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Tag: The Black Dahlia Murder

0 Scream & Growl To Los Angeles Death Shred Bloodfeast Ritual’s “Chopped Up And Burned” Karaoke Video

  • September 9, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – September 9, 2020


For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Scream & Growl To LA Death Shred Bloodfeast Ritual Evil Dead Karaoke Video “Chopped Up And Burned”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal;
we love all of the aspects of death metal as a genre, and we wanted to show that with this EP.
We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video/karaoke edition for their track “Chopped Up And Burned”, which fans can scream and growl along with on YouTube HERE.

The band adds:

“This song was born out of a mutual love for Evil Dead. The lyrics spell out the story of the movie, and we feel the music compliments it nicely.”

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

“”Chunky riffs, technical playing, and vicious raspy barks make up the majority of their sound, but they also display fistfuls of melodic leads that have more of a Trad sensibility to them that helps the band stand out, particularly on the first two tracks.” – The Metal Crypt

“If you like your death metal a little bit more of the shred-tastic sides of things, and are sick of all these ‘old school’ bands, then Bloodfeast Ritual’s debut EP ‘Altars of Sacrifice’ might just be for you. Coming hard on the Arsis/Black Dahlia Murder side of things, these Los Angeles dudes are tearing it up… The mix of shredding brutality and classical guitar work here is a reason that Bloodfeast Ritual have really go something going on on ‘Altars of Sacrifice’. It is a true love letter to the genre in its myriad forms, and Bloodfeast Ritual have the chops to pull off a variety of styles to really uphold the traditions without losing their modern edge. Check it out” – The Killchain Blog

“Gruesome death metal played with loads of energy and skill that will blow you away!” – Zax Records and Reviews

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 24, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 24, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Shares Playthrough Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their guitar playthrough video for “Eternally Molested By The One Most Foul”, where fans can witness guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Feel the shred with the guitar playthrough for “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”; Debut EP “Altars of Sacrifice” Out Now!

  • August 12, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – August 12, 2020

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Los Angeles Death Shred Bloodfeast Ritual Unleash Lyric Video “Eternally Molested By The One Most Foul”

Debut EP “Altars of Sacrifice” Out Now!


“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfeast Ritual unleashed their debut EP “Altars of Sacrifice” this past July. It’s a five-track introduction ranging from technical death metal to melodic shred, with lyrical content that shares the trio’s love for 80’s horror movies (The Evil Dead, Dawn of The Dead), video games (Bloodborne), HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, today the band is sharing their lyric video for “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos.

“This song was something Mike wrote at 4 in the morning because he couldn’t sleep until it was out of his head and on paper. We love the melody and song structure, and think it’s one of the most unique songs on the EP.” says the band.

Listen and get your headbang karaoke ready with “Eternally Molested By The One Most Foul” on YouTube.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Out Now! Los Angeles Death Shred Bloodfeast Ritual Debut EP “Altars of Sacrifice”

  • July 27, 2020
  • by Asher
  • · Bloodfeast Ritual · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – July 27, 2020

Interview request at asher[@]ashermediarelations[.]com

For fans of The Black Dahlia Murder, Arsis, Cannibal Corpse, Morbid Angel, Death

Out Now! Los Angeles Death Shred Bloodfeast Ritual Debut EP “Altars of Sacrifice”

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre,
and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” – Bloodfeast Ritual

Los Angeles death shred Bloodfest Ritual have unleashed their debut EP “Altars of Sacrifice”, out now, officially as of July 24th. A five-track introduction ranging from technical death metal to melodic shred, the release’s lyrical content shares the trio’s love for 80’s horror movies, HP Lovecraft, and general blasphemy.

“This EP is a love letter to Death Metal. Old School, Modern, Technical and Brutal; we love all of the aspects of death metal as a genre, and we wanted to show that with this EP. We tried to display our influences by dramatically changing the vibe of each song.” says the band.

Heavy, fast, and brutal, the EP’s opener “Grave Fodder” resurrects the dead with its shred, guttural vocals and slamming assault of 90’s influenced Swedish death metal. Followed by “Eternally Molested By The One Most Foul”, where listeners can expect a guitar nerd’s wet dream as guitarists Michael Bala and Hunter Gurney showcase the rippage with four excitable solos. “No More Room In Hell” is a salute to ‘Dawn of The Dead’ and hits fans of old school Carcass and Cannibal Corpse with its brutal slam section, while “Chopped Up and Burned” is a tribute to ‘The Evil Dead’ and has many hints of early 90’s death metal. EP closer “Fetid Offering”, was the first song written by guitarist Hunter Gurney for the band and is about the video game Bloodborne. The track erodes what neck muscles you have left from headbanging with its blunt force trauma of The Black Dahlia Murder meets Necrophagist.

