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0 EPK – Backstabber – Patterns of Domination (2024)

  • December 29, 2023
  • by Asher
  • · Backstabber · EPKs

EPK – Backstabber – Patterns of Domination (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“Loosely based on James Redfield’s The Celestine Prophecy, Patterns of Domination delves into the 4 patterns that serve as means to canalize someone else’s attention and energy. Together, they form an endless cycle of consumption that completely breaks down the victim from the inside out. Like fresh air. These are the first songs with the new members of the band and they contributed a lot to this album.” – Backstabber

For fans of Revocation, Hypocrisy, Kataklysm, Lamb of God, Mors Principium Est

Band: Backstabber
EP Title: Patterns of Domination
Release Date: March 15, 2024
Label: Self-Release

Facebook.com/BackStabberMetal | Instagram.com/backstabbermetal | Youtube.com/@Backstabber

Backstabbermetal.bandcamp.com | Spotify

The lead single is Harvesting the Weak which the band has a new music video for.

“We chose Harvesting the Weak as the main single because it is the most brutal pattern; Intimidation. It hits you right in the face while teabagging your knocked-out sack of bones in front of your friends. We’re talking Death metal from old-school riffs to slamming brutal death.” – Backstabber

“the entire EP is spectacular — a forward-rushing union of bone-smashing belligerence, vicious but technically impressive riffing, moving and jaw-dropping solos, monstrous and unhinged vocal rage, and melodic accents that give all the songs their own distinctive character.” – No Clean Singing

“Patterns of Domination is a relentless and catchy four-track EP. The musical style and lyrical content will appeal to fans of Hypocrisy.” – WRUV 90.1 FM – Burlington, VT

“From the beginning of the song (Snitches Get Stiches), you can hear the more technical side of the group. I would say it’s the fastest and most technical song in terms of guitars. It is also a piece in which there is orchestration. This is very present and brings a rather sordid dimension. What literally threw me off was the ending of the song. There is really crazy progress. A fast guitar riff, drumming that transitions from blastbeat to a more relaxed upper body beat with basedrums that are in “the carpet”. All with a beautiful orchestration which gradually takes over the instruments. Really, to finish an EP, it’s just perfect. 8.5/10″ 

“From sharp riffs, which are influenced by old school death metal, developed and mixed with contemporary. Blistering rhythms and the very good production ties and highlights the diversity and uniqueness of the compositions. It’s worth listening to and I’m sure you’ll stick around!” – Metal War

“A fat bridge between Death Metal and its modern siblings! 8/10” – PowerMetal.de

=============================================================

What the press has said about Backstabber’s 2019 album “Conspiracy Theorist”:

“Powered by drumwork that resembles a ferocious mix of machine-gun and mortar fire, Backstabber mount the attack with flurries of vicious, seething riffery and nail-gunning jab-fests, with the lyrics voiced in heartless, imperious roars. The devastation is pushed to further heights of frenzy with a shrill, eerily spiraling solo, and concludes with a hint of off-planet mystery.” – No Clean Singing

“Out of northern Quebec comes the Men In Black, melodic death metal band Backstabber. Last year, these guys dropped their debut album Conspiracy Theorist and it still stands as one of the best albums of the year. Full of tinges of Hypocrisy from style and sound, to the obvious connection of alien themed lyrics. A little over a year later now, Backstabber are dropping a music video for their song “My Disclosure” and it’s essentially nothing you would expect from a small independent band only on their first album.” – Metal Injection
 
“Fast, frantic, politically minded and heavy” – Exclaim!
 
“Backstabber’s death metal is more of the modern variety (in a good way) with a very clean yet brutal sound and speed aplenty. The playing is insanely tight at times and it’s often hard to believe that this is only the first album of a relatively young band, their first demo having been released in 2016. Some passages are a little on the thrash side but for the most part, this is heavy, pounding, fast death metal driven by a drummer who is really asking for a speeding ticket. ” – 4/5 – The Metal Crypt
 
“The songs are heavy, and the death and thrash influences make for some fairly easy to get into head bobbing as each track progresses… Conspiracy Theorist is a solid beginning for Backstabber… Solid for those that want some new, well-rounded death metal.”  – Dead Rhetoric
 
“Backstabber’s Conspiracy Theorist is a self-released album that makes one wonder how they haven’t been signed to any label yet… Backstabber have on their hands the first essential death metal release of 2019.” – 4/5 – Heavy Music HQ
 
“BACKSTABBER deliver aggressively systematic silver lining lacerations of rip-roaring screams of vengefully vicious old-school Death ‘N’ Thrash Metal professionalism – simply put – recommended.” – Metal-Temple

“The tracks that attracted my attention the most were ‘Ink Spill’, ‘My Disclosure’ and ‘Banksters’: continuing the old-school texture, these tracks, as well as the entire full-length, include no clean vocals nor breakdowns; all that is contained is substantial and complete death-thrash metal led on by a superb stream of undeniable thinking and design. Backstabber’s music can definitely be cherished over time by fans of Decapitated, At The Gates, Deicide and Hypocrisy as the band grows in following. This release shows glory in blending their musical layout with dynamic and spirited riffs.” – Metal-Rules

“Conspiracy Theorist has a real face crushing, devastatingly great death/thrash metal feel to it…” – Crannk
 
“This album is hard as nails. They do not care for making the music too melodic. It is hard-driving, grooving-thrashing pounding metal. The vocals are super aggressive and abrasive on the ears. The guitars, bass and drums work in marching unison with the purpose of making you form a moshpit or to jump into one or to make you think that you are going to bench press 500 pounds today and do 100 pull-ups at the gym… No melodic singing. No sweet whispers in your ears, just aggro-angry metal to rile you up even more about politics, the government and the extraterrestrials.” – Metal Bulletin Zine
 
