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Tag: slam worldwide

0 Prepare For A 260 BPM Descent into Chaos w/ ANCIENT THRONES New Music Video “Melancholia” Off Upcoming Album “Melancholia” Out Sept 2025

  • August 20, 2025
  • by Asher
  • · Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – August 20, 2025

Prepare For A 260 BPM Descent into Chaos w/ ANCIENT THRONES New Music Video “Melancholia” Off Upcoming Album Out Sept 2025

+ Launch Vinyl Pre-Order

Ancient Thrones Current Line Up

Top L-R: Dylan Wallace (Guitar) | Nick Leslie (Guitar)

Bottom L-R: Matt LeBlanc (Bass) | Sean Hickey (Drums & Vocals)

Photo Credit – Matt Leblanc

Set to unleash their sophomore album “Melancholia” on September 19, 2025, to follow their 2020 breakout debut “The Veil”, Halifax, Canada’s progressive death metal titans Ancient Thrones are sharing their second single and title track, accompanied by a new music video.

At 260 beats per minute, Ancient Thrones introduce the protagonist of their concept record, his condition, and how he describes feeling out of place, plunging listeners headfirst into his psyche.

“With unrelenting intensity from the opening second, the title track Melancholia is simply a demonstration of what we set out to do with this album. Not one instrument stands out more than the other on this track, as it storms through a plethora of chaotic riffs, rapid blast beats, and lightning-quick vocals at 260 beats per minute, before reaching a breaking point where we flip the script to welcome change both musically and lyrically. If you like to invite some emotion to go with your extreme metal, then this is the song for you,” adds bassist Matt LeBlanc.

Watch and listen to the music video for “Melancholia” via Slam Worldwide at https://youtu.be/_LvSTJ78kd8

​

Formed in 2011 and reborn in 2018 with the arrival of guitarist and composer Dylan Wallace, Ancient Thrones carved out a new identity rooted in fast, extreme, progressive, cinematic, and existential soundscapes. With “Melancholia”, the band introduces a 42-minute descent into existential exhaustion, delivering an unapologetic extreme metal concept album that fuses blistering speed, cinematic storytelling, and emotional brutality.

From the chaotic opener “A Moon Fused Key” to the doom-laden closer “Vacant,” the band exposes raw intensity and jagged vulnerability. The narrative follows a colorblind protagonist navigating hallucinogenic visions in search of meaning, an unsettling journey through idealism, dread, and transformation. After five years of creation, Ancient Thrones proudly bring to light this new chapter, inviting listeners to embrace the chaos and feel something truly unnatural.

“For this album, a big focus for us was on the production. We meticulously, painstakingly spent several hours dialing every tone, note, layer, vocal, etc. We were fortunate to have time and a slower world on our side during production. Everything on this album was thought out and brought to life in a fully fleshed-out way. It took us 5 years to make this album, with 1 of those years used just levelling up our musicianship and techniques in order to play the material. We’re faster, more technical, and have a singular focus to make sure this album was beating you down from head to toe,” says Leblanc.

Drawing from the raw ferocity of black metal, the brutal edge of 2000s death metal, and the precision of modern tech death, “Melancholia” is a must-listen for fans of Archspire, The Red Chord, Deafheaven, and The Faceless.

Album pre-order (Vinyl, Digital) (out Sept 19th, 2025) – https://ancientthrones.bandcamp.com​

Lyric Video – “A Moon Fused Key” https://youtu.be/IfDBNhlJ0sI​

Track Listing:​
1. A Moon Fused Key (5:12)
2. Achromatopsia (1:19)
3. Melancholia (6:17)
4. A Turning Point (5:46)
5. A Pellucid Prism (4:26)
6. Sacred Swollen Glass (6:16)
7. Blight (2:18)
8. A Pale Palace (4:55)
9. Vacant (5:31)
Album Length: 42:00

