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0 Vancouver’s THE INTERROGATION Returns with “Wicked Happy” – A High-Energy Anthem of Awkwardness, Hope, and Defiance

  • September 19, 2025
  • by Asher
  • · Music News · The Interrogation · Uncategorized

NEWS RELEASE

Montreal, QC – September 19, 2025

Vancouver’s THE INTERROGATION Returns with “Wicked Happy” – A High-Energy Anthem of Awkwardness, Hope, and Defiance

L-R – Joel French (Lead Vocals, Bass), Thomas Turner (Lead Guitar, Backup Vocals), Sebastian Valdivia (Drums), Erik Nguyen (Rhythm Guitar, Backup Vocals)

Photo Credit – Shimon Karmel

After five years of silence, Canadian pop punk outfit The Interrogation roars back with their electrifying new single “Wicked Happy”, marking the band’s first release since their 2020 debut EP “Posters On My Wall.” Accompanied by a dynamic music video, the track is a bold declaration of phase two for the band, now a full lineup, playing live across British Columbia and gearing up for a wider Western Canadian tour.
​
​“Wicked Happy is the first song we’ve released since the band turned from my solo project into a full band. It’s a springboard into everything we’ve become, high-energy, uplifting, and unapologetically real,” says frontman Thom Turner (ex-Freya, ex-Hawthorne Heights touring guitarist).
​
Originally conceived in the wake of personal tragedy, The Interrogation began as Turner’s solo project following the loss of his mother in 2018. What started as a cathartic songwriting outlet evolved into a full band with a mission: to turn awkwardness, grief, and isolation into connection, community, and catharsis.
​
​“Wicked Happy” delivers exactly that. With punchy guitar riffs, call-and-response vocals between Turner and bassist Joel French (Vultures At Dawn), and a chorus built for gang vocals and mosh pits, the track channels the raw energy of the band’s live shows. Lyrically, it’s a rallying cry for anyone who’s ever felt like they didn’t fit, a message of defiance and self-discovery wrapped in a melodic, riff-driven package.

Turner explains further:

“It’s about never quite fitting in. About reaching beyond what others expect and growing into something stronger than anyone said you could be.”​
​
The single also marks French’s debut as a lead vocalist, a role he’s held since 2022. The accompanying music video captures the band’s signature live intensity, no backing tracks, no polish, just pure pop punk sincerity.
​
The artwork, created by drummer Sebastian Valdivia, sets the tone: a sun just out of focus, daring you to squint, stretch, and reach for the sky.
​
Fans of New Found Glory, Four Year Strong, Coheed and Cambria, and A Day To Remember will find plenty to love in The Interrogation’s sound, described as energetic, catchy, heavy riffs, guitar-driven, and even more in their story. With members hailing from New York, Saskatchewan, Vancouver, and Colombia, the band brings a rich tapestry of backgrounds and influences to their music.
​
With more singles planned for early 2026, “Wicked Happy” is just the beginning. For The Interrogation, the message is clear: awkwardness is power, and punk is for everyone.

Watch and listen to the music video for “Wicked Happy” at https://youtu.be/jzvj_FmVhBk

​

Add to your Spotify playlist – https://distrokid.com/hyperfollow/theinterrogation/wicked-happy​

Single Credits:​
Performed by The Interrogation
Written by Thomas Turner
Produced by The Interrogation
Recorded, mixed, and mastered by Matt Roach at Rain City Recorders
Song Artwork by: Sebastian Valdivia
Member of BMI
MAPL – Canadian Content Artist and Performance
​
​Single Band Lineup:​
Joel French – Lead Vocals, Bass
Thomas Turner – Lead Guitar, Backup Vocals
Travis Howie – Rhythm Guitar
Nik Eason – Drums

More info:

​https://www.facebook.com/theinterrogationband​

​https://www.instagram.com/theinterrogation/​

-30-

“Posters On My Wall, a solid EP that combines solid musicianship and stellar songwriting, giving us something positive to latch onto during the pandemic when so many of us sorely needed it. With influences that range from New Found Glory and Story of the Year to Coheed and Cambria, The Interrogation has a sound that is a unique blend of pop-punk with a dash of hardcore and a smidge of old school punk riffage. The band shines on every track whether it’s the harder-hitting “Final Mystery” that touches on feelings of alienation or the summer, feel-good song “Shine” that has the band reminiscing of summers gone by.” – Shutter 16 (2021 – Interview)

—
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0 HUMAN MISSILE CRISIS Slither New Single “Snake In The Grass” Ahead of Opening For PROPAGANDHI In Halifax Sept 23rd

  • September 19, 2025
  • by Asher
  • · Human Missile Crisis · Music News · Uncategorized

NEWS RELEASE

Montreal, QC – September 19, 2025​

HUMAN MISSILE CRISIS Slither New Single “Snake In The Grass” Ahead of Opening For PROPAGANDHI In Halifax Sept 23rd

New Two-Track EP “Waste Away” Out Fall 2025

L-R – DJ Vaters – Guitar/Vocals, Matthew MacIsaac – Drums, Justin Boutilier – Bass

Human Missile Crisis is back with a vengeance. The Cape Breton-born, Dartmouth-based trio has just dropped their latest single, “Snake in the Grass,” the first track off their upcoming two-song EP “Waste Away.” The release comes just days before the band opens for punk legends Propagandhi in Halifax, Nova Scotia, on September 23rd (ticket info), marking a major moment in their journey through Canada’s underground rock scene.
​
​“Snake in the Grass” is a blistering, danceable anthem that blends fast, fun drums with slidey guitars and a bass solo bridge that’s as unexpected as it is beautiful. Lyrically, it’s a cautionary tale about betrayal and the kind of people who smile to your face while sharpening knives behind your back. Inspired by a surreal walk through a rattlesnake-infested vineyard in Osoyoos, BC, frontman DJ Vaters channels personal experience into a track that’s as cathartic as it is catchy.
​
​“This one’s for anyone who’s ever been burned by someone they trusted. It’s upbeat, it’s raw, and it’s got a Bloc Party kind of vibe that we’re really excited to share,” says Vaters.
​
The single is part of “Waste Away,” a two-track EP recorded live off the floor with Jamie Foulds, who engineered and mixed the record. The second track, “Mona Lisa,” will follow shortly and offers a more introspective look at the loneliness of night-shift life and the longing for connection. Together, the songs showcase the band’s evolution from heavy punk roots to a more nuanced garage rock/post-punk hybrid.
​
Known for their explosive live shows and deep camaraderie, Human Missile Crisis treats every gig like a house party with friends.

“We don’t want fans, we want family. We want people to laugh, sing, and dance with us. That’s the whole point,” says drummer Matt MacIsaac.
​
With influences ranging from Idles and Fucked Up to The Hives and Television, Human Missile Crisis continues to carve out a sound that’s both familiar and fiercely their own. “Waste Away” is the follow-up to their 2023 debut album “Liquor Store Stories,” and if “Snake in the Grass” is any indication, the band is only getting louder, sharper, and more honest.
​
Catch Human Missile Crisis live with Propagandhi on September 23rd in Halifax, and until then, crank “Snake in the Grass” and dance like nobody’s watching.

Listen to “Snake in the Grass” at the following links:

Spotify – https://distrokid.com/hyperfollow/humanmissilecrisis/snake-in-the-grass​

YouTube – https://youtu.be/fPLVlq1qVrE

​

More info: https://linktr.ee/humanmissilecrisis​

-30-

“When it comes to partying and being young, there are many “highs” and lows, as Human Missile Crisis draws our attention to in their new single “Too Long.”… The clip gives you a good look at these Dartmouth rockers in action. With fuzzed-out guitars and a garage rock spirit, these three young men know how to command a stage. The video captures what they do best: play live. The band members pride themselves on being a high-octane live act. That’s what the video is meant to emphasize: guys who can rock a stage like they rocked their parents’ garage growing up.” – V13

“With it’s thundering and infectious bassline, crunchy guitars, thrashing drums, and gritty heartfelt vocals, Human Missile Crisis easily achieved the powerful and memorable with “Blackwater”.” – Amplify The Noise

“Three friends and a long-standing passion for punk rock and garage, understood in their most jaunty and enjoyable expressions: they are human missile crisis, here grappling with their recording debut. What is striking right from the start is the light-heartedness that expert frequenters of the reference scene such as DJ VATERS, JUSTIN BOUTILIER and MATTHEW MACISAAC have been able to pour into the nine, lightning-fast moments that make up the album; the verve is ironic and semi-serious, the aim is fun, sarcasm and provocation: all elements which, mixed properly with direct and immediate sounds, come to compose a picture that is nothing short of caustic and full of sparkling ideas. The creativity released by the band is contagious: Liquor Store Stories echoes that kind of spontaneity traditionally inherent in the reference genres. And it offers half an hour of healthy entertainment in the name of bombastic pieces in which technique gives way to the desire to play together, to a sense of friendship that emerges with vigor from the grooves of the work and to a spontaneous and genuine approach. A debut that follows the dictates of tradition, proudly claiming its brilliant originality” – Rock Hard Italy

