Tag: slayer

0 GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage + Debut Album Out March 2026

February 13, 2026
by Asher
· GraveMass · Music News

NEWS RELEASE

Montreal, QC – February 13, 2026

West Coast Death Metal Titans GRAVEMASS (ft. members of Zimmers Hole, 3 Inches of Blood, Revocation) Drops “This Is the Way” Video ft. Armstrong Metal Fest 2025 Footage

Debut Album “This Is The Way” Out March 6th, 2026 via End Game Records

Photo Credit – Derek Carr

L-R – Destroyer of Souls – Drums – Bowels of Hell – Bass – Murderer of Colonizers – Guitar – Mayan Hate – Guitar – Lorde Heathen – Vocals

West Coast death metal juggernaut Gravemass has officially announced the release of their highly anticipated debut album, “This Is the Way,” arriving March 6, 2026, via End Game Records. To mark the occasion, the band has unleashed the album’s crushing title track alongside a brand‑new music video featuring explosive live footage captured during their 2025 performance at Armstrong Metal Fest.

“This is the title track of our debut album!! THIS IS THE WAY!!!! Footage from our Armstrong Metal Fest 2025 performance! Hails to our Gravemass Family!!! \,,/\,,/” the band shared in their announcement.

Formed by long‑time veterans of the Vancouver metal scene, Gravemass is a supergroup built from decades of collective experience. Its members have performed in some of the most influential and notorious bands on the West Coast, including Zimmers Hole, Punch Drunk, 3 Inches of Blood, Revocation, Just Cause, West of Hell, Savannah, Process, Subversion, and The Golers.

The lineup includes Lord Heathen – Vocals (Zimmers Hole, Mechanism), Mayan Hate – Guitar (Savannah, Just Cause, Dialed), Murderer of Colonizers – Guitar (Process, Punch Drunk, Savannah), Bowels of Hell – Bass (Subversion, The Golers, Zucckuss), Destroyer of Souls – Drums (Zimmers Hole, 3 Inches of Blood, Revocation). Together, they channel a sound described by the band as “brutal, angry, fast, dark and evil.”

Gravemass’ formation, as guitarist Mayan Hate explains, was a natural extension of decades‑long friendships within the Vancouver metal scene. He wrote the foundation of the debut album over two months between other projects and shared it with vocalist Lorde Heathen, who immediately signed on. From there, the rest of the lineup, fellow West Coast metal veterans they had all known for years, fell into place. The writing process remained intentionally raw and instinctive: riffs first, lyrics second, and only the material that felt right survived. True to their no‑nonsense ethos, Mayan Hate believes fans of extreme music will embrace the new material, stating simply that “if you like brutal, you will dig it.”

Lyrically, Lorde Heathen draws from the chaos and decay of the modern world, channeling that bleakness into the band’s sinister sound. Musically, Gravemass pulls from the lineage of extreme metal’s greats, Slayer, Venom, Morbid Angel, Watain, and Napalm Death, while shaping their identity through decades immersed in death, black, and speed metal. With their second album already in early writing stages and set to be a more collaborative effort, the band emphasizes that their true power is unleashed onstage, where their live performance brings every element of Gravemass together in a full‑force assault meant for the masses.

Watch the newly released music video for “This Is the Way” as it captures that ferocity firsthand, showcasing the band’s commanding presence at Armstrong Metal Fest 2025.

Music Video – This Is The Way – https://www.youtube.com/watch?v=sR9gy-AD8-E

Add to your Spotify playlist – https://open.spotify.com/track/0JPFvvKR06w1ofDskaoeE4

Previous Singles:

Music Video – Fallen – https://www.youtube.com/watch?v=OQ4ws87xOJs

Music Video – Spitting Hell – https://www.youtube.com/watch?v=r477FZl1VFo

Music Video – Slaves to Pain – https://www.youtube.com/watch?v=9cW-Rk9koq0

Digital singles available at https://gravemass.bandcamp.com/

Track Listing:
1. Slaves To Pain – 2:38
2. This Is The Way – 3:45
3. Horned King – 2:54
4. Harvest of Souls – 2:53
5. Spitting Hell – 2:07
6. Black Bell – 2:50
7. Fallen – 3:27
8. Gravemass – 3:51
9. Abandon – 2:01
10. Poison Temple – 3:11
Album Length: 29:41

Album Band Line Up:
Lorde Heathen – Vocals
Mayan Hate – Guitar
Murderer of Colonizers – Guitar
Bowels of Hell – Bass
Destroyer of Souls – Drums

Album Recording Credits:
• All songs performed by: Gravemass
• All songs written by: Mayan Hate and Lorde Heathen
• Produced by: Tim Creviston
• Mixed by: Tim Creviston
• Mastered by: Tim Creviston
• Album Artwork by: Gravemass
• Member of SOCAN
• Canadian Content (MAPL)

More info:

https://endgamerecords.com/

http://www.gravemass.com/

https://www.facebook.com/people/Grave-Mass/61556695854887/

https://www.instagram.com/gravemass1/

-30-

“Hold on to your hats, buds. Your eyes and ears are in for a blinding treat. Canada’s black/death metal band GraveMass just released the aural assault known as “Fallen.” The song and the video are delightfully overwhelming. ” – Metal Sucks

““Fallen” is a brutal, pummeling track with vocals that range from a guttural growl to a nasal screech, creating a blistering death metal assault. The black-and-white video with its flashing lights and quick cuts combines imagery of nature and religion in a way that perfectly complements the sonic onslaught of the video. It’s a breakneck track that leaves carnage in its wake, and you’ll want to check it out.” – New Noise Magazine

“With “Fallen,” GraveMass offers a glimpse into what promises to be a searing, unholy debut album. It’s a declaration of intent—and a brutal reminder that Canadian metal is as fierce and alive as ever.” – See Rock Live

“Gravemass Deliver Evil with Latest Single & Video, “Fallen”” – V13

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Newfoundland Blackened Thrash Duo ARTACH Unleash Video “Macha” From New Album “Morrigan…Goddess of War” Out Mid-March 2025

March 11, 2025
by Asher
· Artach · Music News

NEWS RELEASE

Montreal, QC – March 11, 2025

Newfoundland Blackened Thrash Duo ARTACH Unleash Video “Macha”

New Album “Morrigan…Goddess of War” Out Mid-March 2025

Newfoundland, Canada’s black metal duo ARTACH announces the release of their latest album “Morrigan…Goddess of War” due out on March 21st, 2025 via Depressive Illusions Records. This third full length represents the band’s strongest material yet. It’s a relentless assault of blackened thrash metal that captures the intensity and fury the duo have always strived for. From crushing riffs to searing melodies, every track on this release is forged with raw passion.

“We’ve poured everything into this record, and we can’t wait for fans to experience the full force of Morrigan…Goddess of War.” adds Sruthán (Guitar/Bass).

