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0 Out Now! Rockshots Records – EMBRYO Give Birth To New Album “A Vivid Shade on Misery” ft. Drummer George Kollias (Nile) + New Music Video “Pride”

  • March 17, 2023
  • by Asher
  • · Embryo (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – March 17, 2023

​

Out Now! Rockshots Records – EMBRYO Give Birth To New Album “A Vivid Shade on Misery” ft. Drummer George Kollias (Nile)

New Music Video “Pride”

Italy’s melodic death metal powerhouse Embryo has unleashed its fifth album “A Vivid Shade on Misery”, which features the pummeling drumming force of George Kollias (Nile) whom the band recruited for the full-length’s recording.

“A Vivid Shade on Misery” follows the band’s 2017’s “A Step Beyond Divinity” (Art Gates Records), 2015’s Self-Titled (logic(il)logic Records) that featured Fleshgod Apocalypse’s drummer Francesco Paoli, 2010’s “No God Slave” and their 2006 debut “Chaotic Age”.

Embryo began writing their fifth offering in 2020 with George Kollias and entered the Domination Studio in July 2021 with producer Simone Mularoni, and engineer Simone Bertozzi.

Monolithic, intense, powerful, technical, and melodic this new album features eight brand new tracks and is another concept album like its predecessor “A Step Beyond Divinity”. The band is inspired by historical Italian figures of the Renaissance era and their tormented lives, their absolute genius, and the gifts they gave to the world. While the previous album “A Step Beyond Divinity” was inspired by Leonardo Da Vinci, this new work is totally inspired by Michelangelo Merisi alias Caravaggio, an Italian painter active in Rome for most of his artistic life. Overall, fans will find this album has the “Embryo” matrix. It will be a more direct record and its songs make up a pattern that takes the listener on a journey through torments and anxieties.”

“For this album, we decided on the track list in the studio, after listening to the completed record all together several times; our producer Simone Mularoni also helped us in this choice. The new album has eight tracks and eight tracks were thought to talk about the “story”. A few less than the previous “A Step Beyond Divinity,” but we are sure that the fans will have the right time to enjoy it musically and lyrically. We want to have listeners dive into our world by giving them brutal and atmospheric music melted together in the way we love to do plus having Kollias drum on this new album, one of the best drummers in the world, is just an absolute honour.” adds the band.

From the band’s first album “Chaotic Age” (2006) to today, Embryo‘s music has evolved over the years. On the first record, they were more brutal and messier, now their compositions are much more “thought out” and brilliant. If they had to use one word to describe their compositional evolution they would say “sharp”.

In addition to the release of “A Vivid Shade on Misery”, the band is unveiling their next music video for the track “Pride”, a real kick-in-the-face assault for fans to enjoy.

Watch the music video at https://youtu.be/fL_RlXIykHs

​

Recommended for fans of Strapping Young Lad, Meshuggah, Fear Factory, Death, and Dimmu Borgir, Embryo’s “A Vivid Shade on Misery” is now available as of March 17th, 2023 via Rockshots Records.

Album order:

Digital: https://bfan.link/a-vivid-shade-on-misery​

CD: https://bit.ly/Embryo_CD​

Previous Music Videos:

“Darkest Lights” – Music Video – https://youtu.be/PhIk8tD7OXY

“Highest Fame” – Music Video – https://youtu.be/AvPyyVI86PY

​

Current Line-Up:​
Roberto Pasolini – Vocals
Eugenio Sambasile – Guitars
Simone Solla – Keyboards
Gabriel Pignatta – Bass
George Kollias – Drums (guest)

Track Listing:​
1. Pride – 3:58
2. Highest Fame – 4:19
3. Darkest Lights – 4:01
4. The Seed of Lividity – 4:02
5. MMDC – 5:04
6. Medusa – 4:18
7. Vanitas – 3:59
8. Concrete Visionary – 3:29
Album Length: 33:13

A Vivid Shade On Misery album credits:​
The album was recorded in July 2021 @ Domination Studio – San Marino
Technicians: Simone Mularoni, Simone Bertozzi.
Mixed and Mastered by Simone Mularoni.
Drums recorded @ George Kollias Studio

For more info:​
​https://www.rockshots.eu​
​http://www.embryo-online.com​
​https://www.facebook.com/EMBRYO.DeathMetal​
​https://www.instagram.com/embryo_official​
​https://www.twitter.com/EMBRYOmetalband​

About: After a couple of self-produced works and a first album (“Chaotic Age”) Embryo found its sound and recorded “No God Slave” (2010) with producer Simone Mularoni. The album received very good reviews and led the band to play new gigs in Switzerland, Germany, and Italy and be part of Kung Fu Factory’s Supremacy MMA videogame soundtrack with 2 songs. In 2014 Embryo first recorded a promo at Atomic Stuff Studio with Oscar Burato, then, in May, the band recorded the new self-titled cd at Domination Studio with Simone Mularoni. During the summer they played the main stage at Masters of Rock in the Czech Republic and Total Metal Festival in Italy. In October Embryo signed a deal with logic(il)logic Records for the release of the album and the reissue of “No God Slave” with some bonus tracks. In December the band made a little tour in Eastern Europe. The new album “Embryo” came out on the 10th of February 2015. The album received great reviews worldwide and Embryo started a European tour in May with Melechesh, Keep of Kalessin, and Tribulation. After a great show at MetalFest in the Czech Republic in July, the band joined Nile and Suffocation for the second part of their European tour in September. In 2016 the band has been part of the second leg of the “What Should Not Be Unearthed” Nile tour with Melechesh and Mithridatic. Embryo finished the recordings of the new album in January at Domination Studios again with guru Simone Mularoni. The band played at the 2017 edition of MetalFest in the Czech Republic on Sunday, June 4th, and signed a deal with Art Gates Records for the release of the 4th studio album “A Step Beyond Divinity” which came out on the 27th of October 2017 in Spain and the 24th of November 2017 in the rest of the world. The album has been enthusiastically reviewed entering the 2017 best albums of the year charts in various webzines all over the world. In November 2019 the band joined “The Last Atonement European tour” supporting Immolation, Ragnarok, and Monuments of Misanthropy for all the shows. In December the band released a free download digital EP including the new song Misguided legacy and three live songs taken from a live show of the band. In 2020 the famous drummer George Kollias (Nile) joined Embryo in the writing of the new album. The band entered again Domination Studio in July 2021 to record the brand new fifth album “A Vivid Shade On Misery”, which will be released in early 2023, anticipated by the video of the new song “Darkest Lights”. Stay tuned!

