Tag: Skeletonwitch

0 Heavy Blog Is Heavy Premiere Snakeblade’s Heavily Technical “Foul Sorcery of Flame and Shadow”, New Album “The Curse” Out October 13, 2021

October 1, 2021
by Asher
· Music News · Snakeblade

NEWS RELEASE

Montreal, QC – October 1, 2021

Heavy Blog Is Heavy Premiere Snakeblade’s Heavily Technical “Foul Sorcery of Flame and Shadow”

New Album “The Curse” Out October 13, 2021

Canada’s Snakeblade has a new single out, and now, death metal fans can take it all in over at Heavy Blog Is Heavy who is premiering “Foul Sorcery of Flame and Shadow” at the following link HERE.

This is the sixth track out of the ten presented on the upcoming album “The Curse” and according to Mike Redston is a full-fledged five-minute roller coaster. He explains more in detail:

“This track is absolute bananas. I consider this to be my most technical song off The Curse with some super fun riffs. Guitar wise it’s got flavours of everything from Archspire to Metallica. And lyrically, it’s a complete homage to Game of Thrones – fans of the show will no doubt be able to spot the reference. It starts full-on with a relentless attack of blast beats and shredding. Then about halfway through you get this complete shift to a half-time neck-snapping section. It’s closed out by a silky smooth acoustic outro to seal the deal.”

“The Curse” is the second album from Snakeblade, following “The Kingdom”, which came out in 2020. It is quite an evolution, growing in both complexity and scale with the addition of a session drummer to handle the kit. Mike Redston formed the solo project in the midst of the pandemic, as a distraction. To deepen the escape, all his lyrics surrounded fantasy concepts from his favorite video games and movies. The name Snakeblade comes from his first character in Dungeons and Dragons which was a bugbear.

For fans of death and black metal both new and old, Snakeblade is recommended for fans of Dimmu Borgir, Death and Skeletonwitch.

The album “The Curse” will be available on October 13, 2021.
Album pre-order – https://snakeblade.bandcamp.com/album/the-curse

Previous single – “The Red Mage’s Seduction” – https://youtu.be/7V06X1AlJqg

Track Listing:
1. Destiny (Intro) (1:42)
2. Rotten Souls (6:48)
3. Harvester (3:35)
4. Dreams of Aida (1:53)
5. The Red Mage’s Seduction (6:01)
6. Foul Sorcery of Flame and Shadow (5:04)
7. Godswood (2:28)
8. Born Among Salt and Smoke (5:46)
9. Archways (3:05)
10. Exile, Outlaw… The Essence (6:34)
Album Length: 42:56

Album Credits:
• All songs performed by: Mike Redston
Drums performed by Dennis Kraakman
Artwork by Elizabeth Holmes
‘Dreams of Aida’ co-produced with Macca Grills
‘Godswood’ co-produced with Logan Macdonald
• All songs written by: Mike Redston
• Produced by: Mike Redston
• Album Artwork by: Elizabeth Holmes
• Member of SOCAN
• Music is Canadian Content (MAPL)

Album Band Line Up:
Mike Redston – Vocals, Guitar, Bass Guitar,
Dennis Kraakman – Drums

For more info:
Facebook.com/snakebladeofficial
Instagram.com/snakebladeofficial
EPK

About:
Amidst the Covid-19 pandemic, Snakeblade was formed by Mike Redston as an escapist project while the entire world was quarantined. What came out of this anxious time may surprise you though, as Snakeblade refuses to follow typical one-man black metal trends. Every song on their debut album The Kingdom explodes with energy and youthful rage, delivering a pummelling of riffs, blastbeats, and shrieking vocals. With lyrical topics of fantasy, medieval battles, lord of the rings, and video games, Snakeblade is a headbanging nerd’s wet dream. Now on their second effort, the one-man project delves into bold new territory adding orchestral and electro elements to the blackened thrashy chaos that is: The Curse.

Discography:
2020 – The Kingdom
2021 – The Curse

– 30 –

“This new song (The Red Mage’s Seduction) is a wild but multi-faceted thrill-ride. A burst of jolting riffage launches the track, and as it grows more feverish it provokes a long, throat-ruining scream. The drums (performed by session drummer Dennis Kraakman) hammer and spit like machine guns as the bass bubbles and the guitar writhes in flames. There are chilling moments when slashing chords, slithering arpeggios, and flickering spectral solos sound like magic spells cast in sound by a viciously demented sorceror and the vocals descend into monstrous croaking growls, only to have the song erupt again in chaotic incendiary gales. The song’s feeling of magical mystery and ominous peril emerges again and rises to towering heights, elevated by grand synths and gigantic booms. Once there, an extravagant extended guitar solo lights the listener’s nerve endings on fire without relinquishing the music’s aura of sorcery run amok. The song slashes and burns again, with the elaborate layering of guitars, tumultuous percussion, and slaughtering screams creating an ecstatic finale.” – No Clean Singing

“This one man black metal project from Canada, spearheaded by Mike Redston, wastes no time in pushing the pedal to the metal and letting it all go. No, seriously; the very first track on his new album, The Kingdom, has an insanely flamboyant and satisfying guitar solo, breakneck drums, and vocal shrieks aplenty.” – Heavy Blog Is Heavy

“Snakeblade Goes Beyond Black Metal Trappings on ‘The Kingdom'” – Exclaim!