Today, Artach unveils the lead single “Macha”, one of the three songs that are part of the Morrigan trilogy on the album with the songs that also includes “Badb”, and “Nemain”.

Sruthán (Guitar/Bass). explains further:

“Macha, one of the Morrígan, was known for her prophetic visions and her role as a fierce protector of warriors. She is sometimes considered one aspect of the Morrígan, a trio of war goddesses.

The three goddesses, and what elements they represent, that make up the Morrígan in Irish mythology are:
Macha – War, sovereignty, horses.
Badb – Battle, death, chaos.
Nemain – Frenzy, panic, terror.
Together, they represent different aspects of war, fate, and destruction in Celtic mythology.”

Listen to “Macha” via its music video at https://youtu.be/JoEVeBVPaaM

Due out March 21, 2025, CD and Cassette for “Morrigan…Goddess of War” will be available from Depressive Illusions at https://depressiveillusions.com/search/node/Artach

Artach is a two-man black metal band (Sruthán: Guitar/Bass, Fíochmhar: Battery/Vokills/Keys) based in St. John’s, Newfoundland, Canada. Being from the foggiest, snowiest, wettest, windiest, and gloomiest capital city in Canada, one should not be surprised that this fuels the creation of Black Metal. Their inspiration comes from the land, nature, the bleak weather of the Canadian North, and influential black metal bands.

Since the duo’s formation in the spring of 2019, Artach has been consistently releasing new music. The band’s debut album “Chronicles of a Black Winter” was released digitally during February 2020 and later unleashed on physical CD by Depressive Illusions Records. In 2021, the band returned with their next offering “Sworn To Avenge”, a full-length scourge of raw and relentless bruting gloom. In 2024, Artach took an experimental direction with the EP “Sgrios”, which was a black metal spin on industrial metal sounds.

Now in 2025, they unleash their third full length offering with “Morrigan…Goddess of War” for release in mid-March.

Track Listing:
1. Badb – 7:08
2. Macha – 6:06
3. Nemain – 5:17
4. Nefarious – 5:21
5. Nomad – 5:09
6. Hoarfrost – 4:29
7. Cloudminders – 4:46
8. Ride… Die… Immortality – 6:08
Album Length: 44:28

Artach is:
Fíochmhar: Battery/Vokills
Sruthán: Guitar/Bass/Backing Vokills

EP Credits:
Cover art by: Awinita Alm
Album mixed and mastered by Michael Small.

Follow Artach:
https://www.facebook.com/ArtachBlackMetal
https://www.instagram.com/ArtachBlackMetal/
https://www.youtube.com/@artachband709
https://artach.bandcamp.com/

Discography:
2025 – Morrigan…Goddess of War (album)
2024 – Sgrios (EP)
2024 – From The Frozen Vault (EP)
2023 – Hell on Halloween (Single)
2021 – Countess Bathory (Single)
2021 – Sworn to Avenge (album)
2020 – Night Songs (single)
2020 – Chronicles of a Black Winter (album)

– 30 –

“In my opinion this is another great sounding recording from Artach and if you are a fan of experimental and industrial black metal, you should check out this ep. RECOMMENDED TRACKS INCLUDE “Frozen Factory” and “Atomic Cabaret”. 8 out of 10.” – Occult Black Metal (Sgrios review)

“…offers a unique insight into the inspirations behind Artach with an eclectic and eccentric charm. 7/10” – Metal Noise (Sgrios review)

“With the jagged band name and bleak setting you can look upon the cover and get a taste of what’s in store, then you add in the hooded man with the sword and your ideas may be subverted, perhaps not. This is the real genius of Artach. They are making music that crosses genres; a bit of black metal, death metal, old school horns up fists of air grabbing metal as well.” – Killchain (2021: Sworn to Avenge)

“The song (She Gathers Leaves) is a thrill-ride, but also reveals elements of gothic witchiness. The raw vocals are caught up in a paroxysm of fierce, crazed adoration, venting cold-blooded roars as well as braying, throat-stripping howls and cut-throat screams. The full-throttle drumming is tumultuous, a changing array that hammers, gallops, rocks, thunders, and blasts. Urgently rising chords provide a recurring theme, surrounded by flame-throwing riffs that dart, pulsate, and spasm, drawing on elements of thrash and classic heavy metal as well as black metal. Ecstatically swirling leads further add to the wildness of the song. A mood of mystery does surface in the track’s brief intro, and that mood surfaces again in the song’s back half, leading into a necromantic guitar solo that takes flight in scintillating fashion.” – No Clean Singing (2021: Sworn to Avenge)

“check out Artach for a truly epic journey into the wildernesses that populate the dark fantasy land conjured through their excellent music. This sophomore album tells me that this is a band that will be releasing much good material for years to come and will soon be headlining the epic black metal stages or charts both online and at festivals. An excellent job all round.” – Metal Rules (2021: Sworn to Avenge)

“”Sworn to Avenge is a mind-assaulting record… You’ll hear the influences of classic black metal bands like Venom, early-Bathory as well as elements of the second wave; Immortal, Darkthrone etc. Ugly and uninviting stuff but very satisfying if you enjoy the gloomier side of metal… It’s a mammoth listen and does take its toll, but the array of ideas that Artach showcase does keep things interesting. An hour slips by, the cold has sunk deep into the bones and you’ll be left wondering if you’ll ever be warm again.” – Games, Brrraaains And A Head-Banging Life (2021: Sworn to Avenge)

“Very melodic black metal, yet aggressive and heavy with undeniable influences from plain old straightforward heavy metal, so while things are definitely “black metal”, there’s a lot of discipline at play and this is definitely not your average raw, chaotic black metal. There’s order to the chaos on Sworn to Avenge, but that doesn’t prevent it from being aggressive and sometimes kind of depressing and melancholic despite not descending into the slower playing usually associated with those stylings. It’s a rollercoaster of “fuck yeah!” and “kill me now” (in sort of a good way).” – The Metal Crypt (2021: Sworn to Avenge)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Streaming Now! Get Your Popcorn Ready For ROCKIN’ ENGINE’s Horror Themed Offering “Altered By Evil”

July 6, 2023
by Asher
· Music News · Rockin' Engine

NEWS RELEASE

Montreal, QC – July 6, 2023

Get Your Popcorn Ready For ROCKIN’ ENGINE’s Horror Themed Offering “Altered By Evil”

New EP “Altered By Evil” Out July 7th

L-R – Ste Vy Leff (Lead Guitar), Steve O Leff (Vocals, Guitar), Joel Bilodeau (Drums), Jean-Pierre Proulx (Bass).

