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Tag: slayer

0 CRS Find Melodic Death Metal Success With New Single “The Failure”

  • January 12, 2023
  • by Asher
  • · CRS · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

​

CRS Find Melodic Death Metal Success With New Single “The Failure”

CRS – L-R – Tavo Ramirez (Drums), Kello Gonzalez (Bass), Kath Danzig (guest vocals) – Hideki Inukai (Guitar), Sir Oz (Vocals), Francisco Oroz (Guitar)
Photo Credit – Carlos Hemosillo

Hailing from Sonora, Mexico, the death metal act CRS started back in 1991, and since then has been cranking out punishing technical riffs, and evil growls. Their beginning influences were in the realm of technical death metal and death metal, but they have always sought out different song structures and embraced fusion. They have a new single featuring guest vocals from Kath Danzig coming out that takes them in a new direction toward the melodic end of the spectrum. “The Failure” talks about how we, as a human race, have failed. Not caring about tomorrow, nor the young ones, we are a failure. A disgrace to intelligence. How there is no empathy, just emptiness. The band explains further:

“CRS has always wanted to be versatile. We want to offer music that we like, we never think about music styles, but about a good metal song. In the case of “The Failure” we made an exception, we did seek to make a “melodic death metal” since we had never done it before, even though we really like that style. The single has an important message, humanity is a failure and it has screwed up the whole planet. Having a female guttural singer as a guest brings an interesting shine to the band.”

CRS has always loved clean guitar passages and melodic guitar solos, so this time we wanted to compose a full-death melodic song, at least their version. It has a comfortable structure, but without losing the intensity that they have come to be known for. It will still be recognizable for current fans and add a new dimension that will intrigue those who are hearing them for the first time.

“The Failure” wasn´t originally for CRS, but they liked it so much that they kept it. They cite that the freshness comes from the freedom in thinking it was for someone else. With both English and Spanish vocals, it stands out among other songs in the genre. It is recommended for fans of Meshuggah, Fear Factory, and Carcass.

Listen to “The Failure” ft. guest vocals from Kath Danzig via its premiere on NoCleanSinging HERE.

For more info: Facebook.com/crsmetalband | Youtube.com/@CRSBAND | Instagram.com/crsmetalband​

About: CRS is a Death Metal band from Sonora, Mexico, formed in 1991 with the name Cirrosis by Francisco “Chucky” Oroz and Sir OZ, are the only original members in the current lineup. Due to their technical capacity to adhere to progressive elements and melodic solos, CRS quickly gained notoriety in the local and national scene. Their live performances were characterized by intensity and fury, becoming a cult band. In 1996, “Joseph Lev” joined the band and they recorded their first demo “La Tierra de la Adicción” which was distributed limitedly. In 1999, CRS entered the studio and recorded the album “Reciclando Desesperación” in Spanish, offering a range of different Death Metal styles, highlighting the quality of its production.

In 2001, CRS decided to break up, and its members continued with their personal and professional projects. In 2014, Concreto Records decided to reissue the album “Reciclando Desesperación” describing it as “The maladaptive sound that disturbed a style in Mexico that can currently give lessons to current modern bands”.

In 2019, CRS returned to record their second studio album “The Collector of Truths” with Concreto Records. Two international musicians play as guests in the album, Kevin Talley (Dying

Fetus, Suffocation, Chimaira), on drums, and Linus Klausenitzer (Obscura, Alkaloid) on bass. In September 2020, CRS recorded a Live Session for the Mexican online festival “Moshfest” which became an EP called “Live in isolotation” featuring Kello Gonzalez on bass, who became an official member on December 2021.

In March 2022, they released a new single titled “The enemy has always been me”. In October 2022, CRS played live after twenty years with the Brazilian band Sepultura. On that same date, Hideki Inukai joined the band on the second guitar.

– 30 –

“Where this album shines the most is in its flow. Throughout its eight tracks, CRS manages to build momentum song after song. There are fast parts and great guitar solos aplenty. However, CRS never slip on their songwriting. It’s an album that’s just always in that groovy death zone. Even when tracks like “The Daydreamer’s Nightmare” takes us into a spaced-out, relaxed solo or others like “The Art of Breathing”, that takes the album down a notch, CRS really lose nothing. They manage to bring a lot of out of their sound. Hell, “A Better Place to Hate” and ” “Tan Lejos de Dios (Nowhere.. But Here)” both have some tasty, thrashy bits to open them up.” – Metal Injection

“Now, as we nearly enter a new decade, CRS have returned with a full-length of groove/death metal with a technical spark. This spark comes in the form of shredding guitar solos and guest spots from drummer Kevin Talley on a few songs and Obscura/Alkaloid bassist Linus Klausenitzer on “The Art Of Breathing.” Those two musicians are at such a high skill level that the listener will immediately recognize their work. Their inclusion gives gravitas to the songs they are on, though the group does fine on their own with tunes like the anthemic “Resistencia” and Meshuggah-esque “Asfixia.” – Heavy Music Headquarters

“… Fast forward to now and the band comes roaring back to life on their sophomore effort The Collector of Truths and it’s a love letter to the time they left behind. Industrial bombast, guttural death metal, and melodically progressive strains of genius all play out in equally large parts over the course of these eight tracks” – Nine Circles

“There is a wonderful sense of pervasive evil that dominates the record from tracks like album opener ‘Asfixia’ to ragers like The Daydreamer’s Nightmare. I love this sense of harsh realities and raw brutality. It gives The Collector Of Truths a sense of authenticity, showing that the band emerged from true struggle to birth this record unto the world.” – Two Guys Metal Review

“CRS, or CIRROSIS, a band that plays their own brand of simplistic, mellow Technical Death Metal. Their debut album “The Collector of Truths” is proof that the genre does not need to be as complex as possible in order to be good. You know those albums that just get better as they play? This record is exactly that, the last few tracks forming the peak, the monumental conclusion.” – Metal Temple​
​–
ASHER MEDIA RELATIONS
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#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Montreal’s WARCALL To Release Second EP of 2021 w/ “Dead End Pt. 2” + Unveil New Music Video “Intoxicated”

  • October 26, 2021
  • by Asher
  • · Music News · Warcall

NEWS RELEASE

Montreal, QC – October 26, 2021

For fans of Motorhead, Metallica, Dissection, Iron Maiden, Slayer

WARCALL To Release Second EP of 2021 w/ “Dead End Pt. 2”

Music Video Premiere via Bravewords

“Dead End Pt. 2” Out November 26th via Plan B Music


L-R – Phil – Drums, Gord – Vocals / Bass, Mat – Guitar, JC – Guitar
Photo Credit / Artwork: Timur Khabirov

WarCall is not done with 2021 just yet… they still have more fight in them and a fury of metal to unleash upon the masses with part 2 from their Dead End EP series.

