Tag: metal

0 Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight” (Mixed and Mastered by Christian Donaldson (Cryptopsy))

November 10, 2022
by Asher
· Feleth · Music News

NEWS RELEASE

Montreal, QC – November 10, 2022

Norway’s Féleth Now Streaming Their Technical Melodic Death Metal Album “Divine Blight”

Mixed and Mastered by Christian Donaldson (Cryptopsy)

Féleth, from northern Norway, is now streaming their second album “Divine Blight”, which they see as a solid step up from 2020’s “Depravity”. They take on real-life events and put them to provocative music best described as melodic death metal with a healthy dose of technical death metal added in. The lyrical themes are often inspired by things that vocalist Espen Dagenborg finds massively wrong such as politicians waging war, being greedy, and also how humans can be extremely hateful against others. Then again there are also songs that are somewhat purely fictional, mostly showcasing his lyrical style.

As Féleth was the continuation of a former thrash metal band, IronBound, it’s natural to say that they started out as a thrash death band. As the then-young boys started to discover the joys of death metal the sound evolved more toward that. Along with the newfound joy came the struggle, for death metal wasn’t easy to play. After finally mastering the ways of death metal and having released “Depravity” disaster struck. The now not-so-young boys had developed a taste for technical death metal and big hooks. When the time came to work on “Divine Blight” they already had a handful of finished songs to choose from, each one a work of art – melodic, technical, brutal art. The band comments:

“After getting signed with our new label “Rob Mules Records” and playing some pretty sick gigs at both Buktafestivalen and Tons of Rock, we’re super stoked to release our new album “Divine Blight”. It was a long and tedious process of selecting, practicing, and recording, but the result will speak for itself. Our best album thus far. It’s a collection of stories based on the dystopian path humanity is set on. We felt that throughout this new journey of an album we’ve refined our songwriting and successfully achieved a style that’s not only ass-whoppingly brutal, but also more complex emotionally and lyrically. It is clear that we’ve got multiple influences and styles throughout the album which all contribute to a massive sonic package. It’s definitely a death metal album with some subtle takes on some of its many subgenres. Two and half years after our debut “Depravity” we’re ready to present ‘DIVINE BLIGHT’.”

The album was mixed and mastered by Christian Donaldson (Cryptopsy) and the album artwork was done by Kahinienn Graphix. The Northern Norwegian technical death rock is recommended for fans of Fit For An Autopsy, Inferi, and Soreption.

The album “Divine Blight” comes out on November 11, 2022, and can be heard in full before its official release on Metal-Rules HERE.

Music Video – Majesty – https://youtu.be/yce26-EGFMI

Visualizer – Avarice – https://youtu.be/E2J3NnHAmsk

Lyric Video – USA ft. Petter Carlsen – https://youtu.be/7jURKrmgt0M

Track Listing:
1. Majesty – 03:46
2. Caretaker – 03:58
3. Riven – 03:51
4. En Elskovsdans – 03:10
5. The Serpent – 03:32
6. Casanova – 03:35
7. Deadlands – 04:26
8. Absence – 04:09
9. USA – 05:32 ft. gust vocals Petter Carlsen
10. Avarice – 05:33
Album Length: 41:37

Album Credits:
All songs performed by Féleth
Guest vocalist Petter Carlsen on USA
All songs written by Féleth
Produced by Féleth
Mixed and Mastered by Christian Donaldson
Assistant Engineer Jonathan Mazzeo
Album Artwork by Kahinienn Graphix

Live and Album Lineup:
Espen Dagenborg – Vocals
Thomas Nyvoll – Guitar
Alexander Stamnes – Guitar
Brage Ingebrigtsen Westgaard – Bass
Aleksander Alsen – Drums

For more info:
Facebook.com/FelethBand
Instagram.com/felethband

– 30 –

““Majesty” is an exciting introduction to the differing styles and techniques that Féleth intertwine in their songwriting, drawing together ingredients from technical and melodic death metal in a white-hot rush that nevertheless is home to some bone-smashing grooves. “Avarice” puts those genre ingredients on display again, but expands the musical palette and makes the song an even ore multi-faceted and atmospheric experience. With no room to gasp a breath, the song explodes in a flurry of fleet-fingered, fret-leaping guitar work, neck-cracking drumming, and flame-throwing vocal intensity. But groaning chords and shrill, eerie melodic overtones also create dark and deleterious moods, building tension and fear. While the vocals are utterly unhinged in their madness (and doubled in the chorus for extra intensity), squirming guitar arpeggios create a different dimension of insanity, coupled with agony, and martial drum patterns and a misery-steeped closing solo add to the song’s relentless dynamism. On top of all that, the song also punches like a heavyweight fighter.” – No Clean Singing (Divine Blight 2022)

“Feleth is gaining a name for itself despite only being around for a couple of years. They are developing their sound and their technical ability rapidly and this release shows that development, especially in songwriting where they bring different elements in to add color. An excellent example of melodic/technical death metal and worth anyone’s hard-earned cash.” – My Global Mind (Divine Blight 2022)

“Depravity the newest album from Feleth is one brutal album full of riffs and hooks to keep even the most particular entertained. Feleth mix the roots of the Norwegian metal scene, with the death metal tone they strive for to create some well crafted blackened death metal, similar to that of Shadow of Intent.” – Metal Injection (Depravity 2020)

“With a melting pot of ideas, yet rooted in delivering a head-smashing and neck-destroying style of metal, Féleth are aggressive newcomers to a scene that constantly looks to surprise… Féleth deliver heavy and extreme noise so very well.” 9/10 – Games, Brrraaains & A Head-Banging Life (Depravity 2020)

“straight up heaviness and brutality, tech offerings and melodic atmopsheres, and enjoyable groove.” – Dead Rhetoric (Depravity 2020)

“Féleth: Transcends the traditional limits of the genre…” – Permafrost.today (Depravity 2020)

“9/10 “Féleth offer an edge-of-your-seat experience that is both fresh and captivating.” – Metal Inferno (Depravity 2020)

“Féleth does death metal fast and aggressive, reigning in their impressive technical chops for maximum impact, keeping their riffs (and songs, for that matter) relatively short and to the point. They strike a pretty even balance between chunky chords and caustic melodies, most of which are designed to coax headbanging than to impress with virtuosity. The album is front-loaded with catchy bangers, saving the more technical and weird bits for the latter half.” – Tolet Ov Hell (Depravity 2020)
—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canadian Power Metal RAVENOUS Want You To Know “The Claw Is The Law” w/ Mortal Kombat Video Game Music Video

November 9, 2022
by Asher
· Music News · Ravenous

NEWS RELEASE

Montreal, QC – November 9, 2022

Canadian Power Metal RAVENOUS Want You To Know “The Claw Is The Law” w/ Mortal Kombat Video Game Music Video

L-R: Ravenous Current Line Up
Skyler Mills (Guitar) | Dave Crnkovic (Drums) | R. A. Voltaire (Vocals) | Chris Valax (Bass) | Jake Wright (Guitar)
Photo Credit – Monika Deviat

Canadian power metal Ravenous is celebrating the one-year anniversary of their highly praised 2021 album “Hubris” with a new music video for their track “Claw is the Law” that features guest vocals, accordion, and mandolin from members of The Dread Crew of Oddwood.

