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0 NARCOTIC WASTELAND’s Unleashes Shredding Guitar / Vox Video For “Victims of the Algorithm”

NEWS RELEASE

Montreal, QC – February 8, 2023

NARCOTIC WASTELAND’s Unleashes Shredding Guitar / Vox Video For “Victims of the Algorithm”

Photo Credit – Andrea Roberts

2022 was a very active year for South Carolina’s Narcotic Wasteland founded by guitarist Dallas Toler-Wade. The band had tours supporting ACCEPT and Malevolent Creation plus a performance at Rustfest (Detroit, MI) along with sharing with fans three new singles “Morality and the Wasp”, “The Best Times Have Passed” and “Victims of the Algorithm”, which will appear on the band’s forthcoming album due out later in 2023.

Today, Narcotic Wasteland is unveiling the latest guitar and vocal playthrough for their latest single “Victims of the Algorithm”, a crushing speed storm of death thrash, with its visceral vocals, and a demolishing blast beat to annihilate the mosh pit.

Check out the playthrough via its premiere on MetalSucks HERE.

“This guitar/ vocal playthrough was footage taken from the video shoot for our latest single Victims of the algorithm. We had rehearsed the song a good bit before the tour and had about two weeks out on the road to play the song live. So even though it’s just a video I feel I got the performances pretty close to the studio version. Kenji Tsunami with Tsunami films once again does a fantastic job!” adds Dallas Toler-Wade.

Narcotic Wasteland is currently working on their forthcoming 2023 album to be released via Megaforce Records (release date to be determined). The single “Victims of the Algorithm” was recorded with engineer, and producer Erik Schultek who is no stranger to the band having recorded drums, engineered, and produced their self-titled debut album. The band’s 2023 album will be the follow-up to their sophomore full-length 2017’s “Delirium Tremens”.

Stream for “Victims of the Algorithm” available at https://orcd.co/nwvota

Inspired mostly by thrash metal and classic heavy metal, Narcotic Wasteland is becoming more thrash and speed and less death metal and getting better at writing material that is meaningful and powerful. They are recommended for fans of Vader, Death, The Crown, Autopsy, Pestilence, and Nile.

Previous singles:

“Morality and the Wasp” – https://youtu.be/fXThLKTP-xI

“The Best Times Have Passed” – https://youtu.be/U6kB087hGyY

Show Dates:
Friday, June 23, 2023 – The Concert North – Houston, TX
Saturday, June 24, 2023 – The Rail Club – Forth Worth, TX
Sunday, June 25, 2023 – Boozerz Rock Club – Corpus Christi, TX

For more info:

https://www.narcoticwasteland.com
http://www.facebook.com/narcoticwasteland
https://www.instagram.com/narcoticwastelandofficial
https://twitter.com/Narco_Wasteland

About:

Narcotic Wasteland started as a side project Dallas Toler-Wade had been working on the past few years when he was not touring or in the writing/studio with metal heavyweights “Nile.”

‘So I just started writing some songs kind of more in the style of things I was playing before my time in Nile. The more we started working on these demos the more we wanted to complete an album and take it to the stage!!! Our observation of what was going on in parts of the town we grew up in and in other parts of the world fueled a new level of angst for me personally.” DTW

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“The song (Victims of the Algorithm) takes on lightning-fast and heavy riffs, in the tradition of the band, and the lyrics tackle our dependence on social media in the modern age.” – Decibel Magazine

“Dallas-Toler Wade, back with the riffs. (The Best Times Have Passed) – Metal Injection

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 FUCK THE FACTS Team-Up With Director David Hall For New “Dropping Like Flies” Music Video

NEWS RELEASE

Montreal, QC – January 6, 2020

For fans of Brutal Truth, Napalm Death, Converge, Cephalic Carnage, The Dillinger Escape Plan

FUCK THE FACTS Team-Up With Director David Hall For New “Dropping Like Flies” Music Video

Video Premiere via MetalSucks

New Album “Pleine Noirceur” Out Now! via Noise Salvation

L – R: Melanie Mongeon, Mathieu Vilandre, Topon Das
Photo by Anndy Negative

Unleashing the latest slab of their patented “bastardized” grindcore with their new album “Pleine Noirceur” this past November, Fuck The Facts have a new music video for the track “Dropping Like Flies”. The song is a face-punching, fist-pumping smorgasbord of 90’s death metal, crust punk, and weirdness. Lyrically, the track was written by vocalist Mel Mongeon to tackle the reality of drug addiction and the opioid epidemic in certain parts of Canada pre-covid times.

