Tag: single

0 “Feel It Too” w/ Canadian Punks THE BLOODY HELL’s New Single / Music Video Off Forthcoming 2025 Album “Blood Code”

February 27, 2025
by Asher
· Music News · The Bloody Hell

NEWS RELEASE

Montreal, QC – February 27, 2025

“Feel It Too” w/ Canadian Punks THE BLOODY HELL’s New Single / Music Video Off Forthcoming 2025 Album “Blood Code”

Halifax, Canada’s The Bloody Hell are back with their first taste of new music since releasing their sophomore album “Nobody Cares” in 2020. Entitled “Feel It Too”, the track is a peek at what’s to come from the Atlantic Canada street punks in 2025. The song’s lyrics were written by vocalist Ian Kean during the deepest darkest recesses of the Covid pandemic and quarantine that came along with that.

“Everyone was sitting around all day, wasting away, sinking deeper and getting more depressed. The only connection to the outside world was through social media, so everyone was posting their opinions and concerns all over the internet. It all seemed so lost and desperate. So that’s what the song is about essentially, how stupid everybody was acting during that time online, and although I would see countless bad takes and shitty opinions, I also felt confused, lost and hopeless. I felt it too. So I wrote this song as a way to make fun of or call out all the stupid things people were saying, but also to admit to myself that it was coming from a place of fear and uncertainty, and that I felt the same way. To say you’re not alone – I feel it too. This is the first single off our upcoming album entitled “Blood Code”, which we are currently in the process of finishing up and hope to release this summer or fall. This eight song album will be a big step forward for the band, we have added a new guitar player and the song writing has gotten much more interesting while still maintaining the simplistic catchiness of the previous two albums.” adds Ian Kean.

Suitable for a variety of fans, The Bloody Hell cites influences ranging from Misfits, Nirvana, and Motorhead, anyone who enjoys a fun and dirty romp with a bull horn of grungy vocals.

Watch and listen to the music video for “Feel It Too” at https://youtu.be/PBVb38qrwKY

Spotify – https://spoti.fi/3XjKoLc

The Bloody Hell is what would happen if George Thorogood sang for the Misfits but all the songs were written by Tom Petty – Super catchy guitar rock songs about hardship and heartache played with intensity and passion, at punk rock speeds.

Since forming in early 2017 The Bloody Hell have gained a local following by tearing up stages with touring acts Propagandhi, DOA , Ripcordz , RayGun Cowboys and Heart Attack Kids as well as local favorites such as The Blackrats, Worst Part, Cluttered, Diner Drugs, Hitman and Orchids Curse.

2018’s self titled debut “The Bloody Hell”, went on to spawn 6 singles and music videos, and earned nominations for “Loud Recording” of the year at the 2018 Nova Scotia Music Awards and “Canadian Independent Music Video” Of The Year 2019 from Dropout Entertainment dot com.

When the global pandemic canceled all of the gigs The Bloody Hell had lined up for 2020 / 2021, it didn’t slow the creative process or forward momentum of the band. The Bloody Hell returned to Fang recording studio in Summer 2020 and Spring of 2021 to record their sophomore album.

In November 2022, “Nobody Cares” was officially released, from which three singles have been released thus far, each accompanied by a unique and thought provoking music video. The video for the second single “When You’re Gone” was recently nominated for “Canadian Independent Music Video” of the Year by Dropout Entertainment dot com. Our second nomination for this award in three years. The video for the single “Out of Our Minds” was also nominated for that award in 2019. The sophomore album has also earned a nomination from Music Nova Scotia for “Loud Recording of the Year” 2023 and has been regarded as a huge step forward for the band, by both fans and critics alike.

In fall 2024, The Bloody Hell hit the studio to work on their new album “Blood Code”, which is slated for release in 2025.

The Bloody Hell is:
Ian Kean – Vocals
James Densley – Lead Guitar
Joe Woods – Bass
Andrew Welsmen – Guitar
Ben Schulman – Drums

For more info: https://linktr.ee/thebloodyhellhfx

– 30 –

“Punk and horror punk fans should find Nobody Cares of great interest. ” – Metal Talk

“FFO – Catchy Horror Punk – Just when we thought it was safe to go back in the water, Halifax-based quartet The Bloody Hell release their new LP Nobody Cares. The album collects the band’s recent singles, including August’s cover of “Barbra” by The Modernettes, along with some shiny new tracks.” – That’s Good Enough For Me

“Sound wise it’s very accessible, an up-tempo and fun listen that is easy on the ear and compelling to the mind, with influences that the band cite as ranging from Misfits, Nirvana, and Motorhead and it’s filled with catchy hooks and grungy raw-edged vocals, a winning combination in this particular context, it’s very broad spectrum and if you like a horror twist then it could be even more appealing to you. Lyrically the content is interestingly often ambiguous and delivered with clarity of content so you can give them your own interpretation.” – The Punk Globe (Self-Titled 2018)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 SUPER MONSTER PARTY New Single “Nights Into Dreams” – 80’s Synthwave Meets Metal Inspired By The Popular Sega Video Game

February 24, 2025
by Asher
· Music News · Super Monster Party

NEWS RELEASE

Montreal, QC – Feb 24, 2025

SUPER MONSTER PARTY New Single “Nights Into Dreams” – 80’s Synthwave Meets Metal Inspired By The Popular Sega Video Game

L-R – Andy Alvarez (Guitar), Rei Sega (Vocals), Emilio Martinez (Bass)

Photo Credit: David Venegas

Coming off their exciting performance at 70 Tons of Metal this past January, SUPER MONSTER PARTY (SMP) has a new single and video entitled “Night Into Dreams”. The track is an 80’s synth wave meets metal and is inspired by the popular Sega video game of the same name. It features guest artists, Lacey Johnson, a popular VGM artist, and the members of Lame Genie on drums, bass, and guitar.

“I wrote this song to capture the essence of the game, Nights Into Dreams — a realm where the magic of flight, matches the pulse of the joystick, and every riff powers you through a level of chaos and triumph.” adds vocalist Rei Sega.

The single is also their first taste of new music since releasing their latest album “Rage Quit“ this past November.

Watch and listen to the video for “Night Into Dreams” at https://youtu.be/BJjqK25Mu6s

Spotify – https://spoti.fi/41fdbSd

SUPER MONSTER PARTY is a band for all video game nerds, jump’n’run enthusiasts, metalheads, 90s kids, weirdos, and everyone in between – a metal band that’s all about video games, singing from the heroes or villains introspective point of view. Rocking together since 2020, SUPER MONSTER PARTY have already gathered a lot of XP, having a bunch of achievements under their belt, with 4 albums: Rage Quit (2024), Game Genie (2023), Side Quest (2020), Permadeath (2020) and an EP Up Up Down Die (2022). The band is the concept of Singer/Songwriter Rei Sega and features notable members Emilio Martinez (Yngwie Malmsteen) on bass, Fern Lemus (Lions at the Gate) on the drums, Andy Alvarez (Irras One) on rhythm guitar, and Oleh Andrievsky as lead guitarist.

