\m/ Thank You Canadian MDs and DJs for the airplay love! \m/\m/
!earshot – The National Loud Chart
For the Week Ending: Tuesday, March 17, 2026
#3 Triskelyon, #4 Pythonic
https://earshot-online.com/charts/index.cfm?intChartTypeID=106&dWeekOfID=2026-03-17
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CFBX 92.5FM – Kamloops
Loud – #8 Cepheidae Variable, #10 Born Divided
https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
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CFOU 89.1FM – Trois-Rivieres
Loud – #9 Triskelyon
https://earshot-online.com/charts/cfou.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
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CIVL 101.7FM – Abbotsford
Loud – #5 Triskelyon, #6 Juliet Ruin, #7 Phaeton, #8 MUTANK
https://earshot-online.com/charts/civl.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
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CJLO 1690AM – Montreal
Loud – #4 Pythonic, #8 Triskelyon
https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
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CJSR 88.5M – Edmonton
Loud – #7 Outlying
https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
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CJSW 90.9FM – Calgary
Loud – #4 Pythonic, #8 Triskelyon
https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
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CJUM 101.5FM – Winnipeg
Loud – #10 Gravewitch
https://earshot-online.com/charts/cjum.cfm?intChartTypeID=6&dWeekOfID=2026-03-17
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CICK 93.9FM – Smithers
Top 30 – #12 Unpunished
https://earshot-online.com/charts/cick.cfm?dWeekOfID=2026-03-17
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CJLO 1690AM – Montreal
Top 30 – #17 Pythonic
https://earshot-online.com/charts/cjlo.cfm?dWeekOfID=2026-03-17
Archive For
0 \m/ Thank You Canadian MDs and DJs for the airplay love! \m/\m/ !earshot – The National Loud Chart For the Week Ending: Tuesday, March 17, 2026 #3 Triskelyon, #4 Pythonic | CFBX 92.5FM – Kamloops Loud – #8 Cepheidae Variable, #10 Born Divided | CFOU 89.1FM – Trois-Rivieres Loud – #9 Triskelyon | CIVL 101.7FM – Abbotsford Loud – #5 Triskelyon, #6 Juliet Ruin, #7 Phaeton, #8 MUTANK | CJLO 1690AM – Montreal Loud – #4 Pythonic, #8 Triskelyon | CJSR 88.5M – Edmonton Loud – #7 Outlying | CJSW 90.9FM – Calgary Loud – #4 Pythonic, #8 Triskelyon | CJUM 101.5FM – Winnipeg Loud – #10 Gravewitch | CICK 93.9FM – Smithers Top 30 – #12 Unpunished | CJLO 1690AM – Montreal Top 30 – #17 Pythonic
0 Rockshots Records – RIMMAR Shares New Music Video “These Ruins” ft. Marco “Biuller” Bertuccioli (Smelly Boggs, J27, 80’s Sunset Strip)
NEWS RELEASE
Montreal, QC – March 18, 2026
RIMMAR Shares New Music Video “These Ruins” ft. Marco “Biuller” Bertuccioli (Smelly Boggs, J27, 80’s Sunset Strip)
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“It’s a dream come true, lasting for years. Now everything can begin”.
With these words, Italian guitarist and composer Marco Rinaldi introduced Rimmar, his visionary solo project. Today, that vision continues to unfold with the release of the new music video “These Ruins”, out now via Rockshots Records, marking a new chapter in the cycle of the latest album “Raises”.
Far from being a traditional band, Rimmar remains a one-man artistic endeavor driven entirely by Rinaldi’s creative direction. As with the entire “Raises” album, “These Ruins” is fully written, composed, and arranged by Rinaldi himself, blending classic, progressive, and industrial metal with synth-driven and electronic elements into a sound that is both modern and distinctly recognizable.
Continuing the conceptual path established by singles “Planet Mars” and “Unreal“, “These Ruins” explores a more introspective dimension within the album’s narrative framework. In comparison, earlier releases focused on rebirth, transformation, and elevation, the new single turns toward the idea of constraint, those invisible forces that bind the individual – and the inner tension required to break free. The result is a track that balances melodic depth and rhythmic impact, expanding the project’s emotional range.
The song features Marco “Biuller” Bertuccioli (Smelly Boggs, J27, 80’s Sunset Strip), whose vocal performance brings a raw and expressive edge, enhancing the track’s intensity and reinforcing its thematic weight. His contribution adds a distinctive character while remaining fully integrated within Rimmar’s sonic identity.
At the core of the project lies a composition-first approach: Rinaldi develops each piece starting from riffs or rhythmic structures, later expanding them through layered arrangements, synth textures, and detailed production work. Lyrics emerge from reflections, dreams, and personal insight, serving the music rather than guiding it – “The word is a servant of music in my case”, he explains.
The music video for “These Ruins” transforms the track’s tension and atmosphere into a striking visual language, reinforcing the project’s identity and narrative through a hybrid sound that fuses metal, electronic elements, and progressive influences.
Watch the official video for “These Ruins” at https://www.youtube.com/watch?v=J4mRkMrC2G8
Originally released on July 4th, 2025, the full-length “Raises” introduced a concept centered on rebirth, transcendence, and emotional elevation, symbolized by the image of a constantly rising volume knob. The record features a cast of exceptional guest performers from the Italian metal scene. Among them, Fabio Lione (Rhapsody of Fire, Angra) appears on two tracks (“Mighty Messenger” and “Vortex”), along with Kyo Calati (MindAheaD), Marco Andreotti (Imagine Dragons tribute), Mattia Fagiolo (White Thunder, Dragonhammer), and Alessandro Cola (Eldritch), each lending their voice and energy to the project.
For fans of Devin Townsend, Pain, Nine Inch Nails, and Faith No More, Rimmar stands at the intersection of power, experimentation, and modern songwriting, continuing to shape a distinctive voice within the contemporary metal landscape.
Digital Album – https://lnk.to/LSOElQT4
CD ORDER: https://rockshots.eu/products/rimmar-raises
Music Video – Mighty Messenger ft. Fabio Lione – https://www.youtube.com/watch?v=e2SbBTPXG6I
Music Video – “Planet Mars” – https://www.youtube.com/watch?v=O2JwJ8UtSO4
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Track Listing:
1. Unreal (feat. Mattia Fagiolo)
2. Mighty Messenger (feat. Fabio Lione)
3. These Ruins (feat. Marco Bertuccelli)
4. 8th Sin (feat. Marco Andreotti)
5. Planet Mars (feat. Mattia Fagiolo)
6. Vortex (feat. Fabio Lione)
7. Queen of the Gold (feat. Marco Bertuccelli)
8. Cruel Summer (feat. Kyo Elisa Proietti)
9. Raises
Rimmar Line Up:
Marco Rinaldi: Guitars
Tommy Pellegrini: Rhythm Guitars
Marco Moretti: Drums
Alessandro Cola: Bass Guitar
More info:
– https://www.facebook.com/profile.php?id=100063487690785
– https://www.instagram.com/rimmar_official/
– 30 –
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
0 EPK – Ashen Horde – The Harvest (2026)
EPK – Ashen Horde – The Harvest (2026)
Publicist – Jon Asher – jon[@]ashermediarelations[.]com
For fans of Opeth, Voivod, Enslaved, Ihsahn, Strapping Young Lad
Album Title: The Harvest
Release Date: May 1, 2026
Label: Self-Release
Genre: Extreme Metal
Location: Los Angeles, CA, USA
Facebook.com/AshenHorde | Youtube.com/@Ashenhorde | Instagram.com/ashenhorde
Ashenhorde.bandcamp.com | Apple Music | Ampwall.com/a/ashenhorde | Ashenhorde.bigcartel.com | Spotify
“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)
“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)
“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)
“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)
“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)
[Download Album Cover | Download Album Lyrics]
Album Title: The Harvest
Release Date: May 1, 2026
Label: Self-Release
Genre: Extreme Metal
Location: Los Angeles, CA, USA
Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03
Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)
Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums
Live Line-up:
Trevor Portz: Guitar
Karl Chamberlain: Vocals
Greg Murphy: Drums
Second guitar and bass: TBD
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About the album artwork:
The cover art was created by an extremely talented artist named Venus Kohana. I actually. discovered her work at an art show at my wife’s work. There were several pieces of hers that I loved, but the image of the two red skeletons really caught my attention. I bought a print of it at the show, and after staring at it for a few days, I realized I wanted it to be the cover art. Even the color scheme fits with the Autumn vibe. I tracked Venus down through Instagram and asked if she’d be down to license it to us. Luckily, she said yes, and I’m so happy about it. It’s unique and cool, and very metal; it even inspired the lyrics to the title track, which closes the album.