“The infection is spreading
Like a field infested with insects, with pests that multiply
Unable to treat the infection, it’s becoming larger…

…We hear you say you’re concerned, that you understand
But nothing is done
State of emergency; where are the resources?
It’s all talk
Help isn’t on the way

Communities will remain under strain
Pushed to the breaking point
Everyone is scrambling to save lives
As long as you feel their lives do not matter, they will keep dying”

Fuck The Facts has once again teamed up with director David Hall, who has been making videos for each of their albums since the release of “Stigmata High-Five” back in 2006.

“His unique approach to making videos has always been inspiring to us and we’ve always given him carte blanche (just watch our video for “Everywhere Yet Nowhere”). For the “Dropping Like Flies” video Dave manages to give the viewer an uncomfortable and satirical look at the devastating opioid epidemic. Highlighting just how much this issue is not taken seriously enough.” says FTF’s Topon Das.

Director David Hall adds:

“The main inspiration for the video for “Dropping Like Flies” came directly from Mel’s lyrics. She eloquently sings about addiction as an epidemic and society’s response: “help isn’t on the way.” I wanted to present a vision of hopelessness, the brutal ravaging of addiction, the pervasiveness of prescription meds, the economic forces that conspire, and show some faces not commonly presented as addicts: white people, senior citizens, the middle and upper class. Addiction transcends all demographics. God sends flies to wounds he should heal. Pills rain down from heaven.”

The video for “Dropping Like Flies” can be viewed via its premiere on MetalSucks HERE.

Fuck The Facts has amassed a respectable discography over the years, and the new offering of “Pleine Noirceur” joins the 7 LPs and 6 EPs released to date. The considerable amount of time the band has been working together shows in the natural chemistry that courses through each of the 12 tracks. Fuck The Facts comments on the album:

“We took a long break before working on this album, I feel like it’s a collection of bits and pieces; old and new, short and long. It’s us working back into the groove, just in time for a pandemic. This album also could have easily been 3 EPs, you really have to listen to the whole thing in order to fully enjoy it. It opens the door for what is next.”

Recommended for fans of Cephalic Carnage, Exhumed, and Morbid Angel, Fuck The Facts‘ new album “Pleine Noirceur” is available in several different formats listed below.

Album Stream – YouTube
Spotify playlist add HERE.
Album order HERE. (CD, Vinyl, Cassette, Digital)

Track Listing:
1. Doubt, Fear Neglect (6:47)
2. Ailleurs (1:17)
3. Pleine Noirceur (5:42)
4. Aube (1:24)
5. Sans Lumiere (4:23)
6. Sans Racines (0:38)
7. Everything I Love Is Ending (4:14)
8. A Dying Light (3:41)
9. Dropping Like Flies (4:04)
10. L’abandon (2:07)
11. An Ending (3:27)
12. _cide (3:59)
Album Length: 41:46

For more info:
Fuckthefacts.com
Facebook.com/FuckTheFacts
Twitter.com/fuckthefacts
Instagram.com/fckthefacts
EPK

About:
Started as a recording project in the late ’90s, it wasn’t until 2001 that the work ethic that produced a slew of underground releases drove Fuck The Facts towards full band status and into the live arena. Since then, the Ottawa-based unit has barely stopped for a breath of reconsideration, associating themselves with some of the biggest labels in underground extreme music, as well as continuing a steady output of DIY releases. Having toured hundreds of thousands of kilometers throughout North America and Europe, guitarist/founder Topon Das, vocalist Mel Mongeon and drummer Mathieu Vilandré have performed as some of the biggest festivals and sweated it out in some of the smallest basements. From 2006-2011 Fuck the Facts released three albums via underground powerhouse label, Relapse Records. Upon the completion of their contract, the quintet decided it was time to put the finishing touches on the proverbial full-circle, returning to the world of fierce independence and creative control. Their most recent releases were produced entirely at their own studio, self-released, and shows Fuck The Facts efforts as an entity continuing to grow musically and personally while developing a deeper understanding of what significance their art holds to them. As one of the longest-running and most recognizable names in Canadian Grindcore, FUCK THE FACTS continue to deliver their brand of “Bastardized Grindcore” with no end in sight.