“It’s safe to say that Snakeblade’s musical genius will quickly outgrow Redston’s one-man credo, for other musicians will surely seek out his vision. That he has crafted such venomous metal that is still wildly entertaining during this pandemic is a huge accomplishment, and The Kingdom will appeal to fans of this black metal style, particularly followers of Mayhem, Borknagar and classic Slayer.” – Exclaim!

“This is absolutely my jam, and The Kingdom is one of my favorite albums of the year so far.” – Toilet ov Hell

“I am compelled to say that SNAKEBLADE most definitely delivered an utmost maddening, but enjoyably entertaining discovery that made me replay this …pretty much all day long. “The Kingdom” is an addicting spin that will blow brains & shatter windows with explosive clarity. Full of density, technical prowess & engaging captivation. This is an incredibly amazing debut album, and I will most look forward to their upcoming projects. And for a singular writing attempt, bravo! I couldn’t help but score this as a masterful piece of other-worldly malevolence which most certainly deserves a slot in your collection for sure. Check it out!” – Metal Temple

—

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0 Canada’s Maudiir Unleashes Double Digipak For EPs “La Part du Diable” & “Le Temps Peste”, Includes Bonus Track: Sid Vicious Was Innocent (The Exploited cover)

May 25, 2021
by Asher
· Maudiir · Music News

NEWS RELEASE

Montreal, QC – May 25, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Canada’s Maudiir Unleashes Double Digipak For EPs “La Part du Diable” & “Le Temps Peste”

Includes Bonus Track: Sid Vicious Was Innocent (The Exploited cover)

Montreal’s one-man-black-metal-band Maudiir created by F. has unleashed two EPs since its inception. The debut “Le Temps Peste” was issued in 2020 and within a year later, the sophomore recording “La Part du Diable” was unveiled this past February.

Both are different in sonics, but similar in delivery of their creative veined black metal. The first EP featured more straightforward black/thrash elements whereas Maudiir‘s second release experimented more with progressive influences. Overall, both demonstrate intense, dark music from the mind of F. with lyrics that draw on societal reflections, religion, and the environment.

Today, Maudiir announces the release of both EPs on limited edition double digipak, which features a bonus cover track of The Exploited’s “Sid Vicious Was Innocent”.

F. aka Maudiir comments:

“I felt that combining the 2 EPs on one digipak would work well to offer an interesting listening experience, showing the progression of the music and sound between Le Temps Peste and La Part du Diable. Maudiir is very much a DIY family affair, so again my brother handled the visuals and did a beautiful job. It’s a really nice package to get into the world of Maudiir. Plus there is also a special version of The Exploited song “Sid Vicious Was Innocent” that’s going to surprise people.”

Maudiir is recommended for metalheads looking for something new, especially fans of Carcass, Darkthrone, and Skeletonwitch.

Digipak order is available on https://maudiir.bandcamp.com.

Song Stream – The Fortunate Few – https://youtu.be/fD6iXeZJ20s

Bonus Track Stream – Sid Vicious Was Innocent (The Exploited cover) – https://youtu.be/fAzKJMBBH54

Digital platforms:
Spotify: https://spoti.fi/3um1x74
Apple Music: https://apple.co/3pGpORP

Track Listing: Le Temps Peste (2020)
1. Product (5:14)
2. Abuse The Used (4:30)
3. Wasteland (5:15)
4. Surge of Fire (4:39)
5. Snakes of Creation (6:43)

Track Listing: La Part Du Diable (2021)
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)

Bonus Track: Sid Vicious Was Innocent (The Exploited cover) (3:10)

More Info:
Facebook
Instagram.com/maudiirofficial
Instagram.com/maudiirofficial
Twitter.com/maudiir1
EPK

