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Posts By Asher

0 EPK – Ivy Gardens – Goon (2024)

  • February 22, 2024
  • by Asher
  • · EPKs · Ivy Gardens

EPK – Ivy Gardens – Goon (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Goon contains many tracks that our fans have been hearing live for a while. We knew how to craft a listening experience that mirrored our live performances, but we wanted to do something a little different. Sustaining a mosh pit through the course of a performance isn’t a concern on an album. We wanted an experience that took you places, with some unexpected twists, flowing from one song to the next and feeling like a natural progression to an ultimate finale.” – Ivy Gardens

For fans of Kyuss, Truckfighters, Queens of the Stone Age, Nirvana, Soundgarden

Band: Ivy Gardens
Album Title: Goon
Release Date: April 19, 2024
Label: Paper Cut Recordings

Facebook.com/ivygardensband | Instagram.com/ivygardensofficial | Youtube.com/@ivygardens420/

Ivygardens.bandcamp.com | Spotify

The Canadian National College Radio – May 2024 – Top 20 Loud – #9 Ivy Gardens (Earshot)

The Canadian National College Radio Loud Chart – #8 Ivy Gardens (Earshot) – For the Week Ending: Tuesday, May 21, 2024

“…the sonic equivalent of a panic attack.” – Canadian Beats

“Stoner metal, a little chilled sounding, but fast paced, cool stuff.” – Mosh Pit – WORT 89.9 FM (Madison, WI)

““Boner” has got a really cool groove, too, showing you what can happen when you’ve got a band that is truly possessed by the power of The Riff. It’s one of those grinding, motoriffic jobs in the spirit of Kyuss’ “Green Machine.” And it doesn’t take long before we, too, are caught under its sway. The retro organ sound from the keys provides a spooky touch to the chorus, which comes like a sigh of relief after the tense build-up of those guitar-driven verses. The drumming is swarmy and frenetic, and strikes with power at pivotal moments. The breakdown at 4 minutes is a headbanging oasis, made even cooler with the synthesizer’s late-’60s garage twist.” – Doomed and Stoned

“This Canadian trio are promising us a debut album that is “a relentless onslaught of vulgar, belligerent punk, sludge and sweat” when it is released in April. If this lead single is anything to go by, things are going to get very belligerent and sweaty when the full-lengther finally hits our death decks.” – Uber Rock

“GOON is an action packed and turbocharged release powered by Pissed Off grooves and a snarling Punk Rock Attitude which allows IVY GARDENS to deliver a devastating FREAKY slice of Psychedelic Sludge/Stoner Metal.” – Outlaws of The Sun

“Nothing about Ontario’s Ivy Gardens is predictable. Describing it is just going to sound trite. I love it when I know I’m going to miss the mark no matter what I write. But here’s my take: take some awesome keyboard parts from 1967, link them to 80’s New Romantic Synth parts played on guitar, add equal parts Stoner, Punk and Post-Metal. I mean, these guys drank the wrong whiskey and mixed it with the wrong drug while listening to the Clash, and then came down listening to Elvis Costello and early Queens of the Stone Age. Someone somewhere was blasting the B-52’s and the Stooges. It’s a heady mix that when mashed together is cohesive, fresh and original.” – Clean And Sober Stoner

““Goon” by IVY GARDENS. Pretty cool stuff. I like the inventiveness of it. Not something you’ll find carbon copies of. I also like the Stoner edge. Definitely worth checking out.” – Metal-Temple

“Alright, folks, if you haven’t already been swept up by Ivy Gardens, now’s the time. The Niagara, Ontario crew—masters of raw, unfiltered punk and sludge—delivered their first full-length album, Goon, back in April 2024. And let me tell you, it’s an auditory onslaught like no other… Goon is more than just a debut album; it’s a setlist Ivy Gardens fans have been craving. Since their thunderous arrival on the scene in 2021, they’ve been wreaking havoc across Canada’s east coast. And with a summer tour already in the works, this runaway train isn’t slowing down. Ready to dive in? The volume’s punishing, the intensity’s relentless, and there’s zero room to catch your breath—it’s like a panic attack in musical form. Ivy Gardens is daring you to join their world, where the mosh pit never ends, and the ringing in your ears is the only encore you’ll get. If you’re into Kyuss, Truckfighters, or Queens of the Stone Age, then Goon is about to become your new favorite album.” – Papy Jeff Metal

[Download Album Cover | Download Album Lyrics]

Band: Ivy Gardens
Album Title: Goon
Release Date: April 19, 2024
Label: Paper Cut Recordings