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“The album opens with arguably the best Fuck the Facts song of all time in “Doubt, Fear, Neglect” — a song with some of the heaviest riffs ever made by the band… Fuck the Facts’s Pleine Noirceur is the most perfectly heavy record one could ask for. For a band that has been together for over 20 years, Fuck the Facts continue to make some of the most important heavy music around, and Pleine Noirceur is their finest achievement to date.” – Exclaim!

“It’s no secret I love the Canadian death/grinders in Fuck The Facts, and I couldn’t be happier to hear after 5 years of radio silence, they’re back and better than ever! Their new album, Pleine Noirceur, is set for release on November 20th via the band’s very own Noise Salvation label and today we’re premiering the title track off the release. It’s as vicious as it is warm and heartfelt, twisting and turning with new surprises while retaining the FTF brand we love over the years.” – Metal Injection

“Instrumentally, Pleine Noirceur is crushingly heavy but full of melody and atmosphere and unexpected twists and turns, and vocally, Melanie Mongeon is at her most emotive. These are soaring, impassioned songs that really make you feel something.” – Brooklyn Vegan

“The first thing that will strike you about Pleine Noirceur is just how fucking big it sounds; the production on this record is absolutely thunderous, boasting a crisp, punchy sound and one of the most rich, full-bodied guitar tones they’ve ever had.” – The Quietus

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
asher[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 MetalSucks Video Premiere: Montreal’s GROWLER CHOIR Performs “The Dayking”

(contact info below)

NEWS RELEASE

Montreal, QC – October 30, 2019

MetalSucks Video Premiere: Montreal’s GROWLER CHOIR Performs “The Dayking”

Montreal’s Growler Choir (Le Choeur Des Growlers in French) was dreamt up by composer Pierre-Luc Senécal in 2016. What may have been a wild fantasy for many metalheads was finally brought to fruition in May 2019 in co-production with Le Vivier et Codes d’Accès when the eighteen member choir took the stage for their first public performance.

Comprised solely of metal growlers, the choir blends metal and contemporary music in a way that is groundbreaking. In their debut performance conducted by Senécal, the Growler Choir performed the dramatic words from the poem “The Dayking” by Fortner Anderson backed with a reinforced sound arsenal. The Growler Choir does more than emphasize vocal techniques specific to the genre of extreme metal, they explore the sonic potential of the voice to demonstrate its extraordinary properties, both sensual and monstrous.

They thoroughly delighted the audience, many of whom sat on opposite ends of the musical spectrum. The one of a kind performance was recorded so that music lovers everywhere can witness this very unique event.

The Growler Choir innovates on several levels. On one hand, it materializes an almost mythical idea of metal music; on the other hand, it renews the archetypes of a genre by approaching them in an experimental spirit. In short, they are making contemporary and metal music more approachable for new audiences.

To watch this incredible spectacle, please visit the following link via MetalSucks.net HERE.

“The Dayking” featured:
Fortner Anderson
Samuel Arseneau-Roy (Basalte)
Laurent Bellemare (Basalte, Sutrah)
Roxana Bouchard (Your Last Wish)
David Caron-Proulx (Entheos)
Corinne Cardinal (Valfreya)
Sébastien Croteau (Necrotic Mutation)
Étienne Dufresne (ex-Deathbringer)
Jessica Dupré (Fall of Stasis)
Pascal Germain-Berardi (ex-Archetype)
Marie-Claude Gosselin (ex-Illicit)
Patrick Goyette (Hymnosis)
Marie-Hélène Landry (Obsolete Mankind)
Philippe Langelier (Bookakee)
Jeffrey Mac Dermott (Hands of Despair)
Yann Pouliot (Reign the Sky)
Étienne Roy-Bourque (ex-Nephilim)
Mikaïl Standjofski-Figols (ex-Sanguine Glacialis)
François Toutée (ex-Hybrid Chaos)

For more info:
Facebook.com/GrowlerChoir
Instagram.com/growlerchoir/

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ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780 | asher[@]ashermediarelations.com
Facebook @AsherMedia | Instagram @AsherMedia | Tweet @AsherMedia