– 30 –

Canadian College Radio Loud Charts: #1 – The National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“Feel free to imagine Maudiir as a mix of early Metallica and Enslaved, Darkthrone, Diamond Head, Skeletonwitch, Martyrdöd, Skitsystem and fellow French Canadian technology users/abusers, Voivod. Sitting at home with no shows to attend or play for a year has provided F. the opportunity to work in isolation and create the next chapter in the Maudiir story, La Part du Diable. The five songs within continue stirring the influence pot with the result being simultaneous sweet and sourness, light and darkness, uplift and despondency.” – Decibel Magazine

“If you’re tired of all those black/thrash bands that sound too much like each other, this is a little different. Just solid blackened thrash with a strong footing in traditional heavy metal that calls for repeat plays.” – The Metal Crypt

“If this is what Maudiir can achieve in only 24 minutes and 24 seconds, bring on a full-length. If you’re into Skeletonwitch, Voivod, or Ihsahn, give release this a listen!” – 4/5 Metal-Rules.com

“It’s The Crowning Hour that closes out a banger of an EP. Where the guitars blur reality and the drums hammer so hard, the brain begins to ache. The tempo is fiery, and the passionate delivery is joyfully received again.” – Games, Brrraaains & A Head-Banging Life

“The first thing you notice about Maudiir‘s new EP, La Part du Diable, is just how good the record sounds. Crystal clear production on a blackened thrash release might not be at the top of every listener’s shopping list, but here the production absolutely works for F.” – Sentinel Daily

“What’s so refreshing with this E.P. is the flourishing evolution of styles and the sheer confidence in which the music is played. Aided by the crisp and professional production, this is a genuinely exciting release.” – The Razor’s Edge

“Maudiir entertain those who like black metal but also are open to prog and old school heavy metal. The mix is pleasing and the whole thing works very well.” – CGCM Podcast

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Dive Into The Guitar Mind of Malice Divine’s “Into Subconscious Depths”, Playthrough Premiere via TechnicalMusicReview, Self-Titled Album Out Now!

April 9, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – April 9, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Dive Into The Guitar Mind of Malice Divine’s “Into Subconscious Depths”

Playthrough Premiere via TechnicalMusicReview

Self-Titled Album Out Now!

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Toronto’s one-man act Malice Divine, created by ex-Astaroth Incarnate guitarist Ric Galvez (also seen as a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2) recently unleashed this past February his debut self-titled album. The record is an excellent example of time spent during the Covid-19 pandemic being put to good use.

The full length showcases nine eclectic tracks of black, death, and thrash metal along with a tinge of classical guitar. For session drums Ric Galvez was joined by Dylan Gowan (Vesperia, Iomair) where they recorded at Monolithic Productions in Oshawa, Ontario with Tyler Williams beginning in January 2020. After the recording process had concluded, the album was re-amped and mixed by Tyler Williams and then mastered by Lasse Lammert (Demons & Wizards, Alestorm, Gloryhammer) of LSD-Studio in Germany.

The lyrics explored on the self-titled album are actually quite personal and deal with Ric Galvez’s thoughts and feelings regarding his life experiences. They are an outlet for self-expression, while also exploring topics such as spirituality and psychology with an underlying theme of personal empowerment.

Today, fans can delve into guitar playing of Malice Divine with the new playthrough for “Into Subconscious Depths” via its premiere on TechnicalMusicReveiw HERE.

“This song starts with a classical guitar intro and has a slower build-up than the 4 songs preceding it. It’s one of the darkest and one of the most epic songs on the album by far.” adds Ric Galvez.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Skeletonwitch, Death, Dissection, and Immortal.

The full album “Malice Divine” is available on all digital platforms (Spotify, Apple Music) here and Bandcamp here.

Previous Videos:
“In Time” – YouTube (vocal/guitar playthrough)
“Malicious Divinity” – YouTube (vocal/guitar playthrough)
“Triumphant Return” – YouTube (vocal/guitar playthrough)
“Quantum Manifestation” – YouTube (lyric video)

Track Listing:
1. Somnium Lucidus (2:00)
2. Quantum Manifestation (7:11)
3. Malicious Divinity (5:54)
4. Triumphant Return (5:35)
5. Into Subconscious Depths (8:02)
6. Ancient Visions (6:14)
7. In Time (8:11)
8. Intuitive Realization (3:40)
9. The Transcendence Of Isolation (9:46)
Album Length: 56:37

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Toronto, Canada’s Malice Divine is a solo project contrived by Ric Galvez who had always had the dream of entire creative control. He wanted to expand beyond being known as just as a lead guitarist. Ric Galvez has played in local bands previously and was a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.

Ric Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology, and spirituality, as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

The first offering from Malice Divine, a self-titled full length, comes in 2021 with Dylan Gowan (Vesperia, Iomair) playing session drums. There are plans to flesh out a live lineup for Divine Malice when the time is right.