Track Listing:
1. 12 Million Bar Blues (4:43)
2. Boner (5:27)
3. Chlorine (1:52)
4. Black Sand & Gold (0:57)
5. Lamb (2:01)
6. Stoic (3:14)
7. Goon (3:22)
8. Shattered Glass (1:45)
9. Provider (5:37)
Album length: 29:01

Album Credits:
All songs written, produced and performed by Ivy Gardens.
Joe Zandwyk, Andrew Blackborow, Sebastian Hogg
Mixed by Joe Zandwyk
Mastered by Audrey Leyenhorst
Album Artwork by Sebastian Hogg
Canadian Content – MAPL

Live and Recording Band Lineup:
Joe Zandwyk – Vocals, Drums
Andrew Blackborow – Vocals, Guitar
Sebastian Hogg – Keyboards

=======================================================

About The Album Artwork

The cover features a former mascot who died a very quick death. He’s immortalized forever on this record.

About the album as a whole (LYRICALLY & MUSICALLY):

We consider Goon to be a historical document. At a particular point in space and time, somewhere in a sweaty basement in Southern Ontario, we achieved a sound. Sonic belligerence, and euphoria through volume. The words flowed out naturally from personal struggles and experiences. Here it is documented: Goon.

Track by Track (LYRICALLY & MUSICALLY):

1 – 12 Million Bar Blues, the opener, our instrumental odyssey. No words. Just riffs. Energy. Power. The introduction to our sound, the introduction to the experience. It sends you hurtling forward at a million miles per hour until it drags you straight back down.

2 – Boner is our very own feel-good hit of the summer. Opening with a relaxed groove that builds and builds to the heaviest possible climax, Boner has been a major highlight of our live set since it was introduced. Following the more relaxed pacing of the song, the softer vocal performance less seen in our music tells of a (seemingly) simple disagreement between two bitter individuals.

3 – Chlorine is our oldest song to date. Written when we were just 14, it’s a pure punk song that is full of energy the whole way through. Speed and intensity. Lyrically, the track details the human experience of chemical warfare.

4 – Black Sand & Gold is an ambient soundscape, named after an old novel chronicling the Yukon gold rush. Vast, uncaring wilderness, biting frost, black sand, and gold are the visual references for this quiet, palate-cleansing track.

5 – Lamb is our fastest and most aggressive track. Andrew screams commands: be a lamb, guide my hand. Rhythmically intricate at a breakneck pace, this track was one of the first written for the album, and the first to reach this level of sonic violence and belligerence.

6 – Stoic is our most lyrically packed song on the album as well as rhythmically unique. Bouncing between hard-hitting dirges and quick, jumping rhythms, the song explores the perspective of someone with a lot of self-destructive behavior, who still manages to find peace through it.

7 – Goon is a song that was written with the intention of being both rhythmically intricate, but ultimately danceable. Where the verses are filled with screaming lyrics from the point of view of a struggling addict, the chorus takes a more melodic approach, as the person in question experiences the ecstasy that comes with getting their fix.

8 – Shattered Glass is a quick punk blaster that turns on a dime. The lyrics depict a specific scene of violence and gore, and someone’s attempt to escape a dangerous situation.

9 – Provider, the record’s finale, is our stoner-doom sludge fest. A delicate introduction builds quietly, introducing its themes, until it all comes crashing down at an immense volume. We ride the groove out, and variations on its themes are introduced until the pressure is released gradually for the final gentle climax. Lyrically, Provider is a song about struggling to abandon a substance you’ve formed a reliance on, trying to ditch the last thing that keeps you going.

=======================================================

Fun Facts – Story Angles:

1 – Ivy Gardens operates under a golden rule: the “dollar to decibel ratio”. We almost exclusively use old junk amplifiers and speaker cabs. Old Peavey garbage, fished from some old fart’s garage jam space, is not only the secret sauce in our sound, but also the only possible way for us to accomplish the task of CRUSHING volume under a budget of $0.

2 – Among our various accolades is the title of “loudest band in New Glasgow, Nova Scotia”. A small little restaurant was not prepared for the volume and intensity we brought there on our recent East Coast tour, but the audiences were. A great show.

3 – One of our first musical achievements was a successful cover of YYZ. We’re huge Rush fans. We were maybe 15 when we first played it live, and under the unfamiliar lights of a strange venue, we blasted through it at nearly double speed. We’ve yet to be able to recreate it.

4 – Ivy Gardens is entirely DIY. We’ve built our own jam space, and recording studio, and studied audio engineering to record and mix our material. We are entirely self-sufficient.

