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Tag: spotify

0 Exitus Stratagem Records – Out Now! United By Pain and Rage Hungary’s SIN OF GOD Unshackle New Album “Blood Bound”

  • February 18, 2025
  • by Asher
  • · Music News · Sin of God (Exitus Stratagem Records0

NEWS RELEASE

Montreal, QC – February 18, 2025

Out Now! United By Pain and Rage Hungary’s SIN OF GOD Unshackle New Album “Blood Bound”

Fourth Studio Album “Blood Bound” Out February 18th, 2025 via Extius Stratagem Records

L-R: Krisztián Páncél (bass) / Tamás Kis (guitar) / Tamás Schupkégel (vocals) / Balázs Botyánszki (drums)

Photo credit: László Varga/VARESZ.Fotó

​
The metal world is now “Blood Bound” with the release of Hungary’s SIN OF GOD‘s fourth studio album from Exitus Stratagem Records. With influences in thrash, ODM, and blackened and progressive death metal, Sin of God‘s sacrificial offering “Blood Bound” will please both old and new-school death metal fans at the same time. This new full-length presents a collection of variations that exhibit brutality and softness. It is something fans have heard in the past from the band but it has never sounded like this.

“This album was a very painful and gory birth. Blood Bound was born bloodied and beaten. It was hurt by viruses, epidemics, wars, pollution, stupidity, irresponsibility, lies and deception. But finally, Blood Bound is here! Blood Bound is a mirror. Look into it! You will see the past, the present, and the future. Blood Bound is not a concept album, but it is united by the pain and rage that boils inside us. It reflects the best of our current knowledge. We wanted to write something simple and raw, conveying the message clearly but musically interesting, unique, and challenging. If you look at the album artwork, you’ll know exactly what to expect. Blood Bound is (life and) death metal at its finest, not for the faint of heart, that’s for sure!” adds the band.

Recommended for fans of Aborted, Bloodbath, Cattle Decapitation, Cryptopsy, and Psycroptic, Sin of God’s latest album “Blood Bound” is now available as of February 18, 2025, from Exitus Stratagem Records, and available at the following links:

Digital – https://hypeddit.com/sinofgod/bloodbound

​

CD order – https://www.exsrmusic.com/store/p/sin-of-god-blood-bound-lp-cd​

Music Video – “No Return” – https://youtu.be/r9vmBJSdu_U

​

Visualizer – “Black Waves” – https://youtu.be/u6h13peGlrs

​

Track Listing:​
1. Blood Bound (3:52)
2. Black Waves (4:16)
3. No Return (4:58)
4. The Unbelief (4:49)
5. Diabolical Agitation (7:44)
6. Obulus (3:28)
7. Cerebral Malfunction (4:02)
Album Length: 33:09
​
​Album Credits:​
Album recorded at: Denevér Hangstúdió, Hungary
Mixed and mastered by Sam Winslow/Sam Winslow Music
Album artwork by Tamás Kis
​
​Album Band Lineup:​
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Michele Gawen Augello – Bass
Balázs Botyánszki – Drums
​
​Live Band Lineup:​
Tamás Schupkégel – Vocals
Tamás Kis – Guitar
Krisztián Páncél – Bass
Balázs Botyánszki – Drums

More info:

​Exsrmusic.com | Facebook.com/ExSRecords | Instagram.com/exsrmusic​

​Sinofgod.com | Facebook.com/sinofgodhu | Instagram.com/sinofgodmetal​

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“This isn’t just an all out sonic barrage, though. There are lulls where the “heavy” gets a chance to build before all Hell is once again let loose upon the listener. Lyrics are guttural and harsh, and the guitars have that classic deathmetal sawtooth edge to them. Sin of God manage to pack quite a few riffs in amongst the rapid-fire rhythms, and the drums are impressive. Maintaining a speedy double kick through most songs to keep you heart racing,” – The Moshville Times​
​
​““No Return” is an absolutely brutal death metal track, full of raging guitars and non-stop blast beats that create an intense and chaotic atmosphere for the whole song. The lyrics tackle addictive desires and how they can be all-consuming. At the same time, the rather disturbing lyric video sees the lyrics over a viscerally all-too-realistic image of angels and Jesus amongst devils in Hell. It’s all a classic death metal sound and imagery, and it gets really creepy.” – New Noise Magazine​
​
​“The upcoming Blood Bound by Sin of God is the fourth full release from the Hungarian Extreme Metal monsters and it is the best record they have ever fucking made. It is as brutal as having a stream roller run over you, slowly crushing every bone and muscle inside your body. It’s as vicious as being dressed in a meat suit while a pack of hungry, rabid dogs are set upon you. And it’s as heavy as having concrete poured down your throat, before your corpse is thrown into the deep, dark sea. It is, quite frankly, fucking brilliant…Let’s face it, Sin of God don’t fuck about and if you’re coming to Blood Bound expecting anything other than the most extreme of metal, then you’re gonna have a bad time and don’t let the door hit you on the way out. Blood Bound is a statement that Sin of God are making a claim for the Extreme Metal throne, and on the strength of this, it’s hard to see how anyone could possibly stop them.” – Black Metal Archive​
​
​“It is the sound of a machine gun that immediately kick-starts the album and it comes at you courtesy of all four musicians. It is instantly clear: Blood Bound is brutal, crushing black/death metal with no hint of mercy. The singer Tamás Schupkégel deploys two tones and uses two channels to disseminate his preachy and ominous augury. The guitar is sharp. The warm drum sound and the barrage of artillery that goes boom is probably the album’s highlight. The drummer loves his drum rolls and his blast beats and more power to him… Call yourself a fan of Aeon, Cryptopsy, God Among Insects or Pestilence? Exitus Stratagem has a CD for you! No wonder the cover art depicts a symphonic (so-called) ‘metal’ chick singer and her wimpy accolades. They are being assailed by Sin Of God and their actual metallic and symphonic music. ” – Metallian.com ​
​
​“Hungarian Extreme Metal masters Sin Of God have signed with Exitus Stratagem Records and will present their new album, Blood Bound, next month. Something that will excite old and new-school Death Metal fans, this new album echoes brutality and softness and is a mark of the challenges faced since 2016’s Aenigmata.” – Metal Talk​
​
​“I tell you that if what you are looking for are really strong emotions, this is your album. The six strings are lethal and insidious in equal measure. They cut your throat the same with sharp attacks of tremolo picking, which chill your blood with riffs darker than Lucifer’s soul. The voices are angry and macabre at all times. Yes, they are even when they anecdotally decide to use narrated clean vocals. In general, there is no feeling of respite, neither in instruments nor in vocal cords. Percussion is very extremist. Fast is very fast, and so is resounding. The use of the double pedal deserves special mention. It is a submachine gun that never uses ammunition. Don’t miss the initial ‘Bloodbound‘ nor ‘No Return (From Hell)‘ and ‘The Unbelief‘. ¡What savagery for Odin!” – Broken Tomb Magazine

—
ASHER MEDIA RELATIONS
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0 Canadian Aggro-Metal CHÜZO’s New Video Knocks You Out & Leaves You “Bruised and Broken” Off Latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Produced by Kevin Jardine (Slaves On Dope)

  • February 13, 2025
  • by Asher
  • · CHUZO · Music News

NEWS RELEASE

Montreal, QC – February 13, 2025

Canadian Aggro-Metal CHÜZO’s New Video Knocks You Out & Leaves You “Bruised and Broken”

New EP “M.T.M.D (Maximum Threshold, Minimum Decay)” Out Now!

