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0 Out Now! Avant-Garde Prog Doom LIMINAL SPIRIT’s Haunting Album “Unwell”

  • October 31, 2025
  • by Asher
  • · Liminal Spirit · Music News

NEWS RELEASE

Montreal, QC – October 31, 2025

Out Now! Avant-Garde Prog Doom LIMINAL SPIRIT’s Haunting Album “Unwell”

Photo – Jerry Hauppa – Liminal Spirit

Milwaukee-based solo project Liminal Spirit, helmed by multi-instrumentalist Jerry Hauppa (also of Deorbit), has released its third EP, “Unwell,” today, October 31st, ushering in a chilling new chapter of doom-laced, cinematic storytelling just in time for Halloween.
​
Described as “grandiose, cinematic, epic, heavy, unique,” “Unwell” deepens Liminal Spirit’s signature style of immersive “seance music,” conjuring a soundscape that channels spiritual unrest and psychological collapse. This latest release invites listeners into the unraveling consciousness of Phillip, an elderly man suffering from dementia and haunted by the ghosts of two children who accuse him of a long-forgotten crime. As Phillip’s reality fractures, the music mirrors his descent, growing more distorted, chaotic, and emotionally volatile with each track, culminating in a violent confrontation and a final plunge into damnation.

The EP opens with “Admittance,” a deceptively serene, jazz-tinged piece that captures Phillip’s arrival at a nursing home, comforted by his son’s performance of “Welcome to My World.” The mood shifts in “Unwell,” where microtonal guitars and fragmented rhythms evoke Phillip’s disorientation and fading identity. “Visiting Day” introduces a sinister presence as ghostly figures confront him with accusations, setting a countdown to judgment. The chaos peaks in “EOLC,” a brutal and frenzied track where Phillip is tormented and killed by the spirits. The closing piece, “A Better Place,” drags the listener into a bleak purgatory, with chromatic descents and oppressive textures that echo Phillip’s fall into hell. Together, these tracks form a tightly woven narrative of psychological horror and spiritual reckoning.
​
Three of the five tracks feature microtonal guitar work, lending an alien, foreboding atmosphere that enhances the EP’s psychological horror. Hauppa’s writing process begins with a thematic concept and unfolds as a unified narrative, with lyrics drawn from the characters’ spoken words. The music and story are inseparable, each amplifying the other’s emotional weight.
​
​“My goal with this record is to explore ideas that represent some of my greatest fears. Having worked in nursing homes, I know how miserable they can be. The thought of losing my faculties and facing spiritual judgment terrifies me, and that’s what Unwell is about,” says Hauppa.
​
​Liminal Spirit is a progressive doom/avant-garde metal project known for its ritualistic, story-driven compositions. Influenced by artists like Skepticism, Anata, My Bloody Valentine, Jesu, and Confessor, Hauppa’s sound defies easy categorization, blending old-school death metal with psychedelic electronic textures.
​
​“Unwell” is available now on all major streaming platforms.

YouTube Album Stream – https://youtu.be/rORD2LIsavk

Add to your Spotify Playlist – https://distrokid.com/hyperfollow/liminalspirit2/unwell

Digital Download – https://liminalspirit.bandcamp.com/

Track Listing:​
1. Admittance (5:27)
2. Unwell (6:52) (single)
3. Visiting Day (8:01)
4. EOLC (8:26)
5. A Better Place (5:42) (single)

EP Credits:​
All songs written, performed, produced, and mixed by Jerry Hauppa.
Mastered by Jeff Wojtysiak at Spiral Sound Mastering

Lineup:​
Jerry Hauppa – Guitar, microtonal guitar, bass, violin, synth, vocoder, drum programming

More Info:​
​https://www.facebook.com/people/Liminal-Spirit/61575618106702/​
​https://www.instagram.com/liminal_spirit_mke

-30-

“The song we’re premiering, “A Better Place“, is that closing track. In its narrative, Phillip passes into a purgatory where he is judged for his actions, and ultimately cast into hell — not the better place he hoped for. The music manifests this denouement with sounds of mangling discordance and ruthless pounding. The hammering and thudding beats don’t create an easy rhythm, but instead generate a pattern that takes away any sense of balance. Shrill ethereal tones rise up and strangely quiver from within the dissonant, mangling morass of sonic oppressiveness. Wailing vocals rise up too, adding to the song’s hallucinatory and haunting ingredients. The experience is unsettling and unearthly. Warbling spoken words come and go. The dense backing noise is cruel and searing as well as abysmal. The pounding is as vehement as it is destabilizing — until it vanishes, yielding to a cacophonous and indeed hellish finale in which the music itself seems to descend. Siren-like bursts of sound and tormented screams close out the nightmare.” – No Clean Singing​
​
​“The title track from this latest concept EP – being released on Halloween – from Milwaukee-based multi-instrumentalist Jerry Hauppa is an appropriately unsettling exploration of themes such as memory, guilt and spiritual reckoning delivered via a fusion of progressive doom metal with avant-garde narrative techniques, crafting what the composer and musician describes as “seance music”, a genre-defying sonic ritual meant to stir movement between spiritual realms:” – THE ÜBER RÖCK SINGLES CLUB DAILY PICK – LIMINAL SPIRIT (Oct 11, 2025)​
​
​“Fusing Progressive Doom Metal with avant-garde narrative techniques to create a genre defying sonic ritual meant to stir movement between spiritual realms with title track “Unwell”” – Metal Noise​
​
​“A portrait painted by multi instrumentalist Jerry Hauppa in Progressive Doom Metal and avant-garde narrative techniques, the record plays out the deterioration of Phillip’s memory, culminating in death and spiritual judgment before he is cast into hell for all eternity. Known for his work with Deorbit, Hauppa performs the piece using guitar, microtonal guitar, bass, violin, synth, vocoder and drum programming having written, produced and mixed. They call it a genre defying sonic ritual meant to stir movement between spiritual realms….. If someone is needed to write the soundtrack to the next Silent Hill incarnation then Hauppa has just submitted his curriculum vitae” – Metal Noise​
​
​“Unwell is a fearless act of musical necromancy. It’s unsettling, artful, and deeply personal—doom metal with a philosopher’s pen and a filmmaker’s eye. Fans of Jesu, Skepticism, and Cynic will find much to admire here, but Liminal Spirit ultimately exists in its own spectral orbit.” – See Rock Live Magazine (Unwell – 2025)
​
​
​“It’s dense. It’s dark. It demands your full attention. But give it that, and you’ll walk away changed—or at least slightly disturbed. Fans of Skepticism, Kayo Dot, or anyone who enjoys having their psyche gently disassembled: this one’s for you.”- Metalpapyjeff​
​
​“I would characterize this is something for Metal fans who think outside the box and don’t need to be spoon fed the typical Metal sound. ” – Metal Temple​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Nova Scotia’s HUMAN MISSILE CRISIS Drops Venomous New Video for “Snake in the Grass” For EP “Waste Away” Out Nov 2025

