Tag: SLUDGE

0 Canada’s Alienatör Are Now Streaming Politically Charged Album “Regrets”

November 24, 2022
by Asher
· Alienator · Music News

NEWS RELEASE

Montreal, QC – November 24, 2022

Canada’s Alienatör Are Now Streaming Politically Charged Album “Regrets”

New Album “Regrets” Out Nov 25th

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Thunder Bay, Canada that combine punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They are now streaming their second album “Regrets”, which promises to be darker, more focused, and more intense than their first.

Composed during the claustrophobia of the 2020 election and the global pandemic, “Regrets” channels rage while the lyrics express alienation, grief, pain, and disgust at the state of the modern world. The band comments on the album:

“Regrets is a grim postcard from the depths of the human psyche. Our darkest release yet, it is a reaction to years of deep political turmoil, the erosion of truth, as well as personal politics of grief, loss, and struggle. It’s an album that touches on personal and social themes. Flourishes of melody drenched in a caustic sludge, painted in shades of black. We still have some blistering fast punk-influenced tunes but we’re branching out and showing our songwriting depth.”

Within “Regrets” are eleven heavy-hitting songs with enough variety to keep even the most discerning metalheads interested. From the odd time signatures in the off-kilter “Revisionist History” that speaks of the erosion of truth in our public discourse and the dangerous narcissists who create their own reality to the bleak history being told in “Irreconcilable” that is equal in both horrific subject matter and dynamic riffs, there is something for everyone on this record.

The record was produced and mixed by bassist/vocalist Sean Skillen, mastered by Brad Boatright and the album artwork was done by Peter David Wragg. Aggressive and emotional, it is recommended for fans of Neurosis, Botch, and Jesus Lizard.

“Regrets” drops officially on Friday, November 25th, and can be heard in full via its album stream premiere on Doomed & Stoned HERE.

Album pre-order – https://alienator.bandcamp.com

Music Video – The Priest – https://youtu.be/TJxF6Qs3Bws

Track Listing:
1. Revisionist History – 2:10
2. Loss Leader – 4:03
3. Blood Red Blood – 3:08
4. Regrets – 3:44
5. The Priest – 5:30
6. The Less Dead – 1:56
7. Flat Earth Society – 2:51
8. Irreconcilable – 2:59
9. Your Funeral – 3:20
10. Wounded Birds – 4:10
11. Dark Matters – 4:09
Album Length: 38:04

Album Recording Credits:
– All songs performed by: Alienator
– Music by Alienator
– Lyrics by Brad King
– Produced by: Sean Skillen
– Mixed by: Sean Skillen
– Mastered by: Brad Boatright
– Album Artwork by: Peter David Wragg
– Member of SOCAN
– Canadian Content (MAPL)

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

About: Hailing from Thunder Bay, ON, Canada, Alienatör is a sludge metal band that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks.

Their debut album, “Pariahs,” released in 2109 moves from fast and aggressive to slow and swampy with touches of experimental weirdness. Many of the lyrics are about how we numb ourselves to the pain and disappointment of everyday life.

Fast forward to 2022, and the band is ready to unleash their follow-up, entitled “Regrets,” which introduces new drummer Simon Paquette to the fold. The album is bleak and abrasive, with moments of calm, melody, and beauty to juxtapose against the ugliness. Raw, uncompromising, and dark, it is emotionally heavy music that reflects a chaotic time in history.

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“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“This band is burly, grimy, and the sonic manifestation of discontent. If it’s motivational music you seek, back away slowly. Alienatör ply their trade in the margins of metal, with elements of sludge, noise rock, hardcore, heavy metal, and crust punk. Listeners of Pariahs, the band’s debut full-length, will hear shades of Unsane, Red Fang, Cursed, Kvelertak, Acid Bath, and Cancer Bats, among other guitar-heavy acts by whom sophistication and polish are eschewed.” – Lambgoat

“Pariahs shows Alienatör firing all of their creative cylinders and marks a multifaceted, all-consuming sludge opera delivered with convincing force and accents.” – Idioteq

“Gritty, high-octane sludge…” – Metal Trenches

“From beginning to end Alienatör offers up a truly murky, chunky yet noise filled sound that tears at your ear drums, but in the best possible way. Each track is a madhouse of artery stopping, head banging sludge and noise rock that you cannot simply turn away from.” – Cadaver Garden

