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Tag: Motorhead

0 NEWS: Japanese Heavy Metallers SOLITUDE Posts New Lyric Video ‘Blow’

  • December 28, 2016
  • by Asher
  • · Music News · Solitude (Test Your Metal Records)

(contact info)

NEWS RELEASE

Montreal, QC – December 28, 2016

For fans of Motorhead, Saxon, Tank, Venom

TestYourMetalOfficial.com | Facebook | Twitter | Instagram

Facebook | Twitter | Youtube

Japanese Heavy Metallers SOLITUDE Posts New Lyric Video ‘Blow’

North American Release ‘Reach For The Sky’ via Test Your Metal Records


L to R: Toru Nishida (bass) / Akira Sugiuchi (vocals) / Takamasa “MAD” Ohuchi (drums) / Shingo Ida (guitars) – Credit: Yuki Kuroyanagi

    Unleashing their latest album ‘Reach For The Sky’ for North America via Test Your Metal Records this past November, Japanese heavy metallers SOLITUDE have a new lyric video for their track ‘Blow’. The track is one of 8 fist pounders off the band’s third album that was issued in Japan in 2015 by Spiritual Beast and follows 2009’s Brave The Storm (Spiritual Beast) plus 2001’s Virtual Image (Spiritual Beast). ‘Reach For The Sky’ was mixed by Magnus “Mankan” Sedenberg, who has previously worked with Bullet and Crucified Barbara along with artwork by Velio Josto (Warlord, Medieval Steel, Ostrogoth etc).

To watch ‘Blow’, please visit the following link at https://www.youtube.com/watch?v=RK8Qvpxv6-o

solitude - "blow" lyric video
Physical Order: http://testyourmetalrecords.bigcartel.com/product/solitude-reach-for-the-sky-pre-order
Digital Order: 
https://solitudetymr.bandcamp.com/album/reach-for-the-sky

Album Preview – https://www.youtube.com/watch?v=zDLqwueYR6I 


1. Venom’s Angel (7:32)
2. Blow (4:51)
3. Reach For The Sky (5:30)
4. Don’t Need Mercy (3:59)
5. Escape For The Crime (3:47)
6. You Got My Mind (5:32)
7. On The Edge Of Sorrow (4:03)
8. December (8:41)
Album Length: 43:59

For more info:
https://www.facebook.com/solitudejapan
EPK – 
http://wp.me/pciNW-8TC
http://www.testyourmetaloffcial.com

About:

Japan’s SOLITUDE was formed in 1996, when two ex-members of SACRIFICE (Japan)*, the founding member and main composer Akira Sugiuchi <vo> and the bass player on two of their albums Toru Nishida, met ex-RIP RIDE guys of Yasuo Koyano <ds> and Hiroki Nakamori <g>. The guys kept on rehearsing for as long as 3 years, composing songs and forging the foundation of the band. With Heavy Metal as its core, their sound has tastes of various music as if to show that they have been influenced by various different styles of music, such as 70’s Hard Rock, Progressive Rock, and most notably NWOBHM, among others.

In 1998, they picked up “SOLITUDE” as the name of the band, and they played live for the first time in March 1999. This debut live was reported through fanzines and the internet, with such praises as “the birth of the new Defenders of Heavy Metal” or “the answer to what Heavy Metal is”. In September, Shingo Ida (ex-BARTOLOMMEO) replaced Nakamori, and his distinctive style of melodic guitars has brought a new blood into the band. In November, they recorded two songs, “Virtual Image” and “Eagle Fly”, latter of which was dedicated to their favorite British Heavy Metal band, SAXON. This recording was used for promotion as “SOLITUDE Demo ’99”.

In July 2000, the band started recording an album, and the recording carried on until December as the band aimed at the highest quality they could achieve. Their debut album “Virtual Image” was finally released on 5th of September, 2001 as the first-ever release of SPIRITUAL BEAST, who would later grow to one of the leading independent Heavy Metal labels in Japan. The album got rave reviews from the underground fanzines and webzines, not just in Japan but in the US and throughout Europe, and requests for interviews flooded in. The reaction was especially overwhelming in Germany, owing to the sampler CD called “Metal Crusade” from “Heavy oder was!?” magazine, which featured the title track “Virtual Image”.

Koyano left the band prior to the release of the album, but the band continued touring with the help from Suguru Kobayashi (ex-CASBAH), sharing the stage with various bands from OUTRAGE, RAGING FURY or METALUCIFER to DEFILED and SIGH. In July 2003, having added Tai Syouda (ex-GUARDIAN’S NAIL, now leading his own band, SEVENTH SON) as a permanent drummer, they flew to Germany to play at “Headbangers Open Air”, where they shared the stage with veterans like BLITZKRIEG, TRESPASS, and KILLER (Belgium) as well as youngsters like STORMWARRIOR, CRYONIC TEMPLE and DOOMSWORD. Their performance was praised by various media, with German “Rock Hard” magazine describing them as “the highlight of the festival”. The fact that many metalheads kept on chanting for SOLITUDE for a while after they left the stage proves the impact they had.