The video idea came from Wolfbeard O’Brady (Reece Miller – The Dread Crew of Oddwood, Frontman) and was fully edited/animated by him in celebration of the 1 year anniversary of Ravenous’ sophomore album “Hubris” and the 30-year anniversary of the Mortal Kombat video game.

“I’ve always wanted to do a fighting game music video, and I felt like this collaboration was a perfect opportunity to rep the over-the-top everything that is ‘Claw is the Law’”. comments The Dread Crew of Oddwood’s Wolfbeard O’Brady.

The music video for “Claw is the Law” can be seen and heard at https://youtu.be/3P3E6CoF7FY

In additional news, Ravenous has also launched a Patreon campaign for exclusive content for fans from the band, such as instrumentals, shirts, tabs, discord access, and to support the Speed Metal army. For more info, please visit the following links:

Video – https://youtu.be/uOR3tVK2GCw

https://www.patreon.com/RavenousEternalHunger

Taking their performance, writing, and musicianship seriously, but allowing tongue-in-cheek humour and pop culture references to resonate through the songs, Ravenous is bringing fans anthemic tunes from a time when metal was hungry.

Their latest studio album “Hubris” was released on October 22nd and was produced by the band with mixing and mastering done by Fredrik Nordström (In Flames, Opeth, Firewind). The full-length features guests Vincent ‘Jake’ Jones of Aether Realm, Heinrich Yoshio of Aether Realm, Mathias Blad of Falconer, Nina Osegueda of A Sound of Thunder, and The Dread Crew of Oddwood (Full Band).

Bringing a full lineup of experienced musicians together, ones that have toured extensively and are fully dedicated to providing a high-energy, high-intensity live experience. Ravenous seek to inspire others to find that inner triumph and glory that drove them to form this project – whether that means starting their own band, or just finding the strength to make a change in their lives – they seek to empower their followers through every step of their journey.

Recommended for fans of Blind Guardian, Falconer, Sabaton, and Unleash the Archers.

“Hubris” was released on October 22, 2021, via Feast Beast Records for North America and Europe along with a Japanese release via Spiritual Beast Records, which included two exclusive tracks.

Album digital stream and download are available on Spotify, Ravenouseternalhunger.bandcamp.com, and Apple Music.

Previously released videos:

Animated music videos for “Die 1000 Deaths” ft. Heinrich Yoshio of Aether Realm.
English Version – https://youtu.be/uvVkYDINa-0
Japanese Version – https://youtu.be/Tz6-pmChuJ0
Lyric Video – “Astral Elixir” – https://youtu.be/iVvbuTw2veA

Track Listing:
1. Carnage in Carthage (4:37)
2. Astral Elixir (5:16)
3. Son of Storms (4:33)
4. Die 1000 Deaths (5:24) (3rd Guitar Solo by Heinrich Yoshio of Aether Realm)
5. Bridgeburner (6:10)
6. The Alder Queen (3:17) (ft. Lead Vocals by Nina Osegueda of A Sound of Thunder)
7. March of Hunger (4:47)
8. Claw is the Law (5:24) (ft. Lead Vocals, Accordion, Mandolin, and Gang Vocals by The Dread Crew of Oddwood)
9. Onwards & Upwards (4:09) (ft. Lead Vocals by Mathias Blad of Falconer)
10. …Of Beasts and Faust (10:21) (ft. Lead Vocals by Vincent Jones of Aether Realm)
Total Length 53:57
Japanese Version Exclusives
11. Cakaw Te Partiro (Bonus) – 3:13
12. 一瞬千撃 (Bonus) – 5:25
Total Length 62:34

For more info:
Ravenouseternalhunger.com
Facebook.com/RavenousE.H
Twitter.com/Ravenous_EH
Instagram.com/ravenouseternalhunger
EPK

– 30 –

“#2 on Top 30 Power Metal Albums of 2021”- Last Rites

“one to watch in the power metal scene” – Bravewords

“Calgary’s Ravenous have fused their flamboyant cross-breeding of European power metal and early ‘80s US speed metal, using it like a sharp ’n’ shiny scythe to forge their way through the crowded underground. Past accomplishments have included tours and gigs with Delain, Alestorm, Hammerfall, Striker and Powerglove with festival appearances and headliners interspersed in between. Considering all of the above, it shouldn’t come as a surprise a large part of this quintet’s musical vocabulary involved loving it speedy, epic, melodically grandiose while having a sword waving good time in the process.” – Decibel Magazine

“Ravenous aren’t afraid to put it all out there; symphonic assaults blend with all-out thrash metal, underpinned by some of the most enthusiastic power metal of the year. From start to finish Hubris is chock full of anthemic and contagious fist-pumping, head-banging songs featuring dramatic vocals and shredding solos. Power metal fans rejoice: Hubris is a worthy addition to your collection.” – Heavy Music Headquarters

“A great album of Power Metal, and even more. 9.5/10” – Metal Express Radio

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight. 5/5” – Metal-Roos

“a sparkling speed metal fuelled power metal rampage, raising fists high, banging heads hard, and causing fans everywhere to roar out loud with delight.10/10” – Metal Gods TV

“Hubris reminds me of early Dragonforce (the faster numbers) and Orden Ogan (the mid-paced material) though the songwriting is a notch or two below those bands currently. This is a solid second album from Ravenous, who display significant upside, and fans of the aforementioned bands will want to give it spin. 3.75/5” – The Metal Crypt

“Ignoring Ravenous E.H. would be as foolish as turning your back on Arya Stark” – Tinnitist

“Ravenous is not your squeaky clean, hyper-active, frilly shirts with puffy sleeves, keyboard-driven, ballerina, musical-box type of Power Metal, but more your mud and blood and grime with style” – Metal Rules

“A power metal album with enough to the longstanding traditions that makes the style fun and exciting for those who crave melodies and hooks” – Metal Observer
—

ASHER MEDIA RELATIONS

Jon Asher – Music Publicist
#.514.581.5780
jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Canadian Extreme Thrashers KORROSIVE To Unleash New Album “Toxic Apokalypse” On Cassette / CD / Vinyl via CDN Records

November 9, 2022
by Asher
· Korrosive · Music News

NEWS RELEASE

Montreal, QC – November 9, 2022

Canadian Extreme Thrashers KORROSIVE To Unleash New Album “Toxic Apokalypse” On Cassette / CD / Vinyl via CDN Records

New Video “Radioaktive Scourge”

Canadian thrashers Korrosive announce they will be unleashing CDs, cassettes and vinyl of their latest album “Toxic Apokalypse” via CDN Records. CDs will be due out on November 18th, with cassettes and vinyl for release in 2023 (release to be announced at a later date). The full-length was released digitally on October 7th of this year.