“I had a weird sensation while listening to the massive punch and swagger of “Liquor Store Stories” by Dartmouth, Nova Scotia based Human Missile Crisis. Not only is the title amazing and sounds like an anthology series on Hulu, the crunchy assaulting guitars, the nimble hyper bass lines, atomic drumming and strident vocal scowling aesthetic had me thinking of a 70’s Mod revival rock band instead of a punk outfit, namely, the iconic JAM. Maybe it is the major 7th and miner chords I think I am hearing, maybe it is the vocal countenance that does have a heavier sort of iteration of Weller, and maybe it is the fury of the bass and drums, of everything really. And it also might be the sense of talking about the inner workings of hometowns. By the way, sonically, I also thought of an amalgam of early punk like the Buzzcocks and more current bangers like Prince Daddy & The Hyena.” -Robb Donker Curtius / American Pancake

“Merging elements of Garage Rock and Post-Punk, they end up delivering an exciting song to the listener, with great melodies and which stands out mainly for its great rhythmic work, with its striking bass line and vocals with great melodies.” -Leandro Vianna / Roadie Metal

“Maybe “Blackwater” from Dartmouth, Nova Scotia based Human Missile Crisis is about wishing those who disappeared from your life well, maybe not. Maybe it is all about the glorious noise, the throttling bass bottom heaviness that kicks you in the gut, maybe not. Maybe it is about finding what you are searching for and not dive deep into the blackness to find it, maybe not. In the end, maybe Human Missile Crisis feels like Black Sabbath, The Dead Kennedys, Coachwhips, Bass Drum of Death atom smashed together into something else entirely, something visceral and impactful.” -Robb Donker Curtius / American Pancake

“”Liquor Store Stories” is a single recently dropped by Nova Scotia-based band, Human Missile Crisis. Boasting an infectious energy equipped with melodic vocal flows and anthemic instrumental work, this is a powerful new tune that delivers a unique blend of styles. Elements of punk, garage rock, indie, and emo are all present here, and the band shines brightly by creatively blending all the influences into one full sound.” -Havoc Underground

“”Too Long” is a melody that will really provoke something powerful and luminous in you with its most violent and rhythmic rhythms, capable of awakening the monster that you keep inside of you, this band will shake you with this crazy song bathed in the best alternative sounds and aggressive sounds of punk fused with the darkness of a more balanced rock.” -End Sessions

“‘Too Long’ by Human Missile Crisis is an energetic, aggressive and dark punk and rock whose instruments provide an auditory explosion in the best of the senses, causing a piece of music full of rhythm to be manufactured. While listening to the song I couldn’t stop moving my head back and forth because of how catchy it is, it’s one of those songs that you fall in love with in a second. I loved the song from start to finish and I hope you do too.” -Javier Alfonso / La Caverna

“The album begins with “Do you Remember”, a song that has a powerful guitar in its intro and remains that way, but from the beginning you say this album is not going to stop, it is going to maintain that hard and aggressive rhythm, although They also have California punk songs like “The Spark”, and of course they also have songs like “Distant Memory”, with a slower rhythm, but with the same strength in the voice. This album really has 9 incredible tracks for those who like garage and punk, and also get into slam.” -Miguel Castillo/ La Caverna

“Opening the record is ‘Do You Remember’, a three-minute romp that must be powered by Jack Daniels because the vocals have that tinge of Lemmy about them. The track ebbs and flows for those 180 seconds but always comes back to the punchy punk-rock vibe that is at the core of Liquor Store Stories.” -Dan Hemming / Hard Beat Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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Instagram – AsherMedia
Tweet – AsherMedia

0 STELLVRIS Unleashes Ferocious Single “Silence After Violence” from Upcoming EP “Shatter and Bloom” Out Nov 2025

  • September 19, 2025
  • by Asher
  • · Music News · Stellvris

NEWS RELEASE

Montreal, QC – September 19, 2025​

STELLVRIS Unleashes Ferocious Single “Silence After Violence”

New EP “Shatter and Bloom” Out Nov 7th, 2025

L-R – Libor Hřebík (Bass), Andreas Polášek (Guitar), Nicol Hofman (Vocals), Hanz Polášek (Drums)

Photo Credit – Julia Ramm

European (Prague, CZ) modern metal band Stellvris has dropped their latest single, “Silence After Violence,” a searing anthem from their upcoming EP “Shatter and Bloom,” set to release on November 7. Produced by Christoph Wieczorek (Annisokay, Caskets) at Sawdust Recordings, the track delivers a visceral punch, confronting the rising aggression in society and channeling it into a cathartic, high-voltage experience.
​​
“We see violence and frustration creeping into younger generations, and it’s terrifying. This song is a wake-up call — a cry for awareness and action,” 
says vocalist Nicol Hofman.
​
Founded in 2019, Stellvris has built a reputation for turning pain into power. Their music speaks directly to those battling anxiety, toxic relationships, bullying, and the weight of everyday struggles. With past releases “Upside Down” (2022) and “Persistence” (2023), the band carved out a sound that’s crushingly heavy yet hauntingly melodic, winning fans across Europe and the UK.
​
But Stellvris is more than just a band; they’re an experience. Known for electrifying live shows that include circle pits, walls of death, and stage dives, they’ve shared stages with Megadeth, Jinjer, The Ghost Inside, and more, and have lit up festivals like Summer Breeze, Brutal Assault, and Basinfirefest.
​
​“Silence After Violence” is the fourth single from “Shatter and Bloom,” a five-track EP that explores destruction, rebirth, and the emotional chaos of modern life. Each song is rooted in real stories, from the scars of toxic relationships to the emptiness of digital escapism, and crafted to empower listeners who need it most.
​
​“Our lyrics come from personal experiences and stories our fans share with us. We want people to feel seen, heard, and stronger after listening,” Hofman explains.
​
Musically, Stellvris blends metalcore, nu-metal, pop, and electronic elements into a sound that’s as catchy as it is brutal, drawing in even non-metal listeners with melodic choruses and bone-crushing breakdowns. During the recording of the EP, the band even captured a viral studio moment when their guitarist used phone vibrations to create a unique sound, leading to the now-infamous “WAKE UP MOTHERF***ER” breakdown.
​
With “Shatter and Bloom,” Stellvris continues to push boundaries, both musically and emotionally. The EP closes with a metal reimagining of Nicki Minaj’s “Starships,” proving that even amidst heavy themes, there’s room for joy, release, and celebration.
​
​“It’s never just about the sound. It’s about creating a safe space where pain turns into resilience, and where the silence after violence is shattered by music,” says Hofman.

Recommended for fans of Jinjer, Spiritbox, Holy Wars, Arch Enemy, and I Prevail, listen to “Silence After Violence” at the following links:

Visualizer – https://youtu.be/zJK1Ch9WbuA

​

Add to your Spotify playlist – https://open.spotify.com/track/2cnmO3deE3ZCcgfH3gCHZx​

Previous Videos:

Starhips (Nicki Minaj) – https://youtu.be/NB60FdC6B1Q

​Monster – https://youtu.be/JsamTLqtLAs

​

Track Listing:​
1. Shatter and Bloom – 3:18
2. Silence After Violence – 3:14
3. Monster – 4:16
4. Time’s Up – 3:32
5. Starships (Nicki Minaj Cover)
EP Length: 18:27
​
​EP Credits:
​
• All songs performed by: STELLVRIS
• All songs written by: STELLVRIS
• Produced by: Christoph Wieczorek of Sawdust Recordings
• Mixed by: Christoph Wieczorek of Sawdust Recordings
• Mastered by: Christoph Wieczorek of Sawdust Recordings
• EP Artwork by: František Jelen
​
​Band Line Up:
​
Nicol Hofman (vocalist)
Libor Hřebík (bassist)
Andreas Polášek (guitarist)
Hanz Polášek (drummer)

More info: https://linktr.ee/stellvris.band​

-30-

“Ready-made for fans of Spiritbox and Holy Wars, STELLVRIS’ latest takes on the theme of a toxic relationship, whether romantic, platonic or professional, and urges the listener to push back and escape. As for the video, it captures the band in action, with vocalist Nicol adopting distinct personas, including a red-cast demonic one.” – Revolver Magazine​