L-R – Sebastian Hogg (Keyboards), Andrew Blackborow (Guitar & Vocals), Joe Zandwyk (Drums & Vocals)

Photo Credit – Rachel Imre

DOG ASS MUSIC. The only way to describe the vulgar, belligerent, punk, sludge & sweat of Ivy Gardens, from Niagara, Ontario. Birthed from a primal desire for physical volume and violent catharsis, Ivy has been hitting the road hard since their inception in 2021. Vibrating in the bones of audiences across Ontario, Quebec and the east coast of Canada. 

The Ivy Gardens experience is a nearly endless stream of beaten-to-hell drums, searing organ, throbbing bass synths, and a liquid wall of guitar sludge. The volume is crushing. There is no room to breathe. The sonic equivalent of a panic attack. Never breaking the groove, never killing the energy, never stopping the mosh pit. The audience earns a brief moment of quiet melodic respite before a thundering finale, and the endless phantom ring in your ears serves as the band’s only encore.

Discography:
2024 – Goon (LP)
2023 – Shattered Glass (single)
2022 – Walk Like An Egyptian (single)
2022 – Ivy Gardens (EP)
2021 – Stonaire (single)
2021 – Another Blood (single)
2020 – About You (single)

0 HATRED REIGNS’ New Video “Absentia” Blurs The Lines Between Reality and Illusion Off New Album “Awaken The Ancients” Out Now!

  • February 21, 2024
  • by Asher
  • · Hatred Reigns · Music News

NEWS RELEASE

Montreal, QC – February 21, 2024

HATRED REIGNS’ New Video “Absentia” Blurs The Lines Between Reality and Illusion

New Album “Awaken The Ancients” Out Now!

L-R – Jeff Calder – Guitars, Adam Semler – Bass & Vocals, Neil Grandy – Drums, Mitchi Dimitriadis – Vocals

Unleashing their auditory journey “Awaken The Ancients” this past December, Canada’s brutal force Hatred Reigns not only released a full-length record, but a conceptual epic that traverses uncharted realms of sound and emotion. The album’s narrative follows a protagonist grappling with oppressive forces, leading to a summoning of the ancients who rise to liberate the tormented from their prolonged suffering. Plunged into an endless abyss, the tormented emerge upon a desolate shore, surrounded by aimless souls.

In a quest for liberation, the damned are ferried across by Charon who must navigate treacherous planes, confronting challenges from demons above and lurking waters below. Their odyssey takes them across the enigmatic river Styx, lured by the ancients towards Necropia, where ultimate judgment awaits.

The seventh track/story of eight on the album is “Absentia”, which tells the part of their tale of the vessel venturing onward, with the treacherous waters proving to be a metaphorical battleground. The Ancients, masters of manipulation, distort the perceptions of the voyagers. The chronicle’s protagonist’s senses are tampered with, blurring the lines between reality and illusion.

To give a visual admiration of this track’s relentless pillaging, Hatred Reigns has put together a 3D animated lyric video that can be seen and heard via its premiere on Ghost Cult Magazine HERE.

An eight-track sojourn into other worlds, paying homage to classic films and literature as well as their musical influences, “Awaken The Ancients” was mixed and mastered by vocalist Mitchi Dimitriadis, who also played a pivotal role in bringing guitarist Jeff Calder’s vision to life. Together with Calder, Dimitriadis developed orchestration soundscapes, incorporating percussive sounds, spoken word elements, and digital sound samples into the music.

Pedro “Lordigan” Sena, the album’s designer, crafted a masterful artwork piece that vividly depicts countless aimless souls preparing to face judgment. This artwork aligns seamlessly with the album’s thematic exploration and adds depth and vibrancy to the overall experience.

The tracks on the album are a testament to the band’s diverse influences, seamlessly woven into a unified entity that reflects their collective vision. The sonic journey they offer is a compelling fusion of their musical roots and is suggested for fans of Carcass, Behemoth, and Cryptopsy.

