Montreal, QC – January 6, 2020
For fans of Brutal Truth, Napalm Death, Converge, Cephalic Carnage, The Dillinger Escape Plan
FUCK THE FACTS Team-Up With Director David Hall For New “Dropping Like Flies” Music Video
Video Premiere via MetalSucks
New Album “Pleine Noirceur” Out Now! via Noise Salvation
L – R: Melanie Mongeon, Mathieu Vilandre, Topon Das
Photo by Anndy Negative
Unleashing the latest slab of their patented “bastardized” grindcore with their new album “Pleine Noirceur” this past November, Fuck The Facts have a new music video for the track “Dropping Like Flies”. The song is a face-punching, fist-pumping smorgasbord of 90’s death metal, crust punk, and weirdness. Lyrically, the track was written by vocalist Mel Mongeon to tackle the reality of drug addiction and the opioid epidemic in certain parts of Canada pre-covid times.
“The infection is spreading
Like a field infested with insects, with pests that multiply
Unable to treat the infection, it’s becoming larger…
…We hear you say you’re concerned, that you understand
But nothing is done
State of emergency; where are the resources?
It’s all talk
Help isn’t on the way
Communities will remain under strain
Pushed to the breaking point
Everyone is scrambling to save lives
As long as you feel their lives do not matter, they will keep dying”
Fuck The Facts has once again teamed up with director David Hall, who has been making videos for each of their albums since the release of “Stigmata High-Five” back in 2006.
“His unique approach to making videos has always been inspiring to us and we’ve always given him carte blanche (just watch our video for “Everywhere Yet Nowhere”). For the “Dropping Like Flies” video Dave manages to give the viewer an uncomfortable and satirical look at the devastating opioid epidemic. Highlighting just how much this issue is not taken seriously enough.” says FTF’s Topon Das.
Director David Hall adds:
“The main inspiration for the video for “Dropping Like Flies” came directly from Mel’s lyrics. She eloquently sings about addiction as an epidemic and society’s response: “help isn’t on the way.” I wanted to present a vision of hopelessness, the brutal ravaging of addiction, the pervasiveness of prescription meds, the economic forces that conspire, and show some faces not commonly presented as addicts: white people, senior citizens, the middle and upper class. Addiction transcends all demographics. God sends flies to wounds he should heal. Pills rain down from heaven.”
The video for “Dropping Like Flies” can be viewed via its premiere on MetalSucks HERE.
Fuck The Facts has amassed a respectable discography over the years, and the new offering of “Pleine Noirceur” joins the 7 LPs and 6 EPs released to date. The considerable amount of time the band has been working together shows in the natural chemistry that courses through each of the 12 tracks. Fuck The Facts comments on the album:
“We took a long break before working on this album, I feel like it’s a collection of bits and pieces; old and new, short and long. It’s us working back into the groove, just in time for a pandemic. This album also could have easily been 3 EPs, you really have to listen to the whole thing in order to fully enjoy it. It opens the door for what is next.”
Recommended for fans of Cephalic Carnage, Exhumed, and Morbid Angel, Fuck The Facts‘ new album “Pleine Noirceur” is available in several different formats listed below.
Album Stream – YouTube
Spotify playlist add HERE.
Album order HERE. (CD, Vinyl, Cassette, Digital)
1. Doubt, Fear Neglect (6:47)
2. Ailleurs (1:17)
3. Pleine Noirceur (5:42)
4. Aube (1:24)
5. Sans Lumiere (4:23)
6. Sans Racines (0:38)
7. Everything I Love Is Ending (4:14)
8. A Dying Light (3:41)
9. Dropping Like Flies (4:04)
10. L’abandon (2:07)
11. An Ending (3:27)
12. _cide (3:59)
Album Length: 41:46
For more info:
Started as a recording project in the late ’90s, it wasn’t until 2001 that the work ethic that produced a slew of underground releases drove Fuck The Facts towards full band status and into the live arena. Since then, the Ottawa-based unit has barely stopped for a breath of reconsideration, associating themselves with some of the biggest labels in underground extreme music, as well as continuing a steady output of DIY releases. Having toured hundreds of thousands of kilometers throughout North America and Europe, guitarist/founder Topon Das, vocalist Mel Mongeon and drummer Mathieu Vilandré have performed as some of the biggest festivals and sweated it out in some of the smallest basements. From 2006-2011 Fuck the Facts released three albums via underground powerhouse label, Relapse Records. Upon the completion of their contract, the quintet decided it was time to put the finishing touches on the proverbial full-circle, returning to the world of fierce independence and creative control. Their most recent releases were produced entirely at their own studio, self-released, and shows Fuck The Facts efforts as an entity continuing to grow musically and personally while developing a deeper understanding of what significance their art holds to them. As one of the longest-running and most recognizable names in Canadian Grindcore, FUCK THE FACTS continue to deliver their brand of “Bastardized Grindcore” with no end in sight.
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“The album opens with arguably the best Fuck the Facts song of all time in “Doubt, Fear, Neglect” — a song with some of the heaviest riffs ever made by the band… Fuck the Facts’s Pleine Noirceur is the most perfectly heavy record one could ask for. For a band that has been together for over 20 years, Fuck the Facts continue to make some of the most important heavy music around, and Pleine Noirceur is their finest achievement to date.” – Exclaim!
“It’s no secret I love the Canadian death/grinders in Fuck The Facts, and I couldn’t be happier to hear after 5 years of radio silence, they’re back and better than ever! Their new album, Pleine Noirceur, is set for release on November 20th via the band’s very own Noise Salvation label and today we’re premiering the title track off the release. It’s as vicious as it is warm and heartfelt, twisting and turning with new surprises while retaining the FTF brand we love over the years.” – Metal Injection
“Instrumentally, Pleine Noirceur is crushingly heavy but full of melody and atmosphere and unexpected twists and turns, and vocally, Melanie Mongeon is at her most emotive. These are soaring, impassioned songs that really make you feel something.” – Brooklyn Vegan
“The first thing that will strike you about Pleine Noirceur is just how fucking big it sounds; the production on this record is absolutely thunderous, boasting a crisp, punchy sound and one of the most rich, full-bodied guitar tones they’ve ever had.” – The Quietus
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist