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0 THE RETICENT Releases Dark Somber Cover of Metallica’s “Fade To Black”; New Album “The Oubliette” Coming 2020 via Heaven & Hell Records

  • April 3, 2020
  • by Asher
  • · Music News · The Reticent

(contact info below)

NEWS RELEASE

Montreal, QC – April 3, 2020

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

THE RETICENT Releases Dark Somber Cover of Metallica’s “Fade To Black”

New Album “The Oubliette” Coming 2020 via Heaven & Hell Records

The Reticent has a new single out, a cover of Metallica’s classic “Fade To Black”, which will be featured on the progressive metal band’s forthcoming album “The Oubliette”  produced by Jamie King (BTBAM, The Contortionist, etc.) and due out later this year via Heaven & Hell Records.

The already somber tune is matched up with an equally solemn black and white video. Chris Hathcock, the founder of the band, who performed all main instruments and vocals on the track, goes into depth about choosing the cover:

“The original is a timeless classic, but in listening to it I thought that perhaps the sadness of the words were somewhat attenuated by the catchy and driving riffs. It thematically fell right in line with the over concept of “The Oubliette” as that blanket of loneliness and despair can fall over the suicidal and Alzheimer’s patients alike. I decided to reduce the instrumentation as much as possible to increase that sense of isolation and only used effects to increase the atmosphere. Minimalist and empty sounding like a hospital room.  The result hopefully draws more attention to the stark hopelessness in the lyrics. The distance and atmosphere in the track are meant to feel not just isolated, but almost ghostly – as if we are hearing the baleful thoughts of a man void of hope trapped in a hospital bed.”

The Reticent began as an almost exclusively melancholy acoustic project for Hathcock. As time has gone on, the sound of the band got heavier and more diverse. The progressive nature of the band’s most recent offerings now encompasses such a wide scope that one can’t listen to a single song and know the band’s sound.

Recommended for fans of Opeth, Porcupine Tree, and Katatonia; “The Oubliette” will be the fifth album in The Reticent’s discography and is expected out in 2020 as the release date is TBA.

To hear the stream of The Reticent‘s cover of Metallica’s “Fade To Black”, please the following link: https://youtu.be/h4rUYRcVbys

To listen to The Reticent‘s previous release “On The Eve Of A Goodbye” produced by Jamie King (BTBAM, The Contortionist, Scale the Summit) please visit one of the following links on Spotify, Bandcamp or Apple Music.

For more info:
TheReticent.net
Facebook.com/thereticentmusic
Instagram.com/thereticentofficial

About:

The Reticent are an NC outfit that Hard Rock Haven put it, “progressive in the truest sense of the term”.  Beginning as an atmospheric acoustic side project for mastermind Chris Hathcock while he toured with war-metallers Wehrwolfe, The Reticent has become a fully realized emotional experience rooted in progressive rock and metal. This is epitomized in the band’s critically acclaimed latest release on Heaven & Hell Records, “On The Eve Of A Goodbye”, produced by Jamie King (BTBAM, The Contortionist, Scale the Summit) – a tragic autobiographical concept record that chronicles the day before, day of, and day after the suicide of Hathcock’s childhood friend Eve.

Critics and fans of the record alike have been moved by the compelling narrative and heartrending performances. The Reticent has gone even further in their live performances to create an audiovisual emotional experience unlike any other by utilizing film, story-telling, and the sheer intensity of the music. Such unique and evocative performances have earned The Reticent a reputation throughout the east as a stellar live show – taking in awards for their live performances from magazines like YES! Weekly. This intense live experience is achieved thanks to the incredible talents of The Reticent’s other members: James Nelson (Ozai), Cliff Stankiewicz (Abacab, Interstellar Overdrive), and Mitch Moore (Rites to Sedition, Inferion).

As of 2019, Hathcock has begun preparing The Reticent for a new concept album and all new stage shows. The forthcoming album (again produced by Jamie King), “The Oubliette” is another stirring autobiographical tale, this time of the tragedy of Alzheimer’s disease. Fans and critics alike are eager to sink their teeth into another intense emotional outpouring of progressive metal as The Reticent prepares to release new music and strike back out on the road.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Rockshots Records: Kult Of The Skull God Premiere Music Video ‘One More Try’ via SleazeRoxx; Debut Album “The Great Magini” Out May 8th

  • April 2, 2020
  • by Asher
  • · Kult Of The Skull God · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 2, 2020

For fans of Danzig, The Rolling Stones

Rockshots Records: Kult Of The Skull God Premiere Music Video ‘One More Try’

Debut Album “The Great Magini” Out May 8th

 

Kult Of The Skull God unveil their next single and video ‘One More Try’ off their forthcoming debut album “The Great Magini” due out May 8th, 2020 via Rockshots Records. Taking inspiration from the titans of rock including Danzig, The Rolling Stones and Black Sabbath they have combined slick heavy riffs with smooth yet haunting vocals that are perfectly demonstrated on the next track ‘One More Try‘.