Korrosive is from Toronto, ON that is in your face, unapologetic, and is definitely one that offers a high-octane headbanging experience, unlike anything you’ve heard before as they explore and push the boundaries of thrash metal with extreme influences.

“We want to be a thrash metal band that combines the elements of thrash in its roots, but also breaks down walls by incorporating various influences from grind and death, or whatever comes to mind to mix it up.” says vocalist Rad Zarei.

Their new album “Toxic Apokalypse” follows their first full-length 2021’s “Kaustic Hordes” and the 2019 EP “Melting from Within”. Featuring eight assaulting bangers, each song on the album is quite different in a way from each other, and yet, still uniquely Korrosive. They push each track with speed and extremity, from ‘Fatal Strike’ that has a ton of blast beats and solos, yet is still unmistakably thrash, to ‘Radioaktive Scourge’, filled with pure aggression, unlike anything they’ve released before. From its speed, the lyrics, and the sheer intensity, this song may be the shortest track on the record, but makes the largest impact and it’s over before you know it. And also strongly recommended is ‘Hail the Hellfire’, perhaps the band’s anthem to the entire “Toxic Apokalypse” album. Written as a reflection of the period when the full-length was being composed, this track discusses the brutality of war and the end result of each and every individual involved in its cause, regardless of side.

The band adds:

“Diabolical, fast, unforgiving armageddon. From slow passages, mid-tempo bangers, hyper-fast blast beats, and the occasional odd-time signature, it’s a ride in extreme thrash unlike anything before. Toxic Apokalypse is an album that will hit you hard, fast, and leave you with a ‘what the f*ck just happened?’ feeling.”

Lyrically, the music sets the overall tone for how the lyrics are written and substance. Songs deal with topics of science fiction, armageddon, and “what if” scenarios. The album art was created by the infamous Ed Repka (Dark Angel, Death, Hirax, Megadeth, Suicidal Angels, Venom).

“Typically, the way we write songs is to have each song done or be in the middle of the writing process, and I would create something out of that. It is rare for us that lyrics get written first before the song is made,” adds Zarei.

One thing that the mosh pit can always expect from Korrosive is the energy they bring to their shows.

“I always think of a show, regardless of venue, as a performance that is meant to capture the crowd. And as a band, Korrosive always exudes that level of intensity during our shows.”

Recommended for fans of Sodom, Kreator, Death, and Sepultura, “Toxic Apokalypse” was produced by Ben Erikson with mastering done by Arthur Rizk (Power Trip, Kreator, Cro-Mags, Municipal Waste, Soulfly).

Lyric Video – Radioaktive Scourge – https://youtu.be/9YZc6iJwsLM

CD and cassette pre-order is available at the following links:

CD – https://cdnrecords.com/shop/korrosive-toxic-apokalypse/

(CD / Cassette) – https://korrosivemetal.bandcamp.com/album/toxic-apokalypse

Vinyl pre-order link to be issued at a later date.

Spotify

Track Listing:
1. Into Nekropolis 05:28
2. Radioaktive Scourge 01:48
3. The Goddamned 04:47
4. Fatal Strike 03:28
5. Libertad y Muerte 05:15
6. Infernal Onslaught 05:10
7. Hail the Hellfire 04:20
8. Karnage Incarnate 07:39
Album Length (37:55)

Album Credits:
• All songs performed by: Korrosive
• All songs written by: Korrosive
• Produced by: Ben Erikson
• Mixed by: Ben Erikson
• Mastered by: Arthur Rizk
• Album Artwork by: Ed Repka
• Music is Canadian Content (MAPL)

Album and Live Band Lineup:
Rad Zarei – Vocals
Jack Neila – Guitars
Kaveh Afshar – Drums
Derek Solomos – Guitars
Carlos Rodriguez – Bass

For more info:
https://www.facebook.com/korrosivethrash
https://www.instagram.com/korrosivethrash

– 30 –

“If you like your thrash metal with a little San Francisco and a nice helping of Germany, then this is the album for you. “Toxic Apokalypse” is already out on CDN Records from Canada and it’s a must for any metal fan who likes it hard, nasty, and ripping off heads! This is easily in my top five metal albums of 2022.” – Pete Altieri, Murder Metal Mayhem

“It’s an album which is relentless, something that any self-respecting thrash fan would want. And yet, there is some balance to the album. It’s paced well, with the tempo picking up again at the tail end of the album” – UK Thrashers

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

November 9, 2022
by Asher
· Music News · Red Cain

NEWS RELEASE

Montreal, QC- November 9, 2022

Canada’s RED CAIN Pay Homage To Wheel Of Time With Music Video For Commanding New Single “Fisher King”

L to R: Samuel Ridout (guitar), Tyler Corbett (guitar), Evgeniy Zayarny (vocals), Kalie Yan (bass, vocals), Taylor Gibson (drums)

Red Cain, from Calgary, Canada is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning concept albums and music videos. The next chapter in their ongoing saga is a music video for the single “Fisher King” that conceptually takes place in the universe of the legendary Wheel of Time fantasy series. It comes off a yet-to-be-titled album that is expected sometime next year. The band comments on the single:

“’Fisher King’, was written in its original form over 10 years ago, long before Red Cain’s existence as a band – so it was an extremely cool experience to go back to this old track, rewrite, and revitalize it to fit our sound. Much like our upcoming album, “Fisher King” keeps the quintessential Red Cain “melancholy and rage” but takes the death metal influences from “Kindred: Act II” even further, featuring a huge growl-centric chorus, a variety of down tuned, sludgy riffs, and gripping, raw vocal hooks and melodies.”

Red Cain’s first two full albums, “Kindred: Act I” and “Kindred: Act II” conceptually told a sprawling story of how raw and primal ancient myth collides with modern society and human yearning toward the stars, toward perfection. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with their upcoming release.

“Fisher King” is unsettling, bombastic, and unrelenting, this track showcases a musical and lyrical contest of wills between the “Chosen One” archetype, and his antithetical, flawed, yet lethal opponent caught in his unrelenting march. It is recommended for fans of Kamelot, Mastodon, and Powerwolf.

Watch and listen to “Fisher King” via its premiere on Metal-Rules HERE.