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

0 Canada’s PHAETON’s Travel Through Space And Time With “Refraction” Off New Album “Between Two Worlds” Out April 2023

  • March 17, 2023
  • by Asher
  • · Music News · Phaeton

NEWS RELEASE

Montreal, QC – March 16, 2023

 

Canada’s PHAETON’s Travel Through Space And Time With “Refraction”

New Album “Between Two Worlds” Out April 2023

L-R – Colin Righton – Drums & Percussion, Daniel Airth – Lead & Rhythm Guitars, Kevin Thiessen – Lead & Rhythm Guitars, Keyboards, Ferdy Belland – Electric & Fretless Bass
Photo by Julian Bueckert

Taking off towards the stars from the small town of Kimberly, Canada, Phaeton is bringing a new kind of instrumental spacey prog metal to listeners across the galaxy. They have been working on their second full-length album “Between Two Worlds”, which will be released later this year. Ahead of the full album, they are releasing the kaleidoscopic single “Refraction”, which they detail in their own words:

“This tune opens with what may at first lick seem to be a happy day at the beach, but the volleyball game ends soon enough when Colin’s drums pick it up and then the major-9th power chords and the modal guitar leads start crazying up the works. Thought you could follow it easily enough? WRONG! More standout grooves and snappy riffs. The reggae-ish breakdown in the middle comes across almost like (Herakles help us) the Police, but then the djenty guitars envelop the proceedings and we’re back into Symphony X again. Confused yet? Don’t be. Listen to it again. See? It’s all awesome.”

“Refraction” is a powerful and dynamic track that showcases Phaeton‘s signature instrumental prog style. The track is anchored by smooth bass lines and intricate drum patterns, while the guitars stand in for vocals, telling a story and painting a vivid soundscape. They aim to deliver an attention-focused listening experience. One drenched in joy and wonder and the emotional, visceral release that only prog-metal can deliver. And the lack of lyrical interference only allows the listener the better opportunity to let their imaginations run wild with the music, drifting emotionally away on the solar winds to wherever they wish to soar.

Fans looking for something fresh and relaxing that is reminiscent of Dream Theater, King Crimson, and Opeth should check out “Refraction” – https://youtu.be/kd31zU88Cpw

​

“Between Two Worlds” is due out April 21st, 2023, and available for pre-order at Phaetonband.bandcamp.com​

Band playthrough – “Monsoon” – https://youtu.be/-sRzrejyHuA

​

Track Listing:​
1. Predestination – 4:57
2. Oceans of Time – 6:44
3. Terra Australis – 4:42
4. Monsoon – 6:06
5. Refraction – 4:48
6. Geomorphic – 4:51
7. Magma Chamber – 6:09
8. Between Two Worlds – 9:21
Album Length: 47:40

For more info: Facebook.com/Phaetonband | Instagram.com/phaetonband | Twitter.com/phaetonband​

About: PHAETON was formed in Kimberley, BC in March 2017 by Kevin Thiessen (lead & rhythm guitar), Daniel Airth (lead & rhythm guitar), Colin Righton (drums & percussion), and Ferdy Belland (electric & fretless bass). Combining technically ferocious compositions of modern metal with the ambitious song-arrangement mindset of classic prog-rock, PHAETON (named for the theoretical proto-planet which collided with Ancient Earth during the Primordial Era) stands alone in the wilderness of British Columbia with their unique approach to instrumental prog-metal.

Phaeton is:
Kevin Thiessen – Lead & Rhythm Guitars, Keyboards
Daniel Airth – Lead & Rhythm Guitars
Ferdy Belland – Electric & Fretless Bass
Colin Righton – Drums & Percussion

Discography
2018 – Self Titled – LP
2023 – Between Two Worlds – LP

– 30 –

“Top-tier instrumental prog-metal-math music from the East Kootenay region performed by a quartet of veteran musicians.” – Stuart Derdeyn (The Vancouver Sun)

“The sound on all seven tracks is huge and if there was a “best sounding hammer-ons” award then March of the Synthetics could be a contender.” – Stuart Derdeyn (The Vancouver Sun)

“An epic Progressive Metal listening experience.” – Trevor Hatter (BeatRoute Magazine)

“This badass band makes a devastating impact with their high velocity musical assault.” – Time Lord (Progarchy)

“A sparkling, sizzling debut from PHAETON, taking us on a futuristic musical journey, with deep roots in the ancient past.” – Stephen Conrad (Progressive Rock Fanatics)​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Prog – Six cool new prog tracks you need to hear this week w/ SUNBEAM OVERDRIVE – •• Tentacles Industries •• – Season of Mist and more! Go vote for your fave track now!

  • March 16, 2023
  • by Asher
  • · Sunbeam Overdrive (Tentacles Industries/Season of Mist)

Prog – Six cool new prog tracks you need to hear this week
w/ SUNBEAM OVERDRIVE – •• Tentacles Industries •• – Season of Mist and more!
Go vote for your fave track now!
https://www.loudersound.com/features/six-cool-new-prog-track-you-need-to-hear-this-week

0 Rockshots Records Signs Canada’s WALK WITH TITANS For Debut Album “Olympian Dystopia” (Greek Myths Meet Power Metal); Unveil Video “Seven Against Thebes”

  • March 16, 2023
  • by Asher
  • · Music News · Walk With Titans

NEWS RELEASE

Montreal, QC – March 16, 2023​

 

Rockshots Records Signs Canada’s WALK WITH TITANS For Debut Album “Olympian Dystopia” (Greek Myths Meet Power Metal); Unveil Video “Seven Against Thebes”

Photo Credit – Dani Rod – Above the Sky Studios

Rockshots Records is proud to announce their signing of Walk With Titans for the release of their debut album “Olympian Dystopia” on May 26th, 2023. Based in Montreal, Canada, the band’s goal is to bring all the epic elements you’d expect from a power metal band with a twist of Greek Mythology. On “Olympian Dystopia” the quintet showcases their writing and technical skills.

Efficient, epic, well executed, heavy, and mythical, this is what power metal fans will discover during 50 minutes of “Olympian Dystopia” brought forth by Nikko Cyr (drums), Nick Maugy (rhythm guitar), Louis Jacques (lead guitar) (ex-Blackguard), Lydz Grondin (bass), and Jonathan Vézina (vocals & orchestrations).

”We wanted to make a straightforward power metal album without compromising the epic side. I think listeners will realize that and enjoy it. We made this album during the pandemic and it kept us sane, we hope fans will find the same joy in listening to it as we had to make it! We bring some ancient Greek Myths to the forefront like Eurydice and Herakles, while others are more subtle like ‘Edge of Time’, which is Khronos representing time eating us all. Other tracks on the record we made as an analogy for societal issues.” adds guitarist Louis Jacques.

