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Posts By Asher

0 Canada’s MAITREYA’s Funky Reggae Metal Hybrid Single “The Traveler” Is A Refreshing Summer Hit Off Forthcoming EP “Auxesis”

  • July 12, 2024
  • by Asher
  • · Maitreya · Music News

NEWS RELEASE

Montreal, QC – July 12, 2024

Canada’s MAITREYA’s Funky Reggae Metal Hybrid Single “The Traveler” Is A Refreshing Summer Hit Off Forthcoming EP “Auxesis”

L-R: Mark Wylie (Guitar) | Lyam Morrison (Bass) | Brandon Pellatt (Drums) | Matt Cutrara (Vocals)

Photo Credit: MG Ommert

Progressive metal band Maitreya embodies catharsis in musical expression, designed to explore the turbulent emotions of the human condition. They are set to release their highly anticipated single “The Traveler”, which leads their forthcoming EP “Auxesis”, which will come out in October 2024. The seed idea for the song can be traced back to a silly cover of RATM’s “Bulls on Parade” and it drifts between jazz-funk-reggae hybrid with metal. He band comments:

“We’re excited to share The Traveler as the lead single from our upcoming EP, Auxesis. The central theme of Auxesis is growth, and this single boldly demonstrates our new ‘branches’ while digging deeper into our root concept. “The Traveler” showcases theatrical vocal narratives, groove-centric experimentation with genre-jumping, and heavy, drop-tuned breakdowns. Lyrically it is rooted in hurt and displacement. Dealing with feelings of betrayal and a breakdown of communication.”

“Auxesis” is rich with a depth of sonic layers such that the listener can yield new discoveries after multiple listens. The complexity of the music is subtle, making it accessible to general audiences but also intriguing to the advanced, musically inclined demographics. There’s a strong poetic focus to create an artistic work ripe with emotional and philosophical commentaries on the human condition. It is recommended for fans of Between The Buried and Me, The Contortionist, and Twelve Foot Ninja.

Listen to “The Traveler” at the following links:

Visualizer – https://youtu.be/l0zzmrJizfg

​Spotify – https://spoti.fi/3Whrogn

“Auxesis” is due out on October 11, 2024, and will be available for pre-order at https://maitreyametal.bandcamp.com.

Track Listing:​
1. Paradigm (6:47)
2. Still Motion (4:49)
3. The Traveler (5:32)
4. Vestigial Memories (5:21)
5. Arcana (6:05)

More Info – https://www.maitreyametal.com | https://www.facebook.com/maitreyametal | https://www.instagram.com/maitreyametal​

-30-

“We’re always on the hunt for interesting new metal bands, and Canada’s Maitreya certainly qualifies. The band’s newest single, “Catalyst”, treads familiar progressive metal territory – think vocals similar to Leprous and instrumentation akin to older BTBAM – but rest assured it sounds fresh.” – New Fury Media

“Heavy metallers Maitreya recognize the value of dreams with their new single and music video for “Bloom,” a rifftastic blast of progressive metal.” – V13

“What’s on the menu here is a wide range of flavours. There’s something to suit the taste of any serious metal fan. This relatively new band has some good ideas and knows how to execute them. Despite the current restrictions, these guys have plenty of time to bring the Maitreya brand to the fore.” – The Prog Space

“What we have here with Hyper Reels is a fresh take on both progressive metal and metalcore in general. Ten high-powered and heavy efforts that go in a myriad of unexpected and thrilling directions. If there’s one thing Maitreya do well on Hyper Reels, it is to keep you guessing all the time.” Games, Brrraaains & A Headbanging Life​
​
​“Ambitious and aggressive, Canada’s Maitreya break boundaries from the beginning with Departed. Heavy, contemporary metal chords are underscored by droning, chorusing vocals, but blink and you’ll miss them as Maitreya soon change direction to a growling verse pandemonium. Their riffing is adventurous and deadly, cutting through weighty, rolling rhythms and movements.” – Jace Media

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Maitreya – Auxesis (2024) – Out Oct 11th

  • July 12, 2024
  • by Asher
  • · EPKs · Maitreya · Uncategorized

EPK – Maitreya – Auxesis (2024) – Out Oct 11th

Publicist – Jon Asher – Jon[@]ashermediarelations[.]com

For fans of Between The Buried and Me, The Contortionist, Twelve Foot Ninja, Leprous, Thank You Scientist

Maitreyametal.com | Facebook.com/maitreyametal | Youtube.com/@maitreyametal | Instagram.com/maitreyametal

Maitreyametal.bandcamp.com | Spotify | Apple Music

“Just relaxing and enjoying a catchy riff is not an option with Maitreya anyway. If you like complex song structures and styles that are woven together without compromise, Maitreya is the right place for you.” – Musika

“We’re always on the hunt for interesting new metal bands, and Canada’s Maitreya certainly qualifies. The band’s newest single, “Catalyst”, treads familiar progressive metal territory – think vocals similar to Leprous and instrumentation akin to older BTBAM – but rest assured it sounds fresh.” – New Fury Media

“Heavy metallers Maitreya recognize the value of dreams with their new single and music video for “Bloom,” a rifftastic blast of progressive metal.” – V13

“What’s on the menu here is a wide range of flavours. There’s something to suit the taste of any serious metal fan. This relatively new band has some good ideas and knows how to execute them. Despite the current restrictions, these guys have plenty of time to bring the Maitreya brand to the fore.” – The Prog Space

“What we have here with Hyper Reels is a fresh take on both progressive metal and metalcore in general. Ten high-powered and heavy efforts that go in a myriad of unexpected and thrilling directions. If there’s one thing Maitreya do well on Hyper Reels, it is to keep you guessing all the time.” Games, Brrraaains & A Headbanging Life​
​
​“Ambitious and aggressive, Canada’s Maitreya break boundaries from the beginning with Departed. Heavy, contemporary metal chords are underscored by droning, chorusing vocals, but blink and you’ll miss them as Maitreya soon change direction to a growling verse pandemonium. Their riffing is adventurous and deadly, cutting through weighty, rolling rhythms and movements.” – Jace Media

[Download EP Cover | Download EP Lyrics]

EP Title: Auxesis
Release Date: October 11th, 2024
Label: Self-Release

Track Listing:
1. Paradigm (6:47)
2. Still Motion (4:49)
3. The Traveler (5:32)
4. Vestigial Memories (5:21)
5. Arcana (6:05)
Album Length: 28:33

EP Credits:
• All songs performed by: Maitreya
• All songs written by: Maitreya
• Produced by: Maitreya / Zack Johnson
• Mixed by: Zack Johnson
• Mastered by: Luc Chiasson
• Album Artwork by: Lucas Escobar / Lyam Morrison
• Member of SOCAN
• MAPL – Canadian Content

EP/Live Band Line Up:
Mark Wylie – Guitar
Lyam Morrison – Bass
Matt Cutrara – Vocals
Brandon Pellatt – Drums

======================================================

About The EP Artwork

Lyam : With the themes of growth in the music, I wanted to reflect that in the artwork. Using geometric concepts to represent that was in the forefront for my collaborator Lucas Escobar and

I, alongside the concept we’ve cultivated in the band, that Maitreya is a character our art embodies and not simply a name.