Their intense, melodic, catchy, and heavy sound shows influences of The Misfits, Rhapsody, Slipknot, NOFX, and Van Halen. The variety of different influences and genres, worshiped by the band, means that they can find the right metal sound for all game themes – each video game universe is authentically set to music, while the skills of the masterful musical chameleon that is SUPER MONSTER PARTY cannot be pinned down to one genre. No two songs sound the same, but one thing is for sure – they all rock hard.

More Info:

http://www.supermonsterparty.com

https://www.facebook.com/profile.php?id=61561209445950

https://www.instagram.com/supermonsterparty/

-30-

“Super Monster Party Gotta Go Fast in Their Tribute to Sonic the Hedgehog, “Blue Hurricane”” – Metal Sucks

“Super Monster Party’s Single “This Is Doom!” is a Love Letter to the Gore-Filled First-Person Shooter” – Metal Sucks

““Okay,” grins livewire Super Monster Party frontman Rei Sega. “Now we’re gonna do something different…” It’s one of the understatements of the weekend as the video game-obsessed crew oversee an incredibly unhinged flash flood of colour and chaos. Based out of Miami, they’re the closest thing to local favourites that 70K has on offer and a packed-in audience throw everything into seeing them steal the whole damn show. Punters chucking Mario Kart shells at each other across the room. Dozens of special outfits, from a black metal Pikachu to Ronald McDonald and Grimace. Some giant pink monster, possibly an obscure Pokémon, ‘laying its eggs’ in the middle of it all. There are circle-pits, conga lines, punters crowdsurfing in inflatables from the pool and more chaos than you can wave a controller at. And SMP have the songs to match, from bonkers bops like Dance Dance Revolution (Til The Death) to Blue Hurricance (a speed metal banger about Sonic The Hedgehog) and smashing closer This Is Doom!. The games have just begun.” – Kerrang (2025 – 70 Tons of Metal Live Review)

“Rage Quit is just so much fun. Very much one which suits the metal community as so many of us are also gaming nerds, and the tunes aren’t throwaway crap either…. played well, tongue firmly in cheek, and rounded off well with the interludes. Very much one to look forward to.” – Moshville Times

“Rage Quit balances heavy riffs, melodic hooks, and varied styles to pay tribute to video game culture. It feels cohesive yet unpredictable, each track a carefully crafted homage that never loses the adrenaline-charged atmosphere of the album. From the crushing bass lines to the soaring guitar solos, each hits with maximum impact. Rage Quit is an invitation to relive gaming’s glory days through the lens of modern metal. With its flawless integration of game references and electrifying soundscapes, Super Monster Party has crafted a release that’s not only enjoyable but also groundbreaking in its dedication to celebrating the shared love of music and video games.” – Amplify The Noise

“SUPER MONSTER PARTY’S “RAGE QUIT” Album Is A Masterpiece Of Epic Proportions” – Horror Patch

“Video game nerds unite! Metal band Super Monster Party have just released their new album “Rage Quit” and if you love your metal heavy and fast (aside from one ballad) with intermittent narration between tracks for the full-on concept experience, well your day has arrived. Each track is centered on old school classics like Mortal Kombat, Doom, Sonic The Hedgehog, Zelda, Mario Bros & Castlevania among others. The perfect soundtrack while conquering the pixelated universe.” – WJOE – Findlay’s Home for Rock & Roll

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

January 31, 2025
by Asher
· Music News · SVNTH

NEWS RELEASE

Montreal, QC – January 31, 2025

SVNTH Announces “Cinnamon Moon” From Anticipated Blackgaze Album “Pink Noise Youth” Out April 2025

L – R – Jacopo Fagiolo – Guitars, Alessandro Canzoneri – Drums, Rodolfo Ciuffo – Bass, Vocals, Sitar, Valerio Primo – Samples, Percussion, Alessandro De Falco – Guitars

Photo Credit – Arianna Savo

Italian experimental metal outfit SVNTH has just released their single “Cinnamon Moon” off their forthcoming album “Pink Noise Youth” out on These Hands Melt Records this coming April 2025. “Cinnamon Moon” showcases SVNTH‘s distinctive approach to genre-blending, weaving together elements of blackgaze and post-hardcore to create a deeply personal sonic landscape. The track stands as an emotional open letter, chronicling the complex journey of late youth through a rich tapestry of sound that includes slowdive-inspired ethereal delays, black metal screams, and the unconventional incorporation of the electric Indian sitar. The band shares their thoughts on the single:

“It unveils some of the most interesting features offered on the album in terms of sound and mood. With its captivating mix of blackgaze and post-hardcore, the song is an open letter soaked in fragility and emotional exposure, delivered to a loved one as a memorial of the hampered paths walked together on the road of late youth.”

While their earlier work explored life’s struggles through a childhood lens, “Pink Noise Youth” examines the chaos and emotional instability of early adulthood, giving voice to a generation as unpredictable as its namesake audio phenomenon.

“Pink Noise Youth” demonstrates SVNTH‘s continued evolution, deliberately transcending genre boundaries by combining elements of hardcore, metal, shoegaze, and post-rock with unexpected instrumental choices. The album promises to take listeners on a cohesive journey through its carefully crafted track sequence, maintaining the band’s tradition of creating conceptually unified works. It is recommended for fans of Deafheaven, Alcest, and Agalloch.

Single Cover – Cinnamon Moon – Artwork by Tryfar

Listen to “Cinnamon Moon” at the following links:

Lyric Video – https://youtu.be/0hpPr0mFxQs

Spotify – https://spoti.fi/3PWfwMK

“Pink Noise Youth” is due out on April 18, 2025, on Vinyl, CD, and Digital via These Hands Melt Records and is available for pre-order / pre-save at https://lnk.to/SVNTH

Album Cover – Pink Noise Youth – Artwork by Tryfar

Track Listing:
1. Inhale – 1:31
2. Cinnamon Moon – 5:18
3. Perfume – 4:19
4. Elephant – 6:49
5. Narrow, Narrow – 5:35
6. Exhale – 4:33
7. Winter Blues – 4:32
8. Nairobi Lullaby – 4:37
Album Length: 37:18

Album Credits:
All music and lyrics written by Rodolfo Ciuffo
Performed by Rodolfo Ciuffo, Alessandro De Falco, Valerio Primo and Alessandro Canzoneri
Guitar solos on “Elephant”, “Exhale” and “Nairobi Lullaby” written by Alessandro De Falco
Recorded, mixed and produced by Alessandro De Falco
Mastered by Angel Marcloid at Angel Hair Studio
Photography by Alexandru Cozlan, modeling by alteaaetla_sg
Album Artwork by Tryfar

More info: https://linktr.ee/svnthband

About:

With a various background of musical influences and artistic inspirations, SVNTH (written all caps and pronounced “Seventh”, formerly “Seventh Genocide”) from Rome, Italy has been shaping a unique equilibrium of sounds through the years moving across a huge variety of directions on the palette of contemporary alternative music to create a distinctive soundtrack for inner emotions, life scenarios, and existentialist questioning. Expanding the energy of black and post-metal over the mellow and contemplative boundaries of shoegaze, art pop, and cinematic post-rock.