  • October 31, 2025
  • by Asher
  • · Human Missile Crisis · Music News

NEWS RELEASE

Montreal, QC – October 30, 2025

Nova Scotia’s HUMAN MISSILE CRISIS Drops Venomous New Video for “Snake in the Grass”

New Two-Track EP “Waste Away” Out Nov 14th

L-R – DJ Vaters – Guitar/Vocals, Matthew MacIsaac – Drums, Justin Boutilier – Bass

Nova Scotia’s punk-infused garage rock trio Human Missile Crisis has dropped a brand-new music video for their single “Snake in the Grass,” the lead track from their upcoming two-song EP, “Waste Away,” set for release on November 14th.
​
A fuzzed-out, dance-floor-ready anthem with venom in its lyrics and swagger in its slide guitar, “Snake in the Grass” is a sonic warning shot aimed at the backstabbers and two-faced figures we all encounter.

“It’s about those people who smile to your face and twist the knife when you turn around. We’ve all met them. This one’s part of my story,” says frontman DJ Vaters.
​
The video, like the track, is a visceral blend of grit and groove, an invitation to lose control and let loose.

“Mosh pit? More like a dance pit,” the band jokes. “It’s got fast, fun drums, a slidey guitar riff, and even a quiet, pretty bass solo bridge. What more do you want? Just dance.”​
​
Recorded live off the floor at Sound Park Studios with longtime collaborator Jamie Foulds, marking their first session together in over 20 years, the EP captures the raw energy and emotional honesty that defines Human Missile Crisis. The tracks were mixed by Foulds and mastered by Brad Boatright at Audiosiege (Portland, OR).
​
Formed by Cape Breton natives DJ Vaters (guitar/vocals), Justin Boutilier (bass/backups), and Matthew MacIsaac (drums), Human Missile Crisis is a therapeutic journey through the chaos of adulthood. With roots in punk rock and a sound shaped by post-punk, garage, and blues, the band channels influences like Idles, Fucked Up, and The Hives into something uniquely their own.
​
The “Waste Away” EP also features “Mona Lisa,” a more traditional rock track with a heavy punk chorus, written for the night-shift warriors and road-weary musicians who long for home. Together, the two songs showcase the band’s dynamic range and collaborative spirit.
​
The EP’s artwork was created by local artist @sourrgrrrl designs, whose style caught Vaters’ eye on a telephone pole sticker.

“I sent her the tracks and said, ‘Do your thing.’ I love working with artists that way, just let the music speak.”
​
​
Whether you’re a longtime fan or a newcomer to the chaos, Human Missile Crisis invites you to join the party. They don’t want fans, they want friends and family.

“Come to a show, dance with us, laugh with us. That’s what it’s all about,” says Vaters.
​
Watch the “Snake in the Grass” video now via its premiere on Ghost Cult Magazine HERE.

Add to your Spotify playlist – https://distrokid.com/hyperfollow/humanmissilecrisis/snake-in-the-grass

“Waste Away” is out everywhere on November 14th, 2025.

More info: https://linktr.ee/humanmissilecrisis

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“When it comes to partying and being young, there are many “highs” and lows, as Human Missile Crisis draws our attention to in their new single “Too Long.”… The clip gives you a good look at these Dartmouth rockers in action. With fuzzed-out guitars and a garage rock spirit, these three young men know how to command a stage. The video captures what they do best: play live. The band members pride themselves on being a high-octane live act. That’s what the video is meant to emphasize: guys who can rock a stage like they rocked their parents’ garage growing up.” – V13

“With it’s thundering and infectious bassline, crunchy guitars, thrashing drums, and gritty heartfelt vocals, Human Missile Crisis easily achieved the powerful and memorable with “Blackwater”.” – Amplify The Noise

“Three friends and a long-standing passion for punk rock and garage, understood in their most jaunty and enjoyable expressions: they are human missile crisis, here grappling with their recording debut. What is striking right from the start is the light-heartedness that expert frequenters of the reference scene such as DJ VATERS, JUSTIN BOUTILIER and MATTHEW MACISAAC have been able to pour into the nine, lightning-fast moments that make up the album; the verve is ironic and semi-serious, the aim is fun, sarcasm and provocation: all elements which, mixed properly with direct and immediate sounds, come to compose a picture that is nothing short of caustic and full of sparkling ideas. The creativity released by the band is contagious: Liquor Store Stories echoes that kind of spontaneity traditionally inherent in the reference genres. And it offers half an hour of healthy entertainment in the name of bombastic pieces in which technique gives way to the desire to play together, to a sense of friendship that emerges with vigor from the grooves of the work and to a spontaneous and genuine approach. A debut that follows the dictates of tradition, proudly claiming its brilliant originality” – Rock Hard Italy