In 2004, they started preparing for a new album, and first recorded “Rainbow Theme” – “Frozen Rainbow” for a SAXON tribute album “Eagleution – A Tribute to Saxon”, put together by Remedy Records in Germany. The recording continued while the band played selected gigs like “Duryu Rock Festival” in Korea (with JURASSIC JADE from Japan, MINDFLOW from Brazil etc), or first-ever opportunity to play in Sapporo, Hokkaido, but their uncompromising attitude and various personal issues of each member delayed the whole process more than they had expected.

The recording, carried out at various points, was finally over and while they were waiting the mixing to be done, at the end of 2008, Syouda decided to leave the band. In February 2009, the remaining 3 guys participated in a NWOBHM cover event “Denim And Leather” as “SOLITUDE with Mad Ohuchi”, featuring none other than Takamasa “Mad” Ohuchi of ex-ANTHEM fame on drums. This resulted in Ohuchi joining SOLITUDE as a permanent member later that year.

In December 2009, after 8 years from the debut album, the long-awaited (literally!) new album “Brave the Storm” finally hit the stores. Like its predecessor, the album was produced by Fuyuhiko Inui, ex-band mate of Ida, who has been involved in various recordings as engineer/producer from BUCK-TICK or CHARA to MAVERICK. The mastering duty was handled by Alan Douches at West West Side Music (THE AGONIST, MASTODON etc).

In January 2011, the band toured Korea and Japan with Swedish sensation Enforcer, with Mean Streak also added for the Japanese dates. In September, “Brave the Storm” was released in Europe on Fastball Music in Germany, proving their growing popularity in the mainland Europe. In July 2012, the band helped set up a Japan tour for Canada’s Skull Fist, and toured with them and Widow from US. In 2013, they co-hosted the “Japanese Assault Fest”, sharing the stage with GIRLSCHOOL, VEKTOR, FASTKILL, AIR RAID etc.

In April 2014, the band finally started recording a new album. Looking for the kind of sound production they grew up listening, they went into a closed movie theater in Gotenba, Shizuoka, where they brought in the recording equipments, just like Deep Purple did in a hotel; Rainbow did in an old castle etc in the 70’s. With the great ambience and the environment to allow you to play as loud as you want, the place was later modified into a proper recording studio called “Tapestry Recording Studio”. The band appeared at the “Japanese Assault Fest” two years in a row (SATAN, HEAVY TIGER, MIDNIGHT MALICE, ETERNAL ELYSIUM etc) later that year.

The album was mixed and mastered at Pama Studios in Sweden, by Magnus “Mankan” Sedenberg and Magnus “Maxe” Axelsson respectively, who had worked with such bands as BULLET and CRUCIFIED BARBARA. The stunning artwork was painted by the Italian artist Velio Josto, who had done covers for WARLORD, MEDIEVAL STEEL, OSTROGOTH among others. The album “Reach for the Sky” will be released on SPIRITUAL BEAST in June 2015, and the band will be extensively touring throughout Japan for the rest of the year, starting in Nagoya in August.

*SACRIFICE (Japan) was one of the leading bands in the Japanese thrash/underground scene from their formation in 1985 until disbanding in 1992, and they left a lot of impacts on young and upcoming bands then and even now. During their career, they released three studio albums, “Crest of Black” (1987), “Total Steel” (1990) and “Tears” (1992) and shared the stage with SODOM (Germany), NUCLEAR ASSAULT (USA), CASBAH, OUTRAGE, UNITED (all from Japan) among many others. They once featured Shinji “Samm” Tachi of ex-SABBAT on drums, who later formed MAGNESIUM and also joined his brother in METALUCIFER. SACRIFICE has recently reunited under the lineup of Sugiuchi <vo>, Nishida <b>, Tachi <ds> and Temis Osmond <g> of ex-SABBAT fame.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List

0 NEWS: THE PRESS GANG Offer Free David Bowie Tribute Track ‘Dagger For The Eye’ via PureGrainAudio

  • December 6, 2016
  • by Asher
  • · Music News · The Press Gang

(contact info below)

NEWS RELEASE

Montreal, QC – December 6, 2016

Album Promo Request here.

For fans of Early Iron Maiden, Motorhead, Clutch, Dead Kennedys, Nuclear Assault,
Bad Religion, Black Sabbath, NWOBHM, Late ‘70’s Brit Punk
EPK |  Facebook | Twittter | Youtube

THE PRESS GANG Offer Free David Bowie Tribute Track ‘Dagger For The Eye’ via PureGrainAudio

      THE PRESS GANG recently released their fifth studio album ‘Medusa 5’ via their indie label Wiener Dogs. The ten track release showcases one of Calgary’s most talked about bands and their blend of heavy riffing punk, heavy metal and hard rock. Teaming up with PureGrainAudio.com, these rabble-rousers are offering fans a free download of ‘Dagger In The Eye’, the album’s first track and homage to one of the world’s greatest musical geniuses David Bowie.