From the vivid early black gaze melodies of the debut “Breeze of Memories” (2015) to the long song structures with acoustic overtures and Godspeed You! Black Emperor inspired sections of the monumental “Toward Akina” (2017); SVNTH confirms this more complex approach on the double LP “Spring in Blue” (2020), the childhood chapter of a trilogy of colors based on emotions in different phases of life.

The upcoming “Pink Noise Youth” (2025) gets back to a more traditional song format, introducing a unique use of Indian sitar, and an array of acoustic instruments and singing expressions, which develops SVNTH to a one-of-a-kind sound and personality.

As of today, the band has done several tours and single shows all over Europe and in the USA touching even non-frequently toured countries such as Albania and Turkey and performing at notable festivals like Rockstadt and Frantic Fest, bringing a defining cathartic live energy.

-30-

“This is arguably SVNTH’s defining effort to date, and will hopefully see them gain a foothold within the scene at large…” – Distorted Sound Magazine (2020 – Spring in Blue)

“”The music seems to wail and mournfully murmur like spirits who have lost their way in a shimmering desert world. Those lonesome laments unfold into a momentum of neck-snapping beats, raking chords, and high, harrowing shrieks” – No Clean Singing (2020 – Spring in Blue)

“SVNTH sets out in hopes of bridging the rift of a jealous god, welding genres into music that can appeal to all sensibilities, without sacrificing integrity (or intensity)” – Toilet ov Hell (2020 – Spring in Blue)

“”Distortions, speed and sinister atmosphere as the tradition black imposes but also delicate chiselations from which a light filters that suggests possible trajectories capable of questioning the dictatorship of matter, Spring in Blue is an album that is not afraid to face the recognized columns of Ercole gender and to push it far beyond 8.5/10” – Grind On The Road

“an interesting take on black metal, delving deeper into psychedelia and post-rock influences on new EP SVNTH. Though the tremolo-picked guitar playing and blast beats accompanied by howled screams still remain, they are met with shimmering melodies, ambient stretches and Pink Floyd-esque guitars.” – Decibel Magazine (2018 – EP SVNTH)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s SWEETBEAST New Music Video Calls Out All The Superficial “Plastic People” Off Debut Album “Illusions” Out Feb 2025

January 31, 2025
by Asher
· Music News · SweetBeast

NEWS RELEASE

Montreal, QC – January 31, 2025

Canada’s SWEETBEAST New Music Video Calls Out All The Superficial “Plastic People”

Debut Album “Illusions” Out Feb 21st, 2025

L-R – Eric Gorzynski – Vocals/Guitar, Alex Graham – Backup Vocals/Bass, Colton Schofield – Drums, John Hermary – Vocals/Guitar

Kelowna, BC, Canada’s SweetBeast has a new music video to share for the track “Plastic People” in the lead-up to their forthcoming debut album “Illusions” out late February 2025. This is the third single the band is revealing off the record to follow songs “Illusion” ft. Space Queen” and “Dream Eater”.

SweetBeast explains “Plastic People”:

“This track critiques the superficiality of modern society, particularly the harmful effects of social media on mental health. With lines like “effects and filters, digital weapons,” the song highlights how the endless stream of digitally altered images fuels feelings of inadequacy, especially in women. This cycle of comparison can lead to doom scrolling, depression, and even suicide, stripping away authenticity and turning people into hollow, “plastic” versions of themselves. By raising awareness of these devastating effects, the song encourages self-reflection and contrasts inner beauty with the hollowness of curated personas.”

Watch and listen to the music video for “Plastic People” at https://youtu.be/by6W1-pNhE8

Spotify – https://spoti.fi/3Q0p0GS

SweetBeast‘s first full-length “Illusions” is a sonic exploration of shifting realities, blending heavy, distorted riffs with introspective lyrics. It invites listeners to journey inward and outward, reflecting the complex relationship between mind, sound, and reality. The record leans heavily on low-tuned guitars, swirling effects, and a tight rhythm section that creates a dense, atmospheric sound. There’s a hypnotic groove throughout, with moments of psychedelic exploration, where riffs evolve into mind-bending progressions. The songs fluctuate between creative riffs and light, airy melodies that offer a contrast, pushing the boundaries of stoner rock.

“We believe our fans will really connect with our debut album. The mix of heavy, low-tuned guitars and melodic, psychedelic riffs captures the essence of our live performances, which our audience already loves. With this album and its singles, we’re aiming to give fans a fully immersive listening experience. We want them to feel transported by the deep, heavy grooves and layered, psychedelic soundscapes as if they’re on a journey through the mind or some otherworldly place. Each track is designed to pull the listener in with dynamic shifts, powerful riffs, and moments of reflection, creating a balance between intensity and space. We hope the singles offer a taste of this experience, sparking curiosity for the full album, which will be best enjoyed as a cohesive journey from start to finish. We’re excited to see how they embrace it.” adds the band.

Recommended for fans of Queens Of The Stone Age, All Them Witches, Kyuss, and Alice In Chains, SweetBeast‘s album “Illusions” is due out on February 21st, 2025 from Humalien Records, and will be available for pre-order at https://sweetbeastrock.bandcamp.com/

First Single – “Dream Eater” – https://youtu.be/ErLKQGlu8Qk

Digital – https://distrokid.com/hyperfollow/sweetbeast/dream-eater

Second Single – Music Video – Illusion ft. Space Queen – https://youtu.be/ApFf3TDSuf0

Digital – https://distrokid.com/hyperfollow/sweetbeast/illusion-feat-space-queen-single

Track Listing:
1. 70/30 – 7:57
2. Thunder – 4:01
3. Dream Eater – 5:29
4. Midnight – 4:38
5. Plastic People – 6:41
6. Illusion ft. Space Queen – 11:26
Album Length – 40:12

More info: SweetBeast.ca | Facebook.com/SweetBeastFuzz | Instagram.com/sweetbeastfuzz | Tiktok.com/@sweetbeastfuzz

-30-

“The record (Illusions) is characterized by heavy grooves, memorable licks, and catchy, heavy, doomy goodness. Any lovers of the groove will definitely be fans of this one.” – Decibel Magazine

