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Tag: The Contortionist

0 Canada’s Maitreya Delves Into An AI World With Single “Departed” Off Upcoming “Hyper Reels”, Track Premiere via TheProgSpace

  • February 25, 2021
  • by Asher
  • · Maitreya · Music News

NEWS RELEASE

Montreal, QC – February 25, 2021



For fans of The Contortionist, Between the Buried and Me, Protest the Hero, Periphery

Canada’s Maitreya Delves Into An AI World With Single “Departed” Off Upcoming “Hyper Reels”

Track Premiere via TheProgSpace

“Hyper Reels” Out June 25, 2021

L-R: Matt McCabe (Guitar), Steve McMillan (Drums), Matt Cutrara (Vocals), Lyam Morrison (Bass), Mark Wylie (Guitar)
Photo Credit – Jon Butler

Hailing from Oshawa, Canada, Maitreya is excited to announce their upcoming album “Hyper Reels” slated for a June 2021 release. They have just released the second single “Departed”, which is being premiered on TheProgSpace HERE.

This new album boasts a higher degree of musical complexity, filthy breakdowns and a wider range on the vocals ebbing from melodic cleans into sustained growls set to a whirlwind of complicated riffs. Maitreya comments on the single:

“Departed is the most complex and exploratory song on the record. It showcases an evolving and progressive song structure illustrating our signature bag of tricks; frenetic riffs, operatic layered vocals, crushing breakdowns, and dense textures. Lyrically the song borrows concepts from AI fiction (Westworld, The Matrix and Blade Runner) that explore the nature of consciousness, intelligence, and reincarnation.”

Not for the faint of heart, Maitreya’s music is a heavily layered listening experience, a cacophony of styles, merging together to create an intense wall of sound that forces you to pay attention to all the subliminal notes and tempo changes.

The album as a whole was put under a microscope during its creation, forcing Maitreya to refine every element and mature past their previous releases. It shows vastly improved musicianship that will only continue to grow as the band forges onward in their career.

A barrage of complexity intertwined with melody awaits fans, especially those who have an interest in The Contortionist, Between the Buried and Me, and Protest the Hero.

The full album “Hyper Reels” is out on June 25, 2021.
Album pre-save – https://distrokid.com/hyperfollow/maitreya1/hyper-reels

“Departed” single pre-save – https://distrokid.com/hyperfollow/maitreya1/departed

Previous Music Video “Catalyst”  https://youtu.be/sLOVpNchls8


Track Listing:
1. Catalyst (7:23)
2. Departed (6:04)
3. Radical (5:31)
4. Summit (4:31)
5. Invaders (6:18)
6. Bloom (4:26)
7. Pilgrim (4:44)
8. Flesh Engine (4:31)
9. Hyper Reels (0:57)
10. Iswara (4:27)
Album Length: 48:56

Album and Live Band Line Up:
Matt McCabe – Guitar
Steve McMillan – Drums
Matt Cutrara – Vocals
Lyam Morrison – Bass
Mark Wylie – Guitar

For more info:
Maitreyametal.com
Facebook/MaitreyaMetal
Instagram.com/maitreyametal
YouTube
MaitreyaMetal.bandcamp.com
Spotify
EPK 

– 30 –

“We’re always on the hunt for interesting new metal bands, and Canada’s Maitreya certainly qualifies. The band’s newest single, “Catalyst”, treads familiar progressive metal territory – think vocals similar to Leprous and instrumentation akin to older BTBAM – but rest assured it sounds fresh.” – New Fury Media

“Their musical abilities were astounding, and I believe they could have been each individually the most technically capable with their instruments of those performing that night.” – Metal Master Kingdom

“Lead-heavy, yet at the same time musically complex, Maitreya’s music is sonic baptism, taking the listener from the fire pits to the icy peaks. The band’s self-titled album weaves an intricate melodic narrative, where both headbanging metal-heavy riffs and reflective vocal lines co-exist in the vortex of sonic alchemy, presented to the listener in its raw, unfiltered elemental form.” – Dentata Music 

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Maitreya Redefine Progressive Metalcore With “Catalyst” Off Upcoming “Hyper Reels”, Music Video Premiere via NewFuryMedia

  • January 28, 2021
  • by Asher
  • · Maitreya · Music News

NEWS RELEASE

Montreal, QC – January 28, 2021



For fans of The Contortionist, Between the Buried and Me, Protest the Hero, Periphery

Canada’s Maitreya Redefine Progressive Metalcore With “Catalyst” Off Upcoming “Hyper Reels”

Music Video Premiere via NewFuryMedia

“Hyper Reels” Out June 2021

L-R: Matt McCabe (Guitar), Steve McMillan (Drums), Matt Cutrara (Vocals), Lyam Morrison (Bass), Mark Wylie (Guitar)
Photo Credit – Jon Butler

Oshawa’s Maitreya have a new album “Hyper Reels” coming out in June 2021. The first single from the album is “Catalyst” out on January 29, 2021 complete with a music video. Dimensional and visceral, fans familiar with the first self-titled album will be excited with the new works. Everything has evolved, the songwriting is more refined and the instrumental features more complexity and dynamic range, vocals are given more space to truly shine, the production contains new electronic aesthetics.