Central in the artwork is Maitreya, seated atop an ascending harmonic series, emanating outwards into higher planes of being. Surrounding them are symbols representing values that can either propel them higher or drag them into stagnation. To the lower right are symbols of the three poisons, delusion, attachment and aversion. Opposing them in the upper left are symbols to evoke their counters, wisdom, generosity and love. At the pinnacle of the artwork sits the diagram of the tree of life, which represents in this case the growing connection between all things that is unseen. Entering the frame from outside is Saturn, this is a representation of the point we’re at in our lives and also in this project. A time of change and realization, with Saturn’s return. The geometry framing all of this is the circle in square diagram, which represents varying levels of being, as Saturn returns it allows the middle level to shift which in turns allows for a jump to a greater existence. The colours were also very intentional. Traditionally, dioxazine purple has represented the fabric that’s beneath and throughout the universe. Gold is universally known for being precious, and in our case the gold represents how by simply being all things are precious.

About  the album as a whole (LYRICALLY & MUSICALLY)

Mark:
Auxesis is the Greek word for growth. We felt this was an accurate depiction of the state and development of the band during this album cycle. It became like a motto, ‘in the spirit of Auxesis’ – to operate in a fashion that allows us to grow to our full potential as individuals and as musicians.

The album is rich with a depth of sonic layers such that the listener can yield new discoveries after multiple listens. The complexity of the music is subtle, making it accessible to general audiences but also intriguing to the advanced, musically-inclined demographics. There’s a strong poetic focus to create an artistic work ripe with emotional and philosophical commentaries on the human condition.

Matt:
Auxesis treads interesting ground lyrically with themes of change, growth, introspection, creation, dreams and memories. Musically we tread new ground with some reggae inspired sections, spoken word/characters sections, acapella, and choral sections.

Track by track (LYRICALLY & MUSICALLY)

Paradigm
Mark: Paradigm musically is based around two core ideas; a patterned harmonic sequence and rhythmic modulations over 6/8 time.It started with a Maj7#11 chord voicing I got from Allan Holdsworth. The goal was to have this Lydian modal sound modulate to various keys using the interval sequence of a Major 3rd down, followed by a minor 3rd down before repeating. When mapped out to a Circle of 5ths diagram, these sequences generate interesting geometric patterns.There’s a 6/8 arpeggio idea that is present throughout each section. Rhythmically I wanted to attempt different polyrhythm and polymeter ideas against this 6/8 ostinato. As each new section modulates harmonically, it also modulates in time signature.Matt:
Lyrically Paradigm is about understanding the relationship between your feelings and your identity. Some people choose to let their emotions consume them, when they are only a part of your identity.

Lyam: When Mark showed me the composition for Paradigm I was blown away. It stayed in our backlog folder for a while and I’d listen to it periodically, it struck me as much more of a journey than most of the music so far had been. We talked a few times about including spoken word passages in a song and it was the perfect candidate for that. I’m a person who is often overwhelmed by feeling. Over my life I’ve learned more and more that emotions are an experience and not something that makes you you. That became the lyrical concept I pushed for, and relating that to a “Paradigm” shift once a person gains enough experience to learn that perspective.

Still Motion
Mark: Many of my compositions are inspired by practice and studies of Yogic traditions. This song in particular is based on the experience of expansion felt in meditation. The attempt musically was to capture the type of motion felt in an astral out-of-body-experience, while still remaining conscious of the physical body. Most notable of this effect compositionally is the rhythmic interplay used in the chorus section. The rhythm has a way of syncopating on and off the beat, creating a type of non-resolving momentum.

Matt:
Lyrically Still Motion is about gaining the benefit of stillness in clarity and awareness. Being able to forgive yourself for straying from your path, and learning as much as you can along the way.

The Traveler
Mark:
The seed idea for this song can be traced to a goofy way we would cover Bulls on Parade by Rage Against the Machine. I would set up a wah effect on a clean channel for that “70’s porn-funk” kind of sound and do a reggae-funk thing against the hip-hop inspired verse rap section. I basically thought it would be funny to have a song that drifted in between this jazz-funk-reggae hybrid with metal. This is something I found 12 Foot Ninja executed well on, pretty sure I also ripped off the intro chord progression from one of their songs to get the ball rolling on this tune.

Matt:
Lyrically The Traveler is rooted in hurt and displacement. Dealing with feelings of betrayal and a breakdown of communication.

Vestigial Memories
Mark:
This song instrumentally is the oldest tune on the EP, dating back to an original demo titled Glacier in 2018. During the period of time in my life when I wrote this song, I was undergoing radiation treatment post oral cancer surgery. Reflecting on the vibe of the music now, it sounds hopeful and optimistic about future health but also highlights the emotional darkness and physical suffering of the experience.

Matt:
Lyrically, Vestigial memories is about trying to find peace inside the sea of memories that exist within you at all times. Exercising discernment on which memories to prune and which memories to hold dear is not an easy task.

Arcana
Mark:
This song is inspired by the band, Arcane Roots (hence the title… Lyam and Matt ended up making this super obvious because the words arcane roots appear in the lyrics). I resonated with the way they incorporated synths and vocal harmonies into their sound. I found while emulating their work that there’s a kind of simplicity that can yield a very powerful sonic result – which I think comes across in the chorus sections of this song.

Matt:
Lyrically, I think about Arcana almost as a sort of fairy tale. It talks of magic and belief, truth and the interconnectedness of it all. It has some morals in that it criticizes cowardice and praises surrender. It’s sometimes hard to write optimistic lyrics for me, but this song turned out cautionary, but optimistic overall.

Lyam: The lyrical concept for this one came from a conversation Mark and I had about faith and our differing experiences with it. Giving the trust to have faith in a spiritual concept is always hard for me because of my experiences with Christianity. I wrote the lines for the chorus on a hike. I see God or something like that in nature whenever I get out there. That experience made me want to make the song about choosing to give that trust for faith, instead of about fear.

======================================================

STORY ANGLES / FUN FACTS ABOUT THE BAND

#1: EP Name
Mark: We were having some difficulty naming the album initially, and were against using a song title for the EP title. There was one phrase lyrically that resonated with me in The Traveler – “Our Future is Hyperbole”. I originally thought that might be a cool title, but I put that phrase in Google, and the word Auxesis came up – as a rhetorically synonym for hyperbole or exaggeration. After combing through the various definitions, we felt we could justify all of them to represent the album.