Bloodfeast Ritual’s debut EP “Altars of Sacrifice” is available on Bandcamp, Apple Music, Spotify, and Amazon.

Lyric Video – Chopped Up And Burned – YouTube

Lyric Video – Eternally Molested By The One Most Foul – YouTube

Track Listing:
1. Grave Fodder (4:27)
2. Eternally Molested By The One Most Foul (4:46)
3. No More Room In Hell (4:40)
4. Chopped Up And Burned (3:39)
5. Fetid Offering (3:21)
EP Length: 20:56

More info:
Bloodfeastritual.com
Facebook.com/bloodfeastritual
Instagram.com/bloodfeastritual
EPK

About:

Formed in the barren lands of Los Angeles when guitarist Hunter Gurney found fellow guitarist Michael Bala shredding at a Guitar Center in Hollywood, CA. With the shock and awe of each other’s talent, a friendship was quickly formed, and soon after the two mad lads began jamming, jellying, and collaborating in all senses of the phrase.

Between the two of them, there was a strong, electrical creative energy that compelled the pair to both write songs. The young shredders were very inspired by HP Lovecraft, 80s horror, and older style death metal. Hunter added his own flavor to Michael’s existing songs, and Michael helped Hunter expand his own songwriting abilities. The pair worked very quickly, and composed a handful of crunchy tunes; soon after, it was time to find other members to join their cult for brutality.

Through a mutual friend, the duo met growler David Ainsworth. Michael and Hunter were taken aback at David’s ability to perform metal vocals in a wide variety of styles, and suddenly the wolf pack became a terrifying trio of tremendous heavy metal titans. The Mississippi Mutant aka David became close with Michael and Hunter and joined them on their quest for death metal domination.

After a few solid months in the practice room, the trio decided it was time to hit the studio. Five songs for annihilation were chosen to be recorded and were executed with surgical precision, under the watchful eye of Charlie Waymire from Ultimate Studios. Michael and Hunter shared bass duties on the recording, and vocalist David injected his vocal venom from with lyrics of demons and eldritch horrors. Showcasing a range from technical death metal to melodic shred, the trio’s sonic devastation “Altars of Sacrifice” (EP) was completed and set to assault the masses on July 24th, 2020.

2020 is proving to be a big year for Bloodfeast Ritual. The band is beginning their journey, and they appreciate each and everyone that has encouraged them, either in the form of inspiration or those that have taken the time to pass on a kind word. Especially during the current age of Covid.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia

0 Edmonton Progressive Death OMNIARCH Shares Guitar Playthrough “Ohm Cairn” + New Self-Titled Album Out Now!

  • July 15, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC -July 15, 2020

Interview Request at asher[@]ashermediarelations[.]com

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton Progressive Death OMNIARCH Shares Guitar Playthrough “Ohm Cairn”

Premiere Playthrough via TheProgSpace

Self-Titled Album Out Now!

Unleashing their debut self-titled album earlier this May, Edmonton progressive death metallers Omniarch are sharing with fans their new guitar playthrough for the track “Ohm Cairn”. Guitarists Mason Wilson (playing on a Solar S1.6 FR) and Morgan Lambert (playing an Ibanez RG550 in C standard) showcase the shredding fest via its premiere on TheProgSpace HERE.

The band adds:

“This is definitely our toughest and most fun song to play! It has a little bit of everything: trem picking, string skipping, melodic leads, high-flying solo sections, a classical section, and all at a blistering 250 bpm! Enjoy.”

A unique journey through history, mythology, imagination, and learning through introspection and reflection. Omniarch‘s seven-track debut full-length is a composite of progressive and technical death metal, played by five seasoned musicians that bring an eclectic set of skills to the band. The Canadian quintet is recommended for anyone with an interest in melodic, technical, relentless death metal, especially fans of The Black Dahlia Murder, The Absence, and Arsis.

Commenting on the album, the band had this to say:

“We hope fans of aggressive, progressive, and technical metal music will enjoy this one. We feel it’s something new, but still within the realms of what we know and love. This debut album is our full, headlining set, and plays great in its track listing order. We are already working on an EP of all 7 string songs to follow, as well as working on another EP more indicative of our current sound/tuning. We released what we had up until now, and pride ourselves on our fecundity as a band. We have plenty of music coming down the pipe.”