Standing up for all the fights we are fighting on a daily basis. WarCall represents the struggle in life and the challenges we have to rise to. We get called to war every day and it is up to us to step up and face our fears. The DIY Canadian quartet heeds this mantra, consistently pushing boundaries with their fast and dramatic metal music.

Unleashed via their own label Plan B Music, the beginning of the “Dead End” series, Pt.1 was unveiled in April, which was in-your-face, old-school-inspired metal, whereas Pt. 2, slated for November 26th is more progressive and atmospheric.

The band comments:

“Overall, the two EPs together are a collection of 9 songs, 9 stories about struggle. We have let the events of 2020 influence the process and the mood of the two EPs, while still aiming for a timeless production that will age well in time. The title and artwork represent the doom and gloom of life in the year 2020 and how the human race reacts in the face of death and uncertainty. With the impossibility to meet to even take a band picture, WarCall presents themselves as fictional post-apocalyptic warriors, a subtle comment and nod to the current events that marked the year 2020. And while more atmospheric in their nature, the 5 songs from Dead End pt. 2 are delivered in a raw package. At first, we wanted to work on the songs a little more in order to achieve a different atmosphere than Dead End pt. 1. We experimented with sounds and textures to add in the places we thought needed it, but each time, we preferred the original version. In the end, we chose to go ahead with the songs as they are in their purest form.”

In preview to “Dead End Pt. 2”, WarCall is sharing its lead single “Intoxicated” with a DIY music video. The band explains further:

“The first single from Dead End pt. 2, Intoxicated is a good representation of the thrash metal side of the band with its fast-paced riffing for a no-nonsense mosher. The challenge we gave ourselves for this song was to be able to come up with something interesting, not too repetitive with only four riffs. Interesting approach. For the video clip, it is a not-too-serious, DIY film about the gig scene every underground band is going through these days.”

Watch “Intoxicated” via its premiere on Bravewords HERE.

Totally authentic, with a wide range of influences ranging from old-school death and thrash metal, WarCall is recommended for fans of Testament, Exodus, Anthrax and Dissection.

“Dead End Pt. 2” will only be released digitally on November 26, 2021 via Plan B Music.

“Dead End Pt. 1” can be found on Warcallmetal.bandcamp.com, Spotify, Apple Music.


Track Listing:
1. Intoxicated (3:36)
2. Black Amber (4:59)
3. Off Road (4:03)
4. Control Denied (3:37)
5. Venom (6:12)
EP Length: 22:30

EP and Live Band Line Up:
Gord – Bass and Vocals
Phil – Drums
Mat – Guitars
JC – Guitars

For more info:
Facebook.com/warcallband
Instagram.com/warcallband
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Thrashers Infrared Focus In On Human Nature Through “Evil Ascent” Off “From The Black Swamp” Out Sept 30th via Inframental Records

  • September 16, 2021
  • by Asher
  • · Infrared · Music News

NEWS RELEASE

Montreal, QC – September 16, 2021

Thrashers Infrared Focus In On Human Nature Through “Evil Ascent” Off “From The Black Swamp”

New Album “From The Black Swamp” Out September 30th via Inframental Records

L-R: Mike Forbes (Bass, Backing Vocals), Armin Kamal (Guitar, Vocals), Alain Groulx (Drums, Backing Vocals), Kirk Gidley (Guitar, Backing Vocals)
Photo Credit by : Carissa Broeren

Infrared is true Canadian thrash metal, which initially started in 1986. After a hiatus, they emerged in 2014 and have put out a handful of albums since then. Their latest offering is the full-length “From the Black Swamp”, which will be released at the end of September. Ahead of this, they are unleashing their second single, “Evil Ascent” with a lyric video.

Watch and listen at https://youtu.be/muZc3HXfFhw

The single “Evil Ascent” is about evildoers trying to brutalize people they feel superior to, again, both at a societal and an interpersonal level. This fast-paced song boasts a tense middle section and a catchy sing-along chorus. The band explains it in their own words:

“On the heels of the title track, “From the Black Swamp”, “Evil Ascent” highlights evildoers and the great lengths they go to wreak havoc on those they feel superior to. It is a creepy ride into the state of human nature in which narcissism reigns supreme. It is a focus on people with evil intent, where they will try to exploit, humiliate, and ultimately crush those around them all for their own selfish gain.”

The cohesiveness of the band is evident, they work together collaboratively bouncing ideas off each other and formulating their recognizable thrash. They start with a riff and with everyone’s input eventually cultivate a full song with lyrical themes about what they know and what they see happening around them and around the world.

Heavily influenced by the Big Four, Infrared plays classic 80s thrash with full-bodied, modern production. They have shared the stage with the likes of Anvil, Sacrifice, Razor, Venom Inc., and Dirkschneider and look forward to melting faces for their first show in over a year and a half in their hometown of Ottawa on November 27th at Mavericks.

Fast, and rowdy, Infrared brings back classic thrash suitable for fans of Metallica, Testament, and Megadeth.

“From the Black Swamp” will be released on September 30, 2021.

Album pre-order – https://infraredmetal.bandcamp.com/album/from-the-black-swamp

Music Video – From the Black Swamp- https://youtu.be/Crxh_Fwyb7E

Show Dates:
Nov 27 – Mavericks – Ottawa, ON w/ Enforcer, Thunderdome – info


Track Listing:
1. Tribal Junction – 4:49
2. No Master, No Gods – 4:39
3. Lockdown – 4:02
4. Left Lane F√₵K! – 4:19
5. Eat Your Own – 4:58
6. From the Black Swamp – 6:11
7. Evil Ascent – 5:22
8. Blood & Sweat – 5:04
9. Eternal Exile – 5:09
10. Tradimento – 4:31
11. Beautiful Death – 4:31
12. SemitaDomum – 6:32
Album Length: 1:00:13

Album and Live Band Line Up:
Kirk Gidley – Guitar
Alain Groulx – Drums
Mike Forbes – Bass
Armin Kamal – Vocals, Guitar

For more info:
Infraredmetal.ca
Facebook.com/infraredmetal
Twitter.com/infraredmetal
Instagram.com/theofficialinfrared
EPK

About:
If Infrared sounds like classic thrash metal, that’s because they are! And rightfully so since they were making music as teenagers in the mid to late 80s back when the Big 4 (Metallica, Megadeth, Slayer, Anthrax) were just becoming famous. They literally lived and breathed that scene as it was happening and garnered national attention in Canada through their song and video for Thoughts Caught (in Between).