Today, the band presents their first story and single accompanied by a music video. Entitled “Seven Against Thebes”, the track tells the tale of the seven champions in Greek mythology who made war on Thebes, Adrastus, Amphiaraus, Capaneus, Hippomedon, Polynices, Tydeus, and Parthenopaeus. They were chosen by Adrastus, the king of Argos, to be the captains of an Argive army whose purpose was to restore Oedipus’ son Polynices to the Theban throne.

”This song is very ”in your face”. We wanted to make a fast song with a very epic catchy chorus, I think we succeeded here. This song is about the myth of the two Oedipus’ sons who fought to the death over the city of Thebes. The bridge solo section is very fast and intense, as a battle could be. We unleash everything on the stage when we play this one.” says guitarist Louis Jacques

Watch and listen to “Seven Against Thebes” at https://youtu.be/B8RxVmKbLKY

Digital – https://bfan.link/seven-against-thebes​

Walk With Titans is recommended for fans of Angra, Stratovarius, and Rhapsody of Fire.

Album pre-order – https://bit.ly/WalkWithTitansCD​

Track Listing:​
1. Herakles (4:08)
2. Edge of Time (4:34)
3. Gods of the Pantheon (5:53)
4. As Titans Fall (4:36)
5. Lost Ways (4:28)
6. Final Dawn (5:31)
7. Gift of Fire feat. Renato Osório (5:38) – Guest guitar solo by Renato Osório (Atomic Elephant, ex-Hibria)
8. Lost Paradise (5:17)
9. Seven Against Thebes (4:16)
10. Eurydice (5:46)
Album Length: 50:22

Walk With Titans is:
Drums : Nikko Cyr
Rythm Guitar : Nick Maugy
Lead Guitar : Louis Jacques
Bass Guitar : Lydz Grondin
Vocals & Orchestrations : Jonathan Vézina

Album Credits:​
Album Artwork: Jean-Michel Lima
Logo and album cover layout: Jivago Raymond
Booklet Layout: Simon Bertrand
Recordings: Nick Maugy and Louis Jacques, and vocals were at Silverwings Studio by Jonathan Lefrançois
Mix and Mastering: Francis Gagné from Progressive Acoustics
Drums on the Album: Martin Plante (session drummer)
Music by Walk With Titans
Guest solo on ”Gift of Fire” by Renato Osório (ex-Hibria)
Lyrics: Jonathan Vézina, Louis Jacques, and David Zinay (lost paradise, final dawn)

For more info: Rockshots.eu | Facebook.com/profile.php?id=100064909415917 | Instagram.com/walk_with_titans

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 Surrender To Waves Of Progressive Metal With Israel’s NEOLIA’s Music Video For “Carried Away”; Self-Titled Album Out May 2023

  • March 16, 2023
  • by Asher
  • · Music News · Neolia

NEWS RELEASE

Montreal, QC – March 17, 2023

​

Surrender To Waves Of Progressive Metal With Israel’s NEOLIA’s Music Video For “Carried Away”

Self-Titled Album Out May 2023

Album Mastered by Howie Weinberg (Metallica, Pantera, Nirvana)

L-R: Neolia Current Line Up – Tomer Mash (Bass), Yair Ben Shalom (Drums), Ben Reiss (Vocals), Guy Greenberg (Guitar), Inbar Davish (Guitar)

Photo Credit – Avi Veldman

Photo Edit by: Rana Sneider

​

Get ready to immerse yourself in a world of dynamic soundscapes and intricate musicianship as Israeli progressive metal band Neolia drops their anticipated debut self-titled album. Brace yourself for a genre-bending journey that will leave you begging for more. In advance of this release, they have a new music video out for the track “Carried Away”, which gives an up-close look at the band playing live and continues the story of the fictional character Alex who the album is about. They share the story conveyed in the single:

“This is a bitter, sweet memory, a sharp twist to a childhood memory from age 7. Being barely woken up, after fainting out repeatedly and passing out from rat poison fumes that were sprayed throughout the house, Alex was experiencing hallucinations while being unconscious and imagining being at the same location where he found his mother dead while nature around him came to life in the form of a nightmare. But even within this horror show, while feeling scared, cold, and alone he managed to take control and put up a fight.”

The music starts gently and gradually. A fragile moment yet intense drops with a drum groove on the ride symbols paired with a dark and busy bass line that is balanced by a tender choir section and guitars that contrast each other. Gradually the music intensifies and gets even darker reflecting an emotional spiral that reaches a certain climax after the second verse. After the last chorus, the song ends with vigorous unison of guitar and synth layers.

The video is a taste of what seeing Neolia live is like. They play shows and festivals regularly all over Israel and their virtuosic, eclectic, and artistic shows take the audience on a journey. They are recommended for fans of Sikth, Mudvayne, and TOOL.

Watch “Carried Away” at https://youtu.be/DtZugudoLAc

​

Spotify – https://spoti.fi/3llfbYs

​

The self-titled album was mastered by Howie Weinberg (Metallica, Pantera, Nirvana) and is due out on May 5th, 2023.

Album pre-order is available at https://neolia.bandcamp.com/album/neolia​

Track Listing:​
1. The Shed – 3:44
2. The Shed outro – 0:52
3. Your prophecy – 7:44
4. Dance of violence – 7:10
5. Carried away – 5:49
6. Carried away outro – 1:24
7. Karma – 4:09
8. Karma outro – 0:44
9. Day in day out – 11:06
10. Anchors – 7:14
11. Rise and fall – 5:06
12. Blow the leaves – 7:02
13. A better version of you – 4:53
14. Refahim – 8:00
Album Length: 74:57

For more info: Neoliaband.com | Facebook.com/neoliaband | Instagram.com/neoliaband​

– 30 –

“It’s as if Ben’s screams had come straight out of hell tearing the skies in all directions” – Metalist Magazine

“Filled with different time signatures, that incorporate beautiful melodic parts and screams that hit you directly in the center of the stomach” – Radio Ze Rock Magazin​
​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Austrian Funky Prog Metal HOG MEETS FROG Posts Trippy Playthrough Video For “Peeping-Bear’s Exegesis of Not Peeping” Off New EP “humANIMALization”

  • March 16, 2023
  • by Asher
  • · Hog Meets Frog (Echotunes) · Music News

NEWS RELEASE

Montreal, QC – March 16, 2023

​

Austrian Funky Prog Metal HOG MEETS FROG Posts Trippy Playthrough Video For “Peeping-Bear’s Exegesis of Not Peeping”

New EP “humANIMALization” Out Now!

Bottom L-R: : | ARIYAN Rezaei Jahromi (guitar) | Ivo Matuš (drums)
Top: | Peter ’PETZ’ Schwabl (bass, storytelling)
Photo Credit Vicky vanSane

Austrian funk prog metallers Hog Meets Frog recently released their third EP on February 24th. The record is a non-conceptual concept EP under the motto of the title: “humANIMALization”.Its purpose is to be witty and entertaining as it flirts with obscurity and is meant to be entirely thought-provoking for listeners.

