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Tag: news

0 Montreal’s ETERNAL CLOSURE Posts Making of Video For Album “At the Center of It All – Chapter I” Produced With Chris Donaldson (Cryptopsy)

  • November 22, 2022
  • by Asher
  • · Eternal Closure · Music News

 

NEWS RELEASE

Montreal, QC – November 22, 2022

​

Montreal’s ETERNAL CLOSURE Posts Making of Video For Album “At the Center of It All – Chapter I” Produced With Chris Donaldson (Cryptopsy)

Photo Credit – Sébastien-Charles Boitel
L-R : Marine Lacarrière (guitar), Phil Lemelin (guitar), Olivier Boitel (guitar, back vocals), Katrine Castonguay (main vocals), Philippe Boitel (drums), Jonathan Lauzon (bass, back vocals)

This past September, Montreal’s Eternal Closure unleashed the new album “At the Center of It All – Chapter I”. It is a diverse, heavier, and more technical record than anything they have done before. Demonstrating their songwriting abilities being taken to a new level along with incorporating elements of prog, and djent with their solid core base. The band is sharing with fans a behind the scene glimpse into the making of the record in the studio with producer Chris Donaldson, which can be viewed at https://youtu.be/hEo-aNRtWcc

​

“The album tracking was such a fun time and we thought it would be interesting to share this experience with our audience.” adds the band.

Composed of six tracks, “At the Center of It All – Chapter I” is the first of two parts that will have 13 in total. The band split their material like this to allow for maximum breathing time for each release. The second part can be expected next year.

Like their previous records, the album was produced, mixed, and mastered by Christian Donaldson (Cryptopsy), who has become an integral part of the band’s sound. The album artwork was done by Pascal Marcoux and Jonathan Lauzon.

The band is a fun one to watch live, they don’t take themselves too seriously, and the rare sight of three guitarists adds an extra dimension to their music that you never knew you were missing out on. “At the Center of It All – Chapter I” is an incredible-sounding record that will blow people’s minds. It is recommended for fans of Periphery, Killswitch Engage, and As I Lay Dying.

“At The Centre Of It All – Chapter I” was released on September 23, 2022 and can be heard on Eternalclosure.bandcamp.com, Spotify.

Music Video – “Practice What You Preach” – https://youtu.be/8EWWNvWy4aE

​Vocal Playthrough – “Exiled” – https://youtu.be/PbN8cDDK_r8

​Lyric Video – “Dimensions” – https://youtu.be/leB3U8pFhu8

​

Track Listing:​
1. Conflict I (4:48)
2. Practice What You Preach (5:34)
3. Exiled (3:54)
4. Dimensions Apart (3:55)
5. From One Side to Another (4:43)
6. Moonrider (4:32)
Album Length: 27:28

Album and Live Band Line Up:​
Katrine Castonguay – Vocals
Olivier Boitel – Guitar, Back Vocals
Jonathan Lauzon – Bass, Back vocals
Philippe Boitel – Drums
Marine Lacarrière – Guitar
Phil Lemelin – Guitar

Discography:​
2022 – At the Center of It All – Chapter I
2020: Color of our Fears Rediscovered – Deluxe Edition
2019: Color of our Fears – LP
2016: Screaming in Silence -LP
2014: Ad Primum – EP

For more info:​
​https://www.eternalclosure.com​
​https://www.facebook.com/EternalClosure​
​https://www.instagram.com/eternalclosure​

About:

Eternal Closure is a six-piece, female-fronted metal band from Montreal, Quebec. They stand out from the heavy local scene with their unique blend of aggressive riffs, versatile vocals, and epic melodies. They draw inspiration from various sub-genres such as metalcore, progressive metal, and djent. Their hard work and dedication is only matched by their excessive love for cats.
​
The group formed by guitarist and singer Olivier Boitel, bassist Jonathan Lauzon, and drummer Philippe Boitel, was recently joined by vocalist Katrine Castonguay as well as guitarists Marine Lacarrière and Phil Lemelin, to evolve into its ultimate form.
​
The band has created their most ambitious record to date, “At the Center of It All”. The album will be split into two chapters, the first of which will be released in the fall of 2022. The song “Practice What You Preach” will be released as a single a few months prior.
​
The album was recorded, mixed, and mastered by Cryptopsy’s guitarist and sound engineer Christian Donaldson (Shadow of Intent, Beyond Creation, Despised Icon, The Agonist).
​
Over the past decade, the band explored what makes them unique. Their songs “I Won’t Fall” and “Defying Gravity” have become a staple in Montreal’s metal scene. They have opened for renowned bands like The Agonist, Ice Nine Kills, Beyond Creation, Obey the Brave, and Red Handed Denial.​
​​
Eternal Closure is ready to make its breakthrough in the global metal community and is eager to work relentlessly to reach as many cat-loving metalheads out there as possible!

– 30 –

“There is really only one way to listen to At the Centre of It all – Chapter 1 by Eternal Closure, and that is very loud indeed! So, turn your music listening device up to maximum volume and prepare your ears for the sweet and sour sound of modern metal at its very best. At the Centre of It All – Chapter 1 has elements of Death Metal, Melodic Metal and Nu Metal in a full-on metal cocktail that just works so well it will leave you crying out for more!” – Metal Epidemic​
​
​“Okay, color us pretty impressed by this one. If you’re unfamiliar with Eternal Closure, you won’t be for long. They’re pretty clearly a metal band that should have a lot of fans across the world, and it seems more are taking notice of their fairly unique sound. With influences ranging across the spectrums of death metal, thrash metal, metalcore, and even progressive leanings, the band’s new song “Dimensions Apart” is a good way to get acquainted.” – The New Fury​
​
​“their metalcore has been bulked up by a new vocalist and a revamped lineup that now features three guitarists and male/female vocal interplay. They take advantage of their bolstered abilities with songs that let them stand out, like the dueling harmonies from the singers on “Exiled” and a vast-sounding conclusion to “Moonrider.” … the six tracks reach across metalcore to thrash, progressive, and ambient avenues. It’s clear with this release that the behind-the-scenes shifts over the last two to three years have worked to Eternal Closure’s benefit.” – Heavy Music HQ​
​
​“ETERNAL CLOSURE deliver a modern, powerful album. The djent-driven rhythmic pushes the songs forward, so do the three guitars with their mighty sound. As they’re alternating with more peaceful and melodious moments, the music comes along with a good variety. The mixed vocals add a wide emotional palette fitting to the personal lyrics. The decision to split “At The Center Of It All” into two chapters is welcomed here, as 30 minutes is a good, short-whiled playing time, and makes me looking forward to Part 2.” – Mostly Metal