Red Cain is:
Evgeniy Zayarny – Vocals
Samuel Ridout – Guitars
Tyler Corbett – Guitars
Kalie Yan – Bass, Vocals
Taylor Gibson – Drums

For more info:
https://redcain.ca
https://www.facebook.com/redcainofficial
https://instagram.com/redcainarmy
https://redcain.bandcamp.com
Spotify

About:

Melancholy and Rage

Born out of the vast prairies and snowy peaks of Alberta, Canada, Red Cain is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes, and strong electronic-backed groove, Red Cain champion a fluid, dynamic, and unique style centered around telling dark, conceptual Faustian sagas and constructing those into an unforgettable live experience. Described by frontman Evgeniy Zayarny as a vehicle of “Melancholy and Rage”, Red Cain delivers power, flair, thematic Slavic influence, and intricate, lethal edge in their work. Listeners might well pick out elements reminiscent of such luminary acts as Kamelot, Symphony X, Tesseract, Lord of the Lost, whipped into a venomous new shape. The current incarnation of this Canadian metal band is of these influences mixed with a lot of vodka and Eastern European melancholy, shaken and stirred.

Red Cain self-released its debut self-titled EP in North America in 2016 to excellent reviews, and followed this up with two award-winning full-length albums, “Kindred: Act I” in 2019, and AFA-funded “Kindred: Act II” in 2021, working with Sliptrick Records globally to have over 3500+ physical copies sold, as well as over 200,000 digital streams to date. The band has hit #1 on the Canadian National Loud Charts on multiple occasions and is a 1x winner and 3x nominee for the Metal Recording of the Year at the YYC Music Awards.

The band has created 13 videos, of which 2 are full-length, high-production music videos for “ZERO” and “Juliet”. The latter two videos have won 17 awards at international music festivals, including the Berlin Short Film Festival, Venice Shorts, Global Shorts, IndieX FilmFesti, AIFF, and Hollywood Art & Movie Awards, among others. The band has a strong history of collaboration, with a highlight being our work with Juno Award-winning vocalist Kobra Paige of heavy metal band Kobra and the Lotus, on the track “Wing of the Crow”.

Red Cain released our latest album “Kindred: Act II” globally with Sliptrick Records in 2021, with a particular focus on promotion and engagement in the United States and Eastern Europe, where the band has received significant traction in 2020-21. With live performances stunted by COVID, the band has focused strongly on building out the concept behind the two-album “Kindred” arc with non-musical collateral, creating story content and custom art for the album concept.

With a significant upward trend of fan interest for this release, and 100,000 + digital streams, Red Cain has our set sights firmly set on another ambitious and conceptually exciting project, with the next release cycle coming in late 2022 with the first single “Fisher King”.

– 30 –

What the press is saying:

“This is a track (Sunshine (Blood Sun Empire) that infuses their progressive and power metal sound, similar to that of Symphony X and Kamelot. Alongside this, there are also faint similarities to bands like Dream Theater and even Korn. This is a nearly 6 minute track that doesn’t let up and doesn’t fear to change up its style throughout.” – Metal Injection

#10 Red Cain !earshot – The National Loud Chart For the Week Ending: Tuesday, February 9, 2021 (Earshot)

“From the proggy goodness of album opener “Kindred”, to the blast beats of “Baltic Fleet”, to the epic closer “Sunshine (Blood Sun Empire), there is something here for every fan of progressive power metal. With this being Act II in Red Cain’s Kindred body of work, I really feel as though I entered a movie theater right in the middle of an epic saga. Each song is a journey in and of itself, but each also contributes to the overall fantastic voyage. I will absolutely be purchasing Act I of this amazing tale and listen from start to finish, the way it was intended. Do yourself a favor and do the same!” – Metal Rules

“If you like your music melodic, mysterious, and gothic, with a progressive power metal base, then this is for you. This has been a joy to review and yet another band to add to my favoured list. ” – The Prog Space

“Zayarny is a powerhouse vocalist and the contortions he forces into Red Cain make for a very diverse record.. the talent behind the record is undeniable, and at the very least, Kindred proved far more creative and thought-provoking than most death metal records I’ve recently tackled. You should give it a shot — even if you’re not a big weenie..” – Angry Metal Guy

“Overall, ‘Kindred: Act II’ is an interesting mix of styles that combine together in technical wizardry to set the backdrop for the continued tales of the warrior Zalcoatl. There’s some unexpected musical influences that bubble to the surface, particularly the liberal use of electronic elements provides a futuristic, yet gothic, element to the tales. Vocally, there’s some clear inspiration from Kamelot going on here. They’re predominantly clean, but with a wide range between high pitched and deep passages. The guitar work is pretty varied as well and at times even hits a distinctly djent groove that seems to appear out of nowhere!… Fans of Kamelot and Mastodon alike will find some common ground with ‘Kindred: Act II’ (and Act I for that matter).” – Uber Rock

“These seasoned metal performers brought me to school with a clear cut album, delivered beautifully across seven tracks. The epic highs and lows of the album leave me wanting more… My hat is off to RED CAIN!” – Metal Temple

“With a flurry of progressive guitars, grandiose vocals and intriguingly wild effects, Red Cain burn brightly from the very start with the opening track, Kindred.” – Games, Brrraaains & A Head-Banging Life

0 Canada’s Iron Kingdom Now Streaming “The Blood Of Creation”

November 4, 2022
by Asher
· Iron Kingdom · Music News

NEWS RELEASE

Montreal, QC – November 4, 2022

Canada’s Iron Kingdom Now Streaming “The Blood Of Creation”

New Album “The Blood Of Creation” Out November 4th

L-R: Chris Osterman (Lead Vocals / Lead Guitar), Leighton Holmes (Bass Guitar), Megan Merrick (Lead Guitar), Max Friesen (Drums)
Photo Credit – Caitlin Delaplace

The electrifying quartet of Canada’s Iron Kingdom have a hot new album “The Blood Of Creation” ready for release and can be heard in full at https://youtu.be/4pk7QzM4gBo

“The Blood Of Creation”, the band’s fifth, is not a concept album, but it does have a trilogy about the creation myth from the ancient Mesopotamians. It tells the tale of Tiamat and Marduk and the creation of the heavens, the earth, and mankind. This story is known as being one of the oldest, if not the oldest known story from mankind. The band comments on the album:

“Our music is best described as if Iron Maiden and Judas Priest had a child and raised it on Hammerfall, Helloween, Rush, and, Blind Guardian. With this album, we feel like we’ve merged the more straightforward approach of our last record ‘On the Hunt’ with the storytelling and epic quality of our earlier releases. We took advantage of the forced hiatus from shows and spent the longest on writing that we have for any of our previous efforts and feel like it’s really paid off. The pandemic also brought us a new drummer to solidify what we feel is our strongest lineup yet and his influence is felt on this record. This album shows the level of maturity we have reached as songwriters as well as musicians while maintaining what makes an Iron Kingdom release.”