““Conspiracy Theorist” is a very refreshing listen, I’ve no favourite track, each stands solidly alone on its own individual merits, and should appeal to fans of the likes of Kataklysm, Hypocrisy, Decapitated, Deicide, and  At The Gates.” – The Metal Wanderlust

[Download Album Cover | Download EP Lyrics]

Band: Backstabber
EP Title: Patterns of Domination
Release Date: March 15, 2024
Label: Self-Release

Track Listing:
1. Harvesting The Weak (4:06)
2. Langues Sales (4:34)
3. Crawling Through Your Bones (5:03)
4. Snitches Get Stitches (5:46)
EP Length: 19:29

EP Recording Credits:
• All songs performed by: Backstabber
• All songs written by: Backstabber
• Produced by: Christian M. Thériault
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Canadian Content (MAPL)

EP and Live Band Lineup:
Christian M. Thériault: Guitar/Vocals
Philippe B. St-Jacques: Guitar
Eric Séguin: Bass/Back Vocals
Keven L.-Hull : Drums

====================================================

About The Album Artwork:

A single soul surrounded by the destruction of the world hoping for better days.

About the album as a whole (LYRICALLY & MUSICALLY):

Lyrics are loosely based on James Redfield’s The Celestine Prophecy as we explore the four patterns meant to consume someone’s attention and energy. Each track digs into a specific pattern giving for a wide array of emotions throughout the EP. It can also be felt musically as each song has a very distinct style while the production makes a good wrap up keeping it as a whole.

Track by track (LYRICALLY & MUSICALLY):

1. Harvesting the Weak: it is the most brutal pattern; Intimidation. It hits you right in the face while teabagging your knocked-out sack of bones in front of your friends. We’re talking Death Metal from old-school riffs to slamming brutal death.

2. Langues Sales: French for dirty tongues, it represents a vicious pattern, the poor me. These people are always complaining about everything, every day, every time. It’s like they don’t really get to live, life is inflicted upon them. It’s trash, thrash, and breakdowns.

3. Crawling through your bones: This is the most vicious one of all, interrogation. Everything you say can and will be used against you, and we will make you say everything and anything. That’s Melodeath, because it hooks you right in without you noticing.

4. Snitches get Stitches: Describing this pattern shouldn’t be allowed. Indifference didn’t call for this! That’s why we went blindfolded in the mist musically ending up in places we might never have gone to otherwise.

========================================================

Hailing from Rouyn-Noranda in northern Quebec, Canada, Backstabber is a formidable death/thrash band inspired by conspiracies, new technologies, philosophy, and history. Covering a vast number of themes throughout their aggressive music, Backstabber can be likened to a ‘loose cannon’ with no foreshadowing of what direction they will take next, musically and lyrically.

Starting with themes and gradually adding riffs, drums, bass and finally vocals, they pride themselves on complimenting their compositions with energetic and interactive live shows, the entire reason for them writing their songs.

Eager to bring raw and fierce metal to the ears of listeners, Backstabber has recorded their next EP “Patterns of Domination” produced by Christan Donaldson (Cryptopsy) for release in 2024.

Discography:
2024 – Patterns of Domination – EP
2019 – Conspiracy Theorist – Album
2016 – Revenge – EP

Shared Stage with:
Cattle Decapitation, Kataklysm, Depths of Hatred, Augury, Introtyl, Burning the Oppressor, Unbreakable Hatred, First Fragment, Get the Shot, Blinded By Faith, Insurrection, Abitabyss, Anonymus, Nova Spei, Spirit of Rebellion, The Flaying, Your Last WishTours and Festivals:
2023 – AlienFest – La Sarre
2019 – FRIMAT – Val-d’Or
2018 – FME – Rouyn-Noranda
2018 – FGMAT – Rouyn-Noranda

0 Gore House Prod. – STAGES OF DECOMPOSITION Release Brutal, Horrific New Single “What Lies Within” Off New Album “Raptures of Psychopathy” Out Feb 2024

  • December 29, 2023
  • by Asher
  • · Music News · Stages of Decomposition (Gore House Productions)

NEWS RELEASE

Montreal, QC – December 29, 2023

STAGES OF DECOMPOSITION Release Brutal, Horrific New Single “What Lies Within”

New Album “Raptures of Psychopathy” Out Feb 2024 From Gore House Productions

Since the band’s inception, Stages of Decomposition has become a formidable force in the extreme music scene. From gracing stages at renowned festivals like Bay Area Death Fest, Bogota Grind Death Fest, and SLAM FEST, to a coast-to-coast U.S. tour in under 10 days, the band has left an indelible mark on the global Death Grind circuit. Their second album “Raptures of Psychopathy” threatens to burrow into your brain like a death metal worm and liquefy it with brutal riffs, chaotic blast beats and adrenaline-invoking time signatures that convey the terror and psychological aspects of the stories told. The next single “What Lies Within” is not for the faint of heart, as the band explains:

“What Lies Within is a song about someone struggling with inner hate for humans where they don’t hold anything back to demoralize them and degrade them in such a way that he gains absolute control and advantage over them. In a way, this really digs into the album name of Raptures of Psychopathy. This song offers a glimpse into a mind harrowed by demons and the need for power/control through forced sex.“

Watch and listen to the lyric video for “What Lies Within” at https://youtu.be/mwF6mWnWrnc

​

Stages of Decomposition is known for its massive and impactful delivery of extreme brutality and invokes raw primitive energy from the crowd. From heart-splitting blast beats and corpulent riffage to sickening gutturals – fans can expect nothing less than a destructive performance.

Each song on “Raptures of Psychopathy” embodies a concept relative to the overall theme of the album. Stages of Decomposition like to explore all facets of the general horror theme – from movies to serial killers, events, etc. Due out on February 2, 2024, by Gore House Productions, it is recommended for fans of Dying Fetus, Devourment, and Suffocation.

