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Posts By Asher

0 Rockshots Records – LAST IN TIME’s Debut Album “Too Late” Out Now!

  • January 12, 2024
  • by Asher
  • · Last In Time (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 12, 2024

​

Rockshots Records – LAST IN TIME’s Debut Album “Too Late” Out Now!

Italy’s Last In Time‘s debut album “Too Late” is now available from Rockshots Records as of January 12th, 2024. Inviting fans to experience a journey through various musical influences. “Too Late” is a rock album that combines the melody of AOR, the power of hard rock and metal, with a nod to 90s progressive rock. From the first track to the last, every song exudes energy and emotions, making it impossible to stand still in front of the speakers. The roaring guitars, powerful rhythm section, and charismatic vocals of the frontmen give each track an unmistakable authenticity and intensity. The musical diversions and sonic settings showcase a band that is not afraid to push beyond its limits and explore new sounds, without ever losing the essence of their vibrant rock.

Guitarist Massimo Marchetti comments on the debut:

“Finally, the long-awaited moment has arrived! We couldn’t be happier to present our first album “Too Late” to the whole world, in collaboration with Rockshots Records, of which we are truly proud to be a part. From the very first listen, it’s clear that we, as a band want to present ourselves with a level of maturity and confidence in its sound. We will do everything possible to earn the respect of fans with this record and our future live performances.”

Last in Time is a project that was formed in 2021 as a studio band, intending to record original songs in the melodic and classic rock/AOR genre. Leading the project is Massimo Marchetti, the songwriter, producer, and arranger of the group’s songs. The project has a diverse lineup (listed below), as it was managed as an All-star band, to ensure that each song had the right artistic touch. The ability to have multiple voices, including a female voice, greatly expanded the compositional proposal of the songs, allowing for a range of genres and nuances.

However, the group’s sound, while diverse, remains anchored to a common thread, which is a passion for classic rock in its various forms. The presence of experienced and motivated musicians made the album recording process a wonderful journey, which will continue with live sessions and the start of a true project focused on recording more albums in the future.

Recommended for fans of Toto, Whitesnake, Deep Purple, Symphony X, Trans Siberian Orchestra, and Savatage, Last In Time‘s debut album “Too Late” is available now at https://bfan.link/too-late-8

​

Lyric Video – “The Way To Rock” – https://youtu.be/1Ih6U0nXGs4

​

Lyric Video – “Moonlight Dreamers” – https://youtu.be/hjhtAXzus80

​

Track Listing: ​
1. The Way To Rock
2. How Long?
3. Road To Redemption
4. Believer In Love
5. Moonlight Dreamers
6. The Animal
7. Too Late
8. Mr.Fantastic
9. Winter In May
​
​Album Credits:​
– All songs and lyrics are written, arranged and produced by Massimo Marchetti
– Mixed by Mike Suzzi.
– Drums recorded at Pri Studio.
– Vocals and Guitars recorded by Massimo Marchetti with Execptions of:
– Acoustic Guitars, recorded by Mike Suzzi;
– Vocals on “The Way”, “How Long” & “Believer”, recorded by Mike Suzzi;
– Vocals on “The Animal”, Mr. Fantastic”, recorded by Andrea Lo Verde @ALV STUDIO;
– Vocals on “Winter in May “, recorded by Michele Luppi.
– Mastered by Giovanni Versari – La Maestà Mastering
– Cover Artist: Aberto Zimino

Last In Time are:
Massimo Marchetti: Guitars and Choirs (All)
Igor Piattesi: Vox and Choirs (1,2,4,6,7,8,9)
Caterina Minguzzi: Vox and Choirs (1,2,4,5)
Mirko Marchetti: Vox and Choirs (Song Nr. 9)
Luca Nicolasi: Bass Guitar (All)
Giacomo Calabria: Drums (All)
Alessio Mosconi: Keyboards (1,2,4,5)
Emanuele Lo Verde: Keyboards (6,7,9)
Andrea Lo Verde: Keyboards (8)
Special guest, Samuele Benini: Piano solo (5)

More info: Rockshots.eu | Facebook.com/lastintime | Instagram.com/lastintimeproject​

-30-

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0 Canada’s MARBLE GHOSTS Seeks Social Justice In New Single “Old School” Off Upcoming Debut EP Out March 2024

  • January 12, 2024
  • by Asher
  • · Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – January 12, 2024

Canada’s MARBLE GHOSTS Seeks Social Justice In New Single “Old School” Off Upcoming Debut EP Out March 2024

L-R – Paul R. Champagne (Bass), Adam Hansen (Guitar, Backing Vocals), Dylan Gunnell (Vocals), Jérôme Renaud (Drums)

Photo Credit – Lisa Thompson (Dark Moon Productions)

​

Recently emerging onto the Canadian metal scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts announce the release of their debut self-titled EP and the powerful single, “Old School”. The single is a thrash punk medley with a biting, unforgettable chorus that serves as an anthem for the disaffected. The song’s message resonates with those weary of being ruled by a vocal religious minority. “Old School” is not anti-religious; instead, it targets those who use their beliefs to promote hatred towards LGBTQ communities and advocate for stripping away women’s rights. Marble Ghosts explains further:

“With the words, “God is love and God is hate,” Old Shcool speaks to the way that fundamentalists twist and pervert teachings to fill an agenda of hate. This song is the fuck you to them. Fuck any god whose believers can’t accept love in different shapes and forms and who believe they can tell a person what they can do with their body.”

Marble Ghosts comprises a dynamic lineup that uniquely blends genres and generations, featuring a death metal drummer, an old-school metal bassist, a grunge-influenced singer, and a metalcore guitar player. This eclectic mix not only defines their sound but also underscores the band’s commitment to breaking musical boundaries.

Despite being a relatively new band, Marble Ghosts demonstrates a clear musical direction. Their first EP showcases five compelling songs that highlight their diverse influences and styles. As a band, they embrace generational differences, allowing their music to evolve organically as they grow more comfortable with each other.

Explaining the origin of their band name, Marble Ghosts draws inspiration from historical figures revered by some as pioneers and trailblazers but who also committed terrible crimes. The band seeks to call out the tradition that these effigies represent. Their music is recommended for fans of Shinedown, Saint Asonia, and Three Days Grace.

Listen to “Old School” at the following links:

YouTube – https://youtu.be/MpS6cMMuKPA

Digital – https://distrokid.com/hyperfollow/marbleghosts/old-school

​

Marble Ghosts’ debut self-titled EP is due out on March 1, 2024.