Produced by Kevin Jardine (Slaves On Dope)

L to R: Alex S (Bass), Cristian S (Guitars/Vocals), Mischa M (Vocals), Carlos G (Drums)

Photo Credit @stutteringuzii (Instagram)

Canadian aggro-metal troupe CHÜZO has a knock-out music video that is sure to leave you “Bruised and Broken”. The video is in support of the Montreal band’s latest EP “M.T.M.D (Maximum Threshold, Minimum Decay)” produced with Kevin Jardine (Slaves On Dope, Uplift Recording Studio), and unleashed this past October.

“This track is about being pushed, provoked, and instigated to the point of no return. When in life one encounters certain individuals whose existence is to only make you angry and enraged; to bully you and disrespect you beyond aggravation, and the inevitable result that losing your temper and seeing red does to the individual being provoked and instigated is what this track is about. The utter destruction and devastation that awaits the foolish person who dares to provoke a person who has been pushed to the edge of human insanity; fuck around and find out!” adds the band.

The music video for “Bruised and Broken” can be seen and heard via its premiere on NoCleanSinging HERE.

CHÜZO‘s new EP “M.T.M.D (Maximum Threshold, Minimum Decay)” is a three-track record that marks the next chapter and a true representation of what the quartet’s sound is meant to be.

“This new EP was to showcase our new lineup with our newest songs that are truly representative of our musical style, a style that we proudly call ‘Aggro-Metal.’ Very aggressive metal songs that have relatable themes that anyone can listen to and understand. This EP is our audio shotgun blast to the world to pay attention to and to mosh intensively during our live sets.” adds guitarist Cristian S.

CHÜZO‘s new lineup features the ensnaring vocals of Taiwanese Brazilian transplant Mischa M joining local first-generation Chilean Canadian and mastermind Cristian S. along with Carlos G from Venezuela and Alex S from Russia who all have found Montreal, Canada to be their home-to-breed their blender of grindcore, Swedish death metal, thrash, and hardcore punk to transform a sub-genre dubbed ‘Aggro Metal’.

The EP’s lyrics are driven by self-reflection and daily struggles. The inspiration for writing comes from life experiences and trying to live past them, especially the traumatic ones. Using all bad energy from bad experiences to create something positive for yourself and the world. This EP speaks of vengeance and the bad side of dedicating your life to achieving your desired revenge despite your own life and sanity. Brutal Social Justice.

For fans of Sepultura (Cavalera Bros era 84-96), At the Gates, Napalm Death, Slipknot, and Fuck the Facts, “M.T.M.D (Maximum Threshold, Minimum Decay)” was released on November 15, 2024.

EP Stream links below:

Bandcamp – https://chuzomtl.bandcamp.com/album/m-t-m-d-maximum-threshold-minimum-decay​

Digital (Spotify) – https://distrokid.com/hyperfollow/chzo/mtmd​

EP Stream – https://youtu.be/jqCdfYwDev4​

Music Video – “Brand New Cell” – https://youtu.be/CPvB0BhDxbQ​

EP Artwork by Draught https://www.instagram.com/draught___/​

Track Listing:​
1. The Brutalator – 3:39
2. Brand New Cell – 3:12
3. Bruised and Broken – 4:21

More Info: Instagram.com/chuzo.band | Facebook.com/chuzo.band​

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Canadian College Radio Loud Charts – December 2024 – top 20 loud #20 – CHÜZO – M.T.M.D.

“‘A Brazilian vocalist, a Chilean guitarist, a Russian bassist and a Venezuelan drummer walk into a Montreal metal bar’ might sound like the beginning of a borderline funny joke, but it, in a roundabout way, speaks to the christening of thrash, punk, death-beat quartet CHÜZO. The band’s latest EP — M.T.M.D.(Maximum Threshold, Minimum Decay) — is the latest in a long line of releases since forming in 2020 and sees the light of day today. The band has a lot to say about their latest endeavour, but fans of old Sepultura, Napalm Death, At the Gates and Fuck the Facts should find something of interest ” – Decibel Magazine

“The band has just released M.T.M.D., an acronym that stands for Maximum Threshold, Minimum Decay, to testify how high the group’s ambitions are. The perspective could at first glance be assimilated to that of the variegated groove metal universe, but on closer inspection there is much more in the folds of the individual songs, characterized by the desire to release vital energy and give voice to impulses, emotions, feelings. The sound matrix is brutal, at times unstoppable, and characterized by the fierce performance of the gritty Mischa Mai microphones: combining power, imagination and a pinch of healthy madness the quartet gave full demonstration of their qualities.” – Rock Hard Italy
​
“M.T.M.D is a crucial chapter in Chüzo’s evolution, showcasing a lineup that’s finally found its voice. Their journey is a testament to the transformative power of music and the ability to channel personal struggles into a collective outcry for justice.” – Amplify The Noise
​
“It might be something of a cliché but it remains true; this isn’t simply an EP. It’s a promo for helping Chüzo find a major label for a debut full length… [8/10]” – Metal Noise
​
“CHÜZO have achieved several things on “MTMD (Maximum Threshold, Minimum Decay)” that other bands dream of for an entire career. On the one hand, the clever balancing act is impressive between old school credibility and new school influences. A factor that plays a striking role in the overall absolutely high-class work is that Canadians walk in a straightforward and focused manner in the ear. The three songs on the EP entitled “MTMD” are fast-paced in nature, mill into the ear canals at massive speed and –’s most important aspect – remains there… The EP is catchy, intense and yet has matured, multi-layered and serious Half-life to be equipped. Conclusion: Check in, buy, leave, killer!” – Metal Division Magazine
​
​
​
​“Their common points: knowing how to intelligently mix the best of grindcore mixed with Swedish death, with a touch of hardcore thrash from a punk perspective. Chüzo calls his music, « Aggro Metal ». The theme of their songs, telling their life experiences, shouting their anger at the traumas experienced. The kind of text that allows you to let off steam and make yourself understood even if you have gaps in English. Chüzo is a sort of best of aggressive metal music with this vengeful punk attitude: Chüzo would be a disciple of Napalm Death. Damn their music is good to hear. For fans of Sepultura and the Cavalera brothers, Chüzo is for you, Cristian S. sings with the same kind of vocal intonation as Max C. For Christmas, I would like Chüzo to tour the old continent within the next 2 years. If I had the means, I would participate financially in their future tour. There are small (et larger) concert halls waiting for you. The day we can do a concert at the Kjbi, Chuzo is automatically on the bill” – Margoth PDF Webzine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Rockshots Records – LAY OF THE AUTUMN Explores Struggle and Empowerment w/ New Video “Thrown Away” Off Latest Album “Of Love And Sorrow”

