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Tag: nocleansinging

0 Canadian Death Metal HARVESTED Unleashes A Brutal Reckoning w/ New Video “Gathered and Deluded” From Latest Album “Dysthymia” Out Now!

  • December 4, 2025
  • by Asher
  • · Harvested · Music News

NEWS RELEASE

Montreal, QC – December 4, 2025

Canadian Death Metal HARVESTED Unleashes A Brutal Reckoning w/ New Video “Gathered and Deluded”

New Album “Dysthymia” Out Now!

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

Ottawa/Gatineau-based death metal band Harvested has premiered their crushing new video “Gathered and Deluded” exclusively through NoCleanSinging. The track is taken from their latest full-length album “Dysthymia,” a record that pushes the band’s sound to new extremes while exploring the brutal realities of mental illness.

Harvested’s sound can be summed up in five words: Heavy, Brutal, Fast, Aggressive, Violent. Drawing influence from death metal titans such as Cannibal Corpse, Suffocation, The Zenith Passage, Cattle Decapitation, and Suicide Silence, the band blends old-school death metal ferocity with modern technicality and deathcore intensity.
​​
“Gathered and Deluded”
 stands out as the album’s slamming death metal centerpiece, weaving in old-school grooves with technical flourishes. Lyrically, the track delves into the darker realities of cults and hive-mind psychology, continuing the band’s thematic focus on mental illness.

Watch the music video premiere of “Gathered and Deluded” now via NoCleanSinging HERE. ​
​
Following their 2022 EP debut, “Dysthymia” represents Harvested’s evolution in songwriting, production, and musical prowess. Recorded with Joe Lyko of Dark Moon Productions, who took care of mixing and mastering duties, the album balances relentless aggression with psychological depth. Each track explores facets of mental illness, inspired by horror and thriller influences as well as real-life experiences.
​
​“This album is the level-up for Harvested. It’s more technical, more brutal, and more cohesive. Fans who’ve seen us live already know how intense these songs are, and now we’re excited to share them with the world,” says Dimitriadis.

Harvested was formed in 2019 by vocalist Adam Semler, guitarist Mitchi Dimitriadis, drummer Jacob Collins, bassist Eric Forget, and guitarist Vitto as a side project that quickly grew into a powerful presence within the Canadian extreme metal scene. Each member brought with them a wealth of experience and credibility from their work in other bands, making Harvested a union of seasoned musicians deeply rooted in the community. Semler, co-founder of A Scar For The Wicked and guitarist for Sons of the Nether, joined forces with Dimitriadis, who plays guitar for Thalassophobia and fronts Hatred Reigns. Forget, formerly a co-vocalist for A Scar For The Wicked and now bassist for Sons of the Nether, added further depth to the lineup alongside Collins, drummer for Thalassophobia and formerly of Harmoniaq. Completing the group is Vitto, whose guitar work in Fumigation and Nirthal

“We originally just wanted to have fun and change things up. I’d always played guitar in bands and figured I’d try a shot at vocals,” says Semler.
​
Their collective experience has earned Harvested recognition in outlets such as MetalSucks, which named them among “10 Modern Canadian Death Metal Bands” to watch.
​
Known for their tight, athletic performances, Harvested delivers blistering speed, crushing grooves, and uncompromising brutality on stage. With “Dysthymia” now complete, the band looks forward to bringing their new material to audiences across Canada and beyond.
​
​“If the reception is strong, fans can expect a second album on the horizon,” Dimitriadis adds.

Recommended for fans of Cattle Decapitation, Decapitated, and Cannibal Corpse, Harvested‘s “Dysthymia” is available at the following links:

Album Stream – YouTube – https://youtu.be/ni9XelZ6zHE​

Spotify – https://distrokid.com/hyperfollow/harvested1/dysthymia​

Album order (released August 1st) – https://harvested.bandcamp.com​

Music Video “Harvested” – https://youtu.be/geF_C-Qn_7s​

Lyric Video “The Infestation” – https://youtu.be/XwQ1bs7NdZw​

Playthrough “Synaptic Confusion” – https://youtu.be/HzvwY-r_NMg​

Track Listing:​
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:​
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband​