Previous single “Alone” at the following links:

YouTube – https://youtu.be/ujEwHkoaAeU​

Digital – https://distrokid.com/hyperfollow/marbleghosts/alone​

Track Listing:​
1. Old School (3:10)
2. Lie to Me (4:22)
3. Alone (4:03)
4. False Heroes (4:33)
5. End of the World (3:58)
EP Length: 20:07

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial​

-30-

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ASHER MEDIA RELATIONS
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0 Descend Into The Death Metal Abyss With Playthrough Video For HATRED REIGNS’ “To Depths Unknown” Off New Album “Awaken The Ancients”

  • January 11, 2024
  • by Asher
  • · Hatred Reigns · Music News

NEWS RELEASE

Montreal, QC – January 11, 2024

Descend Into The Death Metal Abyss With Playthrough Video For HATRED REIGNS’ “To Depths Unknown”

New Album “Awaken The Ancients” Out Now!

L-R – Jeff Calder – Guitars, Adam Semler – Bass & Vocals, Neil Grandy – Drums, Mitchi Dimitriadis – Vocals

Canada’s Hatred Reigns offers a brutal assault on unsuspecting listeners. They believe in a no-holds-barred approach and do not relinquish their grip until the last note is unleashed. Their latest release “Awaken The Ancients” is an eight-track sojourn into other worlds, paying homage to classic films and literature as well as their musical influences. For those who like to get into the nitty gritty, they now present a playthrough video for the track “To Depths Unknown”, which the band comments on, along with the album:

“Frantically falling, flailing to and fro,” the protagonist is caught in a whirlwind of uncertainty, grappling with the unpredictable twists of their destiny. Their ultimate destination remains shrouded in mystery as they descend into the abyss of the unknown. The album encountered numerous adversities during its recording process, including COVID-19 lockdowns, illnesses, technical challenges, and complex musical arrangements. Despite these hurdles, the band’s unwavering dedication has resulted in an album that defies conventional limitations.”

Vocalist Mitchi Dimitriadis, who mixed and mastered the album, played a pivotal role in bringing guitarist Jeff Calder’s vision to life. Together with Calder, Dimitriadis developed orchestration soundscapes, incorporating percussive sounds, spoken word elements, and digital sound samples into the music. Pedro “Lordigan” Sena, the album’s designer, crafted a masterful artwork piece that vividly depicts countless aimless souls preparing to face judgment. This artwork aligns seamlessly with the album’s thematic exploration and adds depth and vibrancy to the overall experience.

The tracks on the album are a testament to the band’s diverse influences, seamlessly woven into a unified entity that reflects their collective vision. The sonic journey they offer is a compelling fusion of their musical roots and is suggested for fans of Carcass, Behemoth, and Cryptopsy.

Watch the playthrough for “To Depths Unknown” via its premiere on Bravewords HERE.

“Awaken The Ancients” was released on December 1, 2023 and is available at the following links:

Digital – https://distrokid.com/hyperfollow/hatredreigns/awaken-the-ancients

​

Bandcamp – https://hatredreigns.bandcamp.com​

Previous Videos:

“Departing Archeron” – https://youtu.be/UkHuDhTsTWA​

“Awaken The Ancients” – https://youtu.be/e6UZwj9YumA​

“Ushered By Charon” – https://youtu.be/_Q1GcPMhPaI​

Track Listing:​
1. Awaken The Ancients (5:20)
2. Pain Leads To Nothingness (3:16)
3. To Depths Unknown (2:40)
4. Obsolarium (2:36)
5. Ushered By Charon (5:23)
6. Planes Divide (3:47)
7. Absentia (4:58)
8. Departing Acheron (3:43)
Album Length: 31:20

Album and Live Lineup:​
Mitchi Dimitriadis – Vocals
Jeff Calder – Guitars
Neil Grandy – Drums
Adam Semler – Bass & Vocals

More info: Facebook.com/hatredreignsband | Instagram.com/hatredreigns

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“Hatred Reigns’ Awaken the Ancients is Brutality in Sound and Theme… For those of you who can’t get enough of their brutal technical death metal thematically based on What Dreams May Come, Dante’s Inferno, Milton’s Paradise Lost, and love wallowing in the murky anguish of life’s darkness, take an audio gander at the stream of the album.” – Decibel Magazine​
​
​“this is a slab of high density, very technical death metal that fans will love” – Real Gone Rocks

“Hatred Reigns’ core death metal is sturdy, with bass guitar leads and overactive blast beats giving a technical spark to the album.” – Heavy Music HQ​
​
​“Hatred Reigns play to their strengths on this album opener (Awaken The Ancients), delivering speed and fury, but impressive agility as well as aggression. They unleash madness in the viciously sizzling and skittering riffage and ruthlessness in the bone-smashing hammer blows that segment the frenzies, and the monstrous guttural growls expel the words in barks that are almost as fast as the backing instrumentation. But the band also switch things up, slowing the tempo and injecting weirdly swirling arpeggios and then hitting the accelerator to bring forth an even more demented and delirious escapade, this time fronted by crazed screams and screeches as well as gritty growls, and propelled to further heights of lunacy by a fret-melter of a solo and bursts of maniacal drum battery. When the band decelerate again, the chords elevate it into an otherworldly realm, both menacing and haunting, and the band also layer in a little bass solo, a few humongous bass drops, and a hulking, lurching stomp. But of course they go back into the fast lane for one last burst of high-adrenaline barbarity as the song surges to the end.” – No Clean Singing​
​
​“‘Departing Archeon’, grabs me where I didn’t expect (You can see the video for this at the bottom of this page). This time the vocal and lyrics are instantly engaging… accessible and menacing ‘Welcome… We’ve been waiting for You…’ which somehow made me smile from ear to ear. And just wait for that main riff – it’s f**king perfection. Simple, brutal and so utterly worthy of a headbang. Looking over the release notes they compare their release to ‘Origin’, Suffocation, and Hideous Divinity, but I’m getting vibes of classic Thrash and Death Metal. Think early Sepultura, Gorefest and Carcass, especially with that DIY ethos those thrown in too. It enables them to keep their influences close to their heart and do exactly what they want to. Overall, it took me a few listens to the album to appreciate how good it is. It’s a complex album that doesn’t hide behind overly technical playing … it knows how to keep the riffs simple, crunchy and heavy… Incredible stuff.” – Music Trespass

—
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0 The Electric Highway Festival (Calgary, AB) Announces First Round of Bands For 2024 Lineup w/ Anciients, Dead Quiet, Empress, Flashback, Buffalo Bud Buster and more!