What people can expect from seeing Malice Divine live is highly aggressive black and death metal inspired music with shreddy and virtuosic guitar solos adding a melodic layer that isn’t common in the genre.

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30-

Canadian College Radio Loud Charts:
#6 – The National Loud Chart – For the Week Ending: Tuesday, March 2, 2021 (Earshot)
#5 – The National Loud Chart – For the Week Ending: Tuesday, February 23, 2021 (Earshot)
#3 – The National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“What exactly does Malice Divine bring to the table? Judging from “In Time” alone, the project brings a great cornucopia of gripping riffs, virtuosic soloing, constantly dynamic rhythms, harrowing vocals, and a talent for interweaving variant melodies that turn out to be memorable, as well as an ability to make such kaleidoscopic music both cohesive and catchy. The opening sequence of riffs begins to establish the pattern, shifting from sensations that are slow, dismal, and perilous to spidery and feverish, and then to cold and cruelly deranged. But that’s just the start of this dark but exhilarating piece.” – No Clean Singing

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

“his self-titled debut is a very guitar-centric slab of Black/Death that sounds like a mixture of Dissection’s melodic sensibility with Skeletonwitch’s relentless energy. The playing is as sharp and precise as you’d expect it to be, and some of the leads are really superior…” – The Metal Crypt

“While “Triumphant Return” is one of the more upbeat tracks on the album, it’s still packed with deliciously heavy riffs, blast beats, and demonic vocals, all from the mind of Ric.” – Gear Gods

“Throughout, it is sufficiently complex and convoluted to keep your attention with no shortage of impressive leadwork bursts.There are several standout tracks for me, the insanely driving but majestic ‘Quantum Manifestation’, the dark and intense ‘Malicious Divinity’, the darkly melodic ‘Triumphant Return’ and the dark driving ‘In Time’ with its soaring leads. ‘Malice Divine’ should appeal to fans of Dissection, Immortal and Wintersun. With stunning cover artwork that reflects the colour and mood of that previously mentioned album, Dissection’s Storm of the Light’s Bane, hinting as to what to expect from the contents… This is yet another inspiring example of time during the COVID-19 pandemic being put to good use by a skilled and dedicated Metal musician.” – Metal Talk

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
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0 Malice Divine Shares Lyric Video “Quantum Manifestation”, Video Premiere via MetalInsider, Self-Titled Album Out Now!

March 4, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – March 4, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Malice Divine Shares Lyric Video “Quantum Manifestation”

Video Premiere via MetalInsider

Self-Titled Album Out Now!

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Today, Malice Divine shares more insight into the album with the release of the new lyric video for the track “Quantum Manifestation” via its premiere on MetalInsider HERE.

“Quantum Manifestation is one of the fastest songs on the album. It’s packed full of different elements that are integral to the sound of Malice Divine, such as virtuosic guitar solos, savage blackened death metal riffing, blast beats, epic melodies, and a beautiful classical guitar section,” adds Ric Galvez.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Skeletonwitch, Death, Dissection, and Immortal.

The full album “Malice Divine” is available on all digital platforms (Spotify, Apple Music) here and Bandcamp here.

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30-

“Black Metal, Thrash Metal, Death Metal thrown into an insane blender of savage brutality\m/ \m/” – Heavy New York

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Out Now! Canada’s Maudiir Unleash Dark Progressive Black Thrash w/ New EP “La Part du Diable”

February 19, 2021
by Asher
· Maudiir · Music News

NEWS RELEASE

Montreal, QC – February 19, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Out Now! Canada’s Maudiir Unleash Dark Progressive Black Thrash w/ New EP “La Part du Diable”

“La Part du Diable” Out February 19, 2021

Riff-driven with big bass grooves and corrosive vocals, Montreal’s one-man-band Maudiir created by F. unleashes a new progressive black thrashing EP “La Part du Diable”, a full year after releasing the debut EP “Le Temps Peste”. The intense, dark music comes with lyrics that draw on societal reflections, religion, and the environment.

F. aka Maudiir comments:

“I had great reviews for the first EP “Le Temps Peste”. I think the new EP “La Part du Diable” expands on the first one and brings more progressive and thrash elements. I also added distortion to the bass guitar this time around, which I think adds a Voïvod feel to the songs. All in all, it’s a pretty interesting and unique listen. I also wrote everything alone. Starting on guitar, adding drums, then guitar leads and textures, bass, and finally writing the words and recording them as I am advancing through the vocals. In the case of “The Crowning Hour”, I had a structure done with rhythm guitars and drums, but when I started adding bass, I realized the structure needed to change. Basically, the bass riff made it clear to me what was the verse in the song. Pretty much the same thing happened with “The Slumber”; switching things around when I got to the bass parts. So after that, I thought “why not try to write a whole song on bass?” That experiment yielded the track “Spirit of Sulfur”. That was very interesting for me; getting out of my comfort zone trying to figure out guitar parts that would complement the main bass lines.”