“Awaken The Ancients” was released on December 1, 2023, and is available at the following links:

Digital – https://distrokid.com/hyperfollow/hatredreigns/awaken-the-ancients​

Bandcamp – https://hatredreigns.bandcamp.com​

Track Listing:​
1. Awaken The Ancients (5:20)
2. Pain Leads To Nothingness (3:16)
3. To Depths Unknown (2:40)
4. Obsolarium (2:36)
5. Ushered By Charon (5:23)
6. Planes Divide (3:47)
7. Absentia (4:58)
8. Departing Acheron (3:43)
Album Length: 31:20

Album and Live Lineup:​
Mitchi Dimitriadis – Vocals
Jeff Calder – Guitars
Neil Grandy – Drums
Adam Semler – Bass & Vocals

More info: Facebook.com/hatredreignsband | Instagram.com/hatredreigns

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“Hatred Reigns’ Awaken the Ancients is Brutality in Sound and Theme… For those of you who can’t get enough of their brutal technical death metal thematically based on What Dreams May Come, Dante’s Inferno, Milton’s Paradise Lost, and love wallowing in the murky anguish of life’s darkness, take an audio gander at the stream of the album.” – Decibel Magazine​
​
​“this is a slab of high density, very technical death metal that fans will love” – Real Gone Rocks

“Hatred Reigns’ core death metal is sturdy, with bass guitar leads and overactive blast beats giving a technical spark to the album.” – Heavy Music HQ

“Fast, barebones, guttural death metal is what Hatred Reigns offer us here, and it’s bound to awaken the ancients indeed… If you’re into death metal at all, chances are good that you’ve heard this kind of no-frills death metal before, but in this crowded genre, Awaken the Ancients is certainly worth a listen. 4/5” – The Metal Crypt​
​
​“Hatred Reigns play to their strengths on this album opener (Awaken The Ancients), delivering speed and fury, but impressive agility as well as aggression. They unleash madness in the viciously sizzling and skittering riffage and ruthlessness in the bone-smashing hammer blows that segment the frenzies, and the monstrous guttural growls expel the words in barks that are almost as fast as the backing instrumentation. But the band also switch things up, slowing the tempo and injecting weirdly swirling arpeggios and then hitting the accelerator to bring forth an even more demented and delirious escapade, this time fronted by crazed screams and screeches as well as gritty growls, and propelled to further heights of lunacy by a fret-melter of a solo and bursts of maniacal drum battery. When the band decelerate again, the chords elevate it into an otherworldly realm, both menacing and haunting, and the band also layer in a little bass solo, a few humongous bass drops, and a hulking, lurching stomp. But of course they go back into the fast lane for one last burst of high-adrenaline barbarity as the song surges to the end.” – No Clean Singing​
​
​“‘Departing Archeon’, grabs me where I didn’t expect (You can see the video for this at the bottom of this page). This time the vocal and lyrics are instantly engaging… accessible and menacing ‘Welcome… We’ve been waiting for You…’ which somehow made me smile from ear to ear. And just wait for that main riff – it’s f**king perfection. Simple, brutal and so utterly worthy of a headbang. Looking over the release notes they compare their release to ‘Origin’, Suffocation, and Hideous Divinity, but I’m getting vibes of classic Thrash and Death Metal. Think early Sepultura, Gorefest and Carcass, especially with that DIY ethos those thrown in too. It enables them to keep their influences close to their heart and do exactly what they want to. Overall, it took me a few listens to the album to appreciate how good it is. It’s a complex album that doesn’t hide behind overly technical playing … it knows how to keep the riffs simple, crunchy and heavy… Incredible stuff.” – Music Trespass

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records – STORMBORN Announces New Album “Zenith” Out April 2024; Streaming Singles “Fear Of A Monster” and “Serpentine”

  • February 21, 2024
  • by Asher
  • · Music News · STORMBORN (Rockshots Records)

NEWS RELEASE

Montreal, QC – February 21, 2024

STORMBORN Announces New Album “Zenith” Out April 2024; Streaming Singles “Fear Of A Monster” and “Serpentine”

Stormborn, the melodic heavy metal powerhouse from Kent, UK, has officially joined forces with Rockshots Records! Drawing inspiration from metal titans like Iron Maiden, Judas Priest, and Dio, Stormborn blazes a unique trail in heavy metal, crafting a sound that fuses classic elements with bold, modern innovation.
​
Today, they’re unleashing not one, but TWO explosive singles: “Fear Of A Monster” and “Serpentine”, in anticipation of Stormborn‘s upcoming album “Zenith” coming out on April 26, 2024.
​
​LISTEN to “Serpentine” – https://lnk.to/StormbornSerpentine​
​LISTEN to “Fear Of A Monster” – https://lnk.to/FearOfAMonster​
​
Pre-save the album now and stay tuned for more surprises leading up to the release!
​
​PRE-SAVE – https://lnk.to/stormzenith​
​PRE-ORDER – https://bit.ly/StormbornZenith​

Stormborn is a melodic heavy metal band from Kent in the UK. While drawing inspiration from the titans of metal – Iron Maiden, Judas Priest, Dio, and the rest, Stormborn blazes a unique trail, adopting influences from across the metal spectrum. Their sound is a fusion of classic elements and bold, modern innovation. Stormborn isn’t just walking in the footsteps of giants; they’re crafting a new path in heavy metal, dominated by great riffs, a strong melodic backbone, and powerful vocals that you can’t help but sing along to.