  • January 11, 2024
  • by Asher
  • · Music News · The Electric Highway Festival

NEWS RELEASE

Montreal, QC – January 11, 2024

The Electric Highway Festival (Calgary, AB) Announces First Round of Bands For 2024 Lineup

w/ Anciients, Dead Quiet, Empress, Flashback, Buffalo Bud Buster and more!

April 4- 6 – Dickens Pub

EHF 2023 Lineup Spotify Playlist – https://spoti.fi/3ZKB9Tm​

​

The Electric Highway Festival is excited to announce the first round of bands for the 2024 edition of the festival being held in Calgary, AB on April 4, 5, and 6 at Dickens (1000 9 Ave SW).

Canadian Juno Award-winning Vancouver band Anciients will headline the whole festival. They will be joined by various Western Canadian bands including Dead Quiet, Empress, Flashback, Buffalo Bud Buster, and more.
​
​Here are all the bands included in the first-round announcement:​
Anciients (Vancouver)
Dead Quiet (Vancouver)
Empress (Vancouver)
Buffalo Bud Buster (Calgary)
Flashback (Calgary)
Pharm (Kelowna)
Owls & Eagles (Calgary)
Gnarwhal (Yellowknife)
Solid Brown (Calgary)
The Getmines (Vancouver)
Tebby and the Heavy (Edmonton)
Musing (Calgary)
Blacksmith and Brewer (BC Sunshine Coast)
Stone Spear (Kelowna)
Black Daggers (Red Deer)
Atomic Yeti (Saskatoon)
Conjure Hand (Victoria)

Limited Early Bird passes are on sale for $65 until the rest of the bands are announced or the early bird passes sell out. Regular advance passes will be available at that time. There will also be a variety of single-day tickets available as well as 2-day passes.

Festival passes are available at https://theelectrichighway.ca/festivalstore/​

Event info: https://www.facebook.com/events/327207160030277​

​The Electric Highway Festival hosts various genres that range from Desert Rock, Stoner Metal, Doom, Sludge, Trippy Psychedelic, Surf Rock, Acid Rock, Noise Rock, Fuzz Rock, Space Rock, Blues Rock, Heavy Psych, Heavy Blues, Southern Rock, Fuzzy Punk, Sludgy Hardcore bands and variations of any of the previously mentioned styles.

The 2023 edition of the festival featured Californian headliners Sasquatch, one of the event’s past favorites, laying down their brand of fuzzy, kick-ass Desert Rock & Heavy Psych with direct support from Vancouver’s La Chinga who returned for their 4th appearance on the Saturday night. Black Mastiff returned to headline the Friday night with Calgary’s Gone Cosmic and HypnoPilot headlined the Thursday show with support from Citizen Rage. These were just a few of the wicked bands that played at this past year’s The Electric Highway.

Live Video by SlimBzTV – Sasquatch at EHF 2023 – New Disguise – https://youtu.be/K8IXhd4ERY0​

Live Video by SlimBzTv – La Chinga at EHF 2023 – Beyond The Sky – https://youtu.be/P741nkfJU7w​

Live Video – by SlimBzTV – Owls & Eagles at EHF 2023 – New Expectations – https://youtu.be/G2jUjDHbp9k​
​
​For more info:

Website: TheElectricHighway.ca​

Facebook: Facebook.com/ElectricHighwayFestival​

Instagram: Instagram.com/TheElectricHighway​

Twitter: Twitter.com/TheElectricHwy​
​
​
Hashtag #BuckleUp #EHF2024

Festival Press Materials Dropbox HERE.

Business Partners/Sponsors:​
Asher Media Relations
Athena Bookkeeping Services Inc.
Black Collar Manufacturing
Calgary Metal Scene Events
The Celestial Agency
Dickens
High Voltage TV
Loud as Hell Festival
METALHEADS UNITED
New Level Brewing
​
​Travel and Tourism Partners:​
Tourism Calgary
Travel Alberta
​
​Media Partners:
Absolute Underground
Broken Neck Radio
CJSR
CJSW
Digital Distortion
Doomed and Stoned
The Obelisk
Outlaws of the Sun
Metal Devastation
Ghost Cult Magazine
Metal Rules
Trash Talk
V13
​
Business partnerships and sponsorship opportunities are available. Contact theelectrichighwayfestival[@]gmail[.]com for more information.

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

  • January 11, 2024
  • by Asher
  • · Music News · The Risen Dread

NEWS RELEASE

Montreal, QC – January 11, 2023

THE RISEN DREAD Unleashes Their New Sinister Video “Betrayal”

L-R – William Ribeiro (Guitar) | Marco Feltrin (Vocal) | Mat Maher (Bass)

​The Risen Dread is a metal band from Dublin, Ireland who have successfully established themselves as one of the country’s most promising metal acts in recent years.​ With an EP and a full length already under their belts, they are going to be expanding their discography in the new year, which they tease now with the sinister single and music video “Betrayal”. Guitarist William Ribeiro comments on the single:

“Betrayal, even though I had some of those riffs for a while, is the first song we wrote after the drummer left. We wanted to do the opposite of what we did for our last album, we wanted this track to be straight to the point and not only fast, we wanted it to be aggressive and heavy, with headbanging riffs as well as moshpit parts. I think Betrayal summarizes the dread that rises again from within each band member after this 2023 year. Nothing better than talking about a woman locked up by her mother. Can you imagine how she felt?”

“Betrayal” tells the true story of Blanche Monnier, a socialite who was locked in a tiny room by her mother and brother at age 25 for 25 years in a room without light. Musically, it’s a death metal song, pure and simple with heavy and catchy riffs, fast double bass, and blast beats. As far as their new material goes, this track has a bit of everything. Fans can expect a lot more where it came from, and can also look forward to new elements like the inclusion of choir and orchestra.

The Risen Dread is a powerhouse of death metal and groove metal, and they also draw upon a variety of influences from metalcore to black metal to hone their signature sound. They turn these elements into something fast, heavy, memorable, and accessible. Fans of Lamb Of God, Sepultura, and Deicide.

Watch and listen to the music video for “Betrayal” via its worldwide premiere on Decibel Magazine HERE.