Through trial and error on stage, the band’s sound has matured exponentially, with a harmonic palette that has stretched past the typical confines of metalcore. This open harmonic foundation provides more options sonically for vocals and lead guitar to explore melodically. Rhythmically, the band has gone deeper into exploring complex polyrhythmic ideas, polymetric patterns and odd time signatures.

The single “Catalyst” was the last song written for the album and is a favourite of the band. It features signature Maitreya song devices like; riff-heavy sections, clean-ambient moments, big breakdowns, melodic lead passages, anthemic chorus vocals, a drum solo and progressive exploratory song structure. The band explains the track further:

“We wrote this song about our guitarist Mark and his catalyzing role in bringing the band together, Mark’s dedication to the band in being able to organize various elements of writing, recording, and performance cannot be understated. In the same spirit, this is a song that has a very grateful and optimistic tone. It highlights many of the macro elements people can expect throughout the rest of the album. At the time this song was written, our guitarist Mark was going through cancer treatment. This form of near death experience forced us to introspectively evaluate the deeper meanings of our relationships.”

A slick and immersive experience for new and returning fans alike, Maitreya is recommended for fans of The Contortionist, Between the Buried and Me, and Protest the Hero.

The single “Catalyst” is out on January 29, 2020, and its music video can be viewed via its premiere on NewFuryMedia HERE.

Single pre-save: https://distrokid.com/hyperfollow/maitreya1/catalyst

The full album “Hyper Reels” is out on June 25, 2021.
Album pre-save: https://distrokid.com/hyperfollow/maitreya1/hyper-reels


Track Listing:
1. Catalyst (7:23)
2. Departed (6:04)
3. Radical (5:31)
4. Summit (4:31)
5. Invaders (6:18)
6. Bloom (4:26)
7. Pilgrim (4:44)
8. Flesh Engine (4:31)
9. Hyper Reels (0:57)
10. Iswara (4:27)
Album Length: 48:56

Album and Live Band Line Up:
Matt McCabe – Guitar
Steve McMillan – Drums
Matt Cutrara – Vocals
Lyam Morrison – Bass
Mark Wylie – Guitar

For more info:
Maitreyametal.com
Facebook/MaitreyaMetal
Instagram.com/maitreyametal
YouTube
MaitreyaMetal.bandcamp.com
Spotify
EPK 

– 30 –

“Their musical abilities were astounding, and I believe they could have been each individually the most technically capable with their instruments of those performing that night.” – Metal Master Kingdom

“Lead-heavy, yet at the same time musically complex, Maitreya’s music is sonic baptism, taking the listener from the fire pits to the icy peaks. The band’s self-titled album weaves an intricate melodic narrative, where both headbanging metal-heavy riffs and reflective vocal lines co-exist in the vortex of sonic alchemy, presented to the listener in its raw, unfiltered elemental form.” – Dentata Music 

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Reticent’s New Video “Stage 3 – The Palliative Breath” Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”, Lyric Video Premiere via NewFuryMedia 

  • November 11, 2020
  • by Asher
  • · Music News · The Reticent

NEWS RELEASE

Montreal, QC – November 11, 2020

 

 

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s New Video “Stage 3 – The Palliative Breath”
Continues The Tale of A Man’s Battle With Alzheimer’s Disease From Concept Album “The Oubliette”

Lyric Video Premiere via NewFuryMedia

Out Now! New Album “The Oubliette” via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent released their latest critically acclaimed concept album entitled “The Oubliette” via Heaven & Hell Records this past September. The full length was produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), and it tells the tale of man’s battle with Alzheimer’s disease.

The record follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock
 who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s.  He doesn’t know where he is or why he’s there.  He doesn’t remember his wife is dead.  He doesn’t recognize his son. Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.

To lyrically visualize the third stage of Alzheimer’s, The Reticent has put together a new lyric video for “Stage 3 – The Palliative Breath”.

Hathcock adds about the track:

“Henry has brief moments of clarity when he realizes that “holes are deepening in his mind” and he vaguely grasps some of what’s happening to him.  More calm and reflective the music echoes the patience that the doctors urge.  The beautiful thoughtful acoustic opening gives way to powerful progressive rock, calm folk, and driving metal all to the conclusion that Henry’s best is long behind him.“

The video for “Stage 3 – The Palliative Breath” can be watched and heard via its premiere on NewFuryMedia HERE.

The Reticent‘s new album “The Oubliette” follows the band’s2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time, every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Chris Hathcock comments on “The Oubliette”:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience.  This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”  

“The Oubliette” (Heaven & Hell Records) is available on Heavenandhellrecords.com (CD), Bandcamp, Spotify, Apple Music.

