techdeath |

0 Hurtle Through Space With ORBITAL EXTREMA’s Instrumental Tech Death Album “Apsis”

NEWS RELEASE

Montreal, QC – September 29, 2023

Hurtle Through Space With ORBITAL EXTREMA’s Instrumental Tech Death Album “Apsis”

L-R: Orbital Extrema Current Line Up | Robin Stone (Drums) | Sean Dempsey (Guitar) | Sean Ryan (Bass)

Tacoma, WA, USA’s Orbital Extrema aren’t ones to play by the rules, and their sixteen-track debut album “Apsis”, is a flawless example of how they are doing things differently. The galactic instrumental technical death metal album boasts complex arrangements, relentless blast beats, and melodic riffs that will send listeners into space. The band shares their thoughts:

“I think one of the most appropriate ways to enjoy ‘Apsis’ is while driving or during a workout in the gym. Concept albums have always been very inspiring for us and ‘Apsis’ is thematically consistent with a story in mind, despite there being no vocals/lyrics on the record. We wanted to provide music that was thematically consistent with the instrumentation and song titles, as well as order the songs in a way that not only ebbed and flowed appropriately but also made a cohesive story-telling experience through the variety of musical sections present in the album.”

Originally conceived as a 4-song EP, “Apsis” evolved into a full-length album following significant personal events for each band member and the unique creative environment fostered by the pandemic during the lockdown portions of 2020-2021. The album is a labor of love, representing Orbital Extrema‘s commitment to crafting a captivating and intense instrumental tech death experience.

The name “Orbital Extrema” itself is a nod to celestial orbits and mathematical extrema, reflecting the band’s deep-rooted fascination with science, particularly space. “Apsis” defies conventional instrumental metal norms by blending the intensity and technicality of technical death metal with the adventurous spirit of progressive metal. The album delves into the wonders of space, with song titles referencing black holes, exploding stars, and other celestial phenomena. Delivering intensity with purpose, intent, and deliberate choices of harmonies, time signatures, syncopation, and polyphony, it is recommended for fans of Dark Matter Secret, Obscura, and Beyond Creation.

“Apsis” is out as of September 29, 2023, and can be heard in full on TheCirclePit YouTube Channel – https://youtu.be/brjmpsZluOs

Orbitalextrema.bandcamp.com

Spotify

Video – Impending Armageddon – https://youtu.be/9vcS8WOE0hg

Video – Galactic Magnetar – https://youtu.be/BFW_T42bquY

Track Listing:
1. Apoapsis (0:52)
2. Aphelion (3:15)
3. Impending Armageddon (2:51)
4. Blitzar (3:57)
5. Event Horizon (3:07)
6. Polymetric Substantiation (3:42)
7. Exoplanetary Devastation (2:55)
8. Galactic Magnetar (3:01)
9. Hypernova (3:37)
10. Plerion (3:31)
11. Interstellar Collision (3:46)
12. Singularity (3:08)
13. Escape Velocity (2:03)
14. Hyperbolic Trajectory (3:06)
15. Fractals (3:33)
16. Celestial Genesis (6:29)
Album Length: 53:00

Album Credits:
Nick Nodurft (Rusty Sun Audio) – Mixing Engineer, Mastering Engineer, Producer
Davie Brown (Empirius) – Apsis Album Art
Echo Graphic – Band Logo
Sean Dempsey – Songwriting, Guitar Composition, Guitar Performance
Sean Ryan – Bass Composition, Bass Performance
Robin Stone – Drum Composition, Drum Performance
Matias Quiroz – Guest guitar solo for Event Horizon
Dennis Franco – Guest guitar solo for Impending Armageddon
Carey West – Guitar Composition for Aphelion, Polymetric Substantiation, Exoplanetary Devastation, Galactic Magnetar, Escape Velocity and Celestial Genesis
Will Vinson – Guitar Composition for Blitzar
Austin Rolla – Songwriting for Fractals
Joseph Howard – Songwriting for Fractals