Photo Credits: Lisa Thompson of Dark Moon Productions

A punch in the face is coming right at ya’ in the form of Rockin’ Engine’s “Altered By Evil”. This will be their third studio offering and fans will notice huge musical growth, it is more technical, and more refined, but punchy and heavy as Hell! After the release of 2020’s “The Wretched And The Damned” the band knew exactly what direction they wanted to go in and buckle up, because they are taking listeners on a rock n’ roll road trip. “Altered By Evil” is creepy and dark, and full of horror, and also creative, fun and theatrical, and the band is sure fans will eat it up, they continue to share their thoughts:

““Altered By Evil” is a tribute to everything we love about horror movies and serial killer documentaries. There’s a fascination behind the love of the macabre and the grotesque that we wanted to explore with our lyrics and expose different nuances of some classic works of art. With this record, we’re bringing the audience into a fantasy world of monsters and evil spirits, with a dash of historical elements that makes the listening experience even more interesting.”

The band members cite the great relationship they have with each other as being key to producing this deadly album despite having several obstacles to overcome during its creation. This EP is a true reflection of their evolution, not only as musicians but also spiritually. They add that bringing their love for horror to life and living their cinematic fantasies is the greatest gift they could have.

Like a tsunami making its way to the shore, Rockin’ Engine is gaining momentum with each new release. They started soft a few years back, but are getting heavier and stronger as they evolve together. Their music gets heavier and darker each day and this EP’s producer Joe Lyko at Dark Moon Productions captures their essence expertly.

Put your pedal to the floor and run the motor high with “Altered By Evil”, which is highly recommended for fans of Megadeth, Slayer, and Lamb Of God.

Listen to “Altered By Evil” in full before its release on July 7th via its stream premiere on MetalInsider HERE.

EP pre-order – https://rockinengine.bandcamp.com

Music Video – “Monsters Under Your Bed” – https://youtu.be/jiyuwjKrMYA

Lyric Video – “Room 185” ft. guest vocals from Stef Jomphe (Insurrection) – https://youtu.be/dTHBAj8x3Qs

Track Listing:
1. Carnival Of Evil – 5:45
2. Day Of Wrath – 4:22
3. Liber Ex-Mortis – 4:59
4. Monsters Under Your Bed – 5:11
5. Psycho Path – 5:23
6. Room 185 – 4:13 ft. guest vocals Steph Jomphe (Insurrection)
EP Length: 29:55

For more info: Facebook.com/rockinengineofficial | Instagram.com/rockinengine | Twitter.com/Rockin_Engine

– 30 –

“There’s a scathing, contemporary thrash quality throughout the song “Libre Ex-Mortis” that brings to mind Lamb Of God musically while juxtaposed against melodic vocals that are almost pop-like in the vein of Night Demon. This contrast is interesting and most notable on “Monsters Under Your Bed” because of the interplay between the beaming vocals and the slick, pseudo-death metal barrage. Considering the accessible sounds, it’s obvious that the Canucks seek commercial success should that path become available to them. However the cookie may crumble in time, “Altered By Evil” is an enjoyable release for those who don’t mind aspects of the popular side of modern metal.” – Metal Underground

“The fusion of hard rock, thrash, and modern groove metal gives Rockin’ Engine potential to appeal to numerous audiences based on the material present with Altered by Evil. Standing on the precipice of glory, this quartet could be valuable to most label rosters based on the talent and quality songwriting delivered here. 8/10” – Dead Rhetoric

“The Shining inspired “Room 185” finds the band joined by Steph Jomphe of Insurrection fame for a cut that brings the blood stained curtain down in style. The riffs hit like tidal waves, the percussion from Joel Bilodeau absolutely huge and the mix from Dark Moon Productions absolutely nailed to perfection [8.5/10]” – Metal Noise

“Unlike others who choose to combine their love of horror and metal, what makes Rockin’ Engine stand out is they’re not winking at us here. These are tracks inspired by horror, both fiction and non-fiction, and moulded around Rockin’ Engine’s thrash sound. They’ve not adapted their music to fit the horror, it’s the other way around. 8/10” – Games, Brrraaains & A Head-Banging Life

“Heavy, powerful and charismatic, “Altered By Evil” is by far their best work. Look forward to the hell Rockin’ Engine will ignite wherever they perform. If Gojira, Lamb Of God and Rob Zombie had a child, Rockin’ Engine would be their bastard son. Their fusion of hard rock and thrash metal will set any stage ablaze and leave everyone with bad whiplash.” – Amplified Mag

“This is obviously a band that knows how to play to their strengths. As the subject matter changes for each song, The Exorcist, The Evil Dead, The Shining, etc.. so does the music. Not drastically, you can still tell it’s the same band, but it keeps everything nice and fresh through the release. Six tracks over a 30-minute period is about right… other bands take note… Quality over quantity wins it for me every time. This is as good as anything I hear from mid-sized labels over here in Europe. The fact that this is a self-release tells you how fucked our industry is as this really deserves a bigger and more widespread audience that’ll probably get. Puck this up on July 7th.” – Smorg Mag

“Although the band is often labeled a Heavy Metal band on the album’s opening notes, we clearly feel more violent influences than heavy, we could almost put them on the border of Thrash. So the band proposes an album having an identity that is its own while trying to renew the style, the prod while being modern does not fall into the cliché of the over-auction and the crossing of different styles gives an excellent result so you can be tight be surprised to hear a riff or beat that could very well have been in the middle of a death album to which the band add a brilliant voice for a very convincing result. We’ll wait to see the sequel to know if the group will want to lead, even if we don’t really know where the group wants to go, it’s a refreshing approach to them.” – Metal In Veins

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MetalFest, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Toledo DeathFest)

0 CRS Find Melodic Death Metal Success With New Single “The Failure”

January 12, 2023
by Asher
· CRS · Music News

NEWS RELEASE

Montreal, QC – January 12, 2023

CRS Find Melodic Death Metal Success With New Single “The Failure”

CRS – L-R – Tavo Ramirez (Drums), Kello Gonzalez (Bass), Kath Danzig (guest vocals) – Hideki Inukai (Guitar), Sir Oz (Vocals), Francisco Oroz (Guitar)
Photo Credit – Carlos Hemosillo

Hailing from Sonora, Mexico, the death metal act CRS started back in 1991, and since then has been cranking out punishing technical riffs, and evil growls. Their beginning influences were in the realm of technical death metal and death metal, but they have always sought out different song structures and embraced fusion. They have a new single featuring guest vocals from Kath Danzig coming out that takes them in a new direction toward the melodic end of the spectrum. “The Failure” talks about how we, as a human race, have failed. Not caring about tomorrow, nor the young ones, we are a failure. A disgrace to intelligence. How there is no empathy, just emptiness. The band explains further:

“CRS has always wanted to be versatile. We want to offer music that we like, we never think about music styles, but about a good metal song. In the case of “The Failure” we made an exception, we did seek to make a “melodic death metal” since we had never done it before, even though we really like that style. The single has an important message, humanity is a failure and it has screwed up the whole planet. Having a female guttural singer as a guest brings an interesting shine to the band.”