Auxesis (Greek: αὔξησις, aúxēsis) is the Greek word for “growth” or “increase”. In rhetoric, it refers to varying forms of increase:

hyperbole (overstatement): intentionally overstating a point, its importance, or its significance[1][2][3]

climax (ascending series): a series of clauses of increasing force[4]

amplification (rhetorical increase): extension or exaggerated, needless repetition of arguments to emphasize the point

#2: Line up change
At the end of 2022, the band parted ways with original drummer, Steve McMillan and second guitarist, Matt McCabe. There was a pull between the professional commitments of the band and the demands of fatherhood and family obligations.

The band recruited drummer, Brandon Pellatt, in 2023. Mark and Lyam worked with Brandon during summer employment at Canadian Musicians Co-operative from 2019-2021. When it became time to consider a new drummer, it was an easy transition with the prior history performing music together and sharing similar tastes in music.

#3 Drummer envy
Before Brandon joined the band, there was nothing more Brandon wanted to do than to be in the band. Brandon, Mark, and Lyam all worked together and performed in different situations prior to him joining. The majority of that music consisted of pop/rock songs other people wanted to play and maybe a few Mark Wylie metal originals on the street for the fine, albeit agitated folks of Barrie, Ontario. Maitreya was doing all the things that Brandon wanted to be doing!

#4 Band Assemble
Matt was working at Fresh Co when our original members were shopping for milk in Intervals T-shirts. Matt complimented them and the got to talking, turns out they were an instrumental band looking for a vocalist. They invited Matt to jam, and the rest is history.#5 Trumpet Collaboration
In the summer of 2023, the band had been offered a gig on a bill stacked with great Toronto prog bands. Everyone was available to do the date except our vocalist. We didn’t want to pass on the show so we contemplated just playing the show instrumentally. Mark had a crazy idea of attempting to find a saxophone or trumpet player to replace the vocal melodies and stretch out with improvised solos. We figured the audience of progressive music fans would be receptive to this attempt, so we hired jazz trumpeter Paul Callander to fill in. The show went way better than expected, and since we were in the final stages of pre-production for Auxesis – we had Paul record versions of his parts to use for an instrumental release of the EP.#6 Vestigial Memories Backstory
Matt:
There was a period in my life where my memories were overwhelming me, replaying the emotional low points over and over again, but then learning to flow with the more negative cycles as just another part of the wave. Ideals can blind you to reality if you choose to sugar coat everything.

L-R: Mark Wylie (Guitar) | Lyam Morrison (Bass) | Brandon Pellatt (Drums) | Matt Cutrara (Vocals)

Photo Credit: MG Ommert

Maitreya embodies catharsis in musical expression, designed to explore the turbulent emotions of the human condition. Established in 2016 from Whitby, Ontario, Maitreya (may-trey-ah) makes progressive metal music with foundation in heavy sounds, with heart open to ethereal lofty textures. 

In the sophomore release of Hyper Reels (2021), the band’s full DNA unfolds revealing a simultaneous beauty and devastation. The densely layered compositions serve to guide listeners through a collection of commentaries exploring metaphysical reality, artificial intelligence, and the human soul’s place in that landscape. Jace Media highlights signature elements of the album, reviewing the work as “Heavy, contemporary metal chords are underscored by droning, chorusing vocals, but blink and you’ll miss them as Maitreya soon changes direction to a growling verse pandemonium. Their riffing is adventurous and deadly, cutting through weighty, rolling rhythms and movements.” 

The character of Maitreya’s sound evolved greatly since their self-titled (2017) album. Fast frenetic guitar stylings, powerhouse vocal performances, and a full-tilt energetic live show cemented Maitreya as one of Toronto’s exciting up-and-coming metal bands, earning them spots on festivals like Wacken Metal Battle and Kitchener Metalfest. As Dentata Music reviews; “Maitreya’s music is sonic baptism, taking the listener from the fire pits to the icy peaks. The band’s self-titled album weaves an intricate melodic narrative, where both headbanging metal-heavy riffs and reflective vocal lines co-exist in the vortex of sonic alchemy, presented to the listener in its raw, unfiltered elemental form.”

The band entered a new chapter in 2023, seeing the departure of drummer Steve McMillan and guitarist Matt McCabe. Original members Mark Wylie (guitar), Lyam Morrison (bass), and Matt Cutrara (vocals) recruited drummer Brandon Pellatt to support the band’s increasing demands for rhythmic complexity and progressive genre-bending tendencies. 2024 will see the release of the Auxesis EP, five new original works that showcase the band’s trajectory into the modern progressive-metal sphere. A subsequent deluxe release will feature instrumental versions with trumpet performances, giving nod to the band’s influence in the jazz-fusion realm.

Discography:
2024 – Auxesis – EP
2021 – Hyper Reels – LP
2019 – Colonize – Single
2017 – Self Titled – LP

Tours and Festivals:
2023 – Oshawa Music Week – Oshawa, ON
2018 – Wacken Metal Battle – Toronto, ON
2018 – Kitchener Metalfest – Kitchener, ON
2017 – 5/4 fest – Toronto, ON

0 “Love H8” Is The Thrashy New Single From Saskatoon’s PYTHONIC’s Upcoming “EP 1” Out Sept 2024

  • July 12, 2024
  • by Asher
  • · Music News · Pythonic

NEWS RELEASE

Montreal, QC – July 12, 2024

“Love H8” Is The Thrashy New Single From PYTHONIC’s Upcoming “EP 1” Out Sept 2024

L-R – Vincent Kohut (guitar, backing vocals), front Jayden Warriner (drums), Back Dustin Reiner (vocals), Morgan Warriner (bass, backing vocals), Ryan Hunter (guitar)
Photo by Mac Ulmer

Pythonic, the powerhouse Canadian (Saskatoon-based) metal band, is thrilled to announce the release of their newest single “Love H8”. This marks the second single from their debut “EP 1” set to be released on September 27th. The single “Love H8” is a showcase of the more thrashy side of Pythonic and they deliver a barrage of tasty riffs, they comment:

“This song originated from Vincent and is one of the only songs to showcase him playing leads. Part of what makes this song special is it had some producing help from longtime friend and drummer on the EP Jordan Gall. Jordan came up with the idea for the leads over the chorus riffs while in the studio with Vincent. Drummers got riffs too, who knew.”

“Love H8” musically came out exactly as Pythonic needed it to as a sick thrash song. The idea behind the track was to get people to move and it does just that when played live or just as a recording. The single is a song about how in relationships if one person isn’t healed properly they can project their problems onto the other. Most of the riffs were written in a single sitting only one riff was sourced out to Ryan and it is the killer bridge riff.