About the album as a whole (lyrically and musically):
Unlike the previous four albums, “The Harvest” is not a concept album; however, it does have an overarching theme: endings. For the first time in Ashen Horde’s history (at least when it comes to full-lengths), I didn’t have a single story | wanted to tell. But after I came up with a couple of different lyric ideas, I realized they had a connecting theme. “Entropy and Ecstasy” is about a couple who get a thrill from the tragedy and chaos all around.
“Autumnal” looks at old Pagan beliefs and ceremonies that came with the end of the harvest season; “Backward Momentum” focuses on the seemingly devolution happening across society. Each is rooted in a reaction to something ending, so we leaned on that for the rest of the songs. Karl wrote “Voids in the Ash” about the last days of Pompeii, which was certainly a dramatic end!
Track By Track (lyrically and musically):
1. Autumnal
The music for this song was inspired by Sensorio, an outdoor light installation in Paso Robles, CA. My wife and I were there for a mini vacation, and the overall vibe of the lights spread across the countryside triggered the idea for both the intro melody and lyrics, which are about old Pagan activities that came with the end of the harvest season and coming of Fall. The slow build from quiet to full-on black-metal blast beats seemed like a perfect way to kick off the album.
2) Entropy and Ecstasy
This song, which we chose as the first single and shot a video for, is about a couple who, instead of being terrified by the world collapsing around them, get a thrill from it. I don’t remember what initially sparked the idea, but it’s fair to assume the initial Covid lockdowns had something to do with it! I thought the music, which definitely takes some influence from Voivod, reflected both the chaos of the outside world and the bizarre passion of the couple. This was also the song Karl used for his “audition.” I sent him a demo with some unfinished lyrics, and he sent back his take on it. I was immediately blown away. His vocals on the core melody, “how can we thrive if we expect to survive?” give me chills every time I hear them.
3) Backward Momentum
This is a weird song with a lot of different things going on musically! There’s actually a fair bit of melody buried under some pretty unconventional riffs. There’s definitely Opeth inspiration, particularly using layered clean vocals over some fast blasting. This technique was used on the Lotus Eater from “Watershed,” and I thought the synergy of the extreme and melodic was just super effective. Then you get this riff-heavy, hard rock break in the middle that taps into my love of all things 90s. The extended solo here is probably my favorite on the album, and the one I worked on the hardest.
Lyrically, it’s my angry rant about people seemingly devolving and falling into superstitious and conspiratorial beliefs while ignoring science and rational thinking.
4) Voids in the Ash
Trevor: I wanted something a little more moody and slow, so that drove this song. I didn’t have any idea about what the vocals should sound like, so when Karl came back with this Soundgarden/Alice in Chains-esque melody for the verses, I realized he’d stumbled onto exactly what it needed. Yet again, the contrast of a dark melody with some unconventional riffs makes for a unique listen. Interestingly, the black-metal sounding blast beat parts were not originally intended to be fast, but Robin came up with the idea to go that direction, and the jarring jump from slow to fast was better than what I’d come up with, haha!
Karl: Voids in the Ash is a special track for me. The last one was written and recorded vocally for this record. The song is about Pompeii, told from the perspective of the people of Pompeii and the gods who hated them enough to bury them in ash.
5) Remnant
Trevor: I honestly don’t remember a lot about what inspired the music on this one, other than my love of trying different things. It’s not too fast or progressive, but has a lot of energy.
Karl: Remnant is about a man out hunting in the wilderness when a storm hits. His trail gets destroyed, and he hopelessly wanders until he finds salvation at a stranger’s cabin. He’s taken in, fed, and then the storm picks up again, destroys the cabin, and everybody dies. No happy ending.
6) A Place in the Rot
Trevor: We slow things down again here, and while it’s still heavy, the guitar parts are pretty melodic. The solo at the beginning was sort of an afterthought, but I think it works really well. I get the middle section stuck in my head a lot, which is hopefully an indicator that it’s cool.
The name of the song came from the Swamp Thing series; I’ve always been fascinated by how the Rot contrasts the Green (read the series for more info on what that means). But all I had was the title and no lyrics. I told Karl that’s where the name came from, and he replied, letting me know that he was a huge fan of the series and even had a Swamp Thing “Love and Death” tattoo! It further proved that he was the right choice for the band!
Karl: A Place in the Rot is about Swamp Thing and how our destiny is the soil. In the end, we all die, so live a good life!
7) The Apparition
This is probably the heaviest song on the album. The main riff was inspired by early death metal—basically all the stuff that got me into extreme metal in the first place. But in typical Ashen Horde fashion, that leads right into a strange little riff with an odd rhythm and vaguely 70s feel (at least, that’s how I see it).
The lyrics are sung from the perspective of a ghost who sees people doing truly horrible things, but who is helpless to do anything about it. He wonders if it’s punishment for things he did in life, yet doesn’t recall what he did. Thus. He’s slowly going insane in his eternal prison.
8) The Harvest
The music for this song was inspired by a trip I took to Iceland a few years ago. We were driving through the countryside, and the insane scenery: black beaches, glaciers, and an almost unearthly landscape, was just so awe-inspiring. I can’t explain exactly why it translated to these riffs, but it did! I didn’t realize it at the time, but I hear some definite influence from Demonaz’s album “March of the Norse.” Apparently, some subliminal inspiration crept in!
While I already knew I wanted to have a title track for the album, I wasn’t sure what the lyrics would be about. It wasn’t until I found the cover art that the idea finally came to light. Inspired by the red skeletons, I imagine an entity that’s watching humanity from the shadows, judging how awful and stupid we’ve become. At some point, when things have reached whatever the creature deems to be the absolute end of hope for humanity, it will emerge and devour everything. It’s really a metaphor for the bizarre tendency of humans to go out of their way to destroy themselves and the planet.
=================================================
Fun Facts:
1. Ashen Horde began as a solo project, and Trevor was the only member for the first two albums.
2. Until the filming of the Entropy and Ecstasy video, no two members of the band had ever played (or even mimed) together. The album was recorded completely remotely, with the members never meeting.
3. Obviously, based on the previous statement, the band has never played live! But for the first time since Ashen Horde’s inception in 2013, the band will play its first shows in May.
4. Karl was introduced to Trevor via George Washburn, host of the Metalheads Podcast. Both Trevor and Karl had been on the show at various times, so when Trevor was seeing a new vocalist, George suggested Karl.
5. This is the first Ashen Horde album that isn’t a true concept album. The previous four told (mostly) self-contained stories, but The Harvest is based on an overall theme instead; that being “endings.” We did something similar with the Tintregen EP back in 2019 (the theme there was “agony”), and I like having everything connect in some way.
Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)
For over 10 years, Ashen Horde has been delivering extreme metal that strives to embrace a multitude of metal subgenres without being bound to any one of them. Drawing influence from metal’s crème de la extreme, Ashen Horde has a sound rooted in death and black metal, but can’t truly be called either. Touching on everything from melodic prog to 90s alternative, they’re sure to appeal to fans of prog metal’s elite, from Opeth and Enslaved to Amorphis and Ihsahn.
