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Tag: October 2026 metal releases

0 A Journey Through Reincarnation ESHTADUR Summons New Video “Omen Of Millennia” From New Album “In Darkness All Shadows Gone” Out Oct 2026

  • September 4, 2026
  • by Asher
  • · Eshtadur · Music News

NEWS RELEASE

Montreal, QC – September 4, 2026

A Journey Through Reincarnation ESHTADUR Summons New Video “Omen Of Millennia” From New Album “In Darkness All Shadows Gone” Out Oct 2026

Colombian melodic death metal band ESHTADUR has released a live video for “Omen Of Millennia”, offering another glimpse into their forthcoming album, “In Darkness All Shadows Gone“, due October 2nd, 2026.

“Omen Of Millennia” brings together the melodic, symphonic and modern dimensions of ESHTADUR’s sound. The song explores cycles of existence, reincarnation, and spiritual inheritance, reflecting on how unresolved wounds, debts, and lessons may continue across lifetimes, while what has already been learned becomes something carried forward.

Jorg comments:

“This track is the omen for what’s coming next with ESHTADUR. It also represents a collaboration between Camilo and me: we created the song by approaching a more modern side of the band’s sound – something easy to listen to, easy to catch, and easy to remember.”

At its core, the omen represents both a warning and a promise: the announcement of an approaching transformation. This idea connects the song to the broader concept behind “In Darkness All Shadows Gone“, where the figure of The Crow acts as a guide through existence, death, the void and the unknown.

The collaboration between Jorg August and guitarist Camilo Barbosa gives “Omen Of Millennia” a distinctive place within the album, with Barbosa also contributing the track’s guitar solo. Its more immediate approach offers another perspective on ESHTADUR’s sound while remaining connected to the darker and symphonic character of the upcoming record.

The accompanying live video brings the track into ESHTADUR’s performance environment, reflecting the band’s direct approach to the stage and its focus on musicianship, the songs themselves, and the connection with the audience.

“Omen Of Millennia” is taken from ESHTADUR’s forthcoming twelve-track album, “In Darkness All Shadows Gone“. Four years in the making, the record expands the band’s melodic death metal foundations through extensive symphonic arrangements, layered vocals, and Tuvan voices, building its musical and conceptual identity around mysticism, transformation, and inner transmutation.

The album features the Caldas Symphonic Orchestra in Colombia, adding an orchestral dimension to its darker and more cinematic material. Produced by Jorg August, the record also features drums recorded in Poland by Michal Lysejko (Dieth) and was mixed and mastered by Tomasz Zed Zalewski.

Throughout “In Darkness All Shadows Gone“, The Crow serves as a recurring shamanic figure moving between existence, death, the void, and the unknown. Rather than presenting darkness simply as an oppressive force, the album approaches it as part of a broader journey toward transformation and self-discovery.
​
Listen to “Omen Of Millennia“: https://lnk.to/w9iFfH​
​Watch the video: https://www.youtube.com/watch?v=QKik4Z03Mcc

​

For fans of: Septicflesh, Dissection, At The Gates

​Pre-order “In Darkness All Shadows Gone“: https://rockshots.eu/products/eshtadur-in-darkness-all-shadows-gone-cd​

Previous Videos:

Into The Woods – https://www.youtube.com/watch?v=ewIYMme4L1c​

August’s Burdens – https://www.youtube.com/watch?v=7pSRUm_mjvE​

Track Listing:​
1. Age of Antumbra – 2:00
2. Into The Woods – 4:41
3. Umbra – 6:22
4. August’s Burdens – 4:59
5. Fire Above Mountain Below – 5:08
6. Old Shaman Blind – 5:08
7. Thunderground – 3:40
8. Ruler of the Lake – 5:14
9. A Black Winged Waltz – 9:23
10. Nebulae (Virgo) – 5:09
11. Omen of Millennia – 3:56
12. Soy Real – 5:11
​
​ESHTADUR are:
Jorg August – Vocals, guitars
Camilo Barbosa – Lead guitars
Andres Gonzalez – Bass
David Lopez – Drums