CRS has always loved clean guitar passages and melodic guitar solos, so this time we wanted to compose a full-death melodic song, at least their version. It has a comfortable structure, but without losing the intensity that they have come to be known for. It will still be recognizable for current fans and add a new dimension that will intrigue those who are hearing them for the first time.

“The Failure” wasn´t originally for CRS, but they liked it so much that they kept it. They cite that the freshness comes from the freedom in thinking it was for someone else. With both English and Spanish vocals, it stands out among other songs in the genre. It is recommended for fans of Meshuggah, Fear Factory, and Carcass.

Listen to “The Failure” ft. guest vocals from Kath Danzig via its premiere on NoCleanSinging HERE.

For more info: Facebook.com/crsmetalband | Youtube.com/@CRSBAND | Instagram.com/crsmetalband

About: CRS is a Death Metal band from Sonora, Mexico, formed in 1991 with the name Cirrosis by Francisco “Chucky” Oroz and Sir OZ, are the only original members in the current lineup. Due to their technical capacity to adhere to progressive elements and melodic solos, CRS quickly gained notoriety in the local and national scene. Their live performances were characterized by intensity and fury, becoming a cult band. In 1996, “Joseph Lev” joined the band and they recorded their first demo “La Tierra de la Adicción” which was distributed limitedly. In 1999, CRS entered the studio and recorded the album “Reciclando Desesperación” in Spanish, offering a range of different Death Metal styles, highlighting the quality of its production.

In 2001, CRS decided to break up, and its members continued with their personal and professional projects. In 2014, Concreto Records decided to reissue the album “Reciclando Desesperación” describing it as “The maladaptive sound that disturbed a style in Mexico that can currently give lessons to current modern bands”.

In 2019, CRS returned to record their second studio album “The Collector of Truths” with Concreto Records. Two international musicians play as guests in the album, Kevin Talley (Dying

Fetus, Suffocation, Chimaira), on drums, and Linus Klausenitzer (Obscura, Alkaloid) on bass. In September 2020, CRS recorded a Live Session for the Mexican online festival “Moshfest” which became an EP called “Live in isolotation” featuring Kello Gonzalez on bass, who became an official member on December 2021.

In March 2022, they released a new single titled “The enemy has always been me”. In October 2022, CRS played live after twenty years with the Brazilian band Sepultura. On that same date, Hideki Inukai joined the band on the second guitar.

– 30 –

“Where this album shines the most is in its flow. Throughout its eight tracks, CRS manages to build momentum song after song. There are fast parts and great guitar solos aplenty. However, CRS never slip on their songwriting. It’s an album that’s just always in that groovy death zone. Even when tracks like “The Daydreamer’s Nightmare” takes us into a spaced-out, relaxed solo or others like “The Art of Breathing”, that takes the album down a notch, CRS really lose nothing. They manage to bring a lot of out of their sound. Hell, “A Better Place to Hate” and ” “Tan Lejos de Dios (Nowhere.. But Here)” both have some tasty, thrashy bits to open them up.” – Metal Injection

“Now, as we nearly enter a new decade, CRS have returned with a full-length of groove/death metal with a technical spark. This spark comes in the form of shredding guitar solos and guest spots from drummer Kevin Talley on a few songs and Obscura/Alkaloid bassist Linus Klausenitzer on “The Art Of Breathing.” Those two musicians are at such a high skill level that the listener will immediately recognize their work. Their inclusion gives gravitas to the songs they are on, though the group does fine on their own with tunes like the anthemic “Resistencia” and Meshuggah-esque “Asfixia.” – Heavy Music Headquarters

“… Fast forward to now and the band comes roaring back to life on their sophomore effort The Collector of Truths and it’s a love letter to the time they left behind. Industrial bombast, guttural death metal, and melodically progressive strains of genius all play out in equally large parts over the course of these eight tracks” – Nine Circles

“There is a wonderful sense of pervasive evil that dominates the record from tracks like album opener ‘Asfixia’ to ragers like The Daydreamer’s Nightmare. I love this sense of harsh realities and raw brutality. It gives The Collector Of Truths a sense of authenticity, showing that the band emerged from true struggle to birth this record unto the world.” – Two Guys Metal Review

“CRS, or CIRROSIS, a band that plays their own brand of simplistic, mellow Technical Death Metal. Their debut album “The Collector of Truths” is proof that the genre does not need to be as complex as possible in order to be good. You know those albums that just get better as they play? This record is exactly that, the last few tracks forming the peak, the monumental conclusion.” – Metal Temple
–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Montreal’s WARCALL To Release Second EP of 2021 w/ “Dead End Pt. 2” + Unveil New Music Video “Intoxicated”

October 26, 2021
by Asher
· Music News · Warcall

NEWS RELEASE

Montreal, QC – October 26, 2021

For fans of Motorhead, Metallica, Dissection, Iron Maiden, Slayer

WARCALL To Release Second EP of 2021 w/ “Dead End Pt. 2”

Music Video Premiere via Bravewords

“Dead End Pt. 2” Out November 26th via Plan B Music

L-R – Phil – Drums, Gord – Vocals / Bass, Mat – Guitar, JC – Guitar
Photo Credit / Artwork: Timur Khabirov

WarCall is not done with 2021 just yet… they still have more fight in them and a fury of metal to unleash upon the masses with part 2 from their Dead End EP series.

Standing up for all the fights we are fighting on a daily basis. WarCall represents the struggle in life and the challenges we have to rise to. We get called to war every day and it is up to us to step up and face our fears. The DIY Canadian quartet heeds this mantra, consistently pushing boundaries with their fast and dramatic metal music.

Unleashed via their own label Plan B Music, the beginning of the “Dead End” series, Pt.1 was unveiled in April, which was in-your-face, old-school-inspired metal, whereas Pt. 2, slated for November 26th is more progressive and atmospheric.

The band comments:

“Overall, the two EPs together are a collection of 9 songs, 9 stories about struggle. We have let the events of 2020 influence the process and the mood of the two EPs, while still aiming for a timeless production that will age well in time. The title and artwork represent the doom and gloom of life in the year 2020 and how the human race reacts in the face of death and uncertainty. With the impossibility to meet to even take a band picture, WarCall presents themselves as fictional post-apocalyptic warriors, a subtle comment and nod to the current events that marked the year 2020. And while more atmospheric in their nature, the 5 songs from Dead End pt. 2 are delivered in a raw package. At first, we wanted to work on the songs a little more in order to achieve a different atmosphere than Dead End pt. 1. We experimented with sounds and textures to add in the places we thought needed it, but each time, we preferred the original version. In the end, we chose to go ahead with the songs as they are in their purest form.”