Music Video – Stage 2: The Captive – YouTube


Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“Each time I have listened to this, my rating of it has gone up until it could not go any higher. This album will hit the spot musically, tug at the heart strings and chill you to the bone. 5/5 – The ProgSpace

“Once again The Reticent enlist the aid of Jamie King for production, giving The Oubliette the same quality in sound and balance as its predecessor. The instruments sound fantastic, and Hathcock’s singing is stellar. His blend of clean (often yearning) vocals and harsh moments used to demonstrate the confusion and fury of Henry is perfectly arranged… I can safely say my expectations have been met, and at times exceeded, by The Oubliette. Hathcock has taken yet another personal subject and transformed it into a taut, compelling progressive metal opus” – Angry Metal Guy

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease; Album Stream Premiere via TheProgSpace

  • September 23, 2020
  • by Asher
  • · Music News · The Reticent

(contact info below)

 

NEWS RELEASE

Montreal, QC – September 23, 2020

 

 

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent Streaming Concept Album “The Oubliette”; A Tale of Man’s Battle With Alzheimer’s Disease

Album Stream Premiere via TheProgSpace

New Album “The Oubliette” Out September 25th via Heaven & Hell Records

North Carolina conceptual metal proggers The Reticent will be releasing their new album entitled “The Oubliette” via Heaven & Hell Records on September 25th. Produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit), the album tells a tale of man’s battle with Alzheimer’s disease. Before it officially drops, the band wants to share this story with the full length’s stream premiere on TheProgSpace HERE. 

“The Oubliette” follows the band’s critically acclaimed 2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time. Every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Finally completing “The Oubliette”, The Reticent shares another stirring autobiographical tale, this time about the tragedy of Alzheimer’s disease. The album follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s.  He doesn’t know where he is or why he’s there.  He doesn’t remember his wife is dead.  He doesn’t recognize his son.  Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.  The music of “The Oubliette” traverses styles as divergent as jazz and black metal all within the framework of emotionally driven progressive metal.  With each track sonically independent from its predecessor, the album moves the listener from experience to experience, vague memories to dreams and nightmares all toward its heartbreaking finale. Fans and critics alike will be very eager to sink their teeth into another intense emotional outpouring of progressive metal.

Chris Hathcock adds:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience.  This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”  

“The Oubliette” is due out via Heaven & Hell Records on September 25, 2020.

Album Pre-Order HERE.

Music Video – Stage 2: The Captive – YouTube


Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“it’s clear that this is a very personal story from Chris Hathcock. He poured his heart and soul into the concept, and the way the tracks flowed, the story is very real and vivid. Alzheimer’s is a terrible disease, because it mostly affects the patient’s loved ones more than the patient himself. It’s a long process of slowly letting go, until the disease claims another victim. This process is carefully matriculated through music here, and it’s something all fans of music will want to experience. Especially considering the number of us who have been affected in one way or another by this ravaging disease. 9/10” – Metal Temple

“Prog’s most emotionally gutwrenching one-man band returns with plenty more feels… The Oubliette is the next album released under The Reticent‘s name, and tells the story of the protagonist Henry’s decline as a result of Alzheimer’s disease, heavy subject matter again inspired by life experience of Hathcock. The Reticent‘s track record for dealing with such serious subject matter was promising, and with The Oubliette they deliver on said promise.” – Metal Storm

“The Reticent have delivered a narrative masterpiece… I give 10 out of 10 bangs” – Rock Magazine.net

“In a way, Chris pulled off the perfect fusion of PINK FLOYD’s The Wall and Operation Mindcrime by QUEENSRYCHE, all treated with the sensitivity of a modern Crossover between OPETH and EDGE OF SANITY. We obviously recognize the paw of Neal Morse and Steven Wilson in the most complex and melodic parts, but this fourth LP of the master arises in synthesis of the modern progressive.” – Metalnews.fr

“The Oubliette – being a true concept album – follows the 7 stages of Alzheimer’s. And – by that same token – tries to portray the emotions of the afflicted. In a way, this record is like one of those deep, dark, gleamy chocolate cakes. The ones that look at you with ominous malevolence, just before the evil clown jumps out. This thing is so full of psychological horrors and innuendo that – after a few listens – you start getting the jitters. Not because of the clown, of course, but because all of that has the ring of truth to it. And worse, the disease could hit you, too. Because there’s no defense.” – Rock Music Raider

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 The Reticent’s Next Concept Album “The Oubliette” Is A Tale of Man’s Battle With Alzheimer’s Disease; Music Video Premiere “The Captive” via MetalInjection; New Album “The Oubliette” Out September 25th via Heaven & Hell Records

  • August 27, 2020
  • by Asher
  • · Music News · The Reticent

(contact info below)

 

NEWS RELEASE

Montreal, QC – August 27, 2020


For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

The Reticent’s Next Concept Album “The Oubliette” Is A Tale of Man’s Battle With Alzheimer’s Disease

Music Video Premiere “The Captive” via MetalInjection

New Album “The Oubliette” Out September 25th via Heaven & Hell Records

NC’s The Reticent return in 2020 with a new album entitled “The Oubliette” set for release on Heaven & Hell Records on September 18th. The full length is produced again by Jamie King (BTBAM, The Contortionist, Scale The Summit) to follow the band’s critically acclaimed 2016 release “On The Eve Of A Goodbye”, which was an autobiographical concept record that chronicled the day before, day of, and the day after the suicide of band founder Chris Hathcock’s childhood friend Eve. Critics and fans of the record alike were moved by the compelling narrative and heartrending performances along with the band’s award-winning live performances that are both an audiovisual and emotional experience that utilizes film, story-telling, and the sheer intensity of the music.

