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0 SQUIDHAMMER Unleashes Thrashy New Single “Drowning In Flames” Off Upcoming Album “Hail The Squid”

  • January 27, 2023
  • by Asher
  • · Music News · Squidhammer

NEWS RELEASE

Montreal, QC – January 25, 2023

​

SQUIDHAMMER Unleashes Thrashy New Single “Drowning In Flames” Off Upcoming Album “Hail The Squid”

L-R: Jake Schultz (Guitar), Eric “Skeebo” Kjelland (Drums), Ericka Schultz-Niemann (Vocals), Joe Dunn (Bass)
Photo Credit: Ericka Schultz-Niemann

Squidhammer proudly calls Watertown, Wisconsin home. The band carved out its place in the Midwest metal scene in 2018 with their debut album, “Power Removal Service’”. Since then, they have released a handful of singles and more to come for their “Hail The Squid” project. A little bit unorthodox, they plan to release it single by single to the digital world, with a music video to accompany each release. The end product will be a physical LP containing all of the releases. The upcoming single “Drowning In Flames” featuring Kyle Fawley of Digital Remains is a mental roller coaster. A twisted riddle full of metaphors. Guitarist Jake Schultz explains further:

““Drowning In Flames” is the outside voice we all wish we could hear over our own noise. It’s everything you hope you’re not. It’s the shackles you watched your own possessed hands put around your very ankles. It’s the only way out. It’s a long trip, musically speaking. A labyrinth. Hooks left and grooves right. A push/pull of thrash, chugs, and sway. It’s a bit of an arpeggio of a song structure, with an exit hidden in the middle. Will you burn your way out, or will you wind up right back where you started?”

“Hail The Squid”, the band’s second studio project is currently being rolled out to the world via a series of single releases. Squidhammer is extremely excited to announce that the open-ended and ongoing collection is a Wisconsin collaborative effort. So far, under this series title, 12 planned tracks will feature 20+ vocalists from Wisconsin’s top metal bands. This project is meant to help show everyone just what Wisconsin has to offer to the U.S. metal scene, as Squidhammer continues to tour the country. Squidhammer aims to attract more national and international acts to the great Wisconsin metal scene, benefiting everyone involved!”

Squidhammer is recommended for fans of Pantera, Lamb Of God, and Arch Enemy.

Listen to “Drowning In Flames” ft. Kyle Fawley of Digital Remains via its music video below.

​

Digital pre-save – https://show.co/CGOLQNa​

Squidhammer is:​
Ericka Schultz – Vocals
Jake Schultz – Guitars
Eric “Skeebo” Kjelland – Drums
Joe Dunn – Bass

For more info: Withkoji.com/@Squidhammer | Squidhedz.com | Facebook.com/squidhammermetal | Twitter.com/getchasquidon | Youtube.com/@squidhammermetal9966 | Instagram.com/squidhammermetal​

About: Squidhammer proudly calls Watertown, Wisconsin home. The band carved out its place in the midwest metal scene in 2018 with their debut album, ‘Power Removal Service’. In early 2018, the band took a road trip to Fort Worth, Texas and recorded the album with producer Russell Hollar in five days and headed straight back home. The album was released independently and has been lovingly accepted into the “favorites” category of many midwest headbangers who have shown so much support. Its tracks have been featured on local radio stations as well as several worldwide internet radio stations. One track has even been played on Sirius XM’s Liquid Metal channel several times.

To ensure the band’s availability, Squidhammer’s founding member, Jake Schultz, has since adopted an open-door approach to the band lineup, meaning that members are free to come and go as they please, and contribute to studio recordings and live performances/tours at whichever level they feel comfortable. This has proven to ensure that only the most passionate, humble, and dedicated people are involved.

‘Hail The Squid’, the band’s second studio project is currently being rolled out to the world via a series of single releases. Squidhammer is extremely excited to announce that the open-ended and ongoing collection is a Wisconsin collaborative effort. So far, under this series title, 12 planned tracks will feature 20+ vocalists from Wisconsin’s top metal bands. This project is meant to help show everyone just what Wisconsin has to offer to the U.S. metal scene, as Squidhammer continues to tour the country. Squidhammer aims to attract more national and international acts to the great Wisconsin metal scene, benefiting everyone involved!

– 30 –

“The introductory growl that Marq brings in is like an atomic bomb going off – unleashing chaos and dismay as this track kicks off with unrivaled energy. Ericka’s performance rips through like shrapnel, with a chaotic presence that carries an aura of fury and insanity in its wake. Both vocalists mesh seamlessly in their pieces, allowing this track to blast through with mind-blowing drum beats, demonic bass, and furious riff work to share in the spotlight, rather than be shadowed by it.” – Valkyrjia @ VALKYRJIAN Metal Blog (2022 ‘Hamrammr’ Single)

“The mixture of chaotic, guttural growls, and shrill screams that unite these two vocal powerhouses is baffling, leaving for a track that’s not only complex and intense in its delivery but, strangely catchy as well” – Valkyrjia @ VALKYRJIAN Metal Blog (2022 ‘Hamrammr’ Single)

“The song mixes elements of Groove and Thrash Metal, with aggressive vocals, in a great vocal dynamic between vocalist Ericka and Marq Pointer, heavy riffs and a destructive rhythmic part” – Leandro Vianna @ ROADIEMETAL of Brazil​
​(2022 ‘Hamrammr’ Single)

“This is no nonsense metal, which is out to ensure that there are no prisoners whatsoever as they have all been blasted through a wall by the sheer volume and attack of what is taking place” – Kev Rowland @ House of Prog Radio (2018 ‘Power Removal Service’ LP)​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 LUNAR Announces Progressive New Album “The Illusionist” And Single “Juggling Chainsaws” Ft. Obscura’s Christian Münzner

  • January 27, 2023
  • by Asher
  • · Lunar · Music News

NEWS RELEASE

Montreal, QC – January 27, 2023

 

LUNAR Announces Progressive New Album “The Illusionist” And Single “Juggling Chainsaws” Ft. Obscura’s Christian Münzner

ft. members from Witherfall, Helion Prime, Planeswalker, Novareign. Mokili Wa, Nordic Frost, Outloud, Double Vision

Album Guests Jørgen Munkeby (Shining), Christian Münzner (Obscura), Andy Gillion (Mors Principium Est),
Taylor Washington (Paladin), Sam Vallen (Caligula’s Horse), Ben Karas (Thank You Scientist), Gleb Kanasevich, Patrick Corona

Top – L- R – Ryan Price – Bass, Alex Nasla – Keyboards & Synthesizers, Chandler Mogel – Lead Vocals
Bottom – L – R – Alex Bosson – Drums & Percussion, Brian Lewis – Growl Vocals, Balmore Lemus – Guitars

Hailing from Sacramento, USA, Lunar is a progressive metal band that was founded in 2013 by longtime friends Alex Bosson (drums/percussion) (Helion Prime) and Ryan Erwin (guitar/vocals) (who passed away unexpectedly in 2018). The two together wrote the style of music that was always in their hearts: genre-defiant and free of restrictive influence over three albums. With the unexpected death of Ryan Erwin, band co-founder Alex Bosson continues the next chapter of Lunar with friends in Witherfall, Novareign. Mokili Wa, Nordic Frost, Outloud, and Double Vision for the release of this year’s “The Illusionist”, the fourth album from the band. Optimistically, Bosson quotes that this album is likely to be the fan favorite, being the best they’ve done, with strong songwriting, and production; and songs that all sound different, but remain cohesive. The introduction to the album lies with the single “Juggling Chainsaws” featuring Obscura’s Christian Münzner, which Bosson explains:

“We want to come out of the gate swinging with this one. This is likely the most chaotic, most technical and heaviest song we’ve ever done in a lot of ways. There’s more musical complexity, including an incredible guest guitar solo from Christian Münzner. Lyrically, it conveys the character’s feeling of completely losing control. Constantly trying to juggle the chainsaws of life and keep them all in the air without something terrible happening.”