In preview to “Dead End Pt. 2”, WarCall is sharing its lead single “Intoxicated” with a DIY music video. The band explains further:

“The first single from Dead End pt. 2, Intoxicated is a good representation of the thrash metal side of the band with its fast-paced riffing for a no-nonsense mosher. The challenge we gave ourselves for this song was to be able to come up with something interesting, not too repetitive with only four riffs. Interesting approach. For the video clip, it is a not-too-serious, DIY film about the gig scene every underground band is going through these days.”

Watch “Intoxicated” via its premiere on Bravewords HERE.

Totally authentic, with a wide range of influences ranging from old-school death and thrash metal, WarCall is recommended for fans of Testament, Exodus, Anthrax and Dissection.

“Dead End Pt. 2” will only be released digitally on November 26, 2021 via Plan B Music.

“Dead End Pt. 1” can be found on Warcallmetal.bandcamp.com, Spotify, Apple Music.

Track Listing:
1. Intoxicated (3:36)
2. Black Amber (4:59)
3. Off Road (4:03)
4. Control Denied (3:37)
5. Venom (6:12)
EP Length: 22:30

EP and Live Band Line Up:
Gord – Bass and Vocals
Phil – Drums
Mat – Guitars
JC – Guitars

For more info:
Facebook.com/warcallband
Instagram.com/warcallband
EPK

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Thrashers Infrared Focus In On Human Nature Through “Evil Ascent” Off “From The Black Swamp” Out Sept 30th via Inframental Records

September 16, 2021
by Asher
· Infrared · Music News

NEWS RELEASE

Montreal, QC – September 16, 2021

Thrashers Infrared Focus In On Human Nature Through “Evil Ascent” Off “From The Black Swamp”

New Album “From The Black Swamp” Out September 30th via Inframental Records

L-R: Mike Forbes (Bass, Backing Vocals), Armin Kamal (Guitar, Vocals), Alain Groulx (Drums, Backing Vocals), Kirk Gidley (Guitar, Backing Vocals)
Photo Credit by : Carissa Broeren

Infrared is true Canadian thrash metal, which initially started in 1986. After a hiatus, they emerged in 2014 and have put out a handful of albums since then. Their latest offering is the full-length “From the Black Swamp”, which will be released at the end of September. Ahead of this, they are unleashing their second single, “Evil Ascent” with a lyric video.

Watch and listen at https://youtu.be/muZc3HXfFhw

The single “Evil Ascent” is about evildoers trying to brutalize people they feel superior to, again, both at a societal and an interpersonal level. This fast-paced song boasts a tense middle section and a catchy sing-along chorus. The band explains it in their own words:

“On the heels of the title track, “From the Black Swamp”, “Evil Ascent” highlights evildoers and the great lengths they go to wreak havoc on those they feel superior to. It is a creepy ride into the state of human nature in which narcissism reigns supreme. It is a focus on people with evil intent, where they will try to exploit, humiliate, and ultimately crush those around them all for their own selfish gain.”

The cohesiveness of the band is evident, they work together collaboratively bouncing ideas off each other and formulating their recognizable thrash. They start with a riff and with everyone’s input eventually cultivate a full song with lyrical themes about what they know and what they see happening around them and around the world.

Heavily influenced by the Big Four, Infrared plays classic 80s thrash with full-bodied, modern production. They have shared the stage with the likes of Anvil, Sacrifice, Razor, Venom Inc., and Dirkschneider and look forward to melting faces for their first show in over a year and a half in their hometown of Ottawa on November 27th at Mavericks.

Fast, and rowdy, Infrared brings back classic thrash suitable for fans of Metallica, Testament, and Megadeth.

“From the Black Swamp” will be released on September 30, 2021.

Album pre-order – https://infraredmetal.bandcamp.com/album/from-the-black-swamp

Music Video – From the Black Swamp- https://youtu.be/Crxh_Fwyb7E

Show Dates:
Nov 27 – Mavericks – Ottawa, ON w/ Enforcer, Thunderdome – info

Track Listing:
1. Tribal Junction – 4:49
2. No Master, No Gods – 4:39
3. Lockdown – 4:02
4. Left Lane F√₵K! – 4:19
5. Eat Your Own – 4:58
6. From the Black Swamp – 6:11
7. Evil Ascent – 5:22
8. Blood & Sweat – 5:04
9. Eternal Exile – 5:09
10. Tradimento – 4:31
11. Beautiful Death – 4:31
12. SemitaDomum – 6:32
Album Length: 1:00:13

Album and Live Band Line Up:
Kirk Gidley – Guitar
Alain Groulx – Drums
Mike Forbes – Bass
Armin Kamal – Vocals, Guitar

For more info:
Infraredmetal.ca
Facebook.com/infraredmetal
Twitter.com/infraredmetal
Instagram.com/theofficialinfrared
EPK

About:
If Infrared sounds like classic thrash metal, that’s because they are! And rightfully so since they were making music as teenagers in the mid to late 80s back when the Big 4 (Metallica, Megadeth, Slayer, Anthrax) were just becoming famous. They literally lived and breathed that scene as it was happening and garnered national attention in Canada through their song and video for Thoughts Caught (in Between).

Then….life happened and members took different paths and the music, that was hot in the underground metal scene and loved by demo tape traders near and far, went dormant for 27 years! In 2014 Infrared reunited with 3 of the original 4 members (Kirk, Armin, and Alain), and since original bassist Shawn Thompson had moved to Miami, they recruited Mike Forbes. They worked hard to release their first full-length album, No Peace (2016), featuring songs written all those years ago. 2018 saw Infrared release their sophomore album, Saviours, featuring 8 new songs coming in at just over 50 minutes of music! That was followed up by their 2019 EP, Back to the Warehouse featuring the last of their 80’s written songs and released as a bridge to their next full-length album. Now, in 2021, Infrared release their most mature album yet, From the Black Swamp. The album features 12 songs for one hour of hard-hitting and emotionally charged songs steeped in the themes of betrayal and malicious sabotage in all walks of life, from societal to interpersonal. With several high-profile concerts under their belts including opening for Anvil, Sacrifice, Razor, Venom Inc., Dirkschneider, Flotsam and Jetsam, DBC, E-Force, and Atrophy, Infrared raises their horns and looks forward to getting out there to meet and befriend metal lovers everywhere!