Band Lineup:​
Dylan Wallace – Guitar
Nick Leslie – Guitar
Matt LeBlanc – Bass
Sean Hickey – Drums & Vocals

More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones​

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“The music is indeed violent, and immediately so, exploding in a blast of turbulent riffing, heavily undulating bass tones, and furious beats. The guitars wildly writhe and rapidly spear off in crazed angles, kaleidoscopic in effect, and the words spit forth in caustic screams that are equally deranged. Dissonant and dismal tones intrude, along with guttural roars, blast-beat outbursts, and pulverizing blows, and the riffing also seems to swarm in agony, adding further dimensions of darkness to the song’s overarching manifestation of delirium. Backed by a pulse-pounding and highly headbangable groove, the song also introduces yet another dimension, an eerie guitar solo that slowly slithers, brightly swirls, and evolves into an entrancing harmony, very much like a beckoning and seductive presence that manifests within the mayhem.” – No Clean Singing (single – A Moon Fused Key – 2025)

What the press has said about 2020’s “The Veil”:

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing (2020 – The Veil)

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine (2020 – The Veil)

“Trailer Park Boys and Hobo With a Shotgun aren’t the only pieces of media that have emerged from Nova Scotia that you should get excited over.” – MetalSucks

“From the massive tremolo sections and bludgeoning riffs to the surprisingly melodic harmonies between guitarists Dylan Wallace and Nick Leslie, Ancient Thrones have definitely honed in on something special with this track.” – GearGods

“From earth crushing riffs and face-melting guitar solos to the overarching theme of grief and devastation that the record encompasses, this single really ramps up the intensity” – Bravewords

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound. The songs are both aggressive and intelligent in equal measure and run through a variety of different emotional tangents. There is a vile and harsh aspect to the band, but there is also a forward thinking one. It all results in a creative and dynamic listen.” – Heavy Music Headquarters (2020 – The Veil)

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble. Who among you fancies a 56-minute blackened death metal saga with an epic meditation on one man’s descent into the afterlife? No band thought it conceivable to write the metal version of Ingmar Bergman’s The Seventh Seal, but this Nova Scotia quartet are not just any band. This is a remarkable journey for the contemplative mind.” – Scream Blast Repeat (2020 – The Veil)
​
​
​“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life (2020 – The Veil)

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt (2020 – The Veil)

“It is fast, thrashing extreme metal with shrieked/growled vocals, and a headbanging attitude. They have elements of thrash, black and death but their method of delivery won’t confuse anyone. It is metal to make the fans move. It is pretty thrashy, pretty brutal but also melodic, and the guitar work has plenty to offer both in the riffs and the melodies.” – Metal Bulletin (2020 – The Veil)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Streaming Now via Slam Worldwide! Param-Nesia Embark On A Tech-Death Adventure In “Aspect of Creation”

  • June 17, 2021
  • by Asher
  • · Music News · Param-Nesia

NEWS RELEASE

Montreal, QC – June 17, 2021

For fans of Black Dahlia Murder, Allegaeon, At the Gates, Arch Enemy, Revocation

Streaming Now! Param-Nesia Embark On A Tech-Death Adventure In “Aspect of Creation”

EP Stream Premiere via Slam Worldwide

New EP “Aspect of Creation” Out June 18th, 2021

Vancouver’s Param-Nesia are unleashing their new EP “Aspect of Creation” unto the world and listeners are invited to check out the full stream right now via its premiere on Slam Worldwide’s YouTube channel – https://youtu.be/Gk799etA3x8

Compared to the first EP “The Beginning” (2019), this new offering is a big step up in production and quality and will definitely get listeners rowdy. The band explains in more detail:

“It is more focused and balanced in its direction. The overall sound isn’t one specific thing. Some songs have a more melodic, triumphant vibe, while others a more somber, slower groove. But that’s the fun part, each one is a testament to the moment it was conceived, and a reflection of the evolving musical inspirations of each band member at that time.”