Maudiir is recommended for metalheads looking for something new, especially fans of Carcass, Darkthrone, and Skeletonwitch.

“La Part du Diable” is out now as of February 19th and available on the following digital platforms:

Bandcamp: Maudiir.bandcamp.com
Spotify: https://spoti.fi/3um1x74
Apple Music: https://apple.co/3pGpORP

Track Listing:
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)
EP Length: 24:24

More Info:
Facebook
Instagram.com/maudiirofficial
Twitter.com/maudiir1
EPK

– 30 –

Canadian College Radio Loud Charts: #1 – The National Loud Chart – For the Week Ending: Tuesday, February 16, 2021 (Earshot)

“Maudiir entertain those who like black metal but also are open to prog and old school heavy metal. The mix is pleasing and the whole thing works very well.” – CGCM Podcast

“A fine example of how to put a solo project together, Maudiir has chosen the sound he wants and is developing it in some style while avoiding the trappings of self-indulgence.” – Metal Noise

“Please don’t let this one fall by the wayside folks. This is a very promising young band we got here and this is one damn good slice of metal!” – Noob Heavy

“Professional in every respect, the production and playing are top notch, and the songwriting is obviously advanced as well, rendering me very surprised that this hasn’t been picked up by a label yet.” – The Mighty Decibel

“Maudiir: Effortlessly moves between styles…” – Permafrost Today

“Black Metal one man band Maudiir is out with a new EP filled with sinister menacing.” – Flying Fiddlesticks Music Blog

“Le musicien de Montréal (Quebec) s’est investi corps et âme dans son projet et nous a fait passer un beau moment. Une sacré claque.” – Metal Alliance Mag

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Streaming Now! Malice Divine Premiere Debut Album Stream via Bravewords, Self-Titled Album Out February 19, 2021

February 18, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – February 18, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Streaming Now! Malice Divine Premiere Debut Album Stream via Bravewords

Self-Titled Album Out February 19, 2021

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

The one-man act of Toronto’s Malice Divine (also seen as a contestant on Banger TV’s Shredders of Metal Seasons 1 & 2.) will be dropping a debut self-titled album on Friday, February 19th, and before it officially unleashes, Bravewords is premiering the full length’s entire stream HERE.

Ric Galvez, creator of Malice Divine comments on the album’s release:

“I am incredibly proud to present the self-titled debut of my solo project Malice Divine. There were many different influences poured into the composing of this album, from black metal to death metal, some thrash metal, and even classical music in the form of classical guitar. This was also a multi-year endeavour for me, which makes its release ever more satisfying.”

The self-titled debut album was recorded at Monolithic Productions in Oshawa, Ontario by Tyler Williams beginning in January 2020. After the recording process had concluded, the album was re-amped and mixed by Tyler Williams and then Mastered by Lasse Lammert of LSD-Studio in Germany. This album is an excellent example of time spent during the Covid-19 pandemic being put to good use.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Skeletonwitch, Death, Dissection, and Immortal.

The full album “Malice Divine” drops on February 19, 2021.

Pre-save on digital platforms here.

Videos:
“In Time” – YouTube (vocal/guitar playthrough)
“Malicious Divinity” – YouTube (vocal/guitar playthrough)
“Triumphant Return” – YouTube (vocal/guitar playthrough)

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30 –

“Malice Divine still has a solid mission statement of a debut album, with a composure to its songwriting and ear-catching nature to the riffs that should be a welcome addition to the collections of those who worship at the altar of old-school melodic black metal.” – Metal Bite

“There’s just so much to enjoy in this one (In Time). Guitar solos? Check. Awesome death metal riffs? Check. Classical guitars? Also check. This is a really well-crafted track that will keep you engaged throughout it’s 8 minute runtime.” – Abrasive Noise

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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0 Canada’s Maudiir Summon A Blackened Thrash Slaughter With “Spirit of Sulfur” Off “La Part du Diable” Out Feb 19th, Single Premiere via Decibel Magazine

February 11, 2021
by Asher
· Maudiir · Music News

NEWS RELEASE

Montreal, QC – February 11, 2021

For fans of Skeletonwitch, Darkthrone, Voivod, Ihsahn, Carcass

Canada’s Maudiir Summon A Blackened Thrash Slaughter With “Spirit of Sulfur” Off “La Part du Diable”

Single Premiere via Decibel Magazine

New EP “La Part du Diable” Out February 19, 2021

Montreal’s Maudiir has a new single out, “Spirit of Sulfur” being premiered on Decibel Magazine HERE.