Even though the recording of “The Oubliette” was delayed four times due to a severe injury to Hathcock’s right arm (the deltoid bursa to be exact), he was able to perform all instruments on the full length, he actually began lining up players to fill in for him as doctors told him he may be endangering his arm’s functionality if he didn’t take an extended break from playing. Luckily, rest allowed him to recuperate enough to complete the record. Although, the process was slowed because he was in pain the entire time. Every recording session began with him taking at least 800 mg of Ibuprofen to make it through.

Finally completing “The Oubliette”, The Reticent shares another stirring autobiographical tale, this time about the tragedy of Alzheimer’s disease. The album follows the journey of an old man named Henry, which is based upon a relative of songwriter Chris Hathcock who’s real name was Cyrus. The name Henry was chosen as a somewhat more universal name, but also because Henry was one of the Alzheimer’s patients featured prominently in the documentary “Alive Inside”. The concept of the album is to demonstrate Henry’s descent through the seven stages of Alzheimer’s.  He doesn’t know where he is or why he’s there.  He doesn’t remember his wife is dead.  He doesn’t recognize his son.  Step by step the disease takes his memories, his ability to speak, his ability to walk, his ability to breathe.  The music of “The Oubliette” traverses styles as divergent as jazz and black metal all within the framework of emotionally driven progressive metal.  With each track sonically independent from its predecessor, the album moves the listener from experience to experience, vague memories to dreams and nightmares all toward its heartbreaking finale. Fans and critics alike will be very eager to sink their teeth into another intense emotional outpouring of progressive metal.

Chris Hathcock adds:

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience.  This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”  

Today, the band shares the first tale and the second track on the emotionally gripping release “The Captive”.

Hathcock explains:

“The song starts with Henry hearing the orderly instructs him to return to his room as marching drums cadence him to get moving  Now convinced that he is being wrongly imprisoned and believing his wife is being kept from him, Henry begins to oscillate between anger and despair made all the worse by the fact that he still doesn’t understand what’s happening to him. Decidedly aggressive death metal spearheads the track before Henry’s anger falls into a defeated frustration represented by the pensive midsection.”

Watch and listen to the video for “The Captive” via its premiere on MetalInjection HERE.

“The Oubliette” is due out via Heaven & Hell Records on September 25, 2020.

Album Pre-Order HERE.


Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

Album Band Line Up:
Chris Hathcock – Guitars, Bass, Keyboards, Drums, Vocals, Additional Percussion
James Nelson – Lead Guitars

Live Band Line Up:
Chris Hathcock – Vocals, Guitar
James Nelson – Lead Guitar, Backing Vocals
Cliff Stankiewicz – Bass
Mitch Moore – Drums

For more info:
HeavenandHellRecords.com
TheReticent.net
EPK

– 30 –

“First-rate Progressive Metal, technically high-standing and delivered with a very high level of genuine emotion and passion.” – Rock Music Raider, review of “On the Eve of a Goodbye”

“…The fact is On the Eve of a Goodbye is one of the best concept albums of recent memory” – Angry Metal Guy, review of “On the Eve of a Goodbye”

“This record is why I listen to music.” – The Gauntlet, review of “On the Eve of a Goodbye”

“The Reticent is progressive in the truest sense of the term, and remains one of the best-kept secrets in metal…Once again, The Reticent delivers a stirring and unforgettable album that will absolutely appeal to fans of Opeth (especially Damnation and Heritage-era Opeth), Porcupine Tree, Tool, A Perfect Circle, Katatonia and Anathema.” – Hard Rock Haven, review of “Le Temps Detruit Tout”

“The Reticent’s On the Eve of a Goodbye took me by surprise and proceeded to floor me in all its heartbreaking, sophisticated glory” – Teeth of the Divine, review of “On the Eve of a Goodbye”

“I can safely say that this album stands with any classic concept album that people will try and compare it with” – Power of Metal, review of “On the Eve of a Goodbye”

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Toronto’s Prospects Announce Intriguing New Prog Track “Orphic Trigger” Off EP “Recalling”

  • August 7, 2020
  • by Asher
  • · Music News · Prospects

(contact info below)

NEWS RELEASE

Montreal, QC – August 7, 2020

For fans Between The Buried And Me, The Contortionist, Opeth, Protest The Hero

Toronto’s Prospects Announce Intriguing New Prog Track “Orphic Trigger” Off EP “Recalling”

EP “Recalling” Out September 4th

Progressive metal act Prospects have unleashed a new single “Orphic Trigger” coming from the upcoming four-track EP “Recalling” due out September 4th, 2020.

Founded in 2014 by multi-instrumentalists Robert Medeiros, Prospects combines influences from acts like Opeth and The Contortionist for chillingly heavy tracks with multiple layers. In a niche, but thriving genre, the band aims to broaden their horizons and bring together fans from different backgrounds, united by a love of heavy and experimental music. The band explains one of the unique challenges they had when recording this album:

“Since there is some distance between band members, we all recorded/tracked the instrumentals on our own, compiled them into an organized folder, and sent them to be mixed and mastered by Jamie King. Vocals were recorded by Mike Indovina.”