More info:

​https://rockshots.eu/​

​https://www.facebook.com/EshtadurOfficial/​

​https://www.instagram.com/eshtadur/​

BIOGRAPHY:

Founded in Colombia and active since 2007, ESHTADUR combines Gothenburg-influenced death metal, black metal, and classical composition with an interest in poetry, mysticism, existence, and cosmogony. The band has toured extensively across Europe and North America, sharing stages with artists including Behemoth, Deicide, Vader, Hate, and Exodus, and appearing at events such as 70000 Tons of Metal, Rock al Parque, and Grita Fest.

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Thrashers QUEMASANTOS Unleashes New Video “One Foot In Hell” From Concept Album “Stranded In Hell” Out Oct 2026 + Launch Pre-Order

  • September 3, 2026
  • by Asher
  • · Music News · QUEMASANTOS

NEWS RELEASE

Montreal, QC – September 3, 2026

QUEMASANTOS Unleashes New Video “One Foot In Hell”

Concept Album “Stranded In Hell” Out Oct 2026 + Launch Pre-Order

New York-based metal project QUEMASANTOS has officially opened digital pre-orders for its forthcoming second album, “Stranded In Hell,” and has simultaneously released the album’s opening track, “One Foot In Hell,” accompanied by its official lyric video.

WATCH THE OFFICIAL “ONE FOOT IN HELL” LYRIC VIDEO:​
​https://www.youtube.com/watch?v=03U1aPIF5Ls

​DIGITAL PRE-ORDER STRANDED IN HELL:​
​https://quemasantos.bandcamp.com/album/stranded-in-hell​

Fans who pre-order the album digitally can immediately hear “One Foot In Hell,” the first chapter of the eleven-song descent that makes up Stranded In Hell.

Musically, “One Foot In Hell” draws heavily from the aggressive character of late-’80s and early-’90s thrash and death metal. The song began with the memory of the type of fast, old-school, Pestilence-influenced drumming that QUEMASANTOS founder Ignacio Orellana had always been drawn to, but it developed into something broader as the composition took shape.

The track combines fast thrash-driven sections with a contrasting middle passage that became the foundation for its guitar solo section, carrying influences that Orellana associates with bands including Anthrax, Metallica, and elements of his own musical history.

Joining QUEMASANTOS on “One Foot In Hell” is Colombian guitarist Juancho Gómez of Masacre, whose performance brings another direct connection to the South American death metal tradition that has influenced Orellana throughout his career.

Ignacio Orellana

Orellana comments:

“One Foot In Hell was actually one of the last songs that came together for the album, but once it was finished, I knew it was the right place to begin. It has that old-school aggression I grew up loving, but it also contains several different pieces of my own musical history. For me, it became the perfect first step into Stranded In Hell.”

Nelson Diaz

Vocalist and lyricist Nelson “Sr. Díaz” describes the track:

“One Foot In Hell is one of the most intense songs I’ve recorded in recent years. Many different styles coexist harmoniously within it, along with a high level of vocal demand. I believe the infernal horror it presents is captured faithfully through a demonically powerful yet technical performance that will take us into a paroxysm of metal.”

“Stranded In Hell” marks the second QUEMASANTOS album featuring Sr. Díaz on vocals and lyrics, and the first album by the project performed entirely in English.

The record was constructed differently from a traditional band recording process. Orellana composed the majority of the material beginning with the bass, followed by drums and guitars, allowing the bass to function as an independent compositional voice rather than simply following the guitar arrangements.

“One Foot In Hell” was the notable exception: its composition began with the guitars.

The finished album features 11 songs and 11 guest guitarists, with musicians from across the international metal scene contributing to individual tracks.