“I had a weird sensation while listening to the massive punch and swagger of “Liquor Store Stories” by Dartmouth, Nova Scotia based Human Missile Crisis. Not only is the title amazing and sounds like an anthology series on Hulu, the crunchy assaulting guitars, the nimble hyper bass lines, atomic drumming and strident vocal scowling aesthetic had me thinking of a 70’s Mod revival rock band instead of a punk outfit, namely, the iconic JAM. Maybe it is the major 7th and miner chords I think I am hearing, maybe it is the vocal countenance that does have a heavier sort of iteration of Weller, and maybe it is the fury of the bass and drums, of everything really. And it also might be the sense of talking about the inner workings of hometowns. By the way, sonically, I also thought of an amalgam of early punk like the Buzzcocks and more current bangers like Prince Daddy & The Hyena.” -Robb Donker Curtius / American Pancake

“Merging elements of Garage Rock and Post-Punk, they end up delivering an exciting song to the listener, with great melodies and which stands out mainly for its great rhythmic work, with its striking bass line and vocals with great melodies.” -Leandro Vianna / Roadie Metal

“Maybe “Blackwater” from Dartmouth, Nova Scotia based Human Missile Crisis is about wishing those who disappeared from your life well, maybe not. Maybe it is all about the glorious noise, the throttling bass bottom heaviness that kicks you in the gut, maybe not. Maybe it is about finding what you are searching for and not dive deep into the blackness to find it, maybe not. In the end, maybe Human Missile Crisis feels like Black Sabbath, The Dead Kennedys, Coachwhips, Bass Drum of Death atom smashed together into something else entirely, something visceral and impactful.” -Robb Donker Curtius / American Pancake

“”Liquor Store Stories” is a single recently dropped by Nova Scotia-based band, Human Missile Crisis. Boasting an infectious energy equipped with melodic vocal flows and anthemic instrumental work, this is a powerful new tune that delivers a unique blend of styles. Elements of punk, garage rock, indie, and emo are all present here, and the band shines brightly by creatively blending all the influences into one full sound.” -Havoc Underground

“”Too Long” is a melody that will really provoke something powerful and luminous in you with its most violent and rhythmic rhythms, capable of awakening the monster that you keep inside of you, this band will shake you with this crazy song bathed in the best alternative sounds and aggressive sounds of punk fused with the darkness of a more balanced rock.” -End Sessions

“‘Too Long’ by Human Missile Crisis is an energetic, aggressive and dark punk and rock whose instruments provide an auditory explosion in the best of the senses, causing a piece of music full of rhythm to be manufactured. While listening to the song I couldn’t stop moving my head back and forth because of how catchy it is, it’s one of those songs that you fall in love with in a second. I loved the song from start to finish and I hope you do too.” -Javier Alfonso / La Caverna

“The album begins with “Do you Remember”, a song that has a powerful guitar in its intro and remains that way, but from the beginning you say this album is not going to stop, it is going to maintain that hard and aggressive rhythm, although They also have California punk songs like “The Spark”, and of course they also have songs like “Distant Memory”, with a slower rhythm, but with the same strength in the voice. This album really has 9 incredible tracks for those who like garage and punk, and also get into slam.” -Miguel Castillo/ La Caverna

“Opening the record is ‘Do You Remember’, a three-minute romp that must be powered by Jack Daniels because the vocals have that tinge of Lemmy about them. The track ebbs and flows for those 180 seconds but always comes back to the punchy punk-rock vibe that is at the core of Liquor Store Stories.” -Dan Hemming / Hard Beat Magazine

—
ASHER MEDIA RELATIONS
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jon[@]ashermediarelations[.]com
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0 Thank You Canadian MDs and DJs, for the airplay love! For the Week Ending: Tuesday, October 28, 2025 CFUV 101.9 MHz – Victoria Loud – #3 Ivy Gardens | CJSR 88.5MHz – Edmonton Loud – #4 Juliet Ruin | CJSW 90.9 MHz – Calgary Loud – #9 Harvested

  • October 29, 2025
  • by Asher
  • · Harvested · Ivy Gardens · Juliet Ruin · radio charts

Thank You Canadian MDs and DJs, for the airplay love!

For the Week Ending: Tuesday, October 28, 2025

CFUV 101.9 MHz – Victoria
Loud – #3 Ivy Gardens

https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2025-10-28

======================================

CJSR 88.5MHz – Edmonton
Loud – #4 Juliet Ruin

https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2025-10-28

=======================================

CJSW 90.9 MHz – Calgary
Loud – #9 Harvested

https://earshot-online.com/charts/cjsw.cfm?intChartTypeID=6&dWeekOfID=2025-10-28

0 Thank You Canadian MDs and DJs, for the airplay love! For the Week Ending: Tuesday, October 21, 2025 CICK 93.9 – Smithers Top 30 – #14 – Z-Cocoon | CFBX 92.5FM – Kamloops Loud – #8 Eternal Drak | CJSR 88.5MHz – Edmonton Loud #10 Imperishable

  • October 29, 2025
  • by Asher
  • · Eternal Drak · Imperishable · radio charts · Z-Cocoon

Thank You Canadian MDs and DJs, for the airplay love!

