this group from Ottawa (Ontario, Canada), which deserves special attention. Combining brutal death metal with ‘old school’ influences, the quartet brilliantly demonstrates that their music will resonate with crowds during their concerts… With titles like ‘Repressed Neurosis’, ‘Unending Madness’, ‘Designed Dilemma’, ‘Gathered And Deluded’, ‘Unanchored’, or ‘The Infestation’, Harvested sets the tone! The album was produced by the band itself with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound that remains rooted in the fundamental elements of death metal.” – Metallian​
​
​“Harvested Delivers 50 Shades of Vicious on ‘Dysthymia’… Dysthymia is one of the year’s best metal records.”-The Rock Father​
​
​“If you like brutal death metal with technical elements, this is a great album.” – ZwareMetalen​
​
​“HARVESTED deliver flawless death metal with technical sophistication, powerful riffs, gripping vocals and brutal energy.” – MetalUnderground.at​
​
​“Harvested channel the struggles of mental illness within the seedy confines of death metal on their debut album, Dysthymia. The group doesn’t skimp on the gorier details, like the depictions of torture on opener “Harvested,” but much of the lyrical prose isn’t that graphic. It takes the views of mental illness from not only a personal perspective, but globally as well. Their death metal has nods to the classics like Cannibal Corpse and Suffocation, while adding a bit of technical bounce as they do on “Designed Dilemma.” Harvested does well with capturing the genre from every corner. Speed freaks will love “Gathered And Deluded,” those with some head banging in their hearts will get down to “Unending Madness” and “The Infestation” ends Dysthymia with a stark message.” – Heavy Music Headquarters​
​
​“After knocking the first three tracks out of the park like a home run into the stratosphere, “Synaptic Confusion” goes harder and faster during an opening onslaught second to none before getting menacing and sinister with a slower churn and burn. A violent delight with a catchy hook and a scream-a-long lyrical narrative in the chorus, its the kind of blunt force trauma that everyone can enjoy without a visit to the hospital. Maintaining the quality levels of both musicianship and song writing throughout the record seems like an impossibility of reason and yet its probably why this record took three years to complete because “Designed Dilemma” is another absolute beast. It’s like the band have taken your favourite Death Groove Thrash cut and adrenalized it by mainlining caffeine until their eyes pop out on stalks. The energy levels are as ridiculous as the poise and precision as the band conjure a Technical Death Metal tune of the highest order.” – Metal Noise

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 MERFOLK (One Man Band From Patrick Loisel of AUGURY) Unleashes Video “Sundaland” – A Psychedelic Metal Odyssey Rooted in Myth, Madness, and Mastery

  • October 2, 2025
  • by Asher
  • · MERFOLK · Music News

NEWS RELEASE

Montreal, QC – October 2, 2025

MERFOLK (One Man Band From Patrick Loisel of AUGURY) Unleashes Video “Sundaland”

A Psychedelic Metal Odyssey Rooted in Myth, Madness, and Mastery

Solo artist builds puppets, plays every instrument, and dives into the abyss, literally!

The mysterious solo endeavor known as Merfolk resurfaces with “Sundaland,” a boundary-pushing album that fuses emotional intensity with mythic storytelling and sonic experimentation. Spearheaded by Patrick Loisel of AUGURY, a multi-instrumentalist, Native-descended artist, and former physics teacher, Merfolk is far more than a band. It’s a singular vision brought to life by one mind and many hands. Every step of the creative process, from composing and crafting instruments to engineering the sound and directing the visuals, is handled entirely by Loisel himself. No session players. No pre-recorded crutches. Just pure, unfiltered artistry.

Merfolk channels the spirit of Emperor, Mayhem, Hollenthon, Mercyful Fate, and a trove of obscure ’70s experimental sounds, forging a unique blend of post-black metal, classical instrumentation, and narrative-rich, sociological lyricism. The songwriting draws from ancient migratory myths and uncanny architectural echoes across the Pacific, all filtered through the artist’s wildly eclectic life, one that began with a childhood literature award and later included the care of over 300 tarantulas.
​
The newest offering, “Sundaland,” is named after a submerged continent in Southeast Asia and explores the mythic aftermath of a prehistoric flood. From the haunting warnings of floating entrail-ghosts (Krasue) to the desperate offerings to misunderstood sea monsters, the album weaves a narrative that’s as unsettling as it is cinematic.
​
Musically, “Sundaland” is a leap from Merfolk’s earlier work “Demersal,” trading whistling and early synths for miked classical instruments, violin, cello, double bass, and piano, played by the artist himself. The fretless bass was custom-built, and electronic drums were introduced for a cleaner yet still furious sound. The result? A sound described in five words: eclectic, psychedelic, spooky, unusual, furious.
​
The album’s flagship single, “Castaways,” is a melancholic, ambient piece born from emotional turmoil. Its music video is a surreal spectacle of psychedelic practical effects, reminiscent of Kubrick’s 2001: A Space Odyssey. Filmed in near-total darkness with handmade puppets and props, some collapsing mid-shoot, the video captures the eerie beauty of survivors scavenging sunken ruins and encountering a newly revealed civilization.
​
Watch the full visual experience in “Castaways”, where Merfolk’s DIY ethos and cinematic ambition collide via its premiere on NoCleanSinging HERE.
​
Unveiled on May 26th, 2025, “Sundaland” by Merfolk transcends the boundaries of a traditional album; it’s a plunge into a myth-soaked realm where metal meets mysticism. This sonic excavation unearths ancient lore and raw emotional terrain, offering a listening experience that’s as intense as it is unpredictable. For those drawn to the arcane and the avant-garde, Sundaland is a must. And for the fearless few ready to descend deeper, the abyss awaits.
​
​“Sundaland” is available at https://artists.landr.com/990591564626​

Track Listing:​
1. The Plowing Sea – 3:04
2. Krasue Came Warning – 4:15
3. The Ghost Fleet – 6:59
4. Castaways – 6:05
5. Sundaland – 1:54
6. Time Warp – 2:49
7. MOUSEHUNT !!! – 4:22

Album Credits:​
All words, vocal, music, arrangements, and performances by Patrick Loisel
Keyboards, violins, cellos, and contrabasses recorded in Laval-Ouest in 2023
Drums, guitars, bass, and vocals recorded in St-Henri (Montréal,) summer/fall 2024.
Mixed by Patrick Loisel in St-Henri, January and February 2025.
Mastered by Alain Londero in Laval, March 2025.
Booklet by Patrick Loisel & Jean-Rémi Marceau
Guitar: Merfolk 2018 ( Mini RR V in walnut with EMG pickup)
Bass: Merfolk 2023: Fretless 5 strings in purpleheart with Bond pickup.

More info: https://www.melogy.ca/merfolk | https://www.facebook.com/profile.php?id=61553443841461​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media PR News
Instagram – AsherMedia
Tweet – AsherMedia

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