Frontman Peter ’PETZ’ Schwabl explains:

“When the animal in the human awakens, then, for example, one turns into a bigot monkey and the other becomes an insecure piggy, one becomes a peeping control bear and the other becomes a greedy stock market bull. Just this behavior – sometimes silly, monkey or also clumsy, bearish – is told in the lyrics, as well as through the wide range of sound worlds and riffs.”

Today, in support of the EP, the band is sharing a trippy and fun playthrough for the track “Peeping-Bear’s Exegesis of Not Peeping”.

“Here you see us get into some slap-around funk groove with my guitarist Ariyan, we get many comments that’s it like a Les Claypool / Primus track, it’s funky, weird and just good times making silly music with a message.” says bassist/vocalist – Peter ’PETZ’ Schwabl.

“Peeping-Bear’s Exegesis of Not Peeping” was written by Schwabl to tell a story where the peeping bear symbolizes the intelligence services and control freaks of this world, starting with the NSA scandal up to the possibilities of digitally utilized psychometric tools used for influencing elections by corporations or rich power-hungry people and warmongers.

“This and much more we have packed into the in the sleeve of the sympathetic voyeur bear, who on top of that smilingly believes that he is spying, spying and eavesdropping on everyone with good reason and only with the best of intentions,” adds Schwabl.

Watch and listen to the playthrough for “Peeping-Bear’s Exegesis of Not Peeping” at https://youtu.be/5CNDLMrWTuY

​

With influences ranging all over the musical spectrum from progressive and death metal to jazz, to world music and funk, there is something for everyone in the riffs and chords that Hog Meets Frog presents on this avant-garde record.

The band finds that the best approach to serious topics is with fun and that is emphasized with “humANIMALization”. Most people will first notice the cheerful, funny, sick side of Hog Meets Frog, but a few will remove the mask and then let themselves fall into the deepest depths of the music and lyrics and see what thoughts lie dormant there: Stories that life writes.

Adventurous listeners are invited to go through the looking glass and find the deeper meaning in each of the tracks on the EP, or simply frolic in the bright colours on the surface. “humANIMALization” is recommended for fans of System of a Down, Primus, Red Hot Chili Peppers, TOOL, and Frank Zappa.​

“humANIMALization” was released on February 24, 2023 and is available on Hogmeetsfrog.bandcamp.com, Spotify.​

Track Listing:​
1. Of Snakes ‘n’ Moles ‘n’ Bulls ‘n’ Dough (4:32)
2. Peeping-Bear’s Exegesis of Not Peeping (5:10)
3. Apes Don’t Smoke Cigars – Just Pipes (4:47)
4. Stuff(ed), Cage(d) & Enslave(d) (3:25)
5. ZIGGY The Unpigcorn (3:46)
EP Length: 21:42

EP Band Lineup:​
Ivo Matuš – Drums (peeping-bear’s exegesis of not peeping || apes don’t smoke cigars – just pipes)
Christoph ‘fizl’ Hehn – Drums (of snakes ‘n’ moles ‘n’ bulls ‘n’ dough || stuff(ed), cage(d) & enslave(d) || ZIGGY the unpigcorn)
ARIYAN Rezaei Jahromi – Guitar
Peter ’PETZ‘ Schwabl – Bass, Storytelling

Live Band Lineup:​
Christoph ‘fizl’ Hehn – Drums
ARIYAN Rezaei Jahromi – Guitar
Peter ‘PETZ‘ Schwabl – Bass, Storytelling

For more info: Hogmeetsfrog.com | Facebook.com/hogmeetsfrog | Twitter.com/hogmeetsfrog | Instagram.com/hogmeetsfrog | Tiktok.com/@hogmeetsfrog

– 30 –

“If you are a fan of the jerky, spiky, awkward sounds of Primus you’ll love this. I daresay if you enjoy a bit of early Red Hot Chili Peppers you may also dig this – certain parts of the record do have a sneak peek toward Frank Zappa and The Mothers Of Invention and The Crazy World Of Arthur Brown – not too obviously, but those sly, sideways little looks are there.” – Ever- Metal UK​
​
​“There’s an element of uniqueness to how each of these songs are written, although you can’t deny the clear influence of say the Primus bass lines or Zappa-esc experimentation, yet it is within the niche, thematic storytelling that gives Hog Meets Frog a real musical identity. The way they can tell a story with humour yet allow you to consider the real and often times scary true circumstances behind where these stories originate is what gives this band their staple. Certainly one to look out for in the future, long live Sqeekquackmusic!” – Metal Epidemic​
​
​“If the song titles like Apes don’t smoke cigars, just pipes are very funny, the musical aspects are of very high quality and definitely not “suitable for a headband”. Sure, funk isn’t a run-of-the-mill genre to sing along to, but sophisticated music at the highest level. So to speak, jazz music of the metal species. One can clearly register the inspiration of Red Hot Chilli Peppers, Primus and Co. on this record, whereby the songs transport positive energy.” – Rock Magazine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 DEADWOLFF Announces USA Tour Dates To Support Debut Album “Heavy Rock N’ Roll” (Golden Robot Records) Out March 31st

  • March 15, 2023
  • by Asher
  • · Deadwolff · Music News

NEWS RELEASE

Montreal, QC – March 14, 2023

​

DEADWOLFF Announces USA Tour Dates To Support Debut Album “Heavy Rock N’ Roll” (Golden Robot Records) Out March 31st

L-R: Tommy Wolffe (Bass. Vocals), Bobby Deuce (Guitar), Angus Pike (Drums)
Photo Credit: Megan Kay

A blend of hard rock, punk, and metal, Deadwolff set themselves apart from other bands with their take on the New Wave of Heavy Rock and Roll. Recommended for fans of Judas Priest, Motorhead, and W.A.S.P, Deadwolff‘s is a revival of foot-tapping, beer-drinking, headbanging tunes, and more. They are touring across the United States and Canada this May and June in support of their forthcoming debut full-length “Heavy Rock N’ Roll” due out on March 31st via Golden Robot Records.