  • February 6, 2025
  • by Asher
  • · Lay of The Autumn (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – February 6, 2025

LAY OF THE AUTUMN Explores Struggle and Empowerment w/ New Video “Thrown Away”

New Album “Of Love And Sorrow” Out Now! via Rockshots Records

Rockshots Records and Lay Of The Autumn proudly present the official music video for “Thrown Away”, one of the standout tracks from their debut album “Of Love And Sorrow” released on October 25th, 2024.

A striking blend of Symphonic Power Metal, cinematic soundscapes, and electronic elements, “Thrown Away” explores struggle, catharsis, and empowerment themes. The song is driven by intense riffs, soaring melodies, and fast, intricate guitar and keyboard solos, complemented by ERIA’s evocative vocal performance, which captures vulnerability and strength.

Following the success of “Lost In Your Eyes”, this new track from “Of Love And Sorrow”, “Thrown Away” further establishes the band’s ability to craft music that balances melancholy with power, emotion with precision, and melody with intensity. The album, featuring 10 tracks blending Power Metal, Symphonic Metal, Melodic Death Metal, and cinematic influences, was mixed and mastered by Ettore Rigotti (Disarmonia Mundi) at The Metal House Studios, ensuring a rich, polished, and dynamic sound.

Lay Of The Autumn continues to deliver a fresh yet familiar take on the symphonic metal genre, blending grand orchestrations with driving energy. With “Thrown Away” they offer listeners an emotional and powerful journey through their signature sound.

Watch the official music video now and experience the next chapter of “Of Love And Sorrow”!

Music Video – https://youtu.be/ysfru7Ks4oM

​

Digital Single – https://lnk.to/8lIVcg2a​

Digital Album / CD – https://lnk.to/jR59oz

​

Track Listing:​
1 – When It Rains – 2:27
2 – Flowing Tears – 5:52
3 – Lost In Your Eyes – 5:51
4 – After All This Time? Always – 5:44
5 – Thrown Away – 5:53
6 – Undergo Deconstruction – 5:55
7 – Love You To Death – 6:20
8 – Si Sta Come D’Autunno Sugli Alberi Le Foglie – 5:02
9 – Of Love And Sorrow – 5:59
10 – Who Is To Blame – 5:39
​
​Lay Of The Autumn are:

Main Singer: Iryna Eria Boyarkina – ERIA​
Growl Singer: Andrea Gambaro​
Keyboards/Composition: Davide Scuteri Music​
Guitar: Davide Lovecchio​
Bass: Cesare Ferrari​
Drums: Michele Olmi​
Mix and Mastering: Ettore Rigotti at The Metal House​
Music Label: Rockshots Records​
Moviemaker: Moviedel Productions​
Photos: Flarescape​
Cover artwork: ProgArt Media – Artwork by Mattias Norén​
Jewel Designer: helenaromanova​

More info: ​
​Rockshots.eu​
​https://www.facebook.com/layoftheautumnofficial​
​https://www.instagram.com/layoftheautumnband​
​
​YouTube: eria_singer_official ​
​Instagram: anyri_mysterya
​Facebook: / eriaofficial ​
​Telegram: https://t.me/joinchat/rpJiGB9IyBo2YzVi​
​TikTok: https://vm.tiktok.com/ZM83t243B/​

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​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Streaming Now! TUMBLEWEED DEALER Invite You Into Their Lush Psychedelic Swamp With Full Stream Of “Dark Green”

  • February 6, 2025
  • by Asher
  • · Music News · Tumbleweed Dealer

NEWS RELEASE

Montreal, QC – February 6, 2025

Streaming Now! TUMBLEWEED DEALER Invite You Into Their Lush Psychedelic Swamp With Full Stream Of “Dark Green”

L-R – Seb Painchaud – Bass & Guitars, Jean-Baptiste Joubaud – Synths & Programming, Angelo Fata – Drums & Percussions

Photo Credit – PAULINE DELABORDE PHOTOGRAPHIE​

​

Montreal, Canada’s Tumbleweed Dealer is proud to present their monumental fourth album “Dark Green”. This marks the culmination of an eight-year journey for the band, resulting in their most ambitious and fully realized work to date. Listeners can now immerse themselves in all ten tracks of this genre-defying masterpiece, experiencing the album as it was intended – a complete, transformative journey through sound and emotion. The band comments:

“We simply can’t wait to share this new album with everyone, from old fans, whose expectations we hope to obliterate, to potential new listeners who might be going in with absolutely no clue as to what they should expect. We strived to constantly contrast old sonorities with new tendencies. We layered influences over each other to create something original yet oddly nostalgic.”

From the opening notes of “A Distant Figure In The Fog” to the closing moments of “A Soul Made Of Sludge”, “Dark Green” takes the listener on an unparalleled auditory adventure. Each track builds upon the last, creating a cohesive narrative that explores themes of nature, consciousness, and the human experience. The album’s production quality shines throughout, with every instrument and effect meticulously placed to create a rich, enveloping soundscape.

As you listen to the album stream, pay attention to the intricate details and hidden layers within each track. Tumbleweed Dealer has crafted “Dark Green” to be an album that reveals new secrets with each listen, much like revisiting a favorite film or novel. Let the music wash over you, and prepare to be transported to the lush, mysterious world of “Dark Green”, which will be especially intriguing to those with an interest in Opeth, Cynic, and Rush.

Due out on February 7, 2025, “Dark Green” can be heard in full before its official release via its album stream premiere on TheProgSpace HERE.

