NEWS RELEASE
Montreal, QC – September 12, 2024
Streaming Now! Groovy Death INSURRECTION Presents New Album “Obsolescence”
L-R – Jay Cross – Drums, Martin Samson – Bass, Stef Jomphe – Vocals, Mike Birch – Guitar, Antonin Perras-Foisy – Guitar
Photo credit: Lisa Thompson and Darkmoon Studios
With over 20 years of annihilating fans across Canada and beyond, Gatineau, QC groovy and heavy-hitting death metal outfit INSURRECTION returns with their latest album “Obsolescence” on label Bam & Co. Heavy. Their first full-length in seven years, this fifth studio album represents a culmination of everything they’ve worked on over 2 decades, with both familiar (original) faces, as well as fresh blood in the lineup. Their music often addresses social and political themes through bilingual lyrics in both English and French.
Throughout their existence, INSURRECTION has gained a notable reputation on stage throughout Canada with tours covering coast to coast, including performances at festivals such as Montebello Rockfest, Trois-Rivières Metalfest, and Decimate Metalfest along with sharing the stage with bands like Cannibal Corpse and the Black Dahlia Murder.
The concept of “Obsolescence” is reflected throughout the album, and the band took things a step further by ending the record with a 3-song trilogy called The New Uprising. The trilogy which includes sub-themes of demagogy and elitism, as well as reflections on the death penalty, tells the cryptic story of a robotic uprising that is actually a metaphor for the rise of political extremism in the world.
One easter egg that long-time INSURRECTION fans may notice is that, like many of their other albums, The Obsolescence starts with the final notes from their previous 2017 album, “Extraction”.
The band comments on “Obsolescence”:
“We think people are going to really enjoy the mix of the sound they’ve come to know and love alongside some new ingredients. ‘Obsolescence’ brings together both people who have been in the band for 20+ years, and people who have only recently joined. It gives the music both a familiar and a fresh sound that we’re really excited to share. Some songs are going to be immediate fan-favourites, and others we think are really going to grow on people. Ultimately, we want people to have fun. The band is sort of like an onion, in that there’s something immediate there that’s fun, catchy, and of course, heavy. But for people who want to keep peeling the layers back, they’ll find some unexpected harmonies, some lyrics with a deeper meaning to them. Admittedly a lot of people may also need to learn a second language (French or English) to actually understand all the lyrics. Ultimately, there’s something there for everyone. If you want to just rock out and have fun, you’ll enjoy our music. And if you want something that goes a bit deeper, you’ll also find that. “
Before “Obsolescence” is officially released by Bam & Co. Heavy on September 13th, the full album stream can be heard via its premiere on Bravewords HERE.
Recommended for fans of Misery Index, Testament, and Nevermore, “Obsolescence” will be available at the following links:
CD and Vinyl album pre-order for “Obsolescence” is available at https://boutique.boiteamusique.ca/en/448-insurrection
Music Video – The Gathering – https://youtu.be/OloWe37IY04
Show Dates:
Sept 28 – Gatineau, QC – Le Minotaure
Oct 11 – Sainte-Thérèse, Qc – Le Montecristo
Oct 12- St-Jean-sur-Richelieu, QC – La Boite (Festival Communion)
Dec 6 – Drummondville, QC- Pub La Sainte-Paix
Track Listing:
1. Preprogrammed – (1:04)
2. The Gathering – (4:47)
3. Failures of the Flesh – (3:47)
4. Le secret des dieux – (3:33)
5. Némésis – (3:48)
6. Hostile Takeover – (4:14)
7. Obsession – (1:57)
8. Charogne – (4:24)
9. Initiate the End – (4:12)
10. Obsolete – (5:30)
11. Bless the Machine – (4:46)
Album Length: 42:07
More info: Facebook.com/BamAndCoHeavy | Insurrectionmetal.com
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“This new single (Bless the Machine) goes flat-out right from the start, launched by an extended, serrated-edge scream, rapidly thrusting grooves, and a blizzard of mechanistic yet maniacal riffing. Intestinally deep gutturals proclaim their murderous prayer as the music occasionally seems to dismally moan and wail. The drums methodically chop, but while razor-sharp in their execution they also prove to be just as berserk as the fleet-fingered contortions of the fretwork. And yes, the song includes a head-spinning guitar solo that does sound like a refugee from Castlevania. It’s a hell of a wild, adrenaline-fueled gallop, further fueled by doubled voices screaming, but the song also frequently does sound like malicious machines ecstatically stitching steel through blasted flesh and broken bones — and like the piteous agonies of their victims.” – NoCleanSinging
“From the slow, chugging intro to the fast, thrashy chorus, this is pure, unadulterated death metal with plenty of doomy and thrashy elements to keep people on their toes. The band have been at it for 20 years, and this song (The Gathering) is proof that they aren’t slowing down any time soon.” – Decibel Magazine
“the group continues its metallic death proposition and this fifth album (Obsolescence) is intended to be as refreshing as an autumn swim in the Ottawa River. In other words, it keeps you alive and wakes you up.” – Ars Media QC
“Insurrection de Gatineau pulls no punches with Obsolescence which will be released in mid-September. After listening to their two extracts, Bless The Machine and The Gathering, clearly it’s going to be the bomb!” – Thorium Magazine
“Insurrection play a groovy type of death metal that’s equal parts Dying Fetus, Decapitated and Lamb of God.” – Metal Sucks
“Head-banging, crushing riffs are the name of the game” – Exclaim!
“It’s immensely obliterating, but the grooves are especially titanic” -No Clean Singing
“Insurrection are masters of dishing out an aural onslaught” – Games, Brains and a Headbanging life
“faultless technically brutal yet catchy and melodic, death metal, infused with some wonderful thrash moments” – Moshville Times UK
“Insurrection hammer you with a full on assault of thumping drums, gnarly riffs and even gnarlier, sometimes bestial, growling vocals.” – Rock n Load Mag
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