Omniarch‘s self-titled album is available on Bandcamp, Spotify, and Apple Music.

Music Video – ‘Pathfinder’ HERE.
Lyric Video – ‘Ohm Cairn’ HERE.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

“Omniarch come our way from Edmonton, Alberta, Canada, and they don’t come timidly. Their formulation of technical and progressive death metal absolutely blazes with exuberant spirit, technical virtuosity, and turbocharged energy, while incorporating memorable melodic and atmospheric accents. It’s the kind of music that will likely find welcome among fans of such bands as Revocation, Inferi, and The Black Dahlia Murder. ” – No Clean Singing

“Fire and fury with a really strong technical edge, Omniarch live and breathe their metal, choking all who share the same space…. Ursa Major is one hell of a closer. The drums and guitars taking the mood down to dark places, the vocals the sound of hellish noise in the shadows. Then out of the blue the band throw out an absolute beast of a guitar solo. It’s momentously heavy stuff.” – Games, Brrraaains & A Head-Banging Life

“Ohm Cairn is brutal, death metal with shredding solos, and some cool melodic moments!” – Ghost Cult Mag

“The Canadian crew combines a technical and melodic sound not many newer bands achieve these days and it’s rather impressive.” – Technical Music Review

“Omniarch have furnished us all with an excellent record.” – Wicked Metal Review 

“an ambitious Melodic Death Metal act that are clearly reaching for an individual sound on their self-titled debut.” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Edmonton’s OMNIARCH Premiere Music Video ‘Pathfinder’ via TheCirclePit; Self-Titled Album Out Now!

  • May 27, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC – May 27, 2020

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton’s OMNIARCH Premiere Music Video ‘Pathfinder’ via TheCirclePit

Self-Titled Album Out Now!

Unleashing their debut self-titled album earlier this May, Edmonton progressive death metallers Omniarch are sharing with fans their new music video for the track ‘Pathfinder’ via its premiere on TheCirclePit‘s YouTube channel HERE.

The band adds:

“This song is about feeling what you love, doing what you love, and being who you truly are.” 

A unique journey through history, mythology, imagination, and learning through introspection and reflection. Omniarch‘s seven-track full length is a composite of progressive and technical death metal, played by five seasoned musicians that bring an eclectic set of skills to the band. The Canadian quintet is recommended for anyone with an interest in melodic, technical, relentless death metal, especially fans of The Black Dahlia Murder, The Absence, and Arsis.

Commenting on the album, the band had this to say:

“We hope fans of aggressive, progressive, and technical metal music will enjoy this one. We feel it’s something new, but still within the realms of what we know and love. This debut album is our full, headlining set, and plays great in its track listing order. We are already working on an EP of all 7 string songs to follow, as well as working on another EP more indicative of our current sound/tuning. We released what we had up until now, and pride ourselves on our fecundity as a band. We have plenty of music coming down the pipe.”

Stream or download of Omniarch‘s self-titled album is available on Omniarch.bandcamp.com, Spotify, and Apple Music.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

“Omniarch come our way from Edmonton, Alberta, Canada, and they don’t come timidly. Their formulation of technical and progressive death metal absolutely blazes with exuberant spirit, technical virtuosity, and turbocharged energy, while incorporating memorable melodic and atmospheric accents. It’s the kind of music that will likely find welcome among fans of such bands as Revocation, Inferi, and The Black Dahlia Murder. ” – No Clean Singing

“Fire and fury with a really strong technical edge, Omniarch live and breathe their metal, choking all who share the same space…. Ursa Major is one hell of a closer. The drums and guitars taking the mood down to dark places, the vocals the sound of hellish noise in the shadows. Then out of the blue the band throw out an absolute beast of a guitar solo. It’s momentously heavy stuff.” – Games, Brrraaains & A Head-Banging Life

“Ohn Cairn is brutal, death metal with shredding solos, and some cool melodic moments!” – Ghost Cult Mag

“The Canadian crew combines a technical and melodic sound not many newer bands achieve these days and it’s rather impressive.” – Technical Music Review

“Omniarch have furnished us all with an excellent record.” – Wicked Metal Review 

“an ambitious Melodic Death Metal act that are clearly reaching for an individual sound on their self-titled debut.” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Edmonton’s OMNIARCH Premiere Full Stream of Debut Album via TechnicalMusicReview; Self-Titled Album Out May 8th 

  • May 6, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC – May 6, 2020

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton’s OMNIARCH Premiere Full Stream of Debut Album via TechnicalMusicReview

Self-Titled Album Out May 8th 

Set to unleash their debut self-titled album on Friday, May 8, 2020, Edmonton progressive death metallers Omniarch are sharing with fans a full stream preview of the release.