“Grungy heavy rock with fuzzy psychedelic twists win the day in ‘Illusions’ (2025), tapping a similar vein to bands like Queens Of The Stone Age, Stone Temple Pilots, All Them Witches, Kyuss, and Alice In Chains. While standing distinctly on their own turf, SweetBeast dishes out addictive grooves and punchy lyrical moments.” – Doomed and Stoned

“How about some brand new heavy-duty stoner rock?! The new single “Dream Eater” from SweetBeast is pretty amazing. “Dream Eater” meanders and bubbles beneath the surface until erupting with a wicked heavy solo and then falls back to its broody state. All in all, it’s a psychedelic journey that you won’t want to miss” – WJOE – Findlay’s Home for Rock & Roll

“SweetBeast creates tunes akin to an acid trip in the 70s — ideal for headbanging and perfect for getting lost in.” – Kelowna Now

“Making their first appearance on stage in Vancouver after making the trek from Kelowna, something I always appreciate. Shows the band believes they have something more people need to hear and are willing to live the road life to spread their sound. With this confidence comes a great live show, exactly what we got last night. Still grooving in the stoner/psych rock vein, SB leaned into the psychedelic direction a little more. Some great damn rock songs in here lead by a great singer armed with a voice that fit the vibe/sound so well. Fuzz heavy guitars shredding away and more than a few great little solos gave this set its flavor. Got some heavy 70’s era psychedelic vibes with all the wonderful squeals and squeaks coming from them. Just beautiful. Far and away though, the sexiest part of this offering were those drums. With the drummer exuding confidence in their ability, they gave us a great set full of wonderful licks and fills. Always in command on each song they were a blast to watch, full of fun grooves to dance to.” – Elder God Productions (Live Review – RED GATE 22/11/03 – Vancouver)

Video Endorsement from Dave Catching (Queens of the Stone Age / Eagles of Death Metal / Rancho De La Luna recording studio): Dave Catching Intro For SweetBeast at Tune It Down Turn It Up 2020

“They have beautiful harmonies and great melodies, I can’t wait to get them down here to make the album they deserve to make and unleash it upon the world..” – Dave Catching

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video From New Album “Tempora Mutantur” Out Jan 31st

January 23, 2025
by Asher
· Lunar · Music News

NEWS RELEASE

Montreal, QC – January 23, 2024

Prog Collective LUNAR Confronts Personal Struggles in “Fall Back Into Old Habits” Lyric Video

ft. members Helion Prime, Beholder, Vis Mystica, Mokili Wa, Nordic Frost, Outloud, Double Vision

Fourth Studio Album “Tempora Mutantur” Out Jan 2025 via Saibot Reigns Records

Making Live Debut at Hyperspace Metal Festival 2025 (Vancouver, BC) – April 11th

Top 1st Row – Ryan Price – Bass, Alex Bosson – Drums
Middle 2nd Row – Connor McCray – Lead Guitar, Chandler Mogel – Clean Vocals
Bottom 3rd Row – Carlos Alvarez – Rhythm Guitar, Brian Lewis – Growl Vocals, Anthony Stahl – Keyboards

Sacramento, USA’s progressive metal visionaries LUNAR shares their new lyric video for “Fall Back Into Old Habits”, delivering a powerful exploration of personal patterns and emotional cycles. As the third preview of their upcoming concept album “Tempora Mutantur”, the track promises to be a visceral examination of human vulnerability, showcasing the band’s unique ability to transform personal struggles into universal musical experiences. Drummer Alex Bosson comments on the single:

“This is, I think, the longest, and maybe the “heaviest” song for Lunar thus far. Mostly features the growl vocals from Brian Lewis (although there is some of Chandler’s beautiful voice on here too). Lots of double basses, and multiple shreddy guitar solos (including one from Wildrun’s Wayne Ingram).”

Lyrically, “Fall Back Into Old Habits” deals with addiction, or anything we do that can give us temporary relief to help us get through rough moments, but ultimately have terrible long-term effects on ourselves. The 11-minute epic represents Lunar‘s commitment to creating music that is therapeutically honest and musically innovative.

“Fall Back Into Old Habits” continues Lunar’s tradition of creating progressive metal that challenges listeners to confront their inner landscapes. It is recommended for fans of Haken, Tool, and Porcupine Tree.

Watch and listen to the video for “Fall Back Into Old Habits” via its premiere on MetalAddicts HERE.

Founded by drummer Alex Bosson (Helion Prime, Planeswalker) and Ryan Erwin who passed away in 2018, LUNAR continues in his memory. This fourth full-length “Tempora Mutantur” follows 2023’s “The Illusionist” and features a fresh lineup with the addition of guitarists Carlos Alvarez and Connor McCray (Vis Mystica) along with keyboardist Anthony Stahl plus album guests Wayne Ingram (Wildrun), Joe Gullace (Thank You Scientist) and Sam Vallen (Caligula’s Horse).

A collaboration of musical minds, and with anything LUNAR does; “Tempora Mutantur” is an emotional thematic listening experience with ups and downs musically and lyrically dealing with the passing of time and the effects it has on us physically and mentally.

LUNAR’s “Tempora Mutantur” is due out on January 31, 2025, from Saibot Reigns Records.

Album pre-order – http://lunarbandofficial.bandcamp.com/

Previous Singles

“Watch The Weather Change” – https://youtu.be/WKdnZD_DJsE

“Weakening Winter Touch” – https://youtu.be/0in2WNVshGM

“Spring In My Step – https://youtu.be/mtOhnwOpK_0

A studio project since first conceived in 2014, LUNAR will make its live debut next year at the 2025 Hyperspace Metal Festival in Vancouver, BC, Canada on April 11th. Info here.

(Album Artwork by Ed Bosson)

Track Listing:
1. A Summer To Forget – 6:37
2. Fall Back Into Old Habits – 11:16 ft. guest guitar solo by Wayne Ingram (Wilderun)
3. Seasonal Interlude – 4:47
4. Weakening Winter Touch – 8:46
5. Spring In My Step – 7:26
6. Tempora Mutantur: Part I – Passage of Time – 3:12 ft. guest guitar solo by Sam Vallen (Caligula’s Horse)
7. Tempora Mutantur: Part II – Broken Pendulum – 3:47
8. Tempora Mutantur: Part III – Watch The Weather Change – 4:51
Album Length: 50:45

Album Credits:
Performance and Writing credits – full info HERE.
Produced by: Alex Bosson
Mixed by: Carlos Alvarez
Mastered by: Tony Lindgren

Album Main Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Carlos Alvarez – Rhythm Guitar
Connor McCray – Lead Guitar
Ryan Price – Bass
Alex Bosson – Drums
Anthony Stahl – Keyboards

Live Lineup:
Chandler Mogel – Clean Vocals
Brian Lewis – Growl Vocals
Jordan Price – Guitars
Ryan Price – Bass
Alex Bosson – Drums