For the Week Ending: Tuesday, October 21, 2025

CICK 93.9 – Smithers

Top 30 – #14 – Z-Cocoon

https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-10-21

========================

CFBX 92.5FM – Kamloops
Loud – #8 Eternal Drak

https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-10-21

========================

CJSR 88.5MHz – Edmonton
Loud #10 Imperishable

https://earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2025-10-21

0 Thank You Canadian MDs and DJs, for the airplay love! For the Week Ending: Tuesday, October 14, 2025 CICK 93.9 – Smithers Top 30 – #14 – Z-Cocoon | CFBX 92.5FM – Kamloops  Loud – #8 Eternal Drak | CFUV 101.9 MHz – Victoria Loud #6 – Ivy Gardens | CJLO 1690 kHz – Montreal Loud – #10 – Ivy Gardens

  • October 29, 2025
  • by Asher
  • · Eternal Drak · Ivy Gardens · radio charts · Z-Cocoon

Thank You Canadian MDs and DJs, for the airplay love!

For the Week Ending: Tuesday, October 14, 2025

CICK 93.9 – Smithers

Top 30 – #14 – Z-Cocoon

https://earshot-online.com/charts/cick.cfm?dWeekOfID=2025-10-14

========================

CFBX 92.5FM – Kamloops

Loud – #8 Eternal Drak

https://earshot-online.com/charts/cfbx.cfm?intChartTypeID=6&dWeekOfID=2025-10-14

========================

CFUV 101.9 MHz – Victoria
Loud #6 – Ivy Gardens

https://earshot-online.com/charts/cfuv.cfm?intChartTypeID=6&dWeekOfID=2025-10-14

========================

CJLO 1690 kHz – Montreal
Loud – #10 – Ivy Gardens

https://earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2025-10-14

0 Montreal’s DEADWOOD Unleashes “Tales of Massacre”, A Brutal Glimpse Into Upcoming EP “Rituals of a Dying Light” (Innerstrength Records)

  • October 29, 2025
  • by Asher
  • · Deadwood · Music News

NEWS RELEASE

Montreal, QC – October 29, 2025

Montreal’s DEADWOOD Unleashes “Tales of Massacre”

A Brutal Glimpse Into Upcoming EP “Rituals of a Dying Light” (Innerstrength Records)

L-R – Fred Element (Guitar), Charles Etienne Lafrance (Drums), Stephane Filion (Guitar), Derek Heynekamp (Vocals)

Photo Credit – Fred Element

Canadian deathcore juggernaut Deadwood has dropped their latest single, “Tales of Massacre”, a blistering and terrifying track inspired by the Salem witch trials. The song is the second single from their upcoming concept EP, “Rituals of a Dying Light,” set to release on January 9, 2026, via Innerstrength Records.

Formed in 2020 with the mission to “Make Deathcore Angry Again,” Deadwood has carved a reputation for delivering music that’s angry, aggressive, dark, heavy, and intense. Their latest offering is no exception; “Tales of Massacre” blends brutal technicality with eerie atmosphere, pushing the boundaries of modern deathcore while staying true to the genre’s roots.
​
​Deadwood’s forthcoming EP, “Rituals of a Dying Light,” plunges listeners into a concept-driven nightmare, where each track draws from real-life horrors and urban legends. From tales of demonic possession to infamous historical crimes, the band channels the macabre through punishing riffs and eerie lyricism. The EP features chilling narratives like “Heretic,” a brooding account of a nun overtaken by darkness, layered with piercing solos that cut through the gloom. “Thirst for Blood” delivers a vampiric frenzy, blending punk-tinged rhythms with a dangerously infectious chorus. “Whisper of Death” slows the tempo for a sinister dive into the psyche of Jack the Ripper, while “Echoes of the Fallen” closes the record with a haunting instrumental drenched in lead guitar and ominous atmosphere. Marking a new chapter in Deadwood’s evolution, the EP introduces solos and melodic leads for the first time—adding depth without sacrificing the band’s trademark aggression.

“We wanted this release to be scarier, heavier, and more extreme,” says founding member Fred Element

Deadwood’s lineup includes veterans of the Quebec metal scene, Fred Element (ex-Plasma Riffle, ex-Ion Dissonance), Stephane Filion (ex-Nova Spei), and Charles-Etienne Lafrance (Discovery Through Torment, ex-Dismayed).​
​
Their writing process is collaborative, with each member adding their own flavor to Fred’s initial compositions. Lyrics are crafted to match the music’s atmosphere, drawing inspiration from horror, real-life tragedies, and the darker aspects of existence.
​
​Deadwood’s live performances are known for their chaotic, horror-infused energy. Their stage presence is designed to evoke terror — not just a band playing music, but a visual and sonic assault.

“We don’t do small talk or funny vibes. We want to scare you. We want you to feel uneasy,” the band explains.
​
Having toured Japan and the U.S., including a standout performance at Inkarceration Festival, Deadwood is now preparing to conquer Europe in 2026. Their relentless drive and commitment to intensity have earned them spots alongside acts like Humanity’s Last Breath, Born of Osiris, and Traitors.
​
With “Tales of Massacre” setting the tone, Deadwood promises more music is already on the way.

“We chose five tracks that share the same dark atmosphere. But we’re not done yet, fans can expect a lot from us, sooner than you think,” adds the band.
​
For fans of Meshuggah, Whitechapel, Despised Icon, All Shall Perish, and Behemoth, Deadwood is a must-listen. Their sound is a terrifying blend of death metal and hardcore, crafted for those who crave pure brutality.
​
​“Rituals of a Dying Light” drops January 9, 2026, via Innerstrength Records.