The band adds:

“Everyday life keeps pushing us to be better, more performing, over-doing. Failure means to be ignored, to disappear. This is the era we’re living in. Internet social likes, media coverage, the paranoia of being forgotten or even being a “nobody” is a devouring circus of perfect strangers. If you don’t understand who you are, you’re gonna be your worst enemy.”

Teaming up with SleazeRoxx.com, the band is premiering the video HERE.

Seeking a pure rock n’ roll sound away from the electronic elements of their previous band, Army Of The Universe’s vocalist Lord Kalidon and guitarist Davide Tavecchia have returned with Kult of The Skull God. Armed with the drummer Joey Amato they have energized their infrangible attitude, fury, and raw talent to save the world from mumble rappers, auto-tuned pop stars, and rock mediocrity.

Album pre-order – http://bit.ly/TheGreatMagini_CD
iTunes (Instant Download) – https://apple.co/2SKFBk4
Spotify –  https://spoti.fi/2OSCqpa
Music Video – Black Magick – https://youtu.be/byjp8MOpQ1c

Track Listing:
1. Black Magick
2. Liar
3. One More Try
4. The Oath
5. Lost And Lonely Ones
6. Lions And Sheep
7. The Great Magini
8. Judas Is My Priest
9. Dead Heroes
10. Bully
11. VulturesFor more info:
Rockshots.eu
Skullgod.com
Facebook.com/KultOfTheSkullGod
Instagram.com/kultoftheskullgod

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal’s [Evertrapped] Premiere Music Video “Sorrow (Nothing More In Between)” via MetalInjection; New Album “The Last Extinction” Out May 22nd

  • April 2, 2020
  • by Asher
  • · Evertrapped · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 2, 2020

For fans of Arch Enemy, Persefone, Whitechapel, Death, Fleshgod Apocalypse

Montreal’s [Evertrapped] Premiere Music Video “Sorrow (Nothing More In Between)” via MetalInjection

New Album “The Last Extinction” Out May 22nd

L-R – Frederick Dupuis (Guitar), Vincent Benoit (Guitar), James Brookes (Vocals), Eric Lemirs (Drums), John Yates (Bass)
Photo Credit: Frederick Blanchette

Metal Injection premiere’s [EVERTRAPPED]’s new music video ‘Sorrow (Nothing More In Between)’, which comes from their new album “The Last Extinction” due out May 22, 2020.

Watch the video HERE.

A playthrough of  ‘Sorrow (Nothing More In Between)’ will take the listener through a variety of sub-genres, primarily melodic death metal, but with the occasional flourish of thrash and speed metal. The video accompanying the single is a great visual addition to see the band in action. The lyrical theme is about being on the receiving end (or lack thereof) of a connection between two people where one knows they aren’t giving enough yet persist. A situation that is relatable to all.

“The Last Extinction” is the fourth album from the Montreal, Canada melodic death metal band; it is a mix of the sound that was defined on “The Anomaly” (2012) and “Under The Deep” (2015). A blend of both straight to the throat heavy gutturals, rampaging metal and the softer, clean vocals and warm, melodic riffs, the band explains the progression in their own words:

“When it gets heavy, it gets really heavy but there are plenty of parts that open up and give way to clear vocals or a nice blend of gutturals and cleans and in some cases, some types of riffs that [Evertrapped] has never really experimented with before. Each song takes the listener on a quasi-progressive death metal adventure, but every now and then keeps coming back to simpler catchy riffs made for some hardcore headbanging.”

For fans of Arch Enemy, Persefone, and Whitechapel, [Evertrapped]’s new album will be available for stream and download on Spotify, Bandcamp and Apple Music as of May 22nd.