Listen to“Juggling Chainsaws” ft. Obscura’s Christian Münzner via its premiere on Metal-Rules HERE.

Proggy and crazy, the Dream Theater and Haken influences are evident in this song. As for the album, is it a concept album that tells the story of a magician that questions his entire life’s work. He’s spent his entire life devoting himself to his craft and now he questions if it was worth it. Musically the album goes through many stages as the character does on this journey of himself. There are songs that are angry, songs that are confused, songs that are depressed, and everywhere in between.

recommended for fans of Opeth, Katatonia, and Haken, The nine-track album “The Illusionist” is being released on March 3, 2023, via Saibot Reign Records and can be pre-ordered via https://lunarbandofficial.bandcamp.com.

Track Listing:​
1. Prestidigitation – 6:16
2. The Illusionist – 10:04
3. Showtime – 3:45
4. Worship The Sun – 5:23
5. Turn Off The World – 7:14
6. Disassembled – 5:53
7. Juggling Chainsaws – 7:30
8. For My Next Trick – 3:57
9 . Now You See Me – 8:39
Album Length: 58:46
​
​Album Credits:​
– Album Produced by: Alex Bosson
– Album Mixed by: Linus Coreliusson
– Album Mastered by: Jens Bogren
– Album artwork by: Travis Smith
– Album layout / design by: Brian Lewis
– Member of ASCAP
​
​Recording Lineup:​
Drums & Percussion – Alex Bosson
(Music – Track 1, 2, 3, 5, 6, 7, 8,9) (Lyrics – Track 2, 3, 5, 6,9)
Guitars – Balmore Lemus
(Music – Track 4) (Lyrics – Track 4, 7
Bass – Ryan Price (Music – Track 8)
Keyboards & Synthesizers – Alex Nasla
Lead Vocals – Chandler Mogel
Growl Vocals – Brian Lewis
Clarinet – Gleb Kanasevich (Track 1)
Saxophone – Patrick Corona (Track 2)
Flute & Saxophone – Jørgen Munkeby (Track 6)
Violin & Viola – Ben Karas (Track 9)
Additional Guitar Solo – Andy Gillion (Track 2)
Additional Guitar Solo – Taylor Washington (Track 3)
Additional Guitar Solo – Sam Vallen (Track 5)
Additional Guitar Solo – Christian Münzner (Track 7)

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | Twitter.com/LunarBandOffcl | YouTube.com/@lunarbandofficial​

– 30 –

“This is a record that everyone must own. Every generation and every country should adore an album like this, as one like Theogony rarely makes itself known. If you like music and consider it art, this is a must.” – Prog-Sphere on “Theogony” #23 Best Albums of 2017

“The sophomore album from this Cali band is showing the band expanding their horizons in sound. The heavy parts are heavier, the lighter parts are even lighter and the proggier parts are even more insanely proggy *plus on the song, Surrender, there is a very cool nod to the final lasting riff in Opeth’s Deliverance to close out the track…don’t think I didn’t catch that!* With all of the guest appearances, fantastic production and just masterful songwriting, this is one of the strongest prog albums you will hear all year. Trust me!” – Heavy Debriefings on “Eidolon” #39 Best Albums of 2019

“Inspired by a tragedy that befell the project in the way of losing guitarist Ryan Erwin, drummer and songwriter Alex Bosson has put his emotions towards honing a release that is as beautiful as angry. Helping him in his vision are guest contributions from members of Haken, Leprous, Thank You Scientist, Fallujah, etc.” – Prog-Sphere on “Eidolon” #19 Best Albums of 2019

“The word “classic” gets tossed around a lot, but I honestly can’t think of a better word for Eidolon. From front to back and top to bottom, this album is both firmly rooted in death metal with a progressive bend while standing alone atop the mountain. It’s equally headbanging heavy and enthralling, music to get in the mosh pit and simply sit in awe of. This is required listening because there’s nothing else quite like it.” – Progarchy on “Eidolon”

“Like Theogony, Eidolon is another very impressive showcase of modern progressive metal. It’s technical, emotional, melodic, and aggressive and is just very well put-together overall.” – wimpsandposers.com

Best of AOTY:
Prog-Sphere: “Theogony” #23 best of 2017
Prog-Sphere: “Eidolon” #19 best of 2019
Heavy Debriefings: “Eidolon” #39 best of 2019
Wimpsandposers: “Eidolon” #20 best of 2019
2019 SAMMIES (Sacramento Area Music Awards) Nominee “Best Metal Band”​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 EPK – Hog Meets Frog – humANIMALization (Echotunes)

  • January 27, 2023
  • by Asher
  • · EPKs · Hog Meets Frog (Echotunes)

EPK – Hog Meets Frog – humANIMALization (Echotunes)

Publicist – Jon Asher – Jon[@]ashermediarelations[.]com

“The EP is a non-conceptual concept record under the motto of the title: ‘humANIMALization’.

And, as it happens, when the animal in the human awakens, then, for example, one turns into a bigot monkey and the other becomes an insecure piggy, one becomes a peeping control bear and the other becomes a greedy stock market bull.

Just this behavior – sometimes silly, monkey, or also clumsy, bearish – is told in the lyrics, as well as through the wide range of sound worlds and riffs. There it goes from the cheerful, funky ‘I’m about to pee’ slap sound to the broad, massive, ‘the world is so evil’ New Metal sound to fuzzy-bassy and distorted-guitary sound with a sip of kick-ass drums.

You can call it progressive if you want or metal funky or whatever you want… in the end it’s nothing less than HOG MEETS FROGs SQUEAQUACKmusic!!

I think that most people will first notice the cheerful, funny, sick side of HOG MEETS FROG. But a few will remove the mask and then let themselves fall into the deepest depths of the music and lyrics and see what thoughts lie dormant there: Stories that life writes.” – Peter ‘PETZ’ Schwabl  – Hog Meets Frog

For fans of Primus, RHCP, System of a Down, TOOL, Frank Zappa

Band: Hog Meets Frog
EP Title: humANIMALization
Release Date: February 24, 2023
Label: Echotunes

Hogmeetsfrog.com  |  Facebook.com/hogmeetsfrog  |  Twitter.com/hogmeetsfrog  |  Youtube.com/@hogmeetsfrog  |  Instagram.com/hogmeetsfrog  |  Tiktok.com/@hogmeetsfrog 

Sales Links: Hogmeetsfrog.bandcamp.com  | Spotify | Apple Music

“The quirkily name Hog Meets Frog are an Australian funk prog metal trio who released their third EP, humANIMALization, in February, and from which the equally odd Of Snakes ‘n’ Moles ‘n’ Bulls ‘n’ Dough, is taken. We’re getting strong Primus vibes here, and the band also admit to a Tool influence.” – Prog (Great new prog music in our Tracks of The Week – April 28, 2023)

“If you are a fan of the jerky, spiky, awkward sounds of Primus you’ll love this. I daresay if you enjoy a bit of early Red Hot Chili Peppers you may also dig this – certain parts of the record do have a sneak peek toward Frank Zappa and The Mothers Of Invention and The Crazy World Of Arthur Brown – not too obviously, but those sly, sideways little looks are there.” – Ever- Metal UK

“‘Does humor belong in music?’ was once a question that the late/great Frank Zappa asked – and Austrian funk-prog metallists apparently agree wholeheartedly, as evidenced within the video for their new tune, “Peeping-Bear’s Exegesis of Not Peeping,” – Bravewords

“Many hard rockers like when it is funky. Then this cool act must not be overlooked! This unit is a tight bunch of players and they have catchy tunes, for sure… Well worth checking out for fans of crazy funky hard rock.” – Melodic.net

“There’s an element of uniqueness to how each of these songs are written, although you can’t deny the clear influence of say the Primus bass lines or Zappa-esc experimentation, yet it is within the niche, thematic storytelling that gives Hog Meets Frog a real musical identity. The way they can tell a story with humour yet allow you to consider the real and often times scary true circumstances behind where these stories originate is what gives this band their staple. Certainly one to look out for in the future, long live Sqeekquackmusic!” – Metal Epidemic