More info: Facebook.com/TheRisenDread | Instagram.com/therisendread​

-30-

What the press has said:

“Silent Disease The single drives hard as hell with tons of straightforward grooves and meaty riffs, though with a very pertinent message and accompanying music video” – Metal Injection

“There is a lot for any metal fan to get their teeth stuck into with this impressive release and the fact that this is self produced by the band makes ‘Night Hag’ all the more impressive.” – The Razors Edge

“Night Hag is a banger. One with a lot more depth than you might initially think. Memorable music with all the head-banging trappings you could dream of.” – GBHBL

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0 EPK – Kelevra – Oneiric (2024)

  • January 10, 2024
  • by Asher
  • · EPKs · Kelevra

EPK – Kelevra – Oneiric (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“More than anything we are excited to hear how Oneiric will be received. Every track on the album contributes to a very unique product overall that is hard to categorize within a specific metal subgenre. Current fans of the band will be greeted with a familiar taste of past material while experiencing a stronger, mature sound. With this album, which was both deliberate and coincidental in the writing process, we will be providing listeners with an experience that leaves them on the edge of their seats. Each song is crafted to take the listener on a progressive metal journey from beginning to end. Despite each song being very unique from the rest, together the tracklist presents itself as a cohesive and complete package.” – Kelevra

Band: Kelevra
Album Title: Oneiric
Release Date: March 8, 2024
Label: Self-Release

For fans of Threat Signal, Chimaira, Lamb of God,  Unearth, Gojira, In Flames

Facebook.com/KelevraSK | Instagram.com/kelevraband | Youtube.com/@kelevrask1916

Kelevrasask.bandcamp.com | Spotify | Apple Music

“The music in “Cleanse With Fire” is a true sonic kaleidoscope spinning at high speed. With spidery fingers flying fast, the three dexterous string-benders whose performances you’ll see in the video execute intricate darting and swirling maneuvers with eye-popping aplomb, creating a head-spinning and uplifting listening adventure. – No Clean Singing

“Kelevra’s debut album Oneiric is an uproarious combination of progressive, groove and death metal.” – Heavy Music HQ

“Have a listen to their album and check them out live when they roll through your town. Kelevra will have you double fisting invisible oranges in a state of metal ecstasy.” – North Sask Zine

“An excellent addition to the already rich harvest of musical works in the year 2024.” – Rock Portaal

“The momentum shows no sign of slowing down, with a more melodic attack in ‘No Voice’ similar to that of Parkway Drive during their “Deep Blue” phase. Led by some scorching lead guitars and the continuing theme of ambient mid-sections, this is a winning combination for me and any other fan of melodic metalcore. Another highlight for me was that gorgeous atmospheric soundscape that opened ‘Self-Extinct’. That definitely got a few rewinds! Though if that’s aesthetic, ‘The Mad Wind’ is anything but, as there’s nothing pretty about this song, just primitive rage!” – Ever-Metal

“With Oneiric, Kelevra emerges into a new era of consciousness, pushing the boundaries of progressive music while staying true to their ferocious brutality and invites one to join them on a journey through ecstatic dreamworlds and hellscapes of the mind.” – Amplify The Noise

“The album has eight songs, and “Atoned” is first. There is a dark ease in to the heavy and aggressive sound, and the vocals are tortured screams.” -Metal Temple

“Wow, this “Oneiric” by Kelevra has many interesting things musically” – Metallerium 

“a diverse palette of aggressive excesses, but also an inescapable amount of melodies.” Zwaremetalen

“KELEVRA has put together a brutal and at the same time melodic metalcore crusher that occasionally increases its level of sophistication with progressive twists” – PowerMetal.de

[Download Album Cover | Download Album Lyrics]

Band: Kelevra
Album Title: Oneiric
Release Date: March 8, 2024
Label: Self-Release

Track Listing:
1. Atoned (5:34)
2. Cleanse With Fire (6:02)
3. No Voice (6:13)
4. The Distance (5:36)
5. Self-Extinct (6:31)
6. The Mad Wind (4:33)
7. Despite What You Owe (4:56)
8. Lifeblood (5:49)
Album Length: 45:29

Album Credits:
– Composed & Performed by Kelevra
– Produced by Kelevra & Sean Folk
– Engineered & Mixed by Sean Folk
– Mastered by Acle Kahney
– Artwork by Shane Rice Studio
– Member of SOCAN
– Canadian Content – MAPL

Kelevra is (Album & Live):
Dylan Dobrescu (Drums)
Brett Forst (Guitar)
Matt Fraser (Vocals)
Adrienne Mahoney (Bass)
Mat Yarotski (Guitar)

====================================================

About The Album Artwork:

The album is entitled “Oneiric”. Oneiric comes from the Greek word oneiros, meaning a dream. In Greek mythology, the Oneiroi, or Dreams, were the brothers (or sons, depending on the author) of Hypnos (Sleep). Depicted in the artwork is a fictional concept of dream or memory harvesting.

The album as a whole (LYRICALLY & MUSICALLY):

In general, the album is aggressive musically, yet also very epic and heartfelt at times. The lyrics aim to support this style. Song, meaningful, and personal lyrics demand a powerful and diverse sound that enforces our message and storytelling.

Track by Track:

1) Atoned

“Atoned” is a fearful revenge story, trying to convince oneself to follow through by planning on atoning for your “sin”. Song written from the perspective of someone who has had enough.

2) Cleanse With Fire

“Cleanse With Fire” describes the fall of man and the destruction of the world, specifically with reference to the growing obsolescence of humans versus mother nature. The song speaks of resentment for how humans continue to mistreat their host; taking more than what is earned and leaving the world in a desolate state of flames.

3) No Voice

“No Voice” was written as a rallying cry to anyone who feels oppressed and like they have no voice. Figuratively “ascending” onto those above you with violence, believing you have no other choice.

4) The Distance

“The Distance” is a story of hateful endings and love lost. But despite the distance they try to keep, they are still drawn to each other in an endless cycle. Only having one way out.

5) Self-Extinct

“Self-Extinct” tells the story of one’s struggle with anxiety, to the extent that worry has taken over and entirely replaced their consciousness. This consternation has become its own being in a sense. The effort required to conceal this quiet monster causes further anguish and the ability to think, act, and live independently of such inner turmoil no longer exists.