“Stellvris work best because they are able to balance the more melodic aspects of modern metal with a scorching amount of heaviness. There’s an overall adrenaline injection and flow to Persistence that makes it incredibly digestible, with the need to listen to it over again to get that same rush once it finishes. What’s great is that the aggression sticks around on repeated listens, without giving you a case of diminishing returns. Expect big things from this act in their near future for sure, but Persistence already establishes them as a modern metal force to be reckoned with.” – Dead Rhetoric (2023 – Persistence)

“The latest single “Scorpio” was a perfect song to sum up STELLVRIS’s musical identity as a band. The energetic riff and beats with Nicol switching between clean vocals and harsh vocals and even harsher vocals have been a common denominator for almost every song by STELLVRIS. “Scorpio”, however, took that electrifying awesomeness and multiplied it by a thousand! The song is three minutes of pure energy that even my conservative grandmother would headbang to (going to test this theory next family dinner). It’s a song that would be perfect when performed live! Of course, the song was released with a music video that matches the quality of the audio with visual Metal brilliance.” – FemMetal (2023 – Single – Scorpio)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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0 EPK – Human Missile Crisis – Waste Away (2025)

  • September 19, 2025
  • by Asher
  • · EPKs · Human Missile Crisis

EPK – Human Missile Crisis – Waste Away (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Idles, Fucked Up, Pup, Ty Segall, Queens of the Stone Age, Single Mothers, Cloud Nothings, Solids, The Dirty Nil, Propagandhi

All Links: https://linktr.ee/humanmissilecrisis

Digital Pre-Save- https://distrokid.com/hyperfollow/humanmissilecrisis/snake-in-the-grass

Instagram.com/humanmissilecrisis | Facebook.com/missilecrisis | Youtube.com/@humanmissilecrisis

Humanmissilecrisis.bandcamp.com | Spotify | Youtube Music | Apple Music | Deezer

“When it comes to partying and being young, there are many “highs” and lows, as Human Missile Crisis draws our attention to in their new single “Too Long.”… The clip gives you a good look at these Dartmouth rockers in action. With fuzzed-out guitars and a garage rock spirit, these three young men know how to command a stage. The video captures what they do best: play live. The band members pride themselves on being a high-octane live act. That’s what the video is meant to emphasize: guys who can rock a stage like they rocked their parents’ garage growing up.” – V13

“With it’s thundering and infectious bassline, crunchy guitars, thrashing drums, and gritty heartfelt vocals, Human Missile Crisis easily achieved the powerful and memorable with “Blackwater”.” – Amplify The Noise

“Three friends and a long-standing passion for punk rock and garage, understood in their most jaunty and enjoyable expressions: they are human missile crisis, here grappling with their recording debut. What is striking right from the start is the light-heartedness that expert frequenters of the reference scene such as DJ VATERS, JUSTIN BOUTILIER and MATTHEW MACISAAC have been able to pour into the nine, lightning-fast moments that make up the album; the verve is ironic and semi-serious, the aim is fun, sarcasm and provocation: all elements which, mixed properly with direct and immediate sounds, come to compose a picture that is nothing short of caustic and full of sparkling ideas. The creativity released by the band is contagious: Liquor Store Stories echoes that kind of spontaneity traditionally inherent in the reference genres. And it offers half an hour of healthy entertainment in the name of bombastic pieces in which technique gives way to the desire to play together, to a sense of friendship that emerges with vigor from the grooves of the work and to a spontaneous and genuine approach. A debut that follows the dictates of tradition, proudly claiming its brilliant originality” – Rock Hard Italy

“I had a weird sensation while listening to the massive punch and swagger of “Liquor Store Stories” by Dartmouth, Nova Scotia based Human Missile Crisis. Not only is the title amazing and sounds like an anthology series on Hulu, the crunchy assaulting guitars, the nimble hyper bass lines, atomic drumming and strident vocal scowling aesthetic had me thinking of a 70’s Mod revival rock band instead of a punk outfit, namely, the iconic JAM. Maybe it is the major 7th and miner chords I think I am hearing, maybe it is the vocal countenance that does have a heavier sort of iteration of Weller, and maybe it is the fury of the bass and drums, of everything really. And it also might be the sense of talking about the inner workings of hometowns. By the way, sonically, I also thought of an amalgam of early punk like the Buzzcocks and more current bangers like Prince Daddy & The Hyena.” -Robb Donker Curtius / American Pancake

“Merging elements of Garage Rock and Post-Punk, they end up delivering an exciting song to the listener, with great melodies and which stands out mainly for its great rhythmic work, with its striking bass line and vocals with great melodies.” -Leandro Vianna / Roadie Metal

“Maybe “Blackwater” from Dartmouth, Nova Scotia based Human Missile Crisis is about wishing those who disappeared from your life well, maybe not. Maybe it is all about the glorious noise, the throttling bass bottom heaviness that kicks you in the gut, maybe not. Maybe it is about finding what you are searching for and not dive deep into the blackness to find it, maybe not. In the end, maybe Human Missile Crisis feels like Black Sabbath, The Dead Kennedys, Coachwhips, Bass Drum of Death atom smashed together into something else entirely, something visceral and impactful.” -Robb Donker Curtius / American Pancake

“”Liquor Store Stories” is a single recently dropped by Nova Scotia-based band, Human Missile Crisis. Boasting an infectious energy equipped with melodic vocal flows and anthemic instrumental work, this is a powerful new tune that delivers a unique blend of styles. Elements of punk, garage rock, indie, and emo are all present here, and the band shines brightly by creatively blending all the influences into one full sound.” -Havoc Underground

“”Too Long” is a melody that will really provoke something powerful and luminous in you with its most violent and rhythmic rhythms, capable of awakening the monster that you keep inside of you, this band will shake you with this crazy song bathed in the best alternative sounds and aggressive sounds of punk fused with the darkness of a more balanced rock.” -End Sessions

“‘Too Long’ by Human Missile Crisis is an energetic, aggressive and dark punk and rock whose instruments provide an auditory explosion in the best of the senses, causing a piece of music full of rhythm to be manufactured. While listening to the song I couldn’t stop moving my head back and forth because of how catchy it is, it’s one of those songs that you fall in love with in a second. I loved the song from start to finish and I hope you do too.” -Javier Alfonso / La Caverna

“The album begins with “Do you Remember”, a song that has a powerful guitar in its intro and remains that way, but from the beginning you say this album is not going to stop, it is going to maintain that hard and aggressive rhythm, although They also have California punk songs like “The Spark”, and of course they also have songs like “Distant Memory”, with a slower rhythm, but with the same strength in the voice. This album really has 9 incredible tracks for those who like garage and punk, and also get into slam.” -Miguel Castillo/ La Caverna

“Opening the record is ‘Do You Remember’, a three-minute romp that must be powered by Jack Daniels because the vocals have that tinge of Lemmy about them. The track ebbs and flows for those 180 seconds but always comes back to the punchy punk-rock vibe that is at the core of Liquor Store Stories.” -Dan Hemming / Hard Beat Magazine

Band: Human Missile Crisis
EP Title: Waste Away
Release Date: Nov 14, 2025
Label: Self-Release

Single Title: Snake in the Grass
Single Length: Snake in The Grass – 4:22
Release Date: September 19, 2025

Single Title: Mona Lisa
Single Length: Mona Lisa – 5:23
Release Date: Nov 14, 2025

Track Listing:
1. Snake in the Grass – 4:22
2. Mona Lisa – 5:23
EP Length: 9:46

Singles Credits:
Recorded at Sound Park Studios by Jamie Foulds on June 1st, 2025
Mixed by Jamie Foulds
Mastered at Audiosiege in Portland, Oregon by Brad Boatright.
All songs written and performed by Human Missile Crisis.
DJ Vaters (Guitar/Vocals)
Justin Boutilier (Bass/Backups)
Matthew MacIsaac (Drums)

About the single:

=====================================================

EP Art Description:

The album art was designed by @sourrgrrrl designs. A local up-and-coming artist in our scene. After seeing a sticker of hers on a telephone pole, I loved the art style, so I reached out. I sent her the two unmastered tracks and basically just said Have a listen to these and see what you come up with. When working with artists, I prefer not to give too much instruction and just let them work their magic, and that’s how this one came to be.

About the singles, lyrically and musically:

This was our first time working together with Jamie in over 20 years. We originally worked with Jamie back in 2005 after our old band (Violent Theory) won an East Coast Music Awards battle of the bands that awarded us studio time with him.

These two songs are very different from each other, but overall convey the dynamic sound of Human Missile Crisis. Snake In the Grass is more on the upbeat, dancy side with some fun slidey guitars accompanied by lyrics about being on the lookout for those horrible people in life who are nice to your face but will turn around and stab you in the back at any chance they get.

Mona Lisa is a little more of a traditional rock song with a singer-songwriter vibe mixed with our style of loud, powerful, punk rock choruses. The words speak about things a lot of shift workers or traveling musicians can relate to, being gone for long periods of time and up and about during weird hours of the night for work when you could be home resting in bed next to your loved one. It speaks of a world where we’re all living, struggling to get through it to get back home to our loved ones. It’s something I think we all can relate to.

Track by Track. Lyrically and musically:

Overall, I like to keep my lyrics vague in a sense so that the listener can ultimately come to their own conclusions on what these songs mean, but here’s some insight.

Snake in the Grass has multiple themes within it and is the more dancey, upbeat song of the two. At first, when writing it, memories returned to me of a time when I found myself in the desert of Canada. A place called Osoyoos, British Columbia. When walking through a vineyard, I noticed “Danger rattlesnake crossing” signs posted around, and you could see their slithering trails in the sand. A friend said to me, “Look out for snakes in the grass,” and it always stuck with me. This phrase, used for hundreds of years, describes a treacherous person, a person you think is your friend, or even lover, who could turn around and stab you in the back at any moment. We all have encountered them in our lives and have stories to tell regarding how they hurt us or attempted to hurt us. This one is part of my story.

Mona Lisa is a more traditional rock song with a heavier punk rock chorus. Written about my own life and vampire-like schedule, working late-night shifts, and being away from loved ones who work the regular day shift. It’s a song I think a lot of people can relate to, especially touring musicians and any shift worker. Having to be away for long periods of time when you just want to be home in bed with your loved one is a tough thing to work through, but it’s something a lot of us do experience.

=========================================================

Band story angles / Fun facts

-Worked with award-winning engineer Jamie Foulds for the first time in over 20 years on these two new singles

-Both songs recorded and mixed in one single 10-hour day at Soundpark Studios in Sydney, Cape Breton

-Our album release show in Sydney was double-booked by the promoter. We advertised a 9PM start time for a month leading into the show, and upon arrival, we came to find out that the venue double-booked a sold-out stand-up comedy show that started at 8pm and ran until 930… They also refused to let anybody into the venue at 9pm who arrived for the normal start time of our show.

-The debut album was mostly recorded over two days back-to-back. 10 hours a day, live off the floor.

-The very first song we released back in 2021, “Humble Creatures,” was also recorded by Braden Kamermans. I first met him when booking his band into our shared rehearsal spac,e and he mentioned he was looking for a band to record for his music recording program at the Nova Scotia Community College. I liked what he did so much that once he graduated, I approached him to do the full album with us.

-We have been friends going back as far as 1991 and playing together in bands in one form or another since 2003. We’ve also all lived together as roommates for extended periods of time.

-DJ has a tattoo of Hank Hill that says, “She’s alright, she’s alright, she’s alight… Propane. He also has a tattoo of a goat. Wearing a bandana, with braids… a willy goat if you will. You know? Like Willy Nelson. Willy, Billy… Willy goat… get it?

-Matt and Justin once played in a dinner theater together, and this is where Matt started to play drums. He was always the lead guitarist prior to this in our old band, and DJ was the drummer. In the dinner theater group, nobody could play the drums, so Matt stepped up and basically just learned as the dinner theater went along. Matt and Justin also once played in a one-night-only “The Band” tribute band… called “Crazy Chester” Take the load off fanny, take the load for free…

============================================================

L-R – Matthew MacIsaac – Drums, DJ Vaters – Guitar/Vocals, Justin Boutilier – Bass

Human Missile Crisis is the sound of chaos finding catharsis. Born from the grit of Cape Breton Island and now rooted in Dartmouth, Nova Scotia, this trio blends punk urgency with garage rock swagger to create music that’s raw, real, and relentlessly honest. Their songs are a lifeline for anyone teetering on the edge of their thirties, still trying to make sense of relationships, addiction, depression, and the absurdity of modern life.

Frontman DJ Vaters has been crafting music since his teenage years, first thrashing through punk sets with his best friends, then diving into electronic experimentation in solitude. But when the digital world lost its spark, DJ turned inward, writing songs that reflected the heavier truths of his life. That introspection laid the groundwork for Human Missile Crisis.

Reuniting with longtime friends and former Violent Theory bandmates Justin Boutilier and Matt MacIsaac—also known for their work in Halifax’s garage rock duo Elk Lodge—the band found its pulse. Together, they transformed DJ’s raw sketches into fully realized sonic explosions. Their sound is a collision of fuzzed-out guitars, bouncing basslines, and unpredictable rhythms, channeling influences like Idles, Fucked Up, The Hives, and Television. Think punk with a post-rock brain and a bluesy heart.

Their 2023 full-length release, “Liquor Store Stories showcased the band’s dynamic range. Now, in 2025, the band returns with two follow-up singles to create the EP “Waste Away”. From the danceable paranoia of “Snake in the Grass” to the aching, nocturnal longing of “Mona Lisa,” Human Missile Crisis proves they can swing between moods without losing their edge. Every lyric is pulled from the DJ’s lived experience, and every riff is shaped by the trio’s collaborative fire. Whether it’s a fast punk beat or a mid-tempo groove, the band lets the music lead—and the result is always electric.

Live, Human Missile Crisis is a celebration of connection. They treat every show like a house party with friends, loud, sweaty, and full of laughter. They don’t want fans; they want family. And whether you’re screaming along or just soaking it in, you’ll leave knowing you weren’t alone in the chaos.

For fans of PUP, Ty Segall, The Dirty Nil, and Cloud Nothings, Human Missile Crisis is more than a band; it’s a reminder that music can still punch you in the gut and pull you back to your feet.

Previous Release
Humble Creatures – (Single/June 26TH 2021)
Liquor Store Stories – (Single/07/28/2023)
Blackwater – (Single/08/11/2023)
Too Long – (Single/08/18/2023)
Liquor Store Stories – (Album/August 25th, 2023)

Shared the stage with.
Propagandhi, Botfly, Chastity, Single Mothers, Elk Lodge, Analog Signal, Dazor, Fungus, The Hellfiends, The Scoop Outs, Artificial Dissemination, Designosaur, Dimension Boys, Shelly, Bullet Bill Club, The Bombed Solid, Chosen Lung, Rootabagga, Heavy Early, The Cathartics, Holly Snappers, The B+ Players, Hemineglect, Rad & Subtract, Vulpine, Topless Models, Backyard Action Heros, More Amour, North Of Nowhere, All Honesty, The High Tide, The Goodbye Summer, Suspex, Squander, Denacious T, Baited, High October, Johnny C, The Bloody Hell, Columns Of Clouds, The Screaming Seaman, Radio Roulette, Fire Valley Fire, Customer Service, Kyle Sveinson Band, Juice Box, Vormir, Dirtmouth, Bring Me Sleep, Conductor, Sleepless Nights, Book Buddies, Atay & Jax, Electric Spoonful, Pretty Alrights, Girls With Guns, Hushmetal, Novichok, Lazyhorse, Bologna Colorado, Half-Dead Serious, Acid Wash
Festivals:
July 22nd, 2022 – Halifax Havoc – Halifax, NS
June 2nd, 2023 – Spoonapalooza – Halifax, NS
July 6th,  2024 – Halifax Havoc – Halifax, NS
October 12th, 2024 – Gobblefest – Sydney, NS
July 5th, 2024 – Halifax Havoc – Halifax, NS

0 Dark Tales of Redemption Await with IN VIRTUE’s Music Video “Gunslingers of the New American Desert” From Upcoming Album “Age of Legends” Out Nov 2025

  • September 18, 2025
  • by Asher
  • · IN VIRTUE · Music News

NEWS RELEASE

Montreal, QC – September 18, 2025

Dark Tales of Redemption Await with IN VIRTUE’s Music Video “Gunslingers of the New American Desert”

New Album “Age of Legends” Out Nov 2025

L-R Bruno Valverde (drums), Jamie Hush (bass), Trey Xavier (guitar/vocals), Alex Nasla (keys), Rami Khalaf (guitar)

Phot Credit: Felix Martin

In Virtue, the Los Angeles genre-defying metal band known for emotionally raw storytelling and cinematic soundscapes, is proud to announce the release of their third studio album, “Age of Legends,” arriving November 21st, 2025. Alongside the announcement, the band unveils their first single, “Gunslingers of the New American Desert,” accompanied by a gripping music video that sets the tone for the album’s dark, redemptive journey.

“Gunslingers is by far the heaviest song in the In Virtue catalog. It really sets the mood for a dark and harrowing tale. It brings you along for the ride as the antihero of the story returns from his self-imposed damnation to the real world and starts breaking bad after seeing a world of opportunity open up. He once again sets aside his humanity to pursue power through violence and corruption in a lawless land. In the end, he comes face to face with the consequences of his lack of empathy, and finally truly comes to grips with how he’s trading his soul for something empty,” adds guitarist and vocalist Trey Xavier.