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​

0 Indulge In North East Bistro’s Monster New Single “We Both Lived At Night”

  • November 18, 2022
  • by Asher
  • · Music News · North East Bistro

NEWS RELEASE

Montreal, QC – November 18, 2022

 

Indulge In North East Bistro’s Monster New Single “We Both Lived At Night”

North East Bistro is one of the oldest bands still hanging around in Montreal, Canada, and has been since the beginning of the millennium. They have released three albums, an EP, and a handful of singles, and have a new single “We Both Lived At Night” ready to present to the world. With influences ranging from Alice in Chains to Iron Maiden to Slipknot to Baroness, they play dynamic rock that will be intriguing to people far and wide. Bassist Ben Forté comments on the single:

“This is the first new song written since “Sing Your Heartache” was released in 2018. It’s our heaviest song so far. It’s also the 1 st single out of 3 from the Sundown sessions. The song was recorded at the Palm Isle Studio by Carl Roberge. He also tracked the guitars and that might be the reason it sounds heavier. We gave him a carte blanche and the result was quite impressive! Carl is an old friend of ours and we wanted to work with him for a long time. I’m a big Misfits, Ghost, and Type O Negative fan and I always wanted to write a “monster” song. And there it is! The song is really about a friend who I never really knew in…daylight time. Only when the sun went down. There we met. Night time only. We both lived that way, like vampires.”

Compared to their previous releases, listeners can expect this latest offering to be much heavier than expected, the band has never gone this far before on the distortion but they maintain a very groovy and melodic sound. In the past, they always had a brass section but for the more recent songs, they worked in a string section instead. They do miss the horns and suggest that they will eventually come back.

When it comes to writing, the words come first and they try to follow the mood of those, rarely does the music come first in North East Bistro. Forté first records some demos with the main core of the song, and the lyrics are usually all done. With an acoustic guitar and vocals, they flesh out the parts and harmonies, and finally the drums. Once satisfied, they hit the studio.

For more than 20 years, North East Bistro has been ripping it up and they are excited to share their latest incarnation. The single “We Both Lived At Night” is dark, melancholic and just in time for Halloween, it is recommended for fans of Ghost, Type O Negative, and The National.

Listen to “We Both Lived At Night” via its premiere on V13 HERE.

For more info:​
​https://www.facebook.com/NEBMontreal​
​

About: We are one the oldest bands still hanging in Montreal from the beginning of the millennium. With 2 original members left (Ian vocals, Ben bass, guitar, songwriting), we are still making music and recording mostly singles.

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

 

0 Put Away Your Phone and Disconnect In The Pit w/ NARCOTIC WASTELAND’s Crushing New Video “Victims of the Algorithm”

  • November 17, 2022
  • by Asher
  • · Music News · Narcotic Wasteland

NEWS RELEASE

Montreal, QC – November 17, 2022

​

Put Away Your Phone and Disconnect In The Pit w/ NARCOTIC WASTELAND’s Crushing New Video “Victims of the Algorithm”

Photo Credit – Andrea Roberts

Recently wrapping up their North American tour supporting legendary German speed metallers ACCEPT, Narcotic Wasteland founded by guitarist Dallas Toler-Wade is sharing their assaulting new single “Victims of the Algorithm” with a music video premiere on Decibel Magazine HERE.

The track is a crushing speed storm of death thrash, with its visceral vocals, and a demolishing blast beat war to annihilate the mosh pit. The song is the first time drummer/ vocalist Joseph Howard collaborated with Wade.

“I had the music done for an untitled track that I already recorded in the studio, but I didn’t have lyrics written yet, then Joseph showed me lyrics he wrote called Victims of the Algorithm and after I read them, I knew they were the perfect match for this song. To break it down, Victims of the Algorithm is about a lot of things, but for me, after reading Howard’s lyrics, it’s mostly about putting down our phones and breaking free from this ridiculous round of existence we have created for ourselves. Disconnecting from the daily neurotypical absurdities and enjoying life in the moment.” says Wade.

The music video was created by Kenji Tsunami of Tsunami films. Footage for the video was captured at the Thirsty Axe in Ukiah, CA, and at the band’s rehearsal space in San Francisco, CA.

“I think Kenji really captured our live prowess very well!! It has a very gritty punk rock feel to it, and fits the song and its meaning perfectly,” adds Wade.

“Victims of the Algorithm” will be featured on Narcotic Wasteland‘s forthcoming 2023 album via Megaforce Records (release date to be determined). The single was recorded with engineer, and producer Erik Schultek who is no stranger to the band having recorded drums, engineered and produced their self-titled debut album. The band’s 2023 album will be the follow-up to their sophomore full-length 2017’s “Delirium Tremens”.

Stream for “Victims of the Algorithm” available on https://orcd.co/nwvota​

Inspired mostly by thrash metal and classic heavy metal, Narcotic Wasteland is becoming more thrash and speed and less death metal and getting better at writing material that is meaningful and powerful. They are recommended for fans of Vader, Death, The Crown, Autopsy, Pestilence, and Nile.

​Previous singles:

“Morality and the Wasp” – https://youtu.be/fXThLKTP-xI​

“The Best Times Have Passed” – https://youtu.be/U6kB087hGyY​

For more info:​

​https://www.narcoticwasteland.com
​
​http://www.facebook.com/narcoticwasteland
​
​https://www.instagram.com/narcoticwastelandofficial
​
​https://twitter.com/Narco_Wasteland​

About:

Narcotic Wasteland started as a side project Dallas Toler-Wade had been working on the past few years when he was not touring or in the writing/studio with metal heavyweights “Nile.”

