• About AMR
  • Festivals & Associations
  • Services (Hire Us!)
  • Subscribe To AMR Artist News & Album Promo

Tag: Poison The Well

0 Montreal’s KILLED BY SORROW Unveils “The Burial” Off Debut Album “Empires of Excess” Out Oct 2026

  • September 16, 2026
  • by Asher
  • · Killed By Sorrow · Music News

NEWS RELEASE

Montreal, QC – September 16, 2026

Montreal’s KILLED BY SORROW Unveils “The Burial” Off Debut Album “Empires of Excess” Out Oct 2026

Montreal metal force Killed By Sorrow is gearing up for a massive fall with the release of their full‑length album “Empire of Excess,” officially due out on October 23rd, 2026. The band has already ignited momentum with their first single “Betrayal”, and next in line is “The Burial”, a haunting, slow‑burning track that showcases Killed By Sorrow’s melodic depth and brooding atmosphere.

“The track represents a dark, ritual-like descent into death where silence, decay, and inevitability swallow everything. The living fade, the dead rise, and no one escapes,” adds the band.

Watch and listen to “The Burial” at https://www.youtube.com/watch?v=2QAW0l6NjTg

​Add to your Spotify playlist – https://open.spotify.com/album/5fxp69XMCVvU1mmT1AQYeu

​

“Empire of Excess” represents a major evolution from the band’s earlier EPs “Careless of This Sadness” (2023) and “Time Has Come” (2022), sharpening their production, tightening their songwriting, and deepening the emotional weight of their sound while still holding onto the aggression and intensity that define them.

“The goal of this album is to blend heaviness and melody in a way that pulls listeners into the story behind each track. The raw emotion, the aggressive riffs, the melodic hooks, but with a more mature and refined delivery. Each song is meant to hit hard, connect on a personal level, and leave listeners with the sense that they’ve gone through something meaningful from start to finish,” says rhythm guitarist Sam Ham.

Across ten tracks, “Empire of Excess” moves between high‑speed ferocity, downbeat atmospheres, punk‑rock bursts, melodic transitions, and crushing breakdowns, weaving dark storytelling with emotional struggle, social reflection, and personal introspection. The album unfolds as a series of intense, interconnected chapters, from apocalyptic collapse to inner resilience, forming a cohesive journey driven by heaviness, melody, and raw human emotion.

Killed By Sorrow began as a tight‑knit group of friends channeling the intensity of the music they loved, evolving from basement rehearsals into a serious project once their natural chemistry and shared vision became undeniable. Emerging from Montreal’s South Shore metal scene in the mid‑2000s, the band shaped their identity around the emotional weight of Poison the Well, the razor‑sharp riffing of Unearth, and the melodic precision of Trivium, blending aggression with dynamic, melody‑driven structures.

During these formative years, Killed By Sorrow built a reputation through high‑energy performances across local venues, highlighted by a milestone moment sharing the stage with Swedish hardcore heavyweights Raised Fist, a show that cemented their credibility within the scene.

Recommended for fans of Unearth, Killswitch Engage, Poison The Well, Trivium, and Lamb of God, “Empire of Excess” is due out on October 23, 2026, and available for pre-save/ pre-order at the following links:

Spotify – https://distrokid.com/hyperfollow/killedbysorrow/empire-of-excess​

Bandcamp – https://killedbysorrow.bandcamp.com/​

Previous Single:

“Betrayal” at https://www.youtube.com/watch?v=i0PWyiTedfs

​

Track Listing:​
1. The End is Near – 3:38
2. Empire of Excess – 3:04
3. The Burial – 3:28
4. Betrayal – 3:51
5. Never Give Up – 2:37
6. All My Brothers – 3:18
7. In The Spotlight – 3:17
8. Killed By Sorrow – 3:29
9. Unchained – 3:42
10. Stay In Line – 3:28
Album Length: 33:55

Band Line-up:​
Sébastien Mailloux – Vocals
Martin Bersier-Carpentier – Bass
Tommy Forand – Guitar Lead
Samuel Ham – Guitar Rhythm
Mathieu Lassonde – Drums
​

More info:

​https://killedbysorrow.com/​

​https://www.facebook.com/KilledbySorrow/​

​https://www.instagram.com/killedbysorrowband​

​
​-30-​

“Canadian underground hardcore punks in Killed By Sorrow’s newest single, Betrayal, definitely stays loyal to the metalcore scene by actually sounding like thrash metal tones mixed with a hardcore punk grit and attitude. Heavily distorted rhythms sound closer to your traditional hardcore, but paired with your traditional style of hardcore punk vocals, Betrayal lets you know not to cross Killed By Sorrow. Huge basslines underneath and in-the-pocket drumming made this one an interesting approach in a crowded metalcore genre, and it’s more than worth a few listens.” – Metal Institute of Thrashology (2026)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canada’s Dyatlove Embrace Evolution And Growth With New Single “The Chrysalis”, Track Premiere via New Noise Magazine

  • April 1, 2021
  • by Asher
  • · Dyatlove · Music News

NEWS RELEASE

Montreal, QC – April 1, 2021

For fans of Converge, Spotlights, Cult Of Luna, Poison The Well, State Faults

Canada’s Dyatlove Embrace Evolution And Growth With New Single “The Chrysalis”

Track Premiere via New Noise Magazine

Top L-R: Sam Caviglia (Vocals/Guitar), Rob Sheldrick (Drums)
Bottom L-R: Justin Lacey (Bass), Rikki Jennings-Buford (Guitar)
Photo Credit – Justin Lacey

Dyatlove, from Vancouver, Canada have a fresh new single out to weave into ears everywhere. The quartet of Sam Caviglia (vocals/guitar), Rikki Jennings-Buford (guitar), Justin Lacey (bass) and Rob Sheldrick (drums) are joined by Scott Whalen (Imonolith/Ugly Men/Latenite Automatic) who picks up guest vocals and adds a crushing layer to “The Chrysalis”.