6) The Mad Wind

The Mad Wind is a song based on events of the Darfur Conflict in western Sudan in 2003. The title of the song comes from an infamous nickname that local villagers used to describe the Janjaweed, a ruthless militia group, responsible for the destruction of hundreds of villages and what has been known as a modern-day genocide of the ethnic Darfuri people. The Janjaweed, translated in English to “Devils on horseback”, would raid and burn villages, killing men, enslaving boys, and raping women and children both young and old. Terrified locals called the Janjaweed “The Mad Wind”, as they would sweep through villages causing mass destruction, as quickly as the wind blew. The song tells a fictional story from the perspective of a helpless mother living in the center of the conflict, whose village will soon be swept by The Mad Wind. With imminent death facing her and her baby son, the young mother decides that they will not be subject to pain and torture at the hands of the Janjaweed. Instead, she will travel to a nearby river where her family keeps a small paddle boat. With no hope left for the life she once knew, mother and baby will embark on a float downstream. They will soon be thrown over the treacherous falls and die peacefully together in suicide.

7) Despite What You Owe

“Despite What You Owe” is about denying the societal norms of social media, being enslaved by it, and masking who we truly are. In doing so, reclaiming our real life and trying to convince others to do the same, but doing so unsuccessfully. The blind lead the herd.

8) Lifeblood

“Lifeblood” describes the loyalty of a lasting group and how its strength lies in its unity. This fellowship does not back down when challenged.

====================================================

Fun Facts – Story Angles:

1. The band has been around for over a decade at this point, so the stories are endless. With that being said, this band has been through a lot over the last 5 years, specifically our bass player, Adrienne. She has an extremely rare autoimmune disorder that is known as EGPA (Eosinophilic Granulomatosis with Polyangiitis) or Churg-Strauss Syndrome. This disorder killed the entire left side of her heart resulting in less than nine percent heart function.

In 2017, she was flown on life support to Edmonton and it would take doctors and surgeons weeks to diagnose, treat and stabilize her in order to survive. This disorder is typically diagnosed post-mortem in an autopsy, so it was rather rare that she was still living. After undergoing multiple open heart surgeries, some bumps in the road and complications along the way, Adrienne returned to Regina with an implanted device in her heart called an LVAD (a left ventricular assist device). This machine powered her dead heart, pumped her blood and sustained her life 24 hours of the day.

Regardless of everything that had happened, Adrienne was determined to continue with the band. Kelevra embarked on a tour to the Canadian west coast that summer, merely weeks after Adrienne was cleared by doctors. Even though the rest of the band was hesitant and very worried about our mate, there was no stopping Adrienne from continuing on. That summer we played a ton of shows, each time rushing to the next venue; not to set up our gear, but to ensure Adrienne’s external batteries could be charged to keep her alive. Despite the seriousness of the situation, it was almost comical how this became so normal to us at that time. We made light of a dark time of unknowns and kept on with music.

A year and a half later, Adrienne was gifted with a heart transplant. The LVAD could not support her permanently, she required a donor’s heart. Though Adrienne’s heart transplant was a success, to this day she still faces daily complications and struggles due to her condition. The road has been tough, but she has demonstrated to everyone around her what true strength is. Adrienne is a powerhouse on stage for Kelevra and has become a true role model for young girls who aspire to be involved in heavy music.

https://www.cbc.ca/news/canada/saskatchewan/heart-transplant-churg-strauss-syndrome-1.5131979

2. Kelevra’s 2024 full-length was recorded by Kelevra and Sean Folk at Odin Sound. The album was mastered by Acle Kahney of Tesseract at 4D Sounds in the UK.

L-R – Adrienne Mahoney (Bass), Mat Yarotski (Guitar), Matt Fraser (Vocals), Brett Forst (Guitar), Dylan Dobrescu (Drums)

Photo Credit: Mac Ulmer

Formed in 2009 in Regina, Saskatchewan, Kelevra continues to supply a serious dose of progressive metal to the masses. Since releasing their debut EP “Overthrown” in 2013, and follow-up EP entitled “Lividity” in 2016, the band has developed a loyal, local fan base, and continues to spread the noise outside of their prairie hometown. A distinct and unique approach to metal, accompanied by a high-intensity live show, has provided great opportunities for the band over their existence. This includes performing at several Western Canadian music festivals, embarking on multiple Western Canadian tours, and sharing the stage with a long list of legendary acts.

Most recently, Kelevra has taken time away from performing live and touring to step back into the studio. With tons of new material, together with an ever-evolving fast-paced, melodic, and heavy sound, Kelevra is set to take Canadian progressive metal to all-new heights with a new release in 2024.

Discography:
2024 – Oneiric – LP
2016 – Lividity – EP
2013 – Overthrown – EP

Shared Stage with: The Faceless, Job for a Cowboy, Carnifex, Dying Fetus, Rivers of Nihil, Devin Townsend, Death Angel, Cryptopsy, All Shall Perish, Without Temptation, Kenmode, Revocation, Veil of Maya, Obey The Brave, Devildriver, Into Eternity, Threat Signal, Sludgehammer, Lost Nebula, Flashback, Detherous

Tours and Festivals:
Loud As Hell 2015
Calgary Extreme Metal Radio Festival 2017
Wacken Metal Battle Canada 2015
Hammering Westward Western Canadian Tour with Sludgehammer
“Tiny” Western Canadian Tours 1-5

Music Placements – “Praise” featured in Cagefighter (2020 Film)

0 EPK – Opium Death – Genocidal Nemesis (2024)

  • January 10, 2024
  • by Asher
  • · EPKs · Opium Death

EPK – Opium Death – Genocidal Nemesis (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We think Genocidal Nemesis will be received it very well. Especially the variety that the album expresses in terms of tempo dynamics, song structure flow, lyrical themes, and overall, a different experience with each track while maintaining a heavy sound through it all. We think there is at least one song that each listener will love since we dive into some subgenres like black metal, thrash metal, and death metal, and incorporate technical and progressive elements into them. It has something for everyone.