‘So I just started writing some songs kind of more in the style of things I was playing before my time in Nile. The more we started working on these demos the more we wanted to complete an album and take it to the stage!!! Our observation of what was going on in parts of the town we grew up in and in other parts of the world fueled a new level of angst for me personally.” DTW

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Rockshots Records – HIGHWAY QUEEN Shares Music Video “Get On Your Knees” Off New Album “Bitter Soul” Out Dec 2022

  • November 15, 2022
  • by Asher
  • · Highway Queen (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – November 15, 2022

Rockshots Records – HIGHWAY QUEEN Shares Music Video “Get On Your Knees” Off New Album “Bitter Soul” Out Dec 2022

New Album “Bitter Soul” Out December 16th

Rockshots Records will be releasing Finnish rockers Highway Queen‘s debut full-length “Bitter Soul” this coming December. The album is a collection of rock and metal songs with beautiful melodies, and strong riffs with heavy drums and bass. Each song shows the listener the stylistic versatility of the band.

Today, the band presents their second single “Getting On Your Knees” accompanied by a music video. The track is classic heavy metal to tell a story about revenge against someone who has betrayed you badly.

Watch the video at https://youtu.be/kgUQfj493n4​

Digital – https://bfan.link/get-on-your-knees

​

Songs on Highway Queen‘s new album “Bitter Soul” are all about scenarios in one’s life. The lyrics tell stories about gnawing the burden of shame, anger, and bitterness. They also talk about the burden that carries through generations. They are about people’s weaknesses too. The stories are also about overcoming these challenges.

“From our first self-releases and singles with Inverse Records to this album, our sound is definitely going from a lighter to heavier direction. Every song has its own mood so feeling vary throughout the album. There are parts in the album with bluesy vibes to parts that have strong doom or even thrash vibes. It all blends together with a touch of 80’s style. Every song on the record has its own mood.” adds the band.

Highway Queen is a band that plays melodic hard rock with some metal influences. The band was founded at the end of 2019 by vocalist Virpi Kääriäinen, guitarist Teemu, Kääriäinen and drummer Henri Backman. All members have played in cover band projects in the past and decided it was time to start making their own creations.
​
In 2020, the band self-released four singles on digital platforms. Also in 2020, the band acquired bassist Petri Orava and they recorded more songs to be released. In 2021, the band signed with Finnish record label Inverse Records for releasing three singles and a music video. The songs had a great reception, and the band continued moving forward to start working on their first album. All Highway Queen songs are recorded with Aleksanteri Kuosa, so he was a natural choice to be the producer for the full-length. He has also worked with bands like Waltari and Before The Dawn.
​
​Highway Queen is recommended for fans of melodic hard rock, heavy rock, and NWOTHM.

“Bitter Soul” is due out on December 16th and available for pre-order at https://bit.ly/BitterSoulCD​

Music Video – Bitter Soul – https://youtu.be/g1Xe-jmiMSQ

​

Track Listing:​
1. Hey!
2. Get On Your Knees
3. I Lean On You
4. Here I Am
5. I Dim The Lights
6. Bitter Soul
7. In Vain
8. Own Will

Album Credits:​
All songs written by
– Virpi Kääriänen, Teemu Kääriäinen & Henri Backman
– Vocals: Virpi Kääriäinen
– Guitars: Teemu Kääriäinen
– Drums: Henri Backman
– Bass tracks played for the album by Jykke Tikka
– Produced, engineered & mixed by Aleksanteri Kuosa
– Cover and photos: Henri Backman
– Mastered by Jukka Yliaho/Masterlab
– Recorded at Inka Studio

For more info:​
​www.rockshots.eu​
​www.highwayqueenband.com​
​www facebook.com/highwayqueenband​
​www.instagram.com/highwayqueenband​

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Vancouver’s HUNTING GIANTS’ New Video “King of Ashes” Harnesses The Vigor of NIN and King Crimson For An Epic Industrial Ballad; New Album “Mythos” Out Now!

  • November 11, 2022
  • by Asher
  • · Hunting Giants · Music News

NEWS RELEASE

Montreal, QC – November 11, 2022

 

Vancouver’s HUNTING GIANTS’ New Video “King of Ashes” Harnesses The Vigor of NIN and King Crimson For An Epic Industrial Ballad

New Album “Mythos” Out Now!

L-R – Corey Wharton (Bass), Bradley Trivett (Guitar), Daniel Beavington (Drums), Stephen Atkey (Vocals)
Photographer Credit – Bradley Trivett

Canada’s Hunting Giants are offering up their next video “King of Ashes” in support of their latest album “Mythos” released this past September. The album’s closer is an epic industrial ballad that is reminiscent of both Nine-Inch-Nails and King Crimson. The vocals ponder on the futility of victory at all costs as the percussion and instruments chase each other in polyrhythmic complementation. A constant yet subtle feedback loop heightens the vocals until they crescendo in a final lament, “Oh, to be the King of Ashes.” In finality, the album comes to a close and fades out with the ringing of a gong.

Watch and listen to “King of Ashes” via its premiere on TheProgSpace HERE.

“Mythos” is the crowning achievement of Hunting Giants‘ many years of musical work, writing and recording while gigging and enduring quarantine as a band during the Covid pandemic. The members of Hunting Giants all came from, and are inspired by, progressive rock and metal bands where songs would often pass the ten-minute mark. However, they desired to keep their own music concise and to the point, intentionally lacking much of the excess material that so often padded run-times of songs in the progressive rock-metal genre. Simple and clean lines are given priority over complicated abstractions that only challenge the player in an athletic way, provided that it serves the music.

Hunting Giants is confident that new listeners, as well as those familiar with them through their previous release “Skyward Eyes”, will find an accomplished intensity and listenability in “Mythos”, which represents their musical growth and evolution. Each of the thirteen songs was specially picked for the album to contribute to the overarching story in a theatrical and energetic manner. With riffs that will inspire and lyrics that will mystify.