After the release of their first album, Stormborn cut their teeth gigging up and down the UK, especially in London where their regular appearances at the legendary Intrepid Fox were attended by the likes of Herman Li from DragonForce and Mark Cross – ex Helloween and Firewind. They were soon chosen by Rob Chapman to support his band Dorje as well as Phil X & The Drills on a UK tour in 2013, playing at various O2 Academys around the country.

Career highlights include supporting Rhapsody of Fire at the Camden Underworld in 2023, winning the 2012 Metal 2 the Masses for London, playing at Bloodstock festival, winning the 2013 Summer Breeze New Blood award, and opening the main stage of Summer Breeze Festival 2013.

Track Listing:​
​
1. Call of the Void
2. Land of the Servant King
3. Fear of a Monster
4. The Unending Night
5. Dawn Will Come Again
6. Out in the Weird
7. Serpentine
8. Death Incarnate
9. Echo

Stormborn are:
Andrew Felton (Drums)
Laurence Armitage (Guitar)
David Viner (Guitar)
Simon “Steve” Ball (Bass)
Christopher Simmons (Vocals)
​

For more info:​
​https://www.rockshots.eu/​
​
https://www.facebook.com/OfficialStormborn​
​
https://www.instagram.com/stormbornband​

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 IVY GARDENS’ Sludgy And Sweaty “Boner” Is The First Look At Their New Album “Goon” Out April 2024

  • February 21, 2024
  • by Asher
  • · Ivy Gardens · Music News

NEWS RELEASE

Montreal, QC – February 21, 2024

IVY GARDENS’ Sludgy And Sweaty “Boner” Is The First Look At Their New Album “Goon” Out April 2024

L-R – Sebastian Hogg (Keyboards), Andrew Blackborow (Guitar & Vocals), Joe Zandwyk (Drums & Vocals)

Photo Credit – Rachel Imre

Prepare for a relentless onslaught of vulgar, belligerent punk, sludge, and sweat as Ivy Gardens, the sonic architects of chaos, emerge from the shadows of Niagara, Ontario with their first full-length album “Goon”, arriving on April 19, 2024. Brace yourself for an immersive experience as the band delivers a nearly endless stream of beaten-to-hell drums, searing organs, throbbing bass synths, and a liquid wall of guitar sludge. Their first single, out is “Boner”, their very own feel-good hit of the summer. They comment:

“Opening with a relaxed groove that builds and builds to the heaviest possible climax, Boner has been a major highlight of our live set since it was introduced. Following the more relaxed pacing of the song, the softer vocal performance less seen in our music tells of a (seemingly) simple disagreement between two bitter individuals. Its bridge, the “101010” dirge, is by far the heaviest composition we have achieved to date, and we are so excited to finally send it out into the world.”

The album “Goon” contains many tracks that current fans have been hearing live for a while. They know “Boner” is coming and Ivy Gardens knows many of them are frothing at the mouth for it. Since their thunderous inception in 2021, Ivy Gardens has been carving a path of destruction across the east coast of Canada and that will continue with a summer tour announced in the coming weeks.

The volume is crushing, leaving no room to breathe—the auditory manifestation of a panic attack. With no respite, Ivy Gardens invites you into their realm, where the mosh pit never stops, and the phantom ring in your ears serves as the only encore. “Goon” is recommended for fans of Kyuss, Truckfighters, and Queens of the Stone Age.

Watch and listen to the music video for “Boner” via its premiere on DoomedAndStoned HERE.

“Goon” is out April 19th, 2024, and available for album pre-order at https://ivygardens.bandcamp.com.

Track Listing:​
1. 12 Million Bar Blues (4:43)
2. Boner (5:27)
3. Chlorine (1:52)
4. Black Sand & Gold (0:57)
5. Lamb (2:01)
6. Stoic (3:14)
7. Goon (3:22)
8. Shattered Glass (1:45)
9. Provider (5:37)
Album length: 29:01

More info: Facebook.com/ivygardensband | Instagram.com/ivygardensofficial​

-30-

“…the sonic equivalent of a panic attack.” – Canadian Beats

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 OPIUM DEATH Blend Thrash And Death With Gut-Wrenching Themes On “The Condemned” Off Debut Album “Genocidal Nemesis” Out April 2024

