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0 Vancouver Prog UTILITY PROVIDER Shed The Mental “Scabs” of Addiction and Trauma w/ New Lyric Video Off New Album “Challenger” Out End of Nov 2024

  • November 22, 2024
  • by Asher
  • · Music News · Utility Provider

NEWS RELEASE

Montreal, QC – November 22, 2024

Vancouver Prog UTILITY PROVIDER Shed The Mental “Scabs” of Addiction and Trauma w/ New Lyric Video

New Album “Challenger” Out Nov 26th, 2024

L-R – Tyler Mayfield – Lead Vocals, Chris Thomas – Guitar/Backing Vocals, Shayne Gold – Bass/Backing Vocals, Vadim Cartovenco – Drums

Vancouver, Canada’s UTILITY PROVIDER is set to release their third full-length “Challenger” on November 26th. Before it releases, the prog quartet is sharing their latest lyric video for the track “Scabs”. The song was written about overcoming addiction and trauma, surviving, and shedding your mental ‘scabs’.

Vocalist Tyler Mayfield explains further:

“My personal favourite of the album, “Scabs” has perhaps the best sounding vocals, clean and raspy, and uniquely features an unexpected drums-only intro. It is also the longest song on the album at 5 minutes and 55 seconds. The first half of the song is more rock sounding and you can hear this primarily in the guitars and vocals, although that signature U.P metal/rock guitar tone is still present. Things heat up in the second half with a distinctly ‘metal’ riff, very powerful drums, and intense vocals. The ending is my favourite part; a single guitar riff with repeating harmonic notes and quiet drums which allow a beautiful falsetto harmony between Chris and myself to shine through. Listen closely and you’ll also hear a subtle but intricate bass riff in the background separate from the guitar. If you close your eyes you can hear the ghost of old-school Alice in Chains.”

Watch and listen to the lyric video for “Scabs” at https://youtu.be/Yx-HW9adaWs

​

Produced with Nick Bergeron at Starport Studios (Langley, B.C.) with mixing and mastering by the renowned Michael Kraushaar at Little Red Studios (Vancouver B.C), UTILITY PROVIDER’s new album “Challenger” features a fresh new lineup and is an evolution from its predecessors 2022’s “Lost in Humanity’s Grip” and 2019’s “All in Time”.

“The writing is much stronger than in the previous releases and the production as a whole is miles ahead of them. What I love about this album is how each song has its own identity; its own sound, and its own story. There are definitely some surprises in store for our fans.” adds vocalist Tyler Mayfield.

The overarching theme of “Challenger” is one of triumph over adversity and having the courage to throw off your “chains” (both physical and mental) and strike out on your own. UTILITY PROVIDER wants fans to be able to make a connection with the music and connect with them on a very personal level. They showcase this with a concept of a side “A” and a side “B”.

“Up until this album, all U.P songs were written in drop C tuning. The first 6 songs of the album stay in that same drop C tuning, however side “B” is written in A# tuning – it’s literally a whole new sound for our fans! The transition from side “A” to side “B” is marked by a beautiful instrumental track written solely by guitarist Chris Thomas called “Northern Storm”. We hope the listeners will enjoy this nuance within the album. We sure had a ton of fun recording it!” adds Mayfield.

Lyrically, the album “Challenger” was mostly penned by vocalist Tyler Mayfield who wants to tell a story. He elaborates:

“As the lead vocalist, I feel that it’s my duty to put into words the message that the music is trying to convey. There is a lot of teamwork between Chris and myself to get that right. So in this way, the lyrics don’t always necessarily reflect my personal life, but are more tailored to reflect the story within the music.”

With members individually influenced by different elements of metal. You will hear their sonic meshing of blues rock, prog metal, thrash, and grunge throughout the album. Recommended for fans of Mastodon, Devin Townsend, Alice in Chains, and Gojira, “Challenger” is due out on November 26th, 2024, and is available for pre-order at https://utilityprovider.bandcamp.com.

Lyric Video – “Challenger” – https://youtu.be/eHdrDo2AD8Q

​

Show Dates:​
Dec 20 – New Westminster, BC – Bully’s Studios – info w/ Mourning High, Assailant, Evan Way

Track Listing:​
1. Broken Ghost Touches – 2:39
2. Humans – 4:23
3. Challenger – 5:08
4. Social Murder – 1:59
5. Killer Instinct – 3:36
6. Northern Storm – 1:13
7. You Know She’s Metal – 3:14
8. Loudest Voices – 4:47
9. Skin & Bones – 4:22
10. Independent Soul – 2:28
11. Scabs – 5:55
12. Controversy In Everything – 4:40
Album Length: 44:29

Album Band Line Up:​
Guitar/backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass/backing vocals: Tyler Parsons-Mathieu

Live Band Line Up:​
Guitar/backing vocals: Chris Thomas
Drums: Vadim Cartovenco
Lead vocals: Tyler Mayfield
Bass/backing vocals: Shayne Gold

More info: Facebook.com/utilityproviderband | Instagram.com/utilityproviderband | X.com/utilityboys​

-30-

“We’re back at it on a Monday morning & we’ve just added the punishing new track “Challenger” from UTILITY PROVIDER! “Challenger” is the title track from the forthcoming album set for a Nov.26th release. A heavy driving track that grabs you by the throat and doesn’t let up for 5 minutes. Varied tempos and outstanding musicianship make for a special cut.” – WJOE – Findlay’s Home for Rock & Roll

—
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0 EPK – LUNAR – Tempora Mutantur (2025) (Saibot Reigns Records)

  • November 21, 2024
  • by Asher
  • · EPKs · Lunar

EPK – LUNAR – Tempora Mutantur (2025) (Saibot Reigns Records)

ft. members from Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

For fans of Opeth, Caligula’s Horse, Haken, Tool, Porcupine Tree, Ayreon

Band: Lunar
Album title: Tempora Mutantur
Release Date: January 31, 2025
Label: Saibot Reigns Records

Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | YouTube.com/@lunarbandofficial

Lunarbandofficial.bandcamp.com | Spotify | Apple Music

“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressed, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

“The disc is well produced and played very well, so anyone who wants to dive into tempo changes and virtuosity will find what they are looking for.” – Metal Shock

“It is a dynamic and inclusive variety of the form we get here, where gentle atmospheric laden sequences and vibrant, guitar driven passages with regular as well as a more alternative variety of progressive metal coexist quite nicely, with occasional flirts towards extreme metal as a part of the experience. The compositions are further fleshed out by the use of world music elements inside of a metal context, as a standalone feature, as elements of more dreamladen ambient tinged interludes as well as combined with passages with a bit more of a jazz orientation. The latter which is present also in a more standalone and elegant manner. Occasional use of orchestral textures is a part of the totality too, and the band aren’t afraid to hit a more energetic power metal run when needed either. The vocals are clean and melodic, with occasional use of growls but more for dramatic effect and less as a defining feature. A production to seek out, inclusive and dynamic progressive metal is a type of music you tend to enjoy.” – Progressor