Watch and listen to the music video for “Gunslingers of the New American Desert” via its premiere on Metal Injection HERE.

Add To Your Spotify Playlist – https://orcd.co/invirtuegunslingers​

Fronted by YouTuber and Gear Gods founder Trey Xavier (also featured on viral hit “Dread Machine”), In Virtue blends power, progressive, and melodic death metal. The third full-length took six years to complete after their producer ghosted the band with just 10% left to finish, forcing Xavier to finish vocals in his home studio. The final product is a full-bodied concept album, “Age of Legends”, which follows a flawed protagonist inspired by the myth of Sisyphus. Through a narrative of self-forgiveness and existential reckoning, the 14-track album invites listeners to reflect on their own inner battles.

“I think fans will be pleasantly surprised, because although it builds on our past releases, it’s really the ultimate form of the same beast. The casual listener will be able to enjoy all of it without clocking the story, but anyone who wants to go deeper will be rewarded with the dark journey of a deeply flawed character on a quest to forgive himself by asking the big questions, making mistakes, and doing the hard work. It’s an emotional deep dive, a rollercoaster of textures and colors, but a cohesive trip that doesn’t just feel like a series of disconnected singles. A true concept album, the kind you should turn your phone off and light a candle to listen to on your bed with headphones from start to finish. A relatable protagonist who seeks what we all seek, to love himself in spite of himself and his flaws, to know himself deeply, and to win his battle against crushing self-doubt,” adds Trey Xavier – In Virtue.

The album’s artwork was created by former Dark Tranquillity guitarist Niklas Sundin and depicts Sisyphus breaking free from his eternal punishment, a visual metaphor for the record’s central theme of liberation and self-redemption.

Recommended for fans of Soilwork, Amaranthe, Shinedown, Symphony X, and Bad Wolves, In Virtue’s “Age of Legends” is available for pre-order / pre-save at https://orcd.co/agofle​
​

Track Listing:​
1. Ascent Glorious (00:36)
2. Sisyphus Awakening (4:55)
3. Karma Loop (ft. Charlotte Wessels) (3:35)
4. Push That Rock (2:46)
5. Purgatory (4:39)
6. Exposed (3:27)
7. Scream (3:40)
8. Where The Edges Meet (3:16)
9. Gunslingers of the New American Desert (4:42)
10. Desolation Throne (3:03)
11. Thoughts in Freefall (ft. Dave Davidson of Revocation) (4:10)
12. The River (2:24)
13. Tempus Fugue (ft. Chaney Crabb of Entheos) (8:05)
14. Descent Limitless (1:22)
Album Length: 50:40

More info: Facebook.com/invirtue | Instagram.com//invirtue​

About:

Los Angeles, California’s In Virtue is a band forging a new path, abandoning outdated conceptions of what heavy music is to redefine metal for a new era. Although In Virtue was initially formed in 2004 in California’s Bay Area, the band’s rebirth in 2015 is where the real story begins.

That’s when founding guitarist Trey Xavier made the difficult decision to take over lead vocals, move south to LA, and start the band over with a new lineup. This was the catalyst they needed, and the band’s final form took shape. Adding keyboardist Alex Nasla (The Mourning, ex-Witherfall), guitarist Rami Khalaf, and bassist Jamie Hush, their new sound was freed.

“I was tired of other people singing what I was writing,” says Trey (who you may know from his popular YouTube channel). “We had some pretty good singers, but it always felt like a compromise. It was pretty scary – I was 28 and I had never seriously sung before. But all the work I put in paid off, because now I can create my music as I envision it.”

And what a vision it has become – the band’s forthcoming album Age of Legends, due out in 2025, tells a haunting tale of Sisyphean struggle and redemption through a modern lens. This new era of In Virtue brought their first new music, 2019’s single “Purgatory”, which gave the world a brand new sound. Combining elements of power metal, groove, progressive metal, and pop, but somehow sounding like none of the above, “Purgatory” defined the sonic future of the band.

The singles “Where The Edges Meet” and “Scream” followed soon after to expand on the story, each moving the story forward and bringing new life to the characters and their pain.

With way more to come on Age of Legends, In Virtue is looking forward to the next chapter and bringing their story to the world.

-30-

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0 Streaming Now! ANCIENT THRONES’ New Concept Album “Melancholia” Plunges Listeners Into A Surreal Narrative

  • September 18, 2025
  • by Asher
  • · Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – September 18, 2025

Streaming Now! ANCIENT THRONES’ New Concept Album “Melancholia” Plunges Listeners Into A Surreal Narrative

Ancient Thrones Current Line Up

L – Matt LeBlanc (Bass) | Top – Dylan Wallace (Guitar) | Bottom – Sean Hickey (Drums & Vocals) | R – Nick Leslie (Guitar)

Photo Credit – Matt Leblanc

Ancient Thrones, the Canadian progressive blackened death metal force known for their visceral storytelling and relentless sonic assault, is set to officially release their long-awaited sophomore album, “Melancholia,” on September 19th (Vinyl and Digital), and can be heard in full before its unleashed via its album stream premiere on Decibel Magazine HERE.
​
Described by the band as “the sound of existential exhaustion,” “Melancholia” is a 42-minute concept album that plunges listeners into a surreal narrative: a colourblind protagonist takes hallucinogens in a desperate attempt to see colour, only to spiral into a kaleidoscopic nightmare. From the explosive opening of “A Moon Fused Key” to the haunting decay of “Vacant,” the album is a relentless barrage of speed, aggression, and cinematic atmosphere.
​
​“This is truly an unapologetic extreme metal concept album. It’s a bad trip you can’t escape, jagged, abstract, and emotionally devastating,” says the band.
​
Formed in 2011 and rebranded in 2018, Ancient Thrones has evolved into a fully realized extreme metal entity, thanks in part to the addition of multi-band virtuoso Dylan Wallace. The writing process began in early 2020, just as the world was descending into pandemic-induced uncertainty. Rather than reflect the global crisis directly, the band channeled their energy into crafting a deeply personal and psychologically intense record.
​
​“We’re proud to share this album with our fans, old and new. We hope it moves you in unnatural ways. Enjoy the trip while it lasts,” adds the band.
​
​“Melancholia” is not just an album; it’s an immersive experience. The band’s signature blend of fast, extreme, progressive, cinematic, and existential metal is on full display, with every track contributing to the overarching narrative. Lyrically, the album explores themes of trauma, hallucination, and the dangers of idealism, all inspired by real-life experiences and a harrowing psychedelic episode.
​
Drawing inspiration from bands like The Red Chord, The Faceless, Archspire, and Deafheaven, Ancient Thrones pushes the boundaries of extreme music. Their sound is rooted in black metal, 2000s death metal, and modern tech death, but their cinematic approach and lyrical depth set them apart.
​
With “Melancholia” out on September 19, 2025, the band is already writing new material for the follow-up. Fans can expect more crushing, emotionally charged music in the near future.​
​
​Album pre-order (Vinyl, Digital) – https://ancientthrones.bandcamp.com​

Lyric Video – “A Moon Fused Key” – https://youtu.be/IfDBNhlJ0sI

​Music Video – “Melancholia” – https://youtu.be/_LvSTJ78kd8

​Playthrough – “A Turning Point” – https://youtu.be/zQ3wZqZj9EQ

​

Track Listing:​
1. A Moon Fused Key (5:12)
2. Achromatopsia (1:19)
3. Melancholia (6:17)
4. A Turning Point (5:46)
5. A Pellucid Prism (4:26)
6. Sacred Swollen Glass (6:16)
7. Blight (2:18)
8. A Pale Palace (4:55)
9. Vacant (5:31)
Album Length: 42:00

Band Lineup:​
Dylan Wallace – Guitar
Nick Leslie – Guitar
Matt LeBlanc – Bass
Sean Hickey – Drums & Vocals

More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones​

-30-

“The music is indeed violent, and immediately so, exploding in a blast of turbulent riffing, heavily undulating bass tones, and furious beats. The guitars wildly writhe and rapidly spear off in crazed angles, kaleidoscopic in effect, and the words spit forth in caustic screams that are equally deranged. Dissonant and dismal tones intrude, along with guttural roars, blast-beat outbursts, and pulverizing blows, and the riffing also seems to swarm in agony, adding further dimensions of darkness to the song’s overarching manifestation of delirium. Backed by a pulse-pounding and highly headbangable groove, the song also introduces yet another dimension, an eerie guitar solo that slowly slithers, brightly swirls, and evolves into an entrancing harmony, very much like a beckoning and seductive presence that manifests within the mayhem.” – No Clean Singing (single – A Moon Fused Key – 2025)