Discography:
2021 – From the Black Swamp – LP
2019 – Back to the Warehouse – EP
2018 – Saviours – LP
2016 – No Peace – LP
1986 – R.I.P. Demo

Shared Stage With:
Anvil, Flotsam and Jetsam, Udo Dirkshneider, Sacrifice, Varathron, DBC, E-Force, Vortex, Atrophy, Venom Inc.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Snakeblade Entices Extreme Metal Fans With Game of Thrones Inspired “The Red Mage’s Seduction”, Track Premiere via NoCleanSinging, New Album “The Curse” Out October 13, 2021

September 14, 2021
by Asher
· Music News · Snakeblade

NEWS RELEASE

Montreal, QC – September 14, 2021

Snakeblade Entices Extreme Metal Fans With Game of Thrones Inspired “The Red Mage’s Seduction”

Track Premiere via NoCleanSinging

New Album “The Curse” Out October 13, 2021

Snakeblade is a relatively new one-man solo project that was spawned out of pandemic isolation. Over the past year and a half, the ever intrepid Mike Redston has written, performed and recorded two albums, “The Kingdom” in 2020 and “The Curse” in 2021. The first single off the latter is “The Red Mage’s Seduction”, which, like the rest of the album, is themed around Game of Thrones.

Even though both albums were released in relatively quick succession, Redston cites that the difference between the two albums is very clear. While the first album started out as a ‘fun’ project bordering on power / black metal, he has since taken a deep dive into a darker blackened thrash sound and introduced new symphonic elements. The project is still young, he explains further:

“The music has grown immensely in complexity and scale. A session drummer was hired to handle blasting the kit. There are new orchestral elements of strings, pianos, and choirs. Atmospheric synth interludes. Holy hell, there’s even a sexy saxophone solo! Lyrically, “The Curse” is somewhat of a concept album revolving around Game of Thrones. I say “somewhat” because as I began writing, the initial inspiration from GOT started mixing with my own experiences. What came out is a melting pot of nerdy fantasy shit plus my own personal shit. GOT plotlines of The Red Woman, Stannis Baratheon, and the Lord of Light religion meet my own personal plot lines of betrayal, failure, and rage. Overall, these songs are both deeply emotional and deeply nerdy.”

The single “The Red Mage’s Seduction” is Redston’s favourite track off the album. It has the best of both worlds: a thrashy chaotic feel plus an atmospheric orchestral twist in the middle. Like the other songs on the album, it was written and performed by Redston with the exception of drums, which are performed by Dennis Kraakman. The album artwork was done by Elizabeth Holmes.

According to Redston, it has been a long, pain-staking process making this album and he looks forward to seeing how it is received by black, death and thrash metal fans. It is especially recommended for fans of Slayer, Dissection and Skeletonwitch.

“The Red Mage’s Seduction” can be heard via its premiere on NoCleanSinging HERE.

The album “The Curse” will be available on October 13, 2021.

Album pre-order – https://snakeblade.bandcamp.com/album/the-curse

Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

– 30 –

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 San Diego Thrashers MONARCH “Blast The Seed” In Shred Fest Guitar Playthrough, Video Premiere via TechnicalMusicReview

May 5, 2021
by Asher
· Monarch · Music News

NEWS RELEASE

Montreal, QC – May 5, 2021

For fans of Slayer, Judas Priest, Iron Maiden, Testament, Exodus

San Diego Thrashers MONARCH “Blast The Seed” In Shred Fest Guitar Playthrough

Playthrough Premiere via TechnicalMusicReview

New Album “Future Shock” Out Now!

L-R – Gabe Mendez (Bass), Adam West (Drums), Matt Smith (Vocals/Guitar), Casey Trask (Guitar)
Photo Credit: Astrid Anaya

San Diego’s MONARCH unleashed their sophomore album “Future Shock” this past April. Compared to their first, very DIY album, 2017’s “Go Forth… Slaughter”, MONARCH‘s next escapade “Future Shock” was done professionally at Clarity Recordings in El Cajon, California, and is a big step forward for the band both musically and sonically. The album hits hard on a lot of levels, there is speed, heaviness, melodies, great memorable lyrics along with riffs and solos.

And speaking of riffs and solos, today, the band’s guitarists Casey Trask and Matt Smith share their shredding skills with their new guitar playthrough for the track “Blast The Seed”.

The guitarists add:

“Blast The Seed’ is one of my favorite songs to play for sure, it has some techniques that I really enjoy hearing in other people’s playing. My first solo starts with a big ascending blues lick, then messes with some different minor modes. When I was coming up with these solos I tried to emulate a sort of progression that seemed like it was taking flight and blasting off at the end. My solo in the middle uses some quick legato peppered with some Palm muted staccato. I also used a cool bend technique I’ve always been a fan of where you pick and bend the E string up while bending the B string up as well with the same finger, then picking and releasing the bend on the B string, so I played around with that feeling a bit. I love the quick pentatonic work of Zakk Wylde and Richie Faulkner and you’ll hear some of that in this solo as well. For my final solo towards the end, I just thought it would be cool to let the solo branch off from the chorus riff in an organic way so the first lick in the solo actually starts off with the pull-off of the chorus riff. This one has some diminished runs going into some climactic dyads before blasting up to the 22nd fret for some speed picking down the minor scale. The last fast bit running up the neck brought out the Alexi Laiho influence in me for sure.” – Casey Trask

“‘Blast The Seed’ – Intro, Ultimate Battle Intro Number One cameo. Then the first riff is classic battle style 333322. Solo one, D blues with some nasty arpeggios at the end to tag off into Casey’s solo, key change a 5th. Then the main theme riff, blast-off ejecting classic descending melody riff with a cool lil’ harmony 5ths break at the end into the verse. Ride the D on the verse then bust the 3rds. Prechorus style harmonic minor riff with pedal 5ths. Chorus, just ejecting the D minor in the face before a screamer solo. Repeat everything for round 2. Back to the classic battle riff 333322 to prepare for launch into the solos. The first solo’s in A then Casey takes 2 over D then A. Then I clean up with some Yngwie sweeps in D before the heavy development. Big breaks, crazy drums fills, then to the dungeon bridge riff. More 333322 theme with the chords descending underneath and some rad 5th and 4th harmony action. Final chorus into the blast-off solo, my favorite riff, taking the verse melody and playing the chorus chords underneath. Into to final main theme with quad harmonies for the money shot. Seeds successfully blasted throughout the void between your ears.” – Matt Smith

You can watch the playthrough via its premiere on TechnicalMusicReview HERE.

