Tag: metal

0 Streaming Now! Montreal Brass Metal FALLSTAF Returns w/ New Album “Ode To The Dead”

November 13, 2025
by Asher
· Fallstaf · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

Streaming Now! Montreal Brass Metal FALLSTAF Returns w/ New Album “Ode To The Dead”

SIMM/Guitars – RICKK /Horns – IANN/Vocals – GOYY/ Bass – MATT/Drums

Photo: Sébastien Roy

After nearly ten years away from the spotlight, Montreal’s groundbreaking brass-metal band Fallstaf makes a powerful return with their highly anticipated second album, “Ode to The Dead.” Produced by Kevin Jardine (Slaves on Dope), the full album will be available to stream ahead of its official release on November 14th, premiering exclusively on Hardcore Worldwide’s YouTube channel at https://youtu.be/3PPV6LE73cs

Known for pioneering the genre of brass-infused experimental metal, Fallstaf first made waves in 2011 with their debut album, “Bastard Son of a Pure Breed,” also produced by Jardine. Their signature sound, heavy riffs, progressive structures, and a masked trombonist in full suit and tie, earned them cult status in the Montreal metal scene.

But tragedy struck in 2016 when frontman IANN suffered a near-fatal accident, resulting in a coma, multiple injuries, and the loss of his leg. The band dissolved. Now, nearly ten years later, Fallstaf reunites with Jardine to deliver a powerful, deeply personal new record that channels pain, survival, and rebirth.

“Ode to The Dead” is a seven-track exploration of mortality, from personal tragedy and mental anguish to crime, conflict, and loss. Drawing from frontman IANN’s near-death experience and the band’s shared grief, the album is both a tribute and a release.

It opens with “Sunless Friday,” a chilling retelling of IANN’s accident, where cold riffs and screaming trombone set the tone. The title track, “Ode to The Dead,” honors those we’ve lost, echoing the idea that “they walk among us.” “Battered Soul” dives into depression and suicide with sludge-heavy weight and a fading finale. “Kings of the West Side” recounts Montreal’s mafia history with gangland grit and resurrected riffs. “Under the Same Sky” reflects on global unrest and shared humanity, while “Bastard Son” tells a hitman’s legacy through galloping riffs and thrash choruses. The closer, “The Burden,” mourns the toll of cancer with crushing heaviness and a melodic, mournful release. Each track is a raw, brass-laced chapter in Fallstaf’s powerful return.

“We didn’t make this album to impress anyone. We made it out of friendship. Music is therapeutic. Metal brings people together, and we missed that energy,” adds the band.

The album artwork, featuring a layered skull photo taken by IANN, reflects the lyrical darkness without veering into the macabre. It’s a visual metaphor for the band’s rebirth: haunting, honest, and human.

Musically, the band has evolved, embracing groove metal, prog metal, metalcore, and hardcore influences while incorporating melodic choruses and complex arrangements. Fans of Pantera, Shining, Hatebreed, and Mighty Mighty Bosstones will find familiar fire in Fallstaf’s brass-laced fury.

Stay tuned for upcoming live dates and new music. The resurrection has begun as Fallstaf’s live performances are legendary, and the band plans to return to the stage in 2026. Expect suits, ties, a masked brass player, and a frontman with a robotic leg, all delivering a high-energy spectacle that defies expectations.

“People think we’re a ska band until the first chord hits. Then they know we kick ass,” says the band.

“Ode to the Dead” will be available on November 14th, 2025, on Spotify, Apple Music, Bandcamp, and more. For collectors, grab the exclusive coffin-shaped USB drive packed with interactive content and bonus material.

Album pre-order – https://fallstaf1.bandcamp.com/album/ode-to-the-dead

Add to your Spotify Playlist – https://open.spotify.com/artist/3yaTJY58SzbbDJ3RsnTlZU

Lyric Video – Ode To The Dead – https://youtu.be/GM4EPsLnMlE

Lyric Video – Bastard Son – https://youtu.be/mQtwDn00JtQ

Track Listing:
1. Sunless Friday – 2:57
2. Ode to the Dead – 3:27
3. Battered Soul – 3:40
4. Kings of the West Side – 3:31
5. Under the Same Sky – 3:31
6. Bastard Son – 3:45
7. The Burden – 4:41
Album length: 25:37

Album Credits:
Songs performed by: FALLSTAF
Songs written by: Ian Lavoie/Kevin Jardine
Produced by: Kevin Jardine
Mixed by: Kevin Jardine
Mastered by: Kevin Jardine
Album artwork by: Ian Lavoie
MAPL – Canadian Content

BAND LINE UP:
SIMM / Guitars
RICKK / Horns
IANN / Vocals
GOYY / Bass
MATT / Drums

More info: https://www.facebook.com/fallstafmontrealbrassmetal | https://www.instagram.com/fallstafmontreal/

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“Groovy mix of hardcore and other metal styles with an interesting addition in the trombone” Metal Underground (2011 – Bastard Sons of a Pure Breed – LP)

“to every track of the album, giving their rather intense metal a rather nice jazzy touch. This allows Fallstaf to step outside the conventional paths to get closer to the masters of the genre like Diablo Swing Orchestra or the Norwegians from Shining” – Music Waves (2011 – Bastard Sons of a Pure Breed – LP)

“These guys are a lot different than most bands out there and I really dig what they are doing. Check them out before they get really popular and there are tons of clones of them popping up everywhere “ – Beowolf Productions (2011 – Bastard Sons of a Pure Breed – LP)