What the press has said about 2020’s “The Veil”:

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing (2020 – The Veil)

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine (2020 – The Veil)

“Trailer Park Boys and Hobo With a Shotgun aren’t the only pieces of media that have emerged from Nova Scotia that you should get excited over.” – MetalSucks

“From the massive tremolo sections and bludgeoning riffs to the surprisingly melodic harmonies between guitarists Dylan Wallace and Nick Leslie, Ancient Thrones have definitely honed in on something special with this track.” – GearGods

“From earth crushing riffs and face-melting guitar solos to the overarching theme of grief and devastation that the record encompasses, this single really ramps up the intensity” – Bravewords

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound. The songs are both aggressive and intelligent in equal measure and run through a variety of different emotional tangents. There is a vile and harsh aspect to the band, but there is also a forward thinking one. It all results in a creative and dynamic listen.” – Heavy Music Headquarters (2020 – The Veil)

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble. Who among you fancies a 56-minute blackened death metal saga with an epic meditation on one man’s descent into the afterlife? No band thought it conceivable to write the metal version of Ingmar Bergman’s The Seventh Seal, but this Nova Scotia quartet are not just any band. This is a remarkable journey for the contemplative mind.” – Scream Blast Repeat (2020 – The Veil)
​
​
​“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life (2020 – The Veil)

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt (2020 – The Veil)

“It is fast, thrashing extreme metal with shrieked/growled vocals, and a headbanging attitude. They have elements of thrash, black and death but their method of delivery won’t confuse anyone. It is metal to make the fans move. It is pretty thrashy, pretty brutal but also melodic, and the guitar work has plenty to offer both in the riffs and the melodies.” – Metal Bulletin (2020 – The Veil)

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0 Gore House Productions Signs One Woman Band CORDYCEPS CORPSE for “From Flesh To Fluids” Cassette/CD Reissue + New Music Video For Title Track

  • September 17, 2025
  • by Asher
  • · Cordyceps Corpse (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – September 17, 2025

Gore House Productions Signs CORDYCEPS CORPSE for “From Flesh To Fluids” Cassette/CD Reissue + New Music Video For Title Track

​

Gore House Productions proudly announces the signing of one-person slam/goregrind juggernaut Cordyceps Corpse, the twisted brainchild of multi-instrumentalist and vocalist Nani. The label will reissue the band’s latest full-length album, “From Flesh to Fluids,” on CD and cassette later this year, with the digital release available now across all major platforms.

“After following Cordyceps Corpse (Cordy) on social media for several months, I am excited to welcome the project to our roster. Seeing Nani creatively market Cordy while composing filthy, slamming death metal, there was no question but to partner up with Cordy. Her debut album, “From Flesh to Fluids,” quickly became a favorite; I’m beyond stoked to give it a proper release,” comments Gore House Productions label founder Carlos Matt.​
​
To mark the occasion, Cordyceps Corpse has dropped a new music video for the title track, “From Flesh to Fluids,” a chaotic, anti-authoritarian blast of guttural vocals, slamming riffs, and visceral imagery that sets the tone for the album’s grotesque journey.
​
​“From Flesh to Fluids” is a sonic descent into madness, equal parts brutal, disgusting, and morbid. Inspired by slam legends like Devourment and Cephalotripsy, the album delivers a raw yet polished evolution of Cordyceps Corpse’s sound, now featuring live drums and tighter production while retaining the DIY filth fans crave.
​
Fans will blast earwrenching tracks like “Battery Acid Enema”, a vile, tongue-in-cheek collaboration with Nani’s partner Liv, “Stomach Bile For Miles” is a grotesque narrative of cannibalistic carnage, “Family Photo With Hella Cadavers” (feat. WORMFUCKER) is a dehumanizing snapshot of horror, and “Tools For Torture” is a slow-building frenzy inspired by Terrifier.
​
Nani, who writes, records, and performs every element of Cordyceps Corpse, describes the album as “pure chaos into heavy slam riffs.” Drawing inspiration from horror films, documentaries, and even neighborhood trash disasters, the music is driven by feeling rather than formula.

“I want this album to give the same feeling I got when I first heard Molesting the Decapitated by Devourment. Thick and brutal sound that just keeps hitting,” says Nani.
​
​Cordyceps Corpse began in late 2023 as a solo rebellion against the monotony of beat-making.

“I was bored with making music for other people. I wanted to form a band, but didn’t want to wait around. So I said, ‘f*** it, I’ll do it myself,” adds Nani.

That DIY ethos extends to everything, from the music to the logo, which Nani designed on a refurbished iPad after watching YouTube tutorials.
​
With live shows described as chaotic parties, complete with crowd participation and impromptu mic screams, Cordyceps Corpse is poised to carve a unique space in the underground metal scene. And with Gore House Productions backing the reissue, the band’s reach is about to get a whole lot bloodier.
​
Watch the “From Flesh to Fluids” music video now and stream the full album digitally via Gore House Productions. CD and cassette editions will be available later this year.
​
Music Video – https://youtu.be/L4ExQ4UzRK8

​

Digital Album (released Aug 22, 2025) – https://orcd.co/from-flesh-to-fluids​

Track Listing:​
1. Intro to Putrefaction – (1:37)
2. From Flesh To Fluids – (2:07)
3. Decapitation – (2:34)
4. Slowly Poisoned – (2:32)
5. Battery Acid Enema – (2:41)
6. Stomach Bile For Miles – (3:16)
7. Family Photo With Hella Cadavers (feat. WORMFUCKER) – (2:08)
8. Left Over Limbs For Later – (3:03)
9. Tools For Torture – (2:17)
10. Skin Tortilla – (2:22)
Album Length: 24:37
​
​Album Recording Credits:​
• All songs performed by: Nani Porter
• All songs written by: Nani Porter
• Produced by: Nani Porter
• Mixed by: Nani Porter
• Mastered by: Nani Porter
• Album Artwork by: Nani Porter
​
​Album Band Line Up:​
Nani Porter – Guitars, bass, drums, and vocals
​
​Live Band Line Up:​
Nani Porter – Guitar and Vocals

More info: ​Gorehouseproductions.com​ | Instagram.com/cordycepscorpse | Tiktok.com/@cordycepscorpse | Youtube.com/@cordycepscorpseband​

-30-

CORDYCEPS CORPSE REVIEWS & MENTIONS

Shay top 20 women fronted/all woman bands: https://www.tiktok.com/t/ZTHGeWoaHSaaB-6NEcX/​

Slam dad’s top slam albums 2025: https://www.tiktok.com/t/ZTHGe7svNe6Yg-XSZgA/ describes album “as thick and gross and I absolutely love it”​
​“dabbles into goregrind, a little bit brutal death meta,l but straight up slam”

Shortbus Pile Up slams of the week #38: https://www.tiktok.com/t/ZTHGe7oG6eawD-9smyt/ Bill “describes album as super fucking brutal …really good death metal”​
​

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0 Rockshots Records – “Shadow War” Ignites KARU’s Next Chapter in Symphonic Death Metal and New Album “Perdition” Out Nov 2025

  • September 16, 2025
  • by Asher
  • · KARU · Music News

NEWS RELEASE

Montreal, QC – September 16, 2025

“Shadow War” Ignites KARU’s Next Chapter in Symphonic Death Metal

New Album “Perdition” Out Nov 21st, 2025

Symphonic death metallers KARU return with the first single from their upcoming album “Perdition“. Out on September 16th, 2025, “Shadow War” sets the tone for the record’s epic narrative and sonic scope.

At nearly ten minutes in length, “Shadow War” embodies the essence of KARU’s sound: brutal, unforgiving riffs and guttural vocals contrasted by sweeping orchestration and haunting melodic passages. The track mirrors the conceptual backbone of “Perdition“, a journey through a folklore-inspired vision of feudal Japan, where villages are razed by demons and survivors confront both despair and resilience.

Musically, the single evolves like a saga. It opens with relentless death metal ferocity, transitions into an atmospheric middle section the band dubs the “Dreamworld,” and culminates in an emotionally charged guitar solo that balances virtuosity with narrative weight. This dynamic structure highlights the trio’s artistic synergy:

  • Niko Hienonen – vocals, production, orchestrations
  • Kalle Pöyskö – guitars
  • Toni Tieaho (ex-Mors Principium Est, Crystalic) – guitars

Produced, mixed, and mastered by Hienonen, “Shadow War” captures the next stage of KARU’s evolution after their acclaimed 2024 album “HYDRA”. With “Perdition“, the band pushes further, integrating clean vocals, Japanese voice acting, and even more intricate orchestration to craft an album designed as a seamless cinematic experience.