Then….life happened and members took different paths and the music, that was hot in the underground metal scene and loved by demo tape traders near and far, went dormant for 27 years! In 2014 Infrared reunited with 3 of the original 4 members (Kirk, Armin, and Alain), and since original bassist Shawn Thompson had moved to Miami, they recruited Mike Forbes. They worked hard to release their first full-length album, No Peace (2016), featuring songs written all those years ago. 2018 saw Infrared release their sophomore album, Saviours, featuring 8 new songs coming in at just over 50 minutes of music! That was followed up by their 2019 EP, Back to the Warehouse featuring the last of their 80’s written songs and released as a bridge to their next full-length album. Now, in 2021, Infrared release their most mature album yet, From the Black Swamp. The album features 12 songs for one hour of hard-hitting and emotionally charged songs steeped in the themes of betrayal and malicious sabotage in all walks of life, from societal to interpersonal. With several high-profile concerts under their belts including opening for Anvil, Sacrifice, Razor, Venom Inc., Dirkschneider, Flotsam and Jetsam, DBC, E-Force, and Atrophy, Infrared raises their horns and looks forward to getting out there to meet and befriend metal lovers everywhere!

Discography:
2021 – From the Black Swamp – LP
2019 – Back to the Warehouse – EP
2018 – Saviours – LP
2016 – No Peace – LP
1986 – R.I.P. Demo

Shared Stage With:
Anvil, Flotsam and Jetsam, Udo Dirkshneider, Sacrifice, Varathron, DBC, E-Force, Vortex, Atrophy, Venom Inc.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 Snakeblade Entices Extreme Metal Fans With Game of Thrones Inspired “The Red Mage’s Seduction”, Track Premiere via NoCleanSinging, New Album “The Curse” Out October 13, 2021

  • September 14, 2021
  • by Asher
  • · Music News · Snakeblade

NEWS RELEASE

Montreal, QC – September 14, 2021

 

Snakeblade Entices Extreme Metal Fans With Game of Thrones Inspired “The Red Mage’s Seduction”

Track Premiere via NoCleanSinging

New Album “The Curse” Out October 13, 2021

Snakeblade is a relatively new one-man solo project that was spawned out of pandemic isolation. Over the past year and a half, the ever intrepid Mike Redston has written, performed and recorded two albums, “The Kingdom” in 2020 and “The Curse” in 2021. The first single off the latter is “The Red Mage’s Seduction”, which, like the rest of the album, is themed around Game of Thrones.

Even though both albums were released in relatively quick succession, Redston cites that the difference between the two albums is very clear. While the first album started out as a ‘fun’ project bordering on power / black metal, he has since taken a deep dive into a darker blackened thrash sound and introduced new symphonic elements. The project is still young, he explains further:

“The music has grown immensely in complexity and scale. A session drummer was hired to handle blasting the kit. There are new orchestral elements of strings, pianos, and choirs. Atmospheric synth interludes. Holy hell, there’s even a sexy saxophone solo! Lyrically, “The Curse” is somewhat of a concept album revolving around Game of Thrones. I say “somewhat” because as I began writing, the initial inspiration from GOT started mixing with my own experiences. What came out is a melting pot of nerdy fantasy shit plus my own personal shit. GOT plotlines of The Red Woman, Stannis Baratheon, and the Lord of Light religion meet my own personal plot lines of betrayal, failure, and rage. Overall, these songs are both deeply emotional and deeply nerdy.”

The single “The Red Mage’s Seduction” is Redston’s favourite track off the album. It has the best of both worlds: a thrashy chaotic feel plus an atmospheric orchestral twist in the middle. Like the other songs on the album, it was written and performed by Redston with the exception of drums, which are performed by Dennis Kraakman. The album artwork was done by Elizabeth Holmes.

According to Redston, it has been a long, pain-staking process making this album and he looks forward to seeing how it is received by black, death and thrash metal fans. It is especially recommended for fans of Slayer, Dissection and Skeletonwitch.

“The Red Mage’s Seduction” can be heard via its premiere on NoCleanSinging HERE. 

The album “The Curse” will be available on October 13, 2021.

Album pre-order – https://snakeblade.bandcamp.com/album/the-curse


Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

– 30 –

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
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0 San Diego Thrashers MONARCH “Blast The Seed” In Shred Fest Guitar Playthrough, Video Premiere via TechnicalMusicReview

  • May 5, 2021
  • by Asher
  • · Monarch · Music News

NEWS RELEASE

Montreal, QC – May 5, 2021

For fans of Slayer, Judas Priest, Iron Maiden, Testament, Exodus

San Diego Thrashers MONARCH “Blast The Seed” In Shred Fest Guitar Playthrough

Playthrough Premiere via TechnicalMusicReview

New Album “Future Shock” Out Now!

L-R – Gabe Mendez (Bass), Adam West (Drums), Matt Smith (Vocals/Guitar), Casey Trask (Guitar)
Photo Credit: Astrid Anaya

San Diego’s MONARCH unleashed their sophomore album “Future Shock” this past April. Compared to their first, very DIY album, 2017’s “Go Forth… Slaughter”, MONARCH‘s next escapade “Future Shock” was done professionally at Clarity Recordings in El Cajon, California, and is a big step forward for the band both musically and sonically. The album hits hard on a lot of levels, there is speed, heaviness, melodies, great memorable lyrics along with riffs and solos.

And speaking of riffs and solos, today, the band’s guitarists Casey Trask and Matt Smith share their shredding skills with their new guitar playthrough for the track “Blast The Seed”.