“Looking for a Different Sort of Metal? Try FALLSTAF » – A Journal Of Musical Things (2011 – Bastard Sons of a Pure Breed – LP)

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0 DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky; New Album “Non Compos Mentis” Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

November 13, 2025
by Asher
· Devolver · Music News

NEWS RELEASE

Montreal, QC – November 13, 2025

DEVOLVER’s New Music Video “Wraiths” Captures The Camaraderie of Fans Under The Alberta Sky

Produced by Mark Lewis (Whitechapel, Trivium, DevilDriver, Black Dahlia Murder)

L-R: Jayde Penner (guitar), Bevin Booth (drums), Jaylen Elias (bass), Devin Babcock (guitar), Chris Brown (vocals)

Photo Credit – Heidi Robertson

Grande Prairie, Canada’s own metal force, Devolver, has dropped a powerful new music video for “Wraiths,” a standout track from their latest album “Non Compos Mentis.” Filmed during an intimate album release show at Grain Bin Brewing, the video captures the raw energy and camaraderie of a night that brought 150 fans together under the Alberta sky, immortalizing a night of celebration, community, and crushing riffs.

“We knew we wanted to do something special. So we had our friend Mike Evans film the show. This music video is for all the people who were there celebrating with us, making it such a special night,” adds the band.

“Wraiths” is a groove-driven, straight-ahead metal track with thrash undertones and a nod to classic rock and metal. Lyrically, it explores themes of mysticism as a bridge to connect with lost loved ones, an emotional depth that complements its sonic punch.

Watch the video for “Wraiths” via its premiere on Decibel Magazine HERE.

Formed in 2015 by guitarist Devin Babcock and drummer/producer Bevin Booth, Devolver has grown from a side project into a full-fledged metal powerhouse. With the addition of Jayde Penner (guitar), Chris Brown (vocals), and Jaylen Elias (bass), the band’s sound has matured into a collaborative blend of Gothenburg-style melodic death metal and early 2000s metalcore.

Their new album, produced by metal heavyweight Mark Lewis (Trivium, Whitechapel, The Black Dahlia Murder), marks a seismic shift in their sound.

“This is what the five of us sound like collaborating as a unit. Mark helped us push this thing over the edge,” adds the band.

The album’s artwork, created by legendary artist Travis Smith (Opeth, Megadeth), is a chilling visual interpretation of the true story behind the title track. It depicts Devin Babcock’s ancestor, Amos Babcock, who in 1805 committed a gruesome murder in Shediac, New Brunswick, during a religious frenzy. The haunting image of Amos in the snow, surrounded by the eyes of his nine children, adds a historical and emotional weight to the album’s narrative.

Devolver’s connection to their hometown runs deep. They partnered with Grain Bin Brewing to create “Brews of the Maw,” a blackberry and blood orange pale ale named after their track “Jewels of the Maw.” And for fans of Magic: The Gathering, the band has hidden lyrical nods throughout the album, including a track titled “Deathtouch.”

Recommended for fans of In Flames, Dark Tranquillity, Killswitch Engage, and As I Lay Dying, “Non Compos Mentis” is a bold leap forward, each track a chapter in a larger emotional and sonic narrative.

“Non Compos Mentis” (released Aug 22nd) is available at the following links:

Bandcamp – https://devolvermusic.bandcamp.com/

Spotify for Playlist Add – https://open.spotify.com/album/3eeLxBrxx55QvIm3EnahLm

Music Video – Merciless Storm – https://youtu.be/o_6jcqK2qFQ

Lyric Video – Suffocating Syndrome – https://youtu.be/mmRskxYe1q4

Track Listing:
1. Deathtouch – 3:55
2. New Blood – 3:14
3. Jewels of the Maw – 3:30
4. Wraiths – 3:20
5. At Any Cost – 3:40
6. Non Compos Mentis – 3:53
7. Merciless Storm – 3:56
8. Suffocating Syndrome – 3:36
9. Dehumanize – 3:47
Album Length: 32:55

Album Credits:
– All songs performed by: Devolver
– All songs written by: Devolver
– Produced, Mixed, Mastered by: Mark Lewis
– Album Artwork by: Travis Smith
– SOCAN members

Band Lineup:
Chris Brown – Vocals
Devin Babcock – Guitar (lead)
Jayde Penner – Guitar (rhythm)
Bevin Booth – Drums
Jaylen Elias – Bass

More info: https://linktr.ee/devolverab

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“The goal of Devolver through Non Compos Mentis has been to take the listener on a thoroughly pleasing journey from the first note to the final crushing moment. That’s been achieved, and so much more – as these Canadians understand how to compose songs and execute them in a highly convincing fashion that has this scribe grinning ear to ear – bringing the exciting sounds of the late 90s/early 2000s to a newer generation who desire more of this style. 9/10” – Dead Rhetoric

“For a group from a small northern city, every move has required deliberate effort—whether it was recruiting the right collaborators, waiting until circumstances lined up, or carrying material through years of delay. Non Compos Mentis is the document of that persistence: an album shaped by distance, disruption, and devotion to the sound that first made them want to pick up instruments.” – IDIOTEQ

“DEVOLVER is definitely ahead of the last releases of their great role models. On the one hand, because the Canadians work straight and without any frills, and on the other hand, because the melodies are all right without reducing the heaviness. When it comes to melodic death, there’s no way around this album this year. The only downside: 32 minutes is pretty short, even for such energy output!” – PowerMetal.de