Listen now: “Tales of Massacre” on YouTube – https://youtu.be/kqpk5XQXrSQ

Add to your Spotify playlist – https://hypeddit.com/deadwood/talesofmassacre-1

More info: https://linktr.ee/Deadwood.band | https://innerstrengthrecords.com/

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“If you ever wondered what Al Swearengen might listen to if he was living in modern times, here’s your answer, c*********. Montreal’s Deadwood have been around town for a decade now, and pride themselves on evolving into a more savage animal with each release. In December, 2022, they released Inhuman, an EP that is hell bent on making deathcore brutal again.” – Metal Sucks: Deathcore in the North – 10 Canadian Deathcore Bands

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 Lily Löwe Unleashes “Haunted House” A Dark Rock Anthem Just in Time for Halloween; New Album “Beautiful Disaster” Coming February 2026

  • October 29, 2025
  • by Asher
  • · Lily Löwe · Music News

NEWS RELEASE

Montreal, QC – October 29, 2025

Lily Löwe Unleashes “Haunted House,” A Dark Rock Anthem Just in Time for Halloween

New Album “Beautiful Disaster” Coming February 2026

Norwegian melodic hard rock band Lily Löwe has dropped their latest single, “Haunted House,” a chilling and cathartic track that arrives just in time to soundtrack your Halloween. The single is the sixth release from their upcoming sophomore album, “Beautiful Disaster, set to arrive February 6, 2026.
​
​“Haunted House” dives deep into the shadows of the mind, using the metaphor of a haunted home to explore themes of anxiety, inner demons, and emotional chaos. With heavy basslines, modern production, and frontwoman Lily’s commanding vocals, the track delivers a visceral listening experience, dark, raw, and emotionally charged.
​
​“It’s about being trapped inside your own head. We wanted the music to reflect that, heavy, haunting, but also cathartic,” says Lily.
​
The single follows a string of high-voltage releases in 2025, including “Wild,” “Demons,” “Puppet Master,” “Glitter & Gore,” and the title track “Beautiful Disaster.” Each song reveals a different facet of the band’s evolving sound, melodic, punchy, and unapologetically heavy.
​
Formed after Lily’s solo debut at Melodi Grand Prix 2022, Lily Löwe quickly grew into a full band featuring some of Norway’s top heavy rock talent: Adrian Sunde Bjerketvedt (Jorn), Patrik Svendsen (Tonic Breed), Stian Hansen (Suicide Bombers), and Eiliv Sagrusten (Invasion). Their debut album LÖWE earned critical acclaim, and their upcoming release promises to push boundaries even further.
​
​“Beautiful Disaster” is a sonic journey through power, vulnerability, and transformation, blending classic hard rock roots with modern edge. From the glam-punk riot of “Glitter & Gore” to the emotional wreckage of the title track, the album is “all killer, no filler,” according to the band.
​
Fans can expect more singles leading up to the album’s release, and a live show that’s as intense as the music itself, with raw emotion, heavy riffs, and hooks that stick.
​
​“Haunted House” is available now on all major streaming platforms. “Beautiful Disaster” arrives February 6, 2026.

Add to your Spotify Playlist – https://open.spotify.com/track/5NtqnDqrHsz2ap3kJe2Coj

YouTube – https://youtu.be/N_5AF-owxPc

More info: https://www.lilylowe.com | Facebook.com/iam.lilylowe | Instagram.com/iam_lilylowe

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 EPK – Lily Löwe – Beautiful Disaster (2026)

  • October 29, 2025
  • by Asher
  • · EPKs · Lily Löwe

EPK – Lily Löwe – Beautiful Disaster (2026)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“It’s all killer, no filler — every track hits different, and fans are already loving the singles! We want to give fans a real experience when they listen to our songs — that feeling of power, emotion, and release you get when music truly hits. The album is meant to be both emotional and energetic. We wanted to capture the intensity and vulnerability that define Lily Löwe — big riffs, catchy hooks, strong vocals, and lyrics that hit close to the heart. Each single represents a different side of who we are as a band.” – Löwe

For fans of Wig Wam, Halestorm, The Pretty Reckless

Lilylowe.com | Facebook.com/iam.lilylowe | Instagram.com/iam_lilylowe | Youtube.com/@lilyloweofficial

Spotify | Apple Music

“Löwe has a voice with power, punch, and attitude.” – Norway Rock Magazine

“The Löwe album is one of those examples [of music that just sounds right].” – Metalhead Community

Norwegian newspaper Nettavisen gave Lily Löwe´s song “Bad Baby” a 9/10 rating

Band: Löwe
Album Title: Beautiful Disaster
Release Date: February 6, 2025
Label: Löwe
Distribution: Distrokid

Track Listing:
1. Demons – 2:49
2. Haunted House – 3:26
3. Puppet Master – 2:43
4. Beg For Your Life – 2:54
5. Beautiful Disaster – 2:54
6. Glitter & Gore – 2:36
7. Our Secret – 3:36
8. Wild – 2:48
9. Love Like This – 3:15
Album Length: 27:06

Album Band Lineup:
Lily Löwe / Lill Sofie Wilsberg: Vocal
Adrian Sunde Bjerketvedt: Guitar
Eiliv Sagrusten: Drums
Patrik Svendsen: Bass
Stian Hansen: Guitar

Album Credits:
Album Cover Photo: Jarle Nyttingnes
Mixed and Mastered: Jonas Holteberg Jensen (The Woods Norway)
Mastered for Vinyl: Steve Kitch
Demons – Producers: Ola Frøyen, Oscar Immanuel Mathisen, Jonas Holteberg Jensen
Co-producer: Adrian Sunde Bjerketvedt
Songwriters: Elsbeth Rehder, Ola Frøyen, Lill Sofie Wilsberg, Oscar Immanuel Mathisen, Adrian Sunde Bjerketvedt