Lead guitarist Ryan Hunter and rhythm guitarist Vincent Kohut’s dynamic interplay creates a soundscape that is both ferocious and melodic, while new drummer Jayden Warriner’s aggressive beats drive the track forward with unrelenting energy. Bassist Morgan Warriner locks in with his brother, Jayden, to form a rhythm section that is tighter than ever, adding a solid foundation to the band’s intricate arrangements. Pythonic is recommended for fans of Lamb of God, Devildriver, and Machine Head.

Listen to “Love H8” at the following links:

YouTube – https://youtu.be/sscxzAtmDnQ

​

Spotify – https://distrokid.com/hyperfollow/pythonic/love-h8

​

“EP 1” will be available on all digital platforms on September 27th, 2024.

Track Listing:​
1. Positive Deconstruction (5:19)
2. Love H8 (4:02)
3. Pills (3:09)
4. Practise What You Preach (5:13)
5. Epica (5:00)
EP Total Length: 22:43

EP Lineup:
​
Dustin Reiner – Lead Vocals and Bass
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Jordan Gall Drums

Live Lineup
​
Dustin Reiner – Lead Vocals
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Morgan Warriner – Bass and Backing Vocals
Jayden Warriner – Drums

More info: https://www.facebook.com/pythonicband | https://instagram.com/pythonicband​

-30-

“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – Pythonic – EP 1 (2024) – Out Sept 27th

  • July 12, 2024
  • by Asher
  • · EPKs · Pythonic

EPK – Pythonic – EP 1 (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Pythonic is ecstatic to finally be releasing our first set of recordings. We have been working diligently over the years to perfect our craft to bring it to the masses. What our craft can be described as we have always left that open to interpretation. We have heard wild claims from people over the years. “You sound like Bolt Thrower or Morbid Angel with clean vocals”. The one that resonates the most with the band though is being labeled as Groove Metal. We are a groovy bunch of dudes and the music makes people move. Although it’s a fairly ambiguous sub-genre. We still do not throw ourselves into any single sub-genre as we are not done writing and it leaves it open for us to produce any type of track we desire.” – Pythonic

For fans of Lamb of God, Devildriver, Machine Head, Trivium, Pantera

Facebook.com/pythonicband | Instagram.com/pythonicband | Youtube.com/@pythonicband

Spotify | Apple Music

Digital Single – Spotify – https://distrokid.com/hyperfollow/pythonic/love-h8

“Pythonic comes from Canada with ‘Epica’, a track that features fast-paced guitar riffs, heavy drums and an engaging, torn vocal that delivers to listeners the essence of metal and subverts such as alternative, thrash and even melodic, being perfect to the circle and not to leave anyone standing still.” – Os Garot Os Deliverpool

“Pythonic has an EP for you. Blending Thrash with Old School Swedish Death Metal, the band manages to sound like Entombed but without losing its unique style… So if you have a few minutes of anger to drain, these guys are going to cover you!” – Metal Eclipse Reviews

“Overall I’m a pretty big fan of this record. If you want something that sounds
maybe like an Anthrax or a Slayer record then you really want to check this out.
The most dynamic and unique part of this EP, in particular is the vocals
are double-tracked and they’re very high in the mix which is something that is somewhat different than a lot of the other metal releases this year which I greatly appreciate. If you want something that has a lot of the thrash guitar element then you’re really going to want to check this out. The guitar and drum parts are fantastic, they really keep the songs very tight even though the vocals are very in your face and they’re usually the the first thing that you would notice with this kind of record but overall this is very strong.” – Brutally Delicious

[Download EP Cover | Download EP Lyrics]

Band: Pythonic
EP Title: EP 1
Release Date: September 27, 2024
Label: Self-Release
Distribution: Distrokid

Track Listing:
1. Positive Deconstruction (5:19)
2. Love H8 (4:02)
3. Pills (3:09)
4. Practise What You Preach (5:13)
5. Epica (5:00)
EP Total Length: 22:43

EP Recording Credits
All songs performed by Pythonic with Jordan Gall
All songs written by Pythonic
Produced by Pythonic with Jordan Gall
Mixed by Christian Douglas at The Sound Castle
Mastered by Christian Douglas at The Sound Castle
EP Artwork by Danya Lawton

EP Lineup:
Dustin Reiner – Lead Vocals and Bass
Ryan Hunter – Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Jordan Gall Drums

Live Lineup
Dustin Reiner – Lead Vocals
Ryan Hunter –  Lead Guitar
Vincent Kohut – Rhythm Guitar and Backing Vocals
Morgan Warriner – Bass and Backing Vocals
Jayden Warriner – Drums

==============================================

About The EP Artwork

The concept for the EP has gone through many ideas and changes. The one solid piece that we wanted on the first one was a big tree as the main focus. At the base of the tree is a guy pulling puzzle pieces off himself and replacing them with pieces from the tree. This goes along with the track Positive Deconstruction which is the opening track on the EP. Healing through nature is the point trying to be conveyed through the album art. Personal healing and growth is a concept that the band wants to push through themselves to fans and the album art can help portray that.

The EP as a whole (LYRICALLY & MUSICALLY)

Lyrically this album reflects on the massive displacement of hate in the world and the need to shift into a state of love. Basically, we can see the bullshit and we will not allow it to penetrate into our hearts and minds. This music is our shield against those low vibratory forces.

Musically I would say this EP comes from the heart a lot of the songs came to be very naturally. The songs are all a few years old now with the exception of a few parts in songs. A lot of these songs were written when most of the band was coming into themselves as musicians and we all had a strong push to be better than we were before. It just kind of worked out that most of the songs fit sort of thematically and riff-wise as well nothing is too far outside of each other but still distinct enough to know it is a different song

Track by Track (LYRICALLY & MUSICALLY)

Positive Deconstruction – musically this song always came across as a little more on the greasy end. The verse riff just gets bouncy and slidey. Our original drummer wanted blasts in the second half of the chorus riff but it sounded way better when we recorded the drums that we did. The ending breakdown, although repetitive yet heavy, has the monotony broken up by a sick guitar solo headed by Ryan.

Lyrically – societal collapse for a better future for humankind

Love H8 musically came out exactly as we needed it to as a sick thrash song. The idea behind the track was to get people to move and it does just that while played live.

Lyrically – challenges of a relationship

Pills musically was written fairly quickly while at band practice. Vince had the main chorus riff ready to go and the rest just sort of followed. The song has some bigger tempo changes that help to synthesize the feelings of being on pills while listening. The ups and downs of addiction.

Lyrically – medications pollute the body

Practice What You Preach was written while guitar player Vincent was listening to a fair bit of Nile so some slight Egyptian-esque sounds definitely come out in the riffs. This song has a fairly big emphasis on the harmonies thrown together within the track. This song came out a fair bit slower than the rest of the songs but it’s a good reprieve with some great riffs.