Music Video – Heavy Rock n’ Roll – https://youtu.be/kAiNlEmDkZk​

Music Video – Homeward Bound – https://youtu.be/iPC0z5J3Xnc​

Album-pre-save – https://linktr.ee/deadwolff​

May ​
8 – Outer Limits Lounge – Hamtramck, MI
9 – Liars Club – Chicago, IL
11 – Whittier – Tulsa, OK
12 – Double Wide – Dallas, TX
13 – Black Magic Social Club – Houston, TX
14 – Valhalla Tavern – Austin. TX
15 – Faust Tavern – San Antonio, TX
17 – The Edge – Tuscon, AZ
18 – The Blooze Bar – Pheonix, AZ
19 – Tower Bar – San Diego, CA
20 – Red Dwarf – Las Vegas, NV
23 – Destructive Warehouse – Fresno, CA
24 – The Knockout – San Francisco, CA
25 – On the y- Sacramento, CA
26 – Shea’s Tavern – Reno, NV
27 – Knucklehead – Los Angeles, CA
30 – High Water Mark – Portland, OR
31 – The Cherry Pit – Seattle, WA
​
​June ​
1 – Sunny Chibas – Squamish, BC
2 – The Cambie – Vancouver, BC
3 – Kami Inn – Kamloops, BC
4 – Canmore Hotel – Canmore, AB
6 – The Palamind – Calgary, AB
7 – Starlite Room – Edmonton, AB
9 – Bulldog – Winnipeg, MB
10 – Atmos – Thunder Bay, ON

For more info: Facebook.com/officialdeadwolff | Instagram.com/deadwolff.official

– 30 –

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ASHER MEDIA RELATIONS

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jon[@]ashermediarelations[.]com
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0 Canada’s MAUDIIR Unleashes Riff Driven Blackened Thrash Single “Toxic Cloud” Off New EP “Soliloque” Out April 2023

  • March 15, 2023
  • by Asher
  • · Maudiir · Music News

NEWS RELEASE

Montreal, QC – March 15, 2023

Canada’s MAUDIIR Unleashes Riff Driven Blackened Thrash Single “Toxic Cloud”

New EP “Soliloque” Out April 2023

Maudiir is a one-man project that started from a need to be independent and produce music at a pace that F. alone decides. Over the years, that freedom has come to be quite fulfilling for him, he moves forward in the direction he wants and follows his creative desires to produce his signature blend of blackened thrash metal. Thus far, Maudiir has released two EPs and a third “Soliloque” is on the horizon. The riff-driven EP has already been introduced with the single “L’Éloge du Cuivre” and the momentum is continued with the single “Toxic Cloud”.

“Toxic Cloud” starts off with a classic metal/almost hard rock feel, then goes into a black metal frenzy with a very epic ending. Generally, Maudiir is inspired by what is going on in the world; politics, religion, consumer society, and environment, true to those themes, the single is about the Bhopal disaster in India. Maudiir shares his thoughts on the upcoming EP:

“It is a riff-driven EP with big bass grooves and corrosive vocals raging on environmental issues, mixing thrash metal, black metal, and progressive elements, giving it a unique sound and feel. Honestly, when I’m working on an EP, I pretty much let the songs come as they are without trying to force a style or recipe. Nothing is really planned. I think the vocals are the glue to what I do; it’s the sound of my voice that makes MAUDIIIR, like it or not.”

Everything in Maudiir is done by F. Every song on “Soliloque” started on guitar, then drums were added, followed by bass and vocals. One song is worked on at a time, from start to finish before a second one is started. Also, in order to be more fluid and closer to a one-take feel, this EP was rehearsed a lot more before tracking than previous EPs, and same with the vocals. These small changes keep things interesting for Maudiir.

With inspiration such as the first Emperor album, a lot of Mayhem records, and pretty much everything Satyricon has done, Maudiir is recommended for fans of Ihsahn, Carcass, and Darkthrone.

Listen to “Toxic Cloud” via ThisIsBlackMetal YouTube channel – https://youtu.be/-AWWtV7fPpE

​

“Soliloque” is due out on April 7th and is available for pre-order at https://maudiir.bandcamp.com.

Previous Single – L’Éloge du Cuivre – https://youtu.be/S7XLDuUngN8

​

Track Listing:​
1. Toxic Cloud (5 :24)
2. L’Éloge du Cuivre (5 :02)
3. Residue (4 :30)
4. Regarde au Ciel (4:41)
5. CH4 (5:44)
EP Length: 25:24

For more info: Facebook.com/people/Maudiir/100063607593649 | Twitter.com/maudiir1 | Instagram.com/maudiirofficial​

About: Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/prog/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released the debut EP “Le Temps Peste” in February 2020 and a year later unleashed the follow-up “La Part du Diable” in 2021.

Now in 2023, two years after the sophomore record, Maudiir returns with the third offering “Soliloque”, an intense and aggressive five-track record built on thrash metal foundations, flirting with prog and melodic tendencies.

“It’s not a linear EP; certainly not the same song repeated again and again. Open-minded people, step in. Those who have heard my past EPs will notice ‘Soliloque’ is different than ‘La Part du Diable’, which was also different than ‘Le Temps Peste’. I like to think that the overall production is getting better with every release. I don’t want to repeat myself or focus on some kind of recipe. The overall sound of ‘Soliloque’ is very different from ‘La Part du Diable’; different guitar, bass, and drum sounds. I also used less effect on the vocals, a more in-your-face approach. One song was recorded with a 7-string guitar, I dabbled with some slide guitar on another… Trying new stuff. I particularly like the bass sound that cuts through really well. Being primarily a guitar player, I‘ve really come to enjoy giving a lot of space to the bass guitar in my music. It’s the instrument that I have the most pleasure recording.” adds Maudiir.

“Soliloque” is due out April 7, 2023.

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

Discography:
2023 – Soliloque (EP)
2021 – La Part du Diable (EP)
2020 – Le Temps Peste (EP)

– 30 –

“The song (L’Éloge du Cuivre) is well-calculated to get the listener’s pulse jumping right away. The drums infectiously pop. The riff (tuned to a mangling tone) comes in bursts, and so does the growling bass. Having accomplished that feat, things get more vicious as the guitar feverishly jitters and writhes, the words come in a torrent of rabid screams, and the drums hammer with a will. Although the riffing continues to change, becoming more searing and deranged, and also more frantically jolting, the song’s mad rhythmic pulse remains vivid, continuing to punch and drive even when a head-spinning guitar solo seizes attention. Both the drumming and the mercurial bass maneuvers (which are pleasingly prominent) ensure that listeners’ limbs and heads will keep bobbing and pumping straight through the song’s furious finale.” – No Clean Singing​
​
​“Maudiir are a blackened thrash metal band from Montreal, Québec. They’re putting out a new album on April 7 called Soliloque, and the first single, “L’Éloge du Cuivre,” is available on their Bandcamp right now. Break out your French knowledge for this one. It’s a pummeling metal track but one not without its share of punk influence an the chords pound in a fiery fury. That guitar definitely has one foot in punk and one in metal, while the drummer keeps up a fairly simple nu metal beat. It’s got a great edge to it without just getting lost in how hard and heavy it is.” – New Noise Magazine