“Alienator are miserable and they’d like you to join them.” – Lambgoat

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0 Doomed and Stoned Premiere – Exitus Stratagem Records – AITTALA Is Now Streaming Genre Defying, Eclectic Doom Album “Live to Regret”

November 4, 2022
by Asher
· Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – November 4, 2022

Exitus Stratagem Records – AITTALA Is Now Streaming Genre Defying, Eclectic Doom Album “Live to Regret”

“Live to Regret” Out November 7th

L-R – AITTALA – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Ali Lugo (Bass)
Photo Credit – Formont Photography

Aittala has been around since 1991 and in that time has developed a sound that is unique, progressive, and memorable. With a solid core of doom metal, they add hints of power metal, sludge, and traditional metal, a feast of variety that is on full display in their upcoming seventh album “Live to Regret”. Lyrically, the album chronicles a chaotic period of time for members of the band personally as well as the global events happening in parallel. The band comments on the album:

“Aittala is extremely excited for the fans to hear the new album “Live to Regret”. The pandemic was a stressful time for everyone, but it’s even much more stressful when you’re dealing with an unhealthy relationship that’s full of tension and animosity on a daily basis. A lot of toxic energy fueled the writing of the album and became something of a way to cleanse the spirit of the toxicity. We hope the fans hear the pain, pleasure, and passion that went into the writing of these songs. I think they’ll connect with these songs more than prior albums because they are more personal. Overall, we’re very pleased with how the album turned out. It’s definitely the best Aittala album yet and we look forward to building on it in the future!”

The album has eleven tracks, each defying the limits of genre rules. There is the thrash-inspired track “Cannibals” that confronts the tightening grip of governmental monitoring and control. The sludgy “Big Brother” – is about the devolution/zombification of the human race due to technology. The smoky stoner infused “Never Forget” talks about dealing with a toxic person along with many more.

For Aittala, only enough songs are written for an album, so they don’t have the problem of having to select certain songs over others. During the songwriting process, only the best songs get past the idea stage, then they are developed and refined until the song is complete. As far as how much more music fans can expect, there are no plans to stop writing and releasing new material.

An eclectic mix of metal, “Live to Regret” is recommended for fans of Baroness, Crowbar, and Katatonia.

Listen to the album in full via its premiere on Doom And Stoned HERE.

“Live to Regret” will be available on November 7, 2022, via Exitus Stratagem Records and was produced by Eric Aittala and John E. Wooten IV, who also mixed the record along with mastering by Dave Harris at Studio B Mastering. Album artwork by Mariano Pugliese.

Album pre-order: https://hypeddit.com/aittala/livetoregret

Music Video – Collateral Damage – https://youtu.be/Foh__WSHD4o

Lyric Video – Live to Regret – https://youtu.be/i-f-XCrJEy0

Track Listing:
1. Live to Regret – 2:49
2. Collateral Damage – 3:22
3. War of Attrition – 3:18
4. Saint – 3:35
5. Cannibals – 3:56
6. Betrayed – 3:26
7. Big Brother – 4:45
8. Dancing with Disaster – 3:35
9. Never Forget – 3:36
10. Well Enough Alone – 5:03
11. Juliet (2022) – 5:24
Album Length: 42:56

For more info:
https://www.exsrmusic.com
http://www.aittala.com
https://www.facebook.com/aittalamusic
https://www.instagram.com/aittalamusic

About: The music of AITTALA (pronounced ‘EYE-tah-la’) crosses many metal genres; it’s hard to put it into just one category. The sound infuses elements of classic heavy metal, doom, progressive, power, thrash, and hard rock with lyrics drawing inspiration from the darker side of the human condition. The AITTALA sound has been cited for being unique which is no easy feat in the metal genre.

The first version of AITTALA was formed in 1991 while Eric Aittala was living in Holland. With fellow American Tim on vocals and Dutch bandmates Ed (drums) and Jon (bass), the band became a staple of the Dutch metal scene.

With the release of the 3-song EP ‘Selling Heaven’ in summer of 1993, AITTALA opened for such bands as THE GATHERING and SADIST. Unfortunately, as the demo started to create a buzz in the underground European metal scene, Eric had to return to the US and disbanded AITTALA.

Over the next decade or so, Eric played in numerous bands (TRIBE, MAGNETHEAD, DWELL) and lost focus on AITTALA.