Track Listing:​
1. One Foot In Hell (Juancho Gómez – Masacre, Colombia)
2. Burning The Black (Felipe Roa – Acaro, USA)
3. Succubus (Héctor Guzmán – Distraught, Chile)
4. Stalking Sharks (Marco Cusato, Chile)
5. Nameless (Joe Sims – Axemaster, USA)
6. Red Planet (Regisson Silva – Masterpiece, Brazil)
7. Vampire (Richard Pilnik, Chile)
8. The Oneironaut (Cristian Ira – Nimrod, Chile)
9. Under The Moonlight (Sebastián Osorio – Reigning, Chile)
10. Before The Law (Yanko Tolić – Massakre, Chile)
11. Lex Talionis (Enrique Zúñiga – Atomic Aggressor, Chile)

QUEMASANTOS

Ignacio Orellana — Drums, Bass, Music, Production, Mixing & Mastering
​Nelson “Sr. Díaz” — Vocals & Lyrics

Guest Solo Guitarists

Juancho Gómez — Masacre
Felipe Roa — Acaro
Héctor Guzmán — Distraught
Marco Cusato
Joe Sims — Axemaster
Regisson Silva — Masterpiece
Richard Pilnik
Cristian Ira — Nimrod
Sebastián Osorio — Reigning
Yanko Tolić — Massakre
Enrique Zúñiga — Atomic Aggressor

Vocals were recorded at Estudios Ultrasónico with Arturo Contreras and Estudios Attic with Marco Cusato.

The album was produced, mixed, and mastered by Ignacio Orellana at Oily Sound Studios in New York.

LISTENING PARTY:​
​https://quemasantos.bandcamp.com/live/quemasantos-stranded-in-hell-listening-party​

DIGMETALWORLD:​
​https://www.digmetalworld.com​

More info:

​https://quemasantos.com

​https://instagram.com/quemasantos1

​https://www.facebook.com/quemasantos

​https://x.com/quemasantos1​

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook – Asher Media Relations
Instagram -AsherMedia
Tweet – AsherMedia

0 TRAUMATOMY Unleashes Groove Heavy Slamming Death “Visceral Maceration” From New Album “Ascension Of The Ineffable” Out Oct 2026

  • September 2, 2026
  • by Asher
  • · Music News · Traumatomy (Gore House Productions) · Uncategorized

NEWS RELEASE

Montreal, QC – September 2, 2026

TRAUMATOMY Unleashes Groove Heavy Slamming Death “Visceral Maceration”

New Album “Ascension Of The Ineffable” Out Oct 2026 via Gore House Productions

Traumatomy announces their fourth full‑length album, “Ascension Of The Ineffable,” due out on October 30th, 2026 via Gore House Productions. After two years of work, the upcoming record is their rawest, sharpest, and most brutal offering yet, elevated by the distinctive production of Konstantin Ogarkov, whose approach brought a uniquely savage edge to the album’s sound.

This next offering delivers a faster, rawer, and even more brutal evolution of Traumatomy’s sound while keeping their familiar lyrical themes intact. Each track highlights a different facet of their extremity. “Entropic Obliteration” sets the tone with full-force brutality, “Pervigilium of the Obsolesced Xenolith” pushes speed and blast beats to the limit, and “Endoneural Parasitosis” leans into sickening breakdowns. “Repugnant Coalescence” stands out as the drummer’s most balanced pick, while the title track “Ascension Of The Ineffable” embodies the album’s concept and atmosphere. “Visceral Maceration” brings groove-heavy slam energy, “Autognathic Avulsion” blends grooves, blasts, and atmosphere, and “Xeno‑Homeostasis” closes the record with a perfectly structured finale. The cover art, created by legendary artist Jon Zig, captures the exact atmosphere and cosmic horror the band envisioned. As Traumatomy put it: SLAM IS THE ONLY WAY!
​
The first single to be unleashed, “Visceral Maceration”, was written specifically for fans of true slamming brutal death metal.

“This may be the most groovy heavy track on the record and shows that we can find a different approach to composing and structuring music,” adds guitarist Constantine.