“Mixed and mastered by Mark Lewis (Fallujah, Whitechapel, DevilDriver, Deicide, Havok, Entheos, etc.), this new Devolver album is armed to face the critics. Composed of nine well-crafted tracks (all between three and four minutes long) and effective, Non Compos Mentis is soaked to the brim with Swedish melodeath influences.” – Metallian Magazine (France)

“There is a sense of nostalgia listening to the guitarmonies throughout the album, calling back to the golden days of early 2000’s metalcore. Whether you’re a fan of death metal or metalcore, you’ll definitely find elements that you’ll appreciate on this album. Personally, my favourites are “Deathtouch” and “Suffocate Syndrome”” – False Chord

“Now we have Devolver with Non Compos Mentis. The sophomore album from this Canadian band is the perfect blend of melodeath and metalcore. Much like chocolate and peanut butter, this takes the best aspects of both genres, makes enough changes to feel authentic, and creates a sound that hits just as much in 2025 as it would have back in 2005. The production is brutal, but still audible and filled with layers. The songwriting shows off the capabilities of everyone in the band, but it doesn’t reveal all of its tricks. Overall, this is for anyone who enjoys everything from ’90s era In Flames to 2000 Soilwork to later 2000’s Lamb of God to the modern-day capabilities of what Melodeath and Metal Core are all about. This is a great trip back in time, but also a look forward to what can be done. This is excellent stuff.” – Heavy Debriefing

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0 Matt Miller and Band Unveil Playthrough for “Summoned” from Seventh Studio Album “Fiber Tormentum” Out Now!

November 5, 2025
by Asher
· Matt Miller · Music News

NEWS RELEASE

Montreal, QC – November 5, 2025

Matt Miller and Band Unveil Playthrough for “Summoned” from Seventh Studio Album “Fiber Tormentum” Out Now!

L-R – Justice Robinett (Bass), Jordan Kelso (Drums, Synth), Matt Miller (Guitars, Synth), Biko Wright (Vocals)

Photo Credit – Lilly May Everett

Technical death metal guitarist and composer Matt Miller has released a full-band playthrough video for “Summoned,” one of the standout tracks from his new album “Fiber Tormentum,” which dropped this past September from Exitus Stratagem Records.

The playthrough showcases the technical precision and dynamic chemistry of Miller’s newly assembled lineup: Jordan (drums), Justice (bass), and Biko (vocals). Together, the group delivers a performance that is as crushing and relentless as it is melodic and epic, a perfect reflection of the band’s evolving sound.

“‘Summoned’ is about the travel and detailed plans of the invaders, using astonishing acts. The music is something like a computer algorithm or an alien language. We wanted the playthrough to capture both the technicality and the storytelling behind the song; it’s overwhelming, but in the best way possible,” explains Miller.

Watch the playthrough via its premiere on MetalAddicts HERE.

Released in September 2025, “Fiber Tormentum” marks Miller’s first full-band album after years of performing as a solo artist. Originally conceived as an instrumental record, the album evolved into a full-scale concept piece with vocals and contributions from the entire lineup.

Lyrically, “Fiber Tormentum” tells a loose sci-fi narrative of alien invaders manipulating human DNA to enslave humanity. Musically, it blends technical death metal, power metal, progressive death, and symphonic elements into a relentless yet melodic assault.

“We set out to make the best possible record that we could and push ourselves to our best performances. We never settled and always reached higher. We explored all options and left no stone unturned. Fiber Tormentum was the most ambitious project I had ever worked on, and I wanted to make an album that not only belongs alongside the bands and songs that I hold in such high regard but also adds something new to the genre and brings something unique. A technical death metal album with clean vocals and intricate over-the-top guitars locked in step, and in those moments, they don’t back off but accelerate. If anything, it adds a hint of theatricality and makes the songs memorable, or I dare say catchy, with guitar and vocals entwined. One of the key elements of the album is its human feel. Yes, we used some modern production techniques, but this album still retains its human element while remaining focused and airtight. At the very least, this was the next step in my ever-changing musical evolution and expanding horizons, which only means that the next release will be more ambitious while providing a glimpse into our lives, because isn’t that what art is and does?” says Miller.

Miller began his solo project in 2020 during the pandemic, writing songs that pushed his technical and creative limits. After touring as a solo artist with Rings of Saturn on the Cyber Shred Tour 2022, he assembled a full lineup to bring his vision to life. The band has since toured Europe supporting Possessed and continues to build momentum with their intense live shows.

Described in five words: relentless, Soaring, Crushing, Intense, Epic, Miller’s music draws influence from Necrophagist, Wintersun, Symphony X, Nevermore, and The Faceless, while forging a unique identity that merges technical mastery with hook-driven songwriting.

The album artwork, created by the late Joshua Nassaru Ward (Voraath), reflects the album’s core theme: a tormented face mid-transformation, symbolizing the manipulation of human DNA. The title “Fiber Tormentum” is inspired by Roman history, the sound of a ballista’s ropes tightening before release, a metaphor for the tension and release found throughout the album.

Recommended for fans of Necrophagist, Symphony X, Wintersun, The Faceless, and Death, “Fiber Momentum” (released Sept 12th) is available on all major platforms through Exitus Stratagem Records.

