Tag: news

0 Vancouver’s HUNTING GIANTS’ New Video “King of Ashes” Harnesses The Vigor of NIN and King Crimson For An Epic Industrial Ballad; New Album “Mythos” Out Now!

November 11, 2022
by Asher
· Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – November 11, 2022

Vancouver’s HUNTING GIANTS’ New Video “King of Ashes” Harnesses The Vigor of NIN and King Crimson For An Epic Industrial Ballad

New Album “Mythos” Out Now!

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

Canada’s Hunting Giants are offering up their next video “King of Ashes” in support of their latest album “Mythos” released this past September. The album’s closer is an epic industrial ballad that is reminiscent of both Nine-Inch-Nails and King Crimson. The vocals ponder on the futility of victory at all costs as the percussion and instruments chase each other in polyrhythmic complementation. A constant yet subtle feedback loop heightens the vocals until they crescendo in a final lament, “Oh, to be the King of Ashes.” In finality, the album comes to a close and fades out with the ringing of a gong.

Watch and listen to “King of Ashes” via its premiere on TheProgSpace HERE.

“Mythos” is the crowning achievement of Hunting Giants‘ many years of musical work, writing and recording while gigging and enduring quarantine as a band during the Covid pandemic. The members of Hunting Giants all came from, and are inspired by, progressive rock and metal bands where songs would often pass the ten-minute mark. However, they desired to keep their own music concise and to the point, intentionally lacking much of the excess material that so often padded run-times of songs in the progressive rock-metal genre. Simple and clean lines are given priority over complicated abstractions that only challenge the player in an athletic way, provided that it serves the music.

Hunting Giants is confident that new listeners, as well as those familiar with them through their previous release “Skyward Eyes”, will find an accomplished intensity and listenability in “Mythos”, which represents their musical growth and evolution. Each of the thirteen songs was specially picked for the album to contribute to the overarching story in a theatrical and energetic manner. With riffs that will inspire and lyrics that will mystify.

“This album is musically very diverse as it ranges from intense white-knuckled metal tracks, down to gentle instrumental tracks peppered with melodic piano and haunting cello, all the way to epic ballads tastefully complimented by choirs, strings, and bells. Mythos lyrically explores archetypes, both heroic and villainous, that affect the world around us, as well as the inevitable fates which arise when these values are heinously held and expressed.” adds the band.

Hunting Giants is recommended for those who enjoy a 90s vibe and progressive elements, especially fans of Alice In Chains, Soundgarden, Tool, and Audioslave.

“Mythos” is available on CD and digital at the following links:

CD order – https://huntinggiants.com/product-category/mythos-albums/

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Previous music videos can be viewed on Hunting Giants‘ YouTube channel HERE.

Track Listing:
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:
HuntingGiants.com
Facebook.com/huntinggiantsband
Instagram.com/huntinggiantsband
Twitter.com/huntinggiants

About:
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.

This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.

Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP

Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

“A glorious adventure is about to begin, starting right here today! Heavy metallers Hunting Giants are debuting their brand new music video for “Rituals,” the first single from their upcoming album Mythos. The song indicates the zeal and the ambition that the band is bringing towards this new record, due for release on September 30th. The “Rituals” video matches the flat-out intensity of the song, one that discusses necromancy and the harshness of hatred and shame.” – V13

“It’s not often that a band is described as ‘a blend of modern hard rock, progressive rock/metal and grunge influences,’ but that is indeed a fitting description of Vancouver’s Hunting Giants” – Bravewords

“Let me say this first, HUNTING GIANTS from Vancouver are REALLY freaking good. These guys are relatively new but they are tighter and more accomplished man many veteran bands.” – Rock You Show

“This is an album (Mythos) that you’ll want to wander through thanks to their technical proficiency and the production value.” – Metal Roos

“a solid listen, and a fairly unique combination of a few different styles. It’s mostly heavy enough for Metal fans, and mostly melodic enough for fans like myself who appreciate a good hook.” – Metal Temple

—
ASHER MEDIA RELATIONS
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0 Canadian Thrashers TRISKELYON Comment On World Events w/ New Music Video “A Time of War” Off New Album “Downfall” Out Now via Moribund Records

November 11, 2022
by Asher
· Music News · Triskelyon

NEWS RELEASE

Montreal, QC – November 11, 2022

Canadian Thrashers TRISKELYON Comment On World Events w/ New Music Video “A Time of War”

New Album “Downfall” Out Now! via Moribund Records

Canadian melodic power thrashers Triskelyon have a new music video to share for their track “A Time of War” off their debut album “Downfall” released on October 28th via Moribund Records. With “Downfall”, Triskelyon deliver an amazing headbanging album that harkens back to the old-school days of such luminaries as Forbidden, Agent Steel, Sentinel Beast, Détente, Overkill, and Testament. The album was mixed/mastered by Michael Small with the post-apocalyptic cover art by IvaanMR11.

“A Time of War” can be seen and heard at https://youtu.be/nyb07v69iPk

Band founder Geoff Waye adds about the hard-hitting speed-moshing track:

“As someone who watches world events with endless wars and conflicts, pandemics, ignorance, and radical left/right division, it’s something that impacted the album and its title. The song “A Time of War” is a part of that, and not surprisingly, is about war and partially about the deplorable ongoing war between Russia and Ukraine. Not only is it about that terrible event, but is also about how the rich oligarchs around the world, whether they be from Russia, or a western country, never really suffer when wars happen, they always profit while the rest of us pay the price, and for some, they pay that price with their very lives.“

Founded by Geoff Waye, guitarist for Artach and Category VI, Triskelyon was conceived in late 2021 as a studio-only project. By January 2022, the band featuring contributions from vocalists Pete Healey and Marlee Ryley (Hyperia), along with drum programming by Raul Marques (Burning Torment) made their introduction to the metal world with a 3-track self-titled EP.