“This album is musically very diverse as it ranges from intense white-knuckled metal tracks, down to gentle instrumental tracks peppered with melodic piano and haunting cello, all the way to epic ballads tastefully complimented by choirs, strings, and bells. Mythos lyrically explores archetypes, both heroic and villainous, that affect the world around us, as well as the inevitable fates which arise when these values are heinously held and expressed.” adds the band.

Hunting Giants is recommended for those who enjoy a 90s vibe and progressive elements, especially fans of Alice In Chains, Soundgarden, Tool, and Audioslave.

“Mythos” is available on CD and digital at the following links:

CD order – https://huntinggiants.com/product-category/mythos-albums/​

Digital – Huntinggiants.bandcamp.com, Apple Music, Spotify.

Previous music videos can be viewed on Hunting Giants‘ YouTube channel HERE.

Track Listing:​
1. Mythos – 3:28
2. Ancient Text – 3:18
3. Too Big To Kill – 3:06
4. Rituals – 3:57
5. Among Thieves – 5:28
6. Whispers – 2:16
7. Vanguard – 2:54
8. Mantle – 3:19
9. Kindred – 4:05
10. Epitaph – 1:09
11. Into Stone – 4:55
12. Remnant – 4:00
13. King of Ashes – 2:52
Album Length: 44:49

Hunting Giants is:
Corey Wharton – Bass Guitar
Stephen Atkey – Vocals
Bradley Trivett – Guitar
Daniel Beavington – Drums

For more info:​
​HuntingGiants.com​
​Facebook.com/huntinggiantsband​
​Instagram.com/huntinggiantsband​
​Twitter.com/huntinggiants​

About:​
Hunting Giants is a four-piece heavy rock band from Vancouver, BC, Canada.
​
This unique group of musicians offers a spectacular visuals-driven live performance that exceeds both the precise ferocity of their recordings and the highest expectations of an energized audience looking for something recognizably different. Their music is both refreshing and familiar, serving well as the musical backdrop for one’s ongoing discovery of meaning in life and self.
​
Hunting Giants was started in 2017 with Bradley Trivett assembling the first musical themes and combining the percussive expertise of Daniel Beavington with the explosive rhythmic prowess of Corey J. Wharton into the foundation of a team set to discover and dominate the most enormous sounds and daunting massive ideas they could find. Led by the visionary passion and styling of frontman Stephen Atkey, Hunting Giants is poised to deliver an incredible auditory and visual experience.

“Hunting Giants stake their claim as a powerful new force in the Pacific Northwest metal scene…this band is absolutely one you’ll want to keep an eye on.” – Wail Magazine

Discography:
2022 – Mythos – LP
2018 – Skyward Eyes – EP
​
Shared Stage with:
Unleash the Archers, Wednesday 13, Ophelia Falling, Kayas, Vessel, Sick Logic, Dark Stone

– 30 –

“A glorious adventure is about to begin, starting right here today! Heavy metallers Hunting Giants are debuting their brand new music video for “Rituals,” the first single from their upcoming album Mythos. The song indicates the zeal and the ambition that the band is bringing towards this new record, due for release on September 30th. The “Rituals” video matches the flat-out intensity of the song, one that discusses necromancy and the harshness of hatred and shame.” – V13
​
“It’s not often that a band is described as ‘a blend of modern hard rock, progressive rock/metal and grunge influences,’ but that is indeed a fitting description of Vancouver’s Hunting Giants” – Bravewords
​
“Let me say this first, HUNTING GIANTS from Vancouver are REALLY freaking good. These guys are relatively new but they are tighter and more accomplished man many veteran bands.” – Rock You Show
​
“This is an album (Mythos) that you’ll want to wander through thanks to their technical proficiency and the production value.” – Metal Roos
​
“a solid listen, and a fairly unique combination of a few different styles. It’s mostly heavy enough for Metal fans, and mostly melodic enough for fans like myself who appreciate a good hook.” – Metal Temple

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)
​
​

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0 Canadian Thrashers TRISKELYON Comment On World Events w/ New Music Video “A Time of War” Off New Album “Downfall” Out Now via Moribund Records

  • November 11, 2022
  • by Asher
  • · Music News · Triskelyon

NEWS RELEASE

Montreal, QC – November 11, 2022

​

Canadian Thrashers TRISKELYON Comment On World Events w/ New Music Video “A Time of War”

New Album “Downfall” Out Now! via Moribund Records

Canadian melodic power thrashers Triskelyon have a new music video to share for their track “A Time of War” off their debut album “Downfall” released on October 28th via Moribund Records. With “Downfall”, Triskelyon deliver an amazing headbanging album that harkens back to the old-school days of such luminaries as Forbidden, Agent Steel, Sentinel Beast, Détente, Overkill, and Testament. The album was mixed/mastered by Michael Small with the post-apocalyptic cover art by IvaanMR11.

“A Time of War” can be seen and heard at https://youtu.be/nyb07v69iPk

​

Band founder Geoff Waye adds about the hard-hitting speed-moshing track:

“As someone who watches world events with endless wars and conflicts, pandemics, ignorance, and radical left/right division, it’s something that impacted the album and its title. The song “A Time of War” is a part of that, and not surprisingly, is about war and partially about the deplorable ongoing war between Russia and Ukraine. Not only is it about that terrible event, but is also about how the rich oligarchs around the world, whether they be from Russia, or a western country, never really suffer when wars happen, they always profit while the rest of us pay the price, and for some, they pay that price with their very lives.“

Founded by Geoff Waye, guitarist for Artach and Category VI, Triskelyon was conceived in late 2021 as a studio-only project. By January 2022, the band featuring contributions from vocalists Pete Healey and Marlee Ryley (Hyperia), along with drum programming by Raul Marques (Burning Torment) made their introduction to the metal world with a 3-track self-titled EP.