Album pre-order – https://orcd.co/raptures-of-psychopathy​

Music Video – “Skid Row Slasher” – https://youtu.be/w9j3s54NwhM

​

Track Listing:​
1. Drilling of the Cerebellum – 4:59
2. What Lies Within – 3:10
3. Beast of Jersey 2:42
4. Killing Under Possession – 3:36
5. Murder by Proxy – 3:26
6. Skid Row Slasher – 3:36
7. Carve out the Eyes – 2:37
8. Fetal Devourment – 3:04
9. Crawl Space Burial – 3:12
10. Human Extermination – 3:46
11. Mass Psychosis – 2:09
Album Length: 36:19

More info:

​​Gorehouseproductions.com​ | Facebook.com/StagesofDecomposition | Instagram.com/stagesofdecomposition_official​

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“On their new album Raptures of Psychopathy, Stages of Decomposition lean into the most violent and punishing aspects of their sound, and we have a prime example in the new album track we’re presenting today, along with a blood-spraying video… The song’s name is “Skid Row Slasher”. It’s based on true stories of serial killers, both of whom preyed on the homeless population of L.A…. The music is itself undeniably, and viciously, psychotic. The riffing is fast and frenzied, corrosive and cutting, and utterly crazed. The drums clatter at high speed, like automatic weaponry with a groove. The bass slugs like a heavyweight high on adrenaline. Equally rabid, the vocals expel raw guttural roars, crazed screams, and strangled gagging and gurgling excretions. It’s all macabre, and it’s all viscerally electrifying. But the band also make room for pulverizing slams capable of splitting concrete. It’s a kick to watch the band cut loose in the video, too, and of course there will be blood….” – No Clean Singing

“This is pure bang your head ‘till it pulps music. From growling guitars to smash the kit into pieces drumming, then snarling vocals, and a horror tinge (as we’ll see). It’s only right that they’re signed to Gorehouse Productions… Stages of Decomposition are tight, they can be felt as well as heard. The album (Piles of Rotting Flesh) is consistent with no weak moments. You will bleed, this will hurt. For proof check the official video below.” – Severed-Cinema

“It’s a brutal assault on your ears in the same style as bands like Cannibal Corpse.” – Games, Brrraaains & A Head-Banging Life (EP – Crawl Space Burial)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 DEORBIT (ft. members Northless, Ara) Shares Guitar Playthrough For Track “Deorbit” Off New Album “Retrogradient”

  • December 27, 2023
  • by Asher
  • · Deorbit · Music News

NEWS RELEASE

Montreal, QC – December 27, 2023

​

DEORBIT (ft. members Northless, Ara) Shares Guitar Playthrough For Track “Deorbit” Off New Album “Retrogradient”

Offer FREE Album Download

Unveiling their debut album “Retrogradient” this past November, Milwaukee, USA’s Deorbit (ft. members Northless, Ara) offers up depictions of surreal aspects from the mind of guitarist Jerry Hauppa with each track merging cold aspects of the expanding universe with the organic familiarity of human understanding.

Today, Jerry Hauppa is giving some lessons in tehcnical prowess with his latest playthrough for the last track entitled after the band on their debut album “Retrogradient”. He comments about the song:

“A gradual falling out of the gravitational pull of the sun, shown in the note and tempo choices. The record ends on a mournful yet hopeful note, showing that the system we were bound to may have inhibited its full potential.”

Watch the guitar playthrough via its premiere on TechnicalMusicReview HERE.

An instrumental amalgamation of influences from extreme metal, doom, psychedelic, and progressive, “Retrogradient” is a musical concept with a visual in mind of where our solar system is laid out as a double-helix system, showing the relationship between both the organic and inorganic elements spawned during the creation of the universe. Each track guides you through the realms of the universe and the depths of human understanding.

“‘Retrogradient’ is based on Carl Sagan’s quote: “The cosmos is within us. We are made of star stuff. We are a way for the universe to know itself”. The album ebbs and flows through a planetary adventure, from the origins of humanity during the time of the Big Bang, to the depths of the molten core, onwards to the atmosphere, and everything in between through a natural lens and one that is more surreal.” adds Hauppa.

Mixed by Dylan Patterson, mastered by Jeff Wojtysiak, and the artwork done by James Becker, Deorbit invites listeners to embark on an unparalleled sonic journey that challenges the boundaries of conventional music. “Retrogradient” seamlessly balances heaviness and clarity, offering complex musicality without compromising the significance of songwriting.

Expanding to reach as many fans across the universe, Deorbit is excited to share “Retrogradient” as a completely FREE download via their Bandcamp – https://deorbitmke.bandcamp.com/album/retrogradient​

Spotify – https://sptfy.com/PxP3

​

Track Listing:​
1. Retrogradient – 3:16
2. Perihelion – 4:29
3. Terrakinetic – 4:44
4. Lunambulant – 4:04
5. Glaciovore – 2:57
6. Calderasure – 4:09
7. Senescence – 4:49
8. Stratolith – 5:06
9. Deorbit – 6:54
Album Length: 40:32

Album Credits:​
All songs written and performed by Deorbit
Mixed by Dylan Patterson
Mastered by Jeff Wojtysiak
Artwork by James Becker

Recording Band Lineup:​
James Becker – Bass, Cello
Jerry Hauppa – Guitar, Hammered Dulcimer
Hurdy Gurdy – Synth, Violin
Antonio Ninham – Drums

More info: Facebook.com/deorbitmke​

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“The piece (Stratolith) incorporates elements of soulful doom, prog, and technical metal with a strong emphasis on melodic lines that serve as a kind of vehicle for this bold interstellar journey. Without words, they conjure a soundscape that simply spells adventure.” – Doomed and Stoned