Track Listing:
1. Sorrow (Nothing More In Between) (7:35)
2. Truth Behind Disorder (5:30)
3. Across The Disease (5:49)
4. Titan (5:52)
5. The First Machine (5:59)
6. The Last Extinction (6:10)
7. Illusion (7:08)
8. Stillborn Era (5:26)
9. Learning To Kill (7:52)
Album Length:  57:24

For more info:
Evertrapped.com
Facebook.com/evertrapped
Instagram.com/evertrapped/
EPK

– 30 –

‘’Those looking for melodic death metal on the heavier end of the spectrum need apply here…be ready to pump some fists, bang some heads, and reminisce back to a time when melodic death metal wasn’t all about clean, poppy choruses – just raw and memorable carnage.’’  – Dead Rhetoric

“I’ve played with some of the best metal drummers in the world and I’d put you up alongside them any day!” – Jeff Waters (Annihilator guitarist)

 “Evertrapped, and as they lay their claim as one of the front runners of melodic death metal in all of the land” – Bucket List Music Reviews

‘’This is Headbanging 101, take your seat.’’  – Metal Trenches

‘’It’s clear these guys are not followers. They make their own brand of Melodic Death.’’  – Metal France

‘’If you want your dose of Melodic Death to be as brutal as possible, you won’t be disappointed with Under The Deep.’’ – Metal Universe

‘’Under The Deep is a full-throttle melodic death metal release that endlessly descends into new layers of carnage as the album progresses.’’  – Worship Metal

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 ICYMI: Feb-March 2020 – Absolute Underground Magazine Imonolith, Hyperspace Metal Festival, Third Chamber, Frogg, Sleepwraith, Sun Below

  • April 1, 2020
  • by Asher
  • · FROGG · Hyperspace Metal Festival · Imonolith · Sleepwraith · Sun Below · Third Chamber

0 Alberta’s Decimate MetalFest 2020 Cancelled

  • April 1, 2020
  • by Asher
  • · Decimate MetalFest · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 1, 2020


Alberta’s Decimate MetalFest 2020 Cancelled

Due to the global COVID 19 situation and the uncertainty of events and public gatherings, Decimate MetalFest announces they will be cancelling their 2020 edition. The festival was to be held on June 12-14 to Millet, AB at the Millet Agriplex (5400 45th Avenue) with camping available at the Millet Lions Memorial Campground. Millet, AB is 60kms south of Edmonton and 250kms north of Calgary. For its first two years, DMF has been held in Calgary.

DMF’s 2020 line up was scheduled to have an array of 35+ performing acts from many metal sub-genres along with burlesque, comedy, and more from across Canada.

Festival organizer Sloan Voxx issued the following statement:

“Hey everyone, we finally have an update for you. While sitting in limbo through the mess that is our world right now, I was striving to do everything I could to keep the fest going! But after sitting down, a lot of contemplation and a long hard look at what is happening around us, with the heaviest of hearts, I feel that it is in our best interest, and everyone’s safety to cancel this year’s festival.

There are an array of reasons why we need to make this tough decision, and I sincerely apologize for any disappointment or inconvenience, but our top priority is keeping you all safe. As safety is our primary concern and as the situation worsens, the last thing we want is to be responsible for bringing multiple small groups of people together (regardless of the sanitary precautions we have planned out) and put you in jeopardy of becoming ill furthermore to put your families in jeopardy of becoming ill. We don’t want to be part of the problem, we want to be part of the solution.

At this point, we have to ask ourselves: “Is it worth it?”. There is so much at stake here both directly and indirectly. As much as I love this festival, its crew, its bands, fans and everything it represents, and as much as I want to fight tooth and nail to make this happen, the answer is “No.”. I don’t think it’s worth it. Potentially endangering even one person is not worth it.

We will still be here to support all other Western Canadian Metal Festival Alliance fests that still may take place (Armstrong MetalFest – AMF, Loud as Hell Festival, Metalocalypstick Fest and Hyperspace Metal Festival). We hope that you’ll join us in crossing your fingers, toes, legs, eyes, and anything else cross-able for them all that it can happen and their fests are able to move forward!

In addition, everyone who was on the roster for Decimate 2020 has a direct invite to return to play Decimate 2021 if they are able to do so. We have a hold on the Millet Agriplex for the weekend of June 11th, 12th, and 13th, 2021, so mark your calendars, because we’re coming back with a vengeance next year, and the rest of the lineup is SICK!!!

I hope you are well and safe. Love you guys.”

Previous years of Decimate MetalFest included bands such as: Into Eternity (Regina, SK), Hammerdrone (Calgary, AB), Centuries of Decay (Toronto, ON), Tortured Saint (London, ON), Quietus (Edmonton, AB), SYRYN (Calgary, AB), KOSM (Vancouver, BC), Hazzardous Material Burlesque, (Calgary, AB), School of Rock Calgary South (Performance Band -18), Ninjaspy (Vancouver, BC), Widow’s Peak (Calgary, AB), NYLITHIA (Vancouver, BC), Blackwater Burial (Vancouver, BC), Insurrection (Gatineau, QC), Pecado (Calgary, AB), Sludgehammer (Toronto, ON), Gatekeeper (Vancouver, BC), BLQ – Benevolent Like Quietus (Calgary, AB), ODINFIST (Armstrong, BC), Tessitura Official (Edmonton, AB), Filth (Shelby, NC), Insvrgence (Austin, TX), and many more!