Composed and written mostly by Geoff Waye, with drum programming provided by Raul Marques, “Downfall” sees the band’s next evolution as their first full length and it utilizes a myriad of both male and female guest vocalists from Oberon, Hyperia, Catagory VI and Incidium. “Downfall” has a range and depth of sound unique in today’s modern thrash metal scene, setting the band ahead and apart from the hordes of young new acts. Triskelyon also features guest bass appearances from members of Afterforever and Category VI, making Triskelyon a veritable supergroup of the Canadian metal scene.

Depicting a nature taking over post-apocalyptic view of our ever-screwed-up world, Triskelyon keeps with 80’s thrash tradition employing world-ending yet self-empowering socially conscious lyrical themes. From straight-up 80’s thrashers like “Odyssey (Blessed by Steel)”, to the power metal laced “Find A Way”, and more anthemic thrash tracks such as “Hunger” and “Willful Ignorance”, “Downfall” is sure to satiate even the most discriminating old-school and modern thrash metal fan alike! The album even features a unique and thrashing rendition of the Billy Idol song “Nobody’s Business”.

Triskelyon‘s debut album “Downfall” is available at the following links:

Online ordering:
CD: http://www.moribundcult.com/product/DEAD297.html
Digital: https://triskelyon.bandcamp.com/album/downfall

Music Video – “Balance of Terror” ft. Marie Jackman (Category VI) – https://youtu.be/V0TR8G5oV4g

Lyric Video – “Odyssey (Blessed By Steel)” ft. Marlee Ryley (Hyperia) – https://youtu.be/Z3VWW9YpxIs

Music Video – “Hunger” – https://youtu.be/zAh9PJcDC-o

Track Listing:
1. Hunger (3:01))
2. Find a Way (4:05))
3. Odyssey (Blessed By Steel) (3:34))
4. Willful Ignorance (4:14))
5. A Time of War (4:03))
6. Balance of Terror (4:22))
7. Apex Predator (4:12))
8. Indifference (4:37))
9. Nobody’s Business (Billy Idol cover) (3:54))

Album Credits:
Tracks 1-3 are originally from self-titled demo/EP, the new versions have all been re-recorded bass and have been remixed and remastered.
All songs and lyrics written by Geoff Waye.
All guitars by Geoff Waye.
All drum programming by Raul Marques.
Additional guests:
Dwayne Pike – Bass (tracks 1, 2, 3, 5, 6, 8, 9)
Pete Healey – Vocals (tracks 1, 2, 5, 9)
Marlee Ryley – Vocals (tracks 3, 7)
Amanda Jackman – Vocals (tracks 4, 6)
Des Mason – Vocals (track 4)
Keith Jackman – Bass (track 7)
Darrin Pope – Bass (track 4)
Ellim – Vocals ( track 8 )

For more info:
Triskelyon.bandcamp.com
Facebook.com/Triskelyonmetal

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“This was one of my anticipated albums this year as the EP wet my whistle but was far from being enough to satisfy my metal hunger. Hopefully this is not a one off because this is one of the most unique projects to come across my radar in a long time. I’m curious to see where Mr. Waye takes this project next. We shall see. In the meantime…get this album, you’ll thank me for it!” – Metal-Rules

“The highlight of the opening trio is the rampaging “Odyssey (Blessed By Steel)” which finds Marlee Ryley of Hyperia in fine form. Waye is on the rampage with a collection of frenetic riffs and the result is an adrenaline rush of a song that really gets things going. “A Time of War” then finds Triskelyon in Megadeth territory minus the trademark snarl of Dave Mustaine for what can only be described as a classic Thrash anthem… All in all, there is plenty to enjoy here, especially if you’re a lover of the mighty riff ” – Metal Noise

“Thrash Metal with melody, good arrangements and multiple voices.” – PowerMetal.de

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability, at times also surrounded by a dark atmosphere.” – FFM-Rock

“Most of the songs on here are fast and furious, such as “Balance of Terror” with its Hanneman/King-esque riffing, the skull-piercing “Odyssey (Blessed by Steel)” and the powerful “A Time of War,” though they do slow down a bit on the moody march of “Find a Way” while still remaining heavy as all hell… Triskelyon don’t reinvent the wheel of Power/Thrash, but they sure know how to keep it spinning, and that makes Downfall worth giving a spin of its own.” – The Metal Crypt

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
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0 Have You “Seen” SCATTERED STORM’s New Music Video… A Homage For Their Love of Star Wars + New EP “In This Dying Sun” Out Nov 11th

November 10, 2022
by Asher
· Music News · Scattered Storm

NEWS RELEASE

Montreal, QC – November 10, 2022

Have You “Seen” SCATTERED STORM’s New Music Video… A Homage For Their Love of Star Wars

New EP “In this Dying Sun” Out Nov 11th via Bloodblast Distribution (powered by Nuclear Blast and Believe Digital)

L- R – Jay Arriaga – Drums, Keyboards, Samples, Andre Accosta – Vocals, Kevin Armstrong – Guitar, Brian Fausnaugh – Bass

El Paso, TX’s Scattered Storm etched their way into the metal scene last year with their debut “Oblivion” and now they have returned with a darker, more proggy offering with “In This Dying Sun” due out on November 11th via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital). Showing a certain evolution from the previous effort, they still implement a lot of their core elements which are ambiance, groove, and melodies, but with this new record, they felt the need to explore faster tempos with machine gun-like riffs. They explain the EP further:

“We never lost track of the bigness, especially with Tue Madsen mixing and mastering this record. In our talks, we really emphasized that to him, even though songs are faster, we still want them to sound huge. And boy did he deliver. Sonically this record has been the best one. Madsen was even kind enough to feature the title track for his drum sample pack through Drum Forge because he really dug the song.”

Part of their evolution can be attributed to bringing in their new bass player Brian Fausnaugh full fold. He had recorded previously with them on some songs, so it was a no-brainer. Lyrically, they still draw from books, movies, series, and whatever piques their interests. This EP is intended to be a journey, discussing evolution, putting yourself back together, and the teachings of Yoda.

Today, in celebration of the release of “In this Dying Sun“, Scattered Storm is sharing their new music video for the EP’s closer “Seen”, a musical and lyrical homage to Star Wars.