The band, fronted by guitarist and primary songwriter Trevor Portz, has just completed work on its fifth album, The Harvest. The first full-length to feature new vocalist Karl Chamberlain, The Harvest sees the band expanding on the sound they’ve been building over the last decade. Taking full advantage of Chamberlain’s expansive vocal range, they’ve created an album that is as melodic as it is heavy. From the Voivod-with-blastbeats energy of “Entropy and Ecstasy,” to “Apparition,” which interrupts its brutal death and black metal sections with progressive wanderings, The Harvest epitomizes Ashen Horde’s love of variety. “Voids in the Ash,” with lyrics that examine the fall of Pompeii, combines grunge-inspired harmony vocals with hyperspeed black metal bursts. It’s an album of sharp contrasts, but all through a tight, extreme metal filter.
Breaking tradition from its predecessors, The Harvest is not a concept album; however, the lyrics are linked together by a central theme. Each song explores an aspect of things ending… or approaching an end. Opening track “Autumnal” explores end-of-harvest-season pagan traditions, while “Backward Momentum” takes a look at humanity’s unnatural desire to revert to a more primitive state. It’s not an album about hopelessness, but it does ponder the question of whether endings really are new beginnings, as the saying goes.
Launched as a one-man project in 2013, Ashen Horde has released four critically-acclaimed albums, as well as several EPs and 7” singles. Ashen Horde’s 2019 album, Fallen Cathedrals, received a coveted 4/5 on Angry Metal Guy, with the reviewer stating, “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” The band signed with Transcending Obscurity Records for 2023’s Antimony, which helped elevate the band’s status across the globe. Antimony also made Sick Drummer’s “Favorite Drumming Albums of 2023” list, praising the incredible work of acclaimed drummer Robin Stone.
2025 will also be a banner year for the band, as it will finally see them take to the stage. While the band has existed as a studio-only project previously, the new lineup is ready to bring their brand of chaos to audiences this fall, with tour dates in the works. While The Harvest may be about endings, the band sees this album as a new beginning.
Discography:
The Harvest (full length, 2026)
Decayed (EP, 2024)
Antimony (full length, 2023)
Black Curse (EP, 2021)
Archaic Convictions (single, 2021)
A Semblance of Normalcy (single, 2020)
Tintregen (EP, 2019)
Fallen Cathedrals (full length, 2019)
The Alchemist (7″, 2017)
Nine Plagues (full length, 2015)
Feral (EP, 2015)
Echthros (7″, 2015)
Obcisus (EP, 2014)
Sanguinum Vindicta (full length, 2014)
Ab Initio (EP, 2013)
0 ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”
NEWS RELEASE
Montreal, QC – March 17, 2026
ASHEN HORDE Announces New Album “The Harvest” Out May 2026; Unveil Music Video “Entropy and Ecstasy”
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Photos by @still.squill (Trevor); Photo Dun Right (Karl); unknown (Robin)
Los Angeles extreme‑metal shapeshifters Ashen Horde return on May 1st, 2026, with “The Harvest”, their fifth full‑length album and the first to feature new vocalist Karl Chamberlain (Putrefier, Alcyone, Necrotic Remains). Known for weaving black metal, death metal, prog, and 90s‑inspired grit into something unmistakably their own, Ashen Horde push their sound further than ever, embracing melody, chaos, and sharp contrasts across eight thematically linked tracks.
Alongside the album announcement, Ashen Horde have unveiled the first single, “Entropy and Ecstasy”, a whirlwind of jagged riffs, angular Voivod‑like progressions, and Chamberlain’s soaring, chilling vocal hooks. The accompanying video represents a major milestone for the band: despite recording the entire album remotely, this is the first time the members have appeared together on camera.
The first preview to the album, “Entropy and Ecstasy,” captures the album’s core idea: finding exhilaration in collapse. The song follows a couple who thrive on the chaos of a world falling apart, a concept Portz admits was likely sparked by the early COVID lockdowns.
Guitarist and primary songwriter Trevor Portz recalls being floored by Chamberlain’s audition:
“I sent him a demo of ‘Entropy and Ecstasy’ with unfinished lyrics, and he sent back his take. His vocals on the line ‘how can we thrive if we expect to survive?’ still give me chills.”
Listen and watch the music video for “The Harvest” via its premiere on NoCleanSinging HERE.
Add to your Spotify playlist – pre-save – https://show.co/z0ZVdF9
“The Harvest” marks a turning point for Ashen Horde. After a decade as a studio‑driven project, the band is preparing to play its first‑ever live shows in May, coinciding with the album’s release. It’s also the first full‑length to feature Chamberlain, whose dynamic range helped reshape the band’s sonic identity.
While Ashen Horde’s previous four albums were tightly constructed concept records, “The Harvest” takes a different approach. Each track stands alone, yet all orbit the idea of endings, personal, societal, historical, and cosmic.
“I didn’t have a single story this time, but the lyrics kept circling reactions to things ending. From societal collapse to ancient rituals to the last days of Pompeii, everything tied together naturally,” explains Portz.
Musically, the album is a showcase of the band’s eclectic influences. From the opening track, “Autumnal”, a slow-burning ascent into full black‑metal fury, inspired by the Sensorio light installation in Paso Robles. “Backward Momentum” blends Opeth‑style clean‑vocal layering with 90s‑rock riffing and one of Portz’s favorite solos on the album. “Voids in the Ash” pairs grunge‑inflected vocal harmonies with hyperspeed black‑metal bursts, telling the story of Pompeii from both mortal and divine perspectives. “The Apparition” channels early death metal before spiraling into odd‑meter prog weirdness. The title track, “The Harvest,” closes the album with an apocalyptic vision inspired by Iceland’s stark landscapes and the album’s striking cover art.
The album’s cover, featuring two red skeletons locked in an eerie, autumnal tableau, was created by artist Venus Kohana, whose work Portz discovered at an art show. The imagery’s blend of beauty, decay, and ritual perfectly mirrors the album’s themes.
“I bought a print and couldn’t stop staring at it. Eventually, I realized it had to be the cover. It even inspired the lyrics to the title track.”
For over a decade, Ashen Horde has carved out a unique place in extreme metal, refusing to be confined to any single subgenre. Rooted in black and death metal but unafraid to explore melodic prog, 90s alternative, and avant‑garde experimentation, the band appeals to fans of Opeth, Enslaved, Amorphis, Ihsahn, and metal’s more adventurous corners.
Originally founded as a solo project by guitarist and primary songwriter Trevor Portz, Ashen Horde has evolved into a full lineup featuring vocalist Karl Chamberlain and Australian-based drummer Robin Stone (The Amenta, Convulsing).
“The Harvest” represents the band’s most dynamic, collaborative, and ambitious work to date.
Album pre-order (release date May 1, 2026) available on limited splatter vinyl and CD (along with t-shirt bundles) on Bandcamp, as well as everywhere digitally – https://ashenhorde.bandcamp.com/album/the-harvest
Tour Dates:
May 14 – Montclair, NJ – The Meatlocker
May 15 – Wallingford, CT – Cherry Street Station
May 16 – Brattleboro, VT – Midnight’s
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Track Listing:
1. Autumnal (6:12)
2. Entropy and Ecstasy (5:47)
3. Backward Momentum (5:21)
4. Voids in the Ash (5:41)
5. Remnant (4:37)
6. A Place in the Rot (4:38)
7. Apparition (4:57)
8. The Harvest (5:46)
Album Length: 43:03
Credits:
Mixed by Ricardo Borges and mastered by Tony Lindgren at Fascination Street Studios
Artwork by Venus Kohana (venuskohana.com)
Lineup:
Trevor Portz: Guitar, Bass, Harmony Vocals
Karl Chamberlain: Vocals
Robin Stone: Drums
More Info:
https://www.facebook.com/AshenHorde/
https://www.instagram.com/ashenhorde
-30-
“The harvest is coming! The new Ashen Horde album is a multi-faceted journey into every nook and cranny of extreme metal. “The Harvest” is challenging and quirky, but unlike a lot of other progressive/experimental releases, it never loses track of the key ingredient in music – good songwriting. All tracks are well-crafted and interesting in their own right, and the skillful instrumental performances are more like the icing on the cake and not the main focus. Highly recommended!” – Nik Sundin (Dark Tranquillity)
“Antimony; 3/5 rating; “the sound Ashen Horde has developed over three albums is pretty much theirs alone. It’s a dense but accessible approach that rewards both casual listens and sustained attention.” – Angry Metal Guy (2023 – Antimony)
“Equal parts blackened madness, death metal riffing, and clean vocals, “The Neophyte” should get just about anyone stoked for Antimony.” – Metal Injection (2023 – Antimony)
“an amazing odyssey all around and the amount of remarkable coherency as well as the instrumentation work and musicianship is just top notch.” – Metal Purgatory (2023 – Antimony)
“Progression like what Ashen Horde has undergone over the years is what the best tales in the underground are made out of.” – Head-Banger Reviews (2023 – Antimony)
“Fallen Cathedrals; 4.0 rating; “I can’t recommend this enough for fans of black and death metals being combined in unique ways.” – Angry Metal Guy (2019 – Fallen Cathedrals)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia
0 DECIMATE METALFEST (Millet, AB) Announces 2026 Lineup w/ GLYPH, THE CONVALESCENCE, SQUIDHAMMER, FAMOUS STRANGERS and more!