Vocalist / guitarist Colin McCulloch comments:

“One of my biggest musical influences was David Bowie. His passing, and the way he checked out with his final album was nothing short of spellbinding, inspiring, and very humbling. This song is a tribute to the man and his work ethic, and a brute reminder that we are all indeed mortal. Life is short. Sing your OWN song, make your OWN mark upon the world. Let this be a call to arms to do just that each and every one of us. What this man did with his life creatively is staggering.”

To get your free download, please visit the following link on PureGrainAudio.com: http://puregrainaudio.com/audio/the-press-gang-dagger-for-the-eye-free-song-download/ 

THE PRESS GANG‘s new album ‘Medusa 5’ is now streaming at https://thepressgang.bandcamp.com/album/medusa-5
and available on iTunes | Amazon | CD Baby | Google Play

1. Dagger For The Eye (3:46)
2. Churning The Rust (3:00)
3. Bumblebee (2:41)
4. Rise (2:42)
5. Blister & Boil (4:11)
6. Bone & Gravel (2:28)
7. Die Inquisitor Die (1:59)
8. Brontosaurus (2:01)
9. Kill the Bastards (3:00)
10. Ship & Sail (3:57)
Album Length: 29:51
About:

Formed in 2006, lead-vocalist Colin McCulloch explains how he named the band. ‘In history class I learned what a Press Gang was. When a ship was low on personnel they’d sail into a port, and send to shore a Press Gang, a band of men with the intent of ‘pressing’ men into service to replenish the crew. They’d often wait outside a pub for local drunkards, whom they’d crack over the head and stuff into a burlap sack. When the poor sod would wake up, he’d be at sea, part of the new crew! That, to me, sounded like how an aggressive band should gain new fans.’

Lyrically, The Press Gang draws on the state of the world around us, observing wisely. ‘A lot of the songs are metaphors for the state of affairs regarding the human condition. Especially of late with the continuing trend of Political Correctness being perverted into what is today increasingly the divide with Neo Liberalism and the Right Wing and its ever-changing redefinition of terms. It’s a massive grey area, and while we have all the tools to better communicate, it would seem we do less and less of it successfully. The screen has no quality over actual human interaction and tone of voice.’

While this fifth album ‘MEDUSA-5’ released on October 12th, 2016 shows the band at the top of their game, live they slay! ‘We like to engage the crowds and employ our early punk ethic strategy…We like to string them together like a 1,2,3 punch, give them a small chance to breathe and hit ‘em again immediately with another three songs in a row. Playing our material with the utmost intensity is always our goal for a live show. People will remember catchy riff and songs, but they’ll really remember when you kick their ass with sonic force!’

For more info, please visit: https://www.facebook.com/The-Press-Gang-7416254462/.

– 30 –

“The Press Gang knows how: loud riffs and never knowing when to quit.” – Beatroute

“…high energy, fun and really refreshing to hear.” – Absolute Underground

“Optimal Running Speed is a straight-up, hard rock album garnished with a metal-punk twist. Heavy guitar riffs, accompanied by raspy, harmonized vocals cover the metal influence; the underlining quick tempo is pure punk. At first listen, it may not seem as raw as their previous albums as there’s less grit than featured on earlier recordings.” – Beatroute

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com

0 Out Now! Japanese Heavy Metallers SOLITUDE North American Release ‘Reach For The Sky’ via Test Your Metal Records

  • November 25, 2016
  • by Asher
  • · Music News · Solitude (Test Your Metal Records)

(contact info)

NEWS RELEASE

Montreal, QC – Nov 25, 2016

Album Promo Request here.

TestYourMetalOfficial.com | Facebook | Twitter | Instagram

Facebook | Twitter | Youtube

Out Now! Japanese Heavy Metallers SOLITUDE North American Release ‘Reach For The Sky’ via Test Your Metal Records

L to R: Toru Nishida (bass) / Akira Sugiuchi (vocals) / Takamasa “MAD” Ohuchi (drums) / Shingo Ida (guitars) – Credit: Yuki Kuroyanagi

    Out now! TEST YOUR METAL RECORDS is proud to unleash the North American release of ‘Reach For The Sky’ from Japanese heavy metallers SOLITUDE. The release is the band’s third album that was issued in Japan in 2015 by Spiritual Beast and follows 2009’s Brave The Storm (Spiritual Beast) plus 2001’s Virtual Image(Spiritual Beast). The album features 8 fist pounding tracks mixed by Magnus “Mankan” Sedenberg, who has previously worked with Bullet and Crucified Barbara along with artwork by Velio Josto (Warlord, Medieval Steel, Ostrogoth etc). Fans of Motorhead, Saxon, Tank and Venom are sure to appreciate.