Near the end of the 00’s, Eric decided it was time to refocus his efforts on the AITTALA brand. From 2009 to 2016, AITTALA released 4 full-length albums: ‘Bed of Thorns’ (2009), ‘Haunt Your Flesh’ (2011), ‘Effigy’ (2014) and ‘American Nightmare’ (2016). Each album showcasing a natural progression of song writing and lyrical content but retaining the core AITTALA sound and evolving it.

In 2019, AITTALA signed with Curtain Call Records and released the band’s fifth full-length album ‘False Pretenses’. It was ten brand new songs that not only continued the song writing evolution of heavier but catchy songs, but also sonically. AITTALA used an entirely different approach for the recording, mixing and mastering to create the best AITTALA album to date.

The current lineup of AITTALA consists of Gary ‘Zeus’ Smith (THE FIFTH, ex-MR BLACKWELL) on drums and Ali Lugo (ex-AGE OF DESPAIR) on bass.

They continue to write, record and tour to bring AITTALA to the masses with plans in 2022 to unleash their sixth studio album entitled “Live To Regret” to be released by label Exitus Stratagem Records.

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“This platter is heavy melodic ear candy that drips with deep and mesmeric face-melting tones and grinding rhythms.” (Live to Regret) – The Metal Gods Meltdown

“The band’s sound is difficult to pigeonhole because they incorporate a variety of styles. The common element in all the songs is the potent groove. On tracks like “Black Coffin” and “Afterthought” stoner/doom is at the forefront, while songs such as “Disowned” have a more traditional metal vibe. There are progressive influences on “How Much Longer,” while the closer “Debt” is a piano based ballad. Even with so many disparate styles, Aittala bring everything together into a cohesive whole.” – Heavy Music Headquarters

“I would describe them as an eclectic Doom Metal band, although their sound is a bit tough to define. That’s ultimately a good thing though, and I enjoy the refreshment of something different. My only major complaint is that on some songs, the vocals and lyrics are so drawn out that they become a little boring and you end up waiting a bit for something cool to happen. The good news is something cool usually does end up happening” – Metal-Temple

“In the metal world, bands can start to sound the same and Aittala steps outside of the box. With clear crisp vocals, grinding rhythms and well executed leads, this band is definitely in a league of their own.” – The Metal Channel

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0 Canada’s Alienatör Take A Dark And Harrowing Turn With “The Priest” Off “Regrets” Out Nov 25th

November 3, 2022
by Asher
· Alienator · Music News

NEWS RELEASE

Montreal, QC – November 3, 2022

Canada’s Alienatör Take A Dark And Harrowing Turn With “The Priest” Off “Regrets”

New Album “Regrets” Out Nov 25th

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Hailing from Canada, Alienatör is a sludge metal band that confronts tough issues with razor-sharp riffs and memorable hooks. They released their debut album “Pariahs’ in 2019, and are now following it up this year with “Regrets”, which is darker, more focused, and more intense. They say it also boasts better songwriting and more dynamics. The themes of this upcoming release also explore some heavy topics including alienation, grief, pain, and disgust at the state of the modern world. The single “The Priest” is no exception, which vocalist/guitarist Brad King explains:

“This is the darkest song I’ve ever written. Another is where the bass really drives the song and the guitar comes in, jagged and angular on top. Ralph Rowe was an Anglican Priest who molested countless kids in fly-in reserves in the 70s and 80s. He ruined so many lives and plea-bargained for a prison sentence that was a slap on the wrist. There’s a documentary about him called “Survivor’s Rowe,” and I’ve met a few survivors through my work. Here, he serves as an example of the type of abuse of power we allow those in positions of trust. I’m proud of the dynamics of this one, lots of tension and release and the calm atmospheric part in the middle.”

The music video for “The Priest” can be seen and heard via its premiere on IDIOTEQ HERE.

Composed during the claustrophobia of the 2020 election and the global pandemic the album channels rage and catharsis before lulling the listener into a sense of security and then thundering down again into a feedback-drenched conclusion.

Compared to their debut release, fans will recognize a more hard-hitting sound, depth of songwriting, dynamics, darker themes, and more vulnerable and introspective lyrics. Alienatör has matured and grown as musicians, with the addition of drummer Simon Paquette who has added a lot of depth to the sound, and bass player Sean Skillen becoming part of the writing process has added a new dimension. The band is a more cohesive unit and it shows in the material.

Alienatör is recommended for sludge fans as well as those who enjoy Melvins, Neurosis, and Botch.