Composed and written mostly by Geoff Waye, with drum programming provided by Raul Marques, “Downfall” sees the band’s next evolution as their first full length and it utilizes a myriad of both male and female guest vocalists from Oberon, Hyperia, Catagory VI and Incidium. “Downfall” has a range and depth of sound unique in today’s modern thrash metal scene, setting the band ahead and apart from the hordes of young new acts. Triskelyon also features guest bass appearances from members of Afterforever and Category VI, making Triskelyon a veritable supergroup of the Canadian metal scene.
​
Depicting a nature taking over post-apocalyptic view of our ever-screwed-up world, Triskelyon keeps with 80’s thrash tradition employing world-ending yet self-empowering socially conscious lyrical themes. From straight-up 80’s thrashers like “Odyssey (Blessed by Steel)”, to the power metal laced “Find A Way”, and more anthemic thrash tracks such as “Hunger” and “Willful Ignorance”, “Downfall” is sure to satiate even the most discriminating old-school and modern thrash metal fan alike! The album even features a unique and thrashing rendition of the Billy Idol song “Nobody’s Business”.

Triskelyon‘s debut album “Downfall” is available at the following links:

Online ordering:​
CD: http://www.moribundcult.com/product/DEAD297.html​
Digital: https://triskelyon.bandcamp.com/album/downfall​​

Music Video – “Balance of Terror” ft. Marie Jackman (Category VI) – https://youtu.be/V0TR8G5oV4g​

Lyric Video – “Odyssey (Blessed By Steel)” ft. Marlee Ryley (Hyperia) – https://youtu.be/Z3VWW9YpxIs​

Music Video – “Hunger” – https://youtu.be/zAh9PJcDC-o​

Track Listing:​
1. Hunger (3:01))
2. Find a Way (4:05))
3. Odyssey (Blessed By Steel) (3:34))
4. Willful Ignorance (4:14))
5. A Time of War (4:03))
6. Balance of Terror (4:22))
7. Apex Predator (4:12))
8. Indifference (4:37))
9. Nobody’s Business (Billy Idol cover) (3:54))

Album Credits:​
Tracks 1-3 are originally from self-titled demo/EP, the new versions have all been re-recorded bass and have been remixed and remastered.
All songs and lyrics written by Geoff Waye.
All guitars by Geoff Waye.
All drum programming by Raul Marques.
Additional guests:
Dwayne Pike – Bass (tracks 1, 2, 3, 5, 6, 8, 9)
Pete Healey – Vocals (tracks 1, 2, 5, 9)
Marlee Ryley – Vocals (tracks 3, 7)
Amanda Jackman – Vocals (tracks 4, 6)
Des Mason – Vocals (track 4)
Keith Jackman – Bass (track 7)
Darrin Pope – Bass (track 4)
Ellim – Vocals ( track 8 )

​For more info:​
​Triskelyon.bandcamp.com​
​Facebook.com/Triskelyonmetal​

– 30 –

“This was one of my anticipated albums this year as the EP wet my whistle but was far from being enough to satisfy my metal hunger. Hopefully this is not a one off because this is one of the most unique projects to come across my radar in a long time. I’m curious to see where Mr. Waye takes this project next. We shall see. In the meantime…get this album, you’ll thank me for it!” – Metal-Rules

“The highlight of the opening trio is the rampaging “Odyssey (Blessed By Steel)” which finds Marlee Ryley of Hyperia in fine form. Waye is on the rampage with a collection of frenetic riffs and the result is an adrenaline rush of a song that really gets things going. “A Time of War” then finds Triskelyon in Megadeth territory minus the trademark snarl of Dave Mustaine for what can only be described as a classic Thrash anthem… All in all, there is plenty to enjoy here, especially if you’re a lover of the mighty riff ” – Metal Noise

“Thrash Metal with melody, good arrangements and multiple voices.” – PowerMetal.de

“Power-Thrash equipped with murderous riffs on a technically first-class level with changeable exciting vocal variability, at times also surrounded by a dark atmosphere.” – FFM-Rock

“Most of the songs on here are fast and furious, such as “Balance of Terror” with its Hanneman/King-esque riffing, the skull-piercing “Odyssey (Blessed by Steel)” and the powerful “A Time of War,” though they do slow down a bit on the moody march of “Find a Way” while still remaining heavy as all hell… Triskelyon don’t reinvent the wheel of Power/Thrash, but they sure know how to keep it spinning, and that makes Downfall worth giving a spin of its own.” – The Metal Crypt

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

 

0 Have You “Seen” SCATTERED STORM’s New Music Video… A Homage For Their Love of Star Wars + New EP “In This Dying Sun” Out Nov 11th

  • November 10, 2022
  • by Asher
  • · Music News · Scattered Storm

​

NEWS RELEASE

Montreal, QC – November 10, 2022

 

Have You “Seen” SCATTERED STORM’s New Music Video… A Homage For Their Love of Star Wars

New EP “In this Dying Sun” Out Nov 11th via Bloodblast Distribution (powered by Nuclear Blast and Believe Digital)

L- R – Jay Arriaga – Drums, Keyboards, Samples, Andre Accosta – Vocals, Kevin Armstrong – Guitar, Brian Fausnaugh – Bass

El Paso, TX’s Scattered Storm etched their way into the metal scene last year with their debut “Oblivion” and now they have returned with a darker, more proggy offering with “In This Dying Sun” due out on November 11th via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital). Showing a certain evolution from the previous effort, they still implement a lot of their core elements which are ambiance, groove, and melodies, but with this new record, they felt the need to explore faster tempos with machine gun-like riffs. They explain the EP further:

“We never lost track of the bigness, especially with Tue Madsen mixing and mastering this record. In our talks, we really emphasized that to him, even though songs are faster, we still want them to sound huge. And boy did he deliver. Sonically this record has been the best one. Madsen was even kind enough to feature the title track for his drum sample pack through Drum Forge because he really dug the song.”

Part of their evolution can be attributed to bringing in their new bass player Brian Fausnaugh full fold. He had recorded previously with them on some songs, so it was a no-brainer. Lyrically, they still draw from books, movies, series, and whatever piques their interests. This EP is intended to be a journey, discussing evolution, putting yourself back together, and the teachings of Yoda.

Today, in celebration of the release of “In this Dying Sun“, Scattered Storm is sharing their new music video for the EP’s closer “Seen”, a musical and lyrical homage to Star Wars.