NEWS RELEASE
Montreal, QC – March 17, 2026
DECIMATE METALFEST (Millet, AB) Announces 2026 Lineup
w/ GLYPH, THE CONVALESCENCE, SQUIDHAMMER, FAMOUS STRANGERS, and more!
June 26 and 27, 2026: Bringing Heavy Music, Independent Arts, and Community Together in Alberta
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Western Canada’s underground metal community will once again come together this summer as Decimate Metalfest returns to the Millet Agriplex Arena on June 26 and 27, 2026, in Millet, AB. What began as a grassroots gathering of heavy music fans has grown into a weekend-long celebration where heavy music, independent arts, and community come together in rural Alberta, welcoming fans, artists, and families of all ages.
This year’s festival lineup will feature Glyph, The Convalescence, Squidhammer, Famous Strangers, and Let It Rot, alongside a diverse roster of local and regional performers. Overall, 28 performing acts will take the stage over the two days, including touring artists, Canadian metal bands, youth performers, a featured DJ, and specialty entertainers.
Friday evening launches the festival with a powerful night of heavy music, including a performance by the “Fundraiser Band”, a rotating act selected from bands who participate in Decimate fundraising events throughout the year, highlighting the festival’s community-driven spirit. Saturday expands into a full-day festival experience featuring bands, youth artists, live performers, and interactive entertainment. With top-notch production, high-quality sound, professional staging, and access to convenient local amenities in Millet, the festival ensures an unforgettable experience for fans and families.
All performances take place at the Millet Agriplex Arena, with festival activities continuing throughout the weekend, including camping, breakfast events, interactive entertainment, and vendor booths by independent artists.
Official Decimate Metalfest 2026 Spotify Playlist – https://open.spotify.com/playlist/4PtsotZY8YfTAZV0NNBudk
Event Details:
Event: Decimate Metalfest 2026
Dates: June 26 and 27, 2026
Location: Millet Agriplex Arena, Millet, Alberta, Canada
Format: All ages metal and arts festival
Tickets: https://www.decimatemetalfest.com/tickets
Facebook Event: https://www.facebook.com/events/938257911895899
Decimate Metalfest 2026 Lineup:
Friday, June 26, 2026
• The Convalescence (Ohio, USA)
• Squidhammer (Wisconsin, USA)
• Anomalyptic (Edmonton, AB)
• Let It Rot (Michigan, USA)
• Valley of Despair (Edmonton, AB)
• Godfall (Calgary, AB)
• TBA Fundraiser Band
• Kilusan (Edmonton, AB)
Saturday, June 27, 2026
• Glyph (Seattle, USA)
• Famous Strangers (Sherwood Park, AB)
• Cries of Blood (Montreal, QC)
• Thousand Frames (Colorado, USA)
• Counterfeit (Calgary, AB)
• From Beneath (Winnipeg, MB)
• No Faith In Fortune (Vancouver, BC)
• Femmes Voyous (Edmonton, AB)
• Spineless (Winnipeg, MB)
• Black Friday (Edmonton, AB)
• Light Drawn In (Edmonton, AB)
Youth Bands
• Kleaver (Calgary, AB)
• Desicrate (Edmonton, AB)
• TBA Youth Band
Featured Performers
• DJ Alex Kayne (New York, USA)
• Birthday Girl (Calgary, AB)
• Damien Ghoul (Edmonton, AB)
• Severina (Edmonton, AB)
• Meatsack (Edmonton, AB)
• Lust Dust (Calgary, AB)
Decimate Metalfest is about connection. The all-ages festival brings together musicians, visual artists, performers, and creators from across Canada, the United States, and beyond for two days of crushing riffs, artistic expression, unforgettable performances, and a shared love of underground culture.
The festival’s reach continues to expand each year. For the 2026 edition alone, performer submissions were received from 15 countries, eight Canadian provinces, and 25 US states, highlighting the growing international interest in the event and the strength of Western Canada’s metal community. From youth bands playing their first festival stage to international touring acts, Decimate Metalfest celebrates every generation of the metal and alternative community while creating opportunities for artists of many disciplines to showcase their work.
Decimate Metalfest has become known not only for its music lineup but also for the welcoming environment it creates. The festival brings together longtime metal fans, young families, artists, and first-time festivalgoers in a space that celebrates creativity and community.
Beyond the stage, the festival offers a full weekend experience that includes independent art vendors, free tented camping, fan-favorite air guitar contests for youth and adults, community gatherings, and the traditional Saturday pancake breakfast. Children under 10 attend free, reinforcing the festival’s commitment to accessibility and multi-generational participation.
Built by members of the metal community, for the metal community, and proudly organized and operated by women, Decimate Metalfest continues to challenge expectations while creating a space where everyone is welcome.
Stay Connected
For the latest updates, lineup announcements, and ticket purchases, visit the official Decimate Metalfest website. Follow us on social media to stay in the loop:
More info: https://linktr.ee/decimatemf
Volunteer, Vendor, and Sponsor Applications:
https://www.decimatemetalfest.com
About Decimate Metalfest:
Decimate Metalfest is an annual grassroots heavy music and arts festival held in Millet, Alberta. Created by members of the underground metal community and proudly organized and operated by women, the festival provides a platform for emerging and established artists while celebrating inclusivity, creativity, and independent music culture.
“What started as a small idea has grown into something far bigger than any one of us,” says Decimate Metalfest founder Sloan Voxx. “Seeing artists, volunteers, sponsors, and fans all come together to build this community is incredibly humbling. I am honored to be part of something that brings so many people together and creates a space where anyone can connect through heavy music and feel a sense of belonging. At the end of the day, Decimate Metalfest belongs to the community that built it. Whether you are discovering your first metal band, playing your first festival stage, or returning as a longtime fan, everyone is welcome.”
Decimate Metalfest 2026 is made possible through the support of community partners, sponsors, and industry collaborators who share a commitment to independent music, arts, and community culture.