A unique journey through history, mythology, imagination, and learning through introspection and reflection. The seven-track full length is a composite of progressive and technical death metal, played by five seasoned musicians that bring an eclectic set of skills to the band.

“Most of the tracks were loosely arranged by our guitarist Mason, before Omniarch’s inception. Morgan, our second guitarist, learned the songs over time, and added, changed, and fleshed out parts. We brought the more complete versions of the songs to the full band, and everything took off quickly. Our debut album is our full, headlining set, and plays great in the track listing order of the release. We are already working on an EP of all 7 string songs to follow, as well as working on another EP more indicative of our current sound/tuning. We released what we had up until now, and pride ourselves on our fecundity as a band. We have plenty of music coming down the pipe.”  says the band.

Omniarch is recommended for anyone with an interest in melodic, technical, relentless death metal, especially fans of The Black Dahlia Murder, The Absence, and Arsis.

To hear the album’s full stream, please visit its premiere via Technical Music Review HERE. 

Album pre-order HERE.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

“Omniarch come our way from Edmonton, Alberta, Canada, and they don’t come timidly. Their formulation of technical and progressive death metal absolutely blazes with exuberant spirit, technical virtuosity, and turbocharged energy, while incorporating memorable melodic and atmospheric accents. It’s the kind of music that will likely find welcome among fans of such bands as Revocation, Inferi, and The Black Dahlia Murder. ” – No Clean Singing

“Fire and fury with a really strong technical edge, Omniarch live and breathe their metal, choking all who share the same space…. Ursa Major is one hell of a closer. The drums and guitars taking the mood down to dark places, the vocals the sound of hellish noise in the shadows. Then out of the blue the band throw out an absolute beast of a guitar solo. It’s momentously heavy stuff.” – Games, Brrraaains & A Head-Banging Life

“Ohn Cairn is brutal, death metal with shredding solos, and some cool melodic moments!” – Ghost Cult Mag

“The Canadian crew combines a technical and melodic sound not many newer bands achieve these days and it’s rather impressive.” – Technical Music Review

“Omniarch have furnished us all with an excellent record.” – Wicked Metal Review 

“an ambitious Melodic Death Metal act that are clearly reaching for an individual sound on their self-titled debut.” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Edmonton’s OMNIARCH Premiere Single ‘Pathfinder’ via NoCleanSinging; Debut Album Out May 8th 

  • April 14, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC – April 14, 2020

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton’s OMNIARCH Premiere Single ‘Pathfinder’ via NoCleanSinging

Debut Album Out May 8th 

Canada’s Omniarch have unleashed their second single ‘Pathfinder’ from their debut self-titled album that is scheduled for release on May 8, 2020.

The album itself, as the band suggests, is a vastly differing and unique journey through history, mythology, imagination, and learning through introspection and reflection. The seven tracks are a composite of progressive and technical death metal, played by five seasoned musicians that bring an eclectic set of skills to the band.

‘Pathfinder’ is a track about personal honesty, about feeling what you love, doing what you love, and being who you truly are. The band explains their expectations of the album and hopes for listeners reception:

“It is suitable for fans of aggressive, progressive and technical metal music, it is something new, but still within the realms of what we know and love. Our debut release is our full, headlining set, and plays great in the order of the album”

Recommended for anyone with an interest in melodic, technical, relentless death metal especially fans of The Black Dahlia Murder, The Absence, and Arsis.

Listen to ‘Pathfinder’ via its premiere on NoCleanSinging HERE.

Album pre-order HERE.

‘Ohm Cairn’, the band’s first single is streaming HERE.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Edmonton’s OMNIARCH Premiere Single ‘Ohm Cairn’ via GhostCultMagazine; Debut Album Out May 8th 

  • March 26, 2020
  • by Asher
  • · Music News · Omniarch

(contact info below)

NEWS RELEASE

Montreal, QC – March 26, 2020

For fans of Revocation, The Black Dahlia Murder, The Absence, Arsis, Allegaeon

Edmonton’s OMNIARCH New Single ‘Ohm Cairn’ Off Upcoming Debut Album Out May 8th

Edmonton’s Omniarch are set to release their debut self-titled album on May 8, 2020. Melodic, technical and relentless, the Canadian act is refining the chaos of death metal and adding intricate technicalities.