– 30 –

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine
​
“Your muscles are about to reflexively twitch, your head is about to hammer, your pulse is about to accelerate. Audio worms will slither into your ear canals and take up residence there. Some of your cranial neurons may start spinning, creating visions of fast devils and hulking monsters. Those are our predictions of what will happen when you see and hear the playthrough video we’re premiering for the song “Synaptic Confusion” by the Ottawa-based death metal band Harvested. It’s an excellent way to rev up your own motor as Harvested rev up theirs.” – No Clean Singing
​
​
​“Dysthymia is an impressive first full-length effort for Harvested. It’s absolutely brutal and groovy in it’s more ’90s death metal approach, but they give it a modern coating of paint that makes it feel more relevant and weaves in some intricacy for the tech-fiends without losing sight that it’s still an aggressive death metal album. There’s something for pretty much anyone who likes extreme music here. A very promising future for these guys.” – Dead Rhetoric​
​
​“Lyrically poignant, brutally heavy, and bursting with engagingly twisted, hook-filled instrumentation, Dysthymia is a helluva debut, and one Harvested should be proud of. As poetically as I have waxed, I still believe there’s room for Harvested to grow. God help those who might lay their ears on a sophomore effort from this line-up, should they remain intact. Rest assured, I’ll definitely be watching and waiting. For now, however, I wholeheartedly recommend you spend some long-lasting, quality time with Dysthymia.” – Angry Metal Guy​
​
​“If you had the chance to see their video of ‘Harvested’ before the album release, you would be able to see how brutal and technical they sound. Harvested knows how to hit you like a punch in your chest, from their first riffs. By the way, riffs are something that you won’t miss here. Mitchi Dimitriadis and Vitto Oh are responsible machine-gun-like guitar picks. The drum sound also hits you with all blasts, and thankfully it’s not that digitalized soulless recording style that a lot of bands fall into now. It carries good organic production qualities, in good measure. My honourable congratulations also go to all the effort the bassist Eric Forget has made to keep his bass present among all the heaviness of the other instruments, and through the complexity of playing his own parts. The vocalist Adam Semler completes the team with good vocal lines… As always, Heavy Metal Canadian bands never disappoint us! And Harvested is one more band to honour its Heavy Metal scene with this incredible album, “Dysthymia”.8.5/10” – Ever -Metal​
​
​“If you’re into relentless death metal in the vein of CANNIBAL CORPSE and DYING FETUS, HARVESTED from Ontario could be your favorite new band. These guys have churned forth a classic of brutality with “Dysthymia”. The sound is just as clear and professional as those bands and HARVESTED deal crushing riffs and transitions with appalling intensity. One of the best things about this album, which separates it from a lot of “brutal” efforts, is that the songs are easily distinguishable and don’t melt together in a faceless mush.” – Wormwood Chronicles​
​
​“Following a demo released in 2022, Dysthymia represents a true validation of the potential of this group from Ottawa (Ontario, Canada), which deserves special attention. Combining brutal death metal with ‘old school’ influences, the quartet brilliantly demonstrates that their music will resonate with crowds during their concerts… With titles like ‘Repressed Neurosis’, ‘Unending Madness’, ‘Designed Dilemma’, ‘Gathered And Deluded’, ‘Unanchored’, or ‘The Infestation’, Harvested sets the tone! The album was produced by the band itself with mixing and mastering by Joe Lyko of Darkmoon Productions, achieving a modern sound that remains rooted in the fundamental elements of death metal.” – Metallian​
​
​“Harvested Delivers 50 Shades of Vicious on ‘Dysthymia’… Dysthymia is one of the year’s best metal records.”-The Rock Father​
​
​“If you like brutal death metal with technical elements, this is a great album.” – ZwareMetalen​
​
​“HARVESTED deliver flawless death metal with technical sophistication, powerful riffs, gripping vocals and brutal energy.” – MetalUnderground.at​
​
​“Harvested channel the struggles of mental illness within the seedy confines of death metal on their debut album, Dysthymia. The group doesn’t skimp on the gorier details, like the depictions of torture on opener “Harvested,” but much of the lyrical prose isn’t that graphic. It takes the views of mental illness from not only a personal perspective, but globally as well. Their death metal has nods to the classics like Cannibal Corpse and Suffocation, while adding a bit of technical bounce as they do on “Designed Dilemma.” Harvested does well with capturing the genre from every corner. Speed freaks will love “Gathered And Deluded,” those with some head banging in their hearts will get down to “Unending Madness” and “The Infestation” ends Dysthymia with a stark message.” – Heavy Music Headquarters​
​
​“After knocking the first three tracks out of the park like a home run into the stratosphere, “Synaptic Confusion” goes harder and faster during an opening onslaught second to none before getting menacing and sinister with a slower churn and burn. A violent delight with a catchy hook and a scream-a-long lyrical narrative in the chorus, its the kind of blunt force trauma that everyone can enjoy without a visit to the hospital. Maintaining the quality levels of both musicianship and song writing throughout the record seems like an impossibility of reason and yet its probably why this record took three years to complete because “Designed Dilemma” is another absolute beast. It’s like the band have taken your favourite Death Groove Thrash cut and adrenalized it by mainlining caffeine until their eyes pop out on stalks. The energy levels are as ridiculous as the poise and precision as the band conjure a Technical Death Metal tune of the highest order.” – Metal Noise

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0 MERFOLK (One Man Band From Patrick Loisel of AUGURY) Unleashes Video “Sundaland” – A Psychedelic Metal Odyssey Rooted in Myth, Madness, and Mastery

  • October 2, 2025
  • by Asher
  • · MERFOLK · Music News

NEWS RELEASE

Montreal, QC – October 2, 2025

MERFOLK (One Man Band From Patrick Loisel of AUGURY) Unleashes Video “Sundaland”

A Psychedelic Metal Odyssey Rooted in Myth, Madness, and Mastery

Solo artist builds puppets, plays every instrument, and dives into the abyss, literally!

The mysterious solo endeavor known as Merfolk resurfaces with “Sundaland,” a boundary-pushing album that fuses emotional intensity with mythic storytelling and sonic experimentation. Spearheaded by Patrick Loisel of AUGURY, a multi-instrumentalist, Native-descended artist, and former physics teacher, Merfolk is far more than a band. It’s a singular vision brought to life by one mind and many hands. Every step of the creative process, from composing and crafting instruments to engineering the sound and directing the visuals, is handled entirely by Loisel himself. No session players. No pre-recorded crutches. Just pure, unfiltered artistry.

Merfolk channels the spirit of Emperor, Mayhem, Hollenthon, Mercyful Fate, and a trove of obscure ’70s experimental sounds, forging a unique blend of post-black metal, classical instrumentation, and narrative-rich, sociological lyricism. The songwriting draws from ancient migratory myths and uncanny architectural echoes across the Pacific, all filtered through the artist’s wildly eclectic life, one that began with a childhood literature award and later included the care of over 300 tarantulas.
​
The newest offering, “Sundaland,” is named after a submerged continent in Southeast Asia and explores the mythic aftermath of a prehistoric flood. From the haunting warnings of floating entrail-ghosts (Krasue) to the desperate offerings to misunderstood sea monsters, the album weaves a narrative that’s as unsettling as it is cinematic.
​
Musically, “Sundaland” is a leap from Merfolk’s earlier work “Demersal,” trading whistling and early synths for miked classical instruments, violin, cello, double bass, and piano, played by the artist himself. The fretless bass was custom-built, and electronic drums were introduced for a cleaner yet still furious sound. The result? A sound described in five words: eclectic, psychedelic, spooky, unusual, furious.
​
The album’s flagship single, “Castaways,” is a melancholic, ambient piece born from emotional turmoil. Its music video is a surreal spectacle of psychedelic practical effects, reminiscent of Kubrick’s 2001: A Space Odyssey. Filmed in near-total darkness with handmade puppets and props, some collapsing mid-shoot, the video captures the eerie beauty of survivors scavenging sunken ruins and encountering a newly revealed civilization.
​
Watch the full visual experience in “Castaways”, where Merfolk’s DIY ethos and cinematic ambition collide via its premiere on NoCleanSinging HERE.
​
Unveiled on May 26th, 2025, “Sundaland” by Merfolk transcends the boundaries of a traditional album; it’s a plunge into a myth-soaked realm where metal meets mysticism. This sonic excavation unearths ancient lore and raw emotional terrain, offering a listening experience that’s as intense as it is unpredictable. For those drawn to the arcane and the avant-garde, Sundaland is a must. And for the fearless few ready to descend deeper, the abyss awaits.
​
​“Sundaland” is available at https://artists.landr.com/990591564626​

Track Listing:​
1. The Plowing Sea – 3:04
2. Krasue Came Warning – 4:15
3. The Ghost Fleet – 6:59
4. Castaways – 6:05
5. Sundaland – 1:54
6. Time Warp – 2:49
7. MOUSEHUNT !!! – 4:22

Album Credits:​
All words, vocal, music, arrangements, and performances by Patrick Loisel
Keyboards, violins, cellos, and contrabasses recorded in Laval-Ouest in 2023
Drums, guitars, bass, and vocals recorded in St-Henri (Montréal,) summer/fall 2024.
Mixed by Patrick Loisel in St-Henri, January and February 2025.
Mastered by Alain Londero in Laval, March 2025.
Booklet by Patrick Loisel & Jean-Rémi Marceau
Guitar: Merfolk 2018 ( Mini RR V in walnut with EMG pickup)
Bass: Merfolk 2023: Fretless 5 strings in purpleheart with Bond pickup.