“Milwaukee instrumental band with a kind of proggy post metal grungy/stonerish doom sound.” – The Moshpit – WORT 89.9 FM (Madison, WI)​
​
​“Instrumental, progressive, and technical metal fans take note” – The Prog Space​
​
​““Perihelion” – is the term for the point in Earth’s orbit when it is closest to the sun, and Deorbit translates this into the most aggressive track on the new album. Fans of challenging, uplifting artists such as Torche, Intronaut, and Voivod will love Deorbit. With dramatic movements and expert instrumentation, the bands music not only takes you on an other-worldly journey, but exploring the contemplative innerspaces you have as well.” – Ghost Cult Magazine​
​
​“Retrogradient is an auditory adventure and a cosmic voyage that challenges the boundaries of conventional music, inviting enthusiasts to embark on a journey through the vast realms of the universe and the depths of human understanding.” – Amplify The Noise​
​
​““Each track on “Retrogradient” is an artistic depiction of surreal aspects, aiming to merge the cold, expansive nature of the universe with the warmth of human understanding. Without the use of lyrics, Deorbit’s music tells a unique story within each composition, allowing listeners the freedom to interpret the profound concepts presented… This is an excellent debut album… The tunes are fucking massive and the concept a fun one to play with in the imagination. Clearly the guys can play… The entirely arbitrary Patented Dark Juan Blood Splat Rating System awards Deorbit 8/10 for what is a superb debut which is bursting with potential and great music…” 8/10 – Ever Metal​
​
​“This is a distinctly heavy set affair throughout, but the defining aspect of the album as a whole can be summarized in the word motion. We get energetic surges or drop downs in tempo by the drummer. The guitars may slow down or speed up independent of what the rhythm section are doing, and alterations from rhythm based riffs to flowing riff textures and back are pulled off in a fluid and seamless manner. What I presume is a dulcimer may chime in with some world music details beneath at times too, and in between all of this the songs themselves may shift between thrash and even a bit of extreme metal in overall direction just as much as stepping down to more traditional heavy metal or doom metal territories. With occasional side steps into gentler and more atmospheric laden territories. If a heavy set variety of progressive metal where a just about constant and fluid motion and movement are key features strikes you as an interesting manner in which to explore this style of music, this is an album to take note of.” – Progressor.net ​
​
​“No words will be spoken in this interstellar journey as rich as tortuous, with generous melodies and harmonies behind a certain sense of narration. Retrogradient is revealed as an album with finely composed titles, blowing hot and cold, sometimes epic, sometimes more contemplative, in short not to let go and then to interpret as he pleases. Fasten your belts !” – Eklektik Rock

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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0 FREYA And RIG TIME! Announce American Hardcore Tour Dates For January 2024

  • December 27, 2023
  • by Asher
  • · FREYA · Music News · RIG TIME!

NEWS RELEASE

Montreal, QC – December 27, 2023

FREYA And RIG TIME! Announce American Hardcore Tour Dates For January 2024

This January, two American powerhouse acts will band together to play nine gigs around the east coast of the country. Freya hails from Syracuse, NY, and brings an explosive blast of New York hardcore to the forefront; their co-conspirators RIG TIME!, from La Crosse, WI are a deadly metal duo that easily bring the sound and madness of a larger group.

Freya was formed in 2001 by three members of Earth Crisis, bassist Ian Edwards, lead guitarist Eric Edwards, and vocalist Karl Buechner, and over the past 20 years, they have blazed a path through both the worldwide hardcore and metal scenes. Prominently featured on MTV’s Room Raiders, Road Rules, and the iconic Headbangers Ball as well as the Showtime series, Shameless, the Freya vault runs deep. Their latest album, the apocalyptic “Fight As One” was released earlier this year and they can’t wait to bring their blend of hardcore and thrash to fans in person.
​

Freya

To be “Undeniable” is the objective and axiom that RIG TIME! irrefutably has avowed since their inception. Formed in Wisconsin, they quickly began touring relentlessly, performing coast to coast in 45 states and counting, executing a fierce live performance with precise and fearless transitions, always at astonishingly vulgar decibels. These two performers exhibit the mass of a full band aura as they implement a complete performance without backing tracks, never suppressing their magnitude of raw energy and emotion through sincere lyrics and colossal stage presence.

RIG TIME! – L-R – Rebecca Fleming – Guitar, Bass, Bryan W. Fleming – Vocals, Drums, Synth

These two acts promise nothing less than a loud, impressive show. Freya delivers power, speed, and 110% expression. They may have a lot of miles on them but, the live show spins the odometer back! RIG TIME! Prides themselves on bringing clarity and tightness as tone and dynamic are very important to them. Start your year off right with a killer show! Freya and RIG TIME! are recommended for fans of The Acacia Strain, Twitching Tongues, Hatebreed, and Earth Crisis.

Music – Video – Freya – Fight As One ft. Freddy Madball – https://youtu.be/jmKKQx2PPcM

​

Music Video – RIG TIME! – Clean – https://youtu.be/H8SabATruUc

​

Tour Dates:​
JAN 12 – SALISBURY, MD – LURKING CLASS SKATE SHOP
JAN 13 – CHESAPEAKE, VA – RIFFHOUSE PUB
JAN 14 – RALEIGH, NC – SCHOOLKIDS RECORDS
JAN 15 – RIDGEVILLE, SC – RIDGEVILLE ROADHOUSE
JAN 16 – JOHNSON CITY, TN – THE HIDEAWAY
JAN 17 – LEXINGTON, KY – BLUE HILL STATION
JAN 18 – SOUTH BEND, IN – THE KRISHNA DEN
JAN 19 – DETROIT, MI – THE SANCTUARY
JAN 20 – CLEVELAND, OH – THE FOUNDRY

More Info: Upstaterecordsny.com/freya | Rigtimeband.com​
​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 EPK – SRAI – Faith (single) (2023)

  • December 27, 2023
  • by Asher
  • · EPKs · SRAI

EPK – SRAI – Faith (single) (2023)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“The song Faith and the music video has a deep meaning, the song describes how hard life can be and no matter how much life throws at you, you must fight back your demons and get back on your feet.” – SRAI