Recommended for fans of Elder, Ohm, Camel, Opeth, and Cynic, “Dark Green” is available for album pre-order at https://tumbleweeddealer420.bandcamp.com/album/dark-green

Video – Dark Green – https://youtu.be/L73im_7hOWs

​Video – Ghosts Dressed In Weeds feat. Ceschi – https://youtu.be/E06a90W8hFo

​

Track Listing:​
1. A Distant Figure In The Fog (2:52)
2. Sparks Adrift In The Louisiana Nightsky (3:39)
3. A Plant That Thinks It’s Human (3:34)
4. Becoming One With The Bayou (3:19)
5. Dragged Across The Wetlands (2:56)
6. Dark Green (4:48)
7. Ghosts Dressed In Weeds (5:31)
8. Moss On The Mind (3:13)
9. Body Of The Bog (6:34)
10. A Soul Made Of Sludge (3:49)

Album Recording Credits:​
• All songs performed by: Tumbleweed Dealer
• All songs written by: Tumbleweed Dealer
• Produced by: Jean-Baptiste Joubaud
• Mixed by: Jean-Baptiste Joubaud
• Mastered by: Harris Newman
• Album Artwork by: Glenn Le Calvez

Album Band Line Up:​
Seb Painchaud – Bass & Guitars
Angelo Fata – Drums & Percussions
Jean-Baptiste Joubaud – Synths & Programming

Guest Musicians:​
Antoine Baril – Mellotron, Hammond Organ & Keyboards on tracks 1, 2, 3, 4, 6, 8, 9 & 10
Guillaume Audette – Wurlitzer, Rhodes and Church Organ on tracks 8 & 10
Jocelyn Couture – Trumpet & Flugel Horn on tracks 4, 5, 7 and 9
Loïc Roy-Turgeon – Trombone on tracks 4 and 5
Zach Strouse – Saxophone on track 6
And special guest star Ceschi Ramos as himself on track 7

More info: Facebook.com/TumbleweedDealer | X.com/westernhorror | Instagram.com/tumbleweeddealer | Spotify

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“The epic song (Dark Green) is a good indication of what the rest of the record holds, which is plenty of blues, psychedelia, and prog rock.” – Decibel Magazine​
​
​“How about a new prog-rock instrumental?! The title track “Dark Green” from the forthcoming album has arrived from progressive stoner rockers, TUMBLEWEED DEALER and we’re digging it. We’ve also had the opportunity to preview the new album and it’s also a strong statement and should sit well with prog lovers. Keep an eye out for the album to be released on Feb. 7th and catch the single “Dark Green” now on your Home for the Best New Rock…” – WJOE – Findlay’s Home for Rock & Roll​
​
​“Tumbleweed Dealer’s “Dark Green,” the title track from their upcoming album out on February 7th, is a lesson in blending diverse musical influences into a singular, gripping piece. Clocking in at just under five minutes, the song showcases the band’s evolution and fearless creativity by weaving elements of blues, psychedelia, and progressive rock into a dynamic and unpredictable journey. The track builds a narrative through its seamless shifts in tone and texture. From introspective melodies to bursts of raw energy, the track balances complexity with accessibility. Antoine Baril’s vintage keys anchor the composition, giving it a retro flair, while Zach Strouse’s saxophone solo adds an unexpected but welcome layer of richness. Tumbleweed Dealer’s roots in extreme music shine subtly through black metal-inspired melodies and brief flashes of double bass drum that are a nod to their past without overshadowing their current direction. This contrast between intensity and finesse underscores the band’s skill in pushing genre boundaries.“Dark Green” not only introduces the thematic essence of the album but it also captures the spirit of exploration that has defined Tumbleweed Dealer’s evolution.” – Amplify The Noise
​
” a bold evolution of their signature blend of bluesy desert rock and progressive experimentation.” – Montreal Rocks
​
“This is one of those compositions that requires total immersion. Clean singing, bah who needs singing at all?! Recorded with finetuned care so you can hear all the little fret squeaks before they ramp up the ambience straight from a John Fruscianterecord. With synths and other keys that chameleon-ize said maestro’s voice, later emulating the sound of a backing choir that then morphs into church organ. When the atmospherics basking in the background saunter forth, the darker shades of green start to realize and the track enters the domain of prog royalty. As a double kick is racing the throbbing-for-the-last-gasp procreative releases of the bass before flamenco-picking a Morricone lick ghosted into a pregnant silence to just nod for the memory of a note that enticingly lures like an anglerfish with, “you ready for more?” The timestamp at termination is 4:51 but this is some form of dimension-manipulating chronomancy because the track feels like it is over quicker than Napalm Death’s “You Suffer.” That means I’m either suffering from THC-induced crapulence or my favorite drug just happens to be music; and when it’s layered this well, with so much to encounter on repeat listens, it can truly have the magical property of transcendental transportation.” – No Clean Singing

—–
ASHER MEDIA RELATIONS
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0 SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

  • January 31, 2025
  • by Asher
  • · Music News · SVNTH

NEWS RELEASE

Montreal, QC – January 31, 2025

SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

L – R – Jacopo Fagiolo – Guitars, Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Valerio Primo – Samples, Percussion, Alessandro De Falco – Guitars

Photo Credit – Arianna Savo

Italian experimental metal outfit SVNTH has just released their single “Cinnamon Moon” off their forthcoming album “Pink Noise Youth” out on These Hands Melt Records this coming April 2025. “Cinnamon Moon” showcases SVNTH‘s distinctive approach to genre-blending, weaving together elements of blackgaze and post-hardcore to create a deeply personal sonic landscape. The track stands as an emotional open letter, chronicling the complex journey of late youth through a rich tapestry of sound that includes slowdive-inspired ethereal delays, black metal screams, and the unconventional incorporation of the electric Indian sitar. The band shares their thoughts on the single:

“It unveils some of the most interesting features offered on the album in terms of sound and mood. With its captivating mix of blackgaze and post-hardcore, the song is an open letter soaked in fragility and emotional exposure, delivered to a loved one as a memorial of the hampered paths walked together on the road of late youth.”

While their earlier work explored life’s struggles through a childhood lens, “Pink Noise Youth” examines the chaos and emotional instability of early adulthood, giving voice to a generation as unpredictable as its namesake audio phenomenon.

“Pink Noise Youth” demonstrates SVNTH‘s continued evolution, deliberately transcending genre boundaries by combining elements of hardcore, metal, shoegaze, and post-rock with unexpected instrumental choices. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works. It is recommended for fans of Deafheaven, Alcest, and Agalloch.

Single Cover – Cinnamon Moon – Artwork by Tryfar

Listen to “Cinnamon Moon” at the following links:

Lyric Video – https://youtu.be/0hpPr0mFxQs​

Spotify – https://spoti.fi/3PWfwMK

​

“Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH​

Album Cover – Pink Noise Youth – Artwork by Tryfar

Track Listing:​
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18

Album Credits:​
All music and lyrics written by Rodolfo Ciuffo
Performed by Rodolfo Ciuffo, Alessandro De Falco, Valerio Primo and Alessandro Canzoneri
Guitar solos on “Elephant”, “Exhale” and “Nairobi Lullaby” written by Alessandro De Falco
Recorded, mixed and produced by Alessandro De Falco
Mastered by Angel Marcloid at Angel Hair Studio
Photography by Alexandru Cozlan, modeling by alteaaetla_sg
Album Artwork by Tryfar

More info: https://linktr.ee/svnthband​

About:

With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.