For more info: Facebook.com/lunarbandofficial | Instagram.com/lunarbandofficial | X.com/LunarBandOffcl | Spotify

– 30 –

“It’s really well done technically by a band that clearly cares about their music and can play.” – Rock The Joint Mag (The Illusionist 2023)

“If I had one word to describe this album, it would be this one: whirlwind… “The Illusionist” is an album that is living. From its jazzy highs to its heavy metal lows, this album is constantly on its toes, never repeating itself and never, ever growing complacent. A wonderful whirlwind indeed. 9/10” – Ever Metal

“I feel like Lunar has captured the balance between accessibility and technicality very well. I hear many of the same elements in their sound that, when employed well, make bands like Dream Theater, King Crimson, Voïvod and even Sigh so engaging. I love when an album comes out of nowhere (for me, anyway) and makes this much of an impression.” – The Metal Crypt

“As I said at the start, when I heard this album I was immediately grabbed by it. The story works nicely, it is very character based and features plenty of emotions which as a listener I certainly could relate to. The music is terrific with all the players putting in excellent performances and the instrumentation used in a clever way to match all that is going on with the lead character. There are moments of heavy prog as well as metal, but melody runs through the heart of it. The fact that some of the people in the band have never met or even been in the same room together is remarkable as it sounds like everyone was on the same hymn sheet and it doesn’t sound pieced together. That is a great credit to the writing, arranging as well as all the musicians doing their parts to the benefit of the whole piece. An absolutely delightful as well as enjoyable album.” – CGCM Rock Radio

“The concept is that there are songs that are angry, songs that are confused, songs that are depressing, and everywhere in between. Styles on the album run the gambit from Progressive Metal with melodic vocals, to moments of Jazz, to cookie monster Thrash…. The musicianship is solid on all of the parts, with some excellent performances, notably vocalist Chandler Mogel… it does warrant checking out for Prog-Metal fans that like a mix of growler and melodic vocals.” – Metal Express Radio

“The Illusionist again is at the highest level of the progsphere, Bosson’s continuation of the Lunar name, honouring his co-founder and friend, through the medium of progressive metal, is an advantageous endeavour. 9/10” – Musipedia of Metal

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds” Off New Album “Dark Green” Out Feb 2025

January 21, 2025
by Asher
· Music News · Tumbleweed Dealer

NEWS RELEASE

Montreal, QC – January 21, 2025

TUMBLEWEED DEALER Creates A Groovy Soundtrack For Alan Moore’s Retelling of Swamp Thing’s Origin w/ “Ghosts Dressed In The Weeds”

New Album “Dark Green” Out February 2025

L-R – Seb Painchaud – Bass & Guitars, Jean-Baptiste Joubaud – Synths & Programming, Angelo Fata – Drums & Percussions

Photo Credit – PAULINE DELABORDE PHOTOGRAPHIE

Set to release their fourth studio album “Dark Green” this February 2025, Montreal, Canada’s instrumental progressive psychedelic groove metal triad Tumbleweed Dealer is sharing their second single “Ghosts Dressed In The Weeds”.

Unlike all other tracks on the record, “Ghosts Dressed In The Weeds” is the band’s first foray into music with vocals as they paired up with Ceschi Ramos, whose versatility matches the group’s genre-bending sound.

Composed specifically for Tumbleweed Dealer to collaborate with Ceschi Ramos. The band first gave it a more repetitive pattern so Ramos could do a 16-bar rap. The trio then wrote the melodies with his voice in mind, and they crafted parts to serve as choruses. Ramos listened to the song over and over again as he wrote down his words. It became a symbiotic experience, which made the writing even more special as it stands alone as the only vocal track among an otherwise instrumental album.

Seb Painchaud explains the track further:

“The lyrics for Ghosts Dressed In Weeds were mostly written by Ceschi Ramos. I wrote the hooks first and let him in on my inspiration for this album: Alan Moore’s re-imagining of Swamp Thing’s origin story. The emphasis is on the moment where Swamp Thing gets dissected and has his worst enemy laugh while he explains to him that he is not a man turned into a plant, but rather a plant that absorbed a dead man’s memories through osmosis. That exact moment is the inspiration for the album. I didn’t want Ceschi to write specifically ABOUT the graphic novel though. It was enough for him to capture the essence of having your whole world turned upside down, your whole self-perception changed. When Swampy receives the news, he freaks out, breaks free, runs away, and lies down in a swamp without moving for over a month. We’ve all had moments where we just wanted to lay down in a marsh and die. We have felt like we didn’t know how to make sense of a revelation that shatters our self-image. My exact words to Ceschi were that he needed to capture that “How do I go on from here?” moment we have all had. And I think he did that perfectly.”

Watch and listen to the lyric video for “Ghosts Dressed In The Weeds” via its premiere on New Noise Magazine HERE.

The new album “Dark Green” is Tumbleweed Dealer‘s effort to capture two essential parts in Alan Moore’s retelling of Swamp Thing’s origin. Firstly, the main character’s struggle and loss of identity. Secondly, they wanted to capture the antagonist’s transformation into nature’s anger towards men.

Each song is meant to feel like a complete journey where listeners are transported to a world where blues, psychedelia, and progressive rock intertwine. It’s been a long-awaited record and marks a bold new chapter for them since 2016’s “TDIII – Tokes, Hatred & Caffeine”. It’s a culmination of their growth as musicians and their desire to create something truly unique. Other notable guests on the album are Zach Strouse’s (Rivers Of Nihil, Burial In The Sky) guest saxophone solo and Antoine Baril’s (Augury, Obliveon) vintage keys for the album’s title track.

“I think the evolution between our third album, and this new one, will surprise some people. We didn’t write a follow-up to our last record. Instead, we incubated the band’s sound and sped up its evolution. If we kept on pace to release an album every year like we did at first, this would’ve been the 10^th one. But we had kids, and that slowed down the process—so this is an evolutionary leap forward that might be jarring. I think that anyone who enjoyed our previous releases will still find what they liked in our sound while enjoying the new variety we’ve brought to it.” says Painchaud.