  • February 20, 2024
  • by Asher
  • · Music News · Opium Death

NEWS RELEASE

Montreal, QC – February 20, 2024

OPIUM DEATH Blend Thrash And Death With Gut-Wrenching Themes On “The Condemned”

Debut Album “Genocidal Nemesis” Out April 2024

L-R – Donald Nadzieja – Bass and Vocals, Luis Torres – Guitar, Dennis Blanke – Drums, Irvin Gonzalez – Guitar

Photo Credit – Michael Gonzalez

Opium Death, a Chicago, USA-based band, is gearing up to release their first full-length album “Genocidal Nemesis” in April. Known for seamlessly blending thrash and death metal elements, the band has undergone significant evolution since its inception in 2012. Originally formed under the name Cazador, the band has faced lineup changes, but their commitment to modernizing classic 80’s thrash metal remains unwavering. The latest single “The Condemned” confronts dark and bleak subject matter as guitarist Irvin Gonzalez describes:

“At the time that I was writing this song, especially coming up with the lyrics, there was a trend of stories coming out in the news and social media about school bullying being an increasing phenomenon amongst children and how the victims ended up committing suicide. This angered me to write a song for those victims but in a way that reflects their thoughts and feelings in the afterlife.”

Musically, he goes on to say, it is a straightforward metal track and has a captivating groove which he hopes will lead people to reading the lyrics and taking bullying more seriously. While personally not condoning responding with life-taking intent, it is intended to make the listener angry and disgusted enough to take action.

With the release of the album Opium Death intends to showcase it at venues locally and regionally, where people can have their faces melted in real time with sonic blasts of passion and creatively wrapped up in a brutal package. Those with an interest in Gojira, Cannibal Corpse, and Cattle Decapitation.

Listen to “The Condemned” via its premiere on NoCleanSinging HERE.

“Genocidal Nemesis” is due out on April 19, 2024, and is available for pre-order – https://opiumdeath.bandcamp.com​

Track Listing:​
1. Cower (1:16)
2. Genocidal Nemesis I: Fear (3:01)
3. The Condemned (4:32)
4. Ozymandias (8:40)
5. Flatline (1:18)
6. Extinction (5:31)
7. Chronic (4:22)
8. Deadweight (3:28)
9. Shattered (5:36)
10. Vesuvius (3:45)
11. Fe56 (2:07)
12. Genocidal Nemesis II: Desolation (9:29)
Album Length: 53:10

More info: Opiumdeathofficial.com

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 \m/ Rock Hard Italy \m/ January 2024 – Vortex , Fall Of Earth, Vvon Dogma I, Last in Time Rockshots Records, Nihilist Death Cult, Stone Horns, Matt Miller

  • February 18, 2024
  • by Asher
  • · Fall of Earth · Last In Time (Rockshots Records) · Matt Miller · Nihilist Death Cult · STONE HORNS (ROCKSHOTS RECORDS) · Vortex · Vvon Dogma I

0 \m/ Kanlı Teneke Metal Magazin (Turkey) \m/ Pessimystic, Hatred Reigns, Never Reborn

  • February 18, 2024
  • by Asher
  • · Hatred Reigns · Never Reborn · Pessimystic
\m/ Kanlı Teneke Metal Magazin (Turkey) \m/
Pessimystic, Hatred Reigns, Never Reborn

0 \m/ Scream Magazine (Norway) \m/ Striker

  • February 18, 2024
  • by Asher
  • · Striker
\m/ Scream Magazine (Norway) \m/
Striker
https://www.screammagazine.com/abonnement/

0 Canadian Horror Fiends BLOOD OPERA Release Cover of “Killer Klowns From Outer Space” Off New Album “Songs in the Key of Death” Out End of Feb 2024; Album Guests Morgan Lander (Kittie), Maurizio Guarini (Goblin)

  • February 16, 2024
  • by Asher
  • · Blood Opera · Music News

NEWS RELEASE

Montreal, QC – February 16, 2024

Canada’s Horror Fiends BLOOD OPERA Release Cover of “Killer Klowns From Outer Space”

New Album “Songs in the Key of Death” Feb 24, 2024

Album Guests Morgan Lander (Kittie), Maurizio Guarini (Goblin)

Track Voice Over Guests – Tony Todd (Candyman), Adrienne Barbeau (The Fog), Linnea Quigley (The Return of the Living Dead), Michael Berryman (The Hills Have Eyes, X-Files, Star Trek)

Top L-R – RIP Junk (Guitar, Vocals), Damien Deathgasm (Bass, Vocals)
Bottom L-R – Max Murder Lead Vocals), Muerto McBrains (Drums, Programming)
Photo Credit – Craig Leonard (Billy Bones)

Toronto, Canada’s horror fiends Blood Opera will be unleashing their first full-length album “Songs in the Key of Death” on February 24th. Paying tribute to the genre films they love and mixing metal with the macabre, these purveyors of “Dead Metal” are sharing their next cut off the forthcoming record with the cover of the theme song for the 1988 American horror classic “Killer Klowns from Outer Space”.