More info: https://www.melogy.ca/merfolk | https://www.facebook.com/profile.php?id=61553443841461​

-30-

—
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0 Canada’s HARVESTED Demonstrates Technical Mastery in “Synaptic Confusion” Play-Through Video; New Album “Dysthymia” Out Aug 1st

  • July 15, 2025
  • by Asher
  • · Harvested · Music News

NEWS RELEASE

Montreal, QC – July 15, 2025

Canada’s HARVESTED Demonstrates Technical Mastery in “Synaptic Confusion” Play-Through Video

New Album “Dysthymia” Out August 1st, 2025

Album Line-up: (L-R) – Jacob Collins – Drums, Vitto Oh – Guitars, Mitchi Dimitriadis – Guitars, Adam Semler – Vocals, Eric Forget – Bass

Photographer Credit: Kristen Semler

technical death metal outfit Harvested showcases their instrumental prowess with a band play-through video for “Synaptic Confusion”, ahead of their August 1st album release “Dysthymia”. The performance video highlights the intricate musicianship that defines the band’s approach to extreme metal. They comment on the track:

“This is one of our groovier tracks that also really focuses on melody. This one grabs onto you from the beginning till the end. This track describes someone who can’t tell the difference between a dream and reality. Our amalgamation of styles and influences can be heard in this album, and we can’t wait to present it to the world, considering the 2022 EP did so well, and it was just our debut.”

“Synaptic Confusion” ushers in the band’s evolution, featuring the complex drumwork of Jacob Collins, whose ‘old-school death metal feel with a modern touch’ provides intricate yet aggressive grooves that anchor the composition. Guitarist Mitchi Dimitriadis delivers the kind of technical riffing that draws comparisons to modern technical death metal innovators while maintaining the raw aggression of classic death metal. The interplay between Eric Forget’s bass work and the overall rhythmic foundation demonstrates why the band takes pride in ‘being tight and showcasing our musical capabilities’.

The play-through format of the video allows viewers to witness the band’s technical execution firsthand, reinforcing their reputation for seamless integration of multiple death metal subgenres. From technical death metal complexity to brutal death metal aggression and old-school death metal foundation, “Synaptic Confusion” encapsulates the diverse influences that make “Dysthymia” such a compelling release. It is recommended for fans of Dying Fetus, Cattle Decapitation, and Decapitated.

Watch and listen to the playthrough for “Synaptic Confusion” via its premiere on NoCleanSinging HERE.

Spotify Album pre-save – https://distrokid.com/hyperfollow/harvested1/dysthymia​

Album pre-order (out August 1st) – https://harvested.bandcamp.com​

Music Video “Harvested” – https://youtu.be/geF_C-Qn_7s​

Lyric Video “The Infestation” – https://youtu.be/XwQ1bs7NdZw​

Track Listing:​
1. Harvested (3:28)
2. Repressed Neurosis (3:32)
3. Unending Madness (3:21)
4. Synaptic Confusion (3:30)
5. Designed Dilemma (3:18)
6. Gathered and Deluded (3:00)
7. Voices of the Void (3:16)
8. Unanchored (3:51)
9. The Infestation (4:36)
Album Length: 31:55

Album Credits:​
Artwork by: CJ Bertram
All songs written and produced by: Harvested
Mixed and Mastered by: (Joe Lyko) Darkmoon Productions

Album Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Jacob Collins – Drums

Live Band Lineup:​
Adam Semler – Vocals
Mitchi Dimitriadis – Guitars
Vitto Oh – Guitars
Eric Forget – Bass
Nick Rodgers – Drums

More info: Facebook.com/harvested666 | Instagram.com/harvestedband​

– 30 –

“Canadian death metal band Harvested announce their new album Dysthymia, out August 1. The record will be their first release since their 2022 demo and blends technical, brutal and old-school death metal into a sound all their own.” – Decibel Magazine

“The Ottawa, Canada-based death metal band’s full-length demo of 2025 does the job. As evidenced by the cover artwork and title – Dysthymia refers to a persistent depression – the theme here is mental illness. Songs like Repressed Neurosis, Unending Madness and Synaptic Confusion tell the tale. One thing remains steadfast: the band’s sound comes across as Cannibal Corpse meets Cryptopsy meets Suffocation. The lyrics mention “human waste” at one point. The aforementioned Synaptic Confusion is a highlight with a gigantic chord and a loud bass. Gathered And Deluded is another good one. It has nifty speed riffing. Designed Dilemma delivers a delicious solo. This is meat and potatoes death metal that is tight and accomplished… this is the type of release death metal fans would cherish.” – Metallian.com

Press from 2022 Self-Titled EP:

​MetalSucks – 10 Modern Canadian Death Metal Bands – “Ottawa’s Harvested present mental illness and the sometimes-deplorable actions resulting from it with their debut EP, Harvested. Harvested describe themselves as a modern death metal band with ‘90s and early ‘2000s influences, though what you’ll notice when listening is that Harvested are, probably due to the members’ prior history in the scene, skilled songwriters who don’t sacrifice catchiness for brutality. Songs like “Bludgeoned” skip the pleasantries and grab you by the nuts from the first second, though the torturous massage that follows is one you’ll be coming back to.” – MetalSucks

#11 – Harvested – Top 20 – August 2022 Loud Charts (Earshot)

#13 – Harvested – Top 20 – June 2022 Loud Charts (Earshot)

“From the first notes of first track ‘Apathetic’ you realize that these men are a serious bet to get a place in the death metal scene, with solid riffs and powerful rhythmic base, also melodic but not soft solo… I like this EP very much, it has all parts you need to listen to death metal: brutality, technical, good execution, guttural, screams, and growls, blast beats, double bass drums parts, virtuous parts and most important, good songs, it’s a sample of how to make everything fit correctly.” 4.5/5 – Brutalism

“There are very few things that are more exciting within the world of music than a good debut. A solid start for a band is something that should get every fan of the style of music the group plays jacked for what could hopefully be a long and fruitful career. Proficient debuts give you something to jam out to in the present but also hope for the future. Take my word for it, the self-titled debut EP from Ottawa-based Harvested (out May 7) is just that type of invigorating release.” – Metal Plague

“Thrashing guitars, blasting drums, and intense, chesty vocals start and end each track. Recording quality and production is good, allowing each of the instruments to cut through the mix… there is a tremendous amount of potential in this band, and I’d absolutely love to hear more from them. I certainly hope that in the coming years, the pace doesn’t slow or abate, as this EP ought to be on any tech-death fan’s radar for mid-2022.” – Metal Epidemic

“Each one of these cuts is something of a short, sharp shock at around the 210 second mark, while other bands could trim some fat and loose a chorus and verse, Harvested go straight for the jugular live and direct, leaving you wanting that extra chorus and verse which is testament to how good their debut really is. A clean and crisp high quality recording, if we were wine drinkers we would say it goes down like a glass of Chenin Blanc but chances are that if you had a glass in your hand, it would be smashed on the floor in your rush to get to the pit for this. ” – Metal Noise

“From the way closer ‘Bereavement’ comes to a thunderous close, you can just FEEL the energy of what is still to come. ‘Harvested’ is a good start, but I know this band have more in them and I look forward to what comes next. But if you need your head caved in for sixteen and a half minutes, Harvested can sort you right out.” – The Killchain Blog

“For a record that’s only fifteen minutes, the tracks on Harvested’s self-titled waste no time in establishing their barbarous quality. Among the style of tech, groove and dissonance, Harvested definitely went for the grooves! The members definitely know their roots and aren’t afraid to pay homage to them. The production quality has an old-school touch to it, which adds a raw vicious quality to the overall soundscape the band has painted. The abominable monstrosity that takes birth, mixed in with serious topics of Mental Illness accounts for a remorseless experience. While this might just be the starting point for Harvested, their self-titled EP establishes their grounds in the extreme realm of metal – all we can do now is wait and watch for what Harvested has to offer next! ” – Metal Genesis

“Five tracks in all with not a single entry which disappoints those who wish for their audio to incite movement. With quality like this on offer scouts should be scrambling over themselves in hopes to represent. I’m expecting future releases to propel the act to the lips of an excitable many.” – Cult Metal Flix

“Non-stop heaviness from start to finish. Every song has a different experience yet they all have memorable and catchy riffs that engage the listener” – Eric Morotti (Drummer of Suffocation)

—
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0 Texas’ ABOLISHMENT OF FLESH Drops Devastating Music Video for “Disavowed” Off “Resurrecting Misanthropy” EP Out Now!

  • February 11, 2025
  • by Asher
  • · Abolishment of Flesh · Music News

NEWS RELEASE

Montreal, QC – February 11, 2024

Texas’ ABOLISHMENT OF FLESH Drops Devastating Music Video for “Disavowed” Off “Resurrecting Misanthropy” EP Out Now!

Live Lineup – Top Left – Ramon Cazares – Guitars, Vocals – Top Right – Izaak Chavez – Guitar

Bottom Left – Jake Lahniers – Bass, Backing Vocals – Bottom Right – Adrian Galindo – Drums

Texas death metal tyrants Abolishment of Flesh are unshackling their new music video for “Disavowed”, the closing track from their 2023 EP “Resurrecting Misanthropy”. The video continues the band’s tradition of creating intense, uncompromising visual experiences that match their sonic brutality. Ramon Cazares (guitars/bass/drums/vocals) explains the track in his own words:

“I wrote this song a couple of years ago. In a way, this could be a continuation of “Hater of Man”. It’s about a person that’s grown old and became misanthropic. This takes place in the future. It’s a reflection of how the world and society have failed this person. They’ve finally given up on everything and just sit and wait for death.”

At just over four minutes, “Disavowed” represents the band’s evolved sound – more structured yet still maintaining the raw, chaotic energy that has defined their music since their early days. There’s a little bit of something for everyone on the EP; Abolishment of Flesh is not just death metal – they throw in some black metal, melody, thrash, groove, and grind. Combined with anti-human themes, they deliver death and destruction.

“Disavowed” embodies the band’s message of anti-human sentiment, delivered with surgical precision and unbridled aggression. It is recommended for fans of Amon Amarth Kataklysm, and Suffocation.

Watch and listen to the video for “Disavowed” via its premiere on NoCleanSinging HERE.

“Resurrecting Misanthropy” is out now at Abolishmentofflesh.bandcamp.com and Spotify.

Music Video – “Hater of Man” – https://youtu.be/KIXiepFhV3g​

Lyric Video “Words Defy Truth” – https://youtu.be/vYJ1LwFnx7M​

Track Listing:​
1. Words Defy Truth (4:00)
2. Hater of Man (3:23)
3. Disavowed (4:04)
​

More info: ​​Abolishmentofflesh.com | Facebook.com/abolishmentoffleshofficial | X.com/abolishmenttxdm | Youtube.com/@abolishmentoffleshofficial | Instagram.com/abolishmentoffleshofficial​

-30-

“A brutal sonic assault on the senses, there are moments that sound like they were influenced by the early days of Sepultura with the raw, unpolished quality of the recording itself adding to the charm. If you’re new to Abolishment Of Flesh this is a baptism of fire.” – Metal Noise

“A production to seek out by those who enjoy a polished and presumably technical variety of extreme metal that balance tight and vibrant aggression with more elegant and inviting phases defined by an accessible flow and momentum.” – Viking in the Wilderness

“Spiraling and crazed death metal from Amarillo, The Abolishment Of Flesh’s debut proves they aren’t messing around.” – Metal Injection (Inhuman Condition 2018)​
​

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0 Saudi Metal DUNE’s Lyric Video For “Sieve” Is A Potent Thrash Attack Off Their Debut EP “Years Of Chains”

  • July 9, 2024
  • by Asher
  • · DUNE · Music News

NEWS RELEASE

Montreal, QC – July 9, 2024

Saudi Metal DUNE’s Lyric Video For “Sieve” Is A Potent Thrash Attack Off Their Debut EP “Years Of Chains”

​

Saudi thrash metal trailblazers DUNE are now unleashing a lyric video for the sonic onslaught “Sieve” a formidable track from their freshly released debut EP “Years Of Chains” which came out this May. Known for their genre-defying fusion and unrelenting energy, DUNE‘s latest offering is set to captivate metal enthusiasts worldwide. “Sieve” is a testament to the band’s evolution and their commitment to delivering a unique and powerful musical experience. The comment on the creation of the EP:

“Years of Chains” is an EP that we wrote years ago but didn’t get a chance to properly record due to multiple difficulties that came our way, after years we have chosen a list of the songs from the originals we have for the EP. The recording process was fun yet we looked for perfection to make the songs as we imagined them with the best quality that we could make.”