They go on to share that there have been lineup changes in the last couple of years and a new dynamic bloomed. They are confident that the current lineup will take the band far, releasing more music and touring as soon as they are able. Meshing melody and brutality, they tell wild tales intended to take the listener on a journey.

The five-track EP is groovy and captivating and each song flows from one to the next. The band remarks that guitarist Andy Cahalin is the primary songwriter, but all members have input in the final work. Lyrically, the music inspires certain words to fit the mood of the music, and a couple of songs have been written from an emotional experience, with lyrics later being distilled to speak about that.

Any discerning metalhead who enjoys tech death and melody will find Param-Nesia of interest, especially those with a liking for At the Gates, Arch Enemy and Revocation.

“Aspect of Creation” comes out June 18, 2021.

EP pre-order – https://param-nesia.bandcamp.com

Spotify

Music Video “Pestilence of Man” – https://youtu.be/1jbpbQiwBt0


Track Listing:
1. Pestilence of Man (4:44)
2. Forsaken (4:44)
3. Lethocerus (5:29)
4. Home (5:47)
5. Journey to Nothing (7:09)
EP Length: 27:54

EP Band Line Up:
Andy Cahalin – Lead Guitar/Bass
Matthew Burnham – Rhythm Guitar/Bass
Cayle Charlton – Vocals
Derek Hill – Drums

Live Band Line Up:
Andy Cahalin – Lead Guitar
Matthew Burnham – Rhythm Guitar
Cayle Charlton – Vocals
Colton Hession – Bass
Derek Hill – Drums

For more info:
Facebook.com/ParamnesiaVan
Instagram.com/paramnesiavan
EPK

About:
Param-Nesia is a five-piece metal band hailing from Vancouver BC. Their visceral sound combines melodic death, thrash, and hints of prog to create music that takes you on a journey from beginning to end. Originally founded in 2016 by guitarist Andy Cahalin, and drummer Derek Hill, followed shortly by vocalist Cayle Charlton, the lineup is now complete with the addition of Matt Burnham on guitar and Colton Hession on bass. Param-Nesia released their debut EP “The Beginning” in Feb 2019, and are set to unleash their follow-up EP “Aspect of Creation” on June 25th, 2021. They are committed to their craft, striving to create music that is heavy, emotionally charged and engaging. With a hard work ethic, Param-Nesia is actively seeking shows/tours (post covid) and building an online presence to add to their repertoire.

– 30 –

“Aspect of Creation” is exactly that Death Metal that Chuck Schuldiner would have wished for in 2021.” – Stormbringer

“Aspect of Creation is a powerful slab of melodeath that takes listeners on a sonic journey.” – Noob Heavy

“Melodic riffs permeate the record and the group displays great rhythmic precision. I have a soft spot for guitarists that give their picking hands and rhythm-brain a work out with their riffs. Opening track “Pestilence of Man” is chock full of this variety of riffage. There’s tight gallops everywhere and some tasty guitar harmonies at just the right moments.’ – Noob Heavy

“Taking you on a journey with a diverse mix of subgenres ranging from Melodic Death Metal, Thrash, Metalcore and Prog Rock, Param Nesia showcase their sound with a beautiful yet melodic soundscape, spiced up with atmospheric overtures.” – Stargazer Music Magazine

“The five tracks of this new Ep are a good mix of melodic riffs and a remarkable technical death metal, which give the listener a considerable sonic impact. A heart-pounding start with “Pestilence”, where power and energy are the two details that make this open track truly devastating.” – Music Webzine

“The vocalist definitely has some The Black Dahlia Murder ish kind of vocals so I definitely dig that, and the other musical elements definitely pull together for a bit of a unique take on modern death/thrash metal.” – Zrockr Magazine

“A work with an exceptional sample of technique, speed and strength, with great guitar solos and high-quality instrumental moments. A style that at times reminded me of the great Allegaeon and their characteristic pauses.” – Riff of Metal
—

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Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
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Tweet @AsherMedia

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