“This was a very complex song to write vocals to. Because it has many changes. Many ups and downs. Overall it is a very dark song. Its slow riffs and rhythms make it feel like you are in Darth Vader’s home. We used a lot of Star Wars references in this song. Yoda’s teachings. The evolution of being good but then going to a dark place. Fear is the path we yell. As Fear leads to anger, anger leads to pain, and pain leads to suffering. All indications that you are pretty much heading to a dark place.” adds drummer Jay Arriaga.

The video can be seen and heard via its’ premiere on Metal Insider HERE.

Heavy and futuristic, Scattered Storm is recommended for a wide variety of metalheads as they encompass s good blend of the sludge from Meshuggah, the ambiance of Tesseract, and the epicness of Devin Townsend, and are influenced by bands like Fear Factory and Mnemic

“In this Dying Sun” comes out on November 11, 2022, via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital) and is available at the following link – https://bfan.link/in-this-dying-sun

Previous Videos:

Music Video – Bloody Love – https://youtu.be/XR1ualbw3VI

Music Video – In This Dying Sun – https://youtu.be/dTTWILNBBMM

Track Listing:
1. Bloody Love – 4:44
2. The Process – 3:49
3. Hollow – 4:16
4. In this Dying Sun – 3:42
5. Seen – 4:49
EP Length: 21:12

Recording and Live Band Lineup:
Jay Arriaga – Drums, Keyboards, Samples
Kevin Armstrong – Guitar
Brian Fausnaugh – Bass
Andre Accosta – Vocals

For more info:
https://linktr.ee/scatteredstorm
https://www.facebook.com/scatteredstormband
https://www.instagram.com/scatt_storm

About:
Scattered Storm is an El Paso, Texas-based metal band which formed three years ago with the collaboration between Jay Arriaga (drums) from No Life on Earth, Years of Cold, and Kevin Armstrong (guitar) from Mondoshawan, Section 6. From there Andre Acosta from Pissing Razors, Hereafter the Wave and current No Life on Earth frontman joined the ranks on vocals. Having recorded a couple of songs on Bass for both Oblivion and In This Dying Sun, Brian Fausnaugh (Random Allusion, Limerance) finally joined the ranks full time replacing Eddie Garcia on bass. Scattered Storm recorded In This Dying Sun in 2021 at Javier’s Studio Empty Paradise Studios for its release on November 11th, 2022 via Blood Blast Distribution to follow their 2021 debut EP “Oblivion”.

– 30 –

“Scattered Storm’s second offering delivers an eclectic mix blending various elements of Heavy Metal and Prog. Andre Accosta delivers a very good vocal performance with a multitude of ranges and dynamics to fit the mood of each song. Kevin Armstrong’s guitar style builds a foundation that is well-balanced with the bass and drums. The band is tight with the tempo changes and does a very nice job with the keys, adding an atmospheric and dark ambiance feeling to the songs.” – Metal Express Radio

“There is little doubt that these new cuts are darker and more personal than the first record while there is also a little more bark and bite as if the shackles are off this time around. “Hollow” offers beauty in clean vocals and twisted melodies while Kevin Armstrong’s riffs keep up the energy levels but it’s the stuccato riff breaks of title track “In This Dying Sun” that ignite the fires. Punching like Prong with its tight rhythms, the clean vocals cut against the grain offering a decent balance between melodic and heavy with Accosta having some moments eerily reminiscent of the much missed Matt Holt of Nothingface. That continues into “Seen” before the spine juddering riffs and unclean roar take hold like a designer drug fueled rage in bombastic style. Where Scattered Storm go from here is going to be intriguing given the waves of turbulence and eccletic violence found here” – Metal Noise

“Their music is dark and futuristic with plenty of ambience to balance the heavy.” – New Noise Magazine (2021 – Oblivion)

“Chugging guitars, punishing drums, brutal, throat throttling vocals… Yep, it’s all here and a lot more with the latest music video for “Necronomicon” from Scattered Storm. Reminding you of what live music used to be all about, the band torches the room in this electric performance video, as an eager audience beholds the musical greatness that is this Texas supergroup.” – V13 (2021 – Oblivion)

“Their sound has been compared to the likes of Fear Factory, Gojira, Messuggah & TesseracT, & their new single, ‘Kingslayer” definitely would fit in the realm of HEAVINESS.” – KLAQ 95.5 FM (El Paso, TX) (2021 – Oblivion)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
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(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Halifax’s KILMORE Summons The “Tempest” To Introduce Their Forthcoming EP “From the Inside” Coming 2023

November 8, 2022
by Asher
· Kilmore · Music News

NEWS RELEASE

Montreal, QC – November 8, 2022

Halifax’s KILMORE Summons The “Tempest” To Introduce Their Forthcoming EP “From the Inside” Coming 2023

L-R: Killmore – Jon MacIsaac (Drums), Dan Doran (Guitar), Neil Spence (Bass), Heather Harris (Vocals/Guitar)
Photo Credit – Kayla Macaulay Photography

Halifax, Canada’s Kilmore create a brand of soulful psychedelic stoner rock as a yearning for expression and escapism. Their musical endeavors see them unearthing the realities of life through sounds and wanting to create something new. Featuring magnetically emotive passages contrasted against assaults of groove-forward aggression, the band conveys themes surrounding rebirth, love, hate, frustration, understanding, and the search for truth to permeate their darker-edged sonic palette.

Today, the quartet unveils their latest single “Tempest” accompanied by a music video, which will be featured on their forthcoming EP “From the Inside”, which follows their East Coast Music Award-nominated 2015 EP “City Lights”, and 2018 LP “Call of the Void”, which won the “Loud Recording of the Year”.

Vocalist and guitarist Heather Harris explains the single:

“We planned to have six tracks on our next EP, and ‘Tempest’ was one of the most unyielding to nail down, it took us a while to get the groove of it. To me, it sounded transcendent but chaotic, like a tempest rising. We thought it would be a good first introduction to ‘From the Inside’ as it has a groovy progressive feel.”