“This was a very complex song to write vocals to. Because it has many changes. Many ups and downs. Overall it is a very dark song. Its slow riffs and rhythms make it feel like you are in Darth Vader’s home. We used a lot of Star Wars references in this song. Yoda’s teachings. The evolution of being good but then going to a dark place. Fear is the path we yell. As Fear leads to anger, anger leads to pain, and pain leads to suffering. All indications that you are pretty much heading to a dark place.” adds drummer Jay Arriaga.

The video can be seen and heard via its’ premiere on Metal Insider HERE.

Heavy and futuristic, Scattered Storm is recommended for a wide variety of metalheads as they encompass s good blend of the sludge from Meshuggah, the ambiance of Tesseract, and the epicness of Devin Townsend, and are influenced by bands like Fear Factory and Mnemic

“In this Dying Sun” comes out on November 11, 2022, via Blood Blast Distribution (powered by Nuclear Blast and Believe Digital) and is available at the following link – https://bfan.link/in-this-dying-sun​

Previous Videos:

Music Video – Bloody Love – https://youtu.be/XR1ualbw3VI​

Music Video – In This Dying Sun – https://youtu.be/dTTWILNBBMM​

Track Listing:​
1. Bloody Love – 4:44
2. The Process – 3:49
3. Hollow – 4:16
4. In this Dying Sun – 3:42
5. Seen – 4:49
EP Length: 21:12

Recording and Live Band Lineup:​
Jay Arriaga – Drums, Keyboards, Samples
Kevin Armstrong – Guitar
Brian Fausnaugh – Bass
Andre Accosta – Vocals

For more info:​
​https://linktr.ee/scatteredstorm​
​https://www.facebook.com/scatteredstormband​
​https://www.instagram.com/scatt_storm​
​
​About:​
Scattered Storm is an El Paso, Texas-based metal band which formed three years ago with the collaboration between Jay Arriaga (drums) from No Life on Earth, Years of Cold, and Kevin Armstrong (guitar) from Mondoshawan, Section 6. From there Andre Acosta from Pissing Razors, Hereafter the Wave and current No Life on Earth frontman joined the ranks on vocals. Having recorded a couple of songs on Bass for both Oblivion and In This Dying Sun, Brian Fausnaugh (Random Allusion, Limerance) finally joined the ranks full time replacing Eddie Garcia on bass. Scattered Storm recorded In This Dying Sun in 2021 at Javier’s Studio Empty Paradise Studios for its release on November 11th, 2022 via Blood Blast Distribution to follow their 2021 debut EP “Oblivion”.

– 30 –

“Scattered Storm’s second offering delivers an eclectic mix blending various elements of Heavy Metal and Prog. Andre Accosta delivers a very good vocal performance with a multitude of ranges and dynamics to fit the mood of each song. Kevin Armstrong’s guitar style builds a foundation that is well-balanced with the bass and drums. The band is tight with the tempo changes and does a very nice job with the keys, adding an atmospheric and dark ambiance feeling to the songs.” – Metal Express Radio ​
​
​“There is little doubt that these new cuts are darker and more personal than the first record while there is also a little more bark and bite as if the shackles are off this time around. “Hollow” offers beauty in clean vocals and twisted melodies while Kevin Armstrong’s riffs keep up the energy levels but it’s the stuccato riff breaks of title track “In This Dying Sun” that ignite the fires. Punching like Prong with its tight rhythms, the clean vocals cut against the grain offering a decent balance between melodic and heavy with Accosta having some moments eerily reminiscent of the much missed Matt Holt of Nothingface. That continues into “Seen” before the spine juddering riffs and unclean roar take hold like a designer drug fueled rage in bombastic style. Where Scattered Storm go from here is going to be intriguing given the waves of turbulence and eccletic violence found here” – Metal Noise​
​
​“Their music is dark and futuristic with plenty of ambience to balance the heavy.” – New Noise Magazine (2021 – Oblivion)​
​
​“Chugging guitars, punishing drums, brutal, throat throttling vocals… Yep, it’s all here and a lot more with the latest music video for “Necronomicon” from Scattered Storm. Reminding you of what live music used to be all about, the band torches the room in this electric performance video, as an eager audience beholds the musical greatness that is this Texas supergroup.” – V13 (2021 – Oblivion)​
​
​“Their sound has been compared to the likes of Fear Factory, Gojira, Messuggah & TesseracT, & their new single, ‘Kingslayer” definitely would fit in the realm of HEAVINESS.” – KLAQ 95.5 FM (El Paso, TX) (2021 – Oblivion)

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Halifax’s KILMORE Summons The “Tempest” To Introduce Their Forthcoming EP “From the Inside” Coming 2023

  • November 8, 2022
  • by Asher
  • · Kilmore · Music News

NEWS RELEASE

Montreal, QC – November 8, 2022

Halifax’s KILMORE Summons The “Tempest” To Introduce Their Forthcoming EP “From the Inside” Coming 2023

L-R: Killmore – Jon MacIsaac (Drums), Dan Doran (Guitar), Neil Spence (Bass), Heather Harris (Vocals/Guitar)
Photo Credit – Kayla Macaulay Photography

Halifax, Canada’s Kilmore create a brand of soulful psychedelic stoner rock as a yearning for expression and escapism. Their musical endeavors see them unearthing the realities of life through sounds and wanting to create something new. Featuring magnetically emotive passages contrasted against assaults of groove-forward aggression, the band conveys themes surrounding rebirth, love, hate, frustration, understanding, and the search for truth to permeate their darker-edged sonic palette.

Today, the quartet unveils their latest single “Tempest” accompanied by a music video, which will be featured on their forthcoming EP “From the Inside”, which follows their East Coast Music Award-nominated 2015 EP “City Lights”, and 2018 LP “Call of the Void”, which won the “Loud Recording of the Year”.

Vocalist and guitarist Heather Harris explains the single:

“We planned to have six tracks on our next EP, and ‘Tempest’ was one of the most unyielding to nail down, it took us a while to get the groove of it. To me, it sounded transcendent but chaotic, like a tempest rising. We thought it would be a good first introduction to ‘From the Inside’ as it has a groovy progressive feel.”