“Orphic Trigger” can be enjoyed as individual songs or as an entire EP experience; with only 4 songs, but 32 minutes of audio you can rest assured that each song is its own adventure entirely. Even though there are snippets of a storyline from the previous album, 2017’s “Calling Of A Red Bird”, they all feel original and cohesive.

With Medeiros on vocals, keys, and guitar, Matt Dalton on guitar and vocals, drummer Anthony Zicari and bassist Mathew Lothian, Prospects builds a catalogue of melodic and rhythmic interest, looking outside of metal to genres like jazz, orchestral, and world music for further inspiration. Perfect for deep thinking, subculture aficionados, lovers of the outdoors, hipsters, and geeks, Prospects weaves together technicality with melody.

For fans of Between The Buried And Me, The Contortionist and Opeth, Prospects is heavy, melodic, and exotic.

“Orphic Trigger” is now available as of August 7, 2020 and can be heard on the following links:
YouTube
Bandcamp
IGTV

along with Spotify, Apple Music, Google Play, Amazon HERE.

The full “Recalling” EP will be released on September 4, 2020.

Band Line Up:
Robert Medeiros – Guitar/Keys/Vocals
Matt Dalton – Guitar/Vocals
Matthew Lothian – Bass
Anthony Zicari – Drums

For more info:
Facebook.com/prospectsmusicoffical
Instagram.com/prospectsband
EPKAbout:
Prospects is a Toronto progressive metal band founded in 2014 by multi-instrumentalist Robert Medeiros. Generally inspired by modern metal and acts from numerous other genres Prospects released their debut “The Calling of a Red Bird” in 2017 as a foray into the plethora of bedroom level studio albums.

Following this advent, Medeiros took a short hiatus to refine his songwriting and production skills. He would meet guitarist Matt Dalton in 2019 and form the initial line up with Mathew Lothian on bass shortly after.

With the initial 2017 release of Calling of a Red Bird utilizing midi drums, the group was looking for a real drummer that could fill the role. After posting in several online forums and Facebook groups, it wasn’t too long before finding drummer Anthony Zicari and things fell into place.

As rehearsals became a regular thing and a few songs started shaping up the band aimed to find their way onto local bills around the GTA (greater Toronto area).

Back to the recording sessions, the band has been working on their new EP “Recalling” expected for release in 2020. Working with Jamie King (Between The Buried And Me, The Contortionist, Etc) for mixing and mastering, the band is confident a great product for the masses. The EP “Recalling” is a collection of old and new material, showcasing where the band has come from, but also where they are heading!

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 THE RETICENT Releases Dark Somber Cover of Metallica’s “Fade To Black”; New Album “The Oubliette” Coming 2020 via Heaven & Hell Records

  • April 3, 2020
  • by Asher
  • · Music News · The Reticent

(contact info below)

NEWS RELEASE

Montreal, QC – April 3, 2020

For fans of Opeth, Porcupine Tree, Katatonia, The Contortionist, King Crimson

THE RETICENT Releases Dark Somber Cover of Metallica’s “Fade To Black”

New Album “The Oubliette” Coming 2020 via Heaven & Hell Records

The Reticent has a new single out, a cover of Metallica’s classic “Fade To Black”, which will be featured on the progressive metal band’s forthcoming album “The Oubliette”  produced by Jamie King (BTBAM, The Contortionist, etc.) and due out later this year via Heaven & Hell Records.

The already somber tune is matched up with an equally solemn black and white video. Chris Hathcock, the founder of the band, who performed all main instruments and vocals on the track, goes into depth about choosing the cover:

“The original is a timeless classic, but in listening to it I thought that perhaps the sadness of the words were somewhat attenuated by the catchy and driving riffs. It thematically fell right in line with the over concept of “The Oubliette” as that blanket of loneliness and despair can fall over the suicidal and Alzheimer’s patients alike. I decided to reduce the instrumentation as much as possible to increase that sense of isolation and only used effects to increase the atmosphere. Minimalist and empty sounding like a hospital room.  The result hopefully draws more attention to the stark hopelessness in the lyrics. The distance and atmosphere in the track are meant to feel not just isolated, but almost ghostly – as if we are hearing the baleful thoughts of a man void of hope trapped in a hospital bed.”

The Reticent began as an almost exclusively melancholy acoustic project for Hathcock. As time has gone on, the sound of the band got heavier and more diverse. The progressive nature of the band’s most recent offerings now encompasses such a wide scope that one can’t listen to a single song and know the band’s sound.

Recommended for fans of Opeth, Porcupine Tree, and Katatonia; “The Oubliette” will be the fifth album in The Reticent’s discography and is expected out in 2020 as the release date is TBA.