“Tempest” is about someone coming into your life like a hurricane. Harris experienced this while welcoming her son into the world, a world that seemed so disrupted at the time. The song speaks of a vigorous figure finding its place in a hectic world while shining brightly through the darkness.

“Tempest” is one of many songs that Kilmore had worked on over the past couple of years while being locked down during the pandemic.

“We have grown a lot musically with each record we have released. ‘City Lights’ was more rock-influenced, ‘Call of the Void’ swayed more in the metal, stoner rock realm, and our upcoming EP ‘From The Inside’ brings both elements.” adds Harris.

“From the Inside” will be a form of groovy, psychedelic rock with metal components. Lyrically, it was written at a time of disarray around the world with internal struggles as well. During its writing process, Heather Harris became a new mother and was searching to find her place in a new reality, which speaks loudly in the vocal and lyrical emotions on the EP. Fans will find themes of destruction while others of hope, each song has its own substance and identity.

“We worked with producer Jon Landry (The Stanfields) who is a seasoned songwriter himself and he really brought in a unique perspective to the songs. We recorded the whole EP in our basement studio which gave us the time needed to craft each song and bring life to the recordings. Musically, some songs came out easier than others, and some needed more time to capture the essence we were looking for. When I wrote the lyrics, the themes were formed from the emotions I felt from the music. This was an intense time for me with the world seeming so unpredictable and disorganized, there were a lot of feelings brewing inside. This comes across in the lyrics and artwork for the album.” says Harris.

More songs will be revealed in lead up to the 2023 release of their EP “From the Inside’.

Watch and listen to “Tempest” at https://youtu.be/PDwLKegFKh4

Digital – https://linktr.ee/kilmore

Kilmore finds its roots deep in influence from two siblings who immigrated from Newry, Northern Ireland at an early age to Vancouver, BC, and eventually to Halifax, Nova Scotia. Two new Canadians growing up in the nineties, finding their musical diet of grunge to surpass the time.

Fast forward to 2013, sister and brother Heather Harris (vocals, guitars) and Dan Doran (guitars) formed with the addition of Neil Spence (bass) and Lor Sangster (drums) to the original lineup. Sangster was later replaced in 2019 by Jon MacIsaac (drums) from local bands Chosen Lung, Burdened, Earth Alter to complete the current lineup.

Dark, aggressive, brawny, and haunting, Kilmore is recommended for fans of Royal Thunder, Baroness, Windhand, and The Damn Truth.

(Artwork by Stephen MacDonald)

For more info:
https://kilmore.ca
https://www.facebook.com/kilmoreband
https://www.instagram.com/kilmoremusic

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Earshot Top 200 – Kilmore – Call The Void – #118 – July 2018 (Earshot)

“INFECTIOUS MELODIES WITH VOCALS TONED TO PERFECTION, INCREDIBLE MUSICIANSHIP WITH HIGH PRODUCTION VALUE, CATCHY HOOKS, METALLIC EDGE, AND INSATIABLE GROOVE.” – THE RIPPLE EFFECT

“Call of the Void, the riffs are relentless as the band channels gloom through minor chords…The spirit of darkness breathes through the lyrics as Kilmore reminds us rock is alive and well.” – The Coast

“the heavy and bluesy sounds really drive home those themes of reckless behaviour and dark feelings… The band effectively portray their intended emotions and messages to the listener through their music while providing them with something to bang their head—or groove—to.” – The East Magazine

“The opening title cut begins City Lights with brawny, distorted guitar licks, steadily pounding drums and wailing vocals akin to classic rock radio. This sets the tone for the four-piece’s muscular sound, as tracks like “Rising Sun” and “Weight of the World” are similarly stuffed with meaty riffage, while “Peace of Mind” is slightly more restrained and slow-burning. The curveball is “Younger Years,” which ventures into a folk rock direction with its acoustic strums.” – Exclaim!

#8 on This Week’s Top 11 Playlist: 08 April 2016 – A Journal of Musical Things – Alan Cross (Kilmore, City Lights, City Lights EP)

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0 Canada’s Iron Kingdom Now Streaming “The Blood Of Creation”

November 4, 2022
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – November 4, 2022

Canada’s Iron Kingdom Now Streaming “The Blood Of Creation”

New Album “The Blood Of Creation” Out November 4th

L-R: Chris Osterman (Lead Vocals / Lead Guitar), Leighton Holmes (Bass Guitar), Megan Merrick (Lead Guitar), Max Friesen (Drums)
Photo Credit – Caitlin Delaplace

The electrifying quartet of Canada’s Iron Kingdom have a hot new album “The Blood Of Creation” ready for release and can be heard in full at https://youtu.be/4pk7QzM4gBo

“The Blood Of Creation”, the band’s fifth, is not a concept album, but it does have a trilogy about the creation myth from the ancient Mesopotamians. It tells the tale of Tiamat and Marduk and the creation of the heavens, the earth, and mankind. This story is known as being one of the oldest, if not the oldest known story from mankind. The band comments on the album:

“Our music is best described as if Iron Maiden and Judas Priest had a child and raised it on Hammerfall, Helloween, Rush, and, Blind Guardian. With this album, we feel like we’ve merged the more straightforward approach of our last record ‘On the Hunt’ with the storytelling and epic quality of our earlier releases. We took advantage of the forced hiatus from shows and spent the longest on writing that we have for any of our previous efforts and feel like it’s really paid off. The pandemic also brought us a new drummer to solidify what we feel is our strongest lineup yet and his influence is felt on this record. This album shows the level of maturity we have reached as songwriters as well as musicians while maintaining what makes an Iron Kingdom release.”

According to the band, they expect that this new offering will be very exciting for fans old and new. They have caught the essence of all the previous albums into one killer new package, there are fast songs, mid-tempo bangers, and even an epic. They’ve put the time into getting this album just right and it shows.

“The Blood Of Creation” was completely self-produced, written, and recorded. The album was sent out for mixing (Andy Boldt) and mastering (Greg Reely), but they handled everything else. vocalist/guitarist Chris Osterman engineered the record with some help from the band and some friends (Dan Yakimow, Jeff Black).