According to the band, they expect that this new offering will be very exciting for fans old and new. They have caught the essence of all the previous albums into one killer new package, there are fast songs, mid-tempo bangers, and even an epic. They’ve put the time into getting this album just right and it shows.

“The Blood Of Creation” was completely self-produced, written, and recorded. The album was sent out for mixing (Andy Boldt) and mastering (Greg Reely), but they handled everything else. vocalist/guitarist Chris Osterman engineered the record with some help from the band and some friends (Dan Yakimow, Jeff Black).

With “The Blood Of Creation” listeners can expect the usual mix of fantasy and history-inspired songs that aim to entertain and at least lightly educate about past events and beliefs. They are recommended for fans of Queensrÿche, Riot, and Iron Maiden.

The band will also be hosting a now sold-out release party for their release day on Nov 4th at Wise Hall in Vancouver. For more info, please visit the following link here.

The album “The Blood Of Creation” is available as of November 4, 2022.

Music Video – Queen of The Crystal Throne – https://youtu.be/YyhEutgL9gI

Fun Fact: ‘Queen Of The Crystal Throne’ played on City TV for Hockey Night In Canada (Montreal Vs Dallas) – Sat Oct 22, 2022.

The Making of “The Blood Of Creation” – Pt 1. [Mini Documentary] – https://youtu.be/TSrv44SXQ-A

Album order and stream available at the following links:
http://www.iron-kingdom.com/shop/
https://iron-kingdom.bandcamp.com

Apple Music, Spotify

Track Listing:
1. Tides Of Desolation – 1:13
2. Sheathe The Sword – 5:25
3. Queen Of The Crystal Throne – 4:58
4. Hunter And Prey – 5:25
5. Witching Hour – 5:44
6. In The Grip Of Nightmares – 5:23
7. Primordial – 1:40
8. The Blood Of Creation – 13:38
Total Running Length: 43:29

For more info:
https://www.iron-kingdom.com
https://www.facebook.com/ironkingdom
https://www.instagram.com/iron_kingdom
https://twitter.com/iron_kingdom

– 30 –

“Loads of riffs and melodies some excellent lead breaks and pounding rhythms. This is bonafide, foot on the monitor, fist pumping, horn throwing real metal. I have never heard Iron Kingdom before but on the strength of this I will be obtaining the back catalogue very soon.” – My Global Mind (The Blood of Creation)

“Iron Kingdom brings another solid heavy metal album with the fifth album ‘The Blood of Creation’. Slightly progressive, but especially heavy… Give the band a listen, you will be surprised!” – Metal Experience

“the hype is real: “The Blood of Creation” is an overdose of classic power metal, a homage to the late 80’s – 90’s power metal heroes: HELLOWEEN, GAMMA RAY, HEAVEN’S GATE, SCANNER, early CHINCHILA (remember those guys?), EDGUY with a touch of American stuff like RΙΟΤ.” – Forgotten Scroll

“They are aiming at the classic sound from the 70s and 80s, so if you want something modern then you have nothing to pick up here. The lyrics speak of war, fear, sacrifice and pain. Luckily the music is not that dark though, but rather very uplifting and pleasant, as it’s a more melodic kind of heavy metal that we get from this band, even though there’s some more powerful tracks too…. I like what I hear.” – Hard Rock Info

0 Doomed and Stoned Premiere – Exitus Stratagem Records – AITTALA Is Now Streaming Genre Defying, Eclectic Doom Album “Live to Regret”

November 4, 2022
by Asher
· Aittala (Exitus Stratagem Records) · Music News

NEWS RELEASE

Montreal, QC – November 4, 2022

Exitus Stratagem Records – AITTALA Is Now Streaming Genre Defying, Eclectic Doom Album “Live to Regret”

“Live to Regret” Out November 7th

L-R – AITTALA – Gary ‘Smith’ Zeus (Drums), Eric Aittala (Guitar/Vox), Ali Lugo (Bass)
Photo Credit – Formont Photography

Aittala has been around since 1991 and in that time has developed a sound that is unique, progressive, and memorable. With a solid core of doom metal, they add hints of power metal, sludge, and traditional metal, a feast of variety that is on full display in their upcoming seventh album “Live to Regret”. Lyrically, the album chronicles a chaotic period of time for members of the band personally as well as the global events happening in parallel. The band comments on the album:

“Aittala is extremely excited for the fans to hear the new album “Live to Regret”. The pandemic was a stressful time for everyone, but it’s even much more stressful when you’re dealing with an unhealthy relationship that’s full of tension and animosity on a daily basis. A lot of toxic energy fueled the writing of the album and became something of a way to cleanse the spirit of the toxicity. We hope the fans hear the pain, pleasure, and passion that went into the writing of these songs. I think they’ll connect with these songs more than prior albums because they are more personal. Overall, we’re very pleased with how the album turned out. It’s definitely the best Aittala album yet and we look forward to building on it in the future!”

The album has eleven tracks, each defying the limits of genre rules. There is the thrash-inspired track “Cannibals” that confronts the tightening grip of governmental monitoring and control. The sludgy “Big Brother” – is about the devolution/zombification of the human race due to technology. The smoky stoner infused “Never Forget” talks about dealing with a toxic person along with many more.

For Aittala, only enough songs are written for an album, so they don’t have the problem of having to select certain songs over others. During the songwriting process, only the best songs get past the idea stage, then they are developed and refined until the song is complete. As far as how much more music fans can expect, there are no plans to stop writing and releasing new material.

An eclectic mix of metal, “Live to Regret” is recommended for fans of Baroness, Crowbar, and Katatonia.

Listen to the album in full via its premiere on Doom And Stoned HERE.

“Live to Regret” will be available on November 7, 2022, via Exitus Stratagem Records and was produced by Eric Aittala and John E. Wooten IV, who also mixed the record along with mastering by Dave Harris at Studio B Mastering. Album artwork by Mariano Pugliese.

Album pre-order: https://hypeddit.com/aittala/livetoregret

Music Video – Collateral Damage – https://youtu.be/Foh__WSHD4o

Lyric Video – Live to Regret – https://youtu.be/i-f-XCrJEy0

Track Listing:
1. Live to Regret – 2:49
2. Collateral Damage – 3:22
3. War of Attrition – 3:18
4. Saint – 3:35
5. Cannibals – 3:56
6. Betrayed – 3:26
7. Big Brother – 4:45
8. Dancing with Disaster – 3:35
9. Never Forget – 3:36
10. Well Enough Alone – 5:03
11. Juliet (2022) – 5:24
Album Length: 42:56

For more info:
https://www.exsrmusic.com
http://www.aittala.com
https://www.facebook.com/aittalamusic
https://www.instagram.com/aittalamusic

About: The music of AITTALA (pronounced ‘EYE-tah-la’) crosses many metal genres; it’s hard to put it into just one category. The sound infuses elements of classic heavy metal, doom, progressive, power, thrash, and hard rock with lyrics drawing inspiration from the darker side of the human condition. The AITTALA sound has been cited for being unique which is no easy feat in the metal genre.