The second single is from the upcoming EP “La Part du Diable” due out on February 19, 2021.

The fourth of five tracks, “Spirit of Sulfur” is where it starts to get more experimental on the EP. Very bass-driven, the contagious harmonies flirt with thrash and punk, and it then develops into a kind of space rock instrumental section. The abrasive lyrics are about deceitful leaders grinding down their countries.

The biggest benefit to a solo project is being unrestricted in style and creative direction, something that is fully embraced in Maudiir’s work. An aggressive blackened thrash base is complimented with upbeat punk drumming and a heavy focus on the bass parts, resulting in a fresh take on modern metal. This uncommon attention to bass riffs resulted in this single, as Maudiir explains:

“On the first single, ‘The Slumber’ I was switching things around when I got to the bass parts. After that, I thought “why not try to write a whole song on bass?” That experiment yielded the track ‘Spirit of Sulfur’. That was very interesting for me; getting out of my comfort zone trying to figure out guitar parts that would complement the main bass lines.”

Riff-driven with big bass grooves and corrosive vocals, “La Part du Diable” is the second release from the one-man project to follow the debut EP “Le Temps Peste” released in February of last year. The intense, dark music comes with lyrics that draw on societal reflections, religion, and the environment.

Maudiir is recommended for metalheads looking for something new, especially fans of Carcass, Darkthrone, and Skeletonwitch.

The entire EP “La Part du Diable” releases on February 19, 2021 on all digital platforms.

First single “The Slumber” – YouTube, Spotify

Track Listing:
1. Fracture (4:50)
2. The Slumber (4:57)
3. The Fortunate Few (4:54)
4. Spirit of Sulfur (4:34)
5. The Crowning Hour (5:07)
EP Length: 24:24

More Info:
Facebook
Bandcamp
EPK

About:
Maudiir, coming from the underbelly of Montreal, Quebec, Canada is an outlet for observations on obedience and industrialization riddled with man-made waste. With 80s heavy metal influences alongside black metal and punk, Maudiir is unique in sound; hauntingly dark while being corrosive and galloping.

Maudiir is a one-man black/thrash metal project that formed to be musically independent. Starting with guitar, F. works his way through each sullen track, adding drums, recording all the colorations and textures of the guitars, adding bass, and finally writing the words, very often at the same time they are being recorded.

The pessimistic aura of the music combines with lyrics about consumer society, religion, science going awry, addiction to technology, and environmental decay.

Maudiir released their debut EP “Le Temps Peste” during February 2020 and now returns exactly a year later with the follow up “ La Part du Diable”
due out February 19, 2021.

Creating an intensely dark sound, “La Part du Diable” was inspired by reactions from people to the health crisis created by Covid, the political climate in the US, and conspiracy theories. It’s a riff-driven EP with big bass grooves and corrosive vocals, mixing thrash metal and black metal with progressive elements, giving it a unique sound and feel.

“I would say that with “La Part du Diable”, I’m going into a slightly more progressive and thrash sound than on the first EP. I also added distortion to the bass guitar this time around, which I think adds a Voïvod feel to the songs.”

F. (ex-Deeply Confused, Tears for the Dead Gods) is also currently leading prog/thrash metal outfit Trinity Blast.

Maudiir is F.

– 30-

“As “The Slumber” begins, a jittery, dissonant bass riff, underlaid by droning guitar and soon joined by F.‘s rabid snarl, creates an immediate feeling of incipient and dangerous derangement as it quivers above a neck-popping back-beat and a febrile bass line. But the flashing thrash riffs that come into play give the song a different and more glorious and heart-palpitating dimension. And the multi-faceted nature of the song becomes even more evident when the drums start spitting bullets and the riffing creates a manifestation of savage, blazing chaos, driven to further heights of spectacle by an incandescent guitar solo. F.‘s vocals rise to greater heights of throat-splitting madness as the feeling of perilous tension returns, but that turns out to be a prelude to another eye-popping solo and another dose of thrashing ebullience at the finale.” – No Clean Singing

“Crunchy, razor-sharp guitars, thundering drums and good vocal work all delivered with heaviness. If you’re tired of all those black/thrash bands that sound too much like each other, this is a little different. Just solid blackened thrash with a strong footing in traditional heavy metal that calls for repeat plays.” – 3.75/5 – The Metal Crypt

“I’d say that the one-man band exists in the progressive black/thrash zone, overall landing in a spot where extreme metal begins. This comes across as relatively accessible and modern, despite the pummeling drum sound, bracing guitar and bile vocals, not an easy thing to achieve. They are in the same family tree as their provincial compatriots Voivod, but on the slightly less odd side of the family. Professional in every respect, the production and playing are top notch, and the song writing is obviously advanced as well, rendering me very surprised that this hasn’t been picked up by a label yet.” – The Mighty Decibel

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
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0 Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album Out Feb 19th, Vocal/Guitar Playthrough Premiere via GearGods

February 3, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – February 3, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Malice Divine Bring Forth The Jubilant “Triumphant Return” Off Upcoming Debut Album

Vocal/Guitar Playthrough Premiere via GearGods

Self-Titled Album Out February 19, 2021

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

The one-man act of Toronto’s Malice Divine brings to you the third and final single “Triumphant Return” from the upcoming debut self-titled album.