The track is the introduction to the EP and provides an eerie start to the chaos and aggression that follows. It clocks in at 4:41 and showcases DUNE‘s signature blend of chainsaw-heavy guitars, chunky bass slaps, intricate drum techniques, and aggressive vocals.

DUNE is excited to see the reception to their debut offering, it is a dark journey into tumultuous subjects and deep dark thoughts influenced by their culture and personal traumas. This EP comes from a mixture of hard work, ambition, introspection, and hostility and is recommended for fans of Testament, Metallica, and Korn.

Watch and listen to the lyric video for “Sieve” via its premiere on NoCleanSinging HERE.

Dune‘s new EP “Years Of Chains” is available on all digital platforms at https://linktr.ee/dune.0fficial​

Spotify – https://spoti.fi/4e62mYg​

Track Listing:​
1. Sieve – 4:41
2. Reject – 5:06
3. Insidious – 4:28
4. Refuge – 4:35
EP Length: 18:52

More info: https://instagram.com/dune.0fficial | https://www.facebook.com/dune.0fficial​

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“Galloping thrash metal from Saudi Arabia, Refuge is taken from Dune’s first ever EP, Years Of Chains, which arrives next month. Incredibly, 2024 marks the twentieth anniversary of Dune’s formation, so whether you’ve been into them for a while or are new to their particular brand of noise, there’s no bad time to get on board. Refuge may be a little rough around the edges, but there’s no arguing with those riffs!”- Metal Hammer

“There is a moment during “Years of Chains” where Dune vocalist Samer Nakhala lets fly with a scream which could have been lifted from any mid-90s Slayer recording. Elsewhere throughout this four-track effort, Dune takes you on a trip combining old-school and modern thrash metal. Like the scream, you can pick out plenty of influences such as Pantera and Slayer throughout these eighteen minutes while lyrically, the band explore a world of dark thoughts and aggression. All combined, “Years of Chains” is a veritable feast of punchy thrash for those who like to bang their hands.” – V13.net

““Sieve,” the opening track builds suspense and fills the listener with a sense of foreboding. Directing the chaotic edge into the whirlwind.” – The Median Man

—
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0 OMNIVIDE’s “Cosmic Convergence” Puts A Progressive Metal Spin On Astrophysics Off Debut Album “A Tale of Fire” Out March 2024 + Canadian Tour Dates (NB, NS, QC, ON)

  • March 5, 2024
  • by Asher
  • · Music News · Omnivide

NEWS RELEASE

Montreal, QC – March 5, 2024

Moncton’s OMNIVIDE Put A Progressive Metal Spin On Astrophysics in “Cosmic Convergence”

Debut Full-Length “A Tale Of Fire” Out March 22, 2024

Eastern Canadian Tour Dates (NB, NS, QC, ON)

L-R – Alex Cormier (Bass), Nicolas Pierre Boudreau (Guitar), Samuel Frenette (Guitar & Vocals), Samuel Lavoie (Keyboards), Marc-André Richard (Drums)

Photo Credit – Deepti Suddul – DeeptiSuddul.com​

​

Omnivide, a progressive metal band formed in 2020, is on the cusp of releasing their debut album, “A Tale of Fire,” in March 2024. Comprising members with diverse musical influences, the band aimed to create a unique blend of progressive, death, and symphonic metal. The album is a musical journey, alternating between intense heaviness and beautiful, emotional sections. Omnivide seeks to offer listeners a complete experience, combining excitement, energy, and contrasting emotions throughout the album. The third single “Cosmic Convergence” takes the listener to the end of days, which the band explains in further detail:

“Lyrically, this song is about the Big Crunch, the opposite of the Big Bang, when astrophysicists predict that the universe will stop expanding and instead collapse on itself back to a single, infinitely small and dense point of matter. The lyrics describe this process in a poetic way in the first section of the song, with the final chorus shifting perspectives from that of the universe itself to a single human witnessing this process, with the lines ‘One final cry/Begging not to die/As all we are is swallowed by stars’.”

“Cosmic Convergence” was written by Samuel Frenette and is composed of some fast and technical riffs, some more straightforward, but all very melodic with heavy layers of orchestration, and a lot of clean vocals compared to most songs on the album. This song is extremely high-octane in a melancholic and epic way, that tries to communicate the sense of desperation and urgency of the lyrics, with the song being about the end of the universe.

Dark melodies, groovy punches, distorted chord progressions, screaming vocals, and melodic guitar solos are the key elements in this apocalyptic and epic song. It is recommended for all prog fans, especially those with an interest in Obscura, Alkaloid, and Devin Townsend.

Watch and listen to “Cosmic Convergence” via its lyric video premiere on NoCleanSinging HERE.

Due out on March 22, 2024, “A Tale of Fire” is available for album pre-save at https://linktr.ee/omnivide.