“LUNAR present an impressive show with „The Illusionist“. In contrast to the album title, however, there are no illusions, but quite real musical art. Thereby LUNAR conjure all kinds of things out of the hat. Their magic consists of a collection of high-quality multi-faceted songs. Thereby they go mainly a hard way. But many fine passages, which are refined with classical instruments of all kinds, provide great experiences. Furthermore, exotic sounds additionally provide for an atmospherically deep and exciting work. Personally, I also noticed especially the excellent guitar work, which conjures up fantastic moments again and again. In its entirety, it is a work of art of all the musicians involved, who have created something magical here. I can’t see any weaknesses here.” – Metal-Heads.de

“This is a record that everyone must own. Every generation and every country should adore an album like this, as one like Theogony rarely makes itself known. If you like music and consider it art, this is a must.”  – Prog-Sphere on “Theogony” #23 Best Albums of 2017

“The sophomore album from this Cali band is showing the band expanding their horizons in sound. The heavy parts are heavier, the lighter parts are even lighter and the proggier parts are even more insanely proggy *plus on the song, Surrender, there is a very cool nod to the final lasting riff in Opeth’s Deliverance to close out the track…don’t think I didn’t catch that!* With all of the guest appearances, fantastic production and just masterful songwriting, this is one of the strongest prog albums you will hear all year. Trust me!” – Heavy Debriefings on “Eidolon” #39 Best Albums of 2019

“Inspired by a tragedy that befell the project in the way of losing guitarist Ryan Erwin, drummer and songwriter Alex Bosson has put his emotions towards honing a release that is as beautiful as angry. Helping him in his vision are guest contributions from members of Haken, Leprous, Thank You Scientist, Fallujah, etc.” – Prog-Sphere on “Eidolon” #19 Best Albums of 2019

“The word “classic” gets tossed around a lot, but I honestly can’t think of a better word for Eidolon. From front to back and top to bottom, this album is both firmly rooted in death metal with a progressive bend while standing alone atop the mountain. It’s equally headbanging heavy and enthralling, music to get in the mosh pit and simply sit in awe of. This is required listening because there’s nothing else quite like it.” – Progarchy on “Eidolon”

“Like Theogony, Eidolon is another very impressive showcase of modern progressive metal. It’s technical, emotional, melodic, and aggressive and is just very well put-together overall.” – wimpsandposers.com

Best of AOTY:
Prog-Sphere: “Theogony” #23 best of 2017
Prog-Sphere: “Eidolon” #19 best of 2019
Heavy Debriefings: “Eidolon” #39 best of 2019
Wimpsandposers: “Eidolon” #20 best of 2019
2019 SAMMIES (Sacramento Area Music Awards) Nominee “Best Metal Band”

 

[Download Album Cover | Download Album Lyrics]

Band: Lunar
Album title: Tempora Mutantur
Release Date: January 31, 2025
Label: Saibot Reigns Records

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren
Album Artwork by: Ed Bosson
Member of ASCAP

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

===================================================

About The Album Artwork:

The album cover was once again done by my father Ed Bosson.  I wanted to do the seasonal songs based on the autumn version of the cover you’ll see (for the song “Fall Back Into Old Habits”).  So my dad was gracious enough to recreate the painting 3 more times with the different seasons.  The winter version is what ended up being the final cover for the album.

About the album as a whole (LYRICALLY & MUSICALLY):

The album deals with something we can all relate to: the passing of time.  Lyrically and musically you will experience some of the highs and lows we all feel along the way.

Track by Track (LYRICALLY & MUSICALLY):

1. A SUMMER TO FORGET – the album starts of with a song that sounds a bit upbeat musically (heavy with the horns) despite a fairly dark lyrical theme: dealing with memories, how we sometimes forget what we wish we wouldn’t and cling on to what we wish we could forget.

2. FALL BACK INTO OLD HABITS – this is the longest song on the album, and one of the heaviest.  Mostly having growl vocals and multiple shreddy guitar solos.  Lyrically dealing with addiction, or anything we do that can give us temporary relief to help us get through rough moments, but ultimately have terrible long-term effects on ourselves.

3. SEASONAL INTERLUDE – this song is a bit of a breather.  We take some self-reflection in knowing that the bad times will pass and, though it may not be immediate, the good times will come again.  Musically it’s soft and emotional with some beautiful cello work before exploding into a heavy ending with a very avantgarde saxophone solo

4. WEAKENING WINTER TOUCH – this song is dealing with the feelings of weakness and powerlessness over our own circumstances.  Often asking “why?” or “what did I do to deserve this?”  Musically I think this is a very powerful song, heavy on the synths with a catchy and powerful chorus.

5. SPRING IN MY STEP – a much more upbeat song with an awesome main guitar riff, dealing with the relief of hitting a positive point in time.  We’ve gotten through the bad times and hit a good high… but how long will it last?

6.  TEMPORA MUTANTUR: PART I – PASSAGE OF TIME – the first of a 3 part song. The soft piano piece where we look back and reflect on what we’ve had and what we’ve lost, ending with a beautiful set of harmonica and guitar solos

7. TEMPORA MUTANTUR: PART II – BROKEN PENDULUM – the second part deals with the anger we feel over what we can’t get back.  Likely the heaviest song on the album

8. TEMPORA MUTANTUR: PART III – WATCH THE WEATHER CHANGE – the final chapter where we deal with denial and mental vacancy.  A good balance of heavy elements, but with a catchy chorus.

===================================================

Fun Facts – Story Angles

1. The second album “Eidolon” is written from Alex’s perspective about the death of his friend and Lunar co-founder Ryan Erwin

2. 3 of the 4 album covers were paintings done by Alex’s father Ed Bosson

3. The members of Lunar have never all been in the same room together

4. The band has existed for a decade and will finally be playing their first live performance as this group in 2025

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Based out of Sacramento, CA, LUNAR is a progressive metal band formed in 2013 when longtime friends Alex Bosson (drums/percussion) and Ryan Erwin (guitar/vocals) decided to get together and write the style of music that was always in their hearts: genre-defiant and free of restrictive influence.  After securing Danny Stevenson on Keyboards, the search continued for a full lineup… but to no avail.  Rather than delay their progress, the trio decided to record and self-release their debut EP, PROVENANCE, in the Winter of 2014.