Lyrically – inner turmoil of growth

Epica is meant to be triumphant and powerful. It is a song about standing up for what you believe in and challenging the status quo. I believe it is portrayed very well within the riffs and lyrics

Lyrically – the illusion of freedom

==============================================

STORY ANGLES – FUN FACTS

The EP had drums recorded at powder room studios, located in Hafford Saskatchewan,  which is owned by EP Drummer Jordan Gall who Vincent grew up with. The rest of the tracks were recorded in Vincent’s Bedroom and the tracks were sent off to Chirs Douglas at The Sound Castle to be mixed and mastered

When Ryan first joined the band he was only 16 years old and brought along with him long-time bass player Alyxx Frayne who was the same age. She would later go on to play bass in Widow’s Peak after moving to CalgaryAll the core members of Pythonic grew up in different places. It’s just by sheer chance we all linked up. Ryan was born in BC and moved to Saskatoon. Vincent was raised on a Farm near a small town called Hafford and Dustin grew up in Melfort. The current rhythm lineup consisting of brothers Jayden and Morgan Warriner both went to school with Ryan and ended up being really good fits to the band.

The first sold-out show we played was a fundraiser for the Saskatoon SPCA on September 15th, 2023. It was also the first show that we played with Jayden on drums. The show ended up raising 5k for the SPCA. We were the third band on the bill the band after us was Kelevra and when they got up on stage after us the singer said to the crowd “Well I don’t know how we are supposed to follow that set”. They played just as a killer of a set that night.

Without any recorded material we almost got to play a Junofest showcase when the Junos were in Saskatoon it was the year Striker won with their album Play to Win. The show was going to be opening for Striker and Untimely Demise. The show was unfortunately canceled the day of the event as COVID-19 was labeled a pandemic that day.

L-R – Vincent Kohut (guitar, backing vocals), front Jayden Warriner (drums), Back Dustin Reiner (vocals), Morgan Warriner (bass, backing vocals), Ryan Hunter (guitar) – Photo by Mac Ulmer

Pythonic is a Canadian metal band founded late 2015. Through the years there has been many line up changes with the band, however there has been a core three members through it all. Dustin Reiner on Vocals masterfully entwining thought provoking lyrics with sick flow and harsh growls. Lead guitarist Ryan Hunter has been the resident guitar prodigy laying down some of the grooviest riffs and most intense guitar solos. Rhythm Guitarist Vincent Kohut generates riffs like a machine mixing heaps of thick low end with tight tremolo picking which keeps riffs varied and fresh. Recent addition to the band Jayden Warriner has taken up the sticks and slams nasty beats behind the kit. The most recent addition to the fringe is Jayden’s brother Morgan Warriner hitting fat low end on the bass and locking in for a tighter rhythm section than you can imagine.

Shared Stage with: Agony Spawn, Untimely Demise, Ravenwitch, Hatchet, Hazzerd, Reject, Kelevra, Augurium, Widows Peak, Protosequence, Wasted Heretics, Art of Attrition, Alien to the Ignorant, Mileshigh, 6M

Tours and Festivals:
2019 – Shockerfest 26 – Edmonton, AB
2018 – Saskatoon Screamfest – Saskatoon, SK

0 Horror Pain Gore Death Productions – Edmonton’s CULLED Political Grind Takes A Strike At Authoritarianism In “Coercion” Off New EP “Psycles” Out July 2024

  • July 11, 2024
  • by Asher
  • · Culled · Music News

NEWS RELEASE

Montreal, QC – July 11, 2024

Edmonton’s CULLED Political Grind Takes A Strike At Authoritarianism In “Coercion”

New EP “Psycles” Out July 2024 via Horror Pain Gore Death Productions

L-R – Curtis Blair – Drums, Chris Chapman – Bass, Shane Hawco – Vocals, Ben Harbak – Guitar

Photo Credit by Dana Zuk

​

Edmonton, Canada’s Culled started in early 2017 with the intention of embracing the contrast of slow crushing sludge and doom riffs with the blistering speed and chaos of grindcore ripe with messages of peace, and love that implore the need for empathy in today’s unpredictable and unstable political climate. Now in 2024, they have their second album coming out, “Psycles” on July 26th. Ahead of the full release, they have a single “Coercion” out, that delves into topics of authoritarianism as they comment on below:

“We wanted to give a taste of where we can land when we are not directly focused on the contrasts between chaotic grinding speed against sludging doom. Mid-paced groovy with an infectious and memorable hook helping to give weight to the lyrical theme of corruption being the core of authoritarianism and an essential need of our society, and our one true religion.”

The band goes on to explain that the groove in the middle of the EP adds a touch of rest from the chaos and a repeating theme that can bring the message home. Featuring members with a historical impact in the Western Canadian heavy music scene, including former and current members of bands such as Thorazine, Disciples of Power, WAKE, and Exit Strategy, Culled is known for their intensity of performance and message of integrity fueled with compassion and empathy. They are recommended for fans of Nasum, Pig Destroyer, and Neurosis.

Watch and listen to the video for “Coercion” via TheCirclePit – https://youtu.be/vRu_Y0JQGC4​

Due out on July 26th from Horror Pain Gore Death Productions, “Psycles” is available for album pre-order (CD / Digital/ Bundles) at https://www.horrorpaingoredeath.com and (Cassettes/ Vinyl/ Digital) https://www.culled.ca.

Previous single – Music Video – “Halo of Flies” – https://youtu.be/vx8ku0sjvHc​

Spotify – https://spoti.fi/3Vmr1PJ​

Track Listing:​
1. Trauma of History (7:22)
2. Psycles (1:45)
3. Coercion (3:14)
4. Halo of Flies (1:54)
5. Excision (Lost Cause) (6:40)
EP Length: 20:57

EP Band Line Up:​
Ben Harbak – Guitar
Chris Chapman – Bass
Curtis Blair – Drums
Shane Hawco – Vocals

More info: Culled.ca | Facebook | Instagram.com/culled.ca​

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“Political tensions in the world are running high, and Culled want you to know that they’re not down with it. Combining their searing take on the state of the world with a sludgy grind assault, Culled back their statements with tight songwriting and aggressive performance. On their debut album Thin the Herd, Fail to Learn, Culled wrap angular grindcore in thick sludge, spitting out blasts, mosh parts and distinctive vocals that reflect the band’s disgusted mindset.” – Decibel Magazine