“Tempest” is about someone coming into your life like a hurricane. Harris experienced this while welcoming her son into the world, a world that seemed so disrupted at the time. The song speaks of a vigorous figure finding its place in a hectic world while shining brightly through the darkness.

“Tempest” is one of many songs that Kilmore had worked on over the past couple of years while being locked down during the pandemic.

“We have grown a lot musically with each record we have released. ‘City Lights’ was more rock-influenced, ‘Call of the Void’ swayed more in the metal, stoner rock realm, and our upcoming EP ‘From The Inside’ brings both elements.” adds Harris.

“From the Inside” will be a form of groovy, psychedelic rock with metal components. Lyrically, it was written at a time of disarray around the world with internal struggles as well. During its writing process, Heather Harris became a new mother and was searching to find her place in a new reality, which speaks loudly in the vocal and lyrical emotions on the EP. Fans will find themes of destruction while others of hope, each song has its own substance and identity.

“We worked with producer Jon Landry (The Stanfields) who is a seasoned songwriter himself and he really brought in a unique perspective to the songs. We recorded the whole EP in our basement studio which gave us the time needed to craft each song and bring life to the recordings. Musically, some songs came out easier than others, and some needed more time to capture the essence we were looking for. When I wrote the lyrics, the themes were formed from the emotions I felt from the music. This was an intense time for me with the world seeming so unpredictable and disorganized, there were a lot of feelings brewing inside. This comes across in the lyrics and artwork for the album.” says Harris.

More songs will be revealed in lead up to the 2023 release of their EP “From the Inside’.

Watch and listen to “Tempest” at https://youtu.be/PDwLKegFKh4​

Digital – https://linktr.ee/kilmore

​

Kilmore finds its roots deep in influence from two siblings who immigrated from Newry, Northern Ireland at an early age to Vancouver, BC, and eventually to Halifax, Nova Scotia. Two new Canadians growing up in the nineties, finding their musical diet of grunge to surpass the time.

Fast forward to 2013, sister and brother Heather Harris (vocals, guitars) and Dan Doran (guitars) formed with the addition of Neil Spence (bass) and Lor Sangster (drums) to the original lineup. Sangster was later replaced in 2019 by Jon MacIsaac (drums) from local bands Chosen Lung, Burdened, Earth Alter to complete the current lineup.

Dark, aggressive, brawny, and haunting, Kilmore is recommended for fans of Royal Thunder, Baroness, Windhand, and The Damn Truth.

(Artwork by Stephen MacDonald)

For more info:
​
https://kilmore.ca​
​https://www.facebook.com/kilmoreband​
​https://www.instagram.com/kilmoremusic​

– 30 –

Earshot Top 200 – Kilmore – Call The Void – #118 – July 2018 (Earshot)
​
“INFECTIOUS MELODIES WITH VOCALS TONED TO PERFECTION, INCREDIBLE MUSICIANSHIP WITH HIGH PRODUCTION VALUE, CATCHY HOOKS, METALLIC EDGE, AND INSATIABLE GROOVE.” – THE RIPPLE EFFECT
​
“Call of the Void, the riffs are relentless as the band channels gloom through minor chords…The spirit of darkness breathes through the lyrics as Kilmore reminds us rock is alive and well.” – The Coast
​
“the heavy and bluesy sounds really drive home those themes of reckless behaviour and dark feelings… The band effectively portray their intended emotions and messages to the listener through their music while providing them with something to bang their head—or groove—to.” – The East Magazine
​
“The opening title cut begins City Lights with brawny, distorted guitar licks, steadily pounding drums and wailing vocals akin to classic rock radio. This sets the tone for the four-piece’s muscular sound, as tracks like “Rising Sun” and “Weight of the World” are similarly stuffed with meaty riffage, while “Peace of Mind” is slightly more restrained and slow-burning. The curveball is “Younger Years,” which ventures into a folk rock direction with its acoustic strums.” – Exclaim!
​
#8 on This Week’s Top 11 Playlist: 08 April 2016 – A Journal of Musical Things – Alan Cross (Kilmore, City Lights, City Lights EP)

​
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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0 Canada’s Iron Kingdom Now Streaming “The Blood Of Creation”

  • November 4, 2022
  • by Asher
  • · Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – November 4, 2022

​

Canada’s Iron Kingdom Now Streaming “The Blood Of Creation”

New Album “The Blood Of Creation” Out November 4th

L-R: Chris Osterman (Lead Vocals / Lead Guitar), Leighton Holmes (Bass Guitar), Megan Merrick (Lead Guitar), Max Friesen (Drums)
Photo Credit – Caitlin Delaplace

The electrifying quartet of Canada’s Iron Kingdom have a hot new album “The Blood Of Creation” ready for release and can be heard in full at https://youtu.be/4pk7QzM4gBo

​

“The Blood Of Creation”, the band’s fifth, is not a concept album, but it does have a trilogy about the creation myth from the ancient Mesopotamians. It tells the tale of Tiamat and Marduk and the creation of the heavens, the earth, and mankind. This story is known as being one of the oldest, if not the oldest known story from mankind. The band comments on the album:

“Our music is best described as if Iron Maiden and Judas Priest had a child and raised it on Hammerfall, Helloween, Rush, and, Blind Guardian. With this album, we feel like we’ve merged the more straightforward approach of our last record ‘On the Hunt’ with the storytelling and epic quality of our earlier releases. We took advantage of the forced hiatus from shows and spent the longest on writing that we have for any of our previous efforts and feel like it’s really paid off. The pandemic also brought us a new drummer to solidify what we feel is our strongest lineup yet and his influence is felt on this record. This album shows the level of maturity we have reached as songwriters as well as musicians while maintaining what makes an Iron Kingdom release.”

According to the band, they expect that this new offering will be very exciting for fans old and new. They have caught the essence of all the previous albums into one killer new package, there are fast songs, mid-tempo bangers, and even an epic. They’ve put the time into getting this album just right and it shows.