Due out on February 7, 2025, “Dark Green” is recommended for fans of Elder, Ohm, Camel, Opeth, and Cynic, and is available for album pre-order at https://tumbleweeddealer420.bandcamp.com/album/dark-green

First Single / Title Track – Dark Green – https://youtu.be/L73im_7hOWs

Track Listing:
1. A Distant Figure In The Fog (2:52)
2. Sparks Adrift In The Louisiana Nightsky (3:39)
3. A Plant That Thinks It’s Human (3:34)
4. Becoming One With The Bayou (3:19)
5. Dragged Across The Wetlands (2:56)
6. Dark Green (4:48)
7. Ghosts Dressed In Weeds (5:31)
8. Moss On The Mind (3:13)
9. Body Of The Bog (6:34)
10. A Soul Made Of Sludge (3:49)

Album Recording Credits:
• All songs performed by: Tumbleweed Dealer
• All songs written by: Tumbleweed Dealer
• Produced by: Jean-Baptiste Joubaud
• Mixed by: Jean-Baptiste Joubaud
• Mastered by: Harris Newman
• Album Artwork by: Glenn Le Calvez

Album Band Line Up:
Seb Painchaud – Bass & Guitars
Angelo Fata – Drums & Percussions
Jean-Baptiste Joubaud – Synths & Programming

Guest Musicians:
Antoine Baril – Mellotron, Hammond Organ & Keyboards on tracks 1, 2, 3, 4, 6, 8, 9 & 10
Guillaume Audette – Wurlitzer, Rhodes and Church Organ on tracks 8 & 10
Jocelyn Couture – Trumpet & Flugel Horn on tracks 4, 5, 7 and 9
Loïc Roy-Turgeon – Trombone on tracks 4 and 5
Zach Strouse – Saxophone on track 6
And special guest star Ceschi Ramos as himself on track 7

More info: Facebook.com/TumbleweedDealer | X.com/westernhorror | Instagram.com/tumbleweeddealer

-30-

“The epic song (Dark Green) is a good indication of what the rest of the record holds, which is plenty of blues, psychedelia, and prog rock.” – Decibel Magazine

“Tumbleweed Dealer’s “Dark Green,” the title track from their upcoming album out on February 7th, is a lesson in blending diverse musical influences into a singular, gripping piece. Clocking in at just under five minutes, the song showcases the band’s evolution and fearless creativity by weaving elements of blues, psychedelia, and progressive rock into a dynamic and unpredictable journey. The track builds a narrative through its seamless shifts in tone and texture. From introspective melodies to bursts of raw energy, the track balances complexity with accessibility. Antoine Baril’s vintage keys anchor the composition, giving it a retro flair, while Zach Strouse’s saxophone solo adds an unexpected but welcome layer of richness. Tumbleweed Dealer’s roots in extreme music shine subtly through black metal-inspired melodies and brief flashes of double bass drum that are a nod to their past without overshadowing their current direction. This contrast between intensity and finesse underscores the band’s skill in pushing genre boundaries. “Dark Green” not only introduces the thematic essence of the album but it also captures the spirit of exploration that has defined Tumbleweed Dealer’s evolution.” – Amplify The Noise

—–
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Toronto’s DEREV Returns With Powerful New Single “Cyclone” Ahead of Upcoming Album “Troubled Mind” Out March 2025

January 15, 2025
by Asher
· Derev · Music News

NEWS RELEASE

Montreal, QC – January 15, 2024

Toronto’s DEREV Returns With Powerful New Single “Cyclone” Ahead of Upcoming Album “Troubled Mind” Out March 2025

L-R: Armando Bablanian (Guitar) | Stan Komarovsky (Bass) | Michel Karakach (Drums) | Mike Symons (Vocals) | Ran Zehavi (Keys)

Photo Credit – Jon Blacker

Toronto, Canada’s progressive metal band Derev is unveiling their latest single “Cyclone” a dynamic exploration of inner turmoil and redemption that showcases the band’s evolution while staying true to their signature sound. The track follows their earlier single “Room 9” and is the latest preview of their highly awaited first full-length album “Troubled Mind” slated for release on March 26, 2025. The band comments on the lyrical content:

“Building on the narrative, this song revolves around the negative thoughts that plague our minds, constantly reminding us of our perceived unworthiness and shortcomings. This mental state, “Imposter Syndrome” makes us doubt our skills and successes, leaving us feeling unworthy, ashamed, and fearful of being exposed.”

“Cyclone” demonstrates Derev‘s masterful blend of technical prowess and emotional depth, featuring intricate instrumentation that builds from a tension-filled atmosphere to a captivating climax. The song opens with a haunting guitar riff that gradually intensifies as layers of bass and drums create an underlying sense of unrest. This tension ultimately gives way to a soaring, heartwarming guitar solo that brings a moment of clarity before concluding with a memorable cliffhanger riff.

The forthcoming album “Troubled Mind” promises to take listeners on an emotional journey, featuring both energetic highs and poignant lows. It is recommended for fans of Opeth, Dream Theater, and Porcupine Tree.

Watch and listen to the lyric video for “Cyclone” at https://youtu.be/1il9zsnxl0U

Spotify – https://show.co/XRS9Tlm

Due out March 26, 2025, “Troubled Mind” is available for album pre-order at https://www.derevmusic.com/store

First single – Animated video for “Room 9” at https://youtu.be/ryl-vajc7-M

Track Listing:
1. Buried Voice (7:23)
2. Cyclone (5:39)
3. Crawl Space (1:16)
4. Room 9 (6:15)
5. Paracusia (4:35)
6. Tides of Time (5:59)
7. Darker Self (5:44)
8. Trace Within (5:01)

Album Band Line Up:
Adel Saflou – Vocals
Armando Bablanian – Guitar
Michel Karakach – Drums
Stan Komarovsky – Bass
Ran Zehavi – Keys

Live Band Line Up:
Mike Symons – Vocals
Armando Bablanian – Guitar
Michel Karakach – Drums
Stan Komarovsky – Bass
Ran Zehavi – Keys

More info: Derevmusic.com | Facebook.com/derevmusic | Instagram.com/derevmusic | X.com/derevmusic

About: “Divided by war, United by music”

Derev is a progressive rock band captivating global audiences with its innovative blend of progressive rock and traditional Middle Eastern music.

After fleeing the war in the Middle East and finding refuge in Toronto, Canada, founding member, and Drummer Michel Karakach reunited with his best friend, guitarist Armando Bablanian, to turn what was once a mere childhood dream into a powerful reality.

Derev’s debut release “Leap of Faith” melded the raw energy of hard rock with the rich textures of traditional Middle Eastern music they grew up with, offering a fresh perspective on topics often overlooked in modern music. This distinctive sound quickly caught the attention of both local and international audiences, propelling Derev into a series of successful shows across Canada.

The band’s dynamic lineup now includes bassist Stan Komarovsky, providing the backbone of Derev’s sound, and keyboardist Ran Zehavi from the progressive rock band Scalar, adding depth and complexity. Leading the live charge is frontman and vocalist Mike Symons to replace previous singer Adel Saflou who is featured on their forthcoming studio offering “Troubled Mind”. Symons’ compelling presence and vocal prowess complete the live ensemble.

As Derev gears up to release their anticipated second album “Troubled Mind” on March 26th, 2025, they continue to carve out a unique niche in the music world. Their innovative sound promises to captivate new listeners and industry veterans alike. Keep an eye on Derev as they redefine what rock music can be.