The guitarists add:

“Blast The Seed’ is one of my favorite songs to play for sure, it has some techniques that I really enjoy hearing in other people’s playing. My first solo starts with a big ascending blues lick, then messes with some different minor modes. When I was coming up with these solos I tried to emulate a sort of progression that seemed like it was taking flight and blasting off at the end. My solo in the middle uses some quick legato peppered with some Palm muted staccato. I also used a cool bend technique I’ve always been a fan of where you pick and bend the E string up while bending the B string up as well with the same finger, then picking and releasing the bend on the B string, so I played around with that feeling a bit. I love the quick pentatonic work of Zakk Wylde and Richie Faulkner and you’ll hear some of that in this solo as well. For my final solo towards the end, I just thought it would be cool to let the solo branch off from the chorus riff in an organic way so the first lick in the solo actually starts off with the pull-off of the chorus riff. This one has some diminished runs going into some climactic dyads before blasting up to the 22nd fret for some speed picking down the minor scale. The last fast bit running up the neck brought out the Alexi Laiho influence in me for sure.” – Casey Trask

“‘Blast The Seed’ – Intro, Ultimate Battle Intro Number One cameo. Then the first riff is classic battle style 333322. Solo one, D blues with some nasty arpeggios at the end to tag off into Casey’s solo, key change a 5th. Then the main theme riff, blast-off ejecting classic descending melody riff with a cool lil’ harmony 5ths break at the end into the verse. Ride the D on the verse then bust the 3rds. Prechorus style harmonic minor riff with pedal 5ths. Chorus, just ejecting the D minor in the face before a screamer solo. Repeat everything for round 2. Back to the classic battle riff 333322 to prepare for launch into the solos. The first solo’s in A then Casey takes 2 over D then A. Then I clean up with some Yngwie sweeps in D before the heavy development. Big breaks, crazy drums fills, then to the dungeon bridge riff. More 333322 theme with the chords descending underneath and some rad 5th and 4th harmony action. Final chorus into the blast-off solo, my favorite riff, taking the verse melody and playing the chorus chords underneath. Into to final main theme with quad harmonies for the money shot. Seeds successfully blasted throughout the void between your ears.” – Matt Smith

You can watch the playthrough via its premiere on TechnicalMusicReview HERE.

Recommended for fans of Exodus, Slayer, and Testament, MONARCH‘s “Future Shock” is available at the following links:

(CD, Vinyl) – https://monarch.band
Spotify

Music Videos:
“Nuclear Warfare” – https://youtu.be/eI9R0LNYGHM
“Shred or Die!” – https://youtu.be/DOgceZdx2mU

Live video at Wacken 2019:
Khaos Warrior – https://youtu.be/wXiU078YKM0
Full Wacken Set – https://youtu.be/Gjct4mbhdxM


Track Listing:
1. Blast The Seed (5:16)
2. Khaos Warrior (2:51)
3. Future Shock (5:00)
4. Nuclear Warfare (4:00)
5. Shred or Die! (4:15)
6. Multiverse (3:02)
7. Fatal Vector (6:47)
8. Collision Of Bones (3:45)
9. Swarm Of The Whorenet (6:41)
10. Metal Soul (5:21)
Album Length: 47:04

More Info:
Monarch.band
Facebook.com/monarchthrash
Instagram.com/monarch666
Twitter.com/riseofmonarch
EPK

– 30 –

“I tell you, they could give Megadeth a run for their money in the technically-superior-melodic-thrash stakes!” – Sentinel Daily

“Possibly more guitar-centric than their last album, Future Shock has that racing intensity and metal to the bone determination to win over even the most skeptical people in the underground. March up to the table and give Monarch your full support – as this is high quality thrash with diversity, musicianship, and killer songwriting at the forefront.” – Dead Rhetoric 

“No matter if thrash is the creed which you live by or you’re venturing into the frenzied scene for the first time. Monarch will appeal to all who like their heavy metal to sound…well, like heavy metal. Get the muscles warmed up, you’re going to find your neck and arms are about to get a serious workout. Cue fists in the air and heads being banged.” – Games, Brrraaains & A Head-Banging Life

“I like Monarch, and ‘Future Shock’ is an excellent album, the band are obviously very serious at what they are doing, and yet also have a unique sense of fun, I mean what other band can name the likes of the cartoons Futurama, the Legend of Zelda and Dragon Ball Z, as lyrical influences, and also come up with a character ‘The Whore of the North’ as the protagonist of another song? This hard hitting, yet very melodic, with some great hooks and choruses, the riffs and solos simply fly around your ears. If you’re a fan of the likes of Havok, Warbringer at el, you could do far worse than checking out this exciting foursome. Great stuff.” – The Razor’s Edge

“If there’s a reason to stick with Monarch’s thrashy second album Future Shock, it’s the fantastic chemistry between guitarist/vocalist Matt Smith and guitarist Casey Trask. They split soloing duties down the middle, trading them off with the finesse of a Mustaine/Friedman pairing, while locking in with harmonies on songs like “Khaos Warrior.” The first song alone, “Blast The Seed,” has seven guitar solos in its five minutes, and that’s not an exception, as all ten tracks have a truckload of impressive guitar performances.” – Heavy Music Headquarters

“What a journey, from games worship to outer space to political controversy to whorey warriors, from mesmerizing classical guitar to thrash metal. There are even some synthesized sounding beats thrown in for good measure. ‘Future Shock’ is a true showcase of the range of Monarch’s technical ability. This band is definitely under-appreciated at the moment. There’s too much technique and flair here for them to be flying under the radar. Monarch is perhaps too often written off as pretenders to bigger bands but they aren’t pretending. They are owning their genre.” – Uber Rock

—

ASHER MEDIA RELATIONS

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0 Before it officially drops this Friday, April 23rd via Plan B Music. Montreal’s WarCall is premiering on Decibel Magazine the full stream of their new EP “Dead End Pt. 1”

  • April 22, 2021
  • by Asher
  • · Music News · Warcall

NEWS RELEASE

Montreal, QC – April 22, 2021

For fans of Motorhead, Metallica, Dissection, Iron Maiden, Slayer

Streaming Now! WarCall’s “Dead End Pt. 1”, Tales Of Struggle And Perseverance

EP Stream Premiere via Decibel Magazine

“Dead End Pt. 1” Out April 23rd via Plan B Music

L-R – Phil – Drums, Gord – Vocals / Bass, Mat – Guitar, JC – Guitar
Photo Credit / Artwork: Timur Khabirov

Canada’s WarCall will be dropping two EPs in 2021, their first, “Dead End Pt. 1” will be released on Friday, April 23rd and before it’s officially out, the band has teamed up with Decibel for its full stream premiere HERE.

Melodic and energetic, this four-track EP has a little something for everyone, with influences ranging from old school thrash and death to classic metal and more.