With “The Blood Of Creation” listeners can expect the usual mix of fantasy and history-inspired songs that aim to entertain and at least lightly educate about past events and beliefs. They are recommended for fans of Queensrÿche, Riot, and Iron Maiden.

The band will also be hosting a now sold-out release party for their release day on Nov 4th at Wise Hall in Vancouver. For more info, please visit the following link here.

The album “The Blood Of Creation” is available as of November 4, 2022.

Music Video – Queen of The Crystal Throne – https://youtu.be/YyhEutgL9gI

Fun Fact: ‘Queen Of The Crystal Throne’ played on City TV for Hockey Night In Canada (Montreal Vs Dallas) – Sat Oct 22, 2022.

The Making of “The Blood Of Creation” – Pt 1. [Mini Documentary] – https://youtu.be/TSrv44SXQ-A

Album order and stream available at the following links:
http://www.iron-kingdom.com/shop/
https://iron-kingdom.bandcamp.com

Apple Music, Spotify

Track Listing:
1. Tides Of Desolation – 1:13
2. Sheathe The Sword – 5:25
3. Queen Of The Crystal Throne – 4:58
4. Hunter And Prey – 5:25
5. Witching Hour – 5:44
6. In The Grip Of Nightmares – 5:23
7. Primordial – 1:40
8. The Blood Of Creation – 13:38
Total Running Length: 43:29

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdom
https://www.instagram.com/iron_kingdom
https://twitter.com/iron_kingdom

– 30 –

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation)

“Iron Kingdom brings another solid heavy metal album with the fifth album ‘The Blood of Creation’. Slightly progressive, but especially heavy… Give the band a listen, you will be surprised!” – Metal Experience

“the hype is real: “The Blood of Creation” is an overdose of classic power metal, a homage to the late 80’s – 90’s power metal heroes: HELLOWEEN, GAMMA RAY, HEAVEN’S GATE, SCANNER, early CHINCHILA (remember those guys?), EDGUY with a touch of American stuff like RΙΟΤ.” – Forgotten Scroll

“They are aiming at the classic sound from the 70s and 80s, so if you want something modern then you have nothing to pick up here. The lyrics speak of war, fear, sacrifice and pain. Luckily the music is not that dark though, but rather very uplifting and pleasant, as it’s a more melodic kind of heavy metal that we get from this band, even though there’s some more powerful tracks too…. I like what I hear.” – Hard Rock Info

0 Dive Into A Futuristic World And Question Your Existence With “Inner Skepticism” Off Opus Arise’s “The Network”

November 3, 2022
by Asher
· Music News · Opus Arise

NEWS RELEASE

Montreal, QC – November 3, 2022

Dive Into A Futuristic World And Question Your Existence With “Inner Skepticism” Off Opus Arise’s “The Network”

L-R – Derek Ho – Cello (live only), Matthew Logan – Drums, Violin II, Ellen Smith – Viola, Michelle Gao – Violin I, Kyle Hagen, Shawn Hillman – Guitar, Cello, Matthew Hannah – Keyboards

Photo Credit Jade Weekes

Vancouver, Canada’s Opus Arise is an orchestral metal ensemble that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos.

Their newest album, “The Network” teleports listeners into a cyberpunk world filled with neon lights, and punctuated with progressive riffs. The last album “Revelation” was released in 2016, and since then, they have taken a more orchestral direction using a string quintet and planning to incorporate more orchestral instruments. Within the cyberpunk world, research is conducted to find the correlation between chord progressions and the manipulation of space and time. The band explains further and details the first single “Inner Skepticism”:

“The combination of frequencies opens a wormhole into a future setting that blindsides the character. In this place, people have unseen technology and seem indifferent to his presence. This is the album opener that brings the listener into the world of “The Network”, an atmospheric opening into a bombastic tour de force. Tons of progressive riffing and virtuosic musicianship in this piece.”

The instrumental album is eight tracks long for a total running time of just over forty minutes. It is the result of many influences, especially prog, metal, classical, orchestral, electronic, and video game music combined into one strange form by nine members who met through orchestras and university. The vision and compositions by Drummer/Violinist Matthew Logan with the assistance of founding member Shawn Hillman are now being finally brought to life.

Taking their inspiration from classical symphonies, movies, and video game soundtracks as well as neo-classical even extreme genres like black and death, Opus Arise creates music that will challenge the listener. They are recommended for fans of Animals As Leaders, Liquid Tension Experiment, Planet X, and Scale The Summit.

The video for “Inner Skepticism” is available via its premiere on SpaceUntravel – https://youtu.be/rZxGd-0tumE

Album pre-order – https://opusarise.bandcamp.com

Track Listing:
1) Inner Skepticism – 5:50
2) Electric Jungle – 6:02
3) Antimatter – 3:22
4) Digital Soundscape – 4:38
5) Reminiscence – 5:21
6) Change – 5:23
7) Timeshift – 5:21
8) The Unanswered Question – 5:13
Album Length: 41:13

Album Band Lineup:
Shawn Hillman Guitar, Cello on “Digital Soundscape”
James Readman: Guitar
Daniel Carmago: Bass Guitar (Tracks 1-3, 5-7)
Matthew Logan: Drums, Violin II
Matthew Hannah: Keyboards
Michelle Gao: Violin I
Ellen Smith: Viola
Darrell Bennett: Cello
Kyle Hagen: Contrabass, Bass Guitar (Track 8)

For more info:
https://www.facebook.com/opusarise
https://www.instagram.com/opusarise
https://twitter.com/OpusArise

EPK – https://wp.me/pciNW-iFB

– 30 –

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Voodu Announce Crushing, Varied Debut Single “Pictures” Off Upcoming Album