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, ToledoDeathFest)

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0 Tentacles Industries – France’s SUNBEAM OVERDRIVE Get Philosophical With Proggy “Out Of Plato’s Cave” Off New Album “Diama” Out May 2023

  • March 15, 2023
  • by Asher
  • · Music News · Sunbeam Overdrive (Tentacles Industries/Season of Mist)

NEWS RELEASE

Montreal, QC – March 15, 2023

​

Tentacles Industries – France’s SUNBEAM OVERDRIVE Get Philosophical With Proggy “Out Of Plato’s Cave” Off New Album “Diama” Out May 2023

Photo Credit – Elusive Daeva

Founded by professional musicians in 2019 and hailing from Marseille, France, Sunbeam Overdrive is mixing progressive metal and 90s alternative rock. They are eagerly anticipating the release of their debut album “Diama” in the Spring of this year and leading up to it, have dropped a single “Out Of Plato’s Cave” complete with a music video. The band shares the idea behind the track:

“It’s a very energetic piece with djent and progressive accents to compliment Plato’s allegory of the Cave, describing how difficult it is to look away from the illusions that easily feed our minds, to stand your ground when everyone around you thinks you’re a fool, to look for the light, for elevation, for the truth, and have the strength to keep your eyes and soul open when it hits you.”

The single is an excellent introduction to the album, as it showcases how the band expertly blends several different styles together. They believe this could surprise a lot of people, and please fans of multiple genres ranging from 90s grunge to modern djent.

This upcoming record is about elevation, travel, adventure, and energy. It’s meant to lift you up yet make you endure the storm both inside and outside of yourself. Although not designed as a concept album, “Diama” nevertheless turns out to be crossed implicitly by a coherent line, which appeared to them once the album was finished. This line is that of the crests of the summits, more precisely a notion of ascent, elevation, exterior as interior. It translates into the quasi-cinematic succession of pieces forming an initiatory journey throughout the 10 songs. It is recommended for fans of Alice In Chains, Meshuggah, and Tool.

Lyric Video – Out of Plato’s Cave – https://youtu.be/3MAJwOWFTj4

​

“Diama” will be released on May 12, 2023 by Tentacles Industries with distribution from Season of Mist.

“Diama” was engineered and mixed by Tom Abrigan and mastered by Brett Caldas-Lima (Devin Townsend Project, Megadeth, Cynic, Pain of Salvation) at Tower Studio, France.

Album pre-order is available at the following links:

Limited Digipak / Bundles – https://tentaclesindustries.bigcartel.com/artist/sunbeam-overdrive​

Digital pre-save – https://bfan.link/diama​

Track Listing:​
1. Ascending (1:47)
2. Diama (6:14)
3. Slave To The Void (5:14)
4. Crimson Stains (4:49)
5. Diamond Shape (7:10)
6. Junction: Buhl’s Eye (1:20)
7. Deaf And Blind (4:47)
8. Shen (5:45)
9. Out Of Plato’s Cave (5:05)
10. Hard Sun (5:49)
11. Fainted Core (Bonus Track – Live Acoustic) (6:08)
Album Length: 54:08

Album and Live Band Line Up:​
Tom Abrigan – Guitars & Vocals
Karim Arnaout – Vocals
Laurent Duclouet – Drums
Bruno Morgana – Bass
​
​For more info: Sunbeamoverdrive.bandzoogle.com | Facebook.com/Sunbeamoverdrive | Instagram.com/sunbeamoverdrive​

​Tentaclesindustries.bigcartel.com | Facebook.com/tentaclesindustries | Instagram.com/tentaclesindustries​

​Twitter.com/tentaclesindus | Youtube.com/@tentaclesindustries | Tentaclesindustries.bandcamp.com​

About: Founded around professional musicians in 2019 and hailing from Marseille, southern France, SUNBEAM OVERDRIVE is mixing progressive metal and ’90s alternative rock. Hard at work since day one, the band quickly released its first 3-track EP and performed their very first show at the famous German Euroblast Festival in October 2019. Sunbeam Overdrive was about to hit the stages when the Covid-19 pandemic started… In turn, and after a few line-up movements, they started producing their first full-length album “Diama”, to be released worldwide in 2023.

– 30 –

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​
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 EPK – Sunbeam Overdrive – Diama (2023) (Tentacles Industries / Season of Mist)

  • March 15, 2023
  • by Asher
  • · EPKs · Sunbeam Overdrive (Tentacles Industries/Season of Mist)

EPK – Sunbeam Overdrive – Diama (2023) (Tentacles Industries / Season of Mist)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“An adventure, solitary, a life journey, its trials and tribulations translated in the form of a wide sound surrounding the listener to try to confront them with themselves, their own experiences, their own emotions …. make them start their own journey.

This record is about elevation, travel, adventure, and energy. It’s meant to lift you up yet make you endure the storm both inside and outside of yourself. Although not designed as a concept album, Diama nevertheless turns out to be crossed implicitly by a coherent line, which appeared to us once the album was finished. This line is that of the crests of the summits, more precisely a notion of ascent, elevation, exterior as interior. It translates into the quasi-cinematic succession of pieces forming an initiatory journey throughout its 10 songs.” – Sunbeam Overdrive

For fans of Periphery, Architects, The Human Abstract, Born of Osiris, Cynic

Band Name: Sunbeam Overdrive
Album / Single Title: Diama
Release Date: May 12, 2023
Label: Tentacles Industries
Distribution: Season of Mist

Sunbeamoverdrive.bandzoogle.com/home | Facebook.com/Sunbeamoverdrive | Youtube | Instagram.com/sunbeamoverdrive

Sunbeamoverdrive.bandcamp.com | Spotify

Tentaclesindustries.bigcartel.com | Facebook.com/tentaclesindustries | Instagram.com/tentaclesindustries

Twitter.com/tentaclesindus | Youtube.com/@tentaclesindustries | Tentaclesindustries.bandcamp.com 

“Out Of Plato’s Cave – One of Six cool new prog tracks you need to hear this week (March 16, 2023)” – Prog Mag

“Bang this album into your vehicle’s sound system or blast it through your headphones, as you rock out to ‘Diama’ by Sunbeam Overdrive. It is THE soundtrack for your journey of solitary existence!” – Metal-Rules

“SUNBEAM OVERDRIVE gives us a very high-end album, talented musicians, in the service of an intelligent music which does not forget to arouse emotions, the perfect balance in my opinion, too often I find the proguous eager for technicality getting lost and forgetting to play with his heart, these guys have not taken this wrong. I should have gone to the Zenith.” – Profil Prog