“Triumphant Return” is the least dark song on the self-titled and also the most uplifting song on the album overall. It still retains the aggressiveness that is present throughout the other eight songs on the offering.

Ric Galvez explains the track in his own words:

“The last of the three singles to be released before the full album, Triumphant Return is by far the most uplifting song on the album. As the song title implies, I was aiming to create a very triumphant feeling from the music with this song. The lyrics of the song further amplify the feeling of triumph that is inherent to this song, dealing with the theme of overcoming all obstacles that you face in life and bouncing back stronger than ever.”

The self-titled debut album was recorded at Monolithic Productions in Oshawa, Ontario by Tyler Williams beginning in January 2020. After the recording process had concluded, the album was re-amped and mixed by Tyler Williams and then Mastered by Lasse Lammert of LSD-Studio in Germany. This album is an excellent example of time during the Covid-19 pandemic being put to good use.

Melodic and captivating with a good blend of heavy styles, Malice Divine is recommended for fans of Death, Dissection, and Immortal.

“Triumphant Return” can be heard via its vocal/guitar playthrough premiere on GearGods HERE.

The full album “Malice Divine” drops on February 19, 2021.

Pre-save on digital platforms here.

First single – “In Time” – YouTube (vocal/guitar playthrough)
Second single – “Malicious Divinity” – YouTube (vocal/guitar playthrough)

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30 –

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
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Instagram @AsherMedia
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0 Canada’s Malice Divine Get Ferocious Next Single w/ “Malicious Divinity”, Video Premiere via TheCirclePit, Self-Titled Album Out February 19, 2021

January 27, 2021
by Asher
· Malice Divine · Music News

NEWS RELEASE

Montreal, QC – January 27, 2021

For fans of Dissection, Skeletonwitch, Death, Wintersun, Immortal

Canada’s Malice Divine Get Ferocious Next Single w/ “Malicious Divinity”

Video Premiere via TheCirclePit

Self-Titled Album Out February 19, 2021

Ric Galvez – Vocals/Guitar/Bass – Photo Credit – Deborah Lawrence

Racing out of the gate is Malice Divine’s “Malicious Divinity”, which is the fastest song on their upcoming debut self-titled album due out February 19, 2021.

Assertive and exhilarating, this song has a very dark and exotic vibe to it. At a consistent 216 BPM throughout, “Malicious Divinity” is by far the most ferocious song out of the 9 tracks on the upcoming self-titled debut album. The band comments on the track:

“Despite its speed and intensity, there is still quite a bit of variety to be found within the song which ranges from technical riffing to straight-up black metal tremolo picking, tribal drum grooves to intense blast beats, and guitar solos that ranged from being extremely melodic to blistering fast shred. This song is guaranteed to pack the strongest of punches.”

The album as a whole is 9 tracks of incredibly melodic and empowering blackened death metal. It is also an incredibly dynamic album too, ranging from different speeds and intensities as well as different moods and emotions. You can also find some nylon string classical guitar playing within the album too.

With tinges of black metal and death metal, while abundant with melody, Malice Divine is recommended for fans of Skeletonwitch, Death, and Wintersun.

“Malicious Divinity” can be heard via its premiere on TheCirclePit HERE.

The full album “Malice Divine” drops on February 19, 2021.

Pre-save on digital platforms here.

First single – “In Time” – YouTube (vocal/guitar playthrough)

More Info:
Facebook.com/malicedivineband
Instagram.com/malicedivineofficial
EPK

About:

Ric Galvez has a major in music from York University and through Malice Divine he shows off his prowess across instruments. His lyrics are inspired by psychology and spirituality as well as personal experiences especially those involving the overcoming of obstacles and hardships using the resulting verses as a form of empowerment.

Malice Divine’s self-titled debut album is due out February 19, 2021.