Lyric Video – “Holy Killer” – https://youtu.be/gwIYIHQK_i0​

Band Playthrough – “Opulence” – https://youtu.be/cS4yRxU2PWM​

Spotify – https://spoti.fi/3HR8e91​

Track Listing:​
1. Clarity – 6:44
2. Opulence – 4.48
3. Desolate – 7:35
4. A Tale of Fire – 5:05
5. Cosmic Convergence – 5:04
6. Holy Killer – 5:06
7. Death Be Not Proud – 6:32
8. Stoned Dragon – 7:45
Album Length: 48:44

Omnivide – A Tour of Fire
March 29th – Moncton, NB @ Xeroz Arcade/Bar *
March 30th – Fredericton, NB @ The Cap *
April 5th – Saint John, NB @ The Panic Room *
April 6th – Halifax, NS @ Gus’ Pub
April 10 – Edmundston, NB @ Microbrasserie Ateepic
April 11 – Trois-Rivières, QC @ La Taverne Royale
April 12 – Montreal, QC @ Traxide
April 13 – Quebec City, QC @ Source de la Martinière
April 14 – Sherbrooke, QC @ Le Murdoch
April 15 – Oshawa, ON @ The Atria #
April 16 – Guelph, ON @ Red Papaya #
April 17 – Ottawa, ON @ Dominion Tavern #
April 18 – Toronto, ON @ Hard Luck #
April 19 – Waterloo, ON @ Dive Bar #
April 20 – Newmarket, ON @ The Spot #
* With BLEVK
# With Sentiment Dissolve

More info: Omnivide.ca

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0 Gore House Prod. – Guts, Gore, and More Awaits In “Skid Row Slasher” From STAGES OF DECOMPOSITION Off New Album “Raptures of Psychopathy” Out Feb 2024

  • December 6, 2023
  • by Asher
  • · Music News · Stages of Decomposition (Gore House Productions)

NEWS RELEASE

Montreal, QC – December 6, 2023

Guts, Gore, and More Awaits In “Skid Row Slasher” From STAGES OF DECOMPOSITION

New Album “Raptures of Psychopathy” Out Feb 2024 From Gore House Productions

Since the release of their brutal debut “Piles of Rotting Flesh”, the relentless purveyors of brutal L.A. death grind, Stages of Decomposition are back with a gritty, slamming single titled “Skid Row Slasher”. This track, along with the video, is the first look at their gruesome third album “Raptures of Psychopathy”, which will be released this coming February 2024 from Gore House Productions. “Skid Row Slasher” delves into the haunting tale of the murderers who terrorized the homeless community in the infamous L.A. neighborhood. The band explains in further detail:

“This song is about the infamous Skid Row Slasher and the Skid Row Stabber, both murderers who roamed the streets for victims. We wanted to make this song our first single to represent our theme of serial killers but also represent our city of Los Angeles in a twisted way of how psychotic L.A. can be.”

Known for their massive and impactful delivery of extreme brutality, Stages of Decomposition fuses heart-splitting blast beats, corpulent riffage, and sickening gutturals to create a destructive performance that channels raw primitive energy from the crowd. The band’s unique blend of slamming brutal LA death grind captivates audiences, leaving them entranced in the horrors depicted in their music.

Commenting on their creative process, the band explains that they brainstorm riffs and rhythms during practice sessions, and collaboratively shape the music with the raw brutality of their signature sound. Each song embodies a concept relative to the overall theme of the album, exploring all facets of the general horror theme – from movies to serial killers, events, etc.

“Raptures of Psychopathy” is a visceral exploration of the dark and macabre, a hallmark of Stages of Decomposition’s thematic approach. Coming out on February 2, 2024, by Gore House Productions, it is recommended for fans of Mortician, Dying Fetus, and Devourment.

Watch the video for “Skid Row Slasher” via its worldwide premiere on NoCleanSinging HERE.

Digital pre-save- https://orcd.co/sod-skidrowslasher​

Album pre-order – https://orcd.co/raptures-of-psychopathy​

Track Listing:​
1. Drilling of the Cerebellum – 4:59
2. What Lies Within – 3:10
3. Beast of Jersey 2:42
4. Killing Under Possession – 3:36
5. Murder by Proxy – 3:26
6. Skid Row Slasher – 3:36
7. Carve out the Eyes – 2:37
8. Fetal Devourment – 3:04
9. Crawl Space Burial – 3:12
10. Human Extermination – 3:46
11. Mass Psychosis – 2:09
Album Length: 36:19

More info:

​​Gorehouseproductions.com​ | Facebook.com/StagesofDecomposition | Instagram.com/stagesofdecomposition_official​

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“This is pure bang your head ‘till it pulps music. From growling guitars to smash the kit into pieces drumming, then snarling vocals, and a horror tinge (as we’ll see). It’s only right that they’re signed to Gorehouse Productions… Stages of Decomposition are tight, they can be felt as well as heard. The album (Piles of Rotting Flesh) is consistent with no weak moments. You will bleed, this will hurt. For proof check the official video below.” – Severed-Cinema

“It’s a brutal assault on your ears in the same style as bands like Cannibal Corpse.” – Games, Brrraaains & A Head-Banging Life (EP – Crawl Space Burial)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Searing The Extreme PESSIMYSTIC’s Album “Burnt Offering” Makes Its Blistering Debut; Produced By Topon Das (Fuck the Facts)

  • November 22, 2023
  • by Asher
  • · Music News · Pessimystic

NEWS RELEASE

Montreal, QC – November 22, 2023

​

Searing The Extreme PESSIMYSTIC’s Album “Burnt Offering” Makes Its Blistering Debut

L- R – Nic (Bass) | Ryan (Guitars and Vocals) | Mat (Drums)

Searing death and black metal influences to scorch fans of experimental extreme, Canadian trio Pessimystic unleashes its blistering introduction “Burnt Offering” produced by Topon Das at Apt 2 Recording (Fuck the Facts, Deformatory, Eclipser).

Bridging the chasm between dark, dissonant riffs and hook-focused compositions, the five-track record lyrically explores Biblical scripture, mysticism, philosophy, and theology. The album artwork was created by Misanthropic Art and is an original piece inspired by Ezekiel 1. Instead of a vision of God’s glory, the image represents God’s judgement.

“Under its dense and dissonant shroud, “Burnt Offering” combines the wrath and fury of death metal with the intensity and melodic echoes of black metal. The album captures deep textures and a natural, organic energy. With its meshed layers of intricate technical details, it showcases both performance and dedication Pessimystic has to offer.” adds the band.