To hear the stream of The Reticent‘s cover of Metallica’s “Fade To Black”, please the following link: https://youtu.be/h4rUYRcVbys

To listen to The Reticent‘s previous release “On The Eve Of A Goodbye” produced by Jamie King (BTBAM, The Contortionist, Scale the Summit) please visit one of the following links on Spotify, Bandcamp or Apple Music.

For more info:
TheReticent.net
Facebook.com/thereticentmusic
Instagram.com/thereticentofficial

About:

The Reticent are an NC outfit that Hard Rock Haven put it, “progressive in the truest sense of the term”.  Beginning as an atmospheric acoustic side project for mastermind Chris Hathcock while he toured with war-metallers Wehrwolfe, The Reticent has become a fully realized emotional experience rooted in progressive rock and metal. This is epitomized in the band’s critically acclaimed latest release on Heaven & Hell Records, “On The Eve Of A Goodbye”, produced by Jamie King (BTBAM, The Contortionist, Scale the Summit) – a tragic autobiographical concept record that chronicles the day before, day of, and day after the suicide of Hathcock’s childhood friend Eve.

Critics and fans of the record alike have been moved by the compelling narrative and heartrending performances. The Reticent has gone even further in their live performances to create an audiovisual emotional experience unlike any other by utilizing film, story-telling, and the sheer intensity of the music. Such unique and evocative performances have earned The Reticent a reputation throughout the east as a stellar live show – taking in awards for their live performances from magazines like YES! Weekly. This intense live experience is achieved thanks to the incredible talents of The Reticent’s other members: James Nelson (Ozai), Cliff Stankiewicz (Abacab, Interstellar Overdrive), and Mitch Moore (Rites to Sedition, Inferion).

As of 2019, Hathcock has begun preparing The Reticent for a new concept album and all new stage shows. The forthcoming album (again produced by Jamie King), “The Oubliette” is another stirring autobiographical tale, this time of the tragedy of Alzheimer’s disease. Fans and critics alike are eager to sink their teeth into another intense emotional outpouring of progressive metal as The Reticent prepares to release new music and strike back out on the road.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 NEWS: FAYNE Announce Ontario/ Quebec ‘Make Your Way Back Home Tour’; New Music Video ‘Believers’

  • February 11, 2015
  • by Asher
  • · Fayne

amr_logo_smal_570

For Interview, Album Requests, Media List contact

Jon Asher – Music Publicist – ashermedia [AT] gmail.com

Radio Promotions – radiotrackingashermedia [AT] gmail.com

#514.581.5780 – www.ashermediarelations.com

NEWS RELEASE

Montreal, QC – February 11, 2015

EP PROMOS CAN BE REQUESTED HERE

RIYL (Recommended if you like) =  Misery Signals, Alexisonfire, Periphery, The Ghost Inside, Vanna

EPK | FayneMusic.com | Facebook | Twitter | Reverbnation | Soundcloud

Youtube | Last.FM | Instagram | Pinterest | Google +

Buy Links: iTunes | Bandcamp | Big Cartel | Amazon

 High Res Press Photo | EP Lyrics – The Queen of Kings– 2014 | Download The Queen of Kings EP Cover

FAYNE Announce Ontario/ Quebec ‘Make Your Way Back Home Tour’; New Music Video ‘Believers’

Supporting The Contortionist In Montreal Feb 22nd

New EP Out ‘The Queen of Kings’; Offer Free Download ‘Believers’

Make Your Way Back Home Tour 2015 – Teaser Video

iTunes – The Queen of Kings – iTunes

FREE DOWNLOAD – Believers – Free Download

BELIEVERS – Music Video

fayne - believers (official video hd) 

     Montreal, QC metal-core quintet Fayne are proud to announce they will be performing dates in Ontario and Quebec for their ‘Make Your Way Back Home Tour’ (dates listed below) in support of their new EP ‘The Queen of Kings’ released this past November via Crystal Math along with their recently released music video ‘Believers’, which can be viewed here. In additional news, Fayne‘s ferocious sound will be hitting the stage on February 22nd in Montreal to be local support for The Contortionist, Revocation, Fallujah and Toothgrinder. Full show details and ticket info can be found here.

Upcoming Show Dates:

Feb 22 – Montreal, QC @ Petit Cafe Campus w/ The Contortionist, Revocation, Fallujah, Toothgrinder – Tickets and info here.

‘Make Your Way Back Home Tour’: 

March 14 – Ottawa @ Pressed

March 17 – London @ APK

March 18 – Belleville @ The Belle Pub

March 19 – Toronto @ Smiling Buddha

March 20 – Oshawa @ Atria

March 21 – TBA

March 27 – Montreal, QC @ Katacombes

About:

After being on hiatus since 2008, Fayne reformed in 2013 with a renewed hunger and dedication to the Canadian metal scene to deliver a metal sound coupled with melodic, attitude-fueled breakdowns to compliment their high energy performances full of positive vibes, and ridiculously powerful guitar solos. Heavily influenced by bands such as Counterparts, Mastodon, and Periphery, Fayne’s ‘The Queen of Kings’ features a special guest appearance by Misery Signals vocalist Karl Schubach on their track Nomad’s Land plus was produced by guitarist Alex Gonzalez with the help from Alan Douches of West West Side Music (Dillinger Escape Plan, Every Time I Die, Between the Buried and Me) for the final mastering. The EP is the follow up to their 2004 debut ‘You Took it All Away’ and 2006’s ‘Delivering The Final Blow’ that lead the band on multiple Canadian tours plus opening slots to support bands like Alexisonfire, Underoath, Hopesfall and Blessed By A Broken Heart.  