– 30-

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Blackened Death Ancient Thrones Drum Playthrough “The Millionth Grave” Off Latest Concept Album “The Veil”, Playthrough Premiere via TheCirclePit

January 19, 2021
by Asher
· Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – January 19, 2021

For fans of Revocation, Skeletonwitch, The Red Chord, The Black Dahlia Murder, Wolves in the Throne Room

Blackened Death Ancient Thrones Drum Playthrough “The Millionth Grave” Off Latest Concept Album “The Veil”

Playthrough Premiere via TheCirclePit

New Album “The Veil” Out Now!

L-R: Dylan Wallace (Guitar)| Nick Leslie (Guitar)| Sean Hickey (Drums, Vocals)| Matt LeBlanc (Bass)
Photo Credit – Matt LeBlanc

This past November, Halifax, Canada’s Ancient Thrones unleashed their concept album “The Veil”. The full length is 57-minute descent into the afterlife telling the story of grief that people can relate to through dark and progressive blackened death.

Ancient Thrones explains:

“The record is a concept record so it’s meant to be listened to in its entirety to get the full experience of the story. Even the songs were written and laid out in a way that they seamlessly transition into each other. Almost as if it was just one long piece of music broken up into separate parts as tracks. We want people to headbang and mosh, but we also want to bring people on a journey through this world of purgatory and grief and understand each phase of grief the record represents through the 10 tracks.”

Today, in support of “The Veil”, drummer Sean Hickey is sharing his playthrough for the track “The Millionth Grave”.

“I’m happy to showcase the drums for this playthrough of The Millionth Grave. It was filmed fittingly in our rehearsal space. The song itself is an eclectic blend of some of my favorite genres of metal, and in particular, I was inspired by bands like Beyond Creation to create the groove in the bridge of the song, which is still one of my proudest moments on the record. In our concept album The Veil, the track lyrically is the introduction to the character of death named Viduus and I wanted to establish that control and godlike power that character has with those crushing bomb blast chorus sections, as he showcasing his capabilities to our deceased character and taking the listener through a frenzy of tense aggression”

To view “The Millionth Grave” drum playthrough, please visit TheCirclePit for its premiere HERE.

Recommended for fans of Revocation, The Red Chord, and The Black Dahlia Murder, “The Veil” is available on Bandcamp, Spotify, Apple Music, Amazon.

Lyric Video – The Soul To Flesh – YouTube
Guitar Playthrough – The Soul To Flesh – YouTube
Guitar Playthrough – Divided/Dissolve – YouTube
Bass Playthrough – The Millionth Grave – YouTube

Track Listing:
1. Transient (1:58)
2. The Sight of Oblivion (6:00)
3. The Millionth Grave (5:53)
4. The Soul to Flesh (6:14)
5. Viduus (The Veil) (9:29)
6. Sentient (2:11)
7. The River of Rain (4:32)
8. Divided/Dissolve (9:12)
9. The Infinite Eyes (9:10)
10. Permanent (2:54)
Album Length: 57:38

More info:
Facebook.com/Ancientthrones
Instagram.com/ancientthrones
EPK

About:

Ancient Thrones, formerly “Abysseral Throne”, is a locally acclaimed blackened metal outfit that rebranded to suit major changes in line-up and songwriting.

Formed in 2011, they quickly went to work to establish themselves among their scene and gained local notoriety eventually allowing them the opportunities to open for renowned metal acts from across the globe.

Sean Hickey (drums/vocals) is the sole original founder of Abysseral remaining, Matt LeBlanc joined in 2015 on bass and improved and refined the sound and operation drastically. Once they lost their original singer and guitar player Jonny Rains, Dylan Wallace joined and took over main songwriting duties. Hickey took over completely on vocals with a black/death metal vocal style, and Nick Leslie joined shortly after on the second guitar. Work began on writing a new album which took about 3 months to write the music for. The new material sparked the name change to Ancient Thrones as an homage to one of Hickey’s favorite bands and inspirations, Wolves in the Throne Room.

In 2013 the band released its debut record and its subsequent follow-up in 2016, “Storming The Black Gate”, which was nominated for an East Coast Music Award. Ancient Thrones have toured throughout Canada, and played at several festivals, sharing the stages with bands such as Silverstein, The Agonist, Black Crown Initiate, and Skull Fist.

2020 sees the release of the concept album “The Veil” showcasing the band’s desire for storytelling and pushing them to new heights musically. The new album explores the journey of a man faced with tragedy, his mortality and ultimately the permanence of our actions told through technical soundscapes and haunting atmosphere.

– 30 –

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars.” – No Clean Singing

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound.” – Heavy Music Headquarters – Ancient Thrones

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble.” – Scream Blast Repeat

“a 57-minute descent into purgatory….” – Permafrost Today

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life

“an album filled with pummeling riffs, intricate song structures, and technical musicianship… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt

—

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