“On their latest EP, this Austrian band presents offbeat funk-metal with semi-spoken vocals that tell absurd stories about weird characters. There are all sorts of slap-happy bass parts you could imagine Les Claypool coming up with, insanely busy and leading the band. That’s Peter Schwabl on the bass, and he handles the “storytelling” vocals as well… HumANIMALization is 23 minutes of big fun” – Exposé Online

“If I had to draw a comparison for this band… it’d be Primus, heavy catchy, quirky and big bass guitar. Great stuff!” – Mosh Pit Radio 89.9 FM (Madison, WI)

“One of the most creative and interesting bands I’ve heard in some time comes in the form of Austria’s Hog Meets Frog. The trio is extremely talented and unique.” – Transcending The Mundane

“They’re from Austria. One of the greatest song titles (Peeping-Bear’s Exegesis of Not Peeping) I’ve ever heard. That’s all you’re getting. Press play and share the adventure” – Metallum Sub Terra

“If you love listening to the whimsical funky excursions of Les Claypool, and wouldn’t mind exploring similar landscapes that also include a bit more of a progressive metal approach and attitude, this EP will just about guarantee you an enjoyable experience.” – Progressor

“If the song titles like Apes don’t smoke cigars, just pipes are very funny, the musical aspects are of very high quality and definitely not “suitable for a headband”. Sure, funk isn’t a run-of-the-mill genre to sing along to, but sophisticated music at the highest level. So to speak, jazz music of the metal species. One can clearly register the inspiration of Red Hot Chilli Peppers, Primus and Co. on this record, whereby the songs transport positive energy.” – Rock Magazine

“Overall – As chaotic as claimed, with quirky features, throughout, it’s fair to say that you never know where this is going to go, next. Trippy, outlandish and bizarre, it’s a wacky wonderland, all of its own… ‘HumANIMALIZATION’ can never be accused of being boring or predictable. Spicy and novel, in equal measure, it may appeal more to niche audiences. Hard to summarise easily, it’s a case of suck it and see.” – Rock Queen Reviews

“with all the wild antics they pull off in tracks with titles like snakes ‘n’ moles ‘n’ bulls ‘n’ dough, apes don’t smoke cigars – just pipes and ZIGGY the unpigcorn, it all remains surprisingly easy to follow. Even the lyrics, which are all kind of inverted fables, with humans and the animalistic traits in their personalities. Weird? Absolutely. Wild? Certainly. But never just a gimmick, never a mess, in short, just a damn good album. Does Humor Belong In Music? Zappa once asked. Well, if the music is SQUEAQUACKmusic it is.” – Rock Portaal

[Download EP Cover | Download EP Lyrics]

Band: Hog Meets Frog

EP Title: humANIMALization
Release Date: February 24, 2023
Label: Echotunes

Track Listing:
1. Of Snakes ‘n’ Moles ‘n’ Bulls ‘n’ Dough (4:32)
2. Peeping-Bear’s Exegesis of Not Peeping (5:10)
3. Apes Don’t Smoke Cigars – Just Pipes (4:47)
4. Stuff(ed), Cage(d) & Enslave(d) (3:25)
5. ZIGGY The Unpigcorn (3:46)
EP Length: 21:42

(ghost track to find – number 23. It is called ‘the rabbit’s cry’)

EP Recording Credits:
• All songs performed by: HOG MEETS FROG
• All songs written by: HOG MEETS FROG
• Produced by: Peter ‘PETZ’ Schwabl & Lukas Wiltschko
• Mixed by: Lukas Wiltschko (lwsonics.com)
• Mastered by: Lukas Wiltschko
• EP Artwork by: Attila Zsolt Tornyi (LaMañana, lamanana.net)

EP Band Lineup:
Ivo Matuš – Drums (peeping-bear’s exegesis of not peeping  ||  apes don’t smoke cigars – just pipes)
Christoph ‘fizl’ Hehn – Drums (of snakes ‘n’ moles ‘n’ bulls ‘n’ dough  ||  stuff(ed), cage(d) & enslave(d)  ||  ZIGGY the unpigcorn)
ARIYAN Rezaei Jahromi – Guitar
Peter ’PETZ‘ Schwabl – Bass, Storytelling

Live Band Lineup:
Christoph ‘fizl’ Hehn – Drums
ARIYAN Rezaei Jahromi – Guitar
Peter ‘PETZ‘ Schwabl – Bass, Storytelling

================================================

The EP as a whole (LYRICALLY & MUSICALLY):

The EP is a non-conceptual concept album under the motto of the title: ‘humANIMALization’.

And, as it happens, when the animal in the human awakens, then, for example, one turns into a bigot monkey and the other becomes an insecure piggy, one becomes a peeping control bear and the other becomes a greedy stock market bull.

Just this behavior – sometimes silly, monkey, or also clumsy, bearish – is told in the lyrics, as well as through the wide range of sound worlds and riffs. There it goes from the cheerful, funky ‘I’m about to pee’ slap sound to the broad, massive, ‘the world is so evil’ New Metal sound to fuzzy-bassy and distorted-guitary sound with a sip of kick-ass drums.

You can call it progressive if you want or metalfunky or whatever you want… in the end it’s nothing less than HOG MEETS FROGs SQUEAQUACKmusic!!The best approach to serious topics is fun.

I think that most people will first notice the cheerful, funny, sick side of HOG MEETS FROG. But a few will remove the mask and then let themselves fall into the deepest depths of the music and lyrics and see what thoughts lie dormant there: Stories that life writes.

Track by Track (LYRICALLY & MUSICALLY):

1. Of Snakes ‘n’ Moles ‘n’ Bulls ‘n’ Dough (4:32)

The text tells of a friendship between a snake and a mole and a greedy bull who is addicted to the madness of money-making and wants to break up the friends to get more money himself. In the end, of course, friendship wins.

Starting with a stonerous riff the music then slides into a dry, narrative stomping and further into a spherical reverberant sound delirium, to finally once again – as already at the beginning of the song – get the stones and rocks rolling.

2. Peeping-Bear’s Exegesis of Not Peeping (5:10)

The reason for writing the story of the peeping bear was the intelligence services and control freaks of this world, starting with the NSA scandal up to the possibilities of digitally utilized psychometric tools used for influencing elections by corporations or rich power-hungry people and warmongers.

This and much more we have packed into the sleeve of the sympathetic voyeur bear, who on top of that smilingly believes that he is spying, spying, and eavesdropping on everyone with good reason and only with the best of intentions.

From the left, from the right, from above and underneath, there comes this funky oriental punch right in your ears that represents the toe-dancing voyeur-bear, who sympathetically elated but unerringly sneaks into your mind and makes you join in. This absurdly groovy riff – in all its variations – opens a brief window in the middle of the song to a ponderous 7/8 schizophrenia that provides a prime breeding ground for a guitar solo. When the window closes, the slap bass hand in hand with the drums and the guitar do their fat oriental play again, until the song takes freaky punky forms to finally end in a massive slow groove.

3. Apes Don’t Smoke Cigars – Just Pipes (4:47)

Let me explain the tendencies to write the text for ‘apes don’t smoke cigars – just pipes’ as follows: If the natural sciences are to be believed, the average commonality of human DNA and chimpanzee DNA is 98.5% – in some cases, it is as high as 99.4% congruent. So many a man has more in common with a chimpanzee at the DNA level than with a human woman.

Thus it has lent itself to transferring the behavior and attitude of some humans to monkeys. In this sense, bigotry and hubris fit our DNA relatives with the operating thumb like a glove. If I may quote myself at this point: ‘the pride of gods creation, the candle in the dark, above reproach superior, enlightened by the spark. admired by all livings, the sun but out of sight, infallible, benignant, a special kind of weight.’

4. Stuff(ed), Cage(d) & Enslave(d) (3:25)

“stuff(ed), cage(d) & enslave(d)” describes just three scenarios on which a part of humanity perpetuates itself in history.

Does it make sense? No! Would there be other ways? Yes!