Track Listing – FAYNE – The Queen of Kings

1.The Queen Of Kings (4:48)
2. Believers (4:05)
3. Isonic Flight (1:48)
4. Concord (4:55)
5. Nomad’s Land (featuring Karl Schubach of Misery Signals) (6:44)
EP Length: 22:22

EP Order:

iTunes

Bandcamp

Amazon

For more info, please visit the following links:

http://www.faynemusic.com/ 

http://www.facebook.com/faynemusic 

http://www.twitter.com/faynemusic 

http://instagram.com/faynemusic 

– 30 –

“Fayne have unleashed a maelstrom of a fury in The Queen of Kings EP. Bracingly raw yet just as feverishly sculpted the five track metalcore fuelled encounter reasserts the Montreal quintet as a seriously compelling proposition. It is merciless and ravenous examination of the senses and a perpetual spark for the imagination to feed upon.” – Ring Master Reviews 

 

“The Fayne heavy drum sound is similar to that of Slipknot. The vocal screams are like those of Hatebreed with the more melodic breaks of Redlight King’s vibe. The band is full of nonstop energy. The hooks from Alex and Nick are great to get the pulse going along with Carlo’s relentless percussion assault. Joseph shows his vocal range quite well on this release while Chris plays lights out on the bass tracks. It’s no surprise that they are a favorite of theValhalla Sound Circus after only one year. It’s a hint of great things to come from another good Canadian metal outfit.” – National Rock Review

 

“The Main Course for the night, Fayne, surely filled Our Hearts and Bellies with core-filled fist burgers and motivated serenading side salads!! Fayne is back and with a Vengeance: that’s for sure! The energy they created on stage powered their amps and reinforced the crowd. Surely Fayne has a message to spread! Thoughtful lyrical content brought us together, uplifting the crowd, spreading the power of oneness, and knocking down the walls of mind blocks that stand before us. And speaking of walls…the dense wall of sound created by the breakdowns surely raised a rumble of raised fists and energetic punters moshing heads.” – Montrealites (Live Review 2014)

 

“I was just impressed all around with how well these guys go together. Their chemistry on stage, musically, and physically is something I haven’t seen in a while.  Their music collides with an influence of Misery Signals meets Pantera. They are known for blending in sick guitar solos with heavier strums, melancholic/mean vocals and an insane amount of energy. When I mentioned throughout the day to a few friends I was checking these dudes out, I got a lot of “Those guys are awesome!” – clearly a good fan base as well. Congrats guys.” – (Live Review 2013) – Bucket List Music Reviews

 

“There is no doubt in my mind that Canada’s Fayne is a solid band, musically they’re very tight and heavy enough to make you crowd surf at one of their gigs.” – Explicitly Intense

 

” FAYNE have expressed all fury with “The Queen Of Kings”, packed into 5 small songs to make this short little EP. With raw flavors exposed in this collection, the quintet has created a monstrous noise…All in all the EP does mark a great return for FAYNE.” Metal Temple

 

“Fayne is back from their hiatus with a Fury of furious Screams, Hard Hitting skins and Heavy sculpted guitar leads and solos. With a silent but deadly approach Fayne slays into the album with the title track The Queen Of Kings.” – Kingston Music Reviews

 

“La recette est bien exploitée, tous les éléments du genre sont en place avec des guitares adipeuses qui chuintent lors de certains moments opportuns.” – Voir

0 NEWS: FAYNE Release New Music Video ‘Believers’; Supporting The Contortionist In Montreal Feb 22nd

  • January 5, 2015
  • by Asher
  • · Fayne

amr_logo_smal_570

For Interview, Album Requests, Media List contact

Jon Asher – Music Publicist – ashermedia [AT] gmail.com

Radio Promotions – radiotrackingashermedia [AT] gmail.com

#514.581.5780 – www.ashermediarelations.com

NEWS RELEASE

Montreal, QC – January 5, 2015

EP PROMOS CAN BE REQUESTED HERE

RIYL (Recommended if you like) =  Misery Signals, Alexisonfire, Periphery, The Ghost Inside, Vanna

EPK | FayneMusic.com | Facebook | Twitter | Reverbnation | Soundcloud

Youtube | Last.FM | Instagram | Pinterest | Google +

Buy Links: iTunes | Bandcamp | Big Cartel | Amazon

 High Res Press Photo | EP Lyrics – The Queen of Kings– 2014 | Download The Queen of Kings EP Cover

FAYNE Release New Music Video ‘Believers’; Supporting The Contortionist In Montreal Feb 22nd

New EP Out ‘The Queen of Kings’; Offer Free Download ‘Believers’

iTunes – The Queen of Kings – https://itunes.apple.com/ca/album/the-queen-of-kings-ep/id937274484 