The first version of AITTALA was formed in 1991 while Eric Aittala was living in Holland. With fellow American Tim on vocals and Dutch bandmates Ed (drums) and Jon (bass), the band became a staple of the Dutch metal scene.

With the release of the 3-song EP ‘Selling Heaven’ in summer of 1993, AITTALA opened for such bands as THE GATHERING and SADIST. Unfortunately, as the demo started to create a buzz in the underground European metal scene, Eric had to return to the US and disbanded AITTALA.

Over the next decade or so, Eric played in numerous bands (TRIBE, MAGNETHEAD, DWELL) and lost focus on AITTALA.

Near the end of the 00’s, Eric decided it was time to refocus his efforts on the AITTALA brand. From 2009 to 2016, AITTALA released 4 full-length albums: ‘Bed of Thorns’ (2009), ‘Haunt Your Flesh’ (2011), ‘Effigy’ (2014) and ‘American Nightmare’ (2016). Each album showcasing a natural progression of song writing and lyrical content but retaining the core AITTALA sound and evolving it.

In 2019, AITTALA signed with Curtain Call Records and released the band’s fifth full-length album ‘False Pretenses’. It was ten brand new songs that not only continued the song writing evolution of heavier but catchy songs, but also sonically. AITTALA used an entirely different approach for the recording, mixing and mastering to create the best AITTALA album to date.

The current lineup of AITTALA consists of Gary ‘Zeus’ Smith (THE FIFTH, ex-MR BLACKWELL) on drums and Ali Lugo (ex-AGE OF DESPAIR) on bass.

They continue to write, record and tour to bring AITTALA to the masses with plans in 2022 to unleash their sixth studio album entitled “Live To Regret” to be released by label Exitus Stratagem Records.

– 30 –

“This platter is heavy melodic ear candy that drips with deep and mesmeric face-melting tones and grinding rhythms.” (Live to Regret) – The Metal Gods Meltdown

“The band’s sound is difficult to pigeonhole because they incorporate a variety of styles. The common element in all the songs is the potent groove. On tracks like “Black Coffin” and “Afterthought” stoner/doom is at the forefront, while songs such as “Disowned” have a more traditional metal vibe. There are progressive influences on “How Much Longer,” while the closer “Debt” is a piano based ballad. Even with so many disparate styles, Aittala bring everything together into a cohesive whole.” – Heavy Music Headquarters

“I would describe them as an eclectic Doom Metal band, although their sound is a bit tough to define. That’s ultimately a good thing though, and I enjoy the refreshment of something different. My only major complaint is that on some songs, the vocals and lyrics are so drawn out that they become a little boring and you end up waiting a bit for something cool to happen. The good news is something cool usually does end up happening” – Metal-Temple

“In the metal world, bands can start to sound the same and Aittala steps outside of the box. With clear crisp vocals, grinding rhythms and well executed leads, this band is definitely in a league of their own.” – The Metal Channel

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia
(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Streaming Now! SEVENTH STATION’s “Heal The Unhealed” – An Eclectic Progressive Experience of Sweeps, Heavy Riffs, and Intricate Melodies

November 4, 2022
by Asher
· Music News · Seventh Station

NEWS RELEASE

Montreal, QC – November 4, 2022

Streaming Now! SEVENTH STATION’s “Heal The Unhealed” – An Eclectic Progressive Experience of Sweeps, Heavy Riffs, and Intricate Melodies

New Album “Heal the Unhealed” Out November 7th

Seventh Station is a progressive metal band based in Slovenia, who are excited to announce their second album “Heal the Unhealed”. The record is an international effort – rehearsed and recorded through five different studios in three continents ranging from the United States, Slovenia, and Turkey. A new level of musicality and artistic expression blends magnificent sweeps, heavy riffs, and intricate melodies together, creating an eclectic proggy frame for personal topics.

The band comments on the album:

“After two years of delay due to the crazy pandemic, we are more than happy to release our new album “Heal the Unhealed” and share it with the rest of the world. This hidden gem was on the shelf way too long and its timing couldn’t be more appropriate. Reflecting on historical events and their psychologies through the album, we can see that history doesn’t change but repeats in variations, as the war in the east keeps raging in the present.”

In advance of the album’s official release on November 7th, Seventh Station has teamed up with AllAboutTheRock for its full-stream premiere.

Listen HERE.

Seventh Station expects that fans will be pleased with the latest offering, as compositionally, performance and production-wise they believe they have done some of their absolute best work to this day. Crafted meticulously, the band looks at it like a novel or a movie and suggests there’s a lot to discover even after the first pass of listening.

Seventh Station has put great effort into its compositions and performances, taking them to the next level with a wider palette of colors. From dreamy atmospheres to technical madnesses, it’s a musically diverse record. According to guitarist Dmitri Alperovich, the writing on the album and recording of it was his way to fight with the demons of his past and roots. “Heal The Unhealed” was mixed, and mastered by Matej Gobec at The Cosmosonic Studios, and the album artwork was done by Tal Asulin, it is recommended listening for fans of Opeth, Pain of Salvation, and Frank Zappa.

“Heal The Unhealed” will be available on November 7, 2022.

The album pre-order is available at http://www.seventh-station.com.

Music Video – All Hail the Moustache – https://youtu.be/-upgWRhKqz0

Music Video – The Heart of a Nation (Nadia) – https://youtu.be/q8dbzZbTHgY

Music Video – The Ruthless Koba (Studio Version) – https://youtu.be/mcVnIpq4oS8

Tour Dates:
08.12 – Club Wakum – Graz, Austria
09.12 – Orto Bar – Ljubljana, Slovenia
10.12 – Hard Place – Zagreb, Croatia

Track Listing:
1. Unspoken Thoughts (07:37)
2. Seven Digits (07:36)
3. The Heart of a Nation (Nadia) (12:27)
4. The Ruthless Koba (05:19)
5. All Hail the Moustache (12:04)
6. A Final Bow (13:41)
Album Length: 58:47

Album Recording and Live Band Lineup:
– Dmitri Alperovich – Guitar
– Eren Basbug – Keyboards
– Davidavi Dolev – Vocals
– Jure Lopatic – Bass
– Grega Plamberger – Drums and Percussion

For more info:
Facebook.com/SeventhStation
Instagram.com/seventhstationofficial

About: Seventh Station is a progressive metal band based in Slovenia, led by Israeli Guitarist Dmitri Alperovich and Turkish Keyboardist Eren Başbuğ. Constructing their sound by fusing progressive metal with contemporary classical music, the band’s new album Healed the Unhealed is their second full-length record, released independently. Featuring an international lineup, Davidavi “Vidi” Dolev (Vocals), Jure Lopatic (Bass), and Grega Plamberger (Drums). On their new record, Seventh Station adds to their “on the edge” performances and compositions more blood, more sweat, and more tears.