For fans of Bring Me The Horizon, Bad Omens, Architects, Sleep Token

Linktr.ee/sraiband | Facebook.com/sraiband | Twitter.com/sraiband | Youtube | Instagram.com/sraiband 

Spotify | Apple Music

[Download Single Cover | Download Album Lyrics]

Single: Faith
Release: December, 11, 2023
Label: Self-Release
Distribution: DistroKid

Faith (single) – 4:30

Single Credits:
– Song preformed: Srai
– Written by: Srai
– Prod: Srai – Ahmad Callousmind – Follow the hunter – 7MND
– Mixed: 7MND
– Mastered: Alyazpro
– Artwork: Konr.work

Lineup:
Abzy Angels – Vocals
Ahmad Ani – Guitarist
Nawaf Mubarak – Drums

==========================================================

Story Angles – Fun Facts

1. Abzy and Nawaf formed a band 16 years ago when Abzy was only 16 and Nawaf 14 years only, fast forward 2022 they formed the band Srai.

2. Abzy and Nawaf met Ahmad at a music festival and became close friends.

3. The first song Understand was first made by Abzy to be a single for his own solo project, but then Abzy decided to form a band and turned the song into Srai’s first single.

4. The Trauma music video was shot in Abzy’s bedroom.

5. Sometimes we include our fans in our project to help us in the writing process on live TikTok/Instagram.

Discover the boundless sounds of SRAI, a Kuwaiti rock band that illuminates the way with their music. Formed in January 2022, our band was born from the desire to share our personal experiences living in a closed-off society through the universal language of music. In the Kuwaiti dialect, “Srai” translates to “lantern,” which held a significant role in the past, guiding people’s paths in houses, shops, and roads. Keeping it traditional, we embraced this meaningful symbol and incorporated it into our band name as it resonated deeply with us. Meet the talented members behind SRAI: Abbas (Abzy): Lead Singer and Guitarist Nawaf: Drummer Ahmad (Ani): Guitarist Join us on this musical journey as we combine our passion for rock and storytelling, using our songs as beacons of light in a world that knows no bounds. Let SRAI’s music be your guiding light!

Discography:
Faith – Dec, 11, 2023 – Single
Trauma – May, 23, 2023 – Single
Alien – Dec, 25, 2022 – Single
Understand – Sep, 20, 2022 – Single

0 Kuwait’s SRAI Put A Metalcore Spin On Traditional Feelings In Latest Single “Faith”

  • December 27, 2023
  • by Asher
  • · Music News · SRAI

NEWS RELEASE

Montreal, QC – December 27, 2023

Kuwait’s SRAI Put A Metalcore Spin On Traditional Feelings In Latest Single “Faith”

Discover the boundless sounds of SRAI, a Kuwaiti heavy band that illuminates the way with their music. They are one of the few acts in the region playing rock n roll and they are proud to be trailblazers in that regard. They have released a handful of singles so far and are pleased to release “Faith”, which showcases their blend of metalcore, and modern metal. They comment on the song:

“The song Faith and the music video have a deep meaning, the song describes how hard life can be, and no matter how much life throws at you, you must fight back your demons and get back on your feet. Join us on this musical journey as we combine our passion for rock and storytelling, using our songs as beacons of light in a world that knows no bounds. Let SRAI’s music be your guiding light!”

Formed in January 2022, SRAI was born from the desire to share personal experiences of living in a closed-off society through the universal language of music. In the Kuwaiti dialect, “Srai” translates to “lantern” which held a significant role in the past, guiding people’s paths in houses, shops, and roads. The band, wishing to keep it traditional, embraced this meaningful symbol and incorporated it into the name as it resonated deeply with them.

SRAI cites that their music is very experimental and that they channel their feelings into each song. People who have heard them before might find that this new work is unexpected, they have very heavy tracks and they have some that are very melodic, and some that are just the right amount of both. They are recommended listening for fans of Bring Me The Horizon, Bad Omens, and Architects.

Watch the music video for “Faith” at https://youtu.be/qwiPp4TMOg4

​

Digital – https://distrokid.com/hyperfollow/srai1/faith

​

More info: https://linktr.ee/sraiband​

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 EPK – Palooka – Save Yourself (2024)

  • December 22, 2023
  • by Asher
  • · EPKs · Palooka

EPK – Palooka – Save Yourself (2024)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

For fans of Cheap Trick, Alice in Chains, AC/DC, Buckcherry, Aerosmith

Save Yourself (EP) – Release Date February 23, 2024
“Save Yourself” – Single Digital Release – 10/13/23
“Cut You Out of Me” – Single Digital Release – 1/26/24
Label: Big Thick Rock LLC
Distribution: CD Baby

“Save Yourself speaks to those moments in life where one comes to the realization that the way through a particular event or situation is purely up to us as individuals. The metaphoric cavalry isn’t coming, we are on our own and the only way forward is through.” – Palooka

Palookarocks.com | Facebook.com/palookarocks | Instagram.com/palookarocks |  Youtube.com/@palookarocks 

Linktr.ee/palooka | Palookarocks.bandcamp.com | Spotify |  Apple Music

Found.ee/saveyourselfsingle

Found.ee/cutyououtofm

“Good old fashioned rock and roll..ferocious guitar work…. full of anthemic twists and turns.” – Glen Casebeer NW Music Scene (2018)

“Palooka brought a fire to the stage…playing a no nonsense brand of in your face rock music.”-  NW Music Scene (2012)

“Combining one part attitude with three parts rock, this band will cross the boundaries between screaming guitar licks and soft acoustic ballads. They have given us exceptionally written songs peppered with intelligent and honest lyrics, incredible guitar playing, and an overall sense of talent that is occasionally too much to take in all at once.” –  Rhonda Readence, Freelance Writer (2011)