November 3, 2022
by Asher
· Music News · Voodu

NEWS RELEASE

Montreal, QC – November 3, 2022

Voodu Announce Crushing, Varied Debut Single “Pictures” Off Upcoming Album

Voodu is an American modern metal band from Los Angeles, USA. They got started during the pandemic, and now, with their debut album in the works, they are excited to introduce themselves to fans. The first look at who Voodu is comes through the groove-oriented single “Pictures”. It starts on a thick bassline and builds up from there before exploding into the song’s main riff. It dynamically bounces between quieter verses and explosively loud choruses. No part of the song is identical to another. Every verse, chorus, and the bridge is different in one way or another. The band shares their thoughts on the release:

“Pictures came from a place of confusion and despair. In its composition, the sense of spiraling into disarray and apathy before being consumed with anger and angst came naturally in its progression. We joke that it’s as “prog” as we get, between the verse starting on the 2 of a 4 count and chorus starting on the 4, the meter change from 4/4 to 7/4 in the bridge, and the key change at the end. While the song is far from “prog”, in many ways those elements fit in the song’s composition in a way we didn’t realize made total sense. They catch you off guard the same way the lyrics allude to being confused between what’s real and what’s made up. It is both a cry for help and an apathetic plea of defeat. The push and pull between “help me” and “leave me alone”. It’s begging to be numb or ambivalent to the pain caused by the confusion and doubt of one’s own self or the world around them.”

The forthcoming yet-to-be-titled album is a high-energy group of songs that are meant to walk fans through a vast range of emotions. Even the slightly slower or more emotional songs still have heavily distorted guitars and melodically aggressive vocals. It covers a wide range of subjects from feelings of self-doubt, toxic relationships, people who abuse power, the duality of human nature, and addiction. Voodu hopes that their first offering will resonate with people on a visceral level, in a way they haven’t heard before.

Chick full of a wide assortment of influences, Voodu makes music that will appeal to a wide audience. One of the bands they cite is Linkin Park, who introduced them to this kind of music. It’s the comparison they get most often, due to similarities in voice and the electronic element. Thus far, they have made fans out of the most dedicated of metalheads, as well as the “I don’t usually listen to heavy music” people and everyone in between. They are especially recommended for fans of Rammstein, Linkin Park, and Alice In Chains.

Listen to “Pictures” via its premiere on Spaceuntravel – https://youtu.be/ABcpckNPeR8

For more info:
https://www.facebook.com/Vooduband
https://www.instagram.com/vooduband
EPK – https://wp.me/pciNW-izW

About: Voodu is an American modern metal band from Los Angeles, California. Formed in 2021, the group formed amidst the chaos of the 2020 pandemic. The band consists of five members: Eddie Troy, Vinny Amico, Paul Burns, Ollie Williams, and Sean Aikins.

Voodu plays an aggressive style of music, blending elements from a wide range of metal and electronic subgenres, with attention-grabbing imagery through irreverent and visceral metaphors. They are known for their energetic and engaging live performances. They have managed to fill every venue they’ve played with loyal fans, prior to releasing the first single. The band considers themselves five equal parts of a whole, set out to subvert expectations, break the conventions of heavy music, and bring people together under the banner of raw visceral emotion.

– 30 –

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0 Canada’s Alienatör Take A Dark And Harrowing Turn With “The Priest” Off “Regrets” Out Nov 25th

November 3, 2022
by Asher
· Alienator · Music News

NEWS RELEASE

Montreal, QC – November 3, 2022

Canada’s Alienatör Take A Dark And Harrowing Turn With “The Priest” Off “Regrets”

New Album “Regrets” Out Nov 25th

(L to R) Sean Skillen – Bass/Back-up Vocals, Brad King – Guitar/Vocals, Simon Paquette – Drums
Photo Credit – Peter David Wragg

Hailing from Canada, Alienatör is a sludge metal band that confronts tough issues with razor-sharp riffs and memorable hooks. They released their debut album “Pariahs’ in 2019, and are now following it up this year with “Regrets”, which is darker, more focused, and more intense. They say it also boasts better songwriting and more dynamics. The themes of this upcoming release also explore some heavy topics including alienation, grief, pain, and disgust at the state of the modern world. The single “The Priest” is no exception, which vocalist/guitarist Brad King explains:

“This is the darkest song I’ve ever written. Another is where the bass really drives the song and the guitar comes in, jagged and angular on top. Ralph Rowe was an Anglican Priest who molested countless kids in fly-in reserves in the 70s and 80s. He ruined so many lives and plea-bargained for a prison sentence that was a slap on the wrist. There’s a documentary about him called “Survivor’s Rowe,” and I’ve met a few survivors through my work. Here, he serves as an example of the type of abuse of power we allow those in positions of trust. I’m proud of the dynamics of this one, lots of tension and release and the calm atmospheric part in the middle.”

The music video for “The Priest” can be seen and heard via its premiere on IDIOTEQ HERE.

Composed during the claustrophobia of the 2020 election and the global pandemic the album channels rage and catharsis before lulling the listener into a sense of security and then thundering down again into a feedback-drenched conclusion.

Compared to their debut release, fans will recognize a more hard-hitting sound, depth of songwriting, dynamics, darker themes, and more vulnerable and introspective lyrics. Alienatör has matured and grown as musicians, with the addition of drummer Simon Paquette who has added a lot of depth to the sound, and bass player Sean Skillen becoming part of the writing process has added a new dimension. The band is a more cohesive unit and it shows in the material.

Alienatör is recommended for sludge fans as well as those who enjoy Melvins, Neurosis, and Botch.

Album pre-order – https://alienator.bandcamp.com

Previous Single:

Blood Red Blood – https://youtu.be/BQcdJyF9PtM

Track Listing:
1. Revisionist History – 2:10
2. Loss Leader – 4:03
3. Blood Red Blood – 3:08
4. Regrets – 3:44
5. The Priest – 5:30
6. The Less Dead – 1:56
7. Flat Earth Society – 2:51
8. Irreconcilable – 2:59
9. Your Funeral – 3:20
10. Wounded Birds – 4:10
11. Dark Matters – 4:09
Album Length: 38:04

Album Recording Credits:
– All songs performed by: Alienator
– Music by Alienator
– Lyrics by Brad King
– Produced by: Sean Skillen
– Mixed by: Sean Skillen
– Mastered by: Brad Boatright
– Album Artwork by: Peter David Wragg
– Member of SOCAN
– Canadian Content (MAPL)

Album and Live Line Up:
Brad King – Vocals, Guitar
Sean Skillen – Bass, Vocals
Simon Paquette – Drums

For more info:
Exitmusicstudio.ca/alienator
Facebook.com/alienatorband
Instagram.com/alienatorband

About: Hailing from Thunder Bay, ON, Canada, Alienatör is a sludge metal band that combines punk, hardcore, and noise rock elements into a stripped-down package, full of razor-sharp riffs and memorable hooks.