Panda girls being caged in boxes, dolphin teenagers being stuffed into tuna cans, human children being enslaved on cocoa plantages and all this just to guarantee fun, tradition, and pleasure for a few people on this earth – and they never ever give a damn about where it comes from.

Does it make sense? No! Would there be other ways? Yes!

guided by a funky, slappy bass beaten off by the drums and licked by a weirdo guitar the voice tells the story in a sick way until the ‘three-nstruments’ in the back suddenly – just for a moment – jump forward and punch a distorted brute hole in the sound to immediately retreat right away again next to the voice, clear and distinct. But then, after some time, everything crosses over to a biohazard chorus – something that tells the listener what not to do what has been done very often for much with his mind too long while listening to it: “stuffed, caged & enslaved!”

5. ZIGGY The Unpigcorn (3:46)

Lyrically seen ‘ZIGGY the unpigcorn’ addresses a topic that many know, but very few are aware of the abysses that can open up: the beauty industry. First of all, I should say that I personally am not a fan of cosmetic surgery – except for medically necessary ones. Even though I realize that most of us have been the piggy at some point that doesn’t think of ourselves as beautiful or doesn’t have much confidence in ourselves. Body modification and cosmetic surgery are for some – often on an unconscious level – the obvious way to salvation, pushed by a billion-dollar industry and a society that has taught itself that appearance should have an enormously high status. I don’t want to overdramatize this, but I think that in the sense of making money, there is far too little education about what psychological trauma interventions like this can have. Many are then not even aware of where the new problems come from, because they seem to have fulfilled a dream. But well… we all know these dreams, from which one wakes up drenched in sweat and is glad that it was just a dream. After having surgery you can’t wake up anymore. This is probably the least homogeneous song on the record. Because at first it bounces seductively slap sound happily back and forth in front of the listener until it suddenly jumps uncompromisingly aggressively into one face, sucks itself there, and slaps and trashes and slaps and trashes and slaps and trashes, to then shortly after crawling through the ears into the skull and hit there from the inside with a new metal hammer against the skullcap until it goes through the ceiling… and this with a playful surprise every now and then and always with a little smile.
=============================================

BAND STORY ANGLES / FUN FACTS:

1. HOG MEETS FROG play their music in honor of the holy spirit SQUEAUQACK. He created everything with just one fart and then fell into a deep sleep, on the edge of infinity. Maybe one day he will come back and – hand in hand with Kthulu (the misunderstood savior), the flying spaghetti monster, and some characters of the HOG MEETS FROG family – make the world a place of love, peace, and joy.

2. After a show, PETZ was asked by some fans if he wanted to drink liquor or whiskey with them or smoke a joint. PETZ thankfully declined, saying that he doesn’t drink or smoke, whereupon he was asked, “Really? And how do you get ideas like that without alcohol or drugs?”

3. HOG MEETS FROG seems to be funny… but it isn’t.

4. HOG MEETS FROGs music was defined as ‘avant-garde funk’.

Bottom L-R: : | ARIYAN Rezaei Jahromi (guitar) | Ivo Matuš (drums)
Top: | Peter ’PETZ’ Schwabl (bass, storytelling)
Photo Credit Vicky vanSane

Hog Meets Frog is nothing short of humorous and entertaining with its diverse, wacky music. They have a new EP “humANIMALization” coming out in February. A non-conceptual concept record, it explores offbeat stories about several intriguing animals including a bigot monkey, an insecure piggy, a peeping control bear, and a greedy stock market bull. Their high jinks are detailed through storytelling and interesting music that is cheerful, funky, fuzzy, and progressive. The band explains further:“Every person has his or her own world of experience, which we do not want to give a framework. Everyone should see in the album what he or she sees in it. It is always a nice compliment when people tell us that they had fun listening to our music. Because we also want to convey fun. We are also happy when people not only see the music or the obvious sides of the stories, but also go through the looking glass to look for the deeper meaning behind it, which can be found in almost every number. In any case, interpretations are not only allowed but encouraged. For those who want to know what we were thinking, we are happy to talk about it.”“humANIMALization” is the third EP from Hog Meets Frog, two of the tracks including this single were released previously, but itching to have another physical offering, they gathered five cohesive songs that offer metaphors into current events and provide commentary on social systems in place, in this case, the NSA scandal.

Influenced by a range of genres including progressive metal, death metal, funk, and world music, Hog Meets Frog is only defined by itself and is unexpectedly contagious. They are recommended for fans of Primus, Red Hot Chili Peppers, and System of a Down.

“humANIMALization” is due out on February 24, 2023, and available for pre-order – Hogmeetsfrog.bandcamp.com

 

Live Band Lineup:
Christoph ‘fizl’ Hehn – Drums
ARIYAN Rezaei Jahromi – Guitar
Peter ‘PETZ‘ Schwabl – Bass, Storytelling

 

Discography:
2023 – humANIMALization (EP)
2019 – apes don’t smoke cigars – just pipes (single)
2018 – peeping-bear’s exegesis of not peeping (single)
2012 – holy spirit SQUEAQUACK (LP)
2006 – RUN tha FREAKS (multimedia single)
2004 – FREAKY RITES (EP)
2003 – infernal promotion (EP)

0 Austria’s HOG MEETS FROG Shares Amusing Single “Peeping-Bear’s Exegesis of Not Peeping” Off Upcoming EP “humANIMALization”

  • January 27, 2023
  • by Asher
  • · Hog Meets Frog (Echotunes) · Music News

NEWS RELEASE

Montreal, QC – January 27, 2023

 

Austria’s HOG MEETS FROG Shares Amusing Single “Peeping-Bear’s Exegesis of Not Peeping”

New EP “humANIMALization” Out Feb 24th

Bottom L-R: : | ARIYAN Rezaei Jahromi (guitar) | Ivo Matuš (drums)
Top: | Peter ’PETZ’ Schwabl (bass, storytelling)
Photo Credit Vicky vanSane

Hog Meets Frog is nothing short of humorous and entertaining with its diverse, wacky music. They have a new EP “humANIMALization” coming out in February and are enticing listeners with the debut single “Peeping-Bear’s Exegesis of Not Peeping”. A non-conceptual concept record, it explores offbeat stories about several intriguing animals including a bigot monkey, an insecure piggy, a peeping control bear, and a greedy stock market bull. Their high jinks are detailed through storytelling and interesting music that is cheerful, funky, fuzzy, and progressive. The band explains further:

“Every person has his or her own world of experience, which we do not want to give a framework. Everyone should see in the album what he or she sees in it. It is always a nice compliment when people tell us that they had fun listening to our music. Because we also want to convey fun. We are also happy when people not only see the music or the obvious sides of the stories, but also go through the looking glass to look for the deeper meaning behind it, which can be found in almost every number. In any case, interpretations are not only allowed but encouraged. For those who want to know what we were thinking, we are happy to talk about it.”

“humANIMALization” is the third EP from Hog Meets Frog, two of the tracks including this single were released previously, but itching to have another physical offering, they gathered five cohesive songs that offer metaphors into current events and provide commentary on social systems in place, in this case, the NSA scandal.

Influenced by a range of genres including progressive metal, death metal, funk, and world music, Hog Meets Frog is only defined by itself and is unexpectedly contagious. They are recommended for fans of Primus, Red Hot Chili Peppers, and System of a Down.