“Fans of old-school rock will fall in love with Palooka’s classic feel and energetic pace.”  –  Nathan Liss, Target Audience Magazine (2011)

Save Yourself (EP) – Release Date February 23, 2024
“Save Yourself” – Single Digital Release – 10/13/23
“Cut You Out of Me” – Single Digital Release – 1/26/24
Label: Big Thick Rock LLC
Distribution: CD Baby

Track Listing:​
1. Cut You Out of Me (4:00)
2. F Mind (4:13)
3. Save Yourself (4:01)
4. Far From God (3:09)
5. Bellflower (5:54)
EP Length: 21:19

Album Credits:
All Songs Performed by: PALOOKA,
Gretta Harley – Piano on “Bellflower”
Music Mixed & Recorded by: Jonathan Plum, London Bridge Studio
Music Produced by: Jonathan Plum and PALOOKA
Music Mastered by: Glenn Schick
Album Cover Art by: Chris Schanz
Cover Photo by: James Bennett

​Album & Live Band Lineup:​
Chuck Campbell: Vocals
Howard Binner: Bass
Jason Reaves: Drums
Glen Logan: Guitar
Chris Quinn: Guitar

=============================================================

About The EP Artwork

The EP artwork speaks to optimism, to seeking the light, even if dim, or distant, in the darkest of times. We felt the image resonated with these songs which were written in significant part during the pandemic. – Glen

About the album as a whole (LYRICALLY & MUSICALLY):

Although not a concept EP, or focused on a single theme, I do believe The Save Yourself EP has a feel that moves through it. A feel that ebbs, and flows. It has highs and lows. It moves from loud and aggressive to quiet, plodding, introspective, then balls to the walls again. All of this is in significant part because of when and how these songs were written. – Glen

Track by track (LYRICALLY & MUSICALLY):

1. “Cut You Out of Me”
Although a relationship may be logically over, even for good reason, it isn’t always so easy to sever the deeper emotional ties that remain. It’s about the difficulty of that struggle. It’s about taking back one’s power to move through that and on to new possibilities. – Glen

2. “F Mind”
Musically, the nuts and bolts of F Mind are the guitar and drum groove in the verse, setting up a controlled swirling spiral down to the chorus where the lyrics hopefully create a connection that resonates with each listener.

F Mind is an observation, looking out the window or watching tv-the absurdity of it all sometimes. It’s an interplay of light and dark. – Chuck

3. “Save Yourself”:
“Save Yourself” emerged from the early days of the Covid pandemic, a period when I found myself newly single and residing alone on an island. In that isolated environment, the concept of self-reliance became an undeniable reality, which would then become the narrative for the song.

As I delved into the songwriting process, a distinctive vibe and feel began to crystallize.

I had wanted to experiment with a specific tuning for some time that I believed would lend itself to a drone, or pedal tone sort of vibe.

This involved tuning each string to Eb, and as soon as I made this adjustment, the song unfolded rapidly, almost as if it were a stream of consciousness. The initial composition was recorded in a spontaneous first run-through, capturing the rawness of the moment.

I recorded the first run-through just to get it on tape. While playing the 2nd verse I forgot exactly what I had done on the first verse. So, on that initial demo, the structure of the first and 2nd verses were slightly different. After hearing it back I actually appreciated that difference. I mentioned to the band that we could decide on one or the other and just repeat the same verse structure, but they liked the variations too. We collectively decided to maintain the unique structure, embracing the organic and slightly unpredictable nature of the creative process. – Glen

4. “Far From God”:
Musically Far From God is about guitars almost suggesting the feel of brass/ horns calling out for a response from the vocals. This guitar/ drum groove switches to a stabbing rapid-fire chorus that accentuates the lyric. Lyrically Far From God is a take on the loss of innocence, the wearing down of good people and good intentions. It’s also a take on institutions, power, and slingers of voodoo that hide behind their perceived purity. – Chuck

5. “Bellflower’:
“One bullet for my baby, one bullet for me.”

The shock from the first shot starts the song.

The rest of the music is a sonic journey through the realization of what has happened and the drawn-out feeling of bleeding until the inevitable….the slipping away.

Lyrically, the chorus is a proclamation of intent. The listener observes the absurd ramblings of the narrator, exposing the horror of the situation.

Overview: This is a song about mental health, toxic relationships, obsession and obviously gun violence.

Possession is not love, there is no ownership over other people. Jealousy is not love nor is anger, rage or violence of any kind.

Unfortunately, we seem to value instruments of death and destruction more than the mental state of the citizens of this country and until there is a change….. this is a fictional story but happens every day. – Jason

=============================================================

Fun Facts – Story Angles:

1. PALOOKA writes from a perspective of living this life, experiencing what we do and trying to connect with others who have similar real-world experiences.

2. PALOOKA are playing music in a significant part because we are music fans first. We’ve had the great pleasure of playing with a lot of great bands, some of which we’ve been fans of for years, even decades.  Some of our favorite bands we’ve shared the stage with were Michael Schenker, TKO, Gilby Clarke, Buckcherry, Y&T to name a few.

3. Guitarists Chris Quinn and Glen Logan are big-time guitar and amp geeks.

4. The name PALOOKA comes from the working title of a solo project Glen Logan did after being out of music for years. It was a tongue-in-cheek reference to an old washed-up boxer getting back in the ring. The solo project turned into a band and the name stuck.

5. PALOOKA feels honored to have recorded our latest Save Yourself EP, as well as our 2017 full-length album, Turbo Excelente, at historic London Bridge Studio in Seattle, WA.

PALOOKA is a sonic hurricane of big, thick, two-guitar rock, the way God intended it. At the forefront of this musical tempest stands Chuck Campbell, a vocalist whose melodies are drenched in raw emotion and soaring tenacity. Flanking him are Chris Quinn and Glen Logan, trading flurries of devastating and searing guitar punches reminiscent of a barroom brawl. The band’s foundation is rock solid, built upon the talents of Howard Binner on bass and the percussive mauler, Jason Reavis, on drums.