Album pre-order – https://alienator.bandcamp.com

Previous Single:

Blood Red Blood – https://youtu.be/BQcdJyF9PtM

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

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“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“Pariahs shows Alienatör firing all of their creative cylinders and marks a multifaceted, all-consuming sludge opera delivered with convincing force and accents.” – Idioteq

“Gritty, high-octane sludge…” – Metal Trenches

“Alienator are miserable and they’d like you to join them.” – Lambgoat

—
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0 Canada’s Alienatör Confront Tough Issues With Hardcore Sludge In New Album “Regrets” Out November 2022

October 20, 2022
by Asher
· Alienator · Music News

NEWS RELEASE

Montreal, QC – October 20, 2022

Canada’s Alienatör Confront Tough Issues With Hardcore Sludge In New Album “Regrets”

New Album “Regrets” Out Nov 25th

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Alienatör is a sludge metal band from Thunder Bay, Ontario, Canada that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks. They are gearing up to release their second album “Regrets” this fall and it is chock full of dark themes, ferocious intensity, and raw emotion. The first single off the album is “Blood Red Blood”, which vocalist/guitarist Brad King outlines:

“This one is a real barn burner and one of our first collaborative songwriting efforts. I showed up with the opening riff, which has an odd time signature, that we counted as 9/8 or something wacky. Sean wrote the rest of the music around it. I like the breakdown in the middle a lot, where we trade vocal lines back and forth. It’s a fun one to play live. The lyrics are about the cycle of violence and toxic masculinity. Basically how hurt people hurt people and how what we do to others eventually gets paid back to us in the end. Blood in, blood out.”

Listen to “Blood Red Blood” via its premiere on Bravewords HERE.

Alienatör’s previous album was written as a two-piece, but for this new offering, the band consists of vocalist/guitarist Brad King, bassist/vocalist Sean Skillen and Simon Paquette on drums, which has taken their songwriting to the next level. They still have some blistering fast punk-influenced tunes, but they’re branching out and showing their creative depth on songs like “The Priest”, “Irreconcilable” and “Dark Matters”. They delve into gritty topics such as alienation, grief, pain, and disgust at the state of the modern world. Composed during the claustrophobia of the 2020 election and the global pandemic the album channels more rage than its predecessor.

Alienatör started out cobbling bits of different heavy styles together, juxtaposing very fast, thrashy material with slower doomy influences and weird experimentation. Over time, they have forged their own sound which carries a lot of the energy of punk and post-hardcore, with a heavy, abrasive edge and introspective or socially conscious lyrics. They are recommended for fans of Unsane, Melvins, and Neurosis.

Album pre-order – https://alienator.bandcamp.com

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

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“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“Pariahs shows Alienatör firing all of their creative cylinders and marks a multifaceted, all-consuming sludge opera delivered with convincing force and accents.” – Idioteq

“Gritty, high-octane sludge…” – Metal Trenches

“Alienator are miserable and they’d like you to join them.” – Lambgoat

—
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0 Canadian Doom ITUS Share Playthroughs Guitar and Drums For New Single “Sturgeon”

August 22, 2022
by Asher
· ITUS · Music News

NEWS RELEASE

Montreal, QC – August 22, 2022

Canadian Doom ITUS Share Playthroughs Guitar and Drums For New Single “Sturgeon”

Toronto-based death/doom/sludge band ITUS unleashed their latest single and horror story music video “Sturgeon” earlier this summer. It’s been the first taster of new music since the band’s debut EP “Primordial” was released in 2020.

Today, they share with fans their recent playthrough videos for both guitar and drums to check out.

Watch guitarist Brandon Lucking shred the sludgy doom alongside guest guitar solos by Dexter Forbes of Apogean – https://youtu.be/zegVPb2DmPE

and drummer Vincent Anastasi show you the sludge flow at https://youtu.be/Df1p3TDIEfs

Both videos were filmed and edited by Wavelens Media.

“Sturgeon” is the heaviest music that ITUS has written to date. This new offering is very heavy, shocking, but also catchy and widely accessible to all music fans. The dramatic, horror-themed video will also catch the eye of viewers along with its guest appearance from Canadian rocker KO as the “bait dude” character. The band explains the video and song in further detail:

“We wrote Sturgeon in a few sessions using a hook Brandon previously came up with. It just flowed organically from Brandon. Eerily, almost all the lyrics and vocal phrasing flowed seemingly from Reinier during the same writing sessions. The lyrics comment on apocalyptic guilt, with satanic ritualism juxtaposed with Christianity. We named our single Sturgeon because we knew we wanted to develop and shoot a music video that involved Brandon’s cottage, which is built on an inlet out of Sturgeon Bay, Ontario. Sturgeon are also huge prehistoric bottom-feeding fish with armoured skin, which is metal.”