The first single off the debut is ‘Ohm Cairn’, a savage journey of 6-string delights and aggressive melodies. Omniarch has been toiling away on this album and is excited to show off their handiwork to local and international fans. The album is a vastly differing and unique journey through history, mythology, the imagination, and learning through introspection and reflection and the single tells the tale of the Omniarch, his rise to power and omnipotent rule.

They have cast their net wide and expect to entice fans across the metal spectrum, in their own words:

“It is suitable for fans of aggressive, progressive and technical metal music, it is something new, but still within the realms of what we know and love. Our debut album is our full, headlining set, and plays great in the order of the album.”

Any fans of technical and progressive death metal will find comfort in the blasting sounds of Omniarch, especially those who like Revocation, Inferi, and The Black Dahlia Murder.

‘Ohm Cairn’ is streaming via its premiere on GhostCultMag HERE.


Track Listing:
1. Caligula (7:00)
2. A Voracious Awakening (3:57)
3. Humanaut (4:25)
4. Ohm Cairn (6:40)
5. Wrath of Erymanthos (4:06)
6. Pathfinder (3:55)
7. Ursa Major (7:39)
Album Length: 37:45

Album Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye – Vocals
Henry Giesbrecht – Drums

Live Band Line Up:
Morgan Lambert – Guitar
Mason Wilson – Guitar
Jon Hofmann – Bass
Mackenzie LaHaye vocals, Sean Higgins drums

For more info:
Facebook.com/omniarchmetal780
Instagram.com/omniarchmetal
EPK

About:
Omniarch was formed from the ashes of two former bands, Netherward and This is War. Morgan Lambert (guitar), Mason Wilson (guitar), Jon Hofmann (bass), Mackenzie LaHaye (vocals), and  Henry Giesbrecht (drums) who had played gigs together in separate bands, had always entertained the idea of joining forces. Eventually, conditions allowed for the amalgamation of the two bands into a new and wholly different alloy of metal and formed the beginning of Omniarch.

Giesbrecht, the original drummer, added a new dynamic to the band with his fresh approach to metal song structures. Eventually, Giesbrecht moved on and made way for Sean Higgins to step in and make his own indelible mark on the band with his nuanced sense of rhythm and pace. The disparate and yet congruous influences have come together to showcase a truly unique and exciting band, full of opportunity.

Each Omniarch song starts with a collaboration between Wilson and Lambert to determine the riffs, which are then brought to the rhythm section where they are morphed into a  cohesive idea that is splattered with aggressive technical death metal vocals with themes surrounding history, fantasy/science fiction, and mythology.

Omniarch is just getting started, as of spring 2020 they have a fresh self-titled release out on May My 8th with plenty more music coming down the pipe. Watch out for them on the live circuit and take your chance to witness a compelling live show that challenges boundaries.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 THE FLAYING’s New Music Video ‘Place du Parvis’ Pays Homage To Hometown of Quebec City

  • December 5, 2019
  • by Asher
  • · Music News · The Flaying

(contact info below)

NEWS RELEASE

Montreal, QC – December 5, 2019

 

For fans of The Black Dahlia Murder, Deicide, Archspire, Cryptopsy, Suffocation

THE FLAYING’s New Music Video ‘Place du Parvis’ Pays Homage To Hometown of Quebec City

Win Quebec GAMIQ Award For “Metal Album of The Year”

Album ‘Angry, Undead’ Out Now! via PRC Music

L to R: Seb – Bass, Wil – Vocals, Mike – Drums,  Did – Guitar

Recently winning “Metal Album of The Year” at the GAMIQ awards (Gala alternatif de la musique indépendante du Québec) for their debut “Angry, Undead” released this past March on PRC Music, brutal death metal contingent THE FLAYING are paying homage to their hometown of Quebec City with the new music video ‘Place du Parvis’.

The band explains:

“Place du Parvis is an important hub in Quebec city. It’s an area in our hometown that’s a very lively place that sees all social classes living side by side, for better or for worse. From the spray-painted back alleys to the churches, to the restaurants and household dwellings. We found hitting the street like a metal Beastie Boys posse was the best way to showcase our love for this track and hometown. Special thanks and shout out to Jannick Côté from Headcase Prods for filming and editing, Carl Méthot from HsProds for filming for being outstanding as always. Thanks to all of you for coming to the shows, supporting your bands and scene!”

Watch ‘Place du Parvis’ via its premiere on Decibel Magazine HERE.