From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.

The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.

As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.

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“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)

“”The music seems to wail and mournfully murmur like spirits who have lost their way in a shimmering desert world. Those lonesome laments unfold into a momentum of neck-snapping beats, raking chords, and high, harrowing shrieks” – No Clean Singing (2020 – Spring in Blue)

“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)

“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road

“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)

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0 FROGG To Deliver A Sonic “Eclipse” of Bold, Modern Metal w/ Debut Album Coming March 2025

  • January 30, 2025
  • by Asher
  • · FROGG · Music News

Montreal, QC – January 30, 2025

FROGG To Deliver A Sonic “Eclipse” of Bold, Modern Metal w/ Debut Album Coming March 2025

L-R: Will Brown (Drums) | Sky Moon Clark (Vocals & Guitar) | Brett Fairchild (Guitar) | Ethan Emery (Bass)

Frogg, the technical metal sensation from New York, USA, announces they will unveil their debut album “Eclipse” in March 2025. A long time in waiting, this first full-length features ten tracks of heavy, raw, progressive, and avant-garde thinking metal.

Over the last two years, the band has been unraveling singles such as “Double Vision Roll”, “Dandelion”, and “Wake Up” with music videos, all of which will be showcased on the record that was co-produced by Frogg guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit).

The singles each exhibited different stylistic strengths, “Wake Up” being more progressive, “Dandelion” and “Double Vision Roll” more in the vein of something between death metal and prog metal. At the end of the day, Frogg is an amalgamation of the music the quartet enjoys, and that’s what the band is and why they sit in between a few key sub-genres.

“A sonic eclipse where every genre collides—progressive, technical, and just enough death to keep your neck sore for weeks.” adds the band’s newest addition bassist Ethan Emery (Survive The Sun & Absurd Condition).

“The people who are already faithful to FROGG will find as much of the stuff that they signed up for as surprises. We don’t operate in one genre all the time,” adds drummer Will Brown.

Lyrically, the record explores Mythology from various places along with tying tales and emotions together. Fans can expect seasonal singles from Frogg going forward as they already have plans for follow-up singles to come real soon after the album’s release.

FROGG’s main ambition is to hit the live circuit with a perfected performance and its brand-new line-up. With performance in mind, FROGG has been relentlessly rehearsing new original material and old, to deliver an authentic live experience.

Committed to technical excellence and progressive innovation, Frogg is recommended for fans of weird and wild, and fans who appreciate bands such as Protest The Hero, Between The Buried And Me, Zenith Passage, Unexpect, and Obscura.

“Eclipse” is due out on March 7, 2025, and is available for pre-order at https://froggofficial.bandcamp.com.

Spotify – https://spoti.fi/4heSdtu

​

Music Videos:

Double Vision Roll – https://youtu.be/BW1WP2vaxnQ

Dandelion – https://youtu.be/r90cV290Usk

​Wake Up – https://youtu.be/RMhtVNE6WYw

​

Album Artwork – Artists: Yann Kempen & Bertrand LeFebvre

Track Listing:​
1. Walpurgisnacht (4:44)
2. Life Zero (4:30)
3. Dandelion (3:50)
4. Eclipse I: Blind Bakunawa (4:20)
5. Eclipse II: Sickened By Silence (4:48)
6. Interspecific Hybrid Species (4:19)
7. Wake Up (6:22)
8. Sun Stealer (4:41)
9. Double Vision Roll (3:29)
10. Omni Trigger (4:07)
​
​Album Recording Credits:​
• All songs performed by: FROGG
• All songs written by: FROGG
• Produced by: Jamie King & Sky Moon Clark
• Mixed by: Jamie King
• Mastered by: Jamie King
• Album Artwork by: Yann Kempen & Bertrand LeFebvre
​
​Album Band Line Up:​
Sky Moon Clark – Vocals, Guitars
Will Brown – Drums, Percussion, World Instruments
Brett Fairchild – Guitars on tracks 1, 5, 6,10
Nick Thorpe – Bass on tracks 1,4,5,7,8,10
David White – Bass on track 2
Brad Williamson – Bass on track 6
Jack Lynch – Bass on track 3
Emma Rae – Clean vocals & keys
​
​Live Band Line Up:​
Sky Moon Clark – Vocals, Guitars
Brett Fairchild – Backup Vocals, Guitars
Ethan Emery – Bass
Will Brown – Drums

For more info: https://linktr.ee/froggband​

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“Weirdo avant-garde metal band Frogg have jut shared a video for “Double Vision Roll,” and, boy, is it quirky. If you’re not yet familiar with Frogg, they are all about delivering a weird and wonderful live experience They experiment with different world instruments and songwriting ideas, pushing the boundaries of what’s possible in heavy music, and you can see a little bit of that on display here. The song was produced by Frogg guitarist/vocalist Sky Moon Clark and Jamie King (Between the Buried and Me, The Contortionist, Scale the Summit). Frogg are recommended for fans of weird and wild, as well as those who appreciate a little technicality in their music.” – Decibel Magazine

“Frogg cover seemingly contradictory bases of portentous tech-death, galloping melodic thrash and hopeful, opne chord djent. It’s smart musical alignment with their theme of something new rising from the ashes of the old.” – Metal Hammer (2020 – A Reptilian Dystopia – EP)

“FROGG is a dangerous force of Technical Metal making themselves known!” – The Circle Pit

“Technical Death rising star” – GhostCult Mag

“The music is impressively performed and written. Crazy technical menageries of Adderall-fueled obsession meshed with emotive melody just spilling out everywhere. It’s a great time, and definitely worth checking out. Definitely a band to be watching in the future.” – No Clean Singing

“The guitar work is beyond phenomenal, and the vocals are just as catchy. They aren’t 100% death metal but are really a blend of modern tech metal and death metal. I’m extremely excited to see if the band is cooking up any live shows to promote the release and am definitely keeping my eyes on this project from here on out. If you want that Decapitated/Arsis/Obscura blend of groove and technicality Frogg is meant for you.” – Technical Music Review (2020 – A Reptilian Dystopia – EP)

“This is an incredible EP, guys. Every one of these songs has made it into heavy rotation, and I am honestly so excited to hear more in the future.” – Metal Trenches (2020 – A Reptilian Dystopia – EP)

“The quality on show here is amazing for a first release and has left us salivating at the prospect of their debut album [9/10]” – Metal Noise (2020 – A Reptilian Dystopia – EP)

“Bursting into life with a colossus bang, it’s a technical monstrosity that greets listeners with Ancient Storm. It’s wild, it’s nasty but it’s built on a foundation of sharp riffs and ferocious groove.” – Games, Brrraaains & A Head-Banging Life (2020 – A Reptilian Dystopia – EP)

“A Reptilian Dystopia” shines with technical sophistication” – Artnoir (2020 – A Reptilian Dystopia – EP)

​
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0 Exitus Stratagem Records – THIRTEEN GOATS Open Up The Pit For Glacial Mutilation Metal Festival + “Tour of The Black Flame” w/ OPAL IN SKY, NAMELESS KING + New Album “Capricorn Rising” Out Now!