Physical Order: http://testyourmetalrecords.bigcartel.com/product/solitude-reach-for-the-sky-pre-order
Digital Order: https://solitudetymr.bandcamp.com/album/reach-for-the-sky

Song Stream – You Got My Mind – https://www.youtube.com/watch?v=sXfAk3cTLVI
Album Preview – https://www.youtube.com/watch?v=zDLqwueYR6I

  1. Venom’s Angel (7:32)
  2. Blow (4:51)
  3. Reach For The Sky (5:30)
  4. Don’t Need Mercy (3:59)
  5. Escape For The Crime (3:47)
  6. You Got My Mind (5:32)
  7. On The Edge Of Sorrow (4:03)
  8. December (8:41)

Album Length: 43:59

 

 

For more info:
https://www.facebook.com/solitudejapan
EPK – http://wp.me/pciNW-8TC
http://www.testyourmetaloffcial.com

About:

Japan’s SOLITUDE was formed in 1996, when two ex-members of SACRIFICE (Japan)*, the founding member and main composer Akira Sugiuchi <vo> and the bass player on two of their albums Toru Nishida, met ex-RIP RIDE guys of Yasuo Koyano <ds> and Hiroki Nakamori <g>. The guys kept on rehearsing for as long as 3 years, composing songs and forging the foundation of the band. With Heavy Metal as its core, their sound has tastes of various music as if to show that they have been influenced by various different styles of music, such as 70’s Hard Rock, Progressive Rock, and most notably NWOBHM, among others.

In 1998, they picked up “SOLITUDE” as the name of the band, and they played live for the first time in March 1999. This debut live was reported through fanzines and the internet, with such praises as “the birth of the new Defenders of Heavy Metal” or “the answer to what Heavy Metal is”. In September, Shingo Ida (ex-BARTOLOMMEO) replaced Nakamori, and his distinctive style of melodic guitars has brought a new blood into the band. In November, they recorded two songs, “Virtual Image” and “Eagle Fly”, latter of which was dedicated to their favorite British Heavy Metal band, SAXON. This recording was used for promotion as “SOLITUDE Demo ’99”.

In July 2000, the band started recording an album, and the recording carried on until December as the band aimed at the highest quality they could achieve. Their debut album “Virtual Image” was finally released on 5th of September, 2001 as the first-ever release of SPIRITUAL BEAST, who would later grow to one of the leading independent Heavy Metal labels in Japan. The album got rave reviews from the underground fanzines and webzines, not just in Japan but in the US and throughout Europe, and requests for interviews flooded in. The reaction was especially overwhelming in Germany, owing to the sampler CD called “Metal Crusade” from “Heavy oder was!?” magazine, which featured the title track “Virtual Image”.

Koyano left the band prior to the release of the album, but the band continued touring with the help from Suguru Kobayashi (ex-CASBAH), sharing the stage with various bands from OUTRAGE, RAGING FURY or METALUCIFER to DEFILED and SIGH. In July 2003, having added Tai Syouda (ex-GUARDIAN’S NAIL, now leading his own band, SEVENTH SON) as a permanent drummer, they flew to Germany to play at “Headbangers Open Air”, where they shared the stage with veterans like BLITZKRIEG, TRESPASS, and KILLER (Belgium) as well as youngsters like STORMWARRIOR, CRYONIC TEMPLE and DOOMSWORD. Their performance was praised by various media, with German “Rock Hard” magazine describing them as “the highlight of the festival”. The fact that many metalheads kept on chanting for SOLITUDE for a while after they left the stage proves the impact they had.

In 2004, they started preparing for a new album, and first recorded “Rainbow Theme” – “Frozen Rainbow” for a SAXON tribute album “Eagleution – A Tribute to Saxon”, put together by Remedy Records in Germany. The recording continued while the band played selected gigs like “Duryu Rock Festival” in Korea (with JURASSIC JADE from Japan, MINDFLOW from Brazil etc), or first-ever opportunity to play in Sapporo, Hokkaido, but their uncompromising attitude and various personal issues of each member delayed the whole process more than they had expected.

The recording, carried out at various points, was finally over and while they were waiting the mixing to be done, at the end of 2008, Syouda decided to leave the band. In February 2009, the remaining 3 guys participated in a NWOBHM cover event “Denim And Leather” as “SOLITUDE with Mad Ohuchi”, featuring none other than Takamasa “Mad” Ohuchi of ex-ANTHEM fame on drums. This resulted in Ohuchi joining SOLITUDE as a permanent member later that year.

In December 2009, after 8 years from the debut album, the long-awaited (literally!) new album “Brave the Storm” finally hit the stores. Like its predecessor, the album was produced by Fuyuhiko Inui, ex-band mate of Ida, who has been involved in various recordings as engineer/producer from BUCK-TICK or CHARA to MAVERICK. The mastering duty was handled by Alan Douches at West West Side Music (THE AGONIST, MASTODON etc).

In January 2011, the band toured Korea and Japan with Swedish sensation Enforcer, with Mean Streak also added for the Japanese dates. In September, “Brave the Storm” was released in Europe on Fastball Music in Germany, proving their growing popularity in the mainland Europe. In July 2012, the band helped set up a Japan tour for Canada’s Skull Fist, and toured with them and Widow from US. In 2013, they co-hosted the “Japanese Assault Fest”, sharing the stage with GIRLSCHOOL, VEKTOR, FASTKILL, AIR RAID etc.