Shortly after the release of PROVENANCE, Danny parted ways with the group, while Bosson and Erwin began work on LUNAR’s debut full-length, THEOGONY – a concept album based on the nine Muses of Greek mythology.  While reading about Melpomene, the Greek Muse of tragedy, Alex realized that the concepts that these nine Muses represent – subjects such as history, tragedy, music, love, etc. – are the backbone for most creative output in this world.  In keeping with the progressive element of the band, he had the idea to spread the musical and lyrical diversity of these themes across an entire album: each of the nine tracks named after one of the Muses, the music and lyrics based around the theme that each specific Muse represents.

Once more unable to flesh out a suitably complete lineup as writing progressed, Alex and Ryan decided to enlist contributions from other professional musicians around the world – initially a handful of guests laying down additional guitar solos.  With the eventual additions of Ryan Price on bass and Chandler Mogel on vocals, a proper lineup for THEOGONY was set: and by the end of the recording process 17 different musicians had participated – including members of Hatriot, Angel Vivaldi, Helion Prime, Berried Alive, and many more.

In the Summer of 2017, LUNAR signed on with Divebomb Records and in November of 2017 THEOGONY was released on CD.  A logical step forward from PROVENANCE, the dynamically atmospheric hour-long journey of THEOGONY is sure to please fans of Porcupine Tree, Opeth and Tool – to name but a few – with its lushly textured contrasts of beauty and aggression.

THEOGONY received numerous raving reviews even being called a “masterpiece” and “A record everyone must own.  Every generation and every country should adore an album like this.”  And even made #23 on Prog-Sphere’s Top albums of 2017.

In the Spring of 2018 Ryan Erwin unexpectedly passed away, leaving Alex unsure of what to do.  After some time passed, he decided to persevere through the tragedy and continue on with LUNAR.  Using the tragedy as inspiration, he began writing the next album, EIDOLON – another concept album based around the cycle of life and death and the stages of grief that the ones left behind feel.  After writing all the music for the album, Alex enlisted friend Balmore Lemus (NOVAREIGN) to handle tracking guitars for this album.  And with Ryan Price and Chandler Mogel both returning again, the lineup for EIDOLON was set.

In keeping with the diversity that the guests brought to THEOGONY, Alex decided to continue with that idea.  By the end of recording, a total of 18 musicians contributed to EIDOLON – this time including members of Haken, Thank You Scientist, Fallujah, Leprous & Caligula’s Horse, to name a few.

EIDOLON is another journey of progressive metal at its finest, spanning 7 tracks and nearly an hour of material.  Once again being released through Divebomb Records, EIDOLON is available as of November of 2019.

LUNAR’s 3rd full-length album, entitled “The Illusionist,” was released on March 3rd, 2023 on Saibot Reigns Records. The album featured another slew of amazing guest musicians, including: Sam Vallen, Andy Gillion, Jørgen Munkeby, Christian Muenzner, Ben Karas and more!  Plus features the addition of Alex Nasla on keyboards. The album was mixed and mastered at Fascination Street Studios and features cover art by Travis Smith.

No waiting long between releases, LUNAR is now presenting their fourth full-length “Tempora Mutantur” due out on Jan 31st, 2025 on Saibot Reigns Records. For this record, there’s a fresh lineup to change it up from their previous one with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse).

A collaboration of musical minds, and with anything LUNAR does; “Tempora Mutantur” is an emotional thematic listening experience with lots of ups and downs musically and lyrically dealing with the passing of time and the effects it has on us physically and mentally.

Originally the album was to be a 4 track EP with seasonal concepts, but as the cooperative wrote more and more, they decided they wanted it to be more and have some general passing of time themes as well, so they pushed forward with a full album experience.

“This album deals with something everyone can relate to and no one can escape: the passing of time. We get older, our perspective changes, and we gain some things, and lose others… sometimes the things and ones we love. And we struggle and fight along the way. This album deals with some of the highs and lows we deal with along this journey we all share. Hopefully, the fans will be able to resonate with it and find some solace and aid in their own experiences of time passing. I believe the songwriting has gotten stronger over the years. I think the songs are a bit more well-structured. But I think the overall sound of the band has remained pretty consistent over the years. The music is very “prog,” so it’s been diverse I think from day 1. Probably even more so now than it was at first.” adds band co-founder and drummer Alex Bosson.

Recommended for fans of Opeth, Caligula’s Horse, Haken, Tool, and Porcupine Tree.

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

Discography:
2025 – Tempora Mutantur – LP
2023 – The Illusionist – LP
2019 – Eidolon – LP
2017 – Theogony – LP
2014 – Provenance – EP

Endoresements: Alex Bosson – Scorpion Percussion sticks

0 Thank you Canadian MDs and DJs for the airplay love! \m/\m/ For the Week Ending: Tuesday, November 19, 2024 CJLO – 1690AM – Montreal – Loud #7 BornBroken | CJSR FM 88.5 – Edmonton – Loud #8 Atomis, #10 Culled | CFOU 89,1 FM – Trois-Rivieres – Top 30 #4 Sandveiss | Local 107.3fm – Saint John – Top 30 #14 Grave Mass | CIVL 101.7 FM – Abbotsford – Top 30 #10 Infrared, #28 Triskelyon

  • November 21, 2024
  • by Asher
  • · ATOMIS · BornBroken · Culled · GraveMass · Infrared · Sandveiss · Triskelyon

Thank you Canadian MDs and DJs for the airplay love! \m/\m/
For the Week Ending: Tuesday, November 19, 2024
CJLO – 1690AM – Montreal – Loud
#7 BornBroken
https://www.earshot-online.com/charts/cjlo.cfm?intChartTypeID=6&dWeekOfID=2024-11-19
======
CJSR FM 88.5 – Edmonton – Loud
#8 Atomis, #10 Culled
https://www.earshot-online.com/charts/cjsr.cfm?intChartTypeID=6&dWeekOfID=2024-11-19
======
CFOU 89,1 FM – Trois-Rivieres – Top 30
#4 Sandveiss
https://earshot-online.com/charts/cfou.cfm?dWeekOfID=2024-11-19
======
Local 107.3fm – Saint John – Top 30
#14 Grave Mass
https://www.earshot-online.com/charts/cfmh.cfm?dWeekOfID=2024-11-19
======
CIVL 101.7 FM – Abbotsford – Top 30
#10 Infrared, #28 Triskelyon
https://www.earshot-online.com/charts/civl.cfm?dWeekOfID=2024-11-19

0 Thank You Canadian MDs and DJs for the airplay love! \m/\m/ !earshot – October 2024 – top 200 #165 Striker, #169 Fen, #186 BornBroken

  • November 21, 2024
  • by Asher
  • · BornBroken · earshot Charts · FEN · Striker