Puppet Master – Producers: Oscar Immanuel Mathisen, Jonas Holteberg Jensen
Co-producer: Adrian Sunde Bjerketvedt
Songwriters: Lill Sofie Wilsberg, Oscar Immanuel Mathisen, Elsbeth Rehder, Stian Andreas Rødland Hansen, Adrian Sunde Bjerketvedt

Glitter & Gore – Producers: Oscar Immanuel Mathisen, Jonas Holteberg Jensen
Songwriters: Oscar Immanuel Mathisen, Lill Sofie Wilsberg, Kristian Haugstøyl, Celine Alette Pedersen Breivoll, Trond Holter

Beautiful Disaster – Producers: Oscar Immanuel Mathisen, Jonas Holteberg Jensen
Co-producers: Adrian Sunde Bjerketvedt
Songwriters: Kristian Haugstøyl, Lill Sofie Wilsberg, Oscar Immanuel Mathisen, Adrian Sunde Bjerketvedt

Love Like This – Producers: Oscar Immanuel Mathisen, Jonas Holteberg Jensen
Co-producer: Adrian Sunde Bjerketvedt
Songwriters: Oscar Immanuel Mathisen, Lill Sofie Wilsberg, Celine Alette Pedersen Breivoll, Adrian Sunde Bjerketvedt

Our Secret – Producers: Oscar Immanuel Mathisen, Jonas Holteberg Jensen
Songwriters: Oscar Immanuel Mathisen, Lill Sofie Wilsberg, Celine Alette Pedersen Breivoll, Vegard Pytte-Høydal, Trond Holter

Wild – Producers: Jonas Holteberg Jensen, Oscar Immanuel Mathisen
Songwriters: Jonas Holteberg Jensen, Anna Timgren, Nicolas Rosstrøm, Kristina Lorentzen Sjølberg, Lill Sofie Wilsberg, Oscar Immanuel Mathisen, Trond Holter

Beg For Your Life – Producers: Oscar Immanuel Mathisen, Jonas Holteberg Jensen
Co-producer: Patrik K. Svendsen
Songwriters: Lill Sofie Wilsberg, Oscar Immanuel Mathisen, Celine Alette Pedersen Breivoll, Patrik K. Svendsen, Adrian Sunde Bjerketvedt

Haunted House – Producers: Torgeir Ryssevik, Oscar Immanuel Mathisen, Jonas Holteberg Jensen
Songwriters: Torgeir Ryssevik, Celine Alette Pedersen Breivoll, Lill Sofie Wilsberg, Vegard Pytte-Høydal, Martine-KR, Oscar Immanuel Mathisen

========================================================

About The Album Artwork:

It’s raw and in your face — a Beautiful Disaster.

About the album as a whole (LYRICALLY & MUSICALLY):

Beautiful Disaster is a collection of songs that explores the chaos and contrast between strength and vulnerability — both lyrically and musically. The album moves between raw emotion and high energy, balancing heavy riffs, big hooks, and dark atmospheres.

Lyrically, it’s inspired by real emotions and experiences, but told through heightened, dramatic stories. Themes like power, desire, self-destruction, and transformation run through the record — from the haunting intensity of “Haunted House” to the unapologetic confidence of “Glitter & Gore” and the emotional turmoil of “Beautiful Disaster.”

Musically, it combines modern production with the heart of hard rock — blending powerful vocals, driving guitars, and catchy melodies with a dark edge.

Track by Track (LYRICALLY & MUSICALLY)

1. Demons dives deep into the darker side of emotion and revenge. With pounding drums, heavy guitars, and Lily’s commanding vocals, it’s a song about reclaiming power after pain. It’s raw, dramatic, and bursting with attitude — a modern hard rock anthem with teeth.

2. Haunted House dives deep into the struggle with inner demons. The “house” serves as a metaphor for the body and mind — a place haunted by negative thoughts, anxiety, and self-destruction. It’s dark, emotional, and cathartic, capturing the chaos of being trapped inside your own head. Musically, it’s heavy and bass-driven, with a modern edge that makes the darkness hit even harder.

3. Puppet Master tells the story of a manipulative figure who thrives on control and deception — someone who plays with people’s emotions like puppets on a string. With heavy riffs, sharp lyrics, and a powerful vocal performance, the song calls out toxic power and the moment it finally collapses.

4. Beg For Your Life is the heaviest song on the album. It’s dirtier than any other song, with riffs that are a bit off-center compared to the entire album.

5. Beautiful Disaster is a dark, emotional rock ballad that captures the beauty and chaos of losing control in a toxic relationship — and just when you think you know where it’s headed, it hits you with a surprisingly catchy ending.

6. “Glitter & Gore” is loud, punky, and playful — a glam-rock riot with attitude, sparkle, and a wink.

7. Our Secret is the record’s happy tune. This riff would make you dance. Or not. A song that should not be underestimated. 

8. “Wild” is a high-voltage rock anthem about freedom, rebellion, and unapologetic self-expression. With explosive riffs, fierce vocals, and a catchy chorus made for the stage, it celebrates the thrill of being bold, loud, and completely yourself.

9. Love Like This is the end. A strong power ballad that sticks to your head for a long time.

====================================================

FUN FACTS – STORY ANGLES:

1. Lily Löwe launched the project live on national TV during Norway’s Melodi Grand Prix (the Norwegian Eurovision)

2. Patrik, the bass player in Lily Löwe, actually stood in for Trond Holter on guitar in the “Bad Baby” music video — Lily Löwe’s first ever single!