Their debut album, “Pariahs,” released in 2109 moves from fast and aggressive to slow and swampy with touches of experimental weirdness. Many of the lyrics are about how we numb ourselves to the pain and disappointment of everyday life.

Fast forward to 2022, and the band is ready to unleash their follow-up, entitled “Regrets,” which introduces new drummer Simon Paquette to the fold. The album is bleak and abrasive, with moments of calm, melody, and beauty to juxtapose against the ugliness. Raw, uncompromising, and dark, it is emotionally heavy music that reflects a chaotic time in history.

– 30 –

“Noisy post-hardcore sludge, full of energy and rage… a genuine ass-kicker of a record.” – Decibel

“This band is burly, grimy, and the sonic manifestation of discontent. If it’s motivational music you seek, back away slowly. Alienatör ply their trade in the margins of metal, with elements of sludge, noise rock, hardcore, heavy metal, and crust punk. Listeners of Pariahs, the band’s debut full-length, will hear shades of Unsane, Red Fang, Cursed, Kvelertak, Acid Bath, and Cancer Bats, among other guitar-heavy acts by whom sophistication and polish are eschewed.” – Lambgoat

“Pariahs shows Alienatör firing all of their creative cylinders and marks a multifaceted, all-consuming sludge opera delivered with convincing force and accents.” – Idioteq

“Gritty, high-octane sludge…” – Metal Trenches

“From beginning to end Alienatör offers up a truly murky, chunky yet noise filled sound that tears at your ear drums, but in the best possible way. Each track is a madhouse of artery stopping, head banging sludge and noise rock that you cannot simply turn away from.” – Cadaver Garden

“Alienator are miserable and they’d like you to join them.” – Lambgoat

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0 Rockshots Records – Tolkien-Inspired Power Metallers RuinThrone Unveil Their Dark Lord Single “The Past Is Yet To Come”; New Album “The Unconscious Mind Of Arda” Out Jan 2023

November 3, 2022
by Asher
· Music News · RuinThrone

NEWS RELEASE

Montreal, QC – November 3, 2022

Rockshots Records – Tolkien-Inspired Power Metallers RuinThrone Unveil Their Dark Lord Single “The Past Is Yet To Come”

New Album “The Unconscious Mind Of Arda” Out Jan 2023

Italian fantasy power metallers RuinThrone will be releasing their new J.R.R. Tolkien-inspired album “The Unconscious Mind Of Arda” due out January 13th, 2023 via Rockshots Records to follow their debut album “Urban Ubris” and EP “Leaden Field”.

The album itself has been composed of stories inspired by Tolkien’s poems, his “Legendarium”. The band hopes the concepts they wrote can be “messengers” of reflection for their listeners, turning in a better awareness of their daily life.

“With this album, we think we reached our own identity. Back in the early years, we started with a classic German power metal style, but year by year we changed and matured musically. This is why we use 7-string guitars with 1/2 step-down tuning, extreme vocals, etc. For this new record, we also focused on an alternative point of view of some stories written by Tolkien. We thought it would have been interesting to explore not only some interesting characters and heroes but also the mind of the main villains.” adds guitarist Nicolò de Maria.

Today, Ruinthrone reveal the second single “The Past Is Yet To Come” accompanied by a lyric video.

“If I think about that time when I wrote these lyrics suddenly the enthusiasm and the writing ease come to my mind. Long story short the song tells about the fear of death. I imagined that even a king at some point has to confront himself with this thought: “my life will come to an end, my consciousness will fade away, and nothing will mean anything cause I won’t be anymore.”. The power of writing can change this feeling. All of a sudden fate is tamed if you sign a contract with the Dark Lord. In exchange for immortality, the king agrees to turn into a Nazgûl and make a Mephistophelian agreement. My vision of the circle of life and death is similar to Nietzsche’s one of the Eternal Recurrence. The weight of immortality turns into ages and events happening over and over in the same way. The main character begins to understand why death is a gift of Iluvatar, not a curse.” says vocalist Haedus.

Watch and listen to “The Past Is Yet To Come” – https://youtu.be/rjemjwlMLZ8

Digital – https://bfan.link/the-past-is-yet-to-come

“The Unconscious Mind Of Arda” is mixed and mastered by Giuseppe Orlando (sound tech for Rhapsody of Fire) at the Outer Sound Studios.

The album is due out on January 13th, 2023, and is available for pre-order at the following link – https://bit.ly/RuinThrone_CD

First single:

Music Video – “Earendil” – https://youtu.be/Wr9PXgAgm64

Digital – https://bfan.link/earendil

Track Listing:
1 – Prologue – 2:19
2 – The Dreamweaver – 5:14
3 – I Am The Night – 4:50
4 – Earendil – 4:49
5 – The Past Is Yet To Come – 8:00
6 – Where Wise Men Stop – 1:17
7 – In Penumbra – 6:38
8 – The Eldest – 5:24
9 – Blessed By Loneliness – 4:23
10 – For Those Who Remain 9:54
11 – Where You Belong – 2:34
Alum Length: 55:26

RuinThrone are:
Vocals: Haedus
Drums: Francesco Comerci
Guitar: Nicolò de Maria
Guitar: Luca Grossi
Bass: Alessandro Finocchiaro
Keyboard: Giorgio Mannucci

For more info:
https://www.rockhots.eu
http://ruinthrone.altervista.org
https://www.facebook.com/RuinThrone
https://www.instagram.com/ruinthrone.official

About:

RuinThrone was founded in 2009 in Rome, Italy by Adriano Strinati, Haedus and Alessandri Finocchiaro. Soon after, Giorgio Mannucci (keyboards), Nicolò De Maria (guitars), and Francesco Comerci (drums) joined the band. The sound of RuinThrone is inspired by German and American metal bands like Blind Guardian, Helloween, Iced Earth, and Nevermore, but they have their own distinguishable dark and modern character.