  • January 22, 2025
  • by Asher
  • · Music News · Thirteen Goats

NEWS RELEASE

Montreal, QC – January 22, 2024

THIRTEEN GOATS Open Up The Pit For Glacial Mutilation Metal Festival

+ Vancouver Island Tour Dates – “Tour of The Black Flame” w/ OPAL IN SKY, NAMELESS KING

New Album “Capricorn Rising” Out Now! via Exitus Strategem Records

“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Schaefer, Atheist

L-R: Thirteen Goats Current Lineup | Rob Fitz-Gerald (Lead & Rhythm Guitars, Backing Vocals) | Graham K. Miles (Lead Vocals, Lead & Rhythm Guitars) | Cody Lewichew (Bass, Gang Vocals) | Leonid Verman (Drums, Gang Vocals) – Photo Credit: Kevyn Lilith Hoskin

Vancouver, Canada’s Thirteen Goats announce they will be performing on this year’s lineup for the Glacial Mutilation Metal Festival being held over three nights in Vancouver, BC from February 20th to 22nd at The Wise Hall. Thirteen Goats will be the festival’s opening band alongside The Hallowed Catharsis (Vancouver, BC), Dawn of Ouroboros (Oakland, CA), Black Pestilence (Calgary, AB), and Rat King (Seattle, WA).

The festival lineup also features Exist (Baltimore, MD), Bonded By Blood (Pomona, CA), Xoth (Seattle, WA), Terrifier (Vancouver, BC), Celestial Wizard (Denver, CO), Nomad (Okanagan, BC), Art of Attrition (Red Deer, AB) and more!

Full details and lineup are available at the following links:

Facebook Event – https://www.facebook.com/events/3676238119297179​

Tickets – https://orangetickets.ca/detalles_evento.php?id_evento=1872​

In additional news, Thirteen Goats will be storming Vancouver Island, BC in March 2025 for the “Tour of The Black Flame” supporting OPAL IN SKY alongside NAMELESS KING (dates listed below). Thirteen Goats is touring in support of their second album—the extreme metal rock opera “Capricorn Rising” unleashed on Exitus Stratagem Records this past July.

Tour of The Black Flame w/ Opal In Sky, Nameless King, Thirteen Goats​
Tickets available at – https://orangetickets.ca/
March 20 – Nanaimo, BC – The Globe
March 21 – Victoria, BC – Phoenix Bar
March 22 – Port Alberni, BC – Rainbow Room
March 23 – Cumberland, BC – Masonic Hall

Thirteen Goats’s “Capricorn Rising,” tells the story of their mascot, Shepherd: a goat-skull-wearing Antichrist who raises an army of animals to liberate the earth from humanity’s constant wars and greed. This high-concept narrative is delivered with Thirteen Goats‘ signature blend of infernal riffs, huge hooks, and uniquely theatrical songwriting.

Each song on the album is part of a broader narrative that explores themes of disillusionment, radicalization, and rebellion as Shepherd and his 12 demon goats wage their crusade. Thirteen Goats delivers a unique blend of death and thrash metal, combined with a storytelling approach that takes listeners on a journey through the darkest aspects of both human and animal nature.

Listeners can expect furious riffage, ambitious song structures, and even occasional female guest vocals (courtesy of guest artist Carly Ellen Jones). What they shouldn’t expect is a record that plays it safe or falls neatly into one specific subgenre. Thirteen Goats is recommended for fans of Lamb of God, Carcass, and Mastodon.

Released on July 12, 2024, “Capricorn Rising” is available from Exitus Stratagem Records at https://www.exsrmusic.com/store/p/pre-sale-thirteen-goats-capricorn-rising​

Spotify – https://spoti.fi/41hkue1

​

Music Videos:

Murder Lives in the Heart – https://youtu.be/hpgqlbehecM

​

Sign of the Goat – https://youtu.be/D_J3sPkBPxU

​

A Wolf in Shepherd’s Clothing – https://youtu.be/6J5wSen7Emc

​

More info: Exsrmusic.com | ThirteenGoats.com​

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“It’s really strong. GREAT musicians, great production, as well as a very progressive aspect without losing the darkness.” – Kelly Shaefer from Atheist

“take a spin around the room with Thirteen Goats’ “high-concept narrative” and take on modern metal stylized by everything from Mastodon and Carcass to Cannibal Corpse and Lamb of God.” – Decibel Magazine

“Tinnitist Album of The Week! Thirteen Goats ‘Capricorn Rising’ – Exitus Stratagem Records – https://tinnitist.com/2024/07/11/albums-of-the-week-thirteen-goats-capricorn-rising/​

“All in all, on “Capricorn Rising” the gentlemen from the West Coast combine the universal power of North American thrash metal into a versatile, interesting and, above all, powerful record.8/10″ – Power-Metal.de

“What makes this turbocharged song (Sign of The Goat) so damned much diabolical fun is the band’s melding of viscerally compulsive grooves, head-spinning instrumental pyrotechnics, and rapid-fire vocal assaults — and doing so in a way that makes the track highly infectious too. The song vividly intersects with the tech-death sphere through flurries of quickly darting, swirling, and swarming riffage, deliriously cavorting arpeggios, and a multitude of percussive fusillades. As displayed in the video, fingers and limbs fly like the wind, and the guttural barks and hair-raising screams in the vocal department rhythmically eject the violent words just as fast and just as furiously. But, as forecast, the song is also a viscerally groovesome beast. It’s almost relentlessly hard-slugging, but what really stands out are brutish, muscle-galvanizing jackhammer-bursts, the first of which comes only 25 seconds into the track. Another one of those episodes sets itself up as the backdrop for crazed guitar soloing that sounds like the ecstasies of fiends. And we did warn you — this thing is also immediately catchy and enduringly addictive. It comes recommended for fans of Bolt Thrower, Archspire, and Lamb of God.” – NoCleanSinging