Thank You Canadian MDs and DJs for the airplay love! \m/\m/
!earshot – October 2024 – top 200
#165 Striker, #169 Fen, #186 BornBroken
https://www.earshot-online.com/charts/2024/October/top200.cfm#1

#metal #canada #canadianmusic #canadianmusican #radio

0 Thank you Canadian MDs and Djs for the airplay love! \m/\m/ !earshot – October 2024 – top 20 loud #10 Atomis, #12 Art of Attrition

  • November 21, 2024
  • by Asher
  • · Art of Attrition · ATOMIS · earshot Charts

Thank you Canadian MDs and Djs for the airplay love! \m/\m/
!earshot – October 2024 – top 20 loud
#10 Atomis, #12 Art of Attrition
https://www.earshot-online.com/charts/2024/October/loud.cfm

#metal #canada #canadianmusic #canadianmusican #radio

0 Montreal’s CHÜZO Unleash The Vengeance of Aggro-Metal In New Music Video “Brand New Cell” Off New EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Produced by Kevin Jardine (Slaves On Dope)

  • November 21, 2024
  • by Asher
  • · Music News

NEWS RELEASE

Montreal, QC – November 21, 2024

Montreal’s CHÜZO Unleash The Vengeance of Aggro-Metal In New Music Video “Brand New Cell”

New EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Out Now!

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Introducing their self-described Aggro-Metal and new EP entitled “M.T.M.D (Maximum Threshold, Minimum Decay)” this past October, Montreal, Canada’s CHÜZO is ready to continue their vengeance with their latest music video “Brand New Cell”. The song is about dedicating your life to achieving retributive justice upon your enemies, yet sacrificing your life, your loved ones, and your sanity to get your revenge.

Watch the music video via its premiere on MetalInsider HERE.

Produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio), “M.T.M.D (Maximum Threshold, Minimum Decay)” is a three-track record that marks the next chapter and true representation of what CHÜZO‘s sound is meant to be with its fresh new lineup who are hungry to showcase what this EP will spark.

“This new EP was to showcase our new lineup with our newest songs that are truly representative of our musical style, a style that we proudly call ‘Aggro-Metal.’ Very aggressive metal songs that have relatable themes that anyone can listen to and understand. This EP is our audio shotgun blast to the world to pay attention to and to mosh intensively during our live sets.” adds guitarist Cristian S.

CHÜZO‘s new lineup features the ensnaring vocals of Taiwanese Brazilian transplant Mischa M joining local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia who all have found Montreal, Canada to be their home-to-breed their blender of grindcore, Swedish death metal, thrash, and hardcore punk to transform a sub-genre dubbed ‘Aggro Metal’.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” was released on November 15, 2024.

EP Stream links below:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay​

Digital Pre-Save – https://distrokid.com/hyperfollow/chzo/mtmd​

EP Artwork by Draught https://www.instagram.com/draught___/​

Track Listing:​
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band​

-30-

“‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest ” – Decibel Magazine
​
“M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice.” – Amplify The Noise
​
“It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]” – Metal Noise
​
“CHÜZO have achieved several things on “MTMD (Maximum Threshold, Minimum Decay)” that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled “MTMD” are fast-paced in nature, mill into the ear canals at massive speed and –’s most important aspect – remains there… The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!” – Metal Division Magazine

—
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0 MUTANK Shatters The Mosh Pit w/ New Video “Bad Magnitude” Off New Album “Think Before You Think” Out End of November 2024 (Boonsdale Records)

  • November 21, 2024
  • by Asher
  • · Music News · MUTANK

NEWS RELEASE

Montreal, QC – November 21, 2024

MUTANK Shatters The Mosh Pit w/ New Video “Bad Magnitude”

New Album “Think Before You Think” Out End of November 2024 (Boonsdale Records)

L-R – Ahmed Saad (Drums), Stephen Reynolds (Bass, Vocals), Costa Skoulikas (Guitar), Chris Nascimben (Guitar)

Photo Credit – Kat Dydyk

Set to rattle mosh pits around the globe with their forthcoming album “Think Before You Think” at the end of this November, Canadian demolition thrash crew MUTANK is injecting onto screens their late music video “Bad Magnitude”.

“This is an easy one: there are no lyrics. An ode to thrash, this track is meant for fans to stretch their neck and bang away to the best instrumental you’ve ever heard!” adds the band.

The live clips in the video are taken from MUTANK‘s 2017 cross-Canada tour with Annihilator and Australia’s Mason. The video was filmed and edited by Chalky of Moshriff.com.

Watch “Bad Magnitude” via its premiere on Ghost Cult Magazine HERE.

MUTANK‘s new album “Think Before You Think” will be released on Boonsdale Records on November 29th, 2024, following 2017’s EP “W.H.A.T.S.T.H.A.T.” and the first taste of new neck-breaking tunes in seven years. Featuring ten volcanic thrash tracks to blaze a new path to jackhammer a pure audio assault. Live favourites such as “Running Reds”, “Abortron”, and “Thrash Primordial” are sure to please die-hard fans for easy repeat listens.

“This is Thrash for Metalheads by Metalheads we evolved from crossover to a more refined thrash band with longer and more intricate songs… The level of seriousness in songwriting is evident in the new album. We want this album to energize people and make them feel the way we do when we listen to some of our favourite artists. This album is the most material we have ever put out! 50 minutes of pure metal across 10 tracks. The songs picked themselves as we kept writing tracks we enjoyed playing.”

With a passion for classic thrash and a desire to play radical riffs, MUTANK made a deservedly big impression on the Canadian metal scene with their debut EP “M.E.C.H METAL” and a performance at Wacken Open Air after being declared champions of the 2014 Wacken Metal Battle Canada competition.

Live Video – MUTANK at Wacken Open Air 2014 – https://youtu.be/yQrLaG8BPL4​

With their distinctive sound, the band moved forward in 2017, touring across Canada supporting ANNIHILATOR alongside Australia’s MASON in support of their EP “W.H.A.T.S.T.H.A.T” (Boonsdale Records). Metal Injection also named the band “1 of 8 Hidden Gems in Canadian Metal You Need To Know” (Read here).

2024 will be a tour de force for MUTANK with the launch of “Think Before You Think”. Fans of D.R.I., Suicidal Tendencies, Havok, Megadeth, Overkill, and Exodus are sure to join them in the circle pit when it releases.