The experience we want to give to the fans is that there is a common and personal connection between these songs especially with the lyrics. We want to bring forth a sense of commonality knowing that we all have been through experiences that anger us whether direct or indirect and are in it together and showcasing a clear-cut execution of our passion for extreme music.” – Opium Death

For fans of Death, Gojira, Cannibal Corpse, Cattle Decapitation, Dying Fetus

Opiumdeathofficial.com | Facebook.com/OpiumDeathOfficial | Instagram.com/opiumdeathofficial | Twitter.com/OpiumDeathBAND | Youtube.com/@opiumdeathofficial9166 

Opiumdeath.bandcamp.com | Spotify

“It’s an angry album, focused on hubris and its role in the downfall of humankind. The album’s cover art itself draws on this theme…. The band explain that “The Condemned” isn’t really a new song, since they’ve been playing it since 2017, but it’s been re-recorded, remixed, and remastered, and tweaked to bring it more in line with their current sound. The result is a track that’s ugly, mutilating, and rabidly murderous — it shows not even a whisper of mercy to the condemned, and eventually it revels in the delirious slaughtering it metes out.” – No Clean Singing

“Death metal with a pinch of everything… melting pot “ of many sub-genres comes out. You can find quick and rough on the album Death metal, mixed with influences from the Black Metal, Prog and that Thrash the eighties. With vocals reminiscent of Deicide and Cannibal Corpse and the various influences, there is at least one song for every death metal fan that appeals to them.” – Moshpit Passion

“Opium Death is a brutal concoction of extreme metal, sent forth from the suburbs of Chicago, USA to lay waste to metalheads around the world with their first full-length album Genocidal Nemesis. The album delivers a lot of variety in terms of tempo dynamics, song structure flow, lyrical themes, and overall, a different experience with each track while maintaining a heavy sound throughout. The Condemned is a track that’s ugly, mutilating, and rabidly murderous — showing no mercy and reveling in the slaughtering. The band erupts on Vesuvius – a very nice blend of thrash and death metal a breakdown that constructs the the disaster.” – WRUV 90.1 FM – Burlington, VT

“This is an intense record. The Illinois band mixes thrash, groove, death metal, and even hardcore with a raw production for this album. On a song like the eight and a half minute “Ozymandias” I am reminded of the great Skinlab. “The Condemned” is groove oriented with shouted vocals, while “Extinction” is desperate, “Shattered” is chaotic, and “Vesuius” is absolutely relentless with those raw vocals. Opium Death deliver on this debut.” – Transcending The Mundane

“Deathy blackened metal and a bit of a techy thash thing too” – The Moshpit – WORT 89.9 FM (Madison, WI)

“Musically, there is absolutely nothing to complain about in “Genocidal Nemesis”” – PowerMetal.de

[Download Album Cover | Download Album Lyrics]

Band: Opium Death
Album Title: Genocidal Nemesis
Release: April 19, 2024
Label: Self-Release

Track Listing:
1. Cower (1:16)
2. Genocidal Nemesis I: Fear (3:01)
3. The Condemned (4:32)
4. Ozymandias (8:40)
5. Flatline (1:18)
6. Extinction (5:31)
7. Chronic (4:22)
8. Deadweight (3:28)
9. Shattered (5:36)
10. Vesuvius (3:45)
11. Fe56 (2:07)
12. Genocidal Nemesis II: Desolation (9:29)
Album Length: 53:10

Album Credits:
All songs performed by: Opium Death
All songs written by: Opium Death
Produced, Mixed, and Mastered by: Donald Nadzieja
Album Cover Artwork by: Caio Caldas at CadiesArt (www.CadiesArt.com)

Album Lineup:
Dennis Blanke – Drums
Donald Nadzieja – Bass and Vocals
Irvin Gonzalez – Guitar
William Burchfield – Guitar

Live Band Lineup:
Dennis Blanke – Drums
Donald Nadzieja – Bass and Vocals
Irvin Gonzalez – Guitar and Vocals
Luis Torres – Guitar

================================================

About The Album Artwork:

For the significance of the album artwork, to us, it represents hubristic suicide, self-end caused by something you were foolishly convinced was a good thing. Obvious heroin reference but the guy on the needle was addicted to money and power. It is a common theme that happens throughout the album and we thought this represented that very well.

The album as a whole (LYRICALLY & MUSICALLY):

Don: Genocidal Nemesis is an album that is primarily about hubris and its role in the downfall of humankind.

Track by Track (LYRICALLY & MUSICALLY)

(Don and Irvin) Genocidal Nemesis I is about the birth of the antichrist as a result of man worshipping money. Money revolves around all our lives and is constantly in our faces so we reflect this musically to start the album with a bang and have an odd-time riff that helps catch the listener’s attention which over time is something they can grab onto the rhythm real quick.

(Irvin) The Condemned – At the time that I was writing this song, especially coming up with the lyrics, there was a trend of stories coming out in the news and social media about school bullying being an increasing phenomenon amongst children and how the victims ended up committing suicide. This angered me to write a song for those victims but in a way that reflects their thoughts and feelings in the afterlife. I treated the idea of bullying as a physical figure that needs to be taken out in the same manner and fashion if not more because it infects many children’s minds and causes this terrible widespread epidemic. Musically, it is a straightforward metal track and has a groove that I hope captivates the listener to look into the lyrics to know what it is about because this bullying sickness is never taken seriously. It is talked about yes, but it is still happening. While I do not condone responding back with life-taking intent, I hope it brings forth a feeling of anger and disgust for these kinds of actions taking place in learning environments and social gatherings.

(Don and Irvin) Ozymandias is about pride and wrath and the importance of keeping them in check during your life against the inevitable decay of information over time. One of our longest songs on the album, we felt it was a track that could benefit from utilizing exotic scales and vocal layering as it comes up later in the song to bring up this sense of immortality to a concept that will forever be ingrained in our human ego.

(Don and Irvin) Extinction – Extinction is about mankind panicking and acting shocked when they get exactly what they have been striving towards. Musically, the repetitiveness of the riff helps bring this constant fight we have in ourselves and amongst other people that we want to provide a sense of urgency that needs to be resolved which I believe the chorus of the song delivers that really well.

(Don and Irvin) Chronic – Chronic is about the difficulty experienced in trying to achieve and maintain spiritual enlightenment in an increasingly superficial world. Musically, one of our mid-paced songs in the album helps the feel and pace of the album feel balanced and concise as we now have gone past halfway through the album.

(Irvin) Deadweight – Lyrically, it goes into the idea of corporate and manipulative human beings that are contributing nothing to the world but pain and suffering. They bring no sense of tranquility to the community and so they are just emotionless bodies of meat and bone. Musically, it was the most tedious track I have written on a song as it starts off pretty intense with the variation of triplet and steady-paced palm muting and tremolo picking. Going into the blast beat section before the new tremolo picking section, I wanted to build up the intensity before settling into the verse that lays out the message I wanted to deliver. This is then repeated but I break the song into an odd-time section that definitely brings out the musicianship of the band and was very happy with how it turned out. As the song progresses, you will tell how not one section is repeated until the very end with the eighth note palm muting and the blast beat underneath it. I wanted this song to be fun yet challenging as it is my philosophy that such songs should be enjoyed both listening and playing.