Partners and Sponsors include:
The Town of Millet, Millet Agriplex, Millet Lions Memorial Campground, Leduc Brewing, Best Copy Shop, Asher Media Relations, Prairie Fire Productions Ltd., Absolute Underground Magazine, 387 Entertainment, Fire Lotus Creative, Rendezvous Pub, Queer YEG, Seeing Red Podcast, Pinecase Mental Health, Broken Neck Radio, Edmonton’s Alternative Music Magazine, Soudshell
Decimate Metalfest is also a proud member of the Western Canadian Metal Festival Alliance (WCMFA) and is honored to work alongside fellow independent festivals and music organizations that help strengthen the Canadian metal scene, including:
Loud As Hell Open Air Festival
Armstrong MetalFest
Hyperspace Metal Festival
Glacial Mutilation Metal Festival
For press inquiries, interviews, or additional information, please contact us at: info[@]decimetalfest[.]com
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0 Gore House Prod. – ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Unleashes Blasting Fury and Vile Gutturals w/ “Gutted & Corpsed” From New Album “Fugue Gnawed from the Scabbed God Cerebrum”
NEWS RELEASE
Montreal, QC – March 16, 2026
ONCHOCERCIASIS ESOPHAGOGASTRODUODENOSCOPY Unleashes Blasting Fury and Vile Gutturals w/ “Gutted & Corpsed”
New Album “Fugue Gnawed from the Scabbed God Cerebrum” Out April 2026 via Gore House Productions
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L – R – The Popuko – Guitars, Drums, Bass, Backing Vocals, Alice Simard – Guitars, Drums, Jesse Agiomamitis – Vocals
Stillbirth Records / Gore House Productions proudly presents “Gutted & Corpsed,” the second single from apocalyptic brutal death metal entity Onchocerciasis Esophagogastroduodenoscopy (OxE). The track follows the pulverizing first single “Hurt Beyond Healing,” offering another glimpse into the dissonant, experimental, and violently immersive world of the band’s upcoming full‑length “Fugue Gnawed from the Scabbed God Cerebrum,” out April 3rd, 2026.
Where “Hurt Beyond Healing” delivered a “standard ass‑beater” of frantic riffs and chaotic vocal assaults, “Gutted & Corpsed” dives deeper into OxE’s alien sonic architecture. The track erupts with relentless blasting and subterranean gurgles before collapsing into a nightmarish mid‑section, “like a portal to the underworld has been opened,” as the band describes it. Angular riffs, unearthly shrieks, and warped textures pull the listener into a disorienting void before the song returns to its opening barrage with renewed ferocity. Lyrically, it pushes the album’s overarching theme of cosmic annihilation forward, delivered through OxE’s signature cryptic, imagery‑driven writing style.
“We chose this as one of our singles because it’s relatively straightforward compared to what people can expect elsewhere on the LP. But some of our weirder elements are still present in both our first single Hurt Beyond Healing and now this second Gutted & Corpsed,” says vocalist Jesse Agiomamitis.
Listen to “Gutted & Corpsed” via its premiere on NoCleanSinging HERE.
“Fugue Gnawed from the Scabbed God Cerebrum” marks OxE’s most ambitious and experimental release to date. Musically, the album is a labyrinth of dissonant brutality, warped synths, and organic instrumentation, subjected to “various levels of sonic destruction,” creating an alien, otherworldly soundscape. German multi‑instrumentalist The Popu cites Nithing, Agonal Hymns, and Dripping’s “Disintegration of Thought Patterns During A Synthetic Mind Traveling Bliss” as major influences on the LP’s sonic identity. Lyrically, the album follows a cryptic narrative centered around a cosmic “godslayer” on a universe‑shattering rampage, an allegory for inner turmoil, mental illness, and existential collapse.
“Start‑to‑finish, the album is dissonant, punishing, and disorienting. The character and his actions mirror the overall feeling of the album: cold, calculated, and violent,” adds Jesse.
The album’s artwork, created by the renowned Mei Maro, weaves together mythological, folkloric, and personal influences into a single grotesque vision that reflects the band’s thematic obsessions.
Recommended for fans of Deathspell Omega, Disentomb, Artificial Brain, First Fragment, Disgorge, and Ulcerate, OxE‘s “Fugue Gnawed from the Scabbed God Cerebrum” is their longest and most refined release yet: no filler, no restraint, and no compromise.
Album pre-order for CD, Cassette, and digitally from Stillbirth Records / Gore House Productions at https://orcd.co/scabbed-god-cerebrum
Formed in Quebec City, Onchocerciasis Esophagogastroduodenoscopy began as a solo project by guitarist Alice Simard before evolving into a multinational trio with the addition of Australian vocalist Jesse Agiomamitis and German multi‑instrumentalist The Popu. Their sound, described in five words as Inhuman, Unnerving, Calculated, Chaotic, Apocalyptic, draws from brutal death metal, black metal, avant‑garde experimentation, and influences ranging from Dark Souls to Berserk to real‑world mythology.
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Track Listing:
1. Conquering Divinity – 3:17
2. The Fallen Lament, Paralytikus Ascends – 1:21
3. Severing What Makes Me Human – 2:41
4. Apotheotic Apotemnophilia – 3:03
5. Entombed Within the Infinite Panopticon – 2:23
6. Gutted & Corpsed – 3:05
7. Heaven’s Empty Halls – 5:13
8. Hurt Beyond Healing – 2:33
9. Abyssikataplexika – 2:35
10. Vile Verses Flogged into the Wings of Angels – 1:23
11. Forged in the Blackest Reaches of Blasphemy – 4:58
Album Length: 32:32
ROLES:
Jesse Agiomamitis: Vocals, Lyrics
Alice Simard: Composition, Guitars, Lead Guitars
The Popu: Additional Songwriting, Mixing and Mastering, Guitars, Bass, Orchestration and Sound Design, Additional lyrics, Additional Vocals
More info:
https://gorehouseproductions.com/
https://www.facebook.com/OnchoOfficial
https://www.instagram.com/onchocerciasis_official
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“It’s brutal as fuck, but it’s also explores the entire bouquet of sick creativity extreme music has to offer. The Fallen Lament is fun. It’s violent and it loves to blur boundaries between already scummy, disgusting genres.” – Vox & Hops Metal Podcast (The Fall Lament – 2024)
“This EP is definitely for the lovers of the extreme – fans of Deathspell Omega, Defeated Sanity, and Ulcerate will dig the fuck out of this record. So will fans of Dehumanizing Itatrian Worship, whose Kiryu Zhang contributes vocals on the last track of the EP, ‘Facial Gutting’. 9/10” – Ever Metal (The Fall Lament – 2024)
“The tracks revolve around blast beats and slams with some truly impressive breakdowns on display. Lyrics are themed around many different influences including mental health issues that have plagued the bands members, anime and video games making for an interesting read. In essence this EP provides a really promising preview of things to come for this band, who have the potential based on this evidence of creating something special.” – The Razor’s Edge (The Fall Lament – 2024)
“OxE are a different beast, very heavy and extreme but different to most bands of this ilk. The best way to describe them would be like Mortician, but with slam riffs! They have that downtuned bass that trawls the depths of hell with its tone and razor-sharp guitars, frantic programmed drums and some seriously deranged vocals. The tracks are short and sweet, the whole EP only goes on for ten minutes twenty one secs but in that time, you feel so bludgeoned and battered listening to it that it feels much longer, almost like you are succumbing to some exquisite torture!| – The Razor’s Edge (The Fall Lament – 2024)
“What’s cool here is when the music slows down almost to a crawl and sounds creepy as fuck, with a horror/suspense-like feeling that’s not without reminding me of some of the most disgusting episodes of the X-Files when they had some kind of monster eating its victims or what have you, and you can probably throw in a few horror B-movies in there as well. The Fallen Lament is kind of chaotic and dissonant and certainly sets itself apart in the sea of brutal death metal releases out there. 4/5” – The MetalCrypt (The Fall Lament – 2024)
“primal and brutal variety of dramatic and booming extreme metal ” – The Viking in the Wilderness (The Fall Lament – 2024)
“Brutal gore death grind metal with pig squeally vox” – 89.9 WORT FM – The Moshpit (Madison, WI) (The Fall Lament – 2024)
“It’s been a long time since I heard anything like this mentioned, and the truth is that I haven’t been disappointed. Those from Canada bring us the best formula to execute it. This is based on being as heavy as they are fluid, without giving up the occasional surprise in the form of extra convolutions, which, by the way, fits like a glove. I was extremely grateful that they didn’t focus on composing ultra-heavy and simplistic «ruido» with little direction twist like many others do, reminding us once again that Slam can be rich in nuances within its borders.” – Broken Tomb (The Fall Lament – 2024)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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Tweet @AsherMedia
0 PIRANHA PIT FEST III (Montreal) Announces 2026 Lineup w/ MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and More!
NEWS RELEASE
Montreal, QC – March 16, 2026
Festival Assets – Photos, Posters, Set Times HERE (for media use only)
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PIRANHA PIT FEST III (Montreal) Announces 2026 Lineup w/ MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and More!
