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NEWS: Saskatoon Extreme Noisemakers ADOLYNE (No List Records) Update Western Canadian Dates

  • July 14, 2016
  • by Asher
  • · Adolyne (No List Records) · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 14, 2016

Album Promo Request here.

For fans of Old Man Gloom, Today Is The Day, Rorshach, Neurosis, Converge, KEN mode

NoListRecords.com | Online Store | Facebook | Twitter
Adolyne Links: EPK | Bandcamp | Facebook | Last.FM | Instagram
Google Play | Spotify | iTunes | Amazon
Download = Album Cover | Press Photo

Saskatoon Extreme Noisemakers ADOLYNE (No List Records) Update Western Canadian Dates

Saskatoon’s extreme noise rock brawlers ADOLYNE (featuring Skot Hamilton from Ken mode) announce they will be performing show dates in Western Canada (dates listed below).

The band is performing in support of their latest album ‘of Ash / of Shit / of Shame’ unleashed in 2015 via No List Records.

‘of Ash / of Shit / of Shame’ is available digitally on all major online retailers plus colored limited edition 12″ vinyl from No List Records here.Full Album Stream – https://adolyne.bandcamp.com/album/of-ash-of-shit-of-shame

Music Video – The Knife Inside – https://www.youtube.com/watch?v=q7VK3vyTQrM

Tour Dates (more dates to be announced):

July 21 – Edmonton, AB @ Filthy Mcnasties w/ The Weir, Falsehood, Ringleader – info
July 22 – Saskatoon, SK @ Amigos w/ The Weir, A Ghost in Drag, Gerard Weber – info
July 23 – Winnipeg, MB @ The Handsome Daughter w/ The Weir, Dead Ranch, Velodrome – info
Aug 19 – Victoria, BC @ Intrepid Theatre w/ Anion, Thick Skull, dieandfindout – info

1. (A Recurring Zero) (1:48)
2. Deserts In My Blood (2:38)
3. The Knife Inside (3:24)
4. (Moist Pennies) (1:10)
5. Crown (4:31)
6. Automatic Writing (7:26)
7. Swallow The Black Pill (7:58)
8. Gnashing Of The Teeth (3:16)
9. When Guilt Is The Only Muse (2:54)
10. Brawler’s Fracture (9:05)
Album Length: 44:14

For more info, please visit https://www.facebook.com/Adolyne-6201859627/

About:

After a series of false-starts, unceremonious firings and infantile rows, Adolyne officially assembled about a dozen years ago as a means to keep warm through the endless prairie winter that they were either too dumb to abandon or stubborn to admit defeat to. Less a product of their surroundings than a direct reaction to artistic absences in their immediate vicinity, the band spent their initial years harnessing vulgar sonic philosophy and a reactionary base-level onslaught into one of the most incendiary live shows in Western Canada. Noise-rock petulance, post-hardcore abandon, and a spiraling metallic thrust collide violently in to an animal that is as much merciless volume worship as it is nightmarish existential crisis.

Adolyne incites an ugly musical knife fight between 90’s Noise mongers from the heavier end of the Amphetamine Reptile fold and the brooding sonic theorists of the Hydra Head Industries class, while assorted voices from the post-hardcore and math-rock crowds goad them on with unsavory and dangerous advice. For those who haven’t the time or stomach to be entirely educated on the background of this savage rumble though, journalist and filmmaker Craig Silliphant was best able to express what to expect from Adolyne in his review which warned “Adolyne is a cathartic, primal force that will tear down your soul and spit it in your face….. It’s usually a cliché to say something defies categorization, but I’ll take a punch in the face before I’ll offer a definitive description of the music that Adolyne makes. It’s best to just get the hell out of the way.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
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