For ITUS, “Sturgeon” is a fun bridge between their roots in death metal and where they plan to take their new music. They hope fans will enjoy the slightly more sludgy, heavier direction that is exemplified on the single. They place a great focus on hooks and have become more focused. They intended to get back to the stage in June, and those who get to see them live will be inundated with an energetic, atmospheric abrasive heavy metal experience. They aim to mystify and shock people with their performances.

The atmosphere in “Sturgeon” is creepy and ominous, and the band also incorporates a more modern-sounding metal mix while still maintaining that quintessential doom/sludge sound that fans will recognize. They are recommended listening for fans of Crowbar, Conan, and Windhand.

The music video for “Sturgeon”, which was partially directed by Apogean guitarist Dexter Forbes who also adds a guest guitar solo on the track, can be viewed at https://youtu.be/F0DBTMS8BfI

Video Credits:
Cinematography by Dexter Forbes and John Esposo
Editing by John Esposo
Directed and written by Reinier Vandenbosch

Single Stream – Itusofficialdoom.bandcamp.com, Spotify

Single Recording Band Line Up:
Vince Anastasi – Drums
Brandon Lucking – Guitar and Bass
Reinier Vandenbosch – Vocals
Dexter Forbes – Guest Guitar Solo

Live Band Line Up:
Vince Anastasi – Drums
Brandon Lucking – Guitar
Brandon Aitchison – Bass/backing vocals
Reinier Vandenbosch – Vocals

For more info:
https://www.facebook.com/ITUSDOOM
http://www.instagram.com/ITUSDOOM

About:

ITUS was born in 2018 when Brandon Lucking (guitars) and Reinier Vandenbosch (vocals) began writing Doom Metal together. Fans of Conan, Pallbearer, Crowbar, Windhand, Electric Wizard, and Black Sabbath will find themselves tripping out on ITUS’ soundscape of horrors ‘PRIMORDIAL’, their debut EP. ITUS blends grueling sludge and epic doom with stoner rock and death metal. Crushing yet jammy heavy metal passages, infused within a psychedelic, horror atmosphere established their EP as ITUS’ first brutal yet eclectic outing.

The EP launched on Friday the 13th of March 2020. Covid seemed to strike right then with lockdowns, but given time to build, ITUS then recruited Vince Anastasi on drums, and the three boys started building in new directions both musically and professionally. ITUS has lined up gigs for 2022 and will be performing a slew of new singles alongside the music from their first EP. New music videos produced by the band are also coming this year in 2022. Keep your eyes and ears peeled and ready to catch some ITUS.

Discography:
2011 – Sturgeon (single)
2020 – Primordial – EP

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0 Sun Below Is Now Streaming Their Sativa Soaked, Self-Titled Stoner Rock Epic; Full Stream Premiere via Doomed & Stoned

November 17, 2021
by Asher
· Music News · Sun Below

NEWS RELEASE

Montreal, QC – November 17, 2021

Sun Below Is Now Streaming Their Sativa Soaked, Self-Titled Stoner Rock Epic

Full Stream Premiere via Doomed & Stoned

Self-Titled Album Out Nov 19th

For lovers of fuzz and all things stoner rock, Toronto’s Sun Below is releasing their self-titled concept album on November 19th, which is a culmination of the journey the band has taken since the release of their debut EP back in 2018.

Today, the trio has teamed up with Doomed & Stoned for the album’s exclusive full stream premiere HERE.

“Sun Below” is a fully formed concept around the central figure of the record, the Holy Drifter. The listener is transported through various points in time in not only the Drifter’s life but in the history of his mountain shrine atop the Chronwall, as he struggles to find the meaning in his erratic, herb-induced visions. The story of the album is not completely linear, so the listener will drift in and out of timelines and alternate realities while experiencing the crushing weight and groove of the music. The band shares their thoughts on the album:

“We are beyond Sativa stoked to be releasing our self-titled debut LP after months of rehearsing, recording, and self-producing. We feel this album represents all the elements that embody our style; crushing doom, infectious grooves, big riffs, driving bass, earth-shattering drums, and experimental vocals. The album balances long burning, crushing doom with raw, up-tempo heavy rock and exploratory instrumental jams to present a vast sonic landscape.”