– 30 –

0 Streaming Now! Violin Prog Metal Montreal’s CYDEMIND Explore Instrumental Creativity With The “The Descent”

November 2, 2022
by Asher
· Cydemind · Music News

NEWS RELEASE

Montreal, QC – October 11, 2022

Streaming Now! Violin Prog Metal Montreal’s CYDEMIND Explore Instrumental Creativity With The “The Descent”

Sophomore Album “The Descent” Out Nov 4th

L-R – Camille Delage (piano and keyboards), Kevin Paquet (guitars), Olivier Allard (Violin), Nico Damoulianos (Bass), Alexandre Dagenais (Drummer)

Montreal, Canada’s Cydemind is a progressive metal band backed with a violin instead of vocals and they are now ready to offer up their sophomore album “The Descent” due out on Friday, November 4th, 2022 to follow their highly praised 2017 debut album “Erosion”, which was produced by Christian Donaldson (Cryptospy).

“With Erosion, we were young and were still trying to define our own sound, which is why we previously chose producer Chris Donaldson (Cryptopsy, The Agonist, Beyond Creation), who had considerable experience under his belt. This time around, the band has made a decision to lean toward self-production. Although we’ve encountered obstacles along the way, as well as significant delays, we couldn’t be prouder of the final product.” says drummer Alexander Dagenais.

Today, before “The Descent” officially releases, the band has teamed up with MetalInsider for the album’s full stream premiere, which can be heard at the following link HERE.

“The Descent” is seven new songs created for a listening experience that’s just under 60 minutes and meant to be heard from beginning to end. Cydemind presents the album to be heard on multiple listens to capture the recurrent themes, sometimes hidden, sometimes obvious, but in the end, the band really wants to reward prog fans to dive into the concept of the record ranging from obsessions and the abysses into which the human mind can plunge itself into.

Kevin Paquet explains further:

“Structurally, the album really represents a descent into hell. The first track, Obsessions, acts as an opening. There are rhythmic and melodic motifs from each track on the album. The opening melody acts a bit like the leitmotif of the obsession (whichever it is) and comes up several times throughout the album. Subsequently, the album continues with Hoax, which incorporates several elements of funk. As the name suggests, you should not expect the album to respect that tone; on the contrary, the music gradually turns into something much darker and complex.”

Commented by such outlets as TheProgSpace “Cydemind “Breach” The Walls of Normality With Next Violin Prog Metal Single” and Everything IS Noise “There Isn’t Any “Hoax” in the Quality of the Latest Cydemind Single”, Cydemind‘s new album definitely brings the band to another level in terms of writing and playing, and they’re pretty confident their fans, new and old will think the same. Compared to their first full-length “Erosion”, which was mainly focused around metal. The Descent explores new colors within the metal genre as well as integrates new styles and sounds.

The main songwriters for “The Descent” were Kevin Paquet (guitars) and Olivier Allard (Violin), but as a unit, all members still discussed with each other, making sure everyone’s input was satisfied. When the songs were done, drummer Dage (Alexandre Dagenais) creates his parts on top of everything.

Recommended for fans of prog bands and artists like Dream Theater, Symphony X, Haken, Tigran Hamasyan, and Avishai Cohen, Cydemind’s new album “The Descent” will be out on November 4th, 2022.

The album was mixed by Simon L’Espérance (Karcius) and mastered by Tony Lindgren (Fascination Street Studios). The cover art for the album was created by Alexander Dagenais.

Album Order – https://cydemind.bandcamp.com

Singles:

Hoax – Music Video – https://youtu.be/WVZO2-gig6w
Breach – Music Video – https://youtu.be/M72GMAKHoF8

Show Dates:

November 18 – Montreal, QC – Theatre Plaza – Info (Album Launch Show w/ Karcius)

Track Listing:
1. Obsessions – 8:56
2. Hoax – 6:11
3. Breach – 5:00
4. Call Of The Void – 8:25
5. Hemlock -13:44
6. Slumber – 4:30
7. The Last Stone – 12:17
Album Length: 59:06

Cydemind is:
Olivier Allard (Violins)
Alexandre Dagenais (Drums)
Camille Delage (Keyboards/Piano)
Nico Damoulianos (Bass)
Kevin Paquet (Guitars)

For more info:
http://www.cydemind.com
http://www.facebook.com/cydemind
http://www.instagram.com/cydemind

– 30 –

“Violin metal shredders, Cydemind, has just released a beautiful new video for their “Winter” single, using the gorgeous backdrop of Quebec, Canada. The neo-classical prog track showcases the amazing abilities of this young band on the rise, with captivating hooks that’ll leave you awestruck and hitting up their Bandcamp page for more!” – Metal Injection

“The instrumental band puts the violin front and center, which is strange (if not unheard of) in and of itself. They’ve also released a sweet cover of Vivaldi’s “L’inverno” (“Winter”), from The Four Seasons, which is definitely the first time in the 12+ years of MetalSucks that we’ve had to type that sentence… and they’ve done so when we’re just about a week away from the first day of spring, which was a ballsy decision. And on top of all of that, they made a really, really beautiful video for the track out on the frozen tundras of Québec. Do they have tundras in Québec? Whatever. The video looks really cool. Also, cold. I got mild frostbite just watching it.” – Metal Sucks

“presented what will easily be among the top prog metal albums of the year…” – Metal Underground

“An epic album in every sense of the word” – Games, Brrraaains & A Head-Banging Life

“Cydemind have shown me two things on this debut album: they’re damn good musicians, and they have the ability to write compelling music that sticks with you. ” – Angry Metal Guy

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