Digital – https://hypeddit.com/mattmiller/fibertormentum

CD – https://www.exsrmusic.com/store/p/wnn3m10s6beq0pbmnot0e17ghvj629

Guitar Playthrough – Descent into Violence – https://youtu.be/RCj0AKSkSTc

Music Video – Effecively Neutralized – https://youtu.be/hJDoR9JL9b8

Track Listing:
1. Descent into Violence (5:04)
2. Summoned (3:33)
3. Effectively Neutralized (4:53)
4. Blight and Disfigurement (3:23)
5. Maimed Paralyzed Dead (3:12)
6. Horror Beyond Comprehension (3:15)
7. Fiber Tormentum (Instrumental) (3:31)
8. Abiotic Origin (3:14)
Album Length: 30:08

Album Lineup:
Matt Miller (Guitars, Synth)
Jordan Kelso (Drums, Synth)
Justice Robinett (Bass)
Biko Wright (Vocals)

For more info:

Exsrmusic.com | Shreded1.com | Facebook.com/matt.miller.96995238 | Instagram.com/mattmiller630

– 30 –

“All in all, it’s a fascinating song (Effectively Neutralized) — head-spinning and heart-palpitating but also a heavy-hitter and a conjurer of strange, sinister, and haunting visions. In other words, in the space of just five minutes it pulls off a lot of impressive feats. And the well-filmed and well-edited video for it is a perfect complement, in that it shows us how all these talented performers executed all the impressive accomplishments.” – NoCleanSinging

“I am super excited. I already know this is gonna destroy. Matt Miller just absolutely destroys it on all facets. He has so many guitar techniques that he has absolutely mastered and he can literally play it all.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“Hell yeah. Holy moly canoli. Fiverr to Fiber Momentum, and that was the album. This song is Descent into Violence. Holy moly canoli, dude. Go support, Matt Miller. That was absolutely badass. Total shredding. Jordan, also a homie of mine, your drums are incredible. The new singer, Bo, I love the harsh vocals in the clean. Total is it almost the cleans almost reminded me of Queensryche meets Cannibal Corpse. It’s pretty freaking sweet. And of course, Justice always lays down the heavy bass with the beautiful bass faces. But an absolutely incredible album….Matt Miller, you could find him everywhere. He’s an incredible guitar player, one of the best guitar players of our generation. Remember, this is Fiber Tormentum courtesy of Exitus Stratagem Records. So, a huge shout-out to them as well. Matt Miller has so many more songs. If you guys like this song (Descent into Violence), believe me, this guy is an absolute shred master. Not only does he do like a ton of his own originals, he does a ton of covers, and also he’s just a shred master of all sorts. Just exactly how they say, melodic, technical, and death. But I will definitely say the big thing that stands apart about this whole song is great structure, absolutely shredding on all levels, and the vocals are just 100% one-of-a-kind. And I totally enjoyed it. Guys, I love you guys from the bottom of my heart. This has been Matt Miller with his new song, Descent into Violence. Pick up the new album on September 12, Fiber Tormentum.” – Omar Rodriguez – The Metal Mixtape – YouTube Channel

“The songs on “Fiber Tormentum” are rather good, and make for very interesting listening sessions.” – Metal Temple

“”Fiber Tormentum” is a real killer and so refreshingly creative that you can’t help but toast this previously unknown genius in awe! Cheers! 9/10″ – PowerMetal.de

“Soaring, crushing, ferocious, emotive, and relentless, are words that strongly describe Decrepit Shed. The album has a lot to offer from various metal sub-genres and encompasses the best elements of technical guitar playing while still having well-written songs”. – Brave Words

“Monument of Velocity” initially had a different title and was not going to be a Matt Miller release and some of the songs were written with vocals in mind and were not going to be instrumental, however, it turned out to be the sixth of seven powerful albums in his discography. contains eight tracks full of technical and progressive metal eliciting feelings of suspense, and tension while being fun, melodic and brutally heavy. Miller’s melodic and relentless music has a wide range of influences and is recommended for fans of Jeff Loomis, Necrophagist, and Obscura.” – Rock’n’ Load

“Even though Miller’s music is instrumental, he likes to think of the guitar as a voice. Which in turn makes him ask what is the guitar saying? He is able to easily convey emotion, tone, and a story even without the use of vocals. Throughout his releases, his music has developed a more modern sound in both the music and the production. Musically the songs are more well written and a lot of the ideas he writes are being accurately represented. He is always trying to push himself as a musician and this is reflected in his discography. Influenced primarily by technical and progressive death metal with a dash of power metal and symphonic metal as well, Matt Miller’s music is recommended for fans of Obscura, Dragon Force, and Racer X” – Metal Sucks

“Mr. Miller can shred like his fingers are on fire” – Ever-Metal.com

“Matt shreds all over this album with guitar solos galore”. – Transcending the Mundane

“Soaring, crushing, ferocious, and emotive, Miller conveys a wide range of tones throughout his instrumental music. It is recommended for fans of Dragon Force, Racer X, and Jeff Loomis” – Metal-Rules

“For guitar enthusiasts, I guess it is a feast for the eyes and ears.” – Antichrist Magazine

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0 Montreal’s DEADWOOD Unleashes “Tales of Massacre”, A Brutal Glimpse Into Upcoming EP “Rituals of a Dying Light” (Innerstrength Records)

October 29, 2025
by Asher
· Deadwood · Music News

NEWS RELEASE

Montreal, QC – October 29, 2025

Montreal’s DEADWOOD Unleashes “Tales of Massacre”

A Brutal Glimpse Into Upcoming EP “Rituals of a Dying Light” (Innerstrength Records)

L-R – Fred Element (Guitar), Charles Etienne Lafrance (Drums), Stephane Filion (Guitar), Derek Heynekamp (Vocals)

Photo Credit – Fred Element

Canadian deathcore juggernaut Deadwood has dropped their latest single, “Tales of Massacre”, a blistering and terrifying track inspired by the Salem witch trials. The song is the second single from their upcoming concept EP, “Rituals of a Dying Light,” set to release on January 9, 2026, via Innerstrength Records.

