NEWS RELEASE
Montreal, QC – April 30, 2026
Streaming Now! LA Extreme Metal Shapeshifters ASHEN HORDE Fifth Studio Album “The Harvest”
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L-R – Trevor Portz – Guitar, Bass, Harmony Vocals – Karl Chamberlain – Vocals – Robin Stone: Drums
Los Angeles extreme metal shapeshifters Ashen Horde will be unleashing their long‑awaited fifth album, “The Harvest,” on May 1st, 2026. Before the album officially releases, they have teamed up with Metal Addicts for its full stream premiere.
LISTEN HERE.
Expanding their genre‑defying approach with their most dynamic and thematically unified work to date, “The Harvest” marks the band’s first full‑length with vocalist Karl Chamberlain, whose wide‑ranging performance pushes the group into new melodic and emotional territory.
The album arrives following a trio of singles that showcased the record’s breadth and intensity. The first single, “Entropy and Ecstasy,” arrived with a music video and introduced fans to the album’s overarching theme of endings, a thread woven throughout the record’s eight tracks. The second single, “Voids in the Ash,” delivered a haunting, grunge‑tinged descent into the final days of Pompeii. Most recently, the band unleashed “Apparition,” the album’s heaviest and most harrowing track, told from the perspective of a ghost condemned to witness humanity’s worst impulses.
Recorded entirely remotely, “The Harvest” represents the full evolution of Ashen Horde from a one‑man endeavor into a fully realized extreme‑metal force. While the band’s earlier albums centered on singular narratives, this record takes a different direction. As guitarist and founder Trevor Portz notes, it isn’t a traditional concept album, but its songs are tied together by a unifying theme: endings. Those endings appear in many forms: societal collapse, mythic destruction, personal downfall, and the natural cycle of decay, expressed through a sound that moves fluidly between black‑metal intensity, death‑metal weight, progressive twists, grunge‑tinged harmonies, and melodic introspection.
Across its eight tracks, the album moves from the slow‑rising, Pagan‑inspired “Autumnal” into the chaotic “Entropy and Ecstasy,” the genre‑blending critique of “Backward Momentum,” and the moody Pompeii narrative of “Voids in the Ash.” “Remnant” delivers a storm‑bound tragedy, while “A Place in the Rot” reflects on mortality through a Swamp Thing lens. “The Apparition” stands as the album’s heaviest and most harrowing moment before the record closes with “The Harvest,” a finale shaped by Iceland’s surreal landscapes and the album’s striking red‑skeleton artwork.
For over 10 years, Ashen Horde has crafted extreme metal that defies easy categorization. Rooted in black and death metal but unafraid to incorporate progressive, melodic, and alternative influences, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and other genre‑bending heavyweights.
Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest
Add to your Spotify playlist – https://open.spotify.com/artist/6X2Yg7WkfOx0NCuX98FnTb
Music Video – Ecstasy and Entropy – https://www.youtube.com/watch?v=zud62AXzvsw
Music Video – Voids in the Ash – https://www.youtube.com/watch?v=U-tcwbsxNHg
Visualizer – Apparition – https://www.youtube.com/watch?v=R4Doe6X8bZs
Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s
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Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03
Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)
Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums
More Info:
https://www.facebook.com/AshenHorde/
https://www.instagram.com/ashenhorde
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“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)
“plenty of listeners will undoubtedly enjoy this, and the musical ability of this outfit is beyond question.” – Musika (2026 – The Harvest)
“The song (Entropy and Ectasy) captures this dichotomy of collapse and exhilaration — of entropy and ecstasy — through a fast-spinning (and head-spinning) kaleidoscope of sound. The moods of the music change along the way, but even the relatively slower and more desolate passages include inventive and intriguing nuances. Karl Chamberlain’s remarkably multi-faceted voice is a perfect match for the remarkably multi-faceted nature of the music. He expels brutal death metal gutturals and ripping black metal screams, but he also sends his singing voice in ravishing upward arcs that are spine-tingling to hear, and down into gloomy troughs. As for the surrounding music, it’s intricate and exhilarating, especially when the band are in full flight, discharging rapidly darting and maniacally swirling notes, incendiary bursts of tremolo’d delirium, or riffing that feverishly slashes with vicious, serrated edges. In less frantic phases, the music dismally groans and throbs, creating a pall of desolation, even when Chamberlain’s voice might be reaching for the clouds. The fretwork also includes angular progressions that generate moods of disorientation and fearfulness, and the song further includes an astonishing guitar solo that all by itself seems to capture the song’s thematic dichotomy of collapse and jubilation. Perhaps needless to say, Robin Stone’s drumming is as constantly changing as everything else, and surgically crafted to match all the other head-spinning, pulse-pounding, and heart-sinking twists in this shapeshifter of a song.” – No Clean Singing
“The Harvest boldly and confidently opens up a new chapter for Ashen Horde. For a rough idea of where The Harvest is coming from, think a mix of Anaal Nathrakh, Enslaved, Ihsahn, In Mourning, and Tómarúm. Indeed, fans of bands like those would do well to make a beeline for The Harvest. Ashen Horde have produced a well-rounded album that’s extremely enjoyable. I think we may have found a real contender for Antimony‘s crown. Time will tell for sure. For now, The Harvest is a top tier album you need in your life. Essential listening.” – Wonderbox Metal
“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)
“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)
“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)
“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)
“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)
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ASHER MEDIA RELATIONS
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