The album is a journey through time, space, and the limits of sonic power. Musically, it combines fuzzed-out grooves, punishing volume, and moments of spaced-out clarity which make for a fully immersive journey. With a run time of well over an hour, the album is meant to transport the listener across worlds and time, while traversing a vast landscape of heavy sounds.

The band was formed in 2017 out of a collective desire to follow the riff, jam, and explore vast sonic landscapes. They have previously released three EPs: Black Volume EP (2018), Black Volume II EP (2019), and Black Volume III EP (2019).

Fans of big riffs, fuzzed-out guitars, crushing drums, and driving bass will not be disappointed in this record. Those with an interest in Electric Wizard, Red Fang, and Kyuss should prepare to tune down, smoke up, play loud, and burn out.

The album will be available on November 19, 2021.

Album pre-order at Sunbelow.bandcamp.com.

Track Listing:
1. Chronwall Neanderthal – 4:34
2. Holy Drifter – 14:24
3. Shiva Sativa – 4:11
4. Green Visions – 5:56
5. Bong Psalm – 3:56
6. Kinetic Kief – 4:24
7. Doom Stick – 3:35
8. Twin Worlds – Part I & II – 18:00
9. Solar Burnout – 14:24
Album Length: 1:11:28

Album Band Line Up:
Jason Craig – Guitars and Lead Vocals
Will Adams – Drums and Backing Vocals
Garrison Thordarson – Bass and Backing Vocals

Live Band Line Up:
Jason Craig – Guitars and Lead Vocals
Will Adams – Drums and Vocals
Liam Gray – Bass

For more info:
Facebook.com/SunBelowband
Instagram.com/SunBelowband
EPK

About:
Sun Below is a heavy stoner/doom power trio from Toronto. Playing a signature brand of self-described Sativa rock, a combination of fuzz, volume, and heavy grooves, Sun Below seeks to spread their infectious, rollicking sound to the masses.

Starting as a humble seedling in 2018, the trio formed with a desire to create heavy rock with stoner/doom elements in a groovy Sabbath style, and through constant improvisation, the material is grown organically first with the music and then with the lyrics.

Engaging, extended tracks compiled with a crushing amount of volume touch on topics including cannabis, the occult, Lovecraft, unexplained occurrences, the infiniteness of space and the Holy Drifter. Even at length, each track is an exceptional sonic journey through space and time. Inviting their listeners to get into the groove and the headspace of the music, Sun Below is the perfect combination of a mellow trip with an energetic Sativa boost.

The trio of Jason Craig (guitars/vocals), Garrison Thordarson (bass/backing vocals) and Will Adams (drums/backing vocals) specialize in loose, long burning jams that worship at the altar of tone, riffs, and smoke, but also brim with raw bombastic heavy metal rock to keep the energy up high. Smoke up, tune down, play loud, burnout.

Still relatively new, but reaching towards the light and maturation, Sun Below have been hard at work sharing the stage with the likes of Black Mastiff and Chron Goblin; releasing three EPs: Black Volume EP (2018); Black Volume EP II (2019); Black Volume EP III (2019) and a music video into the haze. With a new stoner sun set to rise in 2021, the power trio will release their first full-length debut on November 19th to keep the fuzzy momentum going.

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0 Mournful And Meandering, Canada’s Uncle Woe Reveal Second Album “Phantomescence”; Premiere First Single “Become The Ghost” via TheSludgelord

September 18, 2020
by Asher
· Music News · Uncle Woe

(contact info below)

NEWS RELEASE

Montreal, QC – September 18, 2020

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For fans of Yob, Chrome Ghost, Deftones, Slomatics, Tool

Mournful And Meandering, Canada’s Uncle Woe Reveal Second Album “Phantomescence”

Premiere First Single “Become The Ghost” via TheSludgelord

Canada’s Uncle Woe brings you a contemplative, progressive doom album “Phantomescence” that was completely conceived and recorded in pandemic induced isolation. The opening track/lead single, “Become The Ghost” is a meandering exploration of death and dreams.

“Phantomescence” deviates from the first Uncle Woe album as the band moves forward from a solo studio project. It is an easily digestible, logical next step in the band’s evolution; elements, which made the first LP, “Our Unworn Limbs”, engaging and intriguing are present again on this offering; expanded upon, polished, and moderately better produced. The new album deals with death in a much broader and less personal sense, and also contains a lot of abstract, dream sequence type elements.