Formed in 2020 with the mission to “Make Deathcore Angry Again,” Deadwood has carved a reputation for delivering music that’s angry, aggressive, dark, heavy, and intense. Their latest offering is no exception; “Tales of Massacre” blends brutal technicality with eerie atmosphere, pushing the boundaries of modern deathcore while staying true to the genre’s roots.

Deadwood’s forthcoming EP, “Rituals of a Dying Light,” plunges listeners into a concept-driven nightmare, where each track draws from real-life horrors and urban legends. From tales of demonic possession to infamous historical crimes, the band channels the macabre through punishing riffs and eerie lyricism. The EP features chilling narratives like “Heretic,” a brooding account of a nun overtaken by darkness, layered with piercing solos that cut through the gloom. “Thirst for Blood” delivers a vampiric frenzy, blending punk-tinged rhythms with a dangerously infectious chorus. “Whisper of Death” slows the tempo for a sinister dive into the psyche of Jack the Ripper, while “Echoes of the Fallen” closes the record with a haunting instrumental drenched in lead guitar and ominous atmosphere. Marking a new chapter in Deadwood’s evolution, the EP introduces solos and melodic leads for the first time—adding depth without sacrificing the band’s trademark aggression.

“We wanted this release to be scarier, heavier, and more extreme,” says founding member Fred Element

Deadwood’s lineup includes veterans of the Quebec metal scene, Fred Element (ex-Plasma Riffle, ex-Ion Dissonance), Stephane Filion (ex-Nova Spei), and Charles-Etienne Lafrance (Discovery Through Torment, ex-Dismayed).

Their writing process is collaborative, with each member adding their own flavor to Fred’s initial compositions. Lyrics are crafted to match the music’s atmosphere, drawing inspiration from horror, real-life tragedies, and the darker aspects of existence.

Deadwood’s live performances are known for their chaotic, horror-infused energy. Their stage presence is designed to evoke terror — not just a band playing music, but a visual and sonic assault.

“We don’t do small talk or funny vibes. We want to scare you. We want you to feel uneasy,” the band explains.

Having toured Japan and the U.S., including a standout performance at Inkarceration Festival, Deadwood is now preparing to conquer Europe in 2026. Their relentless drive and commitment to intensity have earned them spots alongside acts like Humanity’s Last Breath, Born of Osiris, and Traitors.

With “Tales of Massacre” setting the tone, Deadwood promises more music is already on the way.

“We chose five tracks that share the same dark atmosphere. But we’re not done yet, fans can expect a lot from us, sooner than you think,” adds the band.

For fans of Meshuggah, Whitechapel, Despised Icon, All Shall Perish, and Behemoth, Deadwood is a must-listen. Their sound is a terrifying blend of death metal and hardcore, crafted for those who crave pure brutality.

“Rituals of a Dying Light” drops January 9, 2026, via Innerstrength Records.

Listen now: “Tales of Massacre” on YouTube – https://youtu.be/kqpk5XQXrSQ

Add to your Spotify playlist – https://hypeddit.com/deadwood/talesofmassacre-1

More info: https://linktr.ee/Deadwood.band | https://innerstrengthrecords.com/

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“If you ever wondered what Al Swearengen might listen to if he was living in modern times, here’s your answer, c*********. Montreal’s Deadwood have been around town for a decade now, and pride themselves on evolving into a more savage animal with each release. In December, 2022, they released Inhuman, an EP that is hell bent on making deathcore brutal again.” – Metal Sucks: Deathcore in the North – 10 Canadian Deathcore Bands

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0 Rockshots Records – Australia’s IMPERATORE Unveils First Single “Be A Man” From New Album “The Lionspirit” Out Dec 2025

October 29, 2025
by Asher
· Imperatore (Rockshots Records) · Music News

NEWS RELEASE

Montreal, QC – October 29, 2025

Australia’s IMPERATORE Unveils First Single “Be A Man” From New Album “The Lionspirit” Out Dec 2025

Australian rock visionaries IMPERATORE return with the first single “Be A Man”, taken from their upcoming album “The Lionspirit“, due out on December 19th, 2025, via Rockshots Records. The song is released together with its official music video, introducing the core concept behind the album – a call to courage, resiliency, and self-mastery.

Blending heavy rock, progressive metal, and operatic grandeur, “Be A Man” stands as a powerful anthem of inner rebirth. Driven by amazing vocals, cinematic orchestrations, and uplifting melodies, the track embodies Imperatore’s distinctive sound – emotional, epic, and deeply reflective. Its lyrics invite listeners to confront fear, embrace authenticity, and rediscover the strength within, echoing the Stoic philosophy that inspired the entire record.

Founder Zoran Cunjack explains:

“Be A Man is about facing your inner fears and reclaiming your strength. True courage isn’t found in the world outside but in mastering your own mind and spirit. It’s a song about standing tall – not just as a man but as a human being who refuses to give up.”

“Be A Man” marks the beginning of Imperatore’s next chapter – a blend of cinematic power and operatic emotion that defines the band’s evolving sound. Produced by Zoran Cunjack, recorded and mixed by Rodion Farafontov, and mastered by Simon Jovanovic, the track sets the tone for what promises to be Imperatore’s most ambitious work to date.

For fans of Nightwish, Kamelot, Symphony X, Powerwolf, and Queen.