In April 2014, the band finally started recording a new album. Looking for the kind of sound production they grew up listening, they went into a closed movie theater in Gotenba, Shizuoka, where they brought in the recording equipments, just like Deep Purple did in a hotel; Rainbow did in an old castle etc in the 70’s. With the great ambience and the environment to allow you to play as loud as you want, the place was later modified into a proper recording studio called “Tapestry Recording Studio”. The band appeared at the “Japanese Assault Fest” two years in a row (SATAN, HEAVY TIGER, MIDNIGHT MALICE, ETERNAL ELYSIUM etc) later that year.

The album was mixed and mastered at Pama Studios in Sweden, by Magnus “Mankan” Sedenberg and Magnus “Maxe” Axelsson respectively, who had worked with such bands as BULLET and CRUCIFIED BARBARA. The stunning artwork was painted by the Italian artist Velio Josto, who had done covers for WARLORD, MEDIEVAL STEEL, OSTROGOTH among others. The album “Reach for the Sky” will be released on SPIRITUAL BEAST in June 2015, and the band will be extensively touring throughout Japan for the rest of the year, starting in Nagoya in August.

*SACRIFICE (Japan) was one of the leading bands in the Japanese thrash/underground scene from their formation in 1985 until disbanding in 1992, and they left a lot of impacts on young and upcoming bands then and even now. During their career, they released three studio albums, “Crest of Black” (1987), “Total Steel” (1990) and “Tears” (1992) and shared the stage with SODOM (Germany), NUCLEAR ASSAULT (USA), CASBAH, OUTRAGE, UNITED (all from Japan) among many others. They once featured Shinji “Samm” Tachi of ex-SABBAT on drums, who later formed MAGNESIUM and also joined his brother in METALUCIFER. SACRIFICE has recently reunited under the lineup of Sugiuchi <vo>, Nishida <b>, Tachi <ds> and Temis Osmond <g> of ex-SABBAT fame.
– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us

AsherMediaRelations.com

Join AMR Mailing List

0 NEWS: New Noise Mag Video Premiere BLACK ABSINTHE ‘NOW’; New Album Out ‘Early Signs of Denial’

  • June 22, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – June 22, 2016

Album Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

New Noise Mag Video Premiere BLACK ABSINTHE ‘NOW’; New Album Out ‘Early Signs of Denial’

Upcoming Show Dates:

July 9 – Sudbury, ON – The Asylum w/ Sludgehammer, Laugh At The Fakes – info

      Toronto, ON heavy metal trio BLACK ABSINTHE have surfaced from the basement to unleash their debut album ‘Early Signs of Denial’ produced by Sum 41’s Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Released recently this past May, the album is the band’s first professional recording to follow their three self recorded EPsLive At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

Teaming up with New Noise Magazine, the band is proud to premiere their video ‘NOW‘ at the following link: http://newnoisemagazine.com/video-premiere-black-absinthe-now/

The band comments on the video:

“The main idea behind ‘NOW’ is about taking advantage of a moment you’ve anticipated for so long, of choosing action over caution. Within the track there’s a shift between the softer more contemplative chorus and the upfront in your face verses. The structure of the song aims to build on that theme of anticipation and impending action. This build ultimately boils over into a killer solo section that sounds like you’re behind the wheel during a high speed car chase. For the video we enlisted the help of Frank Gryner (who had done the mixing and mastering of the album) who came through with a great product. There’s an almost found footage vibe to a lot of the band shots we were really digging. The close-ups of Jack’s fretboard have this really interesting vibe to them. Rather than the smooth movement you get from a modern camera it looks like certain frames have been removed making it look like you’re flipping through a piece of animation. Having those shots of the road and oncoming traffic at night with all the lights speeding towards you captures the theme of the song. Here’s a light, a moment, speeding by you and it’s gone so soon. Contrast that with the shots of the band with that single light on the floor playing the song. ‘Now’ is a moment in time for Black Absinthe, another step on our journey as musicians. The next hurdle is always around the corner so meet it face on!”

The album stream for ‘Early Signs of Denial’ can be heard at the following links:
– https://soundcloud.com/blackabsintheband/sets/early-signs-of-denial
– http://exclaim.ca/music/article/black_absinthe-early_signs_of_denial_album_stream
along with album order at https://blackabsinthe.bandcamp.com/

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

1. The Wild (3:50)
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58)
6. Winter (6:23)
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference

0 OUT NOW! BLACK ABSINTHE ‘Early Signs of Denial’; Post Full Album Stream

  • May 13, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 13, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

OUT NOW! BLACK ABSINTHE ‘Early Signs of Denial’; Post Full Album Stream

Upcoming Show Dates:

May 13 – Oshawa, ON @ The Atria – Event info
May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE have surfaced from the basement to unleash their debut album ‘Early Signs of Denial’ produced by Sum 41’s Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Out now as of May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

The album stream can be heard at the following links:
– https://soundcloud.com/blackabsintheband/sets/early-signs-of-denial
– http://exclaim.ca/music/article/black_absinthe-early_signs_of_denial_album_stream
along with album order at https://blackabsinthe.bandcamp.com/

“This was our first foray into recording in a studio environment plus working with a producer and mixer. Having a team of people around us helped us produce better songs at a higher quality to give our fans the chance to hear what we’re truly about without the barrier of poor recordings. It’s our jump from the basement to the studio, the raw energy is still there, but there’s an added level of detail to each track. We wanted to make a significant jump forward in quality and songwriting plus for fans who have been following us, we think they’ll be pleasantly surprised.” comments vocalist/guitarist Jack Cerre.