“As a first work, Diama has been a great success and shows Sunbeam Overdrive as a playful and highly energetic newcomer who can definitely set accents in the scene. 9/10” – Sound Magnet Magazin

“DIAMA impressed me on first listen and continued to impress me with each subsequent listen; there’s something genuine and infectious and even somewhat joyous about it. Maybe it’s because hard rock doesn’t grip me much these days, but Sunbeam Overdrive have managed to. This is a surprisingly self-assured debut and a very satisfying listen from a young group with a bright future ahead of them. Recommended tracks: Slave to the Void, Diamond Shape, Shen” – The Progressive Subway

“This one is interesting, a bit prog, some groove metal, thrash stuff. clean and harsh vox. Cool!” – The Mosh Pit – WORT 89.9FM (Madison, WI)

“Whether you want to call it prog or not, Sunbeam Overdrive does their best to let Diama speak with riffs. At their catchiest Sunbeam Overdrive carves punchy numbers from djent-ish groove and Alice in Chains vocal harmonies that could have been easy targets to record from radio to flip phone ringtone (“Slave to the Void,” “Shen”). Taking cues from fellow Frenchmen Klone whose moody tunes similarly rest in a land of slippery assignment, a tilted sense of melancholy pervades other flowing numbers that feature slithering hooks and arena-sized refrains (“Diama,” “Diamond Shapes”). But in the face of the mild solemnity that accompanies that element of Diama, Sunbeam Overdrive make sure to pop in a bit of fun with mid-album shaker “Crimson Stains” featuring the bounce (but not the rap) of KROQ Weenie Roast2 artifact 311—tastefully nu if not dangerously inventive.” – Angry Metal Guy

“As far as the songs go, I love the whole album, but ‘Diama’ was amazing. ‘Slave To The Void’, ‘Crimson Stains’, ‘Deaf And Blind’, and ‘Out Of Plato’s Cave’ were all great. There’s a cover of ‘Hard Sun’ from Canadian singer/songwriter Gordon Peterson as well. They’re doing a version closer to the Pearl Jam version, but either way they do a great job with it. Overall, I have to give this one a 9 out of 10 “Flaming Fists” due to its creativity, musicianship, production and overall song-writing. It’s one of the most diverse and heavy albums I’ve heard lately, it deserves a much bigger audience.” – Rock You Radio

“SUNBEAM OVERDRIVE is nevertheless the unexpected little discovery of the moment.” – Score A/V

“Following a promising EP released in 2019, this first album by Sunbeam Overdrive immediately shows the full potential of an inventive group, without giving into gratuitous one-upmanship. Admittedly, their progressive metal is technically well above average and most of the titles damn convoluted, some sometimes flirting with djent, but the Marseille quartet masters their subject perfectly and knows how to write real songs, even allowing themselves to slip in a few discreet nods to Alice In Chains/Soundgarden grunge. A rich and dense first album for thrill seekers.” – Guitar Part.fr

“Soon, on •• Tentacles Industries •• , the release of the new album by French quartet Sunbeam Overdrive. It’s called Diama and Crimson Stains is the new single to entice you for the rest of the album soon to come. Scream, djent, progressive, alternative metal and all sorts of core elements come at you from all sides. Circling around you like a riff tornado, this single is but one of the many tracks that hurl you through space and time, and the storm both inside and out of you. It fits perfectly with the concept that seems to be surrounding the album…” – Stoner Hive

“Standing out from the progressive metal pack with their interesting touches of 90’s alt-rock, Sunbeam Overdrive tickle the senses with their wandering intro of Ascending and the choppy, raw, and animated title track. Before they really lean into the 90’s alt-rock soundscape with Slave to the Void. Where sections of heavy groove come crashing down on the head. Followed then by the anthemic and manic energy of Crimson Stains, one of the album’s more intense moments as Sunbeam Overdrive go quite hard and heavy here…. Though if you’re after something with a more serrated edge, Out of Plato’s Cave will cause some damage. Sunbeam sounding both furiously heavy and grandiose in equal measures. Another highlight of the record simply because of the hectic pacing.” – Games, Brrraaains & Head-Banging Life

“Welcoming us in an oriental atmosphere (which can also evoke the last Hypno5e for once), Diama really starts with the title track, pulsed and muscular, it takes us without hesitation into the rich universe of the Marseilles managing to stall us unstoppable Devin Townsend- inspired vocal melodies .” – Eklektik-Rock

“A production to seek out by those who enjoy vibrant and melodic heavy metal explored with a little bit of a progressive metal attitude and spirit.” – Progressor

“Sunbeam Overdrive nous délivre un premier album vraiment convaincant. Du grant art !” – United Rock Nations

“There are plenty of tracks that I love on this album but it is perhaps ‘Shen’ which is my favorite. The big sound is put in parentheses, favoring the alternative form to metal, the guitars play subtlety with beautiful djent figures and the vocals are almost an accompaniment to the rhythm section. D I A M A is a very nice discovery.” – NeoProg

““Diama” is a very good moment of powerful and racy metal, combining softness and emotion on this disc as icy as it is burning. Some will regret the obvious or smooth and unsurprising appearance, but it doesn’t matter because the intoxication is there. To discover urgently, because even if it is not a dazzling diamond, its qualities make it a precious stone which will reveal its shimmering colors over multiple listenings. 4/5” – Music Waves

““Diama” est un très bon moment de metal puissant et racé, alliant douceur et émotion sur ce disque aussi glacé que brûlant. Certains regretteront l’aspect évident ou lisse et sans surprise, mais peu importe car l’ivresse est au rendez-vous. A découvrir d’urgence, car même s’il n’est pas un diamant éblouissant, ses qualités en font une pierre précieuse qui révélera ses couleurs chatoyantes au fil de multiples écoutes. 4/5” – Music Waves

Band Name: Sunbeam Overdrive
Album / Single Title: Diama
Release Date: May 12, 2023
Label: Tentacles Industries
Distribution: Season of Mist

Track Listing:
1. Ascending (1:47)
2. Diama (6:14)
3. Slave To The Void (5:14)
4. Crimson Stains (4:49)
5. Diamond Shape (7:10)
6. Junction : Buhl’s Eye (1:20)
7. Deaf And Blind (4:47)
8. Shen (5:45)
9. Out Of Plato’s Cave (5:05)
10. Hard Sun (5:49)
11. Fainted Core (Bonus Track – Live Acoustic) (6:08)
Album Length: 54:08

Album Recording Credits:
• All songs performed by: Sunbeam Overdrive
• All songs written by: Tom Abrigan (except lyrics for Diama, Slave To The Void, Crimson Stains and Out Of Plato’s Cave by Karim Arnaout, and Hard Sun by Indio’s Gordon Peterson, covered by Eddie Vedder)
• Produced by: Tom Abrigan
• Mixed by: Tom Abrigan
• Mastered by: Brett Caldas-Lima (Tower Studio: Devin Townsend, Cynic, Pain of Salvatio)
• Album Artwork by: Christophe Dessaigne (Midnight Digital)