Listen to “Peeping-Bear’s Exegesis of Not Peeping” – https://youtu.be/wBzsbPU_4Yc

​

“humANIMALization” is due out on February 24, 2023, and available for pre-order – Hogmeetsfrog.bandcamp.com​

Track Listing:​
1. Of Snakes ‘n’ Moles ‘n’ Bulls ‘n’ Dough (4:32)
2. Peeping-Bear’s Exegesis of Not Peeping (5:10)
3. Apes Don’t Smoke Cigars – Just Pipes (4:47)
4. Stuff(ed), Cage(d) & Enslave(d) (3:25)
5. ZIGGY The Unpigcorn (3:46)
EP Length: 21:42

EP Band Lineup:​
Ivo Matuš – Drums (peeping-bear’s exegesis of not peeping || apes don’t smoke cigars – just pipes)
Christoph ‘fizl’ Hehn – Drums (of snakes ‘n’ moles ‘n’ bulls ‘n’ dough || stuff(ed), cage(d) & enslave(d) || ZIGGY the unpigcorn)
ARIYAN Rezaei Jahromi – Guitar
Peter ’PETZ‘ Schwabl – Bass, Storytelling

Live Band Lineup:​
Christoph ‘fizl’ Hehn – Drums
ARIYAN Rezaei Jahromi – Guitar
Peter ‘PETZ‘ Schwabl – Bass, Storytelling

For more info: Hogmeetsfrog.com | Facebook.com/hogmeetsfrog | Twitter.com/hogmeetsfrog | Instagram.com/hogmeetsfrog | Tiktok.com/@hogmeetsfrog | Spotify​

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Ottawa’s BURN THE EVIDENCE Introduce You To Some “Bad Influences” With Debut Single

  • January 26, 2023
  • by Asher
  • · Burn The Evidence · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

 

Ottawa’s BURN THE EVIDENCE Introduce You To Some “Bad Influences” With Debut Single

Ottawa’s Burn The Evidence is entering the mosh pit with the introduction of their debut single “Bad Influences” accompanied by a lyric video. It’s just one of many planned tracks to be released in 2023.

No strangers to the Canadian metal scene, Burn The Evidence is a crushing nu-metalcore union formed by former members of the local area band Greta Knights and current members of Fractures and Outlines. The conception though of BTE has been churning in the mind of vocalist/lyricist Rémi Arsenault for many years and now it has finally met its fruition.

“It’s been in my head since 2021, a band that brings investigation and mysteries with brutal breakdowns and heavy riffs. I’m a big fan of everything that’s related to crime scene investigation and its scientific evolution throughout the years. I think psychopaths who do fucked up shit are glorified… I don’t like this… I want to glorify the investigators who give those bad guys what they really deserve! So many stories and content we can work with it’s incredible! We want to elaborate cool stories in our music, where we are the investigators who gonna catch those bad guys! All fiction for now, but we have the intention to glorify a couple of amazing real-life investigators solving real-life mysteries.”

Set to be captivating with suspenseful and heavily structured intensity, the band’s first single is an exciting time for them as they look forward to new fans hearing what they have been brewing along with those who are familiar with their previous endeavours.

“This is just the stepping stone, we want people to walk this path with us and listen closely to the story behind the music. And of course… when we hit the stage… we want people at the front moving their heads and jumping everywhere. It’s gonna be the start of a great chronicle.” adds Arsenault.

One of many already recorded tracks to be revealed, “Bad Influences” is a mix of bouncy riffs with jumping breakdowns and a melodic chorus, that will tease people for what’s to come next. From the clean vocals to high-pitch screams to cult prayers, BTE will be providing constant content for headbanging consumption this year, full of innovative genre-blending and storytelling to bring the noise to the pit regularly.

“With this new band, we are trying to build not only songs, but build a connection with the listener that’s going to merge them into the stories of each track. For example, in a police chase, you might find a faster power riff, or during the announcement of a death to a family, it would be softer and more emotional you know. For this first single, we are trying to demonstrate the realization of bad choices and bad things that are led by a mix of internal bad influences and psychotic problems, it’s a song that will make you jump, it’s gonna make you fight the invisible ninja, and at the end wanting more.”​
​
A cross between metalcore and nu-metal, Burn The Evidence is recommended for fans of Ice Nine Kills, Of Mice and Men, Bring Me the Horizon, and I Prevail.

Listen to “Bad Influences” via its premiere on Hardcore Worldwide.

​

Band Lineup:
Vocals: Rémi Arsenault
Guitar : Eric Desormeaux
Guitar : Maxime Rondeau
Bass: Dominik Roy
Drums: Emmanuel Jean

For more info: Facebook | Instagram.com/Burntheevidence_music | TikTok.com@BTE_Band​

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​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 Streaming Now! Toronto’s MALICE DIVINE Coat Empowerment In Black Metal Textures In “Everlasting Ascendancy”

  • January 26, 2023
  • by Asher
  • · Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

​

Streaming Now! Toronto’s MALICE DIVINE Coat Empowerment In Black Metal Textures In “Everlasting Ascendancy”

“Everlasting Ascendancy” is the second album from Canada’s one-man black metal project Malice Divine, following up their much acclaimed self-titled debut in 2021. Able to work freely without creative impediments, Ric Galvez has poured his passion into this album and it shows. A lot of the songs have complex song structures, but there is also a lot of catchiness and melody to make this album a very memorable listen, nonetheless. He shares his excitement for the release:

“I am incredibly excited to finally have the sophomore Malice Divine album “Everlasting Ascendancy” released into the world! With this album, I am aiming to have the listener feel empowered and inspired to go after what they want in life and not settle for less. The message of Malice Divine is one of empowerment and that message can be found throughout all 8 tracks on “Everlasting Ascendancy” in some shape or form. I poured my heart and soul into this album, which will be apparent both musically and lyrically. Despite the music obviously being extreme metal, that doesn’t stop me from writing about very personal matters. All in all, I am incredibly proud of this album, and I can’t wait for everyone to hear it!”

“Everlasting Ascendancy” is a dynamic experience while also being an overall more aggressive album than the first one, especially in the vocal delivery. There are still plenty of melody and classical guitar sections, which is a major part of Malice Divine’s sound. The solos on this album are even more virtuosic than before as well.

All songs on “Everlasting Ascendancy” were written by Galvez who enlisted session drummer Dylan Gowan (Vesperia, Birds of Bellwoods, Co-Host We’re Talkin Drums, Overkill Reviewer Banger TV) to hammer them out. The album was produced and mixed by Tyler Williams (Sludgehammer, Monolithic Productions) and mastered by Jamie King (Between the Buried and Me, The Contortionist, Scale The Summit). The album artwork was done by Eka Saputra (Psychopart).

Malice Divine intends to deliver a listening experience that is highly memorable and one that will leave the listener feeling empowered and wanting to listen to it again and again. They are recommended for fans of Watain, Thulcandra, and Dissection.

Listen to “Everlasting Ascendancy” in full via its album stream premiere on MetalInsider HERE.

“Everlasting Ascendancy” will be released on January 27, 2023.

Pre-Save the album here: https://distrokid.com/hyperfollow/malicedivine/everlasting-ascendancy-2​

Guitar Playthrough Video – Silenced Judgement – https://youtu.be/1txFo60rUKI​

Lyric Video – Everlasting Ascendancy https://youtu.be/-F-J7OKMskA​

Track Listing:​
1. Silenced Judgement (4:10)
2. Apparitions Of Conquest (8:22)
3. Usurping The Paragon (6:07)
4. At One With Infinity (6:06)
5. Parasitic Demons (5:39)
6. Reclaimed Strength (5:31)
7. Illusions Of Fragmentation (8:39)
8. Everlasting Ascendancy (8:10)
Album Length: 52:44

Album Recording Credits:​
• All songs performed by: Malice Divine
• All songs written by: Ric Galvez
• Produced by: Tyler Williams
• Mixed by: Tyler Williams
• Mastered by: Jamie King
• Album Artwork by: Eka Saputra (Psychopart)
• Canadian Content (MAPL)

Album Band Lineup:​
Ric Galvez – Vocals/Guitars/Bass
Dylan Gowan – Drums (Session)

For more info: Facebook.com/malicedivineband | Youtube.com/malicedivine | Instagram.com/malicedivineofficial​

About: Toronto, Canada’s Malice Divine is a solo project conceived by Ric Galvez, who had always had the dream of being the leader of his own project. He wanted to expand beyond being known as just a lead guitarist, into also being known as a songwriter, vocalist, and frontman. Ric has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric has a major in music from York University, and through Malice Divine he shows off his vocal, guitar, and bass prowess. His lyrics are inspired by psychology, spirituality, as well as personal experiences that involve the overcoming of obstacles and hardships, using the resulting verses as a form of empowerment.