FREE DOWNLOAD – Believers – http://faynemusic.bandcamp.com/track/believers 

MUSIC VIDEO – BELIEVERS – http://www.youtube.com/watch?v=lcOa6aInYYg

fayne - believers (official video hd) 

Montreal, QC metal-core quintet Fayne have unleashed their new music video ‘Believers’in support of their new EP ‘The Queen of Kings’, released digitally this past November via Crystal Math on iTunes here. Heavily influenced by bands such as Counterparts, Mastodon, and Periphery, FAYNE‘s new EP ‘The Queen of Kings’ features a special guest appearance by Misery Signals vocalist Karl Schubach on their track Nomad’s Land plus was produced by guitarist Alex Gonzalez with the help from Alan Douches of West West Side Music (Dillinger Escape Plan, Every Time I Die, Between the Buried and Me) for the final mastering.

After being on hiatus since 2008, the band reformed in 2013 with a renewed hunger and dedication to the Canadian metal scene to create this follow up EP to 2004’s debut ‘You Took it All Away’ and 2006’s ‘Delivering The Final Blow’ that lead the band on multiple Canadian tours plus opening slots to support bands like Alexisonfire, Underoath, Hopesfall and Blessed By A Broken Heart.

In addition to their video being released, the band’s ferocious sound will be hitting the stage on February 22nd in Montreal to be local support for The Contortionist, Revocation, Fallujah and Toothgrinder. Full show details and ticket info can be found here.

“We’re extremely excited to announce that we’ll be opening for The Contortionist on February 22nd at Le Petit Campus. We had the opportunity to watch and speak to them earlier this year and are thrilled to get the chance to share the stage with not only them but other great bands including Revocation, Fallujah and Toothgrinder this time around.” comments guitarist Nick Fazioli.

 

Track Listing – FAYNE – The Queen of Kings

1.The Queen Of Kings (4:48)
2. Believers (4:05)
3. Isonic Flight (1:48)
4. Concord (4:55)
5. Nomad’s Land (featuring Karl Schubach of Misery Signals) (6:44)
EP Length: 22:22

EP Order:

iTunes

Bandcamp

Amazon

For more info, please visit the following links:

http://www.faynemusic.com/

http://www.facebook.com/faynemusic

http://www.twitter.com/faynemusic

http://instagram.com/faynemusic

– 30 –

“Fayne have unleashed a maelstrom of a fury in The Queen of Kings EP. Bracingly raw yet just as feverishly sculpted the five track metalcore fuelled encounter reasserts the Montreal quintet as a seriously compelling proposition. It is merciless and ravenous examination of the senses and a perpetual spark for the imagination to feed upon.” – Ring Master Reviews 

 

“The Fayne heavy drum sound is similar to that of Slipknot. The vocal screams are like those of Hatebreed with the more melodic breaks of Redlight King’s vibe. The band is full of nonstop energy. The hooks from Alex and Nick are great to get the pulse going along with Carlo’s relentless percussion assault. Joseph shows his vocal range quite well on this release while Chris plays lights out on the bass tracks. It’s no surprise that they are a favorite of theValhalla Sound Circus after only one year. It’s a hint of great things to come from another good Canadian metal outfit.” – National Rock Review

 

“The Main Course for the night, Fayne, surely filled Our Hearts and Bellies with core-filled fist burgers and motivated serenading side salads!! Fayne is back and with a Vengeance: that’s for sure! The energy they created on stage powered their amps and reinforced the crowd. Surely Fayne has a message to spread! Thoughtful lyrical content brought us together, uplifting the crowd, spreading the power of oneness, and knocking down the walls of mind blocks that stand before us. And speaking of walls…the dense wall of sound created by the breakdowns surely raised a rumble of raised fists and energetic punters moshing heads.” – Montrealites (Live Review 2014)

 

“I was just impressed all around with how well these guys go together. Their chemistry on stage, musically, and physically is something I haven’t seen in a while.  Their music collides with an influence of Misery Signals meets Pantera. They are known for blending in sick guitar solos with heavier strums, melancholic/mean vocals and an insane amount of energy. When I mentioned throughout the day to a few friends I was checking these dudes out, I got a lot of “Those guys are awesome!” – clearly a good fan base as well. Congrats guys.” – (Live Review 2013) – Bucket List Music Reviews

 

“There is no doubt in my mind that Canada’s Fayne is a solid band, musically they’re very tight and heavy enough to make you crowd surf at one of their gigs.” – Explicitly Intense

 

” FAYNE have expressed all fury with “The Queen Of Kings”, packed into 5 small songs to make this short little EP. With raw flavors exposed in this collection, the quintet has created a monstrous noise…All in all the EP does mark a great return for FAYNE.” Metal Temple

 

“Fayne is back from their hiatus with a Fury of furious Screams, Hard Hitting skins and Heavy sculpted guitar leads and solos. With a silent but deadly approach Fayne slays into the album with the title track The Queen Of Kings.” – Kingston Music Reviews

 

“La recette est bien exploitée, tous les éléments du genre sont en place avec des guitares adipeuses qui chuintent lors de certains moments opportuns.” – Voir

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