(Don and Irvin) Shattered – Shattered is about losing all hope and succumbing to the evil within yourself as a result. Musically, this song has the most thrash influence in it with the juxtaposition of a melodic chorus that brings this feeling of sadness and tragic defeat.

(Don and Irvin) Vesuvius – Vesuvius is a review and representation of the famous disaster in Pompeii, the themes of self-demise present in the rest of the album do not really apply here. Musically it has this very nice blend of thrash and death metal throughout the song and one of our favorite sections in the song is the breakdown that helps construct the explosion of the disaster. We are hoping it becomes a fan favorite.

(Don and Irvin) Genocidal Nemesis II – Genocidal Nemesis II is about hypocrisy and the denial of the desire to die. Our longest song in the album and powerful finisher, we are extremely proud of how this turned out and believe that the pacing and mood of the second half of the song help summarize the overall theme of the album.

================================================

L-R – Donald Nadzieja – Bass and Vocals, Luis Torres – Guitar, Dennis Blanke – Drums, Irvin Gonzalez – Guitar

Photo Credit – Michael Gonzalez

Opium Death is a brutal concoction of extreme metal, sent forth from the suburbs of Chicago, USA to lay waste to metalheads around the world with their first full-length album “Genocidal Nemesis”. The band expects it to be received positively as it brings a lot of variety in terms of tempo dynamics, song structure flow, lyrical themes, and overall, a different experience with each track while maintaining a heavy sound through it all. 

With “Genocidal Nemesis”, Opium Death wants to bring forth a sense of commonality knowing that everyone has been through experiences that anger us whether directly or indirectly, and are in it together. They showcase this relatability with a clear-cut execution of their passion for extreme music.

Opium Death was born from a wide variety of influences and they carry over into this album, they dive into subgenres like black, thrash, and death metal, and incorporate technical and progressive elements into them. It has something for everyone and is most recommended for fans of Death, Gojira, and Cannibal Corpse.

“Genocidal Nemesis” is due out on April 19, 2024 and is available for pre-order – https://opiumdeath.bandcamp.com

Discography:
2023 – Genocidal Nemesis (2nd LP)
2022 – Genocidal Demo (Demo)
2017 – Opium Death (Demo)

Shared Stage with: Crusadist, From Those Ashes, Orinoco, Triguna, Her Worst Nightmare, Cereviscera, Pantheon, Ruptura

0 \m/ \m/ Latest issue of Absolute Underground TV / Absolute Underground Magazine w/ Strigampire, #degenerator, Hatred Reigns, Cabrakaän, Black Pestilence, The Convalescence, Human Missile Crisis, Disorientation, Dirty Audio Machine, Pessimystic

  • January 10, 2024
  • by Asher
  • · Absolute Underground Magazine · black pestilence · Degenerator · Dirty Audio Machine · Disorientation · Hatred Reigns · Human Missile Crisis · Pessimystic · Strigampire · The Convalescence

\m/ \m/ Latest issue of Absolute Underground TV / Absolute Underground Magazine
https://absoluteunderground.tv/absolute-underground-magazine-issue-115/
w/ Strigampire, #degenerator, Hatred Reigns, Cabrakaän, Black Pestilence, The Convalescence, Human Missile Crisis, Disorientation, Dirty Audio Machine, Pessimystic

0 \m/\m/ Thank You Canadian MDs and DJs \m/\m Much love for the airplay support! For the Week Ending: Tuesday, January 9, 2024 #1 Strigampire – Loud – CJLO – 1690AM – Montreal, QC ====== #3 Black Pestilence, #9 #DEGENERATOR – Loud – CJSW Radio 90.9 FM – Calgary, AB ====== #3 Strigampire – Top 30 – CJLO – 1690AM – Montreal, QC ====== #22 Black Pestilence, #23 Augurium – Top 30 – CFMH 107.3 FM – Saint John, NB ====== #9 Triskelyon – Top 30 – CIVL Radio 101.7 FM – Abbotsford, BC ====== #11 Dirty Audio Machine – Top 30 – CHLY 101.7 FM – Nanaimo, BC

  • January 10, 2024
  • by Asher
  • · Augurium · black pestilence · Degenerator · Dirty Audio Machine · Strigampire · Triskelyon

\m/\m/ Thank You Canadian MDs and DJs \m/\m
Much love for the airplay support!
For the Week Ending: Tuesday, January 9, 2024
#1 Strigampire – Loud – CJLO – 1690AM – Montreal, QC
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2024-01-09
======
#3 Black Pestilence, #9 #DEGENERATOR – Loud – CJSW Radio 90.9 FM – Calgary, AB
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2024-01-09
======
#3 Strigampire – Top 30 – CJLO – 1690AM – Montreal, QC
https://earshot-online.com/charts/cjlo.cfm?dWeekOfID=2024-01-09
======
#22 Black Pestilence, #23 Augurium – Top 30 – CFMH 107.3 FM – Saint John, NB
https://earshot-online.com/charts/cfmh.cfm?dWeekOfID=2024-01-09
======
#9 Triskelyon – Top 30 – CIVL Radio 101.7 FM – Abbotsford, BC
https://earshot-online.com/charts/civl.cfm?dWeekOfID=2024-01-09
======
#11 Dirty Audio Machine – Top 30 – CHLY 101.7 FM – Nanaimo, BC
https://earshot-online.com/charts/chly.cfm?dWeekOfID=2024-01-09

0 EPK – Novichok – Geo-Desiccant (2022)

  • January 9, 2024
  • by Asher
  • · EPKs · Novichok

EPK – Novichok – Geo-Desiccant (2022)

Publicist – Jon Asher – Jon[@]ashermediarelations[.]com

“We’re trying to give something that’s good to listen to while working out or driving.  We try to switch up the energy throughout each song so they don’t get boring.  Def keep it heavy, tempos and time sigs vary but don’t let it sound technical.” – Novichok

Band: Novichok
Album: Geo-Desiccant
Release Date: September 15, 2022

For fans of Megadeth, Pantera, Sacrifice, Iron Maiden, Voivod

Linktr.ee/novichokband | Novichok.ca | Facebook.com/NovichokMetal | Instagram.com/novichok_canadianmetal