“The Blood Of Creation” was completely self-produced, written, and recorded. The album was sent out for mixing (Andy Boldt) and mastering (Greg Reely), but they handled everything else. vocalist/guitarist Chris Osterman engineered the record with some help from the band and some friends (Dan Yakimow, Jeff Black).

With “The Blood Of Creation” listeners can expect the usual mix of fantasy and history-inspired songs that aim to entertain and at least lightly educate about past events and beliefs. They are recommended for fans of Queensrÿche, Riot, and Iron Maiden.

The band will also be hosting a now sold-out release party for their release day on Nov 4th at Wise Hall in Vancouver. For more info, please visit the following link here.

The album “The Blood Of Creation” is available as of November 4, 2022.

Music Video – Queen of The Crystal Throne – https://youtu.be/YyhEutgL9gI​

Fun Fact: ‘Queen Of The Crystal Throne’ played on City TV for Hockey Night In Canada (Montreal Vs Dallas) – Sat Oct 22, 2022.

The Making of “The Blood Of Creation” – Pt 1. [Mini Documentary] – https://youtu.be/TSrv44SXQ-A​

Album order and stream available at the following links:
​http://www.iron-kingdom.com/shop/​
​https://iron-kingdom.bandcamp.com​

​Apple Music, Spotify​

Track Listing:​
1. Tides Of Desolation – 1:13
2. Sheathe The Sword – 5:25
3. Queen Of The Crystal Throne – 4:58
4. Hunter And Prey – 5:25
5. Witching Hour – 5:44
6. In The Grip Of Nightmares – 5:23
7. Primordial – 1:40
8. The Blood Of Creation – 13:38
Total Running Length: 43:29

For more info:
​
https://www.iron-kingdom.com​
​https://www.facebook.com/ironkingdom​
​https://www.instagram.com/iron_kingdom​
​https://twitter.com/iron_kingdom​

 

– 30 –

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation)

“Iron Kingdom brings another solid heavy metal album with the fifth album ‘The Blood of Creation’. Slightly progressive, but especially heavy… Give the band a listen, you will be surprised!” – Metal Experience​
​
​“the hype is real: “The Blood of Creation” is an overdose of classic power metal, a homage to the late 80’s – 90’s power metal heroes: HELLOWEEN, GAMMA RAY, HEAVEN’S GATE, SCANNER, early CHINCHILA (remember those guys?), EDGUY with a touch of American stuff like RΙΟΤ.” – Forgotten Scroll​
​
​“They are aiming at the classic sound from the 70s and 80s, so if you want something modern then you have nothing to pick up here. The lyrics speak of war, fear, sacrifice and pain. Luckily the music is not that dark though, but rather very uplifting and pleasant, as it’s a more melodic kind of heavy metal that we get from this band, even though there’s some more powerful tracks too…. I like what I hear.” – Hard Rock Info

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Dive Into A Futuristic World And Question Your Existence With “Inner Skepticism” Off Opus Arise’s “The Network”

  • November 3, 2022
  • by Asher
  • · Music News · Opus Arise

NEWS RELEASE

Montreal, QC – November 3, 2022

Dive Into A Futuristic World And Question Your Existence With “Inner Skepticism” Off Opus Arise’s “The Network”

L-R – Derek Ho – Cello (live only), Matthew Logan – Drums, Violin II, Ellen Smith – Viola, Michelle Gao – Violin I, Kyle Hagen, Shawn Hillman – Guitar, Cello, Matthew Hannah – Keyboards

Photo Credit Jade Weekes

Vancouver, Canada’s Opus Arise is an orchestral metal ensemble that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos.
​
Their newest album, “The Network” teleports listeners into a cyberpunk world filled with neon lights, and punctuated with progressive riffs. The last album “Revelation” was released in 2016, and since then, they have taken a more orchestral direction using a string quintet and planning to incorporate more orchestral instruments. Within the cyberpunk world, research is conducted to find the correlation between chord progressions and the manipulation of space and time. The band explains further and details the first single “Inner Skepticism”:
​
“The combination of frequencies opens a wormhole into a future setting that blindsides the character. In this place, people have unseen technology and seem indifferent to his presence. This is the album opener that brings the listener into the world of “The Network”, an atmospheric opening into a bombastic tour de force. Tons of progressive riffing and virtuosic musicianship in this piece.”
​
The instrumental album is eight tracks long for a total running time of just over forty minutes. It is the result of many influences, especially prog, metal, classical, orchestral, electronic, and video game music combined into one strange form by nine members who met through orchestras and university. The vision and compositions by Drummer/Violinist Matthew Logan with the assistance of founding member Shawn Hillman are now being finally brought to life.

Taking their inspiration from classical symphonies, movies, and video game soundtracks as well as neo-classical even extreme genres like black and death, Opus Arise creates music that will challenge the listener. They are recommended for fans of Animals As Leaders, Liquid Tension Experiment, Planet X, and Scale The Summit.

The video for “Inner Skepticism” is available via its premiere on SpaceUntravel – https://youtu.be/rZxGd-0tumE

​

Album pre-order – https://opusarise.bandcamp.com​

Track Listing:​
1) Inner Skepticism – 5:50
2) Electric Jungle – 6:02
3) Antimatter – 3:22
4) Digital Soundscape – 4:38
5) Reminiscence – 5:21
6) Change – 5:23
7) Timeshift – 5:21
8) The Unanswered Question – 5:13
Album Length: 41:13

Album Band Lineup:​
Shawn Hillman Guitar, Cello on “Digital Soundscape”
James Readman: Guitar
Daniel Carmago: Bass Guitar (Tracks 1-3, 5-7)
Matthew Logan: Drums, Violin II
Matthew Hannah: Keyboards
Michelle Gao: Violin I
Ellen Smith: Viola
Darrell Bennett: Cello
Kyle Hagen: Contrabass, Bass Guitar (Track 8)

For more info:​
​https://www.facebook.com/opusarise​
​https://www.instagram.com/opusarise​
​https://twitter.com/OpusArise​

EPK – https://wp.me/pciNW-iFB​

– 30 –
​

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

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