3. The name “Löwe” literally means “lion” in German. Which is fitting, because Lily Löwe’s music has both the bite and the roar.

4. Lily (vocals) and Adrian (guitar) later discovered that they had actually stood right next to each other at a concert back in 2019 — a show where they were both watching Trond Holter, who was already working with Lily on her debut album at the time. They didn’t know each other back then and only realized the coincidence years later, when Lily found an old video showing Adrian in the crowd.

=====================================================

L-R – Stian Hansen, Patrik K. Svendsen, Lill Sofie Wilsberg, Adrian Sunde Bjerketvedt, Eiliv Sagrusten

Photo Credit – Jarle Nyttingnes

Lily Löwe is a Norwegian rock band rooted in melodic hard rock.

They made their debut at Melodi Grand Prix 2022 with the song “Bad Baby”, and released their debut album “LÖWE” later that year, produced by Trond Holter. The album received strong acclaim — Norwegian newspaper Nettavisen gave “Bad Baby” a 9/10 rating, while Norway Rock Magazine wrote: “In addition, Lily Löwe has a voice with power, punch, and attitude.”

In 2025, Lily Löwe released five singles — “Wild”, “Demons”, “Puppet Master”, “Glitter & Gore”, and the title track “Beautiful Disaster” — from their upcoming sophomore album, set for release in early 2026. With their raw energy, melodic edge, and emotional depth, Liliy Löwe is a band to watch.

Discography:
Beautiful Disaster (album) 2026
Glitter & Gore (EP) 2025
LÖWE (album) 2022

0 Rockshots Records – Australia’s IMPERATORE Unveils First Single “Be A Man” From New Album “The Lionspirit” Out Dec 2025

  • October 29, 2025
  • by Asher
  • · Imperatore (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 29, 2025

Australia’s IMPERATORE Unveils First Single “Be A Man” From New Album “The Lionspirit” Out Dec 2025

Australian rock visionaries IMPERATORE return with the first single “Be A Man”, taken from their upcoming album “The Lionspirit“, due out on December 19th, 2025, via Rockshots Records. The song is released together with its official music video, introducing the core concept behind the album – a call to courage, resiliency, and self-mastery.

Blending heavy rock, progressive metal, and operatic grandeur, “Be A Man” stands as a powerful anthem of inner rebirth. Driven by amazing vocals, cinematic orchestrations, and uplifting melodies, the track embodies Imperatore’s distinctive sound – emotional, epic, and deeply reflective. Its lyrics invite listeners to confront fear, embrace authenticity, and rediscover the strength within, echoing the Stoic philosophy that inspired the entire record.

Founder Zoran Cunjack explains:

“Be A Man is about facing your inner fears and reclaiming your strength. True courage isn’t found in the world outside but in mastering your own mind and spirit. It’s a song about standing tall – not just as a man but as a human being who refuses to give up.”

“Be A Man” marks the beginning of Imperatore’s next chapter – a blend of cinematic power and operatic emotion that defines the band’s evolving sound. Produced by Zoran Cunjack, recorded and mixed by Rodion Farafontov, and mastered by Simon Jovanovic, the track sets the tone for what promises to be Imperatore’s most ambitious work to date.

For fans of Nightwish, Kamelot, Symphony X, Powerwolf, and Queen.
​
​DIGITAL: http://lnk.to/Jh87DW89

​​VIDEO for “Be A Man”: https://youtu.be/o5zZdq_MKL4

​
New album “The Lionspirit” out December 19th, 2025

PRE ORDER – https://rockshots.eu/products/imperatore-the-lionspirit-cd

Track Listing:​
1. Ides Of March – 02:11
2. Be A Man – 04:40
3. Orion – 04:58
4. My Life – 04:49
5. Treachery – 04:13
6. Between The Worlds – 03:58
7. Men Of Pain – 05:14
8. All Of Us – 04:01
9. Australian – 04:35
10. Il Gladiatore – 04:09
Album Length: 41:58
​
Band Line Up:
– Zoran Cunjack – Vocals, Guitars
– Sean Allsopp – Drums
– Daniel Marijanovic – Bass Guitar
​
Guest appearance:
– Leon Todd – Lead Guitar (guest)

More info: ​
​​https://www.rockshots.eu

Facebook: https://www.facebook.com/imperatoreband​
​Instagram: https://www.instagram.com/imperatoreband

BIOGRAPHY:

IMPERATORE is a rock and metal band from Perth, Australia, blending the power of heavy riffs, progressive structures, and operatic emotion into a cinematic sound that’s both modern and timeless. Founded in 2022 by Zoran Cunjack, Imperatore was born from a vision to unite the strength of metal with the grandeur of classical and symphonic music, creating an experience that transcends genre boundaries.

The project began as a creative outlet for Zoran’s compositions and quickly evolved into a full-fledged band featuring Daniel Marijanovic on bass and Sean Allsopp on drums, with occasional guest contributions such as Leon Todd on lead guitar. The sound is epic, dramatic, and profoundly emotional – one that evokes the storytelling power of opera while retaining the intensity of modern metal.

In 2023, Imperatore released their self-titled debut album “Imperatore“, which received critical acclaim and a nomination for Song of the Year by West Australian Music (WAM). The album established their trademark blend of symphonic rock and theatrical metal, earning praise for its originality and depth.

A year later, the band followed with “Nations, Rise!” (2024), a record that expanded their symphonic and conceptual direction while reinforcing the philosophical dimension of their music. With their third release, “The Lionspirit” (2025), Imperatore takes a bold creative step forward – combining metal energy, orchestral power, and Stoic-inspired themes into an emotionally charged journey through courage, endurance, and self-mastery.