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PIRANHA PIT FEST III has unleashed its 2026 lineup for two ferocious nights of death metal, thrash, and heavy metal mayhem returning to Montreal on May 1–2, 2026. Presented by Piranha Bar (680 Ste-Catherine Ouest) and Dungeonworks Productions, the festival welcomes metal fans back for one of the city’s most extreme annual events featuring MACABRE, KINGS OF THRASH, GORGASM, ATROPHY, PESSIMIST, DBC, and many more.
Friday night will erupt with breakneck speed, gore‑drenched riffs, and pure old‑school savagery as some of death metal’s most respected forces descend upon the city. Saturday night will shift into a high‑voltage celebration of classic thrash, speed, and the unshakable power of traditional heavy metal.
Facebook Event: https://www.facebook.com/events/1154523419943924/
Tickets (Individual daily ticket or Weekend Pass) – https://www.eventbrite.com/e/piranha-pit-fest-3-tickets-1977767497826
Ticket holders will receive a bracelet based on their ticket type. Weekend‑pass holders will keep the same bracelet on for the entire duration of the festival.
Check out the festival Spotify playlist – https://open.spotify.com/playlist/0uQStdodVpgpAkvnx5d8Ak
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Co-headlining opening Friday night on May 1st, Chicago’s long‑running trio MACABRE brings their unmistakable brand of Murder Metal to Montreal, an unholy fusion of death metal, thrash, grind, and twisted nursery‑rhyme melodies. Since 1985, the band has carved out a cult legacy with their darkly humorous, true‑crime‑obsessed storytelling and a lineup that has remained unchanged for four decades. Expect a wild, theatrical, and utterly unmistakable performance from one of extreme metal’s most unique and enduring acts.
Music Video – Joe Ball Was Hi Name – https://www.youtube.com/watch?v=O8_WaVOwfA4
Also co-headlining night one of Pit Fest III, Chicago’s GORGASM stands as one of the defining forces in American brutal death metal. Since the mid‑90s, the band has carved out a reputation for hyper‑technical riffing, relentless blast‑driven intensity, and a signature blend of brutality and precision that helped shape the genre’s modern sound. Their cult‑classic releases, packed with surgical musicianship and uncompromising extremity, have earned them a loyal global following. Expect a devastating, high‑velocity set from one of brutal death metal’s most respected and enduring names.
Visualizer – Carnal Demise – https://www.youtube.com/watch?v=-4KLfltEE5s
Also supporting Friday night, extreme‑metal veterans PESSIMIST, born from Baltimore’s early ’90s death‑metal underground, have long carved out their own territory with a vicious blend of technical precision, old‑school thrash influence, and a relentlessly dark, sinister atmosphere. The band is now gearing up for the release of “Keys to the Underworld,” their first full‑length album in over two decades, with early previews hinting that it may be their most uncompromising and extreme material yet.
Album Stream – Slaughtering the Faithful – https://www.youtube.com/watch?v=DoSP0qXr5cw
Co-headlining night two on Saturday, May 2nd, featuring former classic‑era members of Megadeth, David Ellefson and Jeff Young, KINGS OF THRASH deliver a high‑octane celebration of the golden age of American thrash metal. Known for performing iconic albums and deep cuts from the genre’s most influential catalog, the band brings unmatched authenticity, razor‑sharp musicianship, and the raw spirit of the 80s thrash movement. Their live shows are a full‑throttle tribute to the era that shaped heavy metal history, making them a must‑see highlight for fans of speed, precision, and old‑school aggression.
Music Video – Lockdown – https://www.youtube.com/watch?v=d9eqD1kMDqQ
Also co-headlining Saturday Night, Tucson, AZ’s ATROPHY are one of Arizona’s most respected thrash exports, known for their razor‑tight riffing, socially charged lyrics, and high‑energy attack. Their two late‑80s/early‑90s albums on Roadrunner Records, Socialized Hate and Violent by Nature, earned them a devoted cult following and cemented their place in the classic thrash canon. After reuniting in recent years with renewed fire, Atrophy continues to deliver the same sharp, adrenaline‑fueled intensity that made them stand out in the genre’s golden era. Expect a fierce, old‑school thrash assault from a band that helped define the sound of Southwestern speed metal.
Lyric Video – Punishment For All – https://www.youtube.com/watch?v=ECg8hBDyhn4
Also supporting night two, local legends and a cornerstone of Quebec’s late‑80s thrash scene, DBC (Dead Brain Cells) emerged from Montreal with a sound that blended razor‑sharp speed, crossover energy, and socially conscious lyrics. Their cult‑classic albums Dead Brain Cells (1987) and Universe (1989) showcased a band unafraid to push beyond traditional thrash, mixing technical musicianship with progressive, sci‑fi‑driven themes. After years of underground reverence, DBC’s return to the stage has reignited their legacy as one of Canada’s most unique and forward‑thinking thrash exports. Expect a powerful hometown performance from a band that helped shape Montreal’s metal identity.
Lyric Video – Pendulum – https://www.youtube.com/watch?v=GDgyjvpKuoU
Other standout attractions at this year’s Pit Fest III: Canadian (Montreal/Toronto) metal veterans ENTROPY, known for their fierce blend of thrash, death, prog, groove, and power metal. With four independent albums and a global cult following, they’ve shared stages with legends like Annihilator, Fear Factory, Razor, Obituary, and Anvil. Expect a hard‑hitting set from one of Canada’s most distinctive underground acts. Montreal’s DOUBLE CROSS is a crossover thrash/hardcore delivering fast, aggressive, no‑frills energy. With their raw punk edge and high‑intensity live attack, they are one of the city’s rising underground standouts. Montreal crossover thrashers MUTANK explode with high‑energy, pit‑ready aggression inspired by Slayer, Exodus, D.R.I., and Suicidal Tendencies. Formed in 2013, they’ve built a reputation for fast, chaotic riffing, wild live shows, and a relentless DIY spirit. Their long‑awaited new album, Think Before You Think, marked their return with ten tracks of volcanic thrash fury, following their cult‑favorite EP W.H.A.T.S.T.H.A.T. and their Wacken Open Air appearance after winning the Wacken Metal Battle Canada. Expect a ferocious, high‑octane set built for moshing. Toronto’s WARMACHINE delivers a melodic yet heavy blend of power and thrash metal, active since 1994 and recently revived after a five‑year hiatus. Led by vocalist/guitarist Joe Di Taranto, the band is known for tight musicianship, strong hooks, and energetic live performances. With albums like Left for Dead and a new release in the works, Warmachine returns to the stage with renewed fire and a sharpened modern edge.
FRIDAY, MAY 1 – DEATH METAL NIGHT
Headlined by two legendary forces of brutality:
Macabre (co-headliners)
Gorgasm (Co-headliners)
Pessimist
Lividity
Deceased
Disgust
Double Cross
Cystic Embalmment
SATURDAY, MAY 2 – THRASH & HEAVY METAL NIGHT
Featuring a massive thrash metal showcase:
Kings of Thrash (co-headliners)
Atrophy (co-headliners)
DBC (Dead Brain Cells)
Meliah Rage
Warmachine
Entropy
Deadwolff
Mutank
Stregoneria
World On Alert
About PIRANHA PIT FEST:
Launched as a celebration of Montreal’s thriving extreme‑music community, PIRANHA PIT FEST has quickly become a staple for fans of death metal, thrash, and underground heavy music. The 2026 edition marks its biggest and most ambitious lineup yet, bringing together international heavyweights and local legends for two nights of pure sonic devastation.
For more info: https://www.facebook.com/dungeonworksprods
Sponsored by:
OROCK Longueuil Inc.
Loud Trax
Absolute Underground Magazine
Labatt
Asher Media Relations
– 30 –
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram – AsherMedia
Tweet – AsherMedia
0 Protected: EPK – Volubilis – Theasterion (2026)
0 France’s HIGHWAY Turn Up the Voltage with AC/DC Inspired Single “D.K./D.C.” from New Album “Last Call for Rock’N’Roll” Out April 2026
NEWS RELEASE
Montreal, QC – March 13, 2026
France’s HIGHWAY Turn Up the Voltage with AC/DC Inspired Single “D.K./D.C.”