DIGITAL: http://lnk.to/Jh87DW89

VIDEO for “Be A Man”: https://youtu.be/o5zZdq_MKL4

New album “The Lionspirit” out December 19th, 2025

PRE ORDER – https://rockshots.eu/products/imperatore-the-lionspirit-cd

Track Listing:
1. Ides Of March – 02:11
2. Be A Man – 04:40
3. Orion – 04:58
4. My Life – 04:49
5. Treachery – 04:13
6. Between The Worlds – 03:58
7. Men Of Pain – 05:14
8. All Of Us – 04:01
9. Australian – 04:35
10. Il Gladiatore – 04:09
Album Length: 41:58

Band Line Up:
– Zoran Cunjack – Vocals, Guitars
– Sean Allsopp – Drums
– Daniel Marijanovic – Bass Guitar

Guest appearance:
– Leon Todd – Lead Guitar (guest)

More info:
https://www.rockshots.eu

Facebook: https://www.facebook.com/imperatoreband
Instagram: https://www.instagram.com/imperatoreband

BIOGRAPHY:

IMPERATORE is a rock and metal band from Perth, Australia, blending the power of heavy riffs, progressive structures, and operatic emotion into a cinematic sound that’s both modern and timeless. Founded in 2022 by Zoran Cunjack, Imperatore was born from a vision to unite the strength of metal with the grandeur of classical and symphonic music, creating an experience that transcends genre boundaries.

The project began as a creative outlet for Zoran’s compositions and quickly evolved into a full-fledged band featuring Daniel Marijanovic on bass and Sean Allsopp on drums, with occasional guest contributions such as Leon Todd on lead guitar. The sound is epic, dramatic, and profoundly emotional – one that evokes the storytelling power of opera while retaining the intensity of modern metal.

In 2023, Imperatore released their self-titled debut album “Imperatore“, which received critical acclaim and a nomination for Song of the Year by West Australian Music (WAM). The album established their trademark blend of symphonic rock and theatrical metal, earning praise for its originality and depth.

A year later, the band followed with “Nations, Rise!” (2024), a record that expanded their symphonic and conceptual direction while reinforcing the philosophical dimension of their music. With their third release, “The Lionspirit” (2025), Imperatore takes a bold creative step forward – combining metal energy, orchestral power, and Stoic-inspired themes into an emotionally charged journey through courage, endurance, and self-mastery.

The band’s live performances amplify this vision through immersive visuals and cinematic projections that transform each show into a full sensory experience. With its unique fusion of rock, opera, and philosophy, Imperatore stands as one of the most distinctive voices in today’s metal scene, appealing to fans of Nightwish, Kamelot, Symphony X, Powerwolf, and Queen.

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0 EPK – The Judge The Juror – Primitive Minds (2025)

October 28, 2025
by Asher
· EPKs · The Judge The Juror

EPK – The Judge The Juror – Primitive Minds (2025)

Publicist – Jon Asher – jon[@]ashermediarelations[.]com

“We hope fans will be blown away by the way we’re taking our PSYDEATHTECHPROG to whole new places. Primitive Minds represent to us the fully realized version of our sound. A journey into a new soundscape in techdeath, the experience of finding a brand new and super unique sound, and the joy it brings.” – The Judge The Juror

For fans of Between the Buried and Me, Born of Osiris, Meshuggah, The Browning, Enter Shikari

Band: The Judge, The Juror
EP Title: Primitive Minds
Release Date: November 7, 2025
Label: Self-Release
Location: Edmonton, AB, Canada
Genre: PsyDeathTechProg

Thejudgethejuror.com | Facebook.com/thejudgethejuror | Instagram.com/thejudgethejurorofficial | Thejudgethejuror.bandcamp.com

Spotify – https://distrokid.com/hyperfollow/thejudgethejuror/heliconian-optivisor

[Download EP Cover | Download EP Lyrics]

Band: The Judge, The Juror
EP Title: Primitive Minds
Release Date: November 7, 2025
Label: Self-Release
Location: Edmonton, AB, Canada
Genre: PsyDeathTechProg

Track Listing:
1. Your Vice is a Locked Door – (4:36)
2. Heliconian Optivisor – (3:40)
3. HYPERCUBE (Unfolding) – (2:59)
EP Length: 11:16

EP Recording Credits:
• All songs performed by: The Judge The Juror
• All songs written by: The Judge The Juror
• Produced by: The Judge The Juror
• Mixed by: Alpha Core Studios
• Mastered by: Alpha Core Studios
• EP Artwork by: Scotty Oakes
• Canadian Content (MAPL)

EP and Live Band Line Up:
Scotty Oakes – Guitar
David Frontenac – Vocals / Synth
Merrick Fenton – Bass
Nick Burpee – Drums
Blaise Marsh – Guitar

=========================================================

About The EP Artwork:

A painted psychedelic interpretation of the human mind.

About The EP:

This EP is conceptual around the idea of how we as humans are cursed with having a primitive mind in a modern world, and the dichotomy of this reality.

Track by Track:

1. “Your Vice is a Locked Door” – punishing and unrelenting musically, a reflection of what the algorithmic social media landscape is doing to our humanity. Commoditizing us while dividing us and sublimating our base instincts.

2. “Helciconian Optivisior” – the song creates a mesmerizing, fast-paced assault of sonic force, helping to underpin the lyrical. The idea of being trapped behind viewing the world through red lenses, while trying to break through to some sense of true human connection.

3. “HYPERCUBE (Unfolding)” – jarring yet entrancing, techy-death that feels like it might have come from outer space. An exploration of human emotion and how it doesn’t always work in our best interests. Reflecting the internal battles we have within us that create a mental push and pull, which is being exploited by the “powers-that-be” of our society.