The second offering from Malice Divine, entitled “Everlasting Ascendancy”, will be released in early 2023. Once again it features Ric Galvez on Vocals, Guitars, & Bass, as well as Dylan Gowan (Vesperia, Banger TV) playing session drums. Malice Divine is also currently transitioning from being a solo project into being a band effort, and is set to start performing live in 2023. What people can expect from seeing Malice Divine live is highly aggressive black and death metal-inspired music, with shreddy and virtuosic guitar solos that add a melodic layer that isn’t common in the genre.

Malice Divine’s sophomore album “Everlasting Ascendancy” is set to be released on January 27th, 2023.

– 30 –

“This is one of the first albums to come out this year and it is this strong. So as we gather our thoughts for AOTY 2022, an early contender for 2023 kicked this year off right! This album is essential. You’re welcome!” – Metal-Rules (2023 – Everlasting Ascendancy)​
​
​“Slaves of shred will have another reason to bow down in 2023 because Toronto-based Malice Divine will be releasing their second album Everlasting Ascendancy on January 27th. As lots of people already know, the man behind this project — Ric Galvez — has made a name for himself as a guitar virtuoso, and if anything, he elevates his skill to even greater heights on Everlasting Ascendancy. But as the album’s title track that we’re premiering today (through a lyric video) demonstrates quite convincingly, the songs aren’t just excuses to show off, but are instead well-crafted pieces that display dynamism, inspiring melodies, and the kind of hard-charging ferocity that creates primal reactions.” – NoCleanSinging (2023 – Everlasting Ascendancy)​
​
​“The solos and those vocals just emit black metallic sparks and they eat into my ear canals. Watain and Dissection merge here with his own style. An explosive mix does the honors and every track is a feast. “Eight songs long” always surprising variety. A very successful album. A uniform porridge was absolutely not touched here. The cover is like an invitation card. “Come and listen to this beast”. A great start to my first review of the year.” – Hellfire-Magazin (2023 – Everlasting Ascendancy)

“Malice Divine hop back and forth between coming off like a death metal band doing covers of stuff they’ve recorded as a black metal band and coming off like a black metal band doing covers of stuff they’re recorded as a death metal band.”- Decibel Magazine (2021 – Self-titled album)​
​
​“Whether you’re into death metal, progressive metal, or epic metal, this album ticks all of those boxes effortlessly.” – Powerplay Magazine (2021 – Self-titled album)

​
​
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Montreal’s Post Metal Milanku Bathe In Melancholy Through “À l’aube; de leurs silences” Off “À l’aube” Out March 2023

  • January 26, 2023
  • by Asher
  • · Milanku (Folivora) · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

​

Montreal’s Post Metal Milanku Bathe In Melancholy Through “À l’aube; de leurs silences” Off “À l’aube” Out March 2023

Photo Credit – Alexandra Stairs

If Milanku draws its origins from the work of Milan Kundera, the soundtrack is definitely more on the side of the thundering density of the being than of its “unbearable lightness”, galvanized by the Czech author. Following 5 years of absence, Milanku finally unveils a brand new single entitled “À l’aube; de leurs silences” (“In the dawn; of their silences”), which is an eleven-minute, slow, post-metal piece full of angst. This single is the first from the band’s upcoming fifth album “À l’aube”, which will be made available on March 31st, 2023 via labels Folivora Records (Canada), D7i (Canada/USA), and Moment of Collapse (EU). Milanku comments on the album:

“The song yearns to satisfy, through a sequence of ambient arrangements, the sometimes melancholic and other times rougher disconnect we all suffer from. It is a big opening number for this post-rock-shoegaze 5 piece whose upcoming album is poignant, intense, and heavily influenced by the emotions of despair and loneliness brought on by the pandemic. We think that fans will be happy, our first single is for them and is over 10 minutes of typical Milanku “mind travel” music.”

When it comes to writing, the music is normally built before the lyrics. Then the lyrics and vocals are composed and placed on the songs. They are very much influenced by the process of creating music. The result is the music presented with an intense emotional show accompanied by a slew of imagery. A performance filled with intensity and the feeling of pleasure shown by the band members from playing on stage.

This album has been four years in the making, and the band expects that it will be very well received. Sad, heavy, and melancholic, Milanku is heavily influenced by post-metal, hardcore, and crust. They are recommended listening for fans of Mogwai, GYBE!, and Neurosis.

Watch and listen to the music video for “À l’aube; de leurs silences” via its premiere on IDIOTEQ HERE.

Single pre-save – https://bfan.link/a-l-aube-de-leurs-silences​

In additional news, Milanku will be performing in Québec City on February 17, 2023, at the Pantoum during the Phoque OFF Festival. More info can be found here.

Track Listing:​
1. À l’aube; de leurs silences – 10:54
2. À l’aube; il sera déjà trop tard – 8:04
3. À l’aube; prêchant la mauvaise nouvelle – 5:43
4. À l’aube; de la grande tristesse – 4:55
5. À l’aube; nous sommes disparus – 8:41
Album Length: 38:16

Album and Live Band Lineup:​
François Lemieux (Guitar, Synthesizer)
Carl Ruest (Guitar, Vocals)
Guillaume Chamberland (Bass, Vocals)
Guillaume Boudreau-Monty (Drums)
Jean-François Bourbonnais (Guitar)

For more info: Facebook.com/milankuband | Instagram.com/milankuband​

About: If Milanku draws its origins from the work of Milan Kundera, the soundtrack is definitely more on the side of the thundering density of the being than of its “unbearable lightness”, galvanized by the Czech author.
​
From the start, Milanku hammers out its brutal character, infused with melancholy, even dystopia, and standing straight upright on the wire: defiant, shouting, and inspired.
​
Mesmerized by the warrior’s rage, flayed by its own doldrums, the quartet relies on pared-down arrangements and an oft-staged vocal presence, harmonizing like an instrument, and howling at the big time, but plastered with a disquieting sense of dilettante.
​
At the heart of the enterprise, tearing off the peels of flapping skins, we explore the state of affairs of the contemporary genre, tragic, desolate, where any notion of common sense seems diffuse in the amalgam of trompe-l’oeil. The texts are meditative, inquisitive and the observations that emanate from them, weep and persist in trying to make sense of it, through its ever-growing losses of illusion.
​
With four full-length releases behind them, both in Canada (D7I Records, Désordre Ordonné, L’oeil du Tigre), and abroad (Tokyo Jupiter Records (Japan), Moments of Collapse (Germany), Replenish Records (USA), GS production records (Russia), We are Grain of Sand (Russia) Alerta-Antifascista, Milanku presents today À l’aube (Folivora, 2023), a five-track burn that breathes new life into a caste of disenfranchised people, imbued with a disarming lucidity, and gives itself a framework and a voice to pull its head out of the swamp.
​
International recognition
​
The band has been affiliated with several; indie labels and distributors over the years, namely: in Canada (D7I Records, Désordre Ordonné, L’oeil du Tigre), Jupiter Records (Japan), Moments of Collapse (Germany), Replenish Records (USA), GS production records (Russia), We are Grain of Sand (Russia) as well as Alerta-Antifascista (Germany).
​
In 2016, the band will continue to tour Europe, visiting the Netherlands, Germany, Poland, the Czech Republic, Slovakia, and Austria.
​
The band’s albums have been consistently recognized at the GAMIQ since 2013 in addition to jumping on a plethora of specialized year-end lists around the globe.

– 30 –

“The slowness of the post-hardcore of Milanku or the erasure of the world.” – Weirdsound.net

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis + USA Tour Dates w/ Casket Robbery, Ignominious

  • January 26, 2023
  • by Asher
  • · Music News · The Convalescence

NEWS RELEASE

Montreal, QC – January 26, 2023

 

THE CONVALESCENCE Release Claymation Video For “No Survivors” ft. CARNIFEX’s Scott Ian Lewis

March 2023 USA Tour Dates w/ Casket Robbery, Ignominious

The Convalescence is a five-member symphonic deathcore band formed in Toledo, USA in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. Since their inception, they have amassed an impressive discography including five full-length albums, and have toured extensively across the planet. The latest from them is the single “No Survivors” featuring Scott Ian Lewis of Carnifex accompanied by a claymation music video. Vocalist Keith Wampler details the single and the upcoming album:

“The single is one of the hardest-hitting songs we’ve ever released. The lyrics and video were inspired by the Alien films, and having Scott doing some nasty guest vocals really helped give it the brutality we were looking for. We played it live throughout our recent European Tour and absolutely loved the energy it brings to the stage. We’re looking forward to this one being a part of our live show for many tours to come. This new album is basically like one big horror movie, song by song each one tells a story. Each one is brutal in its own way.”