Album and Live Band Line Up:
Tom Abrigan – Guitars & Vocals
Karim Arnaout – Vocals
Laurent Duclouet – Drums
Bruno Morgana – Bass

=======================================================

The album as a whole (LYRICALLY & MUSICALLY):

This record is about elevation, travel, adventure, and energy. It’s meant to lift you up yet make you endure the storm both inside and outside of yourself. Although not designed as a concept album, Diama nevertheless turns out to be crossed implicitly by a coherent line, which appeared to us once the album was finished. This line is that of the crests of the summits, more precisely a notion of ascent, elevation, exterior as interior. It translates into the quasi-cinematic succession of pieces forming an initiatory journey throughout the 10 songs:

“The Ascent… (1. Ascending) of an immense mountain, a power monster: You… Me… Us, the Nanga Parbat.
Doing it via a glacier that no one has yet crossed… (2. Diama)
Doing it without being a slave to anyone or anything, facing the void in front of you just like within yourself (3. Slave To The Void)
Ignoring having been treated like a puppet from whom you could take whatever you wanted then leave it in a corner. (4. Crimson Stains)
Seeing that diamond shape again, over there, through the mist. (5. Diamond Shape)
Reaching the junction, seeing the eye of the Bull. (6. Junction: Buhl’s Eye)
And continuing, even deaf and blind… (7. Deaf And Blind)
Invoking what is most ancestral in us. Without ever going astray. (8. Shen)
Coming out of our own Plato’s cave. (9. Out Of Plato’s Cave)
And reaching for the sun… The hard, high sun. (10. Hard Sun)
There, then… We’ll know a little bit who we are…” – SUNBEAM OVERDRIVE –

Track by track (LYRICALLY & MUSICALLY):

1. Ascending: An instrumental intro that places the listener at the beginning of their ascent of a Himalayan Mountain (Nanga Parbat). It’s airy, bewitching, and foreshadows significant events…

2. Diama: The first real track on the record, powerful, aggressive, and catchy but also airy and progressive. Lyrics were inspired by an extremely intense, burning, sudden, ephemeral, and ultimately volcanic adventure. Volcanism is the metaphor spun throughout the text, because it evokes fusion, lava flows, eruption, and therefore, in the background, carnal, erotic union; heat that burns, but that fertilizes afterward (there’s nothing like a volcanic rock for a fertile soil). And in the context of the whole album Diama, which turns out to be an initiatory journey in the form of the ascent of a mountain, with all that this represents in terms of trials, doubts, determination, dizziness, and vertigo, the figure of the volcano is inscribed in the field of heights, of mountains.

3. Slave To The Void: The band’s desire to lay the foundations for a more alternative, urban, and raw sound. It ends with a pronounced airy side that is redundant but pays homage to more alternative influences such as grunge or 90s metal. The lyrics evoke the paralyzing power of the void, whether an actual void like a precipice or an abyss, or inside ourselves, and the strength it takes to lift yourself from the entropy and apathy that life can bury you in. It’s an invitation to keep your head up and become the sign you are vainly waiting for to start living.

4. Crimson Stains: The band starts with a faster song, with a more punk spirit, reminiscent of early Soundgarden or Pearl Jam albums, but with more metal/progressive riffing. The lyrics are about the mental load and burden, and sometimes physical aggressions that women are faced with; based on the testimonies of many and only just trying to imagine how it feels like to live with such a disadvantage in a patriarchal world…

5. Diamond Shape: An autobiographical track, slow, and airy but heavy and sad. Reminiscent of Black Sabbath, Tool, and a sad period in the life of one of the musicians who take stock of what his life has been like in the form of various images, especially memories of a mountain in the Alps, which looks like a gigantic diamond from a distance, and how it feels when everything you have built for years collapses.

6. Junction: Buhl’s Eye: To talk about ascents again, and in particular that of Nanga Parbat (Diama being a glacier adjoining the mountain), the junction of 2 routes on one of the sides of this mountain owes its name to Hermann Buhl. This piece is an aerial instrumental featuring a guitar solo to define a milestone that is being crossed. Altitude, lack of oxygen, a brain on the verge of asphyxiation, mirages…

7. Deaf And Blind: This piece is intended to be heavy, dramatic, and catchy to translate the anger of a people against the elites, the system in which they are trapped, and the questioning of their existences.

8. Shen: A very ethereal piece whose text confronts today’s China with its spiritual ancestral past.

9. Out Of Plato’s Cave: A very energetic piece with djent and progressive accents to mention Plato’s allegory of the Cave, describing how difficult it is to look away from the illusions that easily feed our minds, to stand your ground when everyone around you thinks you’re a fool, to look for the light, for elevation, for the truth, and have the strength to keep your eyes and soul open when it hits you.

10. Hard Sun: Into The Wild was a milestone in our lives, and we felt that Eddie Vedder’s interpretation along with all the images, emotions, and impressions the film triggers, deserved a cover with the Sunbeam Overdrive sound. It goes well with the entire record topic, and makes for an amazing solar ending, after ascending, looking into the abyss, sadness, oppression, and memories, after finding the courage to escape from Plato’s cave: it’s a big hard sun that frees us all.

11. Fainted Core (bonus track): We wanted to pay tribute to the 90s MTV unplugged concerts, so we actually did half a dozen takes of that song recording sound and image, and picked the best version for a very simple yet aesthetically pleasant video already available on YouTube.

=======================================================

Hailing from Marseille, southern France, SUNBEAM OVERDRIVE is mixing progressive metal and ’90s alternative rock founded in 2019.

Hard at work since day one, the band quickly released its first 3-track EP and performed their very first show at famous German Euroblast Festival in October 2019.

Sunbeam Overdrive was about to hit the stages when the Covid-19 pandemic started… In turn, and after a few line-up movements, they started producing their first full length album “Diama”, to be released worldwide in 2023.

Sunbeam Overdrive:
Tom Abrigan – Guitars & Vocals
Karim Arnaout – Vocals
Laurent Duclouet – Drums
Bruno Morgana – Bass

Discography:
2023 – Diama – LP (Tentacles Industries / Season of Mist)
2019 – Sunbeam Overdrive – EP

Shared Stage with: Psykup, Ten56, Ze Gran Zeft, Kvark

Tours and Festivals:
2019 – Euroblast – Köln, DE

Sponsors / Artist Endorsements: Vola Guitar, SP Custom, Skull Strings, Hyraw, RocknFreeLife, Carl Thompson

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