Decimate MetalFest is the brainchild of Sloan Voxx of Voxx Promotions, which is destined to become an annual Canadian metal pilgrimage to Alberta, Canada. With the many yearly festivals becoming part of the national metal heritage, Sloan wants Decimate MetalFest to become one of the best-known events alongside the various festivals located within Alberta, and Western Canada. With Voxx Promos booking and promotional experience, and the support of metalheads internationally, there is nothing to stop them from reaching their goal of bringing in the masses and putting on incredible metal festivals for years to come!”
(Writing Credits: Sloan Voxx & Ingrid Newton)

Decimate MetalFest is a proud member of the Western Canadian Metal Festival Alliance

Check out other WCMFA festivals:
Armstrong MetalFest – AMF
Loud as Hell Festival
Metalocalypstick Fest
Hyperspace Metal Festival

For more info:
Decimatemf.wixsite.com/decimateme
Facebook.com/decimatemf/
Instagram.com/decimate_mf/
Twitter.com/decimatemf

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Atmospheric Visual Prog LAKEMAN Share Video “25,000 + Hectares”; New EP “Progenitor” Out Now!

  • April 1, 2020
  • by Asher
  • · Lakeman · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 1, 2020

 

EP Download Request HERE. (for media use only)

For fans of Russian Circles, Mogwai, Godspeed You! Black Emperor, And So I Watch You from Afar

Atmospheric Visual Prog LAKEMAN Share Video “25,000 + Hectares”

New EP “Progenitor” Out Now!

Visual instrumental prog band LAKEMAN is sharing with fans their music video ‘25,000 + Hectares‘ in support of their EP “Progenitor” released this past November.

The track is the shortest LM song ever recorded clocking in at a little over 7 minutes. The song is a sonic meditation inspired by the forest wildfires that sweep through the Okanagan Valley in British Columbia, Canada on an annual basis.

The band adds about the track:

“The Ponderosa pine in the area relies on fire to open its cone husks to spread its seeds. Destruction breeds creation. The song’s birth was quick yet meaningful. It had a feeling of something writing itself or being channeled by an unknown source. The song balances two simple chords breathing back and forth through different forms of intensities. Josh Pym screams falsetto’s through the pickups in his guitar while Josh Bissonette weaves a harsh bellowing electronic ambiance over top of the pulsing rhythm section.”

The video tale can be viewed here: https://youtu.be/Ac9demx48BY

“Progenitor” is the second audio-visual release from LAKEMAN. Most of the EP was recorded live off the floor by Kaylub Burke at the Center for Arts and Technology with mixing and mastering by Andy Ashley. Visual elements for the EP were filmed and edited by Jonathan Robinson, and lighting was operated by Joshua Goodwin.

Robert McLaren explains further:

“We all seem drawn to lo-fi expression for this project. I personally love to capture moments rather than reproduce them. 90% of “Progenitor” is live off the floor, recorded as a band playing together in a room. I would not suggest this for most bands, it is a waiting game to find the take that everyone played their best and usually, time is not a luxury when you are in a studio. However, you have to learn to love your blemishes and flaws as a band when you record this way. It is a form of radical self-acceptance. I like to also add that we have 20 more minutes of recorded music in production to release after “Progenitor”.

“Progenitor” is available for stream and download via Bandcamp.
CD and vinyl versions that feature individual one of a kind acrylic pour artwork are sold out.
(Watch the EP art creation video here.)
Music Video – Powers Creek – here.

LAKEMAN has a devoted cult-like following throughout the Okanagan Valley and British Columbia. The band’s long-form instrumental and genre-bending approach beckons audiences of various musical forms. They revel in the band’s ability to exchange instruments everything from drums to guitars, bass, keyboards, synthesizers and lately even the fiddle and banjo. All this happens on stage while the music continues seamlessly through ambient soundscapes.