“Sludge grind is one of those things that shouldn’t really exist and yet somehow Culled make it work. They sound absolutely colossal on their new track “Contagion,” a nearly nine minute epic that manages to combine everything that makes the band great. The stop/start madness and dynamic interplay of this song speaks to the band’s talent as songwriters. Meanwhile, the guitar tone alone speaks volumes to what this band has come to represent. With punk fringes on some truly punishing tracks, it’s hard not to be fascinated by the morbid horror of the band. The lead single, ‘Contagion,’ is a mesmerizing ode. It comes from their upcoming LP, Thin The Herd, Fail To Learn, due out October 26th on Hibernation Release. It’s hard to balance two genres that seem so diametrically opposed whilst simultaneously sneaking in moments of pure explorations into the sublime. Experimental, genre bending and clearly forward thinking, ‘Contagion’ is a triumph for a rising force.” – Metal Injection

“Edmonton, AB grind outfit Culled push the boundaries of the genre on their debut full-length, Thin the Herd, Fail to Learn. The quartet incorporate slow, sludgy grooves and doom-laden riffs into their discordant grindcore, resulting in a contrast of sounds that is jarring yet complementary… Thin the Herd, Fail to Learn is an impressive debut that showcases a battle of conflicting sounds throughout its 25-minute runtime. What makes it work is Culled’s thoughtful approach to song composition and structure, along with socio-political lyrical content to match the angst-filled emotions that their music emanates.” – Exclaim!

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0 Exitus Stratagem Records – Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising” + “Planet of the Goats Tour” w/ FALL OF EARTH

  • July 11, 2024
  • by Asher
  • · Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – July 11, 2024

Streaming Now! THIRTEEN GOATS’ Wild Death Metal Rock Opera “Capricorn Rising”

“Planet of the Goats Tour” w/ FALL OF EARTH

New Album “Capricorn Rising” Out July 12th, 2024 via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

​

Vancouver, Canada’s Thirteen Goats are proud to release their second album—the extreme metal rock opera “Capricorn Rising”. It tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting. They comment on the album:

“We think fans are going to get everything they loved about our first record, only more of it—and more focused. We’re exploring similar themes on this release, but we’ve connected them by weaving a cohesive story throughout these nine tracks that gives more context to the different musical and tonal shifts. And just like on the last record, we haven’t been afraid to break the rules.”

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Listen to the album’s full stream premiere via Decibel Magazine HERE.

Due out on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records for album pre-order at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising​

Music Video – Murder Lives in the Heart – https://youtu.be/hpgqlbehecM​​​

In additional news, following their performance at this year’s Armstrong Metal Fest (July 12/13), Vancouver’s Thirteen Goats announce that they will be hitting the road this July and August for their first major Western Canadian tour. They will be co-headlining the “Planet of the Goats Tour” with Edmonton’s Fall of Earth.

Planet of The Goats Tour – Fall of Earth, Thirteen Goats​
July 19 – Red Deer, AB – The Vat
July 20 – Edmonton, AB – Starlite Room
July 21 – Lloydminster, SK – The Sticks
July 23 – Brandon, MB – Eastside Eatery
July 24 – Winnipeg, MB – Bulldog Event Center
July 25 – Regina, SK – The Exchange
July 26 – Lethbridge, AB – The Slice
July 27 – Calgary, AB – Rec Room
July 31 – Kelowna, BC – Dunn Enzies (venue change from Revelry)
Aug 1 – Kamloops, BC -The Blue Grotto
Aug 2 – Penticton, BC – Clancy’s
Aug 3 – Vancouver, BC – The Fox Cabaret

Track Listing:​
1. Sign of the Goat (4:53)
2. Murder Lives in the Heart (5:30)
3. A Wolf in Shepherd’s Clothing (4:10)
4. Global Fuckup (3:57)
5. Beheading Zoo (3:44)
6. Permission to Die (3:48)
7. Beating the Disease (4:24)
8. Goats of War (5:25)
9. Animal Kingdom (6:19)

More info: Exsrmusic.com | ThirteenGoats.com​

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“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

​

What the press said about 2022 album “Servants of the Outer Dark”:

#14 on Top 20 – Loud – Canadain College Radio – August 2022 (Earshot)

“An alchemical style reminiscent of Cannibal Corpse, Misery Index, classic Megadeth, melodic Swe-death, and all eras of Death and Carcass.” – Decibel

“Rips, we’re here for it.” – MetalSucks

“Perfectly marries old school death metal, blackened tendencies, and heavy metal choruses.” – Metal Injection

“THIRTEEN GOATS unapologetically raise the deathcore flag for the new decade and absolutely don’t care what people think.” – Exclaim!

“Think Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” – The Georgia Straight

“A gut-punching and head-hooking offering of death metal that borrows liberally from many of the genre’s subsets, as well as bringing in elements of thrash, black metal, and grindcore.” – No Clean Singing

“With a name like THIRTEEN GOATS, it’s gonna be evil. It’s cool, thrashy, blackened groove metal, a little like a Lamb of God sound with a bit more heavy brutality going on and a dash of black metal evilness. Great stuff!” – The Mosh Pit on WORT 89.9 FM (Madison, WI)

“THIRTEEN GOATS make seriously good music and sound like they have a lot of fun doing it. They write great upbeat thrash songs with strong melodies that appropriately sway from sinister to camp and pull it off tremendously. For some classic charcuterie of extreme metal mixed with a bit of tongue in cheek, you’re well looked after here.” – Heavy Mag

“THIRTEEN GOATS is a new strength in the extreme scene.” – Metal Temple

“The starting point of Thirteen Goats and their debut album Servants Of The Outer Dark is death metal, but it doesn’t remain tied to it. They explore all types, including tech death and melodic death metal, and even genres outside of that like thrash, groove, and doom metal. Each song brings out a unique side to the band, whether it’s the politically charged ‘Prisoner’s Anthem’ or the body horror of ‘Sub-Being.’” – Heavy Music Headquarters

“Canada’s THIRTEEN GOATS are incredibly fun to listen to and at multiple points subtly humorous—and, as such, make themselves easily a breath of fresh air within the technical scene. That sense of fun is backed up with very proficient playing and dizzying creativity, far beyond what you would expect from a debuting act’s first full length… Servants of the Outer Dark is an excellent debut full-length from these guys and I can’t wait to hear more!” [9/10] – Metal Observer

“All you need is love? No. All you need is THIRTEEN GOATS. Their debut album has everything your heart could desire in a Metal record, it’s a metaphorical pizza with all the toppings and a better thrill ride of a first crack we defy you to find!” [8.5/10] – Metal Noise

“These guys have the ability and the chops to succeed, whilst channeling bands like Lamb Of God into their output.” – Man of Much Metal

“This is so good.” – Stephen Quinn, The Early Edition (CBC Radio One)

—
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0 Streaming Now! Halifax’s TURBO’s “Broke And Ugly” Is A Gritty Return To Aggressive, Thrashy Nitro Rock!