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

1. The Wild (3:50) [MetalNationRadio]
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58) [MMK]
6. Winter (6:23) [Hellbound]
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference

0 NEWS: BLACK ABSINTHE Full Album Stream ‘Early Signs of Denial’ via Exclaim!

  • May 6, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – May 6, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

BLACK ABSINTHE Full Album Stream ‘Early Signs of Denial’ via Exclaim!

Debut Album ‘Early Signs of Denial’ Due Out May 13th

Upcoming Show Dates:

May 13 – Oshawa, ON @ The Atria – Event info
May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE are surfacing from the basement to team up with Exclaim! and unleash the full stream of their debut album ‘Early Signs of Denial’ produced by Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Set for release on May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike.

To hear the full album stream for ‘Early Signs of Denial’, please visit the following link at Exclaim!: http://exclaim.ca/music/article/black_absinthe-early_signs_of_denial_album_stream 

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Album Pre-order – https://blackabsinthe.bandcamp.com/

1. The Wild (3:50) [MetalNationRadio]
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58) [MMK]
6. Winter (6:23) [Hellbound]
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

 

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference

0 NEWS: The Time Is ‘NOW’! BLACK ABSINTHE Streaming New Track via Metal Master Kingdom; Debut Album ‘Early Signs of Denial’ Due Out May 13th

  • April 28, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 28, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

The Time Is ‘NOW’! BLACK ABSINTHE Streaming New Track via Metal Master Kingdom

Debut Album ‘Early Signs of Denial’ Due Out May 13th

Upcoming Show Dates:

May 13 – Oshawa, ON @ The Atria – Event info
May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE are surfacing from the basement to unleash new tunes from their debut album ‘Early Signs of Denial’ produced by Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Set for release on May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike. The band recently teamed up with MetalMasterKingdom.com to premiere their third single ‘NOW’.

Bassist Kyle Scarlett comments on “NOW”:

“‘NOW is one of our favorites to play of the new songs. We wanted to build a song around a solid open chug you hear in a lot of NWOBHM. The chorus veers off from the old school metal vibe and comes back full force with some screams. The solo section was a lot of fun to work on in the studio, did a lot of layers and got it sounding mean. All in all a solid rager that gives ya little sections to breathe! To add, the lyrics are about the philosophy of time, thinking of what you want, but at the cost of what you have to do to get it.”

To listen to ‘NOW’, please visit the following link: http://www.metalmasterkingdom.com/home/black-absinthe-stream-now-metal-master-kingdom

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects ofBLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Album Pre-order – https://blackabsinthe.bandcamp.com/ 

1. The Wild (3:50) [MetalNationRadio]
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58)
6. Winter (6:23) [Hellbound]
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference

0 ‘Winter’ Is Not Over Yet! BLACK ABSINTHE Streaming New Track via Hellbound.ca; Debut Album ‘Early Signs of Denial’ Due Out May 13th

  • April 14, 2016
  • by Asher
  • · Uncategorized

(contact info below)

NEWS RELEASE

Montreal, QC – April 14, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

‘Winter’ Is Not Over Yet! BLACK ABSINTHE Streaming New Track via Hellbound.ca

Debut Album ‘Early Signs of Denial’ Due Out May 13th

Upcoming Show Dates:

May 13 – Oshawa, ON @ The Atria – Event info
May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE are surfacing from the basement to unleash new tunes from their debut album ‘Early Signs of Denial’produced by Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Set for release on May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike. The band recently teamed up with Hellbound.ca to premiere their second single ‘Winter’.

Vocalist/ guitarist Jack Cerre comments on “Winter”:

 

“‘Winter’ is one of our favourite tracks to play live, and the experimentation during production surprised us! The song is about a family crossing the frozen St. Lawrence River during the settlement of Canada. There are French and English lyrics about a struggle against time and nature. While recording, the song exploded with harmony. (Producer) Dave Baksh and I worked out a lot of interesting guitar work, really just ear candy for true metal fans. It’s an epic, so let the wind wash over you and take you to a cold dark place.”

To listen to ‘Winter’, please visit the following link: http://hellbound.ca/2016/04/black-absinthe-winter-track-premiere/

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Album Pre-order – https://blackabsinthe.bandcamp.com/

1. The Wild (3:50) [MetalNationRadio]
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58)
6. Winter (6:23)
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

 

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

—

ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | ashermedia@gmail.com
Facebook | @AsherMedia | Hire Us
AsherMediaRelations.com
Join AMR Mailing List
Brutal Battle Cuba
Armstrong Metal Fest
Farmageddon Open Air
Test Your Metal Records
Wacken Metal Battle Canada
Black Mourning Light Metal Fest
ShrEdmonton Fest & Conference

0 NEWS: BLACK ABSINTHE Premiere ‘The Wild’ From Upcoming Debut Album ‘Early Signs of Denial’

  • April 1, 2016
  • by Asher
  • · Black Absinthe · Music News

(contact info below)

NEWS RELEASE

Montreal, QC – April 1, 2016

EP Promo Request here.