The Convalescence expects the album will be received well by the fans, as they do their very best to step things up on each record. They worked with producer Jason Suecof on this one at Audiohammer Studios in Florida who has worked with most of their favorite bands (The Black Dahlia Murder, Carnifex, Deicide, Job For A Cowboy) and they were beyond stoked he was down to do the recording with them. In their opinion, they’ve created the heaviest The Convalescence album so far. The full-length was mastered by Christian Donaldson (Cryptopsy) and is expected for release summer 2023.

Filthy, brutal, and symphonic, The Convalescence is recommended for fans of Carnifex, The Black Dahlia Murder, and Chelsea Grin.

Listen and watch to “No Survivors” ft. Carnifex’s Scott Ian Lewis at https://youtu.be/YQVSCu57aSs

​

In additional news, The Convalescence will be hitting the road this coming March for the “No Survivors Tour” with support from Casket Robbery and Ignominious. Tickets and info are available at Tconband.com.

The Convalescence – No Survivors Tour w/ Casket Robbery, Ignominious​
3/10 – Jackson, MI @ The Music Box
3/11 – Toledo, OH @ Main Street Bar & Grill
3/12 – New Haven, IN @ Carl’s Tavern
3/13 – Louisville, KY @ Mag Bar
3/14 – Overland Park, KS @ Vivo Live Events
3/15 – Tulsa, OK @ The Whittier Bar
3/16 – Fort Worth, TX @ The Rail Club DFW
3/17 – San Antonio, TX @ Bonds Rock Bar
3/18 – Houston, TX @ House Of Blues
3/19 – New Orleans, LA @ Gasa Gasa
3/20 – Pensacola, FL @ The Handlebar
3/21 – Sanford, FL @ West End Trading Co.
3/22 – Murfreesboro, TN @ Crossroads
3/23 – Knoxville, TN @ Brickyard Bar & Grill
3/24 – Lakewood, OH @ The Foundry
3/25 – Chesterfield, MI @ Diesel Concert Lounge

For more info:​
​http://tconband.com​
​https://www.facebook.com/theconvalescence​
​https://www.instagram.com/theconvalescenceofficial​
​https://twitter.com/tconband​

About: The Convalescence is a five-member symphonic deathcore band formed in Toledo, OH in early 2011. The Convalescence blends black metal/horror theatrics with intense death metal style blast beats and shredding guitar along with brutal slamming breakdowns and catchy melodies. The band tours nearly non-stop racking up nearly 1,000 live performances across nine countries.

The Convalescence has released four full-length albums, two EPs, and two stand-alone singles resulting in over one million plays on Spotify and Youtube each. The band also released two documentaries via Amazon Prime Video in 2020 supported by a sold-out movie theatre screening of them both in Maumee, OH on October 30, 2020. The band recently finished recording their fifth full-length album with producer Jason Suecof at Audiohammer Studios with a projected release in 2023.

– 30 –
​

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Rockshots Records – DREAMYTH Unveils Title Track “Aletheia” ft. Herbie Langhans (Firewind, Avantasia) Off Forthcoming Mythology Album Out April 2023

  • January 26, 2023
  • by Asher
  • · Dreamyth (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – January 26, 2023

​

Rockshots Records – DREAMYTH Unveils Title Track “Aletheia” ft. Herbie Langhans (Firewind, Avantasia) Off Forthcoming Mythology Album Out April 2023

Rockshots Records is proud to announce their signing of Spanish power melodic metal Dreamyth for the release of their debut album “Aletheia” on April 14, 2023. Combining heavy riffs, epic and majestic orchestrations, modern synths, and stunning vocal and harmonies with finesse like no one else, the band delivers high caliber album with special guests Ralf Scheepers (Primal Fear), Herbie Langhans (Firewind, Avantasia), Bob Katsionis (ex-Firewind) and Eduardo Guilló (Sun of the Dying, Crusade of Bards). Dreamyth intends to conquer the heart of metal fans all around the world.

Formed in 2020 by guitarist and composer Adrián Carrero (Crusade of Bards) and drummer David Macarrilla. Dreamyth crafted its name by combining the words “Dream” and “Myth”, which they described as “a new world beyond imagination where its Myths and legends are real”. Andrea Carrero completed the core of the project after singing on all the song demos (released and unreleased). Soon after they were joined by Paolo Andreotti (Crusade of Bards) and second vocalist Dani G.

Band co-founder Adrián Carrero’s passion for classical history and culture, especially his stories about mythology in different cultures influences the lyrics that accompany the band’s compositions. Everything takes place in a new world where they are the Gods, Aletheia.

The concept album transports fans to a new world “ALETHEIA”, and the myth and legends that surround it are sometimes approached from a philosophical point of view.

“The idea was born from the need to give a new approach to the way of telling the myths of our world. Over the years, these stories derived from cultural traditions or legends, which have a deep symbolic meaning and usually involve a lesson, have been shared in different ways and have always generated a certain curiosity and inspiration in society. Luckily, there are tons of myths and legends and often many variations of the same core story between different cultures.” adds Adrián Carrero.

This first album focuses on the creation of this new world and its beginning, giving rise to a polytheistic culture where the band members are the most revered Gods with different attributes. In this approach, the band makes its own reinterpretation of some classical myths (including references to some of the most famous Greek mythologies) mixed with different personal experiences and concerns. With two lead vocals, the record brings a constant contrast, giving more life to the melodies and strengthening specific parts with numerous backing vocals. Apart from them, the first-class guests bring much more musical variety, and metal fans will be surprised and in their comfort zone at the same time with this album. Epic and catchy melodies mixed with a powerful instrumental background.

The musical composition of the album is clearly influenced by the great power metal and symphonic groups, some of the band members’ favorite genres. “Aletheia” incorporates flourished power, pop, metal, and rock songs combined with incredible storytelling of a mythical, and unique world filled with wonderful shades of “light in the dark.” On it, you can see a lot of guitars with doubled melodies, keyboards interacting with these melodies, epic orchestrations with a high level of detail, a lot of contrasts… music with a big amount of different sounds, from intimate ballads with only acoustic instruments to furious riffs leading to epic or darkness places.

Adrián Carrero adds, “The band and I are so excited to bring you the first chapter of our story! We’ve been working really hard on all this music, making the stories connect and the music itself reflect the plot of each. It’s definitely the most time we’ve spent on a musical project and the first time I’m leading all the work, from the first song ideas to the lyrics. We hope people enjoy it as much as we did forging it.”

The band’s first single to unveil off the debut full-length is the title track, which features Herbie Langhans (Firewind, Avantasia).

“This tune was one of the first songs to stay in our head, and soon in yours too, one of the songs that undoubtedly had to be on the album. Melodic, heavy with a dose of epic choruses but simple. It was always one of our favorites, but thanks to Herbie Langhans and his outstanding performance he has elevated it to a level that is hard to beat. We think we have all managed to capture in it our strength, desire, and enthusiasm for this new adventure we are starting.” says Adrián Carrero.

Listen to “Aletheia” ft. Herbie Langhans (Firewind, Avantasia) at the following links:

Dreamyth is recommended for fans of Avantasia, Firewind, and Beast in Black.