Listen to “Visceral Maceration” – https://www.youtube.com/watch?v=2r-5H2YkQb8

Formed in 2012 by guitarist and main songwriter Constantine Chevardin (Disfigurement Of Flesh, Nauseating, Morphogenetic Malformation) and Haruka Kamiyama (ex‑Gorevent / Medic Vomiting Pus), Traumatomy quickly became a cult force in the brutal death metal underground. Their 2013 debut “Transcendental Evisceration of Necrogenetic Beasts” established their reputation for slammy, primitive, crushing extremity. Between 2012 and 2018, they released two albums and three EPs before evolving into a full touring band with the addition of bassist Leonid (Cephalic Impurity) and drummer Ivan.
​
Known for coordinated, intense performances and a relentless commitment to monolithic slam, Traumatomy continues to push their sound into increasingly brutal, higher‑quality territory with every release. Lyrically inspired by H.P. Lovecraft and criminal TV shows, and musically driven by riffs, beer, and cosmic horror.

Recommended for fans of Gorevent, Cerebral Incubation, Disgorge, Epicardiectomy, and Defeated Sanity, “Ascension of the Ineffable” is out on October 30th, 2026, from Gore House Productions.

Album pre-save / CD/ Cassette – https://orcd.co/ascension-of-the-ineffable​

Track Listing:​
1. Entropic Obliteration (3:34)
2. Pervigilium of the Obsolesced Xenolith (3:26)
3. Endoneural Parasitosis (3:07)
4. Repugnant Coalescence (2:55)
5. Ascension Of The Ineffable (2:54)
6. Visceral Maceration (2:34)
7. Autognathic Avulsion (2:43)
8. Xeno-Homeostasis (3:07)
Album Length: 24:15

More info:

​http://gorehouseproductions.com​

​https://www.facebook.com/traumatomy​

​https://www.instagram.com/traumatomy.slam​

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What the press has said:

“Brutal death metal enthusiasts rejoice!… Get in, make a s**t-ton of noise, wreck some bodies, and get out. That’s the mantra of this EP, and the mindset of Traumatomy, who deliver five of the nastiest and brutalising death metal tracks heard this year. With guitar riffs that are as thick as coagulated blood, bass hooks that rip through flesh as though they’ve emerged from a freshly opened Lament Configuration, drums that sound like a demon is hitting the skulls, ribcages, and stretched skin of its victims, and vocals that gurgle and growl like a creature driven to madness through hunger. This is Traumatomy’s sound, and it is f**king mean. There’s no refresh of the brutal death metal sound here. No suggestion that Traumatomy are about to drop a melodic one out of the blue. No attempt to do anything but deliver brain-crushing heaviness at its best. Which is what Traumatomy do here. Delivering the kind of savage and sickening heaviness that leaves you with a headache, a sore neck, aching limbs, and the strong feeling of having been well and truly violated.” – Games, Brrraaains, A Head-Banging Life

“TRAUMATOMY releases “Triumph Of Enslavement”, an EP that offers slam in its purest form, but which is attractively designed in terms of songwriting and rafinesses here and there, which reveals the many years of experience in this style, especially from guitarist Constantine Chevardin. Fans should be happy with this appetizer. 8/10″ – PowerMetal.de

“Well, this is short and sweet at just over 15 minutes. Triumph of Enslavement is a nice little (tiny?) slab of brutal death metal that opens up with a mid-paced but heavy, crushing intro before swerving in a faster, but no less heavy, death metal onslaught. They do slow down, sometimes almost to a crawl, but the crushing heaviness is omnipresent, clickety drums included (OK, that has nothing to do with heaviness, but you do get the clickety drums). The growls are deep, deeper than I usually like, but they’re a perfect fit for the music here—I wouldn’t see a different style working quite as well. It’s dark, it feels like the weight of the world going through your ears, and sometimes that’s just what you need.” – The Metal Crypt

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ASHER MEDIA RELATIONS
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#.514.581.5780
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