===========================================

FUN FACTS:

1. We made up a genre (PSYDEATHTECHPROG) to be both descriptive of our unique sound, and a tongue-in-cheek joke about how niche metal has become (“it’s not death metal, it’s blackened tech sludge!” 🡨 We’ve all heard something like this, lol).

2. Merrick has been playing bagpipes with a Scottish Highlands band since the age of 5, and we plan to have a bagpipe feature on our next EP.

3. We’re going on our second-ever tour starting Aug 21, 2025, with The Hallowed Catharsis and Plague Doctor, and we plan to be on the road even more in 2026.

4. David introduced the synth element to the band in late 2023, and it has now become part of our signature sound. He always comes up with unique/weird synth tones because he is equally weird.

5. One time, while on the road with our friends Kelevra, we found out their guitarist, Brett, was feeling under the weather, so we went to the local pharmacy, made him a care package, and presented it to him at the next venue. This was all video documented and can be viewed on our social media.

L-R: Blaise Marsh (Guitar), David Frontenac (Vocals / Synth), Scotty Oakes (Guitar), Nick Burpee (Drums), Merrick Fenton (Bass)

Photo Credit – Agnes Benson

Amidst the vast landscape of tedious and semantic metal subgenres, The Judge The Juror emerges to carve out the latest niche: PSYDEATHTECHPROG.

Combining technical metal riffage, intricate drum grooves, and experimental synthesis elements to dazzle the mind, along with a blistering high-energy live presence, The Judge The Juror is making moves to solidify themselves as a leader in Western Canadian Metal experimenters.

Discography:
2025 – Primitive Minds – EP
2024 – Harmony in Discord – EP

Shared Stage with: Alleageon, Art of Attrition, Beguiler, Into Enternity, Kelevra, Opal in Sky, Forsaken Rite, Age of Ashes, Our Last Crusade, Victoria Lies, Floodgate, Supermodel Taxidermy

Tours and Festivals:
2025 (Upcoming Aug 21) – Insanity in the Interior Tour w/ The Hallowed Catharsis and Plague Doctor
2025 – Alternative Waves Music Festival – Medicine Hat, AB
2024 – Party in the Park – Ft McMurray, AB
2024 – May Long Mini Tour – Edmonton, Prince Albert, Saskatoon, Calgary

0 STERILIZING THE DECEASED Confronts Inner Demons w/ New Video “Recovery” From EP “Nothing” Out Now!

October 2, 2025
by Asher
· Music News · Sterilizing The Deceased

NEWS RELEASE

Montreal, QC – October 2, 2025

STERILIZING THE DECEASED Confronts Inner Demons w/ New Video “Recovery” From EP “Nothing” Out Now!

L- R – Alex Phillips – Bass, John Hruby – Lead Guitar, Angelo Vespucci – Vocalist, Matt Jarvis – Drums, Nikolas Adamczewski – Rhythm Guitar

Photo Credit – Paige Margulies

Melodic deathcore outfit Sterilizing The Deceased has dropped a gripping new music video for “Recovery,” the opening track from their emotionally charged EP “Nothing,” released August 1st. Known for their bone-crushing breakdowns and atmospheric aggression, the Cleveland-based band delivers a visual experience as raw and visceral as the music itself.

“Recovery” dives deep into themes of personal reflection, addiction, and the struggle to find light in overwhelming darkness. The video mirrors the EP’s overarching narrative, a fictional/non-fictional journey through drug addiction and suicidal ideation, inspired by frontman Angelo Vespucci’s own battles. With imagery that evokes resistance, pain, and redemption, the video amplifies the track’s emotional weight and lyrical intensity.

“This song is about wondering where things went wrong and why they had to change. It’s the beginning of a story that’s deeply personal to me, and I wanted the visuals to reflect that internal war,” says Vespucci.

The EP “Nothing” marks a turning point for Sterilizing The Deceased, showcasing a mature sound that blends melodic deathcore, progressive metalcore, and djent influences. Fans of Reflections, Chelsea Grin, and old-school Lorna Shore will find familiar sonic territory, but with a distinct emotional edge. From the chaotic descent of “Self Meditated” to the cathartic rebirth in “Awake,” the EP offers a full-circle listening experience that encourages introspection and connection.

Formed in 2014, Sterilizing The Deceased has carved out a reputation in the Midwest metal scene, sharing stages with heavyweights like Cannibal Corpse, Dying Fetus, and Slaughter to Prevail. With members also active in projects like xEIGHTY-SIXEDx, Lie In Wait, and Terra Vista, the band brings a wealth of experience and collaborative firepower to every release.

Experience the beginning of a journey through pain, purgatory, and ultimately, awakening with the music video premiere of “Recovery” via Decibel Magazine HERE.

Fans can expect more music in the coming year, with another EP or full-length already in the works.

Sterilizing The Deceased‘s latest EP “Nothing” can be heard on all digital platforms.