Album pre-order – https://bit.ly/AletheiaCD​

Track Listing:​
1. Creatio Ex Nihilo (Intro) – 1:10
2. Odyssey – 4:02
3. Aletheia – 5:03
4. In this Nightmare – 4:27
5. The Curse of the Erinyes – 3:55
6. Dreamland – 6:18
7. Firelove – 7:22
8. Fairytale – 4:55
9. My Delight – 4:55
10. Down to the Moon – 5:19
11. In Aeternum (Outro) – 2:27
12. Cuento de Hadas (Bonus track) – 4:56
Album Length: 54:54

Album Credits (music, cover/art, production):​
MUSIC by Adrián Carrero
PRODUCED by Adrián Carrero and Dani G
ARTWORK, LOGOTYPE, SYMBOL and SLEEVE DESIGN by Gustavo Sazes
PHOTOSHOOT by NAT ENEMEDE (Make Up by YOLUANA)
SPECIAL GUESTS
RALF SCHEEPERS vocals on “DREAMLAND”
HERBIE LANGHANS vocals on “ALETHEIA”
EDUARDO GUILLÓ growl vocals on “ODYSSEY” and “THE CURSE OF THE ERINYES”
BOB KATSIONIS keyboard solo on “DREAMLAND”

For more info: Rockshots.eu | Instagram.com/dreamyth.official | Facebook.com/DreamythOfficial | Twitter.com/Dreamyth_ | Tiktok.com/@dreamythofficial​

About: Dreamyth is a Spanish power melodic metal project officially created in 2020 by Adrián Carrero and David Macarrilla. They crafted the name by combining the words “Dream” and “Myth”, which they described as “a new world beyond imagination where its Myths and legends are real”. Andrea Carrero completed the base of the project after singing all the song demos (released and unreleased).

Combining heavy riffs, epic and majestic orchestrations, modern synths, and stunning vocal and harmonies with finesse and like no one else, delivered with high production values and first-class guests like Ralf Scheepers (Primal Fear), Herbie Langhans (Firewind, Avantasia) and Bob Katsionis (ex-Firewind), Dreamyth intend to conquer the heart of the metal fans all around the world.

“Do you think you know all the tales? Maybe not… not in this world. Ladies and gentlemen, welcome to the Dream Show, welcome to my land, please, welcome… To Dreamyth”

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Bravewords Presents Medevil’s “Among Thieves” Off Upcoming “Mirror In The Darkness” Out April 2023

  • January 25, 2023
  • by Asher
  • · Medevil · Music News

NEWS RELEASE

Montreal, QC – January 25, 2023

​

Bravewords Presents Medevil’s “Among Thieves” Off Upcoming “Mirror In The Darkness” Out April 2023

L-R – Brett Gibbs (Guitar) | Eric Wesa (Bass) | Liam Collingwood (Vocals) | Chris Malcolmson (Drums) | Gary Cordsen (Guitar)

Photo Credit: Matthew Collingwood

Medevil is a highly energetic, fast-paced metal band known for its tight songwriting, intense stage presence, and roaring vocals. Back in 2016, they released their debut album “Conductor of Storms” and this year they are following it up with “Mirror In The Darkness”, which is dedicated to their late drummer Chris Malcolmson whose drums are recorded on the album. Their first single is “Among Thieves”, a straight-shooting thrashy metal song – with some interesting twists – that bridges the gap sonically between the two albums. Fans of the first album should appreciate this song. A triplet feels with unrelenting riffs, and catchy bass lines, that are brought to life through Liam Collingwood’s vocals and lyrical themes relating to greed, and stealing time (whether your own or someone else’s). The band comments:

“We are extremely excited to put this one out as the first taste of the new album. This song is definitely the thrashiest, which should connect a lot with people who enjoyed “Conductor of Storms”. It has probably the toughest riffs on the album, with all the riffs and layout here written by Gary, and keeps the energy high throughout. We feel like it’ll be a fan favourite live since there are some sections that are easy to chant, and the time changeup keeps it feeling interesting near the end. The lyrics talk about the greed living around us all, from any era, whether is financial greed or stealing someone’s time away from them.”

“Mirror In The Darkness” definitely has its singles that can be pulled out and enjoyed individually, but Medevil suggests that the best way to get the intended listening experience is to play it front to back in a sitting. They spent a lot of time considering the flow of the album, from fast and energetic to dark and brooding, so there is a lot of variety that will come from a fully engaged listen.

Progressive and powerful, Medevil is recommended for fans of Mastodon, Metal Church, and Accept.

Listen to “Among Thieves” via its premiere on Bravewords HERE.

“Mirror in the Darkness” comes out on April 7, 2023.

Album teaser – https://youtu.be/ljUlC7DPt40​

Album pre-order – https://medevil.bandcamp.com​

Upcoming Events:​
March 24 – Chilliwack, BC – Flashback Brewing Co. (Album Listening Party)
April 13 – Vancouver, BC – Fox Cabaret – Hyperspace Metal Fest – info​

Track Listing:​
1. Dead Before Birth (6:18)
2. Among Thieves (5:00)
3. Pray for Me (6:35)
4. The Signal (7:22)
5. Smoke and Mirrors (1:48)
6. Weight of the Crown (4:18)
7. Mirror in the Darkness (8:31)
8. Gateways (2:41)
9. Veiled (3:56)
10. No Peace in Rest (9:23)
Album Length: 55:58

Album Recording Lineup:​
Liam Collingwood – Vocals
Gary Cordsen – Lead Guitar
Brett Gibbs – Rhythm Guitar, Lead Guitar & Backup Vocals
Eric Wesa – Bass & Backup Vocals
Chris Malcolmson – Drums

For more info: Facebook.com/medevilband | Twitter.com/MedevilMusic | YouTube | Instagram.com/medevilofficial​

About: Medevil is a highly energetic, fast-paced metal band known for its tight songwriting, intense stage presence, and roaring vocals. They are one of the few metal bands coming out of Chilliwack BC and hold that title proud as they have earned much praise and respect since their inception in 2014. As one of the 6 national finalists of the 2015 Wacken Metal Battle Canada, they are becoming more and more renowned throughout the country; their fame attaining them a following in their local town and across through to Vancouver.

Their music could be described as “power thrash” with half of their set being chorus-driven, and the other half focusing on blistering fast riffs. Influences for the band include Iron Maiden, Megadeth, and Metal Church. Their fast but catchy songs keep the crowd chanting throughout the set, and leave them wanting more. Liam Collingwood, the band’s singer, keeps the band image in theme with the songs while on stage and will wear thematic outfits when the mood demands it.

The band was founded on January 13, 2014, by Eric Wesa (bass), as well as brothers Liam (vocals) and Ross Collingwood (drums). It only took two months after the band’s inception before the boys found the ultimate guitar duo they were looking for, Gary Cordsen and Brett Gibbs. Once the lineup was solidified, they wasted no time performing shows and begin their musical journey. As a band, Medevil has two common goals; to explore their musical talents, and continue performing live for their fast-growing fanbase.

– 30 –

“Perfectly situated to please fans of classic heavy metal, Conductor Of Storms is very strong debut from the young Medevil.” – The Monolith (2016)​
​
​“Rejoice metalheads! Chiliwackian power thrashers, Medevil, has created a top-notch debut full-length album entitled Conductor Of Storms”. – Bravewords (2016)​
​
​“Play it loud, play it fast as heavy metal world has found another new soldier to carry on the flag in the form of “Medevil”” – Planet Caravan (2016)​
​
​“Conductor of Storms is one of the most complete, fully-formed and damn near perfect debut albums I’ve ever heard from a young heavy metal band. Tracks like Escape – a blustering, no-holds-barred mashup of Metal Church, Megadeth and Overkill – are just so mature, so faultlessly executed and so, well, heavy metal, it beggars belief that they are not being delivered by a band that’s been in the game for thirty years.” – Sentinel Daily (2016)​
​
​“Riding out of the cold wastes of western Canada on warhorses of steel comes Medevil with their amazing, self-released debut album Conductor of Storms. Bruising Traditional Heavy Metal is what these guys play and they play it well. Monstrous riffs and pounding, organic drums underscore the powerful vocals and intricate solos. The band has a taste for things epic, so no love songs or cliché odes to the Metal lifestyle here.” – Metal Crypt (2016)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

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