Recommended for fans of Exodus, Slayer, and Testament, MONARCH‘s “Future Shock” is available at the following links:

(CD, Vinyl) – https://monarch.band
Spotify

Music Videos:
“Nuclear Warfare” – https://youtu.be/eI9R0LNYGHM
“Shred or Die!” – https://youtu.be/DOgceZdx2mU

Live video at Wacken 2019:
Khaos Warrior – https://youtu.be/wXiU078YKM0
Full Wacken Set – https://youtu.be/Gjct4mbhdxM

Track Listing:
1. Blast The Seed (5:16)
2. Khaos Warrior (2:51)
3. Future Shock (5:00)
4. Nuclear Warfare (4:00)
5. Shred or Die! (4:15)
6. Multiverse (3:02)
7. Fatal Vector (6:47)
8. Collision Of Bones (3:45)
9. Swarm Of The Whorenet (6:41)
10. Metal Soul (5:21)
Album Length: 47:04

More Info:
Monarch.band
Facebook.com/monarchthrash
Instagram.com/monarch666
Twitter.com/riseofmonarch
EPK

– 30 –

“I tell you, they could give Megadeth a run for their money in the technically-superior-melodic-thrash stakes!” – Sentinel Daily

“Possibly more guitar-centric than their last album, Future Shock has that racing intensity and metal to the bone determination to win over even the most skeptical people in the underground. March up to the table and give Monarch your full support – as this is high quality thrash with diversity, musicianship, and killer songwriting at the forefront.” – Dead Rhetoric

“No matter if thrash is the creed which you live by or you’re venturing into the frenzied scene for the first time. Monarch will appeal to all who like their heavy metal to sound…well, like heavy metal. Get the muscles warmed up, you’re going to find your neck and arms are about to get a serious workout. Cue fists in the air and heads being banged.” – Games, Brrraaains & A Head-Banging Life

“I like Monarch, and ‘Future Shock’ is an excellent album, the band are obviously very serious at what they are doing, and yet also have a unique sense of fun, I mean what other band can name the likes of the cartoons Futurama, the Legend of Zelda and Dragon Ball Z, as lyrical influences, and also come up with a character ‘The Whore of the North’ as the protagonist of another song? This hard hitting, yet very melodic, with some great hooks and choruses, the riffs and solos simply fly around your ears. If you’re a fan of the likes of Havok, Warbringer at el, you could do far worse than checking out this exciting foursome. Great stuff.” – The Razor’s Edge

“If there’s a reason to stick with Monarch’s thrashy second album Future Shock, it’s the fantastic chemistry between guitarist/vocalist Matt Smith and guitarist Casey Trask. They split soloing duties down the middle, trading them off with the finesse of a Mustaine/Friedman pairing, while locking in with harmonies on songs like “Khaos Warrior.” The first song alone, “Blast The Seed,” has seven guitar solos in its five minutes, and that’s not an exception, as all ten tracks have a truckload of impressive guitar performances.” – Heavy Music Headquarters

“What a journey, from games worship to outer space to political controversy to whorey warriors, from mesmerizing classical guitar to thrash metal. There are even some synthesized sounding beats thrown in for good measure. ‘Future Shock’ is a true showcase of the range of Monarch’s technical ability. This band is definitely under-appreciated at the moment. There’s too much technique and flair here for them to be flying under the radar. Monarch is perhaps too often written off as pretenders to bigger bands but they aren’t pretending. They are owning their genre.” – Uber Rock

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Before it officially drops this Friday, April 23rd via Plan B Music. Montreal’s WarCall is premiering on Decibel Magazine the full stream of their new EP “Dead End Pt. 1”

April 22, 2021
by Asher
· Music News · Warcall

NEWS RELEASE

Montreal, QC – April 22, 2021

For fans of Motorhead, Metallica, Dissection, Iron Maiden, Slayer

Streaming Now! WarCall’s “Dead End Pt. 1”, Tales Of Struggle And Perseverance

EP Stream Premiere via Decibel Magazine

“Dead End Pt. 1” Out April 23rd via Plan B Music

L-R – Phil – Drums, Gord – Vocals / Bass, Mat – Guitar, JC – Guitar
Photo Credit / Artwork: Timur Khabirov

Canada’s WarCall will be dropping two EPs in 2021, their first, “Dead End Pt. 1” will be released on Friday, April 23rd and before it’s officially out, the band has teamed up with Decibel for its full stream premiere HERE.

Melodic and energetic, this four-track EP has a little something for everyone, with influences ranging from old school thrash and death to classic metal and more.

The creation of this EP was unusual for the band, the music was written collaboratively, but the drummer came up with most of the lyrics. He writes about struggle; “Dead End Pt. 1 and 2″ are not concept releases; they are a collection of 9 tales of struggle and how we can overcome them.

Recorded and mixed in a post-apocalyptic setting, the band has let the events of 2020 influence the process and the mood of both EPs, while still aiming for a timeless production that will age well. WarCall has decided to release the first EP, and the other half will be released later this year. They share their thoughts on the recordings:

“We are really proud to release the first EP. It is our best production yet. In terms of songwriting, musicianship, and recording, it represents a step forward in the evolution of the band. Back to being a 4 piece, we focused on writing and arranging songs that emphasize the possibilities they bring.”

The title and artwork represent the doom and gloom of life in the year 2020 and how the human race reacts in the face of death and uncertainty. With the impossibility to meet to even take a band picture, WarCall presents themselves as fictional post-apocalyptic warriors, a subtle comment and nod to the current events that marked the year 2020.

With the modern and crisp production, listeners will be able to enjoy the music of the band as a whole, while being able to focus on each musician’s performance. Whether it is the natural and powerful drums, tight bass, precisely recorded guitars, or the over-the-top vocal performance, each of WarCall’s musicians shine throughout the two EPs to let the music be the main focus.

Fast and dramatic, WarCall is recommended for fans of Dissection, Iron Maiden, and Slayer.

“Dead End Pt. 1” will only be released digitally as of April 23, 2021 via Plan B Music on the following platforms: Warcallmetal.bandcamp.com, Spotify, Apple Music.

Music Video – The Chase – https://youtu.be/vsTqL77jAeQ

Track Listing:
1. Reckless (4:19)
2. Death Wish (8:00)
3. 800x (3:42)
4. The Chase (4:41)
EP Length: 20:44

EP and Live Band Line Up:
Gord – Bass and Vocals
Phil – Drums
Mat – Guitars
JC – Guitars

For more info:
Facebook.com/warcallband
Instagram.com/warcallband
EPK

About:
War has always been an intrinsic part of humanity. Whether it is huge wars involving entire countries or the small wars we all fight every day to survive, it is fair to say that war has defined humanity.

One of the definite treatises on war is Sun Tzu’s ‘The Art of War’; a book still in print to this very day. On the use of music in war, Sun Tzu writes: “Gongs and drums, banners and flags, are means whereby the ears and eyes of the host may be focussed on one particular point.”

Now, we have WarCall, who not only use drums, but also bass, guitars, and vocals to achieve the same end with their growing army of fans.

Inspired by Iron Maiden, Metallica, Motorhead, Dissection, and Slayer, guitarist Mathieu Simard describes WarCall’s music as “fast, aggressive, melodic, dramatic!”.

Now, with four well-received albums under their bullet-belt (Invaders (2017), III (2015), Blood, Guts, and Dirt (2013), Demonarchy (2008)), this power-quartet will unleash two new EPs in 2021, “Dead End Pt. 1” on April 23rd with “Dead End Pt. 2 expected to follow in the Fall via their own label Plan B Music.