The sophomore album “Angry, Undead” was released this past march via PRC Music. Working with Christian Donaldson of Cryptopsy at The Grid in Montreal, QC, the album is pure mayhem for their fastest and most brutal debauchery to date. The concept of “Angry, Undead” is an intricate one with each of the eight songs falling under a distinct axis: Chaos (social manifestations); Madness (individual manifestations); and Void (existential manifestations). It is brutal, instinctive, unique, and wicked, and is recommended for fans of Cryptopsy, Archspire, Suffocation, and Deicide.

THE FLAYING‘s album “Angry, Undead” is available on Bandcamp, PRC Music, Spotify, and Apple Music.
Music Video – ‘La Valse du Scorpion’ here.
Lyric Video ‘Genuflect’ here.

Show Dates:
January 25 – Sherbrooke, QC – Le Murdoch – Sherbrooke Death Fest w/ Beneath The Massacre, Nervous Impulse, Holy Cost
Feb 15 – Quebec City, QC – L’Anti Bar
May 2 – Ste-Anne-des-Monts, QC – Microbrasserie Le Malbord w/ Brazen

Track Listing:
1. Ouverture Écarlate (0:35)
2. Disloqué (3:15)
3. Place du Parvis (3:53)
4. Genuflect (4:00)
5. Egocentric Predicament (0:44)
6. Elegy of Emptiness (3:41)
7. La Valse du Scorpion (4:18)
8. Angry, Unleashed (3:23)
9. Angry, Undead (5:34)
Album Length: 29:28

Album and Live Line Up:
Didier Samson aka “Did”  – Guitars
Sébastien Marier-Verret aka “Seb” – Bass
William Murray aka “Wil” – Vocals
Michel Bélanger aka “Mike” – Drums

For more info:
Prcmusic.com
Facebook.com
Instagram.com
EPK

BIO:

And it all began with the rope dancer….

Formed in July 2010, The Flaying is a death metal band based in Quebec City, Canada that focuses on fluid melodic construction of songs featuring brutal sections which are further complemented by vocals with both low end growls and hateful high pitches.

Since their first release Unhope (2014), Seb, Did, Wil and Mike are forging ahead in order to adopt a more brutal approach: adding new grooves, a greater velocity, and creating a wider ambiance as well as keeping breakdowns and progressive parts with counterpoints constructing a main theme of anger and a general hate of humanity.

Soldiering on with the philosophy of one band, four individuals, four personalities to collide, the writing process is a team effort initially seeing the band collaborate on riffs and groove ideas, adding a flourish of low-end colors, and blending the whole thing together with flying vocals that create a manifest of pure mayhem. This product of this steadfast diablerie will be realized on March 22, 2019, when the second album “Angry, Undead” is unleashed on PRC Music.

– 30 –

“Le guitariste Didier Samson se fait déjà appeler «Maître» dans sa profession d’avocat criminaliste, mais c’est au titre de «maîtres du métal» que lui et ses trois acolytes du groupe death metal The Flaying aspirent avec leur deuxième album Angry, Undead qui paraît le 22 mars sur l’étiquette émergente PRC Music.The guitarist Didier Samson is already called “Master” in his profession of criminal lawyer, but it is under the title of “masters of the metal” that he and his three acolytes of the death metal band The Flaying aspire with their second album Angry, Undead which appears March 22 on the emerging label PRC Music.” – Le Soleil: The Flaying: Maîtres du métal:

“True to the band’s name, the music of The Flaying will slash the skin from your face in paroxysms of blood-spraying savagery. But it does more than that. It will also suck the air from your lungs, boil the brain, and hammer your bones into fragments fine enough to blow away in the wind.” – No Clean Singing  

“Angry, Undead is quite a number, I am really digging these addictive and mesmerizing death metal tunes and I am quite sure most of you technical and progressive death metal fans out there will feel the same about this album once you have checked this out. The Flaying is definitely a band to keep an eye and an ear on!” – Lords of Metal 

“Solid and thoroughly enjoyable, The Flaying make a name for themselves on their second album. Angry, Undead is never at a loss for momentum and rage, and still manages to tickle your ears with its massive grooves and musical prowess.” – Dead Rhetoric

“It is a savage, brutish and barbaric death metal album emphasized by the nasty groove of Elegy of Emptiness and the booming Angry, Unleashed. A fine addition to any death metal fan’s collection.” – Games, Brrrains & A Head-Banging Life

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Tweet @AsherMedia
Instagram @AsherMedia
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