For fans of Black Sabbath, Killswitch Engage, Motorhead, Mastodon, High On Fire, Coheed and Cambria

Facebook | Twitter @ blackabsintheto | Instagram | YouTube | Bandcamp

MetalNationRadio Premiere BLACK ABSINTHE ‘The Wild’ From Upcoming Debut Album ‘Early Signs of Denial’ Due Out May 13th

Upcoming Show Dates:

May 14 – Toronto, ON @ Coalition T.O. (CD Release Show) – Event info

      Toronto, ON heavy metal trio BLACK ABSINTHE are surfacing from the basement to unleash new tunes from their debut album ‘Early Signs of Denial’produced by Dave Baksh (Cross Dog, The Mahones) plus mixed and mastered by Frank Gryner (Rob Zombie- Hillbilly Deluxe). Set for release on May 13th, 2016, the album is the band’s first professional recording to follow their three self recorded EPs Live At Coalition (2014), Noise Complaint (2014) and Augusta (2012).

“This was our first foray into recording in a studio environment plus working with a producer and mixer. Having a team of people around us helped us produce better songs at a higher quality to give our fans the chance to hear what we’re truly about without the barrier of poor recordings. It’s our jump from the basement to the studio, the raw energy is still there, but there’s an added level of detail to each track. We wanted to make a significant jump forward in quality and songwriting plus for fans who have been following us, we think they’ll be pleasantly surprised.” comments vocalist/guitarist Jack Cerre.

BLACK ABSINTHE’s powerful heavy riffs and bass lines are reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence ready to be shared with fans new and old alike. Teaming up withMetalNationRadio.com, the band is proud to premiere their first single ‘The Wild’. 

“The Wild is the first song from a culmination of two years of work, our blasting out of the gate declaration of freedom. Don’t overthink it, ROCK OUT! It’s about taking your life into the heat of the fire, crashing and burning at the feet of desire.” comments vocalist / guitarist Jack Cerre.

To listen to ‘The Wild’, please visit the following link: http://metalnationradio.ca/song-premiere-black-absinthe/

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the album’s songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of BLACK ABSINTHE’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Album Pre-order – https://blackabsinthe.bandcamp.com/ 

1. The Wild (3:50)
2. Is This Life (4:42)
3. Berj Khalifa (3:19)
4. Pigs (4:03)
5. NOW (3:58)
6. Winter (6:23)
Album Length: 26:18

For more info, please visit: https://www.facebook.com/blackabsintheband.

About:

Formed in 2011 by vocalist and guitarist Jack Cerre, bassist Kyle Scarlett and drummer Austin Henderson, the trio continue to rip through the underground Toronto metal scene without pause.

Compounding heavy riffs and bass lines reminiscent of classic thrash and new wave British heavy metal with a range of progressive to classic rock influence, Black Absinthe presents a solid example of a Canadian metal band. They’re road hungry, influenced plus supported by other driven Canadian musicians and most of all, ready to innovate and grow the traditions of a genre they venerate and respect. As leaders in the scene, Black Absinthe were headlining Toronto semi-finalists in the Wacken Metal Battle Canada 2015.

With a new year ahead, Black Absinthe pushes on with their desire to provide their fans in Canada and online with a cleaner and heavier presentation of their sound. The years incubating in Toronto’s metal underground have served the band well. From their 2012 debut EP Augusta to their 2014 EP Noise Complaint, both releases have established the band’s sound as well as their stage presence, leading to their driven heavy metal machine. Now in 2016, Black Absinthe are ready to release their debut studio album Early Signs Of Denial (May 13, 2016). The album was produced by Dave Baksh (Cross Dog, The Mahones) out of the Gentleman’s Den studio in Pickering, ON who’s experience proved to be the final touch; aiding in refining drum dynamics, smoothing the transitions and layering harmonic guitar lines. Black Absinthe’s Early Signs Of Denial sound is a leading example of the contemporary Canadian metal scene serving to showcase how the band sounds in a crisp, powerful, and ultimately more professional recording environment.

The title “Early Signs of Denial” is a conceptual connection to the themes of fear, corruption, and overcoming disparity, which is explored in the songs. The record has emphasis of crushing modern tone, polished instrumental sections, soaring vocals and a blending of contemporary and classic metal. With each track, this unique record represents different aspects of Black Absinthe’s diversity in song writing. The band does not tread lightly over their new wave of British heavy metal song style or their technical and progressive metal influences.

Through the bands expanding network cultivated through Coalition Music’s “Artist Entrepreneur Program”, they chose Frank Gryner (Rob Zombie- Hillbilly Deluxe) to mix and master the album in the Winter of 2015. His strong ability to work with a diversity of sounds was the appeal to the band. His mixing took the album into the sonic spheres of a classic 80’s sound providing, grandeur, psychedelia, and an arena rock feel that could properly represent the textures put down in tracking. There was an immediate trust formed with the stylistic choices Gryner made throughout mixing.