Album Band Line Up:
Sean Dempsey – Guitar
Sean Ryan – Bass
Robin Stone – Drums

More Info: Facebook.com/orbitalextrema | Twitter.com/OrbitalExtrema | Instagram.com/orbitalextrema | Tiktok.com/@orbitalextrema

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ASHER MEDIA RELATIONS
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#.514.581.5780
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0 ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction; New Album “Endanger Us All” Out February 2023

NEWS RELEASE

Montreal, QC – November 17, 2022

ASYLENCE’s New Music Video “Soulless” Is Bloody Tears For Friends Lost To Addiction

New Album “Endanger Us All” Out February 2023

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. At the beginning of next year, they will be releasing their full-length album “Endanger Us All” and The Circle Pit is now premiering their second single “Soulless”, which comes at you heavy, fast, and punishing as they count down the days to the album release. They wanted the second look at this new offering to be a heavy one, “Soulless” was the obvious choice. Vocalist Ryan Lang explains further:

“This is another oldie but a goodie. One of the heaviest songs we’ve ever written especially early on in the band. This is screaming in an addict’s face. This is how hard it is to see a loved one fade away into the depths of addiction. This song is so emotional for me, I’ve lost far too many friends to drugs and addiction, and I’m no stranger to my own struggles myself. I hope that this song can provide someone with comfort that they are not alone and maybe this could help encourage people to wake up and change their lives for the better.”

A fun fact about the single, the ending was actually first written off the cuff live. They screwed up how it was supposed to end and just ran with it and the crowd loved it. They did too, so it was added to the final song. The album “Endanger Us All” is a combination of Asylence’s oldest and newest material. The older songs have always been a staple in their live sets and they wanted to finally record them right and do them justice. The new songs have been completed since the release of their 2020 EP “Eulogy Of Man” and they really constructed the bridge from what we were to what they’re becoming.

Asylence started out trying to be as heavy as they could possibly be but now they find themselves exploring more techniques and ideas that they had never previously thought to pursue. They are recommended for fans of Arch Enemy, DevilDriver, and Amon Amarth.

Watch and listen to the music video for “Soulless” at https://youtu.be/YIrMYwf3B2U

Digital – Spotify, Apple Music

“Endanger Us All” is due out on February 24, 2022.

Previous Video – Endanger Us All – https://youtu.be/T8QsWbi97uw

For more info:
https://www.asylence.com
http://www.facebook.com/asylence
http://www.instagram.com/asylence
http://www.twitter.com/asylence
http://www.tiktok.com/@asylence

About: Asylence (uh-sigh-lence): A hybrid of the words Asylum and Silence, when joined together, present a universal idea and timeless message: The constant suffering and failures of mankind. After the dissolution of drummer Alex Aubuchon’s highly active, long-standing thrash band, he began to focus his efforts on recruiting for his new project. He discovered the talent of guitarist Aaron Lumsden, an avid scene supporter who frequented many local and regional shows.

A dedicated relationship quickly formed between the pair, and Asylence was born. Frontman Ryan Lang, having been a mainstay in the Detroit metal scene but group-less at the time, was Asylence’s first choice to handle vocal duties. Ryan accepted, excited at the idea of hitting the stage once again. Shortly after, bassist Richard Olrich joined the group to complete the sound. A new era of heavy metal ensued.

Forged from the melting pot of Detroit’s underground metal scene, Asylence is a well-oiled metal machine built with passion, intent, and ferocity like no other. Since their formation in 2016, Asylence has been on a path of sonic destruction as they crush their audiences with fierce live performances throughout Michigan and surrounding states, opening for national acts such as Archspire, Belphegor, and Sea of Treachery, among others. Taking no prisoners and amassing a loyal, respecting fan base in the Midwest and beyond, behold the rise of Asylence.

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

NEWS RELEASE

Montreal, QC – November 10, 2022

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

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““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)