The band’s live performances amplify this vision through immersive visuals and cinematic projections that transform each show into a full sensory experience. With its unique fusion of rock, opera, and philosophy, Imperatore stands as one of the most distinctive voices in today’s metal scene, appealing to fans of Nightwish, Kamelot, Symphony X, Powerwolf, and Queen.

-30-

​
—
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0 EPK – The Judge The Juror – Primitive Minds (2025)

  • October 28, 2025
  • by Asher
  • · EPKs · The Judge The Juror

EPK – The Judge The Juror – Primitive Minds (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We hope fans will be blown away by the way we’re taking our PSYDEATHTECHPROG to whole new places. Primitive Minds represent to us the fully realized version of our sound. A journey into a new soundscape in techdeath, the experience of finding a brand new and super unique sound, and the joy it brings.” – The Judge The Juror

For fans of Between the Buried and Me, Born of Osiris, Meshuggah, The Browning, Enter Shikari

Band: The Judge, The Juror
EP Title: Primitive Minds
Release Date: November 7, 2025
Label: Self-Release
Location: Edmonton, AB, Canada
Genre: PsyDeathTechProg

Thejudgethejuror.com | Facebook.com/thejudgethejuror | Instagram.com/thejudgethejurorofficial | Thejudgethejuror.bandcamp.com

Spotify – https://distrokid.com/hyperfollow/thejudgethejuror/heliconian-optivisor

[Download EP Cover | Download EP Lyrics]

 

Band: The Judge, The Juror
EP Title: Primitive Minds
Release Date: November 7, 2025
Label: Self-Release
Location: Edmonton, AB, Canada
Genre: PsyDeathTechProg
Track Listing:
1. Your Vice is a Locked Door – (4:36)
2. Heliconian Optivisor – (3:40)
3. HYPERCUBE (Unfolding) – (2:59)
EP Length: 11:16
EP Recording Credits:
• All songs performed by: The Judge The Juror
• All songs written by: The Judge The Juror
• Produced by: The Judge The Juror
• Mixed by: Alpha Core Studios
• Mastered by: Alpha Core Studios
• EP Artwork by: Scotty Oakes
• Canadian Content (MAPL)

EP and Live Band Line Up:
Scotty Oakes – Guitar
David Frontenac – Vocals / Synth
Merrick Fenton – Bass
Nick Burpee – Drums
Blaise Marsh – Guitar

=========================================================

About The EP Artwork:

A painted psychedelic interpretation of the human mind.

About The EP:

This EP is conceptual around the idea of how we as humans are cursed with having a primitive mind in a modern world, and the dichotomy of this reality.

Track by Track:

1. “Your Vice is a Locked Door” – punishing and unrelenting musically, a reflection of what the algorithmic social media landscape is doing to our humanity. Commoditizing us while dividing us and sublimating our base instincts.

2. “Helciconian Optivisior” – the song creates a mesmerizing, fast-paced assault of sonic force, helping to underpin the lyrical. The idea of being trapped behind viewing the world through red lenses, while trying to break through to some sense of true human connection.

3. “HYPERCUBE (Unfolding)” – jarring yet entrancing, techy-death that feels like it might have come from outer space. An exploration of human emotion and how it doesn’t always work in our best interests. Reflecting the internal battles we have within us that create a mental push and pull, which is being exploited by the “powers-that-be” of our society.

===========================================

FUN FACTS:

1. We made up a genre (PSYDEATHTECHPROG) to be both descriptive of our unique sound, and a tongue-in-cheek joke about how niche metal has become (“it’s not death metal, it’s blackened tech sludge!” 🡨 We’ve all heard something like this, lol).

2. Merrick has been playing bagpipes with a Scottish Highlands band since the age of 5, and we plan to have a bagpipe feature on our next EP.

3. We’re going on our second-ever tour starting Aug 21, 2025, with The Hallowed Catharsis and Plague Doctor, and we plan to be on the road even more in 2026.

4. David introduced the synth element to the band in late 2023, and it has now become part of our signature sound. He always comes up with unique/weird synth tones because he is equally weird.

5. One time, while on the road with our friends Kelevra, we found out their guitarist, Brett, was feeling under the weather, so we went to the local pharmacy, made him a care package, and presented it to him at the next venue. This was all video documented and can be viewed on our social media.

L-R: Blaise Marsh (Guitar), David Frontenac (Vocals / Synth), Scotty Oakes (Guitar), Nick Burpee (Drums), Merrick Fenton (Bass)

Photo Credit – Agnes Benson

Amidst the vast landscape of tedious and semantic metal subgenres, The Judge The Juror emerges to carve out the latest niche: PSYDEATHTECHPROG.

Combining technical metal riffage, intricate drum grooves, and experimental synthesis elements to dazzle the mind, along with a blistering high-energy live presence, The Judge The Juror is making moves to solidify themselves as a leader in Western Canadian Metal experimenters.

Discography:
2025 – Primitive Minds – EP
2024 – Harmony in Discord – EP

Shared Stage with: Alleageon, Art of Attrition, Beguiler, Into Enternity, Kelevra, Opal in Sky, Forsaken Rite, Age of Ashes, Our Last Crusade, Victoria Lies, Floodgate, Supermodel Taxidermy

Tours and Festivals:
2025 (Upcoming Aug 21) – Insanity in the Interior Tour w/ The Hallowed Catharsis and Plague Doctor
2025 – Alternative Waves Music Festival – Medicine Hat, AB
2024 – Party in the Park – Ft McMurray, AB
2024 – May Long Mini Tour – Edmonton, Prince Albert, Saskatoon, Calgary

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