CD Pre-Order (Limited to 250 copies) – https://boonsdale.bigcartel.com/product/mutank-think-before-you-think-cd-pre-order​

Spotify – https://spoti.fi/3NLOS88​

Track Listing:
​
1. Illuminatus – 6:14
2. Payback – 5:24
3. All Against All – 4:43
4. Channel Change – 5:11
5. Bad Magnitude – 5:30
6. Abortron – 3:37
7. Groundbreaker – 2:08
8. Metalheads For Hire – 5:37
9. Running Reds – 6:27
10. Thrash Primordial – 4:40
Album Length: 49:38

More Info: Boonsdalerecords.com | Facebook.com/bonebrainsnotdemolishers | Instagram.com/mutank_or_die | X.com/MUTANK​

-30-

Highlight: #2 – Canadian National Loud Chart – August 2017 – Top 20 Loud (Earshot)

“they play good-natured thrash a la Overkill and Exodus… perfectly serviceable and enjoyable, definitely more effective when they are playing fast.” – Decibel Mag

Metal Injection named MUTANK 1 of 8 Hidden Gems in Canadian Metal You Need To Know

“Based out of (arguably) the metal hub of the nation, Montreal, Mutank are a ferocious and frenzied crossover-thrash band that infect its listener with an ear worm that no amount of Michael Buble ballads can remedy. The 2014 winners of the Wacken Metal Battle Canada contest have churned out consistently crushing thrash riffs for years and have all the tools and check off all the required boxes to make a major play in the global metal market. For first time listeners, check out “Corporate Child” from their 2014 album M.E.C.H. Metal and the pulverizing headbanger “D.E.A.T.H.” from their 2017 EP W.H.A.T.S.T.H.A.T” – Metal Injection

“Montreal punk/thrash crossover act MUTANK has quickly become my favourite new discovery in the world of metal. They’re fast, funny, and equal parts smart and stoopid, with lyrics like “Who do Mu Tank you are?” and a band name that gets likened to a cross between a “mutant” and a “tank”. MUTANK’s music hearkens back to vintage Suicidal Tendencies, D.R.I., or the more metal moments of the Dayglo Abortions or SNFU.” – Georgia Straight

“Killer drumming, awesome bass hooks, great rhythm & furious sounding vocals. It’s a statement of intent from Mutank. That they are not to be underestimated & written off as just another ‘thrash throwback’.” – Games, Brains & A Headbanging Life

“They have a lot of thrashing songs that have abbreviated titles, and they kick some serious ass with their old school music and hardcore attitude.” – The Headbanging Moose

“Mutank have gotten creative with each song on the album, by coming up acronyms to fit the title of the album, they describe their sound as a “T-rex skateboarding down a volcano”. If your a fan of old school Overkill, Megadeath or Exodus or if you just want a fast and thrash album check it out” – Canadian Beats

“Fast riffs, Heavy tempos crazy yelling.. its got all you’ve asked for. A mix of Suicidal Tendencies Punk/Thrash debut, Nuclear Assault fast moshing killer speed assault…a great funny and entertaining mini album for all beer drinkers fans of Tankard and ready to get into the moshpit 100/100.” – The Metal Mag

“grab you battlejack, studs and spandex trousers and feel like you are back in 1985.” – Lords of Metal

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
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0 Prog Guitarist ROD RODRIGUES Shares 7 String Fusion w/ Video “Inukshuk” ft. John Macaluso (Drums) and Angel Vivaldi (Guitar); New Album “Tales Of A Changing Life Part 2” Out Now!

  • November 19, 2024
  • by Asher
  • · Music News · Rod Rodrigues

NEWS RELEASE

Montreal, QC – November 19, 2024

Prog Guitarist ROD RODRIGUES Shares 7 String Fusion w/ Video “Inukshuk” ft. John Macaluso (Drums) and Angel Vivaldi (Guitar)

New Album “Tales Of A Changing Life Part 2” Out Now!

Rod Rodrigues – Photo Credit – Allan Cabral

Brazilian-Canadian guitarist, music teacher, and songwriter with an impressive career in the music industry, Rod Rodrigues presented his latest creation and his first full-length this past October. Entitled “Tales Of A Changing Life Part 2”, is a conceptual album, and is the second part of a story inspired by his move to a new country and starting a new life to follow his 2022 EP “Tales Of A Changing Life Part 1”.

Today, Rodrigues unveils his guitar video for the track “Inukshuk”, which features guest musicians John Macaluso on drums and Angel Vivaldi, who plays the second guitar solo.

“This was the first song I wrote for the album, and it’s the heaviest track. I play it on a 7-string guitar, giving it a modern prog feel with some fusion elements,” adds Rodrigues.

The video can be seen and heard at https://youtu.be/00i4UQ45AGw

​

Fusing prog rock with Latin rhythms guitar virtuoso Rod Rodrigues has studied with renowned musicians Kiko Loureiro (Megadeth) and Greg Howe (Justin Timberlake, Michael Jackson) and has received degrees from IG&T and Claretiano University. Since 1997, he has been sharing his knowledge and skills as a music teacher in Brazil, Canada, and Europe. His e-book Guitar Shred (2016) was released in both languages, Portuguese and English, and in 2018, the guitarist and teacher launched his online training course Extreme Guitar Workout, which has attracted hundreds of students from around the world. Over the years, he has also been a member of various bands, including Enemies of Reality and Falling Into a Dream (a Dream Theater tribute band).

As a solo artist, Rodrigues released his first EP in 2010, titled “The First Step: Introduction”, which gained recognition in several music publications, including Guitar Player, Cover Guitarra, and Guitarload, among others. In 2019, he released his single “T.A.G.” followed by his concept EP, “Tales of a Changing Life Part 1” in 2022. Notably, “Tales of a Changing Life Part 1” featured the talented Marco Sfogli (James LaBrie, Premiata Forneria Marconi) on the track “Woodbine Sunset”.

Thanks to his outstanding work on “Tales of a Changing Life Part 1”, Rodrigues was voted one of the top 20 Guitar Players of 2022 by the readers of Brazilian Roadie Crew Magazine.

Rod Rodrigues produced his first full-length, “Tales of a Changing Life Part 2”, with mixing by Renato Osório and mastering by Kris Crummett (Nick Johnston, Issues, Sleeping With Sirens). For the album’s guests, Rodrigues recruited guitarists Hugo Mariutti, Angel Vivaldi, and Roy Ziv; bassists Heitor Tenorio and Bruno Ladislau; drummers John Macaluso (ARK, TNT, Yngwie Malmsteen, Riot), Rodrigo Abelha, and Lucas Emidio; as well as Orlan Charles (keyboards, piano, and saxophone), Rodrigo Sperandio (Brazilian viola), and vocalists Wesley Poison, Ana Carla de Carli, Andressa Alves, Caroline Grossi, Matheus Grossi, and Francis Botene.

“With Tales of a Changing Life Part 2, I believe I reached my peak as a musician and composer. Truly able to convey through music all the emotions of the transformation my life has gone through in the past 10 years. Moreover, I was fortunate to have the best team of musicians, each adding their unique and special touch to the work.” adds Rodrigues.