Formed between the Academy of Music & Dance in Jerusalem and Berklee College of Music in Boston, Seventh Station released its debut album Between Life and Dreams in 2016. After relocating to Europe and a few line-up changes, Alperovich and Başbuğ knew no borders in the search for uncompromising compositions and musical executors, progressive and challenging. After several tours between the Middle East and post-Yugoslavia, the band gathered together on recording ‘Heal the Unhealed’. Inspired by the Second World War and the Soviet Union, the album is an hour-long reflection in the eyes of Alperovich, who was born in Minsk, Belarus, moved to Israel and eventually found his way to Slovenia. Featuring surrealistic epos, harnessing the band’s skillful abilities in order to express Kafkaesque situations, Heal the Unhealed examines resemblances between dictatorships and the personality disorders of an artist.

Seventh Station is now gearing up for their upcoming record Heal the Unhealed released on November 7th, 2022, along with a supporting tour through Europe and the Middle East, to be announced later this Fall.

– 30 –

“This album creates and destroys barriers, making a point to invoke drama about the Second World War. The band has explored every aspect of orchestration in the form of King Crimson and dements the Frank Zappa sound that bombards the listener. They present complex arrangements and deep intricate movements. These are both alienating and perfect forms of musical momentum. Each phase has been constructed by the composer to invoke the sonic dissonance of the Stalin era of the Soviet Union.” – Caved Weller Music

“The guys definitely show that they are a very up-and-coming, well-thought-out Progressive Metal band”. – MetalUnderground.at

“Between Life and Dreams is not a typical progressive metal album, in its musical structure the listener can find elements of classical music and find intensive, delicate motive work in each song”. – Lady Obscure

“This is a combination of old and new influences, including those from musicians that are classically trained. This results in music that has a lot going on, with so many different styles involved that it would be pointless to try and list them all” – Wonderbox Metal

“Many of their creations are inspired from classical music compositions in which they mix their own virtuoso inputs of modern and progressive metal. Believe me, the album will open your ears fully and lead you into the magical world of fantasy between two worlds, the reality and the dreams.” – Paranoid Webzine

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations
Instagram @AsherMedia
Tweet @AsherMedia

0 Dive Into A Futuristic World And Question Your Existence With “Inner Skepticism” Off Opus Arise’s “The Network”

November 3, 2022
by Asher
· Music News · Opus Arise

NEWS RELEASE

Montreal, QC – November 3, 2022

Dive Into A Futuristic World And Question Your Existence With “Inner Skepticism” Off Opus Arise’s “The Network”

L-R – Derek Ho – Cello (live only), Matthew Logan – Drums, Violin II, Ellen Smith – Viola, Michelle Gao – Violin I, Kyle Hagen, Shawn Hillman – Guitar, Cello, Matthew Hannah – Keyboards

Photo Credit Jade Weekes

Vancouver, Canada’s Opus Arise is an orchestral metal ensemble that brings together classical strings and metal rhythms to create luscious soundscapes to dissonant chaos.

Their newest album, “The Network” teleports listeners into a cyberpunk world filled with neon lights, and punctuated with progressive riffs. The last album “Revelation” was released in 2016, and since then, they have taken a more orchestral direction using a string quintet and planning to incorporate more orchestral instruments. Within the cyberpunk world, research is conducted to find the correlation between chord progressions and the manipulation of space and time. The band explains further and details the first single “Inner Skepticism”:

“The combination of frequencies opens a wormhole into a future setting that blindsides the character. In this place, people have unseen technology and seem indifferent to his presence. This is the album opener that brings the listener into the world of “The Network”, an atmospheric opening into a bombastic tour de force. Tons of progressive riffing and virtuosic musicianship in this piece.”

The instrumental album is eight tracks long for a total running time of just over forty minutes. It is the result of many influences, especially prog, metal, classical, orchestral, electronic, and video game music combined into one strange form by nine members who met through orchestras and university. The vision and compositions by Drummer/Violinist Matthew Logan with the assistance of founding member Shawn Hillman are now being finally brought to life.

Taking their inspiration from classical symphonies, movies, and video game soundtracks as well as neo-classical even extreme genres like black and death, Opus Arise creates music that will challenge the listener. They are recommended for fans of Animals As Leaders, Liquid Tension Experiment, Planet X, and Scale The Summit.

The video for “Inner Skepticism” is available via its premiere on SpaceUntravel – https://youtu.be/rZxGd-0tumE

Album pre-order – https://opusarise.bandcamp.com

Track Listing:
1) Inner Skepticism – 5:50
2) Electric Jungle – 6:02
3) Antimatter – 3:22
4) Digital Soundscape – 4:38
5) Reminiscence – 5:21
6) Change – 5:23
7) Timeshift – 5:21
8) The Unanswered Question – 5:13
Album Length: 41:13

Album Band Lineup:
Shawn Hillman Guitar, Cello on “Digital Soundscape”
James Readman: Guitar
Daniel Carmago: Bass Guitar (Tracks 1-3, 5-7)
Matthew Logan: Drums, Violin II
Matthew Hannah: Keyboards
Michelle Gao: Violin I
Ellen Smith: Viola
Darrell Bennett: Cello
Kyle Hagen: Contrabass, Bass Guitar (Track 8)

For more info:
https://www.facebook.com/opusarise
https://www.instagram.com/opusarise
https://twitter.com/OpusArise

EPK – https://wp.me/pciNW-iFB

– 30 –

—
ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
#.514.581.5780 | jon[@]ashermediarelations[.]com
Facebook @AsherMediaRelations | Instagram @AsherMedia | Tweet @AsherMedia(Rockshots Records, Extreme Metal Music, Armstrong MF, Loud As Hell, Metalocalypstick, Decimate MF, Electric Highway Fest, Wacken Metal Battle Canada/USA, Hyperspace MF, Le FestEvil)

0 Voodu Announce Crushing, Varied Debut Single “Pictures” Off Upcoming Album

November 3, 2022
by Asher
· Music News · Voodu

NEWS RELEASE

Montreal, QC – November 3, 2022

Voodu Announce Crushing, Varied Debut Single “Pictures” Off Upcoming Album

Voodu is an American modern metal band from Los Angeles, USA. They got started during the pandemic, and now, with their debut album in the works, they are excited to introduce themselves to fans. The first look at who Voodu is comes through the groove-oriented single “Pictures”. It starts on a thick bassline and builds up from there before exploding into the song’s main riff. It dynamically bounces between quieter verses and explosively loud choruses. No part of the song is identical to another. Every verse, chorus, and the bridge is different in one way or another. The band shares their thoughts on the release:

“Pictures came from a place of confusion and despair. In its composition, the sense of spiraling into disarray and apathy before being consumed with anger and angst came naturally in its progression. We joke that it’s as “prog” as we get, between the verse starting on the 2 of a 4 count and chorus starting on the 4, the meter change from 4/4 to 7/4 in the bridge, and the key change at the end. While the song is far from “prog”, in many ways those elements fit in the song’s composition in a way we didn’t realize made total sense. They catch you off guard the same way the lyrics allude to being confused between what’s real and what’s made up. It is both a cry for help and an apathetic plea of defeat. The push and pull between “help me” and “leave me alone”. It’s begging to be numb or ambivalent to the pain caused by the confusion and doubt of one’s own self or the world around them.”