Currently, as a two-piece, Rain Fice and Nicholas Wowk worked on their parts separately, shared them online and managed to pull off the second album from the band. Fice details the intricacies of the single:

“Become The Ghost is almost relentless in its forward, mid-tempo, stomping march. The first chorus comes as a very small, simple 3/4 breather, in the midst of the opening/verse riff’s endless churning and revolving 11/4 and 15/4 riff. The vocals throughout are rough, and finally build to a scream in that last, closing verse. After the death of someone very near to me, I remember a feeling of loss so great that it seemed that even though THEY had died, I was the one who became a ghost if that makes sense; a ghost, or shadow, or shell.”

Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes, making Uncle Woe suitable for fans of Yob, Chrome Ghost and Deftones.

“Become The Ghost” can be heard via its premiere on TheSludgelord HERE.

The full album “Phantomescence” is due out October 23rd via Packard Black Productions and available for digital, CD and vinyl pre-order HERE.

Track Listing:
1. Become The Ghost (6:29)
2. On Laden Shores (13:30)
3. Lucid Degrees of Autoscopic Ruin (6:45)
4. A Map of Dead Stars (13:14)
EP Length: 40:00

Album Credits:
• All songs performed by: Rain Fice/Nicholas Wowk
• All songs written by: Rain Fice *Become the Ghost by Fice/Wowk
• Produced by: Rain Fice/Nicholas Wowk
• Mixed by: Rain Fice
• Mastered by: Rain Fice
• Album Artwork by: Rain Fice
• Canadian Content (MAPL)

EP Recording Band Line Up:
Rain Fice – Guitar, Vocals, Bass, Keyboards
Nicholas Wowk – Drums/Percussion

More info:
Facebook.com/unclewoe
Instagram.com/unclewoedoom
EPK

About:

Hailing from the oft frozen hills of rural Canada, Uncle Woe is a phantom limb, wielding a bludgeoning tool against mostly true tales of bittersweet sorrow, revenge, and regret.

The bleak desolation of Bancroft, Ontario spawned Uncle Woe in 2019 when Rain Fice grew weary of floundering in non-committed projects and instead dove into songwriting mode with a rough idea of his ideal sound and started carving out what would become the first Uncle Woe LP “Our Unworn Limbs”.

After the album was released in 2019 and started to pick up some buzz, a full band began to form. However, the pandemic was not far off and the band whittled down to a 2 piece. Before lockdown began, Uncle Woe managed to lock down the rough elements of what would become the second album “Phantomescence”, Fice expanded on them, and after being fed to drummer Nicholas Wowk, and recording remotely, the album was complete: a meandering exploration of death and dreams. Many chugging, bludgeoning passages are offset by expansive and contemplative, subdued, almost post-rock soundscapes.

As Uncle Woe begins to hit their stride, fans can look forward to the band putting out music pretty much indefinitely, plans are in motion for a third album already.

The band’s second album “Phantomescence” will be available digitally, CD, and on vinyl on October 23rd via Packard Black Productions.

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“The lone member (although it does seem as if drummer Nicholas Wowk has been added to the band) Rain Fice has created a truly wondrous journey through pure doom lands into that astral, transcendental other place doom of the aforementioned Yob that gives you goosebumps with its completely distressing doom metal. Fice’s clean echo-drenched vocals are also of very high quality, while not actually sounding like Mike Scheidt, Fice does exude a similar aura of supreme enlightenment and complete mastery of his art.” – Verbal Aggression

“Never be afraid to take a chance on a new name. This one comes to us from Ontario and was released earlier in the month, though I’m just now getting around to hearing it. I was pretty damned impressed and count UNCLE WOE in the same company as Domkraft, Spaceslug, Chrome Ghost, and Slomatics. Some damned good doom with crunchy low end and transcendent vocals. Count it among the #HeavyBest19” – Doomed & Stoned

“Chugging, sprawling, and most of all reaching, the late-2019 debut LP, Our Unworn Limbs, from Ontario as-yet-solo-outfit Uncle Woe — composed, performed, and recorded by Rain Fice — is one of marked promise, taking elements of modern progressive and cosmic doom from the likes of YOB’s subtly angular riffing style and unfolding them across an emotionally resonant but still manageable 43-minute span.” – The Obelisk

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