Recommended for fans of Dream Theater, Rush, Steve Vai, Joe Satriani, and Angra, “Tales of a Changing Life Part 2” was released on October 18, 2024, and is available at the following links:

Spotify – https://spoti.fi/3CwoigV

​

Bandcamp (CD + Digital) – https://rodrodrigues.bandcamp.com/album/tales-of-a-changing-life-part-2

​

Track Listing:​
1 – Inukshuk – Feat. Angel Vivaldi and John Macaluso (6:31)
2 – On The Road (5:24)
3 – East Coast Memories – Feat. Roy Ziv (6:24)
4 – Dust In My Eyes (6:01)
5 – Saudade – Feat.Wesley Poison (1:41)
6 – Mom’s Lullaby (5:40)
7 – Tales Of A Changing Life Suite – Feat. Hugo Mariutti (11:32)
Total Time: 42:02

More info: Rodrodrigues.net | Facebook.com/rodrodriguesofficial | Instagram.com/rodrodriguesofficial​

-30-

“Rod Rodrigues’ upcoming release, Tales of a Changing Life Part 2, represents more than just a continuation of his musical journey—it’s a deeply personal reflection of the changes he’s experienced over the past decade. After a 12-year hiatus from releasing solo work, Rodrigues returns with an instrumental album that captures a rollercoaster of emotions through complex compositions and masterful collaborations. His ability to mix diverse musical influences is evident throughout, weaving together personal experiences, Brazilian rhythms, and progressive rock.” – Prog-Sphere (2024)

“In Tales of a Changing Life Part 2, Rodrigues not only showcases his technical virtuosity but also his ability to convey deep emotion and narrative through his compositions. His work stands as a shining example of how diverse musical influences can be melded into something both experimental and accessible. This is an album that takes listeners on a transformative journey, and in doing so, solidifies Rod Rodrigues as a unique voice in contemporary progressive music.” – Prog Archy (2024)

“Following closely the work of legendary drummer John Macaluso already brought great discoveries to my proggy table, and Rod Rodrigues’ new album makes no exception here. In best instrumental prog fusion manner, he tells the “Tales of a Changing Life” with the focus on his virtuoso guitar playing, carried by challenging yet groovy rhythm patterns, cool bass lines, and some beautiful keyboard interplays. All-together a wonderful listen if you’re into instrumental wizardry. ” – The Prog Space (2024)

“Obviously, much of the spotlight here is placed on Rodrigues’ prodigious grasp of the electric guitar. Although the album’s metal-ish side doesn’t stand any bit above what we’ve already heard from that corner of prog metal, Rod makes himself out to be an absolutely brilliant fusion guitarist, possibly one of the best I’ve heard in recent years. “Dust in My Eyes” might be my favorite track on the album for this very reason; Rod’s marriage of keen instrumental wandering and tight melodic passages is gorgeous.”- Riffage (2024

“Guitar virtuoso Rod Rodrigues latest release ‘Tales of a Changing Life is a conceptual record celebrating the changes in Rod’s life that have taken place over recent years. Straight from the Satriani-Vai-Johnson line of melodic guitar shredders, Rodrigues infuses his guitar playing style with prog, metal, fusion and jazz. While only a 5 song EP, there is a lot of great guitar work in this collection with an abundance of melodies. Perhaps not as much of a household name, Rodrigues is definitely worth getting to know.” – The Prog Report (2022)

​
—
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0 EPK – Rod Rodrigues – Tales of A Changing Life Part 2 (2024)

  • November 18, 2024
  • by Asher
  • · EPKs · Rod Rodrigues

EPK – Rod Rodrigues – Tales of A Changing Life Part 2 (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“I’ve been playing guitar for over 30 years, performing in all kinds of bands—from cover bands to wedding bands. But I reached a point where just playing in those bands and teaching music wasn’t enough. I felt the need to express myself more creatively. With Tales of a Changing Life Part 2 I believe I reached my peak as a musician and composer. Truly able to convey through music all the emotions of the transformation my life has gone through in the past 10 years. Moreover, I was fortunate to have the best team of musicians, each adding their unique and special touch to the work.” – Rod Rodrigues

For fans Dream Theater, Rush, Steve Vai. Joe Satriani, Angra

Album: Tales Of A Changing Life Part 2
Singles: Inukshuk, On The Road, Mom’s Lullaby
Label: Independent
Distribution: Distrokid
Release Date – October 18th, 2024

Rodrodrigues.net | Facebook.com/rodrodriguesofficial | Instagram.com/rodrodriguesofficial | Youtube.com/rodrodrigues

Rodrodrigues.bandcamp.com | Apple Music | Spotify

“Rod Rodrigues’ upcoming release, Tales of a Changing Life Part 2, represents more than just a continuation of his musical journey—it’s a deeply personal reflection of the changes he’s experienced over the past decade. After a 12-year hiatus from releasing solo work, Rodrigues returns with an instrumental album that captures a rollercoaster of emotions through complex compositions and masterful collaborations. His ability to mix diverse musical influences is evident throughout, weaving together personal experiences, Brazilian rhythms, and progressive rock.” – Prog-Sphere (2024)

“In Tales of a Changing Life Part 2, Rodrigues not only showcases his technical virtuosity but also his ability to convey deep emotion and narrative through his compositions. His work stands as a shining example of how diverse musical influences can be melded into something both experimental and accessible. This is an album that takes listeners on a transformative journey, and in doing so, solidifies Rod Rodrigues as a unique voice in contemporary progressive music.” – Prog Archy (2024)

“Following closely the work of legendary drummer John Macaluso already brought great discoveries to my proggy table, and Rod Rodrigues’ new album makes no exception here. In best instrumental prog fusion manner, he tells the “Tales of a Changing Life” with the focus on his virtuoso guitar playing, carried by challenging yet groovy rhythm patterns, cool bass lines, and some beautiful keyboard interplays. All-together a wonderful listen if you’re into instrumental wizardry. ” – The Prog Space (2024)

“Obviously, much of the spotlight here is placed on Rodrigues’ prodigious grasp of the electric guitar. Although the album’s metal-ish side doesn’t stand any bit above what we’ve already heard from that corner of prog metal, Rod makes himself out to be an absolutely brilliant fusion guitarist, possibly one of the best I’ve heard in recent years. “Dust in My Eyes” might be my favorite track on the album for this very reason; Rod’s marriage of keen instrumental wandering and tight melodic passages is gorgeous.”- Riffage (2024