Novichokmetal.bandcamp.com | Spotify | Apple Music

Band: Novichok
Album: Geo-Desiccant
Release Date: September 15, 2022

Track Listing:
1. Thrash Free or Die – 5:06
2. First World Poisons – 5:31
3. Tire Fire – 3:18
4. Apes with Sticks – 4:41
5. Freedom Fighters Manual – 4:59
6. Dead Weight – 3:30
7. Predicting Terror – 5:52
8. Geo-Desiccant – 7:17
9. Heat Death – 6:10
Album Length: 46:28

Album Credits:
All Songs Written and Performed by: Novichok
Produced by: Novichok
Mixed by: Novichok
Mastered by: Jamie King
Album Artwork by: Matt Saxton
Members of SOCAN
Music is Canadian Content MAPL

Album Lineup:
Vocals: Jeff MacDonald
Guitar: Lindsey Dicks
Bass Guitar: Jason Young, Brady Hallet (Dead Weight)
Drums: Andrew MacIntosh

=========================================================

About The Album Artwork:

Our German artist friend Matt Saxton listened to the album and we gave him full creative control.  The front side is a toxic elemental representing the environmental havoc mankind has brought upon ourselves, while the rear holds optimism as the spirit of Mother Earth stands ready to repair the damage once we’re ready to step back and allow it.

Track by Track (LYRICALLY  & MUSICALLY):

01 Thrash Free or Die:
This is an ode to metalheads everywhere who refuse to succumb to societal norms.  The Bridge section features Guitar and Bass Solo trade-offs which eventually combine for a frenzied duel tapping harmony.

02 First World Poisons:
People in high society will expend great effort fretting over frivolous things…this song discusses some pathetic wastes of privilege.  Musically this song is pure controlled rage.

03 Tire Fire:
Have you ever wondered what happens to old disused tires? They usually end up in massive heaps eventually to be burned for energy or by accident. Either way, an environmental disaster ensues. This short ripper features a Dimebag-inspired solo and a heavy breakdown in the middle section.

04  Apes With Sticks:
An anthem about mankind’s prehistoric urge to kill for self-gain. The song starts with a sound bite of a hominid bashing in the head while blood spatters can be heard with each blow. The chorus features a gang-style backing vox.

05 Freedom Fighter’s Manual:
The CIA deserves songwriting credits for this track; The lyrics were taken directly from American propaganda airdropped over Nicaragua in the 1980s. The FFM is a comic strip encouraging various acts of terrorism attempting to weaken the communist regime of the time.  This is “Sneaker Metal” inspired by Sepultura’s style.

06 Dead Weight
This song is the narration of an actual nightmare in which a scuba gear malfunction seals your fate as the eager sea life begins to feast even before you are dead.  Inspired by an early Cannibal Corpse, it’s thrash bordering on death metal.

07 Predicting Terror
Since day one metal bands have been telling us of impending doom.  This anthem is paying homage to their warnings and encourages the metal community to pay attention as the future unfolds.

08 Geo-Desiccant
The word “Mortgage” literally translates to “Death Pledge”.  This song is about early settlers building on hard work and hope, and how Money-lenders steal generational wealth as future generations abandon the dreams of their ancestors.  The slow tempo of this track only emphasizes the heavy weight of its riffs.

09 Heat Death
It’s theorized that the universe will eventually expand so much that matter and energy will scatter apart, eventually unraveling in an ever-lasting eventless homogenous vacuum.  All things that ever were will cease to exist and there will be no possible record of anything that has ever happened.  The song features rich percussion sections and a haunting guitar lead.

================================================

Fun Facts – Story Angles:

1.     We had a live show interrupted by Jim Lahey from Trailer Park Boys.  He came on stage mid-set wearing a Novichok hat with a big bottle of whiskey.  He berated the crowd for enjoying heavy metal, then he went into the crowd to steal people’s food.  It was hilarious.

2.     When recording the drums for Geo-Desiccant we built a full make-shift studio in our singer’s living room.  We lived here for 9 days until everything was perfect.  Our guitar player/recording engineer slept on the same couch he worked from all day.  By the end, the drummer’s hands were covered with bandages and blisters, but everything was perfect going into mixing.

3.     When filming the video for Heat Death, we had planned a bunch of shots with the room filled with a smoke machine and our Singer wearing a full scuba suit. Unfortunately, this was cut short when the building’s fire detector went off for the next 3 hours ending our filming session.  We put what we got in the video, just a short bit.

4.     The songs Geo-Desiccant, Heat Death, and First World Poisons weren’t fully written when the album started being recorded.  Some sections were rearranged for the lyrics to flow and make sense.

5. At the end of the “song Geo-Desiccant” there is a harmonica section.  When tracking this we had to pitch the album ½ step, then when mixing we had to pitch the harmonica back down to match.  We’ve since purchased a custom-tuned harmonica to play it live.

Back L-R – Adam Hersey (Drums), Lindsey Dicks (Guitar), Brady Hallet (Bass) – Front – Jeff MacDonald (Vox)

Photo Credit – Alicia Montague (thephotoninja.ca)

Halifax, Nova Scotia, Canada’s Novichok is a bunch of pissed-off salty thrashers here to narrate the collapse of the world around us. Is there still hope? Well yes, but it’s not looking good. We don’t sound like other bands but we’re heavily influenced by Megadeth, Pantera, Sacrifice, Iron Maiden, and Voivod.

Discography:
2022: Geo-Desiccant Album
2009: Novichok (Album, Self-Titled)

Shared Stage with: Sacrifice, Cryptopsy, Dayglo Abortions, Castle, The Insurrection, Mortorleague, Sanktuary

Tours and Festivals:
2023 – Merciless Metalfest (Stanley, NS)
2023 – Mayham Mountain (Pictou, NS)
2019 – Wacken Battle (Halifax, NS)
2015 – Maritime Metal & Hard Rock Festival  (Windsor NS)
2014 – Maritime Metal & Hard Rock Festival (Fox Mountain NS)
2014 – Riverfest Music Festival (Bridgewater NS)
2013 – Riverfest Music Festival (Bridgewater NS)
2011 – Winter Meltdown Music Festival (Yarmouth NS)
2010 – 2014 – Riverfest Music Festival (Bridgewater NS)
2010 – 2019 – April Assault Music Festival 2 -10 (Dartmouth NS)
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