New Album “Last Call for Rock’N’Roll” Out April 2026
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L-R – Ben Chambert – Lead Guitar, Backing Vocals, Florian Arnaud – Rhythm Guitar, Backing Vocals, Benjamin Folch – Lead Vocals, Cerise Pouillart – Bass, Backing Vocals, Romain Chambert – Drums
Photo Credit – Mr. Cana Photography
France’s high‑voltage hard rockers HIGHWAY fire up the engines once again with the release of their explosive third single, “D.K/D.C”, taken from their upcoming sixth studio album “Last Call for Rock N’ Roll,” arriving April 24th, 2026, via Rock City Music and distributed physically by FTF-Music and digitally by Virgin Music.
After the anthemic road‑warrior spirit of “Hi‑Way” and the swaggering arena‑rock punch of “¡Bang Bang!”, the band now unveils one of the album’s most unifying and rebellious tracks, a song built to be shouted back by thousands of fans.
“D.K/D.C”, short for “Don’t Know / Don’t Care”, opens with a subtle, unmistakable AC/DC‑inspired picking intro, a playful wink to the band that first ignited HIGHWAY’s passion back in 1999. But the track quickly evolves into something entirely their own: a dynamic, tension‑building rocker that teases, coils, and finally erupts into one of the biggest choruses on the album.
This isn’t a full‑throttle assault from the first second; it’s a slow burn, a prelude before the explosion, a rock’n’roll tease that pays off in pure catharsis. Lyrically, “D.K/D.C” closes the motivational trilogy started with “Go! Go! Go!” and continued with “Let Me.”
This final chapter is a bold declaration of independence: Forget the haters. Forget the judgment. Forget the noise. Live your life your way. Chase your happiness; nothing else matters. It’s a rallying cry for anyone who’s ever felt held back, criticized, or boxed in. A middle finger to conformity. A celebration of personal freedom.
With its nervous, electrifying groove, massive backing vocals from new members bassist Cerise Pouillard and guitarist Florian Arnaud, and a chorus designed to shake venues to their foundations, “D.K/D.C” is destined to become a live highlight. This is the kind of song that transforms concerts into communal explosions of energy, fists in the air, voices united, sweat flying, amps roaring.
HIGHWAY themselves describe the chorus as:
“One of the great moments of the album, and one of the great moments to come on stage.”
“D.K/D.C” also showcases the band’s revitalized lineup and their most powerful sound to date. Twin guitars are back for the first time since 2007. Cerise Pouillard brings thunderous bass and soaring backing vocals. Florian Arnaud adds precision, fire, and vocal power. Produced and mixed by Brett Caldas‑Lima (Ayreon, Devin Townsend, Megadeth) for a rich, organic, high‑voltage sound. This is HIGHWAY at full strength, confident, mature, and unapologetically rock’n’roll.
Listen to the music video for “D.K/D.C” at https://www.youtube.com/watch?v=8FUFvVMWXQ4
Add to your Spotify playlist – https://kuronekomedia.lnk.to/LCFRnR
A 12‑track journey through power, melody, emotion, and pure hard‑rock spirit, “Last Call for Rock N’ Roll” marks HIGHWAY’s triumphant return to full electric force after their acoustic detour on The Journey (2022). It’s their most personal, diverse, and ambitious record yet, a rallying cry for a world losing its spark.
With over 500 shows across Europe, six albums, and a reputation as part of the new wave of European classic hard rock, HighWay have shared stages with Michael Schenker Group, Gotthard, Jeff Scott Soto, Kissin’ Dynamite, Nashville Pussy, and more.
Recommended for fans of AC/DC, Aerosmith, Extreme, Guns N’ Roses, and Queen, “Last Call for Rock’N’Roll” is available for pre-order on CD Digipack and exclusive collector LP at https://highwayshop.sumupstore.com/
Previous Singles:
Music Video – “Hi-Way” – https://www.youtube.com/watch?v=qPYb7fBvNAU
Music Video – “¡BANG BANG!” – https://www.youtube.com/watch?v=kGpYOR4Xx20
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Track Listing:
1. Last Call (For Rock N’ Roll) – 5:13
2. Hi-Way – 4:40
3. ¡Bang Bang! – 3:47
4. Nineties Action Movie – 5:16
5. Peace Out – 5:44
6. Mayday – 4:25
7. Go! Go! Go! – 5:48
8. Let Me – 4:54
9. D.K/D.C – 3:16
10. Rat Race – 6:00
11. Action – 4:32
12. (Don’t) Look Back – 5:09
Album Length: 58:48
Album Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Benjamin Folch: Vocals
Sam Marshal: Bass Guitar, Backing vocals
Romain Chambert: Drums
Live Band Line Up:
Ben Chambert: Lead guitar, Backing vocals
Florian Arnaud: Rhythm guitar, Backing vocals
Benjamin Folch: Vocals
Cerise Pouillart: Bass Guitar, Backing vocals
Romain Chambert: Drums
More info: https://linktr.ee/highway_the_band
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“With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks, we feel the hard work put in by the musicians. The production really honors it. The 9/10 is easily imposed because this album is extremely enjoyable. Only one thing to hope for, that this is not their last call for rock’n roll, and that they continue to spread the good word in this way!” – Rock Meeting
“As they say in wild west saloons soaked in rock, sweat, smoke and beer, with HighWay it plays serious!!With this Last Call For Rock’n Roll, HighWay is strong. Throughout the 12 tracks we feel the great work put in by the musicians. The production really honors it.” – Vinyl Times
“This track (Bang Bang) fires with brash confidence while questioning the cost of excess. Beneath the swagger sits a sharp self-interrogation about fame, wealth, image, and the anxiety of choosing one path over another. Repetition becomes pressure, mirroring a mind spiralling under desire and doubt. It lands as both celebration and warning, pairing arena-sized hooks with a knowing sense of consequence that gives the noise purpose rather than empty bravado and lasting emotional weight beyond the chorus. To close, this single and forthcoming album won’t gather dust in any collection, and will keep feet tapping and heads bouncing from sofa to stage. So why not clear a space, and give Highway a try for 2026. Star Rating 9/10” – Stargazer Music Magazine
“THANK YOU TO HIGHWAY WHO SUPPORTED US ON OURMISSION EUROPEAN TOUR. A GREAT BAND WHO RECEIVED A SUPERB REACTION FROM OUR FANS.” – Michael Schenker
“IT WAS A PLEASURE HAVING YOU GUYS! YOU TRULY LIVE THE ESSENCE OF ROCK N ROLL” – Jeff Scott Soto
“The Journey” proves to be an album of great richness confirming HighWay’s talent.” – Music Waves (2022 – The Journey)
“We let ourselves be lulled by the ever-present groove. The American spirit allows this album, as exemplified by ” Motel in Alabama,” on which Benjamin Folch excels, accompanied by discreet backing vocalists. Here, we navigate through emotion, skill, and warmth. Surprises abound, some truly astonishing. We’re swept away to a Spanish-infused fiesta with ” In the Circus of Madness ,” a genuine gem of exquisite delicacy. Musically, we find club-like and sometimes intimate atmospheres, with light touches of violin and piano (” Have A Beer “), and captivating choirs ( “Freedom “). The finale, “The Journey,” is practically a rock opera. There’s no need to list them all here, as the title “The Journey” says it all. HIGHWAY has what it takes to hold their own against many internationally established bands, and I hope they receive the recognition they deserve. Well done!” Among The Living (2022 – The Journey)
“What 80’s lover will resist this totally festive spirit, which mixes ambition (Become Someone), love of music(I Like It, United States Of Rock’N’Roll), or sex (Mr King Size, Highway O Love) ? All the clichés of the unstoppable album are there, proud to resurrect a past that we thought had disappeared but which was in reality only asleep. Despite some sometimes approximate choruses (Breath of life), HIGHWAY manages to carry me in his luggage every time he listens. That’s why I’m getting carried away… HIGHWAY joins the exclusive club of teams capable of breaking down borders in order to explode abroad. On two conditions: tirelessly travel the roads of France and Navarre in order to convince the public and force themselves to publish a new album within the next eighteen months. Do everything, in short, so that we talk about HIGHWAY. Will promotion, distribution, financial and media resources be there ??? To be continued very, very closely…” – Metal-Integral (2022 – The Journey)