“Guitar virtuoso Rod Rodrigues latest release ‘Tales of a Changing Life is a conceptual record celebrating the changes in Rod’s life that have taken place over recent years. Straight from the Satriani-Vai-Johnson line of melodic guitar shredders, Rodrigues infuses his guitar playing style with prog, metal, fusion and jazz. While only a 5 song EP, there is a lot of great guitar work in this collection with an abundance of melodies. Perhaps not as much of a household name, Rodrigues is definitely worth getting to know.” – The Prog Report (2022)

Album: Tales Of A Changing Life Part 2
Singles: Inukshuk, On The Road, Mom’s Lullaby
Label: Independent
Distribution: Distrokid
Release Date – October 18th, 2024

Track Listing:
1 – Inukshuk – Feat. Angel Vivaldi and John Macaluso (6:31)
2 – On The Road (5:24)
3 – East Coast Memories – Feat. Roy Ziv (6:24)
4 – Dust In My Eyes (6:01)
5 – Saudade – Feat.Wesley Poison (1:41)
6 – Mom’s Lullaby (5:40)
7 – Tales Of A Changing Life Suite – Feat. Hugo Mariutti (11:32)
Total Time: 42:02

Album Credits:
All songs Written, Performed and Produced by Rod Rodrigues
Mixed by Renato Osorio
Mastered by Kriss Crummet
Member of SOCAN

Band:
Rod Rodrigues – Electric and Acoustic Guitars
Angel Vivaldi – 2nd Guitar solo on “Inukshuk”
Roy Ziv – 1st Guitar Solo on “East Coast Memories”
Hugo Mariutti – Bowed Guitar on “Tales Of A Changing Life Suite”
Heitor Tenorio – Bass
Bruno Ladislau – Bass on “Dust In My Eyes”
Orlan Charles – Keyboards, Piano, Orchestrations and Electric Sax
John Macaluso – Drums on “Inukshuk”
Lucas Emidio – Drums on “East Coast Memories”, “Dust In My Eyes” and “Tales Of A Changing Life Suite”
Rodrigo Abelha – Drums on “On The Road” and “Mom’s Lullaby”

====================================================

Album The Album Artwork

This album is a conceptual album, the second part of a story inspired by my move to a new country and starting a new life. The cover art shows a man with open arms (me), finally feeling happy after overcoming many challenges. He’s standing on a cliff, looking toward the horizon, and realizing that, despite all the struggles, everything was worth it. On the back, there’s an image of a young boy, a reflection of my younger self, gazing forward with dreams of the future. This mirror connects to the cover art of my previous EP, Tales of a Changing Life Part 1.

Track by track (LYRICALLY & MUSICALLY)

1 – Inukshuk

This was the first song I wrote for the album, and it’s the heaviest track. I play it on a 7-string guitar, giving it a modern prog feel with some fusion elements. The song features two guest musicians: John Macaluso on drums and Angel Vivaldi, who plays the second guitar solo.

2 – On The Road
I wrote this song as a tribute to my dad. It blends influences from Rush, Van Halen, and a touch of Brazilian country music. My goal was to create an uplifting, feel-good track that’s perfect for listening to while cruising down the highway.

3 – East Coast Memories
This is a melodic song featuring a long, expressive piano section in the middle. I was inspired by both Prince and Dream Theater when writing it. The first guitar solo in the song is played by Roy Ziv.

4 – Dust in My Eyes
I wanted to write a more modern song with strong riffs, unique rhythms, and fewer guitar solos. It’s probably the most different track on the album, and it includes some nods to “La Premiere Experience” and “Physical Distancing” from the previous EP, Tales Of A Changing Life Part 1.
There’s also an electric saxophone solo played by Orlan Charles.

5 – Saudade
“Saudade” is a Portuguese word that means “missing,” but in a much deeper, more emotional way. It captures the feeling of longing for moments with loved ones or someone who is no longer here. This track features a beautiful poem written and performed by Wesley Poison. It’s a short, acoustic song that serves as a kind of interlude, leading into the next track.

6 – Mom’s Lullaby
This is the most emotional song I’ve ever written. It’s a heartfelt ballad dedicated to my mom, who has always been my biggest musical influence and supporter. When I was little, she would sing lullabies to help me fall asleep, and this song is my own lullaby for her.

7 – Tales Of A Changing Life Suite
This is the longest track on the album, running 11 minutes and 30 seconds. It’s an epic piece filled with rich orchestrations and intense shred solos. Hugo Maritutti, from the Brazilian metal band Shaman, recorded the bowed guitar for the intro. The song features duets between guitar and keyboard, as well as an extended solo section inspired by Latin music. It’s definitely the most challenging song on the album.

Rod Rodrigues – Photo Credit – Allan Cabral 

Rod Rodrigues is a Brazilian-Canadian guitarist, music teacher, and songwriter with an impressive career in the music industry. Over the years, he has been a member of various bands, including Enemies of Reality and Falling Into a Dream (a Dream Theater tribute band).

Rod has studied with renowned musicians like Kiko Loureiro (Megadeth) and Greg Howe (Justin Timberlake, Michael Jackson, and others) and has received degrees from IG&T and Claretiano University. Since 1997, he has been sharing his knowledge and skills as a music teacher in Brazil, Canada, and Europe.

As a solo artist, Rod released his first EP in 2010, titled “The First Step: Introduction,” which gained recognition in several music publications, including Guitar Player, Cover Guitarra, and Guitarload, among others. In 2019, he released his single “T.A.G,” followed by his concept album, “Tales of a Changing Life Part.1,” in 2022. Notably, “Tales of a Changing Life Part.1” features the talented Marco Sfogli (James LaBrie, Premiata Forneria Marconi) on the track “Woodbine Sunset.”

Thanks to his outstanding work on “Tales of a Changing Life Part.1,” Rod was voted one of the top 20 Guitar Players of 2022 by the readers of Brazilian Roadie Crew magazine.