The overall theme of the band is a sonic meditation of the veiled and macabre history of the Okanagan valley. The group finds their sound in a deeply collaborative approach, very little composition is done apart, and there is no “songwriter”. The band starts the compositions by first improvising together, the feel of each improvisation can be vastly different based on who is playing which instrument. As mentioned earlier the band does not have assigned instrument roles as most other bands traditionally do. You can find anyone of the members doing anything from turning knobs on a synthesizer to singing into a violin before they started bowing it. After finding the improvisation the band likes, they then begin the long process of composing around this initial improvisation. Once a LAKEMAN piece of music starts to take form the band will start considering a local myth or legend to devote the theme to, this deepens the band’s thematic composition. This is when the piece will usually take its final or close to its final form.

Track Listing:
1. Powers Creek (8:08)
2. 25,000 + Hectares (7:12)
3. Pandosy (10:38)
EP Length: 25:59

Band Line Up:
Josh Bissonette: guitar, bass, keys/synth, drums
Josh Pym: guitar, bass, keys/synth, vocals
Warryn Berry: guitar, keys/synth, drums
Robert McLaren: guitar, bass, keys/synths, drums, vocals, fiddle, banjo

For more info:
Facebook.com/lakemanband
Instagram.com/lakemanband

– 30 –

“Experimenting with unique atmospherics, delving deep into concepts that feature tidbits of Okanagan history and relying heavily on intuition, LAKEMAN goes beyond catchy riffs and infectious hooks to create living and breathing art that resonates.” – Kelowna Now

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Montreal’s GORLVSH To Release Debut Album “New City Vibe” June 5th via No List Records & Ancient Temple Recordings

  • April 1, 2020
  • by Asher
  • · Gorlvsh · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 1, 2020

Advance Album Download Request here. (for media use only)

For fans of Converge, DFA1979, Lightning Bolt

Montreal’s GORLVSH To Release Debut Album “New City Vibe” June 5th

via No List Records & Ancient Temple Recordings

Bringing their bizarre, mathy, metallic hardcore music to ears everywhere, Montreal, QC power trio GORLVSH (pronounced Gore-Lush) announce they will be releasing their debut album on June 5, 2020 via No List Records and Ancient Temple Recordings for cassette version.

With their heavy, sludgy and energetic sound, suited for anyone looking for something completely different, the band explains:

“We constantly wrote music with the live show in mind. We wanted that to a good blend of all the things we dig that bands do, scrapping the weakest stuff along the way, and constantly iterating upon the songs we dig. Eventually, when we decided to record the full length, we just worked backward from which tracks were most exciting to make something we could be proud of. We’ve upped our production game a lot, but focused primarily on what makes our sound unique, finding riffs that work for our blend of multiple bass amps, octave pedals, and a ton of distortion and fx. We really aim to sound as good and professional as possible, despite our DIY ethos and $0 recording budget.” 

Entitled “New City Vibe”, the album is a new mantra, as an injunction. New City Vibe is decadence. The lyrics on the release are all about today’s challenges, individualism, hyper-sexualization, ordinary violence, competition between individuals and deadly ideologies destroying people’s lives. For those who are from the band’s hometown of Montreal, the artwork represents the iconic Farine Roses building.

GORLVSH‘s music video for their single ‘Wait For Me’ can be viewed HERE.

In the raw and gritty video, you are introduced to the unique and creative hardcore that is influenced by Converge, DFA1979, and Lightning Bolt.

GORLVSH‘s “New City Vibe” will be made available for pre-order at a later date from No List Records and Ancient Temple Recordings.  


Track Listing:
1. Don’t Miss The Shot (1:45)
2. New City Vibe (2:28)
3. Wait For Me (2:55)
4. Sheppard One Is Down (3:00)
5. Wolves Against Wolves (2:57)
6. I Don’t Want To Survive (2:33)
7. Wake (2:55)
8. 007 (3:35)
9. Too Many Will Try (2:16)
Album Length: 24:28

For more info:
Facebook.com/gorlvshmtl
EPK

– 30 –

“Combining the influential sounds of Converge, Death from Above 1979 and Lightning Bolt, Montreal’s Gorlvsh (pronounced “Gore-Lush”) is dead set on adding some rowdiness and weirdness to the sonic landscape. We don’t know if they are, as they claim, “Montreal’s sickest guitar-less band,” but from what we can tell they make a hell of a racket that combines math rock angularity, crushing metallic riffs, off-kilter rhythms and a few catchy hooks in there for good measure.” – Decibel Magazine

“Blending Dillinger Escape Plan–esque angular complexity with punk snarl and groovy riffs reminiscent of Mutoid Man, Gorlvsh may not have been what the death metal/grindcore crowd at L’Esco were expecting, but they were one of the most fun and most unique local bands I’ve seen in a good while.” – Bucketlist Music Reviews

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
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