  • July 11, 2024
  • by Asher
  • · Music News · Turbo

NEWS RELEASE

Montreal, QC – July 11, 2024​

Streaming Now! Halifax’s TURBO’s “Broke And Ugly” Is A Gritty Return To Aggressive, Thrashy Nitro Rock

​

Halifax, Canada’s Turbo is back and louder than ever with the release of their shiny second album “Broke & Ugly”. Known for their gritty, in-your-face sound, Turbo has once again delivered a raw and powerful collection of tracks that will leave listeners begging for more. Like your disheveled uncle on Christmas morning, Turbo is trashed, pissed off, and sick of your shit, bringing an intensity and energy that is unmatched in today’s music scene. They comment on the release:

“‘Broke and Ugly’ is our second testament to the ups and downs of the rock-and-roll lifestyle, and it comes in swingin’ HARD. The music is raw, greasy, and mean; but it’s also tight, coordinated, and flashy. The lyrics are defiant and visceral, painting a real picture of where Evan’s mind was during the writing process of the album. Themes go from party anthems to drugs, to women of flings-past, to life on the road, and back again. It’s edgy, it’s real, and it’s undeniably Turbo.”

Turbo was created with a singular vision: to create something bigger, badder, and unapologetically aggressive. Evan Frizzle (vocals/guitar), Sylvain Coderre (drums), Lindsey Dicks (guitar), and Henry MacDonald (bass) have poured their hearts and souls into this album, crafting a unique sound that blends thrash, NWOBHM, glam metal, punk rock, and hardcore. The result is an original, aggressive, and varied listening experience that grabs you by the cojones and doesn’t let go.

The album artwork for “Broke & Ugly” was created by a good friend of the band Tim Murray, and perfectly captures the essence of the band’s raw and unfiltered style. The cover depicts a dive-bar nightmare bathroom, filled with Easter eggs from Turbo‘s previous songs and a green hand grabbing for some shit-tickets from a busted-ass urinal. It’s a fitting visual for an album that promises to be a grimy slab of thrash, sleazy, and louder than anything you’ve heard before. Get ready for Turbo‘s distinct flavor and an absolute slaughter in seven tracks. It is recommended for fans of W.A.S.P., Motorhead, and Judas Priest.

Listen to the album’s full stream premiere via Bravewords HERE.

Album order for “Broke and Ugly” due out on July 12th, 2024 is available at https://turboasfvck.bandcamp.com/merch​

Music Video – “Down In Mexico” – https://youtu.be/7HousH65t8s​

Spotify – https://distrokid.com/hyperfollow/turbo5/down-in-mexcio-pre-release​

Track Listing:​
1. Ruthless Forever
2. Ignite the Night
3. No Savior
4. Scorpio Garbage Fire
5. PissJugs and Rattlesnakes
6. Nothing to Nowhere
7. Broke & Ugly
8. Down in Mexico
Total Length: 29:12

Lineup:​
Evan Frizzle: Vox, Lead & Rhythm Guitar
Lindsey Dicks: Lead & Rhythm Guitar
Henry MacDonald: Bass Guitar
Sylvian Coderre: Drums

For more info:
​
Facebook.com/TURBOFAF​
​Instagram.com/turboasfvck​

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“The cartoon-ish cover art with toxic green/red colors could bring more smiles to the fold – Turbo executing a great crossover sound that stands on the edge of thrash, punk and NWOBHM/heavy metal. Broke & Ugly could be your soundtrack when needing an ideal wind down from your back breaking, seemingly never over work week. 8.5/10” – Dead Rhetoric

“the band is insanely tight, with Frizzle and fellow six stringer Lindsey Dicks really giving it some violence riff wise and soloing like their lives depended on it. Similarly, the rhythm section of Sylvain Coderre (d) and Henry MacDonald take no prisoners and submit to no-one in their ability to hold things together at high velocity. Very impressive. As we get deeper into the twenty first century, bands are running out of ways to repackage, remake and remodel, so the freshness with which Turbo approach the task in hand has to be applauded. This is fun to listen to – and it certainly sounds like the band had fun getting the album down, and sometimes a bit of joie de vivre is all any of us need. But when you are able to mix that in with a killer technique and a sharp ear for a metal tune well, good times await!” – Sentinel Daily

“Turbo’s second full length album is the equivalent of getting into a newly juiced up hotrod, the roof reeled back in, as you’re flooring it down the highway until your smoke trails combust. From start to finish, Turbo live up to their name in droves and then some with energy that cannot be denied and a plethora of tracks that offer much to be remembered. Though boasting a full nine tracks, Broke & Ugly doesn’t even eclipse a full half hour and therefore opens itself up for numerous relistens. It starts up, gets you in the mood to kick some butt, yet doesn’t attempt to overstay its welcome to any degree. For me personally, this style of speed metal can be a vast hit or miss but I thoroughly enjoyed my time with this record, and during its duration I was brought on board with Turbo’s infectious power.” – The Razor’s Edge

“TURBO is Halifax’s answer to Motorhead…” – The East Mag

“It is a thrash metal rollercoaster of a musical ride that grabs you by the dick and doesn’t let go until bust a riff-inspired ear nut.” – Slickster Magazine

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0 Rockshots Records – Italian Melodic Prog Rock OZORA New Single “Inedia”

  • July 10, 2024
  • by Asher
  • · Music News · Ozora (Rockshots Records)

NEWS RELEASE

Montreal, QC – July 10, 2024

Italian Melodic Prog Rock OZORA New Single “Inedia”

Ozora, one of the most innovative and acclaimed bands in the Italian music scene, is thrilled to announce the release of their third single “Inedia” from their highly anticipated new album, set to drop this coming autumn.

The band comments on the new single:

“Inedia” is a 6-minute suite that expands the classic sound of the band towards new sonorities with progressive nuances, featuring energetic verses and a powerful melodic chorus. The track reflects on the perceptual alternation of certain life moments; the highs and lows we face. At times, it feels like “we can no longer read anything in the eyes of others…,” and this sense of endless tedium can either engulf us or awaken us.”

Following in the footsteps of their previous works, “Perpendicolari” (2017) and “Angelica” (2021), the eight tracks of the new album were recorded at the prestigious Fusix Studio under the expert guidance of Andrea Fusini, known for his collaborations with notable artists like Ready, Set, Fall!, Delain, and La Sad.

Ozora continues to amaze with a unique sound that skillfully traverses various genres including metal, progressive rock, and alternative rock, enriching them with new sounds and original arrangements. Their Italian lyrics, the instrumental complexities typical of the best progressive music, and the overwhelming energy of rock harmoniously blend to create an unprecedented musical experience.

This new work not only consolidates Ozora‘s reputation as one of the most interesting bands in the Italian music landscape but also marks another step forward in their artistic evolution. Ozora promises to take their fans on a fascinating and engaging sonic journey, confirming their ability to innovate and surprise.