For fans of Wintersun, Brymir, Whispered, and Nightwish, KARU’s “Shadow War” is both a statement of intent and an invitation into a mythic, immersive world where extreme metal collides with symphonic drama.

DIGITAL: https://lnk.to/crEB2U​

To celebrate the release, KARU will also unveil an official lyric video for “Shadow War”, offering fans a visual entry point into the song’s story and atmosphere.

VIDEO: https://youtu.be/kmaz_NyPDOo

​

“Perdition” will be released worldwide on November 21st, 2025.

ALBUM PRE-ORDER – https://rockshots.eu/products/karu-perdition-cd​

Track Listing:
​
1. Shores of Mist and Blood
2. Shadow War
3. Alone in the Forest
4. Embers in the Skies
5. Trail of Fire
6. Path of the Unforgiven
7. Perdition

Karu Line Up:
​Niko Hienonen – Vocals, Production, Orchestrations
Kalle Pöyskö – Guitars
Toni Tieaho (ex-Mors Principium Est, Crystalic) – Guitars

More info:

​https://www.rockshots.eu

​https://www.instagram.com/karu_band/​

​https://www.facebook.com/KARUbandofficial​

ABOUT:
​
KARU
 was formed in 2017 by Kalle Pöyskö and Niko Hienonen as a studio project. In 2020, the boys came out with the first EP “KARU,” which paved the way for the future of the band. The EP introduced the driving metal force of the band as well as the beautiful orchestrations that would be more prominent in the band’s future releases. In 2023, KARU was formalized as a proper live band, and two singles were released from the upcoming album. In April 2024, the band’s first full-length concept album, “HYDRA,” was released. The album gathered attention from critiques and received critical acclaim for its unique atmosphere and attitude towards conjoining brutal metal and beautiful orchestras.

The band started to work on the next full length album already before “HYDRA” was released. The concept started as an epic journey through the wilderness of a fantasy themed Japan, drawing inspiration from the Japanese spiritual world, where all the forests have a spirit of their own. The band finished the album in the summer of 2025, only a year after their last album was released. The band went through some lineup changes, and the newest lineup is the founders Pöyskö and Hienonen, as well as the lead guitarist virtuoso Toni Tieaho (Crystalic, Existence Depraved, ex-Mors Principium Est). With the new lineup, the band’s sound evolved to wholly new levels, and “Perdition” is a testament to the band’s new sound.

With “Perdition,” the band aims to bring their music and energetic live show to new audiences within and outside of their native Finland.

-30-

​

—
ASHER MEDIA RELATIONS
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jon[@]ashermediarelations[.]com
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0 Step Inside the Music: JON HARRIS Presents “If You Wouldn’t” Playthrough Off New Album “Parallel Heart” Out Now! via Epictronic

  • September 15, 2025
  • by Asher
  • · Jon Harris · Music News

NEWS RELEASE

Montreal, QC – September 15, 2025

Step Inside the Music: JON HARRIS Presents “If You Wouldn’t” Playthrough Off New Album “Parallel Heart” Out Now! via Epictronic

Photography by Yahozka Godfrey at Gabriela Cruz

Edmonton instrumental rock guitarist Jon Harris has unveiled the playthrough video for “If You Wouldn’t,” from his debut album “Parallel Heart,” released via Epictronic. With every note, he pulls you deeper into his world, where soulful riffs, graceful solos, and rich layers of guitar and keyboard create a sound that is both intimate and vast.

Watch If You Wouldn’t (Playthrough): https://youtu.be/0x1VhJE_HGw

​
​
​
The album is a vivid showcase of Harris’ multi-instrumental skills and compositional vision. While completely instrumental, “Parallel Heart” conveys stories of tension and release, exploring the space between connection and chaos, creative ambition and everyday demands. From the pulsing energy of Togetherness to the shimmering retro feel of 97BPM, each track builds its own emotional narrative.
​
​Harris, who performed guitar, drums, bass, piano, and production on the record, proves himself not only a guitarist to watch but a full-scale sonic architect. His sound bridges blues-soaked rock, synth-driven textures, and funk grooves with cinematic flair, evoking a blend that’s reminiscent of Jeff Beck meeting Prince with a modern rock edge.

Stream the full album “Parallel Heart” now (released Dec 13, 2024): https://orcd.co/parallelheart​

Previous videos from Parallel Heart:

Togetherness (Playthrough): https://youtu.be/hioOIfrUkpE​

Entitled (Visualizer): https://youtu.be/_B8KgOYCenA​

My Little Lady (Visualizer): https://youtu.be/ry28qp3DIUI​

Track Listing:​
1. If You Wouldn’t
2. Wasted Entertainment
3. Entitled
4. Mustard N Ketchup
5. Parallel Heart
6. Mehnoynoy
7. 97BPM
8. My Little Lady
9. Togetherness
10. Humpty Dumpty

More Info – https://linktr.ee/jonharrisrocks​

-30-

“It’s a looping track (Entitled) that turns noodling guitar solos into an optimistic resolve. ” – Exclaim!

“guitar virtuoso Jon Harris offers a welcome throwback on ‘Togetherness’, the second single to be released from his forthcoming LP ‘Parallel Heart’. An instrumental number, its mid tempo and groove oriented base is immediately reminiscent of works by Joe Satriani, but unlike so many fretboard freaks, Harris clearly values a great melody instead of a pure shred. Here, he lays down a semi bluesy tone over a solid rock groove, before branching out to inject a funk derived rhythm with a cleaner tone, and bell like melodies. The arrangement eventually finds room for a few slightly fuzzy sounding harmonics and a melody that could be one of Satch’s best, circa ‘The Extremist’.” – Real Gone Rocks

“It’s Friday! And we have the pleasure of adding the new single “Togetherness” from six-string slinger Jon Harris. An instrumental driving rock track with an accessible melody and plenty of layered soloing to keep you engaged throughout, “Togetherness” is a rewarding five minutes without those pesky vocals! Taken from his forthcoming album “Parallel Heart” set for a December release, catch Jon Harris on your Home for the Best New Rock…W-J-O-EEEE!”

“His artistic ability blends technical brilliance and emotional depth, creating immersive soundscapes that push the boundaries of rock.” – Video Sound Art Magazine

“If melodic and elegant instrumental hard rock is music you tend to enjoy, and you appreciate some occasional funky interceptions in such landscapes, then this is an album that you probably will find to be an enjoyable and rewarding experience.” – The Viking in the Wilderness

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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jon[@]ashermediarelations[.]com
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0 EPK – Outlying – Oblivisci (2025)

  • September 13, 2025
  • by Asher
  • · EPKs · Outlying

EPK – Outlying – Oblivisci (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Hopefully, people will feel and understand the dark thoughts and experiences that influenced the lyrics and music. We also hope people will consider this a ‘no skipped tracks’ album, where every song matters and nothing was written as a filler.” – Fred A. Dubeau – Outlying

For fans of Dark Tranquillity, At The Gates, Testament, Evergrey, Machine Head

Band Name: Outlying
Album Title: Oblivisci
Release Date: November 21, 2025
Label: Self-Release
Distributed by Tunecore
Location: Trois-Rivieres, QC, Canada

Outlying.ca | Facebook.com/outlyingband |  Youtube.com/user/OutlyingBand |  Instagram.com/outlyingband | Tiktok.com/@outlying.band

Spotify | Apple Music

“Outlying offers a solid Swedish-style melodic death metal sound with their own personal touch.” – MetalUniverse.net

“With a biting energy and a relentless intensity, [Pitch-Black Serum] hits with an uncommon ferocity while keeping a dynamic, melodic and catchy structure.” – MetalUniverse.net

“I had never heard of this band before, so I was all the more amazed by the high level of performance the band had already achieved in 2012 [Scars Of Daylight album]. They are reminiscent of Scandinavian melodic death metal bands of the late 1990s.” – Ammo-underground.at

“The three gentlemen serve us finely spun melodies; the musicians tie everything together into a flowing, detailed unity. A bit of clean vocals are sprinkled in here and there, and so a lot happens in this largely whipping smasher. A few threatening vibes and thrashy, straight-ahead tactics are also effectively employed, as is polyphonic vocals – everything just fits! Raising fists, enjoying details, headbanging – it’s a mystery to me why these all-rounders are still so unknown!” – Ammo-underground.at

[Download Album Cover | Download Album Lyrics]

Band Name: Outlying
Album Title: Oblivisci
Release Date: November 21, 2025
Label: Self-Release
Distributed by Tunecore
Location: Trois-Rivieres, QC, Canada