The opening track, “Conquer the Pantheon”, was chosen to initiate Pessimystic’s debut record, due to its momentous energy. It begins with a rolling and thunderous beat, accompanied by an arpeggiated guitar section, creating a primitive and rhythmic atmosphere. This builds towards an aggressive, yet melodic barrage of tremolo chord progressions and blast beats. The song has a direct structure, allowing the listener to become acquainted with the album’s sonic landscape. The second track, “Visions”, is an apocalyptic revelation of divine retribution. It draws inspiration from the horrific events depicted in the bible, predicted by the prophets. It is the most resonant and melodic song on the record, from a vocal standpoint. It has a purposefully straightforward composition, yet it is laden with detailed and immersive musical passages. The title track, “Burnt Offering”, is the culmination of Pessimystic’s resolve and lyrical theology represented on this album. It is about sacrifice through immolation of the self and absorption into absolute unity with God. This track showcases the diversity of the band’s sound; weaving tense, bewildering dissonance into ominous psychedelia, and finishing with cathartic release. “Crystalline”, the overall tone of this song is injected with more death metal and doom influence than all of the previous tracks combined. In stark contrast with its heavy and brooding sound, the lyrics evoke an ecstatic trance that imagines the mystical and transformative experience of seeing the light and hearing the voice of God. To close out the record, “Omnipresent Malevolence”, leads the listener down an unsettling path toward destruction. Lyrically, this song is a lamentation directed at the almighty, concerned primarily with evil and suffering. It begs the question; why do terrible things happen to righteous people, while sinful deeds go unpunished? How can this world so abound with wickedness if it is the creation of an all-benevolent, all-knowing, and all-powerful God? The menacing instrumental fury of “Omnipresent Malevolence” is an unorthodox blackened death epic, possessed by foreboding grooves, and intensified by pummeling brutality from start to finish.

Pessimystic intends to compose and release EPs and albums on an annual basis, building momentum fast and spreading their energy far and deep. The band intends to promote the album in front of live audiences in Ontario, Quebec, and anywhere else there may be opportunities to play live in the year to come.

Listen to the ferocity of “Burnt Offering” via its full stream premiere on NoCleanSinging HERE.

“Burnt Offering” is due out on November 24, 2023, and is available for pre-order on Pessimysticofficial.bandcamp.com​

Video – “Burnt Offering” – https://youtu.be/4ZTFOvs6tDg

​

Track Listing:​
1. Conquer the Pantheon – 4:05
2. Visions – 6:19
3. Burnt Offering – 4:25
4. Crystalline – 5:05
5. Omnipresent Malevolence – 6:50
EP Length: 26:47

More info: Facebook.com/PessimysticOfficial ​
​

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—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Wacken Metal Battle Canada Champs STRIGAMPIRE Release Anthemic Video “Sold Our Soul” Off New Album “All To Dominate” Out Dec 2023; Produced by Christian Donaldson (Cryptopsy)

  • November 20, 2023
  • by Asher
  • · Music News · Strigampire

NEWS RELEASE

Montreal, QC – November 20, 2023

Wacken Metal Battle Canada Champs STRIGAMPIRE Release Anthemic Video “Sold Our Soul”

New Album “All To Dominate” Out Dec 15th, 2023

Produced by Christian Donaldson (Cryptopsy)

L-R – (Back row) James Foster / Drums – BadGuy P / Bass (Front row) – Steve DC / Vocals – Willy Thousand / Guitars – Johnny Dead / Guitars

In 2001, Canada’s Strigampire emerged onto the music scene, captivating audiences with their eloquence and delivering electrifying live performances. Over the years, their intense energy has earned them recognition and opportunities to share the stage with renowned international bands, as well as playing the Wacken stage this year after being crowned Metal Battle Canada champs. They are rounding off this year by releasing a second single “Sold Our Soul” off their third album “All To Dominate”, which is being released this coming December. Vocalist Steve DC shares his thoughts on the single:

“It talks about our passion for heavy metal music. I explain that we dedicate our lives to music, even if it means making sacrifices. I reference the idea of selling our soul to the devil for the love of heavy and rock music! I elaborate that, in my opinion, it’s important to sometimes stop fixating on the horizon and thinking about the destination, and instead take the time to appreciate the wonders that surround us in this wild adventure along the path of life.”

Musically, “Sold Our Soul” is a true heavy metal anthem, the atmosphere surrounding it is electrifying and incredibly badass. However, at times, it delves into a more mystical and less in-your-face ambiance, with a guitar melody that gradually evolves to culminate in an epic solo, emblematic of the rock & roll spirit. This song embodies a remarkable fusion of rock’s fervour and the extravagance of metal.

The high-energy elements seamlessly blend with introspective moments, creating a striking balance. In essence, “Sold Our Soul” is a true reflection of Strigampire’s identity as an extreme rock band, and celebrates the roots of heavy metal while capturing the raw energy and melodic finesse that characterize their music. It is recommended for fans of Children Of Bodom, Guns ‘n Roses, and At The Gates.

Watch and listen to the music video for “Sold Our Soul” via its premiere on NoCleanSinging HERE.

“All To Dominate” is due out on December 15, 2023, and is available for pre-order (CD/Digital) at https://strigampire.bandcamp.com.

Lyric Video – “Liberty” – https://youtu.be/ocjvdclKICQ​

Track Listing​
1. Liberty (4:37)
2. Dominate Them All (4:17)
3. Sold Our Soul (5:31)
4. In The Maze of The Lost (4:23)
5. Where I Belong (6:11)
6. Basking In Paradise (5:02)
7. Death Silence (4:49)
8. The Day I’ll Join You (4:24)
9. Brave The Tempest (4:21)
10. TNT (AC/DC cover) (3:32)
Album Length (47:07)

Album Recording Credits:​
• All songs performed by: Strigampire
• All songs written by: Johnny Dead & Willy Thousand
• Produced by: Christian Donaldson & Strigampire
• Mixed by: Christian Donaldson
• Mastered by: Christian Donaldson
• Album Artwork by: Dan “Dotel” Turcotte

Album and Live Band Line Up:​
Steve DC – Vocals
Johnny Dead – Guitars
Willy Thousand – Guitars
BadGuy P. Provencher – Bass
James Foster – Drums

More info: Strigampire.com | Facebook.com/Strigampire | Instagram.com/strigampire​

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“Charisma, efficiency, and talent are three fitting words to describe Strigampire’s performance. With music that blends the finest elements of black metal and melodic death metal, and a phenomenal stage presence.” Fred Laroche – Capitale Du Métal

“This group is a treasure from Quebec and they did not come back from Wacken Open Air in Germany for nothing, they were finally noticed after years of work and it is well deserved because they are in their place performing in front of us with such conviction. We are talking about musicians of great quality with a lot of movement despite the difficulty of what they play most of the time. I would have loved for them to play on the big stage with the big sound, but it was Mononc Serge and Anonymus who were coming to close the long day of festivities.” – Metal Universe