The creation of this EP was unusual for the band, the music was written collaboratively, but the drummer came up with most of the lyrics. He writes about struggle; “Dead End Pt. 1 and 2″ are not concept releases; they are a collection of 9 tales of struggle and how we can overcome them.

Recorded and mixed in a post-apocalyptic setting, the band has let the events of 2020 influence the process and the mood of both EPs, while still aiming for a timeless production that will age well. WarCall has decided to release the first EP, and the other half will be released later this year. They share their thoughts on the recordings:

“We are really proud to release the first EP. It is our best production yet. In terms of songwriting, musicianship, and recording, it represents a step forward in the evolution of the band. Back to being a 4 piece, we focused on writing and arranging songs that emphasize the possibilities they bring.”

The title and artwork represent the doom and gloom of life in the year 2020 and how the human race reacts in the face of death and uncertainty. With the impossibility to meet to even take a band picture, WarCall presents themselves as fictional post-apocalyptic warriors, a subtle comment and nod to the current events that marked the year 2020.

With the modern and crisp production, listeners will be able to enjoy the music of the band as a whole, while being able to focus on each musician’s performance. Whether it is the natural and powerful drums, tight bass, precisely recorded guitars, or the over-the-top vocal performance, each of WarCall’s musicians shine throughout the two EPs to let the music be the main focus.

Fast and dramatic, WarCall is recommended for fans of Dissection, Iron Maiden, and Slayer.

“Dead End Pt. 1” will only be released digitally as of April 23, 2021 via Plan B Music on the following platforms: Warcallmetal.bandcamp.com, Spotify, Apple Music.

Music Video – The Chase – https://youtu.be/vsTqL77jAeQ


Track Listing:
1. Reckless (4:19)
2. Death Wish (8:00)
3. 800x (3:42)
4. The Chase (4:41)
EP Length: 20:44

EP and Live Band Line Up:
Gord – Bass and Vocals
Phil – Drums
Mat – Guitars
JC – Guitars

For more info:
Facebook.com/warcallband
Instagram.com/warcallband
EPK

About:
War has always been an intrinsic part of humanity. Whether it is huge wars involving entire countries or the small wars we all fight every day to survive, it is fair to say that war has defined humanity.

One of the definite treatises on war is Sun Tzu’s ‘The Art of War’; a book still in print to this very day. On the use of music in war, Sun Tzu writes: “Gongs and drums, banners and flags, are means whereby the ears and eyes of the host may be focussed on one particular point.”

Now, we have WarCall, who not only use drums, but also bass, guitars, and vocals to achieve the same end with their growing army of fans.

Inspired by Iron Maiden, Metallica, Motorhead, Dissection, and Slayer, guitarist Mathieu Simard describes WarCall’s music as “fast, aggressive, melodic, dramatic!”.

Now, with four well-received albums under their bullet-belt (Invaders (2017), III (2015), Blood, Guts, and Dirt (2013), Demonarchy (2008)), this power-quartet will unleash two new EPs in 2021, “Dead End Pt. 1” on April 23rd with “Dead End Pt. 2 expected to follow in the Fall via their own label Plan B Music.

As a whole, the two EPs are a collection of 9 songs, 9 stories about struggles during 2020 (“Dead End Pt. 1” being 4 tracks). The EPs were recorded and mixed in a post-apocalyptic setting. As with every album, “Dead End Pt. 1” and “Dead End Pt. 2” are technically more advanced in terms of songwriting and production. Of course, Warcall has evolved as musicians from each album, but they believe that their total is greater than the sum of its parts, so they play what feels right for the metal.

The band comments:

“We have let the events of 2020 influence the process and the mood of the two EPs, while still aiming for a timeless production that will age well in time. The title and artwork represent the doom and gloom of life in the year 2020 and how the human race reacts in the face of death and uncertainty. With the impossibility to meet to even take a band picture, WarCall presents themselves as fictional post-apocalyptic warriors, a subtle comment and nod to the current events that marked the year 2020.”

Live, post covid times, WarCall will truly give it their all with total authenticity. What you hear on their recordings is what you hear on stage. Energetic, powerful, focused, and proficient performances ready to encourage the circle pit.

WarCall has toured Europe (FR, DE, BE, CZE, SP) three times along with multiple tours across Eastern Canada. They have also been opening support for such bands as Destruction, Anvil, Paul Di’Anno, Kalmah, Catamenia, Impaled Nazarene, Arkona, Norther, Anonymus, Slaves on Dope, Martyr, Reanimator, Wolven Ancestry.

WarCall’s new EP “Dead End Pt. 1” is due out April 23rd, 2021 via Plan B Music.

– 30 –

“Big things are happening for Montreal’s WarCall…Motor-Maiden-‘tallica brand of street wise thrash…” – Decibel Mag

“The creativeness they’ve put into their debut far surpasses anything else I have heard from new Canadian bands this year…Inventive, fun, crisp and a great first offering”. – Exclaim!

“WARCALL’s delivery is fresh, powerful, with good drive and melodies and this tight-knit feeling that just gives you this sense of urgency.” – The Metal Observer

“Actually, “very very heavy” doesn’t go far enough. “Bully Bastard” slugs had enough to loosen teeth and leave bruises, and the grooves are damned compulsive, too, so loosen up your neck muscles before diving into this track. But while the song rocks hard enough to shake listeners like rag dolls, the music also channels rage and intensity through the raw grit of the vocals and the grim (but very catchy) vehemence of the riffs.” – No Clean Singing

“Fans of an old school thrash/speed sound will find plenty to enjoy throughout Invaders. 10 tracks of meaty metal that makes you want to dig out the old patch jacket & head-bang until your neck fuses.” – Games, Brrraaains & A Head-Banging Life

“If you enjoy old school thrash, early speedy rock ‘n’ metal MOTÖRHEAD or DARKTHRONE in their thrashy black metal/crusty punk phase then WARCALL will wet your appetite and get you salivating! Dig out your battle vest, your whitewashed denim jeans, and white trainers and bang that head furiously!” – All About The Rock

“It’s fast, it’s heavy, it’s exciting, and it doesn’t try too hard to be something it’s not, while also knowing exactly what it is. That’s a rare trait to have in a band, and it shows their consistency and maturity as songwriters; you can really tell this is not their first album. The ultimate takeaway here is that WARCALL deserve a lot more attention than what they’re currently getting. I hope to see them take things to the next level on their next full-length.” – Metal Temple

—

ASHER MEDIA RELATIONS

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0 Bravewords Premiere: Streaming Now! “Future Shock” From San Diego Thrashers MONARCH

  • April 15, 2021
  • by Asher
  • · Monarch · Music News

NEWS RELEASE

Montreal, QC – April 15, 2021

For fans of Slayer, Judas Priest, Iron Maiden, Testament, Exodus

Streaming Now! “Future Shock” From San Diego Thrashers MONARCH

Album Stream Premiere via Bravewords

New Album “Future Shock” Out April 16, 2021

L-R – Gabe Mendez (Bass), Adam West (Drums), Matt Smith (Vocals/Guitar), Casey Trask (Guitar)
Photo Credit: Astrid Anaya

San Diego’s MONARCH will be unleashing their sophomore album “Future Shock” on Friday, April 16th and before this electrifying thrash thriller hits the moshpit, the band has teamed up with Bravewords for its full stream premiere HERE.

The band adds:

“Future Shock hits hard on a lot of levels, there are the riffs, the solos, the speed, the heaviness, the melodies, great memorable lyrics, the dynamic range of our creativity we think was truly expressed, and yet we still managed to sound like ourselves. We all just really look forward to sharing it with everyone. At the time of this release, the world is still battling the COVID-19 virus in parts of the world and we think it will be a welcome escape from having to worry so much right now. We should all be cautious of course, but we can’t make our lives not worth living.”

Compared to their first, very DIY album, 2017’s “Go Forth… Slaughter”, MONARCH‘s next escapade “Future Shock” was done professionally at Clarity Recordings in El Cajon, California, and is a big step forward for the band both musically and sonically. It explores the entire spectrum of the band’s creativity, with each song varying in sound, but maintains a cohesive feeling. The overall concept of the full length is a comprehensive plan of action to be taken globally, nationally, and locally by organizations of the United Nations system, governments, and major groups in every area in which human impacts on the environment.

Recommended for fans of Exodus, Slayer, and Testament, MONARCH‘s “Future Shock” will be available on April 16, 2021 at the following links:

(CD, Vinyl) – https://monarch.band
Spotify

Music Videos:
“Nuclear Warfare” – https://youtu.be/eI9R0LNYGHM
“Shred or Die!” – https://youtu.be/DOgceZdx2mU

Live video at Wacken 2019:
Khaos Warrior – https://youtu.be/wXiU078YKM0
Full Wacken Set – https://youtu.be/Gjct4mbhdxM


Track Listing:
1. Blast The Seed (5:16)
2. Khaos Warrior (2:51)
3. Future Shock (5:00)
4. Nuclear Warfare (4:00)
5. Shred or Die! (4:15)
6. Multiverse (3:02)
7. Fatal Vector (6:47)
8. Collision Of Bones (3:45)
9. Swarm Of The Whorenet (6:41)
10. Metal Soul (5:21)
Album Length: 47:04

More Info:
Monarch.band
Facebook.com/monarchthrash
Instagram.com/monarch666
Twitter.com/riseofmonarch
EPK

– 30 –

““Go Forth… Slaughter” is a loud record that is full of twists and turns. Hopefully this release encourages Monarch to do some touring beyond Southern California, because songs like these need more ears.” – SD Metal

“A very colorful cover can also win over many fence-sitting people – and the rawer attention to detail on the production front gives us a clearer picture of what to expect live (a sinister snare snap plus in your face guitar tones duly noted). Go Forth…Slaughter executes in that late 80’s/early 90’s thrash/death platform, where people lost interest in major label veterans straying into commercial waters. Monarch makes it safe for you to trust their music: brutal, aggressive, and all for the love of the genre.” – Dead Rhetoric

“‘a super solid speed metal record.” – Metal Assault (2017 – Review – Go Forth​.​.​. Slaughter)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 ANONYMUS Reunites w/ Band Founder Marco Calliari For Video Performance “Tierra” Off “La Bestia”

  • April 6, 2021
  • by Asher
  • · Anonymus · Music News

NEWS RELEASE

Montreal, QC – April 6, 2021

For fans of Slayer, Testament, Voivod, Lamb Of God

ANONYMUS Reunites w/ Band Founder Marco Calliari For Video Performance “Tierra” Off “La Bestia”
New Album “La Bestia” Out Now! via (Bam&Co Heavy) Winner of Two GAMIQ 2020 Awards “Metal Album of The Year”

& Piggy Award (career recognition in honour of Voivod guitarist Denis “Piggy” D’Amour)


L-R: Carlos Araya (Drums), Daniel Souto (Guitar), Oscar Souto (Vocals and Bass), Jef Fortin (Guitar)
Photo Credit: Dani Rod

Canadian thrash legends Anonymus have reunited with band founder Marco Calliari for a live-off-the-floor video performance of “Tierra” from the band’s latest 12th album and first Spanish release “La Bestia” (winner of two GAMIQ Awards). The track is sung in both Italian and Spanish.

Calliari‘s departure from Anonymus in 2003 was to pursue a solo career that has so far released three albums: Che la vita (2003), Mia dolce vita (2006), and Al faro est (2010).

The band comments on the video reunion:

“Marco was in the band for a long time, we were friends as young kids and during high school was when we decided to start Anonymus. We learned our skills together doing covers initially, then moved on pretty quickly to make our own songs. For us, it’s always a great pleasure to have him come in to sing and play with us here and there. He left the band to fulfill his career in another genre (worldbeat/ pop). He’s a hell of a performer and we remain on the best of terms with each other. So to have him come in and share some moments with us is very natural. We celebrate our past having him in this live performance, while on the other hand, we focus on the future on writing new material for our next release.“Tierra” is very special because it’s the only song that we wrote in both Italian and Spanish. This is a tribute to our families who had to make sacrifices in their lives and leave their families and countries behind for a better future and a new home. It strikes a chord when you see all these immigrants doing the same in Africa, South America, and the rest of the world. Our parents ended up having a nice story about their immigration, which is not the case for everybody. This song is a song about the newfound land.”

Watch “Tierra” on YouTube – https://youtu.be/V333tZVtf7Q

Anonymus‘ twelfth studio album “La Bestia” (Bam&Co Heavy) was released in June 2020. The album is the band’s first Spanish album that follows their discography of both French and English releases. Many metalheads and critics asked the most relevant question, why an album in Spanish? The answer… since Drummer Carlos Araya is Chilean-born, and Oscar (lead vocals and bass) and Dan Souto (guitars and backing vocals) are sons of Spanish immigrants, it was only inevitable to make a record in that language that 3/4 of the band is fluent in.

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

“La Bestia” is available for stream and download on Spotify, Apple Music, Deezer HERE. Vinyl HERE.

Music Video – Bicho Loco – YouTube


Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra (Produced by Colin Richardson and ft. Marco Calliari) (4:01)
9. Terremoto  (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals
For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPKAbout:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

“Anonymus mix together some of the best from Slayer and Lamb of God. Allowing for some of incredibly strong extreme metal on La Bestia. If you need any proof, tracks “Sobrevivir” and “Violencia Versus Violence” are easy stand outs for melding some spectacular sections and making the most of the band’s sound.” – Metal Injection

“a savage barrage of brutality from Anonymus, featuring break neck speed thrash that’s in your face and intense. 9/10” – Metal Gods TV

“La Bestia hits bluntly and brutishly. It certainly lives up to it’s name, the beast.” – Heavy Music Headquarters

“What a musical violence! Thrash lovers would do well to give this album of Spanish Canadians a listen.” – Arrow Lords of Metal

“Thrashy heavy stuff with a Sepultura-like groove and probably having the lyrics in Spanish help with the vibe… the catch? They’re from Quebec! ” – WORT 89.9 FM – Mosh Pit Radio (Madison, WI)

“The album has a very “bouncy” vibe that really gets the foot tapping and despite the album sounding overall angry, this anger comes off as fun. There’s no way in hell that anyone would stand still when the band plays anything on this album live. If you’re like me and usually more into the classic thrash sound and its close derivatives and feel like trying something else, La Bestia might just be what the doctor ordered.” – The Metal Crypt

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 MONARCH’s New Music Video Declares “Nuclear Warfare”, Music Video Premiere via MetalInsider, New Album “Future Shock” Out April 16, 2021

  • March 19, 2021
  • by Asher
  • · Monarch · Music News

NEWS RELEASE

Montreal, QC – March 19, 2021

For fans of Slayer, Judas Priest, Iron Maiden, Testament, Exodus

MONARCH’s New Music Video Declares “Nuclear Warfare”

Music Video Premiere via MetalInsider

New Album “Future Shock” Out April 16, 2021

L-R – Gabe Mendez (Bass), Adam West (Drums), Matt Smith (Vocals/Guitar), Casey Trask (Guitar)
Photo Credit: Astrid Anaya

San Diego’s MONARCH are declaring “Nuclear Warfare” with their new thrashing music video in support of their upcoming sophomore album “Future Shock” due out April 16th.

The video is a slamming assault, showcasing the Wacken Metal Battle USA champions‘ loud speedball riffs till the very end. The track was originally written by vocalist/guitarist Matt Smith as an assignment for a composition course while earning his Associate of Arts in Classical Music Degree. It’s a full circle Metal-education!

The video can be viewed via its premiere on MetalInsider HERE.

Compared to their first, very DIY album, 2017’s “Go Forth… Slaughter”, MONARCH‘s next escapade “Future Shock” was done professionally at Clarity Recordings in El Cajon, California, and is a big step forward for the band both musically and sonically. It explores the entire spectrum of the band’s creativity, with each song varying in sound, but maintains a cohesive feeling. The band comments on the album:

“We’re all just super excited to get this album out to everyone because I think everyone right now needs something new to get excited about. At the time of this release, the world is still under quarantine from the COVID-19 virus in parts of the world and we think it will be a welcome escape from having to worry so much right now. We should all be cautious of course, but we can’t make our lives not worth living. This album really inspires us to write even better and we’re still amazed at how it came out. We look forward to hearing its response by fans and getting to play it live and loud again.”

Hitting hard on a lot of levels, from the riffs, the solos, the speed, the heaviness, the melodies to the great memorable lyrics and the dynamic range of the band’s creativity, MONARCH is recommended for fans of Exodus, Slayer, and Testament.

“Future Shock” is set for release on April 16, 2021.

Album pre-order (CD, Vinyl) – https://monarch.band

Music Video “Shred or Die!” – https://youtu.be/DOgceZdx2mU
Stream on Spotify – https://spoti.fi/3jTdlbX

MONARCH live video at Wacken 2019:
Khaos Warrior – https://youtu.be/wXiU078YKM0
Full Wacken Set – https://youtu.be/Gjct4mbhdxM


Track Listing:
1. Blast The Seed (5:16)
2. Khaos Warrior (2:51)
3. Future Shock (5:00)
4. Nuclear Warfare (4:00)
5. Shred or Die! (4:15)
6. Multiverse (3:02)
7. Fatal Vector (6:47)
8. Collision Of Bones (3:45)
9. Swarm Of The Whorenet (6:41)
10. Metal Soul (5:21)
Album Length: 47:04

More Info:
Monarch.band
Facebook.com/monarchthrash
Instagram.com/monarch666
Twitter.com/riseofmonarch
EPK

– 30 –

““Go Forth… Slaughter” is a loud record that is full of twists and turns. Hopefully this release encourages Monarch to do some touring beyond Southern California, because songs like these need more ears.” – SD Metal

“A very colorful cover can also win over many fence-sitting people – and the rawer attention to detail on the production front gives us a clearer picture of what to expect live (a sinister snare snap plus in your face guitar tones duly noted). Go Forth…Slaughter executes in that late 80’s/early 90’s thrash/death platform, where people lost interest in major label veterans straying into commercial waters. Monarch makes it safe for you to trust their music: brutal, aggressive, and all for the love of the genre.” – Dead Rhetoric

“‘a super solid speed metal record.” – Metal Assault (2017 – Review – Go Forth​.​.​. Slaughter)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 ANONYMUS Shares Bass/Guitar Playthrough “Cada Loco Con Su Tema”, Playthrough Premiere via Bass Magazine

  • March 9, 2021
  • by Asher
  • · Anonymus · Music News

NEWS RELEASE

Montreal, QC – March 9, 2021

 

For fans of Slayer, Testament, Voivod, Lamb Of God


ANONYMUS Shares Bass/Guitar Playthrough “Cada Loco Con Su Tema”

Playthrough Premiere via Bass Magazine

New Album “La Bestia” Out Now! via (Bam&Co Heavy)

 Winner of Two GAMIQ 2020 Awards “Metal Album of The Year”
& Piggy Award (career recognition in honour of Voivod guitarist Denis “Piggy” D’Amour)


L-R: Carlos Araya (Drums), Daniel Souto (Guitar), Oscar Souto (Vocals and Bass), Jef Fortin (Guitar)
Photo Credit: Dani Rod

Canadian thrash legends Anonymus’ unleashed their award-winning (GAMIQ Awards) and 12 studio album “La Bestia” (Bam&Co Heavy) during June 2020. The album is the band’s first Spanish album that follows their discography of both French and English releases. Many metalheads and critics asked the most relevant question, why an album in Spanish? The answer… since Drummer Carlos Araya is Chilean born, and Oscar (lead vocals and bass) and Dan Souto (guitars and backing vocals) are sons of Spanish immigrants, it was only inevitable to make a record in that language that 3/4 of the band is fluent in.