Written near the end of 2019, the single speaks of evolving as a person, the personal growth we all hope to achieve. After sitting on it for quite some time, Dyatlove feels this is the time to unleash it. As they continue to explain:

“We decided to record it and put it out to keep things moving during the dreaded 2020 experience. There was the need to keep productive and have something to work towards as everything was shut down here in British Columbia. Sam is really proud of these lyrics and as a band we are proud of how this song came together. We were able to work with our longtime friend Royce Whittaker on this song and he really helped us out with the little nuances. It was amazing to have him join us for this track, along with another of our friends Scott Whalen who added some devastating vocals!”

Dyatlove coin their sound as “emo sludge” and it is chock full of raw emotion, meandering clean vocals and slow, somber riffs brushed against a heavy wall of pounding drums edged with flecks of hardcore elements. Thus far, they have released a self-titled EP (2020) and a stand-alone single “DIE, KILL, PIG” (2020). They will be recording another EP this year.

Recommended for fans of Deafheaven, Converge, and Russian Circles, “The Chrysalis” can be heard via its streaming premiere on New Noise Magazine HERE.

“The Chrysalis” will be officially available on all digital platforms April 2, 2021.
Digital pre-save here.

For more info:
Facebook.com/dyatlovesounds
Twitter.com/dyatlovesounds
Instagram.com/dyatloveband
YouTube

About:
Dyatlove is a rock band from Vancouver, BC whose austere music stems from a place of deep emotion, expressing the language of the self laid bare. Its 4 members – Sam (vocals/guitar), Rikki (guitar), Justin (bass) and Rob (drums) – create raw, passionate, and at times gut-wrenching musical offerings.

Though a newly-formed group, the band’s collective musical memory is long and their backgrounds are aesthetically diverse. Drawing inspiration and experience from the genres of hardcore, punk, emo, hip-hop and electronic music, Dyatlove seeks a sound that overwhelms sonically. They push their melodies as far as they can go, creating an emotional fallout that forces its listener to reckon with the intricacies and instabilities of being human.

“We want to give everything we have to our fans,” they express, “and we want them to understand that we get what they are going through, and are there for them through our music.”

Through music, Dyatlove finds a connection, and through connection, their musical community grows. Acclaimed producer Matt Roach – of Rain City Records – has contributed significant expertise in engineering their self-produced debut album, while indie label Coup Sur Coup has signed Dyatlove for a cassette release deal. With each show they play, their momentum grows:

“Whether small intimate gigs or festivals, just playing for the live crowd is what we dream about,” the members explain as they build to their goal of an extensive tour.”

The heavy, overflowing sound of Dyatlove’s storytelling style is for everyone – it is authentic art that shapes its audience slowly, earnestly and rather forcefully. It is classic in form and radical in content: whether heard in digital or analog, studio-produced or live, Dyatlove is a unique and essential listening experience.

– 30 –

“Their sound is eclectic and diverse, at times morose and at other, heavy sludge. An EP that requires attention to take in, each song takes the listener on a ride with complex lyrical content aiming to grab attention.” – Frontview Magazine

“The band’s music isn’t the kind of extreme metal we usually cover at this site, but I’d say they’re “adjacent” — and there’s an explosive emotional fury in the song and video we’re presenting today that’s so cathartic (and so demolishing) that it’s more than welcome here.” – No Clean Singing.

“DYATLOVE conveys emotion and brings the heavy with an impressive, eclectic EP” – IDIOTEQ

“The track (Empty Lungs) is amazing and the band will quickly make you a fan if you like groups like Converge, Deafheaven, or Spotlights.” – Ghost Cult Magazine

“Their sound is eclectic and diverse, at times morose and others bone crunchingly heavy. ” – The Sludgelord

“This is a collection of songs about love of family, songs about loss, songs about anger and songs about struggles and addictions all wrapped up in the confines of half an hour’s worth of music…” – Metal Noise

“for those who love  Deafheaven, Converge, Russian Circles, Touche Amore, Alcest, Pallbearer… A beautiful discovery.” – Mad-Breizh

—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

Asher Media Relations Tweets

Tweets by AsherMedia

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 2,161 other subscribers

Blog at WordPress.com.

  • Bandcamp
  • Twitter
  • Facebook
  • YouTube
  • Subscribe Subscribed
    ashermediarelations.com
    Join 640 other subscribers

    Have a WordPress.com account? Log in now.

  • ashermediarelations.com
    View site in Reader
    Manage subscriptionsSign upLog in
    Report this content
    Collapse this bar