Track Listing:
1 – The Raven Is Gone – 5:27
2 – Stigma – 3:49
3 – Snow – 6:02
4 – Streets Of Rats And Vultures – 4:47
5 – Pitch-Black Serum – 4:36
6 – November – 5:56
7 – Sentinel – 5:43
8 – Impaired – 5:32
9 – Dreamless Nights Part I: A Lullaby For The Insomniac – 4:19
10- Dreamless Nights Part II: From Velvet Skies – 5:13
11- Dreamless Nights Part III: Walking Out Of Eden’s Ashes – 4:25
Album Length: 55:49

Album Credits:
All songs performed, written and produced by Fred A. Dubeau and Martin Reithler
Mixed and mastered by Fred A. Dubeau
Album Artwork by Fred A. Dubeau

Album recording lineup:
Fred A. Dubeau – Guitar, Bass, All Vocals Martin Reithler – Drums
Guest musicians for the album:
Steph from “Exotoxic” – Auxiliary percussions
Marilyn from “Chained By Illness” – Female Vocals
Sim from “Lancaster” – Guest Guitar Solo
Hardcore Band “Northwalk” – Gang Vocals

Lineup for live:
Fred A. Dubeau – Guitar, Vocals
Charles Alex Bilodeau – Bass, Back Vocals
Martin Reithler – Drums

=========================================================

About The Album Artwork

A post-apocalyptic version of our home city

About the album as a whole (LYRICALLY & MUSICALLY):

The album is called “Oblivisci,” which means “to forget” in old Latin. It’s been chosen to reflect the tendency to withdraw from reality and “forget” society and the existence you live in, so to speak. The songs express oppressive feelings of trauma, alienation, grief, loneliness, and the album ends with three-part songs about Fred’s experience with alcohol/drug addiction. The music is melodic, even with only one guitar player in the band. Compositions are intended to keep the listeners’ adrenaline level high, with fast parts, heavy parts, while sticking to trying to deliver certain emotions and messages.

Sometimes, clean vocals are used, as well as some guitar effects, to add texture and dynamics.

Complexity has never been important, as we don’t believe in self-indulgent playing. Sometimes there are trickier parts that require skill, but it’s all because the music asks for that kind of intensity.

Track by Track (LYRICALLY & MUSICALLY):

1. The Raven Is Gone – Fast, heavy, catchy, and epic, the song talks about escaping chaos and trying to find refuge somewhere.

2. Stigma – Old-school melodic death style, catchy choruses again, the song is about overcoming all the judgements that happen to you when you act in a way that doesn’t necessarily harm others, but is considered socially unacceptable and frowned upon. Like being part of a subculture, not getting married or having children, drug use, etc.

3. Snow – Epic, story-telling structure, with female vocals, lyrics are the tale of a young girl abused by her father.

4. Streets Of Rats And Vulture – More old-school thrashy and punk approach, the song is about how you should always be careful who you trust, as many people out there want to backstab you.

5. Pitch-Black Serum – Creepy and dark melodic death metal, the lyrics are about how some people just give up on society, and are infected by a sort of venom that makes them defeatist and just makes them spend their lives indulging in easy pleasures such as porn, food, and video games.

6. November – Catchy, epic, melodic death metal song, the song is about a crazy obsession for someone who isn’t available or doesn’t exist.

7. Sentinel – Now this one is, like on the other albums, the power ballad type of song. Even though Outlying is a mostly aggressive type of band, it seems like these kinds of songs always end up being some of the audience’s favorites. (“Scars Of Daylight” had “The Last Time”, and “Frameworks For Repression” had “Alicia’s Tales”). Slower, lots of clean vocals, the song surprisingly has a fast, aggressive bridge. Lyrics are about grief, and how your lost ones end up staying in your head like some sort of sentinel.

8. Impaired – Dark, aggressive, and melancholic, the lyrics are very pessimistic and about how you can feel rejected by society and driven to suicide.

9. Dreamless Nights Part I: A Lullaby For The Insomniac – First of all, the title “Dreamless Nights” refers to when you sleep while intoxicated by alcohol and drugs. Since this is low-quality sleep, you mostly don’t have any dreams. This three-part song is about the cycle of addiction, which keeps going over and over. This is from Fred’s actual struggles with past (mostly alcohol) addiction. Now Fred has been sober for years, but this is one of many reasons for the delay between the last album and the release of new music. The first part is fast, melodic, and heavy, with a mysterious-sounding ending. Lyrically, it’s about feeling powerless about all the chaos and struggles of life and wanting to find escape, which is, of course, the way a lot of addictions start.

10. Dreamless Night Part II: From Velvet Skies – Now entering the fake paradise, the song builds up with a bit of a Tool-esque intro, then atmospheric black metal, and then heavy and epic. The lyrics are about the bliss of escaping the real world and floating around in this bubble of brain manipulation. The song then fades away into the darkness.

11. Dreamless Nights Part III: Walking Out Of Eden’s Ashes – When Part II ends in near silence, Part III abruptly kicks in with very heavy parts, influenced by brutal death metal. Lyrics are about the ‘hangover’ part or ‘day after’ part, so to speak. It’s about how this was all fake; not only is reality still there, it’s only gotten worse because of all the abuse. The song and album end in a more epic and melodic manner, with various instruments and a bass melody.

============================================

FUN FACTS – STORY ANGLES:

1. In Outlying’s most recent lineup, everybody in the band was introduced to Fred as a pure coincidence. Martin “Frenchy” was listening to a metal podcast from Drummondville while still living in France and heard an interview with Fred saying he was looking for a permanent drummer. Frenchy already intended to move to Quebec and decided to send Fred a message saying he’d be interested in playing in the band. When Fred read the message, he thought it was either spam or a joke.

2. In a more recent time, Fred got contacted by a woman he knows, who was asking if she could borrow his soldering iron to fix her friend’s bass guitar. Fred then drove to the lady’s apartment with his soldering iron and was then introduced to Charles Alex. A couple of weeks later, Fred was trying to find a new bass player since J-D was gone, and remembered Charles Alex.

3.  Founding Outlying drummer Guy Provencher now plays bass in Strigampire and guitar in Hopeless Nation. Fred played bass and rhythm guitar in Strigampire for a couple of years, many years ago. Steve, who is the vocalist for Strigampire and drummer for Hopeless Nation, also played drums on Outlying’s “Scars Of Daylight” album, and played live drums in Outlying when Frenchy was back in France for a little while. Trois-Rivieres’ metal scene is small.

4. Back when the band started, it was very hard for Fred to find a job and money, so he found counterfeit versions of audio and graphic software and tried to make his own records by himself. He eventually really got into audio production and graphic design, and to this day still does all that work for the band, as well as for some local bands.

5. The city of Trois-Rivieres is known for the Trois-Rivieres Metalfest, and also, the most well-known band from the city is a tech metal band called Martyr. Martyr’s drummer played in Gorguts and Beneath The Massacre, and their vocalist and guitar player now also plays in Voivod. Voivod’s bass player is also from Trois-Rivieres.

6. Despite being based in Trois-Rivieres, none of the band members grew up there. Charles Alex is from around Victoriaville, Fred was raised in a town near Becancour, and Martin “Frenchy” is from a suburban area near Paris, France.

 

L-R: Charles Alexandre Bilodeau (Bass, Back Vocals), Fred A. Dubeau (Guitar, Vocals), Martin Reithler (Drums)

Photo by Sandy Champagne

Outlying, founded in 2007 by lead vocalist/guitarist, as well as producer and writer, Fred A. Dubeau, is based in an old industrial city in the province of Quebec, Canada. Their first EP, titled ‘Within The Jail Of The Unfortunate’, was released in 2008. In 2012, after a few line-up changes, the band released a full-length album titled ‘Scars Of Daylight’. Later that year, bassist JD Poirier and French drummer Martin Reithler joined the band. In 2016, the trio released ‘Frameworks For Repression’.

In 2024, after many years of writing, creating, performing, and managing various issues, the band recruited Charles Alex Bilodeau to be their new bass player.

Outlying is now completing another full-length album, while releasing new singles along the way, such as ‘November’ and ‘Pitch Black Serum’.

Discography:
2025 – Oblivisci
2024 – Pitch-Black Serum – Single
2023 – November – Single
2016 – Frameworks For Repression – Album
2012 – Scars Of Daylight – Album
2008 – Within The Jail Of The Unfortunate – EP

Shared Stage with: The Agonist, Gone In April, Augury, Burning The Oppressor, Mass Murder Messiah, Lancaster, Last Dance Among Wolves

Tours and Festivals:
2021 – Breakout Tour – Quebec Tour
2015 – Trois-Rivieres Metalfest – Trois-Rivieres
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