As a whole, the two EPs are a collection of 9 songs, 9 stories about struggles during 2020 (“Dead End Pt. 1” being 4 tracks). The EPs were recorded and mixed in a post-apocalyptic setting. As with every album, “Dead End Pt. 1” and “Dead End Pt. 2” are technically more advanced in terms of songwriting and production. Of course, Warcall has evolved as musicians from each album, but they believe that their total is greater than the sum of its parts, so they play what feels right for the metal.

The band comments:

“We have let the events of 2020 influence the process and the mood of the two EPs, while still aiming for a timeless production that will age well in time. The title and artwork represent the doom and gloom of life in the year 2020 and how the human race reacts in the face of death and uncertainty. With the impossibility to meet to even take a band picture, WarCall presents themselves as fictional post-apocalyptic warriors, a subtle comment and nod to the current events that marked the year 2020.”

Live, post covid times, WarCall will truly give it their all with total authenticity. What you hear on their recordings is what you hear on stage. Energetic, powerful, focused, and proficient performances ready to encourage the circle pit.

WarCall has toured Europe (FR, DE, BE, CZE, SP) three times along with multiple tours across Eastern Canada. They have also been opening support for such bands as Destruction, Anvil, Paul Di’Anno, Kalmah, Catamenia, Impaled Nazarene, Arkona, Norther, Anonymus, Slaves on Dope, Martyr, Reanimator, Wolven Ancestry.

WarCall’s new EP “Dead End Pt. 1” is due out April 23rd, 2021 via Plan B Music.

– 30 –

“Big things are happening for Montreal’s WarCall…Motor-Maiden-‘tallica brand of street wise thrash…” – Decibel Mag

“The creativeness they’ve put into their debut far surpasses anything else I have heard from new Canadian bands this year…Inventive, fun, crisp and a great first offering”. – Exclaim!

“WARCALL’s delivery is fresh, powerful, with good drive and melodies and this tight-knit feeling that just gives you this sense of urgency.” – The Metal Observer

“Actually, “very very heavy” doesn’t go far enough. “Bully Bastard” slugs had enough to loosen teeth and leave bruises, and the grooves are damned compulsive, too, so loosen up your neck muscles before diving into this track. But while the song rocks hard enough to shake listeners like rag dolls, the music also channels rage and intensity through the raw grit of the vocals and the grim (but very catchy) vehemence of the riffs.” – No Clean Singing

“Fans of an old school thrash/speed sound will find plenty to enjoy throughout Invaders. 10 tracks of meaty metal that makes you want to dig out the old patch jacket & head-bang until your neck fuses.” – Games, Brrraaains & A Head-Banging Life

“If you enjoy old school thrash, early speedy rock ‘n’ metal MOTÖRHEAD or DARKTHRONE in their thrashy black metal/crusty punk phase then WARCALL will wet your appetite and get you salivating! Dig out your battle vest, your whitewashed denim jeans, and white trainers and bang that head furiously!” – All About The Rock

“It’s fast, it’s heavy, it’s exciting, and it doesn’t try too hard to be something it’s not, while also knowing exactly what it is. That’s a rare trait to have in a band, and it shows their consistency and maturity as songwriters; you can really tell this is not their first album. The ultimate takeaway here is that WARCALL deserve a lot more attention than what they’re currently getting. I hope to see them take things to the next level on their next full-length.” – Metal Temple

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Bravewords Premiere: Streaming Now! “Future Shock” From San Diego Thrashers MONARCH

April 15, 2021
by Asher
· Monarch · Music News

NEWS RELEASE

Montreal, QC – April 15, 2021

For fans of Slayer, Judas Priest, Iron Maiden, Testament, Exodus

Streaming Now! “Future Shock” From San Diego Thrashers MONARCH

Album Stream Premiere via Bravewords

New Album “Future Shock” Out April 16, 2021

L-R – Gabe Mendez (Bass), Adam West (Drums), Matt Smith (Vocals/Guitar), Casey Trask (Guitar)
Photo Credit: Astrid Anaya

San Diego’s MONARCH will be unleashing their sophomore album “Future Shock” on Friday, April 16th and before this electrifying thrash thriller hits the moshpit, the band has teamed up with Bravewords for its full stream premiere HERE.

The band adds:

“Future Shock hits hard on a lot of levels, there are the riffs, the solos, the speed, the heaviness, the melodies, great memorable lyrics, the dynamic range of our creativity we think was truly expressed, and yet we still managed to sound like ourselves. We all just really look forward to sharing it with everyone. At the time of this release, the world is still battling the COVID-19 virus in parts of the world and we think it will be a welcome escape from having to worry so much right now. We should all be cautious of course, but we can’t make our lives not worth living.”

Compared to their first, very DIY album, 2017’s “Go Forth… Slaughter”, MONARCH‘s next escapade “Future Shock” was done professionally at Clarity Recordings in El Cajon, California, and is a big step forward for the band both musically and sonically. It explores the entire spectrum of the band’s creativity, with each song varying in sound, but maintains a cohesive feeling. The overall concept of the full length is a comprehensive plan of action to be taken globally, nationally, and locally by organizations of the United Nations system, governments, and major groups in every area in which human impacts on the environment.

Recommended for fans of Exodus, Slayer, and Testament, MONARCH‘s “Future Shock” will be available on April 16, 2021 at the following links:

(CD, Vinyl) – https://monarch.band
Spotify

Music Videos:
“Nuclear Warfare” – https://youtu.be/eI9R0LNYGHM
“Shred or Die!” – https://youtu.be/DOgceZdx2mU

Live video at Wacken 2019:
Khaos Warrior – https://youtu.be/wXiU078YKM0
Full Wacken Set – https://youtu.be/Gjct4mbhdxM

More Info:
Monarch.band
Facebook.com/monarchthrash
Instagram.com/monarch666
Twitter.com/riseofmonarch
EPK

– 30 –

““Go Forth… Slaughter” is a loud record that is full of twists and turns. Hopefully this release encourages Monarch to do some touring beyond Southern California, because songs like these need more ears.” – SD Metal

“A very colorful cover can also win over many fence-sitting people – and the rawer attention to detail on the production front gives us a clearer picture of what to expect live (a sinister snare snap plus in your face guitar tones duly noted). Go Forth…Slaughter executes in that late 80’s/early 90’s thrash/death platform, where people lost interest in major label veterans straying into commercial waters. Monarch makes it safe for you to trust their music: brutal, aggressive, and all for the love of the genre.” – Dead Rhetoric

“‘a super solid speed metal record.” – Metal Assault (2017 – Review – Go Forth... Slaughter)

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Page 1 of 9

Asher Media Relations Tweets

Tweets by AsherMedia

Asher Media Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 2,177 other subscribers