Discography:
2025 – Troubled Mind – LP
2021 – Leap of Faith – EP

-30-

“Derev’s sound combines the energy and intensity of metal music with the atmospheric sound of old-school progressive rock, while incorporating elements of their Arabic and Armenian heritage.” – The Prog Space

“Room 9 is a song that manages to present a depth and feelings that fill the song very well. We have here a very progressive performance, which incorporates heavy and intense riffs, a good song to know the band!” – Metal Junk Box

“Derev offer a hard-hitting examination of war and honour on their darkly exotic and relentlessly heavy single and video Turab” – Tinnitist

“With “Leap Of Faith” Derev presents itself as a mature band with strong songs and great musicians. All the more reason to eagerly look forward to the first full-fledged album.” – Progwereld

“It seems like 2020 and 2021 have given artists the isolation and the time they need to make their best music, or finally release their first music. Derev‘s first released track “Futile” was a pleasant surprise: it’s melodic and creative, and it has a fantastic video with a perfectly chosen voice. That one track led me to an interview with the band, and I get to know both them and their planned EP release “Leap of Faith“…. This EP is without a doubt the best release I have heard in 2021 so far. I would give it a 9/10 and recommended it to any fan of (New) Opeth, Haken, Beardfish, Soen.” – Leb Metal (2021 – Leap of Faith)

“Leap Of Faith, an EP, featuring six songs, is their musical debut and Derev combines traditional metal with melodic progressive rock and Eastern musical influences…. Derev really surprised me with this great EP, a must listen for fans of Riverside, Opeth and Haken; highly recommended indeed!!” – BackGround Magazine
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Poland’s KINGSPHERE Unveils Powerful Music Video for “Archetype” Off Forthcoming Third Album in 2025

January 10, 2025
by Asher
· Kingsphere · Music News

NEWS RELEASE

Montreal, QC – January 10, 2025

Poland’s KINGSPHERE Unveils Powerful Music Video for “Archetype” Off Forthcoming Third Album in 2025

L-R – Maciej Sobieski (Drums), Kamil Sikorski (Guitar/Vocals), Piotr Miliczek (Vocals), Marek Kula (Guitar), Paweł Kawalec (Bass)

Photo Credit: Mariusz Krzemiński

Modern metal outfit Kingsphere, from Rybnik, Poland, is set to release the music video for their latest single “Archetype”, delivering a memorable metalcore experience that is both aggressive and emotionally vulnerable. The band comments on what listeners can expect:

“It is an intense and dynamic track that captures the essence of our sound. It combines heavy, hard-hitting verses with melodic and emotionally charged choruses, creating a powerful contrast. The energy is elevated by intricate guitar solos that add an electrifying edge and depth to the song. The track also features a mystical bridge, offering a moment of atmosphere and intrigue before diving back into its relentless energy.”

With two albums under their belts, 2012’s Self-Titled and 2022’s “Enigmatic”, Kingsphere’s sound has evolved naturally as they’ve grown as musicians and as a band. In the beginning, they focused on raw energy and heavy riffs, inspired by their love for modern metal. Over time, they’ve started experimenting with more dynamic elements—adding catchier melodies, atmospheric layers, and intricate rhythms—to create a more diverse and unique sound.

“Archetype” is a journey through aggression, melody, and emotion, reflecting both the raw power and the introspective side of the band. It is recommended for anyone who enjoys powerful clean vocals and heavy breakdowns, especially those with an interest in All That Remains, Born Of Osiris, and The Browning.

Watch and listen to the music video for “Archetype” at https://youtu.be/pTfJXcq3DjQ

Spotify – https://spoti.fi/408zE2R

Kingsphere is:
Piotr Miliczek – Vocals
Marek Kula – Guitar
Kamil Sikorski – Guitar / Vocals
Paweł Kawalec – Bass
Maciej Sobieski – Drums

For more info:

https://www.facebook.com/kingspheremetal

https://www.instagram.com/kingspheremetal

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 FEN’s Doug Harrison Unveils New Single for Solo Project SLUG COMPARISON – Fuzzy And Upbeat Get Ready To “March Through The Forest”

January 10, 2025
by Asher
· Music News · Slug Comparison

NEWS RELEASE

Montreal, QC – January 10, 2025

FEN’s Doug Harrison Unveils New Single for Solo Project SLUG COMPARISON – Fuzzy And Upbeat Get Ready To “March Through The Forest”

Doug Harrison (Slug Comparison) – Photo Credit: Bailey Ennig

Rising from the creative depths of FEN‘s vocalist and guitarist Doug Harrison, Slug Comparison launches its fuzzy and upbeat new single “March Through the Forest”. Emerging from an unconventional creative process, the track marks a bold departure from previous acoustic-driven sounds into a more aggressive, electric-driven aesthetic. Harrison explains the background to the track:

“This song came after a hike with a friend in the North Shore mountains of Vancouver. The day started off damp and cold. As we climbed, it began to snow, a dusting at first, but it cast this beautiful veil over the ground wherever the trees opened up into a clearing. We kept going, and it was a whiteout by the time we finally reached the summit. Then we stood there at the edge of these sheer granite cliffs that we couldn’t see below us, and ravens wove in and out of the clouds, disappearing and reappearing. “March Through the Forest” is an account of that day, which was a good one.”

Fans of Harrison‘s work with FEN will recognize his signature approach to songwriting—a fluid blend of grunge, progressive rock, indie, and metal influences. “March Through the Forest” showcases his ability to push musical boundaries while maintaining an authentic creative voice.

The track is part of Slug Comparison’s upcoming musical offerings for 2025, signaling an exciting new chapter for the project. Doug Harrison produced the single with mixing done by Ben Kaplan (Biffy Clyro, Bend Sinister, Ninjaspy, Mother Mother, Corb Lund) and mastered by Brock McFarlane at CPS Mastering (Mother Mother, Corb Lund.

While the current sound leans into more upfront, riff-heavy rock, Harrison assures fans that future releases will continue to explore the moody, acoustic-based territories that defined his earlier work. “March Through the Forest” is recommended for fans of Mother Mother, The Killers, and Rush.