The tracks on “La Bestia” were produced mainly by guitarist Jef Fortin as well as Colin Richardson who also produced 1999’s ‘Instinct’ and Jean-Francois Dagenais (Kataklysm) who produced 2006’s ‘Chapter Chaos Begins’. The album also features the bilingual song “Violencia Versus Violence” with the participation of Carlos Maldos of Lethal Creation (MX) and Arno Dhenain Le Bourhis of Black Bomb A (FR) along with a second bilingual track “Tierra” with Marco Calliari singing in Italian.

Today, Anonymus bassist Oscar Souto and guitarist Jef Fortin present their latest playthrough for the track “Cada Loco Con Su Tema”, which can be watched via its premiere on Bass Magazine HERE.

“La Bestia” is available for stream and download on Spotify, Apple Music, Deezer HERE. Vinyl HERE.

Music Video – Bicho Loco – YouTube


Track Listing:
1. Bajo Presión (3:31)
2. Bicho Loco (3:58)
3. Sobrevivir (4:11)
4. Violencia Versus Violence (featuring Carlos Maldos of Lethal Creation (MX) and Arno from Black Bomb A) (4:33)
5. La Bestia (5:22)
6. Máquinas (3:32)
7. Cada loco con su tema (5:37)
8. Tierra ( Produced by Colin Richardson and Featuring Marco Calliari) (4:01)
9. Terremoto  (Produced by Jef Dagenais (Kataklysm) (3:08)
Album Length: 37:57

Album and Live Band Line Up:
Oscar Souto -Vocals/ Bass
Daniel Souto – Guitar/ Back Vocals
Jef Fortin -Guitar/ Back Vocals
Carlos Araya -Drums/ Back Vocals

For more info:
Bamand.co
Anonymusmetal.com
Facebook.com/anonymusmetal
Instagram.com/anonymusmetal1
Instagram.com/anonymusmetal_es (Spanish/Espagnol)
EPK

About:

Anonymus is a Canadian thrash metal band that explodes on stage with each presence, that pulls you in with its passion and that yells at you with corrosive and violent texts that will not leave anyone indifferent.

Since their first release in 1994, Anonymus has made its mark on the Quebec music scene. From the beginning, the group has been well received while demonstrating its brutal sound and technique that has continually evolved over the years. Oscar Souto (vocals, bass) Daniel Souto (guitar, vocals) Carlos Araya (drums), Jef Fortin (guitar since 2006) and Marco Calliari (vocals, guitar from 1994 to 2006) have since widely traveled the roads of their country, participated in the deprivation of Mononc’Serge and continue today to ignite stages everywhere they go. These veterans of the metal scene continue to proudly carry the torch after 20 years of chaos and barbaric music.

Forever hungry for metal, everyone in Anonymus brings ideas to the table. Sometimes it is a whole song or just the beginnings of one, yet together the band works to create a full thrashy anthem from the pieces, working on it until it is complete. The music always comes first, and when the ambiance is formulated, the lyrics, which come from a personal place and from current events, can be added.

Unstoppable and indestructible, inspired by bands like Metallica, Slayer, Megadeth, and Anthrax; Anonymus is nothing short of the powerful, aggressive and technical thrash metal that they have been refining for decades exemplified on their impressive discography of both French and English releases, which includes: “Ni vu, ni connu” (1994); Stress (1996); Instinct (1999); Daemonium (2002); Academie du Massacre (2003); Chapter Chaos Begins (2006); Musique Barbare (2008); État Brute (2011); Envers et contre tous (2015); P.O.M.M.E (2017); Sacrifices (2019); and their first-ever Spanish album La Bestia (2020) due out June 12 via label Bam&co Heavy.

Today, Anonymus does not need a presentation. This institution of the Quebec metal industry has been offering for twenty-six years, a passion for dark notes and unrivaled power. The offer is still valid. With more than 1500 career shows under their belt, Anonymus is completely in their element when performing in front of fans, they offer only their absolute best ensuring the crowd is moving. Having shared the stage with metal great such as Anthrax, Cannibal Corpse, and Kataklysm at festivals such as Heavy Montreal, Montebello, and through international tours, they are no strangers to a wild show.

ANONYMUS FOLLOWS ITS PATH, AGAINST ALL ODDS!

– 30 –

“Anonymus mix together some of the best from Slayer and Lamb of God. Allowing for some of incredibly strong extreme metal on La Bestia. If you need any proof, tracks “Sobrevivir” and “Violencia Versus Violence” are easy stand outs for melding some spectacular sections and making the most of the band’s sound.” – Metal Injection

“a savage barrage of brutality from Anonymus, featuring break neck speed thrash that’s in your face and intense. 9/10” – Metal Gods TV

“La Bestia hits bluntly and brutishly. It certainly lives up to it’s name, the beast.” – Heavy Music Headquarters

“What a musical violence! Thrash lovers would do well to give this album of Spanish Canadians a listen.” – Arrow Lords of Metal

“Thrashy heavy stuff with a Sepultura-like groove and probably having the lyrics in Spanish help with the vibe… the catch? They’re from Quebec! ” – WORT 89.9 FM – Mosh Pit Radio (Madison, WI)

“The album has a very “bouncy” vibe that really gets the foot tapping and despite the album sounding overall angry, this anger comes off as fun. There’s no way in hell that anyone would stand still when the band plays anything on this album live. If you’re like me and usually more into the classic thrash sound and its close derivatives and feel like trying something else, La Bestia might just be what the doctor ordered.” – The Metal Crypt

—

ASHER MEDIA RELATIONS
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