– 30 –

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0 NEWS: ThePunkSite Album Premiere PUTTIN’ ON THE FOIL ‘Fired Up, Ready To Roll’ Due Out May 12th + Alberta and BC Tour Dates

  • May 6, 2015
  • by Asher
  • · Music News · Puttin' On The Foil

For Interview, Album Requests, Media List contact

Jon Asher – Music Publicist – ashermedia [AT] gmail.com

Radio Promotions – radiotrackingashermedia [AT] gmail.com

#514.581.5780 – www.ashermediarelations.com

NEWS RELEASE

Montreal, QC – May 6, 2015

ALBUM PROMOS FOR MEDIA COVERAGE (ex. feature, interview, album review, airplay, etc.) CAN BE REQUESTED HERE

RIYL = Nashville Pussy, Supersuckers, Social Distortion, Motorhead, Mojo Nixon

EPK | Press Photo | Album Cover

Puttinonthefoil.ca | Facebook | Twittter | Reverbnation |

Soundcloud | Youtube | Last.FM | Instagram | iTunes

ThePunkSite Album Premiere PUTTIN’ ON THE FOIL ‘Fired Up, Ready To Roll’ Due Out May 12th + Alberta and BC Tour Dates

L-R – TimTim – Guitar/Vocals | Trayne Rekk – Bass Vocals | Stubbs – Drums – Photo Credit – Krista Rowland

ThePunkSite.com – Album Stream – Fired Up, Ready To Roll – http://thepunksite.com/news/exclusive-stream-puttin-on-the-foil-fire-up-ready-to-roll/ 

Puttin’ On The Foil – Shitshow – Free Download

       On May 12th, Calgary’s cow-punks Puttin’ On The Foil are set to self-release their new album, ‘Fired Up, Ready To Roll’ to the masses. Ten songs of  hillybilly infused punk rock that pretty much begs the listener to sing and drink along with them, Puttin’ On The Foil (yes, a reference to the glorious Hanson Brothers from Slapshot) is a mixture of Hank Williams and Motorhead, some Social Distortion with Mojo Nixon.

But why wait? When you can listen to the album exclusively on ThePunkSite.com at the following link here and a must see show on tour across Alberta and BC this May.

Tour Dates:

May 8 – Edson, AB – Fat Greasy’s

May 9 – Edmonton, AB – DV8

May 10 – Red Deer, AB – Leah’s

May 14 – Calgary, AB – Morgan’s Pub w/ The Dwarves

May 15 – Calgary, AB – Swigs

May 16 – Calgary, AB – Big Al’s

May 21 – Lethbridge, AB – The Inferno

May 22 – Elkford, BC – Sneaky’s

May 23 – Peachland, BC – Edgewater

May 24 – Kelowna, BC – Fernando’s

May 26 – Nanaimo, BC – The Globe

May 27 – Victoria, BC – Logan’s Pub

May 28 – Vancouver, BC – Pat’s Pub

May 29 – Saturna Isl, BC – Lighthouse Pub

May 30 – Salmon Arm, BC – Outlaws

Track Listing: Puttin’ On The Foil – Fire Up, Ready To Roll
1. Shitshow (3:08)
2. Comin’ In Hard’ (3:31)
3. Drunk & Naked (3:56)
4. Rowdy (3:46)
5. Fishin’ Song (4:00)
6. Sweet Prairie Vixen (3:20)
7. Giver To The Liver (3:37)
8. Let Me Be (3:48)
9. Raisin’ Hell (3:05)
10. Ode To Drunk (3:44)
Album Length: 36:01

About:

The band is a three piece consisting of Trayne Rekk on Bass/Vocals/Stupidity, TimTim plucking Guitar/Vocals and Jordan Stubbs on Drums. Rarely sober the band’s infectious music invites even the most conservative wall flower to act stupid. One would expect the band to have influences like KISS, SLAYER, and Iron Maiden, but Trayne blames Hank Willams Jr. for much of his blue collar topics.

Puttin’On The Foil’s signature sound starts with Hank Williams, toss in some Ramones, thickened with Motorhead, and a dash of Nashville Pussy gives it that good time feel. Fans can be sure to understand the bands incredibly love of a good time from their music and live shows.

For more info, please visit the following links:

http://www.puttinonthefoil.net

https://www.facebook.com/pages/Puttin-On-The-FoiL/405041498528

https://twitter.com/potfkicksass

– 30 –

“Shirtless dude in overalls? Check. Long-haired fella in a Canadian Tuxedo? Check.  Bottles and blunts? Ok we are ready. Puttin’ on the Foil are Calgary’s premier hillbilly punk act…” – Calgary Is Awesome

 

“Puttin’ on the Foil’s signature mix of good time country vibes and punk rock intensity make their shows feel more like a Stampede after-party.” – Calgary Journal

 

“If you are looking for a great philosophical punk album to bring a smile to your face on a bleak day then look no further than ‘Fire Up, Ready to Roll’, from Calgary’s Hillbilly punks, ‘Puttin’ On The Foil’.” – Punk Globe

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