PALOOKA brings together musicians who’ve been haunting the Seattle scene since the pre-grunge days (yes, there was a pre-grunge Seattle music scene). Their musical DNA draws inspiration from their past contributions to bands like Overlord, Bible Stud, Slaughterhaus 5, Debutant, Razrez, and Nylon Kincaid.

In addition to their rich musical history, PALOOKA’s influences span a wide spectrum: from the timeless sounds of Elton John and Louis Armstrong to the electric energy of KISS and Cheap Trick, to the adrenaline-fueled rebellion of Evel Knievel.

The journey of PALOOKA is a testament to the enduring power of hard rock, and they continue to push the boundaries with their unmatched energy, soul, and grit. Strap in and get ready to roll with PALOOKA!

​Palooka is:​
Chuck Campbell: Vocals
Howard Binner: Bass
Jason Reaves: Drums
Glen Logan: Guitar
Chris Quinn: Guitar

Discography:
2024 – Save Yourself – EP
2021 – All Those Things Left Behind – EP
2017 – Turbo Excelente – Album
2011 – What’s Wrong With Wanting Everything – Album

Shared Stage:
Buckcherry, Michael Schenker, LA Guns, Pat Travers, TKO, Gilby Clarke, Hell’s Belles, Enuff Z’Nuff, Beautiful Skeletons, The Guessing Game

Tours and Fests:
2018 – Sky River Rock Festival – Snohomish, WA
2018 – NW Metal Fest – Seattle, WA
2018 – White Center Jubilee Days – White Center, WA
2014 – KISW Redfest
2014 – Brewer’s Fest – Redmond, WA
2013 – West Seattle Summer Fest – Seattle, WA

Past Features:
2020 – KISW 99.9 Band of the Week
2014 – KISW BJ & Migs Loud & Local Band of the Week
2013 – URock Band of the Week

0 Rockshots Records – UNSHINE To Unveil Highly Anticipated Fifth Album “Karn of Burnings” In March 2024; New Music Video “Hjul”

  • December 22, 2023
  • by Asher
  • · Music News · UNSHINE (Rockshots Records)

NEWS RELEASE

Montreal, QC – December 22, 2023

UNSHINE To Unveil Highly Anticipated Fifth Album “Karn of Burnings” In March 2024

New Music Video “Hjul”

Rockshots Records is thrilled to announce the upcoming release of “Karn of Burnings,” the fifth studio album from the extraordinary druid metal band, UNSHINE.

Set to make its global debut in March 2024, UNSHINE‘s forthcoming album, “Karn of Burnings,” assures an enthralling voyage delving into the realms of pre-modern human existence and posthuman metaphors, characterized by their signature blend of melodic Nordic folk elements and the ethereal vocals of Susanna Vesilahti.

With eight tracks, each representing a living entity from different eras, the album spans 45 minutes of melodic storytelling. UNSHINE believes that fans will be pleasantly surprised by the album’s offerings, promising a unique and unpredictable listening experience.

Today marks the release of the first single, “Hjul,” and its accompanying video from “Karn of Burnings.”

“Hjul” is not just a song but an entire album in a metaphorical sense. A ritualistic composition in both its musical and lyrical tautology, “Hjul” mirrors the cyclical nature of seasons and mythical themes. Like the changing seasons in the cycle of the year, the musical and mythical themes and names recur again and again, creating a mesmerizing experience for the listener.” comments guitarist Harri Hautala.

VIDEO – https://youtu.be/ImF4qSO6G8s

​

DIGITAL – https://bfan.link/hjul

​

Fans and enthusiasts worldwide are encouraged to experience the ritualistic journey of “Hjul” and stay tuned for the full release of “Karn of Burnings” on March 22, 2024, from Rockshots Records.

PRE ORDER – https://bit.ly/KarnOfBurningsCD​

Track Listing:​
1. Hjul – 5:04
2. Arrival Of Aurochs – 5:51
3. Sakraali Elementaali – 5:49
4. Mill Of Bergelmir – 6:54
5. Maa Jälkeen Ihmisen – 5:48
6. Aettarfylgja – 4:59
7. Tara – 6:03
8. Lennä Toive – 5:07
Album Length: 45:38

More Info: Rockshots.eu | Unshine.com​

-30-

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

 

0 ESHTADUR’s New Guitar Playthrough Unleashes The Wisdom of “Fire Above Mountain Below”

  • December 22, 2023
  • by Asher
  • · Eshtadur · Music News

NEWS RELEASE

Montreal, QC – December 22, 2023

ESHTADUR’s New Guitar Playthrough Unleashes The Wisdom of “Fire Above Mountain Below”

Guitarist Jorg August of Colombian melodic death metal quartet Eshtadur is unlocking the wisdom of his latest guitar playthrough for the band’s newest single “Fire Above Mountain Below”. Jorg comments:

“Fire Above Mountain Below” conjures the ancient wisdom of the pre-Colombian tribes, phrasing 6/8 as a bambuco (Colombian folk rhythm) counterparts both guitars as the mystical connection that the mountain and the fire emerge in powerful magical forces.”

“Fire Above Mountain Below,” also incorporates traditional Colombian folk instruments like the Tiple, adding a distinctive cultural layer to Eshtadur’s music. The song tells the tale of a time long past when ancient mountain tribes lived in harmony with nature until Christianized settlers brought forth a dark chapter, displacing and even annihilating these tribes in pursuit of wealth and power.

The playthrough can be viewed via its premiere on TechnicalMusicReview HERE.

And music video for the track can be viewed at https://youtu.be/Ft6AbiHlf_A

​

Along with it be available on digital platforms from Blood Blast Distribution at https://bfan.link/fire-above-mountain-below

​

Eshtadur’s previous single and music video “Umbra”, can be seen and heard at https://youtu.be/9K60H6fn8vo.

At the core of Eshtadur‘s music lies a deep passion for poetry, mysticism, and the exploration of existence and cosmogony. Conceptually rooted in darkness, combining melodic and catchy elements that draw inspiration from a diverse range of musical genres, including Gothenburg death metal, black metal, and classical compositions They have had the honor of touring extensively in Europe and North America, playing alongside bands such as Cradle of Filth, Batushka, and Sepultura, and making an appearance at the revered 70000 tons of metal. They are recommended for fans of Behemoth, Dimmu Borgir, and At The Gates.

More Info: Eshtadur.com | Facebook.com/EshtadurOfficial | Instagram.com/eshtadur​

About: ESHTADUR was founded in the fall of 2005 by Jorg August releasing the ‘Timo Be Timo’ Demo with a sound in the vein of At The Gates, Dimmu Borgir, and Septicflesh. Since then, they have released a pair of EP’s and a strong four albums. ESHTADUR, meaning the rebellion of angels, can be most closely likened to bands such as Septic Flesh, Behemoth, Fleshgod Apocalypse, Carach Angren, and the like. Like their scene counterparts, the band embodies a deathly melodic atmosphere that reaches into realms of darkness and despair through the decay of humanity. It seeks to rebel, in its darkened way, embracing the abject reality.
​
Their rich touring history includes performances across Colombia, Peru, Mexico, Germany, Netherlands, Belgium, France, Poland, Czech Republic, Hungary and Slovakia. They have shared the stage and toured with Cradle of Filth, Vader, Graveworm, Sepultura, Aborted, and Decapitated in Rock Al Parque 2016.

Their 2017 release, via Bleeding Music Records, “Mother Gray” is an expression of planetary death and putrefaction. The scathing release saw the band touring 8 countries in Europe through 2018, and then visiting the United States for the first time for the “Gray America Tour” including Mexico. Now the band has signed the latest album “From The Abyss” with Blood Blast Distribution (by Nuclear Blast) and distributed physically by Hateworks (LA).
​
In 2022, the band toured supporting Batushka and Diabolical, this time visiting Romania, Bulgaria, Greece, Austria, Slovenia, Italy, France, Spain, Portugal, and Switzerland.

In 2023, Eshtadur played at the 70000tons of Metal being the only band from Colombia. Eshtadur is gathering mist forces to fill your soul on their next visit with darkened despair as they set to release their new single “Umbra’ in September 2023 via Blood Blast Distribution.

-30-

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 PALOOKA Are Delivering Big Thick Rock With Latest Single “Save Yourself”

  • December 21, 2023
  • by Asher
  • · Music News · Palooka

NEWS RELEASE

Montreal, QC – December 21, 2023

Seattle’s PALOOKA Are Delivering Big Thick Rock With Latest Single “Save Yourself”

Photo Credit – Chris Schanz

PALOOKA is big thick two-guitar rock the way God intended it. Hailing from Seattle, USA, singer Chuck Campbell belts out melody lines full of emotion and purpose with tenacity. Chris Quinn and Glen Logan trade flurries of devastating and searing guitar punches reminiscent of a barroom brawl. All of which sits on the rock-solid pounding foundation built on the talents of Howard Binner on bass and the percussive mauler Jason Reavis on drums. This powerhouse of rock has been making waves since their debut album “What’s Wrong With Wanting Everything” in 2011. They have come a long way since then and their forthcoming 2024 EP “Save Yourself” promises to deliver the heavy dose of rock that you need. The first look at this EP is with the title track, which the band comments on:

“Save Yourself speaks to those moments in life where one comes to the realization that the way through a particular event or situation is purely up to us as individuals. The metaphoric cavalry isn’t coming, we are on our own and the only way forward is through.”

PALOOKA goes on to explain that as fans of a wide assortment of genres, they channeled their influences into an energy and intensity that is all their own. They made a point to push their boundaries and across the EP listeners can expect to hear elements of metal, blues, 70’s rock, grunge, alternative, and more.

Mostly written throughout the pandemic, the songs on “Save Yourself” were born from the unique environment of physical isolation, which not only left its mark on the personal themes of the songs but also played a pivotal role in the collaborative process. Interestingly, PALOOKA didn’t consciously decide on the track lineup. Instead, the songs, along with the circumstances that led to their creation, organically determined which songs found their place on “Save Yourself”. Loud, classic, and accessible PALOOKA is recommended for fans of Cheap Trick, Alice in Chains, and AC/DC.

Watch the music video for “Save Yourself” via its premiere on Bravewords HERE.

Digital – https://found.ee/saveyourselfsingle

The release date for the EP “Save Yourself” will be announced in the coming new year.

Track Listing:​
1. Cut You Out of Me (4:00)
2. F Mind (4:13)
3. Save Yourself (4:01)
4. Far From God (3:09)
5. Bellflower (5:54)
EP Length: 21:19

​Album & Live Band Lineup:​
Chuck Campbell: Vocals
Howard Binner: Bass
Jason Reaves: Drums
Glen Logan: Guitar
Chris Quinn: Guitar

More Info: https://linktr.ee/palooka​

-30-

“Good old fashioned rock and roll..ferocious guitar work…. full of anthemic twists and turns.” – Glen Casebeer NW Music Scene (2018)

“Palooka brought a fire to the stage…playing a no nonsense brand of in your face rock music.”- NW Music Scene (2012)

“Combining one part attitude with three parts rock, this band will cross the boundaries between screaming guitar licks and soft acoustic ballads. They have given us exceptionally written songs peppered with intelligent and honest lyrics, incredible guitar playing, and an overall sense of talent that is occasionally too much to take in all at once.” – Rhonda Readence, Freelance Writer (2011)

“Fans of old-school rock will fall in love with Palooka’s classic feel and energetic pace.” – Nathan Liss, Target Audience Magazine (2011)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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