“This is a cover of The Dickies song from the film of the same name. It features guest keyboard work by the composer of the OST John Massari.” adds the band.

Listen to the cover track at the following links:

YouTube – https://youtu.be/Xoh7PdcEKfc

​

Spotify – https://sptfy.com/Q0Wt

​

Born in blood, conceived in Hell, and reanimated by accident! Bent on cannibalizing the entire human race, Blood Opera has already infected whole populations with their raunchy and often controversial live displays of violence, gore, and perverse sexual acts! Having feasted on human flesh with bands such as GWAR and being endorsed by the zombie Godfather himself, George A. Romero, Blood Opera has quickly become Canada’s number-one horror metal act. With powerful operatic vocals, sleazy guitar riffs, and blasphemous lyrics inspired by some of the scariest movies ever made, one thing is for sure- if the gates of Hell are left open, it could mean the end of all humanity!

“Songs in the Key of Death” features album guests Morgan Lander (Kittie), Maurizio Guarini (Goblin) along with track voice-over guests Tony Todd (Candyman), Adrienne Barbeau (The Fog), Linnea Quigley (The Return of the Living Dead), and Michael Berryman (The Hills Have Eyes, X-Files, Star Trek).

Due out on February 24, 2024, “Songs in the Key of Death” is recommended for fans of GWAR, Dokken, and WASP and is available for album pre-order at https://bloodopera.bandcamp.com.

Lyric Video – The Gates of Hell ft. guest keyboards Maurizio Guarini (Goblin) – https://youtu.be/XtL3rOlqB6Q

​

Music Video – By My Victim ft. voice-over by Tony Todd (Candyman) – https://youtu.be/-WFjtFmdFW4

​

Track Listing:​
1. Just Keep Digging (1:04)
2. Feeding Frenzy (3:49) ft. guest vocals Morgan Lander (Kittie) and voice-over by Linnea Quigley (The Return of the Living Dead)
3. Don’t Go Out Tonight (3:06)
4. Fight to Survive (3:53) ft. voice-over by Michael Berryman (The Hills Have Eyes, X-Files, Star-Trek)
5. A Waste of Good Suffering (3:55)
6. The Gates of Hell ft. guest keyboards Maurizio Guarini (Goblin) (4:51)
7. Breaking News (0:58)
8. Killer Klowns From Outer Space (Cover) (4:19)
9. The Ballad of Father Malone (4:11) ft. voice-over by Adrienne Barbeau (The Fog, Escape From New York)
10. Brundlefly (4:34)
11. Damien (5:11)
12. Be My Victim ft. voice-over by Tony Todd (Candyman) (Bonus Track) (3:59)
13. The Band of the Living Dead (0:30)
14. The Key of Death (0:43)
Album Length: 45:09

More Info: https://bloodopera.ca​

-30-

“Toronto’s very own, Blood Opera primed the audience for the forthcoming onslaught…Blood Opera, local purveyors of the horror business, celebrating debauchery by toasting the crowd with a ceremonious Blood Chug!” – John Gallant (Live in Limbo)

“Blood Opera’s new single, “Be My Victim,” is a serious rock n’ roll homage to many aspects of the original Candyman film, including the nostalgia of playing scary childhood games, and the fear of losing complete control.” – Rue Morgue​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal’s CELL PRESS Presents Their Punky Dystopian Video “Original Uranium Baby” Off New Album “Cages” Out March 2024

  • February 16, 2024
  • by Asher
  • · Cell Press · Music News

NEWS RELEASE

Montreal, QC – February 16, 2024

Montreal’s CELL PRESS Presents Their Punky Dystopian Video “Original Uranium Baby”

New Album “Cages” Out March 2024

Canada’s Cell Press took its name from the 2001 Russian prison documentary “The Mark Of Cain”. The brutal humanity of that film is reflected in their music: on the surface, it’s raw and punishing, but there are complexities and nuances revealed once the surface noise has been embraced. The potent concoction of hardcore, sludge, punk, and metal is fully unleashed with their first full-length “Cages”, being released this coming March 2024. Leading up to the release, they are now dropping a video for the single “Original Uranium Baby”, a dystopian tale set in the town of Elliot Lake, Ontario in the year 2088, which vocalist/guitarist Sean Arsenian comments on:

“The first half of the tune was resurrected from a defunct dirty punk/noise-rock project that I was in prior to Cell Press. It’s catchy and has some swagger, but we took those riffs and threw them into the “human misery machine” and they came out the other side the way they sound as the 2nd half of the tune… a sludgier, coiling sewer-pipe runoff extrusion of the initial ideas… McGee’s drumming mutates into a really cool syncopated jazz swing meets primal caveman rage thing, and PQ is serving David Yow by way of Jacob Bannon on top of it all. This song has hooks, pummel, AND a bit of a sophisticated groove to it.”

The video can be seen and heard via its premiere on NoCleanSinging HERE.

According to the band, “Cages” jumps all over the place thematically from demanding clean drinking water for the people in the northern communities in Canada, to dystopian fiction in which the radioactive bones of the dead are used as currency, to address the current state of “truth” and what we consume as information on a daily basis and how it has been dividing society to the point that it is almost reminiscent of a holy war with men and political affiliations taking the place of gods.

Cell Press’ writing process is always collaborative – most of the songs start off in the form of a riff or riffs that guitar/bassist/vocals Sean Arsenian brings to the band. Sometimes Mark McGee will bring a drum idea, either a beat or a fill, to rehearsal and Arsenian writes a riff to that. The odd time a full structure of a song is presented to the rest of the band. The lyrics/vocals are always the last element of the song to be added. The music definitely affects the lyrical content. PQ’s lyrics are written drawing inspiration from the feeling of the song. For fans of anything catchy, fast, and wild, Cell Press is most recommended for fans of Unsane, Keelhaul, and Burnt By The Sun.

“Cages” is due out on March 8, 2024, via The Ghost Is Clear Records (Vinyl), Ancient Temple Recordings (Vinyl), and No List Records (Cassette) at https://linktr.ee/cellpress and http://cellpress.bandcamp.com.

Previous Single:

Lyric Video – “Things They Do In France” – https://youtu.be/opQ8McgUrQE​

Track Listing:​
1. Adult Baptisms (3:12)
2. Kissed by a Morose on Mont Royal (3:14)
3. Original Uranium Baby (2:48)
4. Dark Side of the North (4:02)
5. JOI to the World (4:01)
6. Disco Naps on the Devil’s Bedpost – (4:08)
7. Blue Royale – (3:31)
8. Recoil (A Collective Behaviour of Violence) – (3:51)
9. Things They Do in France – (4:35)
Album Length: 33:22

More info: Facebook.com/cellpressmtl | Instagram.com/celllpresss | Twitter.com/celllpresss​

-30-

What the press has said about Cell Press’ 2020 Self-Titled EP:

“From the grooves on “Piss Police” to the odd-timed melodic chords of “Blacked Out in Verdun,” everything moves in unexpected ways. All of this is perfectly set to the backdrop of PQ’s uniquely cackled screams… Cell Press is a great sludge metal EP that reminds the listener of the best aspects of this sub-genre. This EP makes the future appear bright for what is to come from this band. 8/10″ – Exclaim!

“You know that feeling, when you spin a new record for the first time and it just fucking destroys you? Well today I am happy to report, Cell Press outta Montreal have truly delivered the goods with their debut self titled EP. I mean fuck, is it any wonder this band rules, when they can boast members from the likes of The Great Sabatini, Biipiigwan, I Hate Sally, Architect. With their self-titled release, Cell Press give zero fucks about accessibility, instead they focus on delivering punishing aggression with a melting pot of sludge metal, noise rock, and grindcore.” – The Sludgelord

“a perfect showcase of their unique sound and style and leaves you wanting to hear more from the band. Their total disregard for the limitations of genres and boundaries results in the EP blending noise, grindcore, sludge, punk, groove and dark ambient among other influences. They perfectly blend raw aggression with groove and melody and aren’t afraid to shift gears to play with ambience and noise.” – Cave Dweller Music

“Warm fuzzy guitar tones bring a touch of the Sabbath to “Piss Police” with broken chords and momentary pauses giving the kind of sound that Raging Speedhorn look for to accompany the rampant venting screams of the vocals that unapologetically roar along during the montage.” – Metal Noise

“Cell Press’s debut self titled EP is definitely an interesting listen. I didn’t expect it to take me on the journey which it did. An aggressive sound runs throughout showing that this band don’t play by the rules, they’re making music the way they want to.” – The Independent Voice

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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