“To get some idea of Thirteen Goats’ approach to heavy music, consider that the Straight’s own Mike Usinger once asked readers to imagine “Vulgar Display of Power-era Pantera in a cage match with Cannibal Corpse and Ministry.” That’s a great start, but it doesn’t account for tracks like “Beheading Zoo”, which tops neck-snapping thrash with enough throat-shredding black-metal screams to please even the most discerning Mayhem fan. Or “Murder Lives in the Heart”, which throws a soaring refrain of heaven-sent clean vocals (courtesy of Carly Ellen Jones) into the mix… Capricorn Rising is that rarest of things in today’s world: a true album, with a set of songs designed to be listened to in sequence. Those songs tell the tale of Shepherd, a man so distraught over the state of the world—endless wars, environmental devastation, and other human-made disasters—that he sells his soul for the power to communicate with non-human creatures… Capricorn Rising is a saga replete with scorched-earth mayhem and mass slaughter—something you can bang your head to while pondering your own complicity in the global capitalist exploitation of ecosystems and peoples alike. In other words, it’s basically the perfect LP for our profoundly fucked-up epoch.” – Georgia Straight (Vancouver Weekly)

“they turn on the thrusters for “Beheading Zoo” and “Permission To Die,” closer “Animal Kingdom” is a quasi-ballad with a ferocious second half. ” – Heavy Music Headquarters

“their music gets the blood pumping. Sounding something like Archspire mixed with Blackening-era Machine Head, the tracks on Capricorn Rising are direct and violent. ” – Metal Utopia

“I’d say this is melodic death, some brutal death stuff, melodic music, black metal vox, growns and clean vox too.” – 89.9 WORT FM – The Moshpit (Madison, WI)

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0 TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds” Off New Album “Dark Green” Out Feb 2025

  • January 21, 2025
  • by Asher
  • · Music News · Tumbleweed Dealer

NEWS RELEASE

Montreal, QC – January 21, 2025

TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds”

New Album “Dark Green” Out February 2025

L-R – Seb Painchaud – Bass & Guitars, Jean-Baptiste Joubaud – Synths & Programming, Angelo Fata – Drums & Percussions

Photo Credit – PAULINE DELABORDE PHOTOGRAPHIE​

Set to release their fourth studio album “Dark Green” this February 2025, Montreal, Canada’s instrumental progressive psychedelic groove metal triad Tumbleweed Dealer is sharing their second single “Ghosts Dressed In The Weeds”.

Unlike all other tracks on the record, “Ghosts Dressed In The Weeds” is the band’s first foray into music with vocals as they paired up with Ceschi Ramos, whose versatility matches the group’s genre-bending sound.

Composed specifically for Tumbleweed Dealer to collaborate with Ceschi Ramos. The band first gave it a more repetitive pattern so Ramos could do a 16-bar rap. The trio then wrote the melodies with his voice in mind, and they crafted parts to serve as choruses. Ramos listened to the song over and over again as he wrote down his words. It became a symbiotic experience, which made the writing even more special as it stands alone as the only vocal track among an otherwise instrumental album.

Seb Painchaud explains the track further:

“The lyrics for Ghosts Dressed In Weeds were mostly written by Ceschi Ramos. I wrote the hooks first and let him in on my inspiration for this album: Alan Moore’s re-imagining of Swamp Thing’s origin story. The emphasis is on the moment where Swamp Thing gets dissected and has his worst enemy laugh while he explains to him that he is not a man turned into a plant, but rather a plant that absorbed a dead man’s memories through osmosis. That exact moment is the inspiration for the album. I didn’t want Ceschi to write specifically ABOUT the graphic novel though. It was enough for him to capture the essence of having your whole world turned upside down, your whole self-perception changed. When Swampy receives the news, he freaks out, breaks free, runs away, and lies down in a swamp without moving for over a month. We’ve all had moments where we just wanted to lay down in a marsh and die. We have felt like we didn’t know how to make sense of a revelation that shatters our self-image. My exact words to Ceschi were that he needed to capture that “How do I go on from here?” moment we have all had. And I think he did that perfectly.”

Watch and listen to the lyric video for “Ghosts Dressed In The Weeds” via its premiere on New Noise Magazine HERE.

The new album “Dark Green” is Tumbleweed Dealer‘s effort to capture two essential parts in Alan Moore’s retelling of Swamp Thing’s origin. Firstly, the main character’s struggle and loss of identity. Secondly, they wanted to capture the antagonist’s transformation into nature’s anger towards men.

Each song is meant to feel like a complete journey where listeners are transported to a world where blues, psychedelia, and progressive rock intertwine. It’s been a long-awaited record and marks a bold new chapter for them since 2016’s “TDIII – Tokes, Hatred & Caffeine”. It’s a culmination of their growth as musicians and their desire to create something truly unique. Other notable guests on the album are Zach Strouse’s (Rivers Of Nihil, Burial In The Sky) guest saxophone solo and Antoine Baril’s (Augury, Obliveon) vintage keys for the album’s title track.

“I think the evolution between our third album, and this new one, will surprise some people. We didn’t write a follow-up to our last record. Instead, we incubated the band’s sound and sped up its evolution. If we kept on pace to release an album every year like we did at first, this would’ve been the 10th one. But we had kids, and that slowed down the process—so this is an evolutionary leap forward that might be jarring. I think that anyone who enjoyed our previous releases will still find what they liked in our sound while enjoying the new variety we’ve brought to it.” says Painchaud.

Due out on February 7, 2025, “Dark Green” is recommended for fans of Elder, Ohm, Camel, Opeth, and Cynic, and is available for album pre-order at https://tumbleweeddealer420.bandcamp.com/album/dark-green​

First Single / Title Track – Dark Green – https://youtu.be/L73im_7hOWs​

Track Listing:​
1. A Distant Figure In The Fog (2:52)
2. Sparks Adrift In The Louisiana Nightsky (3:39)
3. A Plant That Thinks It’s Human (3:34)
4. Becoming One With The Bayou (3:19)
5. Dragged Across The Wetlands (2:56)
6. Dark Green (4:48)
7. Ghosts Dressed In Weeds (5:31)
8. Moss On The Mind (3:13)
9. Body Of The Bog (6:34)
10. A Soul Made Of Sludge (3:49)

Album Recording Credits:​
• All songs performed by: Tumbleweed Dealer
• All songs written by: Tumbleweed Dealer
• Produced by: Jean-Baptiste Joubaud
• Mixed by: Jean-Baptiste Joubaud
• Mastered by: Harris Newman
• Album Artwork by: Glenn Le Calvez

Album Band Line Up:​
Seb Painchaud – Bass & Guitars
Angelo Fata – Drums & Percussions
Jean-Baptiste Joubaud – Synths & Programming

Guest Musicians:​
Antoine Baril – Mellotron, Hammond Organ & Keyboards on tracks 1, 2, 3, 4, 6, 8, 9 & 10
Guillaume Audette – Wurlitzer, Rhodes and Church Organ on tracks 8 & 10
Jocelyn Couture – Trumpet & Flugel Horn on tracks 4, 5, 7 and 9
Loïc Roy-Turgeon – Trombone on tracks 4 and 5
Zach Strouse – Saxophone on track 6
And special guest star Ceschi Ramos as himself on track 7