“A music group from Trois-Rivières, Strigampire, will participate in the most important death metal festival, Wacken Open Air, this summer in Germany.” CBC Radio Canada

“It’s the story of five teenagers who form a musical group at the age of 15. They rehearse at school at lunchtime, in their parents’ basement or garage in the evenings and on weekends. They have nourished their passion for more than 20 years. They could never have suspected that this adventure would lead them to the most prestigious international heavy metal music competition. The Strigampire group from Trois-Rivières will represent Canada at the Wacken Battle Music in Germany on August 2.” – L’Hebdo Journal

“Throughout the album (One Fix, Nine Clouds and Six Feet Deep), the Canadian quintet walk the line between throat-shredding aggression and accessible melodies.” – Decibel Magazine

“Strigampire are a melodic death metal band offering a unique blend of aggression, bitterness and power combined with a rock and roll attitude.” – La Grosse Radio Metal

““The Only Hell I Know” balances between ripping vocals and galloping, melodic riffs.” – Decibel Magazine (2018 – One Fix, Nine Clouds and Six Feet Deep)

“If a combo has reached a level like STRIGAMPIRE on “One Fix, Nine Clouds & Six Feet Deep”, you can’t make enough use of it. Two thumbs up for this fine piece of melodic death lead entertainment!” – PowerMetal.de

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 Gore House Productions – Streaming Now! UK’s FOETAL JUICE’s Disgustingly Deviant Album “Grotesque” Is Now Ready To Be Devoured

  • November 16, 2023
  • by Asher
  • · Foetal Juice (Gore House Productions) · Music News

NEWS RELEASE

Montreal, QC – November 16, 2023

Streaming Now! UK’s FOETAL JUICE’s Disgustingly Deviant Album “Grotesque” Is Now Ready To Be Devoured

New Album “Grotesque” Out November 17th, 2023 via Gore House Productions

(L-R): Lewis Bridges (Bass), Derek Carley (Vocals), Ryan Whittaker (Guitar), Rob Harris (Drums)

Photo Credit – Karen Carley

​

Prepare to be horrified as England’s Foetal Juice dives into a myriad of sick and twisted topics on their latest release “Grotesque”. This is the ninth instalment in their disgusting and deranged discography that has been swelling like an abscess since 2005. It’s a relentless barrage of blast beats, horror and gore that will have you questioning your sanity.

On “Grotesque”, the band blends the harsh nuances of grindcore, death and black metal, infusing them with inescapably high-quality musicianship and endearingly insalubrious lyrics, to produce superior, revolting extreme metal, and an audial experience akin to the pleasure of perforating a throbbing, rancid boil; immensely satisfying and intensely disgusting. They comment on this new release:

“We really wanted to push our abilities as far as we could with this one by introducing speeds and techniques we haven’t used in the past. I think overall we have accomplished this and even added other elements such as the intro to the last song. It’s a route we have never taken before but it has turned out really well. We are very happy with the results.”

Foetal Juice’s sound is a melting pot of influences, ranging from death metal and grindcore to black metal, gore, groove, thrash, and even Enya. Their evolution as a band has brought new dimensions to their music, incorporating diverse elements while staying true to their death metal roots.

Notorious for their catalogue of unpleasantries and musical vulgarities, this album promises to be heavier, catchier, faster, and more aggressive than anything they’ve ever done before. It’s a relentless assault on the senses, and Foetal Juice is ready to claim its place in the annals of brutal death metal.

“Grotesque” was produced, mixed and mastered by Chris Fielding and the album artwork was done by Misanthropic Art that captures the desperation of humankind. It is recommended listening for aficionados of brutality and gore, and those who enjoy Cannibal Corpse, Deicide, and Vomitory.

Listen to the full album stream for “Grotesque” via its worldwide premiere on NoCleanSinging HERE.

“Grotesque” is due out on November 17th, 2023 via Gore House Productions and is available for album pre-order (Cassette/ CD)/digital) pre-save at https://orcd.co/grotesque.

Lyric Video – Legion of the Grotesque – https://youtu.be/NSoU2PuPZHo​

Music Video –Ghoul Amongst the Mouldering Dead” – https://youtu.be/3aGbvw-cQL4​

Track Listings:​
1. Human Beach Master (3:50)
2. Mountain of Gore (3:10)
3.: Legion of the Grotesque (4:45)
4. Ghoul Amongst the Mouldering Dead (3:37)
5. Two Bongs Don’t Make a Right (1:26)
6. Cunt of the Litter (3:19)
7. Cemetery Leachate (4:39)
8. The Walking Groin (3:35)
9. Torn Apart (3:30)
10. F. K. E. O (3:59)
11. Gruesome (5:10)
Album Length: 41:06

More Info:

​​Gorehouseproductions.com​ | ​Facebook.com/GoreHouseProductionsOfficial​ | ​Instagram.com/gorehouseproductions

​Facebook.com/foetaljuice | Twitter.com/FoetalJuice | Instagram.com/foetaljuice

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“it is rare for a genre this ingrained to be played straight with such eagerness and unrelenting energy, and that alone puts Foetal Juice ahead of the pack.” – 4/5 – Angry Metal Guy

“Gluttony shows us FOETAL JUICE at their fastest, heaviest and most aggressive. They’ve taken the fire and surging adrenaline of their live shows and have harnessed that power and it’s been manifested into their sophomore record. Full of grit and gristle that will not be for everybody, but if you fancy some gloriously grotesque death metal, look no further and indulge yourself in a bit of filth.” 9/10 – Distorted Sound Mag

“When the band says that they are at the top of their game and the album is death metal from the top tier, more capable of taking on the biggest names in the genre – and winning, it not just shallow brag. It’s completely true.” – The Razors Edge

“The punishment for gluttony is to be forced fed rats, snakes and toads. Foetal Juice make you swallow something far more repulsive.” – Moshville Times

“Dragging death metal kicking and screaming back to its putrid past (i.e. the late 80’s / early 90’s), the deviants in Manchester’s Foetal Juice deliver nothing but the finest old-school onslaught on their second album, Gluttony. Gorging on the very life-force of death metal’s founding fathers means that Foetal Juice share an undeniable kinship with the likes of Cannibal Corpse (think Bloodthirst era) and Master (circa On the Seventh Day god Created …Master) as they steadfastly go about their barbaric business. That is to say that Foetal Juice take the tastiest chunks of these bands and re-form them into a meaty platter of modern sounding death metal with an old-school twist.” – Worship Metal

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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