Discography:
– EP – The First Step: Introduction (2010)
– Single – T.A.G. (2019)
– EP – Tales Of A Changing Life Part 1 (2022)
– Album – Tales Of a Changing Life Part 2 (2024)

Shared Stage with: Kiko Loureiro, Rafael Bittencourt, Pyramid Theorem, Polychuk

Endorsed by: Solez Strings, Ibox Guitar Straps and Sstring Dampers

0 EPK – Intestinal Laceration – Chaotic Eschatological Madness (2022)

  • November 18, 2024
  • by Asher
  • · 2 Shadows · EPKs · Intestinal Laceration (Gore House Porudctions)

EPK – Intestinal Laceration – Chaotic Eschatological Madness (2022)

Publicist – Jon Asher – gorehouse[@]ashermediarelations[.]com

For fans of Guttural Secrete, Deeds of Flesh, Arsebreed, Gorgasm, Defeated Sanity

Band: Intestinal Laceration
Album Title: Chaotic Eschatological Madness
Release Date: May 20, 2022
Label: Gore House Productions

Instagram.com/intestinal_laceration | Facebook.com/intestinallaceration 

Album – https://orcd.co/chaotic-eschatological-madness

Gorehouseproductions.com | Facebook.com/GoreHouseProductionsOfficial | Instagram.com/gorehouseproductions | Twitter.com/GoreHouse

[Download Album Cover | Download Album Lyrics]

Band: Intestinal Laceration
Album Title: Chaotic Eschatological Madness
Release Date: May 20, 2022
Label: Gore House Productions

Track Listing:
1. Eternal Cosmic Darkness (3: 42)
2. Embryonic Mutation of Baalcetrorus (2: 36)
3. Time Regeneration (3: 01)
4. Oniric Experience (4: 01)
5. Return To Saturn (4: 01)
6. Eruption (3: 22)
7. Abyss of Atrocities (3: 18)
8. Sacrificial Retribution (3: 43)
9. Relic of Chaos (5: 57)
Album Credits:
Album Cover art by Andreas Christanetoff (Armaada Art)
All album music composed by Nestor Insano except the track “Time Regeneration” composed by Ric and Nestor Insano
All lyrics written by Nestor Insano
Logo by Ramiro Paredes
All music recorded by Angel Maldad except the track “Relic of Chaos” recorded and mixed by Joel Alvare
Album was mixed and mastered by Indra CahyaAlbum Band Line Up:
Nestor Insano (Guitars and bass)
Eduardo Vilchez “The Axe Murderer” (vocals)
Joe Hoyle (Drums)

========================================================

About The Album Artwork:

I mean an ancient sanctuary in ruins that keeps alive its cult of cannibalism. Mythical monsters of the underworld against men.

The sanctuary is a tenebrous structure with aberrant iconographic forms with a monster in it.

Chaotic and overwhelming landscapes where there is a tenebrous Ancestral Oracle that has a connection with another dimension in the Cosmos by means of an Energy that unites them.

The cosmos is a dimension in chaos

The ancestral oracle maintains its cult offering rites of human flesh through cannibalistic fights of mythical monsters of the underworld thirsty for blood that tear eyes, hearts, organs, and limbs mercilessly to humans. Showing horrendous death scenes.

Hemorrhages of blood, guts, and viscera shoot swiftly around the ancestral oracle. Limbs, dismembered bodies, brains, heads, bones, and skulls everywhere.

About the album as a whole (LYRICALLY & MUSICALLY):

The theme of the album “CHAOTIC SCHATOLOGICAL MADNESS” deals with the cosmological existential anguish as an answer to the absurdities of the world, searching for the true essence of nature in the phenomenological subjective experiences and cosmological knowledge, manifested in the cult of ancestral eschatologies as a symbolic cognitive cultural legacy that is shown in its original way of conceiving the universe (cosmological prefiguration).

This cult is vivified in the ancestral oracles which have a connection with other dimensions in the cosmos by means of an energy that unites them, their fervor is kept alive with cannibalistic offerings and autophagy. From these ancestral oracles emerge aberrant mythical monsters from the underworld that exterminate the human race. In addition, the oracles ask for sacrificial retribution for the answers to existential cosmological questions.

The album also talks about catastrophic natural phenomena, the regeneration of time, and the extinction of the human race as a misanthropic seed because of its self-destructive nature.

Track by Track (LYRICALLY & MUSICALLY):

1. Eternal Cosmic Darkness – It denotes a journey through the confines of the immense and immeasurable interdimensional cosmos that transmits and fills us with all its unfathomable energy.

2. Embryonic Mutation of Baalcetrorus –  Terrifying fusion of genetics with the power of the cosmos giving life to a horrendous misanthropic being that puts an end to humanity for its capital flaws.

3. Time Regeneration –  It speaks about the possibilities of returning to the possible diachronic preconfigurations of the genesis time of the world as an antagonistic reason for the destruction/correction/new beginning of the present world and the historical formations relative to the temporal.

4. Oniric Experience –   It talks about the development of the state of being that becomes to achieve an extrasensory dimensional transmutation as an unfolded experience through the dissolution of the mind-body (since the brain and the human body prevent the energy from transcending!!!) issues that are pointed out in quantum studies, astrological psychology, Hindustani sacred texts, as well as the studies of Jacobo Grinberg.

5. Return to Saturn – Es una Oda alegórica al ancient Saturn (Saturn planet and Saturn god) y una representación primigenia del diablo

6. Eruption –  It is a personal theogony and the struggle to solve existential problems. It ends with an eruption entrusted by the ancestral god Pakal that would finish with all humanity.

7. Abyss of Atrocities – It is a fight for the end of the world that ends with one’s own autophagy reflecting itself in the narrative as a mirror, but it is oneself.

8. Sacrificial Retribution – It narrates a mythical journey that ends with sacrificial self-flagellation in retribution for the answers to existential cosmological questions.

9. Relic of Chaos – Acoustic guitar instrumental as an outro to end and soothe the overpowering brutality of the monster that is the album itself, which furiously and hatefully complains full of misanthropy throughout all songs wanting to extinguish humanity at all costs.

====================================================

Fun Fact:

If there were brutal death drummers in our country we would already have 5 albums hahaha.

Getting a suitable drummer trained in brutal death and with the techniques of the style developed that has the same expectations of the band has been and still is the most difficult thing.

L-R – Nestor Rossell (Guitars),  Ricardo Quispe (Bass), Eduardo Vilchez (Vocals)

Photo credits: Eduardo Vilchez

INTESTINAL LACERATION was formed in 2009 by twisted minds obsessed with the extreme, ancestral eschatology, existential cosmology, anti-Christianity, cannibalism, genetic mutation, and pathological malformations. 

Thus, constantly meeting in the underworld of the dirty streets of Lima, Peru, they began rehearsals where compositions of fast and rotten riffs, extreme blast beats, and overwhelmingly chaotic guttural vocals converged. 

During that time, INTESTINAL LACERATION gave several live releases of extreme brutality. In 2014 the band recorded its first music video “ENJOY THEIR PUTRID FLESH”, and released some copies of this first single. In 2015 the band recorded the EP titled “SPECIES OF PUTRID MINDS” which was released by Coyote Records (RU).  

The band is signed to the label Gore House Productions (USA) who made the first full-length album entitled “CHAOTIC ESCHATOLOGICAL MADNESS” in 2022.

Currently, the band is working on their second full-length album.

Discography:
Album “Chaotic Eschatological Madness” (2022) produced by Gore House Productions
EP “Species of Putrid Minds (2015) produced by Coyote Records (RU)”

 

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