Listen to the single at the following links:

YouTube – https://youtu.be/WPwp061C0ZU

Spotify – https://spoti.fi/3PtN98j

More info: Slugcomparison.com | Instagram.com/slugcomparison | Facebook.com/slugcomparison

-30-

“Canadian auteur explores expectancy and desperation to find cathartic cleansing of his soul. 4/5” – Dmme.net – Let It Rock (When You Were Living Here 2019)

“One of my favourite songs of the year” (about “Bringer of Doom”) –Dutch Progressive Rock Radio (Self-Titled 2014)

“Simply engulfs the imagination and emotions” -The Ringmaster Reviews (Self-Titled 2014)

#30 of The Rickter Scale’s Top 100 albums of 2014 – Rickter Scale Rock Radio (Self-Titled 2014)

“Stirs the senses, taking the listener on a voyage of imagination and emotion.”-Sonic Abuse (Self-Titled 2014)

Slug Comparison Self-Titled Album #5 on DPRP’s Top Progressive Metal Albums of 2014

“Spell binding” -Your Music Blog (Self-Titled 2014)

“Songs that are all of the highest caliber” – PowerofMetal.dk (Self-Titled 2014)

“a true gem of prog rock” – Living Music Blog (Self-Titled 2014)

“Ahh, the glorious beauty of the brooding and gloomy mind of Doug Harrison” (5 stars) – Sea of Tranquility (Self-Titled 2014)

“a lot of work and effort has gone into this album, and it pays off spectacularly” -Wonderbox Metal (Self-Titled 2014)

9.2/10 – Metal Imperium – (Self-Titled 2014)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s MARBLE GHOSTS Unleash “Distance Between” A Blistering Anthem For Divided Times Off Sophomore EP “The Greatest Divide” Out April 2025

January 10, 2025
by Asher
· Marble Ghosts · Music News

NEWS RELEASE

Montreal, QC – January 10, 2025

Canada’s MARBLE GHOSTS Unleash “Distance Between” A Blistering Anthem For Divided Times

Sophomore EP “The Greatest Divide” Out May 2025

L-R – Adam Hansen (Guitar), Dylan Gunnell (Vocals), Paulo Ferraz (Bass), Jer Renaud (Drums)

Photographer Credit – Lisa Thompson (Dark Moon Productions)

Marble Ghosts, the Canadian boundary-pushing ensemble known for their distinctive blend of metal, grunge, and punk influences, has announced their highly anticipated second EP “The Greatest Divide” set for release in May 2025. The band comments on the first, explosive single “Distance Between”:

“From the opening lyric of the EP, “Here we are in the greatest divide”, the songs explore the ever-growing rift between almost every part of modern-day society. From the rich and the shrinking middle class to widening gaps in political and religious ideologies, the EP was inspired by our reality.”

Musically, the single shows off its punk-metal roots, never relenting from beginning to end. The biting rapid-fire verses meet the band’s characteristic soaring choruses. The band shows off its guitar chops with a blistering solo that perfectly matches the song’s energy. The song crescendos with another feverish solo over top desperate screams.

The EP and the single are recommended for fans of Alter Bridge, Shinedown, and Saint Asonia.

Listen to “Distance Between” at https://youtu.be/tE-M5vDS_uk

Spotify – https://spoti.fi/40D2I4h

Marble Ghosts’ sophomore EP “The Greatest Divide” will be released on May 23, 2025

Bandcamp pre-order – https://marbleghosts.bandcamp.com/

Album Artwork by:
Marble Ghosts font: Crossfade Productions
EP cover art: Edith Fluet

Track Listing:
1. Distance Between (3:38)
2. Eat the Rich (4:16)
3. Trafficked (The Devil Inside) (4:19)
4. Gloom (4:24)
5. Osmium (4:48)
EP Length: 21:26

Band Line Up (EP)
Dylan Gunnell – Lead Vocals and Lyrics
Adam Hansen – Guitar
Paul R. Champagne – Bass
Jer Renaud – Drums

Band Line Up (Live)
Dylan Gunnell – Lead Vocals
Adam Hansen – Guitar and Backing Vocals
Paulo Ferraz – Bass
Jer Renaud – Drums

More info: Facebook.com/marbleghosts | Instagram.com/marbleghostsofficial

-30-

“Their sound is a unique blend of soft underscoring elements and heavy riffs.” – Decibel Magazine

“When a band is said to be for fans of Shinedown, Breaking Benjamin and Three Days Grace, this puts a lot of pressure on that band to live up to expectations, especially those of lifelong fan of all of those acts. However, Canadian’s Marble Ghosts have produced quite an exciting debut EP that’s made up of a mix of metal genres from metalcore and grunge to death metal. ‘Lie To Me’ has a heavy bass line intro before thick guitar riffs join in. This intensity is matched by the vocals, which seem to be drenched in emotion and this is what makes it a real must listen on the EP. Whilst the lyrics themselves don’t vary much, they don’t need to, because it feels like this track is about putting across a certain atmosphere rather than writing an epic tale. The band do delve into the political in ‘False Heroes’, where they question outdated thinking with such lines as “boys will be boys, all the while accompanied by an unsettling melody in a minor key. They use their own country’s history to influence this song, which the EP artwork and the band’s name are all linking together. 8/10” Powerplay Magazine UK

“End Of The World completes the EP and no lie instantly had us drooling with its air of nagging menace veined by swarthy guitar lures and a tension of creative distraction, an imposing coaxing soon evolving into a full incitement of animated temptation and keen adventure. Grabbing favourite track honours in its greedy fists, the song prowled like a predator and roared with punk dissidence, aligning both to melodic and sonic drama.” – Ring Master Reviews

“Now we have reached our last mention, my number one recommendation for this week’s list of incredible new music from this website of ours. They have recently just emerged on the metal scene with a distinctive sound. I am talking about the Ottawa-based band Marble Ghosts. Unveiling their self-titled EP, showcasing five compelling songs that you can hear across all streaming platforms now.” – ZACH’S PICKS OF THE WEEK – MARCH 4 TO MARCH 9, 2024 – #1 Marble Ghosts – Canadian Beats

“Marble Ghosts deliver a visceral finale with “End of the World.” Reflecting a generation’s disillusionment with the idea of meaningful change and the realisation that their actions may have little impact, the song captures the band’s uncompromising attitude with distinct vocals and a cacophony of heavy and glorious sound. Marble Ghosts, the band and EP, defies hard rock stereotypes and delivers music that reminds us that it’s not all sex drugs and rock-n-roll, but sometimes it’s get up, stand up, rise up, and make the difference you seek.” – Amplify The Noise

“This band is ultra-impressive with razor sharp hard rock, soaring vocals and superior song writing that really makes one stop and take notice of their greatness.” – WJOE- Findlay’s Home for Rock and Roll

“C’est propre et même chiadé, peut être un peu trop à mon goût : il ne faut pas chercher ici un hard rock écrit au feeling la clope au bec et la bière, désaltérant plus qu’il ne faut ses auteurs ! On est sur une musique qui tient plus de groupes comme Breaking Benjamin ou encore Three Days Grace qu’autre chose.” – SoilChronicles

“Fans of 2000’s era hard rock, especially those who were listening to that music during the time period itself, will get the most out of Marble Ghosts’ self-titled debut EP. It’s not impossible to imagine a scenario where Breaking Benjamin, hot off the release of We Are Not Alone, would take this group out as an opening act. Same goes for someone like Alter Bridge when One Day Remains exploded off the success of single “Open Your Eyes.” – Heavy Music HQ

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Page 2 of 4

Asher Media Relations Tweets

Tweets by AsherMedia

Asher Media Email Subscription

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Email Address:

Join 2,163 other subscribers