The forthcoming yet-to-be-titled album is a high-energy group of songs that are meant to walk fans through a vast range of emotions. Even the slightly slower or more emotional songs still have heavily distorted guitars and melodically aggressive vocals. It covers a wide range of subjects from feelings of self-doubt, toxic relationships, people who abuse power, the duality of human nature, and addiction. Voodu hopes that their first offering will resonate with people on a visceral level, in a way they haven’t heard before.

Chick full of a wide assortment of influences, Voodu makes music that will appeal to a wide audience. One of the bands they cite is Linkin Park, who introduced them to this kind of music. It’s the comparison they get most often, due to similarities in voice and the electronic element. Thus far, they have made fans out of the most dedicated of metalheads, as well as the “I don’t usually listen to heavy music” people and everyone in between. They are especially recommended for fans of Rammstein, Linkin Park, and Alice In Chains.

Listen to “Pictures” via its premiere on Spaceuntravel – https://youtu.be/ABcpckNPeR8

For more info:
https://www.facebook.com/Vooduband
https://www.instagram.com/vooduband
EPK – https://wp.me/pciNW-izW

About: Voodu is an American modern metal band from Los Angeles, California. Formed in 2021, the group formed amidst the chaos of the 2020 pandemic. The band consists of five members: Eddie Troy, Vinny Amico, Paul Burns, Ollie Williams, and Sean Aikins.

Voodu plays an aggressive style of music, blending elements from a wide range of metal and electronic subgenres, with attention-grabbing imagery through irreverent and visceral metaphors. They are known for their energetic and engaging live performances. They have managed to fill every venue they’ve played with loyal fans, prior to releasing the first single. The band considers themselves five equal parts of a whole, set out to subvert expectations, break the conventions of heavy music, and bring people together under the banner of raw visceral emotion.

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0 Rockshots Records – Tolkien-Inspired Power Metallers RuinThrone Unveil Their Dark Lord Single “The Past Is Yet To Come”; New Album “The Unconscious Mind Of Arda” Out Jan 2023

November 3, 2022
by Asher
· Music News · RuinThrone

NEWS RELEASE

Montreal, QC – November 3, 2022

Rockshots Records – Tolkien-Inspired Power Metallers RuinThrone Unveil Their Dark Lord Single “The Past Is Yet To Come”

New Album “The Unconscious Mind Of Arda” Out Jan 2023

Italian fantasy power metallers RuinThrone will be releasing their new J.R.R. Tolkien-inspired album “The Unconscious Mind Of Arda” due out January 13th, 2023 via Rockshots Records to follow their debut album “Urban Ubris” and EP “Leaden Field”.

The album itself has been composed of stories inspired by Tolkien’s poems, his “Legendarium”. The band hopes the concepts they wrote can be “messengers” of reflection for their listeners, turning in a better awareness of their daily life.

“With this album, we think we reached our own identity. Back in the early years, we started with a classic German power metal style, but year by year we changed and matured musically. This is why we use 7-string guitars with 1/2 step-down tuning, extreme vocals, etc. For this new record, we also focused on an alternative point of view of some stories written by Tolkien. We thought it would have been interesting to explore not only some interesting characters and heroes but also the mind of the main villains.” adds guitarist Nicolò de Maria.

Today, Ruinthrone reveal the second single “The Past Is Yet To Come” accompanied by a lyric video.

“If I think about that time when I wrote these lyrics suddenly the enthusiasm and the writing ease come to my mind. Long story short the song tells about the fear of death. I imagined that even a king at some point has to confront himself with this thought: “my life will come to an end, my consciousness will fade away, and nothing will mean anything cause I won’t be anymore.”. The power of writing can change this feeling. All of a sudden fate is tamed if you sign a contract with the Dark Lord. In exchange for immortality, the king agrees to turn into a Nazgûl and make a Mephistophelian agreement. My vision of the circle of life and death is similar to Nietzsche’s one of the Eternal Recurrence. The weight of immortality turns into ages and events happening over and over in the same way. The main character begins to understand why death is a gift of Iluvatar, not a curse.” says vocalist Haedus.

Watch and listen to “The Past Is Yet To Come” – https://youtu.be/rjemjwlMLZ8

Digital – https://bfan.link/the-past-is-yet-to-come

“The Unconscious Mind Of Arda” is mixed and mastered by Giuseppe Orlando (sound tech for Rhapsody of Fire) at the Outer Sound Studios.

The album is due out on January 13th, 2023, and is available for pre-order at the following link – https://bit.ly/RuinThrone_CD

First single:

Music Video – “Earendil” – https://youtu.be/Wr9PXgAgm64

Digital – https://bfan.link/earendil

Track Listing:
1 – Prologue – 2:19
2 – The Dreamweaver – 5:14
3 – I Am The Night – 4:50
4 – Earendil – 4:49
5 – The Past Is Yet To Come – 8:00
6 – Where Wise Men Stop – 1:17
7 – In Penumbra – 6:38
8 – The Eldest – 5:24
9 – Blessed By Loneliness – 4:23
10 – For Those Who Remain 9:54
11 – Where You Belong – 2:34
Alum Length: 55:26

RuinThrone are:
Vocals: Haedus
Drums: Francesco Comerci
Guitar: Nicolò de Maria
Guitar: Luca Grossi
Bass: Alessandro Finocchiaro
Keyboard: Giorgio Mannucci

For more info:
https://www.rockhots.eu
http://ruinthrone.altervista.org
https://www.facebook.com/RuinThrone
https://www.instagram.com/ruinthrone.official

About:

RuinThrone was founded in 2009 in Rome, Italy by Adriano Strinati, Haedus and Alessandri Finocchiaro. Soon after, Giorgio Mannucci (keyboards), Nicolò De Maria (guitars), and Francesco Comerci (drums) joined the band. The sound of RuinThrone is inspired by German and American metal bands like Blind Guardian, Helloween, Iced Earth, and Nevermore, but they have their own distinguishable dark and modern character.

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