More info: Facebook.com/TumbleweedDealer | X.com/westernhorror | Instagram.com/tumbleweeddealer

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“The epic song (Dark Green) is a good indication of what the rest of the record holds, which is plenty of blues, psychedelia, and prog rock.” – Decibel Magazine

“Tumbleweed Dealer’s “Dark Green,” the title track from their upcoming album out on February 7th, is a lesson in blending diverse musical influences into a singular, gripping piece. Clocking in at just under five minutes, the song showcases the band’s evolution and fearless creativity by weaving elements of blues, psychedelia, and progressive rock into a dynamic and unpredictable journey. The track builds a narrative through its seamless shifts in tone and texture. From introspective melodies to bursts of raw energy, the track balances complexity with accessibility. Antoine Baril’s vintage keys anchor the composition, giving it a retro flair, while Zach Strouse’s saxophone solo adds an unexpected but welcome layer of richness. Tumbleweed Dealer’s roots in extreme music shine subtly through black metal-inspired melodies and brief flashes of double bass drum that are a nod to their past without overshadowing their current direction. This contrast between intensity and finesse underscores the band’s skill in pushing genre boundaries. “Dark Green” not only introduces the thematic essence of the album but it also captures the spirit of exploration that has defined Tumbleweed Dealer’s evolution.” – Amplify The Noise

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0 Texas’ ABOLISHMENT OF FLESH’s New Music Video “Hater of Man” Explores Disassociating with Society and Reality Off EP “Resurrecting Misanthropy”

  • January 13, 2025
  • by Asher
  • · Abolishment of Flesh · Music News

NEWS RELEASE

Montreal, QC – January 13, 2024

ABOLISHMENT OF FLESH’s New Music Video “Hater of Man” Explores Disassociating with Society and Reality

Latest EP “Resurrecting Misanthropy” Out Now!

Live Lineup – Top Left – Ramon Cazares – Guitars, Vocals – Top Right – Izaak Chavez – Guitar

Bottom Left – Jake Lahniers – Bass, Backing Vocals – Bottom Right – Adrian Galindo – Drums

Texas, USA’s death metal powerhouse Abolishment of Flesh is unshackling their latest music video for their track “Hater of Man” off their latest EP “Resurrecting Misanthropy”, released in 2023 via Blood Bast Distribution.

A relentless barrage of guttural death metal to knock you off your feet, the song is about a child in the womb who senses the rejection and hatred of a drug addict mother. This child grows to become disassociated with society and reality. In the end, the person is consumed with hate for themselves and everyone around them.

Vocalist and Guitarist comments:

“This was another one I wrote almost 10 years ago. The part after the solo was rewritten and re-arranged. The older version was old-school death metal so I wanted to modernize it in a sense. I think it turned out nicely and the riffs are really fun to play.”

Watch and listen to the music video for “Hater of Man” via its premiere on Slam Worldwide at https://youtu.be/KIXiepFhV3g

​

Abolishment of Flesh’s latest EP “Resurrecting Misanthropy” has a little bit of something for everyone. The band is not just death metal, they throw in some black metal, melody, thrash, groove, and grind. Their sound incorporates several aspects of metal and they don’t just stick to one formula.

With themes rooted in war, violence, disease, corruption, and the systematic collapse of human civilization, Abolishment of Flesh delivers an anti-human message about death and destruction. Although AOF’s violent and grim nature of its lyrics is serious, its main focus is on metal music and creativity.

“Resurrecting Misanthropy” is out now at Abolishmentofflesh.bandcamp.com and Spotify and is recommended for fans of Kataklysm, Suffocation, and Deicide.

Lyric Video “Words Defy Truth” – https://youtu.be/vYJ1LwFnx7M

​

Track Listing:​
1. Words Defy Truth (4:00)
2. Hater of Man (3:23)
3. Disavowed (4:04)
​

More info: ​​Abolishmentofflesh.com | Facebook.com/abolishmentoffleshofficial | X.com/abolishmenttxdm | Youtube.com/@abolishmentoffleshofficial | Instagram.com/abolishmentoffleshofficial​

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“Spiraling and crazed death metal from Amarillo, The Abolishment Of Flesh’s debut proves they aren’t messing around.” – Metal Injection (Inhuman Condition 2018)​
​

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0 Poland’s KINGSPHERE Unveils Powerful Music Video for “Archetype” Off Forthcoming Third Album in 2025

  • January 10, 2025
  • by Asher
  • · Kingsphere · Music News

NEWS RELEASE

Montreal, QC – January 10, 2025

Poland’s KINGSPHERE Unveils Powerful Music Video for “Archetype” Off Forthcoming Third Album in 2025

L-R – Maciej Sobieski (Drums), Kamil Sikorski (Guitar/Vocals), Piotr Miliczek (Vocals), Marek Kula (Guitar), Paweł Kawalec (Bass)

Photo Credit: Mariusz Krzemiński

Modern metal outfit Kingsphere, from Rybnik, Poland, is set to release the music video for their latest single “Archetype”, delivering a memorable metalcore experience that is both aggressive and emotionally vulnerable. The band comments on what listeners can expect:

“It is an intense and dynamic track that captures the essence of our sound. It combines heavy, hard-hitting verses with melodic and emotionally charged choruses, creating a powerful contrast. The energy is elevated by intricate guitar solos that add an electrifying edge and depth to the song. The track also features a mystical bridge, offering a moment of atmosphere and intrigue before diving back into its relentless energy.”

With two albums under their belts, 2012’s Self-Titled and 2022’s “Enigmatic”, Kingsphere’s sound has evolved naturally as they’ve grown as musicians and as a band. In the beginning, they focused on raw energy and heavy riffs, inspired by their love for modern metal. Over time, they’ve started experimenting with more dynamic elements—adding catchier melodies, atmospheric layers, and intricate rhythms—to create a more diverse and unique sound.

“Archetype” is a journey through aggression, melody, and emotion, reflecting both the raw power and the introspective side of the band. It is recommended for anyone who enjoys powerful clean vocals and heavy breakdowns, especially those with an interest in All That Remains, Born Of Osiris, and The Browning.

Watch and listen to the music video for “Archetype” at https://youtu.be/pTfJXcq3DjQ

​

Spotify – https://spoti.fi/408zE2R

Kingsphere is:
Piotr Miliczek – Vocals
Marek Kula – Guitar
Kamil Sikorski – Guitar / Vocals
Paweł Kawalec – Bass
Maciej Sobieski – Drums

For more info:

​https://www.facebook.com/kingspheremetal ​

​https://www.instagram.com/kingspheremetal​
​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

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