Stay tuned for further updates and get ready to immerse yourself in the sound world of Ozora with the release of “Inedia” and their new album.

Visualizer – https://youtu.be/yAQ1SzIvhDE

​

Digital – https://lnk.to/NOMIbE​

For more info:​
​https://www.rockshots.eu/​​
​https://www.facebook.com/ozorarock​

​https://www.instagram.com/ozorarock/​

-30-

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0 Rockshots Records – The Human Tornado Embraces Melody And Romance With New Video “Just Say Yes”

  • July 10, 2024
  • by Asher
  • · Music News · The Human Tornado

NEWS RELEASE

Montreal, QC – July 10, 2024

The Human Tornado Embraces Melody And Romance With New Video “Just Say Yes”

The Human Tornado is thrilled to announce the launch of their latest single and official music video “Just Say Yes”.

Music Video – https://youtu.be/7_2l1kpPtNU

​

Digital – https://lnk.to/syf5Z0

This powerful, energetic track embraces melody and romance, creating the perfect blend of “love & suspense” to capture the moments after a marriage proposal. Exhibiting their exceptional prowess to combine intense musical talent with heartfelt emotion, The Human Tornado delivers a song that connects with anyone facing the thrilling uncertainty of love’s biggest question. Like the previous single “Your Darkness”, this new song stands as a profound milestone for the band embodying the collective spirit of their musical journey reflecting an evolution in their sonic identity. It encapsulates the essence of The Human Tornado’s artistic progression.

For fans of Bullet for My Valentine, Avenged Sevenfold, Every Time I Die.

For more info:​
​https://www.rockshots.eu/​​
​https://www.facebook.com/THTofficial/​
​https://www.instagram.com/thehumantornadoband/​

-30-

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0 Heavy NFLD Fest Announces 2024 Lineup w/ THOUSAND KNIVES, FEAR AND FILTH, HELSREACH, VERTEBREAKER, THE ORDER OF THE PRECIOUS BLOOD, SMOKE SIGNALS And More!

  • July 10, 2024
  • by Asher
  • · Music News

NEWS RELEASE

Montreal, QC – July 10, 2024

Heavy NFLD Fest Announces 2024 Lineup

w/ THOUSAND KNIVES, FEAR AND FILTH, HELSREACH, VERTEBREAKER, THE ORDER OF THE PRECIOUS BLOOD, SMOKE SIGNALS And More!

Poster Design – Samuel Brown // Airline Bourbon

From the furthest Eastern edge of Canada comes the second edition of Heavy NFLD Fest. Taking place over three days in three venues across two cities, Newfoundland and Labrador’s new heavy music festival will bring 30 bands to the stage. The lineup includes Nova Scotian artists Thousand Knives, Helsreach, and Fear and Filth, along with a legion of Newfoundland and Labrador’s finest punk, metal, and alternative artists.
​
Given its geography as the most easterly province in the country, Newfoundland and Labrador is not a frequent stop on most artists’ tours, even those from its closest Maritime neighbors. The festival aims to draw artists to the province while showcasing their own.
​
​“Heavy NFLD originally started as a YouTube channel intended to archive heavy music from Newfoundland and Labrador, and eventually morphed into a blog where I began covering news about the local music scene in the province,” explains founder Greg Ravengrave. “Growing up in Glovertown, where the population is 2,000 people, there was no music scene to speak of. It all felt very isolating. When I moved to the province’s capital of St. John’s, I discovered the vibrant punk and metal scene here, but I always felt like the rest of Canada never really paid attention to us. It’s been my dream since the start of this project to throw a festival that both celebrates local metal and punk from Newfoundland and Labrador and entices bands from elsewhere in the country to make the trek out here. Eight years down the road, and it’s finally happening.”

St. John’s based musician, audio engineer, and event producer Ben Chapman-Smith serves as the festival’s Programming Manager. Of his role as architect of the event, he says, “Organizing Heavy NFLD Fest into a recurring annual festival is not just about filling a clear gap in the market. This is about developing a way to celebrate Newfoundland and Labrador’s bustling, but often underrepresented, heavy music scene. We are creating new infrastructure for our artists and strengthening our connections with the rest of Atlantic Canada and even the rest of Canada as the festival grows.”​
​
In its local programming, Heavy NFLD Fest boasts a broad offering of both established and new artists from across the province. The festival includes both all-ages and bar shows in Corner Brook on the west coast of Newfoundland and in the capital city of St. John’s on July 19-21, 2024.
​
​Heavy NFLD Fest passes can be bought in advance here – https://www.eventbrite.com/e/heavynfld-fest-2024-tickets-914779127997. Daily entry tickets are available at the door.
Corner Brook: $25 advance pass (entry to 2 shows on July 19) or $15 at the door per show
St. John’s: $50 advance pass (entry to 3 shows on July 19, 20, 21) or $25 at the door per show
Facebook Event – https://www.facebook.com/events/8586729454690496​

Heavy NFLD Fest 2024 Lineup:​
​

DAY 1: FRIDAY, JULY 19th, 2024 @ THE ROCK HOUSE (19+) [St. John’s]

– Doors – 8:30

– Bog Rot

– The Tangerine Machine

– Mantra

– Vertebraeker

– Sons of an Eastern Moon

– Hag

– The Birchmen

DAY 1: FRIDAY, JULY 19th, 2024 @ RETRO ARCADE (All Ages) [Corner Brook]

– Doors – 5:00 PM

– October Wasp

– Paranoia

– The Order of the Precious Blood

– Fear and Filth

– Helsreach

– Thousand Knives

DAY 1: FRIDAY, JULY 19th, 2024 @ RETRO ARCADE (19+) [Corner Brook]

– Doors – 10:00 PM

– Dwight

– The Order of the Precious Blood

– Helsreach

– Thousand Knives

– Fear and Filth

DAY 2: SATURDAY, JULY 20th, 2024 @ THE ROCK HOUSE (19+) [St. John’s]

– Doors – 8:30 PM

– Desperta

– Of the Black

– Smoke Signals

– The Order of the Precious Blood

– Fear and Filth

– Thousand Knives

– Helsreach

DAY 3: SUNDAY, JULY 21st, 2024 @ PAVLOV’S ELECTRIC VERANDAH (All Ages) [St. John’s]

– Doors – 11:00 AM

– Nerve Shack

– Sweet Baby Angels

– Fog Lake

– Breadclip

– Alter

– October Wasp

– Dodgeband

– Little Fauna

– Liz Fagan Band

– Snitfit

– Release the Hounds

– MiR

– Fear and Filth

– Chokeslam

– Giant Giant

– Killer 9000
​
​Contact​
Greg Ravengrave — heavynfld@gmail.com
Ben Chapman-Smith — benchapmansmithmusic@gmail.com
Abigail Pye — abigail.pye@gmail.com

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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