“From start to finish Ben Chambert is literally the driving force behind this album. Exploring melodies influenced by southern Blues Rock, with a heavy taste of early Guns N’ Roses, it immediately grips your attention. And the solos, though short, are very decent. Another interesting feature about Highway that really stands out is the outstanding vocals chorus done in a very Queen-like fashion, without taking the spotlight away from the lead singer Benjamin Folch. Naturally, his voice is very pure Rock oriented, with a taste of whisky to it. Harsh, yet melodic, and capable of diverse vocal arrangements, and a brilliant English fluency. This is brilliantly demonstrated in “Separate Ways”, as well as a Ronnie James Dio reminiscence in “Damned Me”. Jeff Scott Soto, longtime friend as roadrunner of the band, made a strong contribution in «Wake Up». In conclusion, “IV” is a great return from Highway and it won’t disappoint Rock fans, especially those who are already familiar with the band’s work and sonic identity. 8/10” – The Black Planet (IV – 2017)
“So yes, this latest one has been a long time coming, but the result is up to par, high-end hard rock, don’t miss it from this pancake, don’t hesitate to buy, and it more than deserves to support this group! And fingers crossed that the baby will be followed by lots of little brothers and sisters !” – Rock Meeting (2017 – The Chronicle)
“From the 1st note with the assertive blaster ‘Become Someone’ that’s followed up with the old school crackly effect mono blues starting ‘I Like It’ and later the bluesy ballad ‘Freedom’. There is also the amazing acoustic ‘Highway O’ Love’ and the AC/DC Johnson-era guitar sounding ‘On My Knees’ to get excited over. Complete proof that France has some killer bands on offer in the way of Rock!” – Metalville Zine (2011 – United States of Rock n Roll)
“In the end, another beautiful representative of the quality of hard rock in France, delivered by a happy group of friends, and led by a damn good guitarist. To listen but above all to see on stage because the energy and good humor they exude cannot leave you indifferent.” – Aux Portes du Metal (2011 – United States of Rock n Roll)
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0 RAVENMOCKER Delivers Second Single of 2026 w/ The Native American Lore of “Where The Raven Flies”
NEWS RELEASE
Montreal, QC – March 12, 2026
RAVENMOCKER Delivers Second Single of 2026 w/ The Native American Lore of “Where The Raven Flies”
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L-R – Will Buckley – Bass, Tom Tierney – Guitar and Vocals, Dylan Suierveld – Drums, George Patmas – Guitar
Photo Credits – Kim Moran – Photographer – Darkslate Media
Southern California melodic death metal newcomers Ravenmocker have unleashed their second single, “Where The Raven Flies,” in 2026, following the strong reception of their debut track, “Infallible.” The new single continues building the band’s identity: soaring melody, cultural storytelling, and a modern take on the melodic death metal spirit once championed by acts like Children of Bodom, Insomnium, and Kalmah.
Formed in 2025 by guitarist/vocalist Tom Tierney after departing Thrown Into Exile, Ravenmocker was born from a desire to create music that honored Tierney’s Native American heritage while embracing the emotional depth and melodic aggression he had been writing for years.
“I wanted to forge my own path with songs that didn’t have a home yet. Ravenmocker became the vessel for that—something cultural, melodic, and meaningful,” says Tierney.
“Where The Raven Flies” is an anthemic, cinematic track that tells the origin story of the Raven Mocker, a cryptid from Adirondack and Cherokee lore. Known as a harbinger of death, the Raven Mocker feeds on the sick and dying, stealing the remaining years of its victims’ lives. The single paints vivid imagery of the creature soaring over forests and villages, acting as both reaper and omen.
The single’s artwork mirrors this mythology: a raven perched on a branch beneath a rising moon, its eyes glowing with supernatural intensity as a flock circles overhead. The visual directly reflects the music video filmed in Angeles National Forest, captured by Darkslate Media.
“Kim and Andrew took the song’s visceral, lofty feel and turned it into visual art. It’s beautiful, eerie, and exactly what the track needed,” explains Tierney.
Compared to “Infallible,” the band describes the new single as “loftier, more epic, and meant to feel like gliding over mountains and trees while still hitting hard.”
Ravenmocker’s lineup brings together musicians from across the Southern California metal scene: vocalist and guitarist Tom Tierney (formerly Thrown Into Exile), guitarist George Patmas (ex‑Dianthus), drummer Dylan Suierveld (Levinia), and bassist Will Buckley (Levinia, Anubis).
Their combined influences, melodic death metal, blues, prog, jazz, funk, and even classic country, shape a sound that is intricate yet accessible, emotional yet aggressive.
“We want to write songs people can sing with us at shows. Melodies that stick with you. Emotion you can feel,” adds Tierney.
The band’s writing process is collaborative and evolving. While Tierney brought the foundation of the first EP, the new material is shaped by all members. “Where The Raven Flies” itself features a key change and expanded structure suggested by drummer Dylan, an example of the band’s open, exploratory approach.
Ravenmocker’s first single, “Infallible,” quickly gained traction online, with early clips surpassing 75,000 views and drawing praise for its melodic hooks and nostalgic energy reminiscent of early 2000s melodic death metal. Fans have responded to the band’s blend of modern production, emotional lyricism, and classic melodic sensibilities.
“We want to give the scene something familiar enough to feel nostalgic, but unique enough to be refreshing. There’s beauty in simplicity and melody, and we’re leaning into that,” adds Tierney.
With “Where The Raven Flies” marking the second release of 2026, Ravenmocker is preparing to introduce their full debut EP later this year. The band promises a wide emotional and musical range, from thrashy aggression to ballad‑like atmosphere, crafted to resonate with fans of melodic death metal’s golden era while carving out a new identity of their own.
“We’re just getting started. These songs were years in the making. Now we finally get to share them,” comments Tierney.
“Where The Raven Flies” can be heard along with its music video premiere on Decibel Magazine HERE.
Spotify pre-save – https://distrokid.com/hyperfollow/ravenmocker/where-the-raven-flies/
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More info:
https://www.ravenmocker.net/
https://www.instagram.com/ravenmockerofficial
https://www.facebook.com/ravenmockerofficial
https://www.tiktok.com/ravenmockerofficial
About:
Formed in Southern California in 2025, Ravenmocker is a melodic death metal band founded by guitarist/vocalist Tom Tierney (formerly of Thrown Into Exile). Joined by George Patmas (guitar), Dylan Suierveld (drums), and Will Buckley (bass), the band blends soaring melody with raw aggression, drawing influence from melodic death metal giants while infusing elements of country, jazz, blues, funk, and classical orchestration.
Their music explores personal struggle, emotional catharsis, cultural identity, and the resilience found in confronting darkness head‑on.
In 2026, Ravenmocker will introduce themselves to the global metal community with their debut singles “Infallible” and “Where the Raven Flies,” leading into their first EP.
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“In this song (Infallible) Ravenmocker set the hook immediately with a vibrantly darting melody that will quickly remind listeners of Finnish melodic death metal greats, and every time that high-flying (and very catchy) melody line reappears it’s an electrifying experience. But so’s the rest of the song. It’s driven by hard-charging, head-hammering drums and nimble bass lines, and by riffing that both channels a feverish pulse (one that’s a variation on that opening melodic motif) and delivers slashing savagery. The vocals magnify the song’s ferocious intensity, venting the words in an intersection of cutthroat snarls and raging screams. This will get your blood pumping, and to repeat: it’s damned catchy too.” – No Clean Singing
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