YouTube – https://www.youtube.com/playlist?list=PLhdBBwjEYqN77KmhXIbJkO9TIF5ZxNmpO

Spotify – https://open.spotify.com/album/4aTbT4KtSuLM2V2G1136Zt

Bandcamp – https://sterilizingthedeceased.bandcamp.com/

Track Listing:
1. Recovery – 3:58
2. Self Meditated – 3:28
3. Nothing – 3:50
4. Unconscious – 2:15
5. Awake – 3:02
EP Length: 16:34

EP Credits:
• All songs performed by: Sterilizing The Deceased
• All songs written by: Sterilizing The Deceased
• Produced by: Sterilizing The Deceased
• Mixed by: Sammy Morales
• Mastered by: Sammy Morales
• EP Artwork by: Caelan Stokkermans

Line-up:
Angelo Vespucci – Vocals
John Hruby – Guitar
Nioklas Adamczewski – Guitar
Alex Phillips – Bass
Matt Jarvis – Drums

More info: Facebook.com/SterilizingTheDeceased | Instagram.com/sterilizingthedeceased

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“Sterilizing the Deceased know how to incorporate some vivid, resonating melodies into their deathcore structuring and it makes the listen more memorable for it.” – Dead Rhetoric

“Harrowing lyrical narratives are the stock in trade of Sterilizing The Deceased and “Awake” is no different, despite having a soaring guitar solo and leads that run throughout. The DJent fuelled groove of this one is neck snappingly good, a vision in blood and thunder that has been matched by the bands skull execution. If you need a new nightmare, this is it [8/10]” – Metal Noise

“This is some pretty solid Deathcore that’s straight up savage and brutal, it’s inspired by original Deathcore too and is comparable to Carnifex, Chelsea Grin and The Acadia Strain in points. If Deathcore is your thing, then I recommend in giving this one a spin.” – Drako’s Metal Reviews

“This album is powerful, passionate and uncompromisingly heavy. It is only five songs, a mere 16 minutes, and yet it hits with the force of runaway bus. In that brief amount of time Sterilizing the Deceased has managed to create a titan of an album. Ultimately in the end all I can do, is say this, I highly recommend “Nothing” by Sterilizing the Deceased and I suggest you get on your favorite streaming service and check it out right away.” – Rust Belt Rock Review

“Here’s a brand new single for the Deathcore fans out there. If you like bands like Chelsea Grin and I Declare War, chances are you may dig this. Sterilizing The Deceased is an up-and-coming band hailing from Cleveland, Ohio. They’re known for bringing the heavy and that’s exactly what they do with this new single. It’s called “Forgotten” and it certainly packs a punch with the weight of its breakdowns and the delivery of some melodic riffs. Check it out and show the dudes some support if you dig it.” – The Circle Pit (2015)

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ASHER MEDIA RELATIONS
Jon Asher – Music Publicist
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0 BROCARDE Unveils “Feed My Soul” ft. KORN’s Ray Luzier – A Haunting Dive into Theatrical Horror Metal

October 1, 2025
by Asher
· Brocarde · Music News

NEWS RELEASE

Montreal, QC – October 1, 2025

BROCARDE Unveils “Feed My Soul” ft. KORN’s Ray Luzier – A Haunting Dive into Theatrical Horror Metal

Known for her haunting vocals, theatrical visuals, and ghostly whispers, Brocarde returns with her next sonic séance, blurring the line between the living and the dead. A gothic siren of symphonic metal and supernatural storytelling, her most visceral offering yet, “Feed My Soul,” is a thunderous single featuring the legendary Ray Luzier of KORN on drums.

“I love Brocarde’s very unique vocal style and vibe. She has mass aggression to sweetness and everything in between in her voice! The very interesting song arrangements and theatrical segments make the whole package a dynamic, fun adventure to listen to. I see great things ahead for her!” says Ray Luzier.

The track was recorded remotely across three cities: Brocarde in London, Luzier in Nashville, and producer Chris Collier (Korn, Mick Mars, Whitesnake) in Las Vegas. Though the trio never met during the recording process, fate intervened at Wacken Open Air, where Brocarde bumped into Luzier in the canteen.

“Watching Ray perform with Korn side stage was a powerful reminder of what I’m fighting for. That’s the level I want to reach,” adds Brocarde.

The “Feed My Soul” music video was shot in a haunted hunting lodge deep within Germany’s Black Forest, ominously known as The Demon Hotel. The setting mirrors Brocarde’s signature theatrical horror aesthetic, equal parts Phantom of the Opera and Edgar Allan Poe nightmare. From hushed whispers to guttural screams, she commands every moment with chilling precision, layering her vocals like a spectral choir and saturating each frame with raw emotion. The walls, adorned with taxidermy heads frozen in terror, serve as eerie spectators to the song’s themes of toxic entanglement and psychological warfare. Ray Luzier’s thunderous drumming injects a primal pulse, anchoring Brocarde’s ethereal delivery in a maelstrom of cinematic intensity.

“Feed My Soul is more than a song; it’s a spiritual experience. I wrote it alone in the dark, channeling voices from beyond and emotions I couldn’t explain. It’s about craving connection in a world that feels increasingly disconnected. I want listeners to question everything they see as normal,” adds Brocarde.

The single offers a glimpse into Brocarde’s long-awaited debut album, set for release in 2026, a decade in the making. While details remain under wraps, fans can expect a musical journey that’s as emotionally raw as it is visually spellbinding.

Brocarde’s rise has been anything but ordinary. From marrying (and exorcising) a Victorian ghost named Edwardo, to conducting paranormal investigations at Download Festival and Wacken Open Air, she’s carved a niche as rock’s most fearless medium. Her column “Terrifying Travels” in The Daily Star chronicles her encounters with the dead, while her website Brocarde.com documents her haunted adventures around the globe.

With “Feed My Soul,” Brocarde invites fans to step into her world, a place where music, magic, and madness collide.

Music Video –

https://www.youtube.com/watch?v=Nn74iRfivMo

Add to your Spotify Playlist – https://open.spotify.com/track/5fhv0p8TA2moaZztoFoFPE

More info:

https://brocarde.com/

http://instagram.com/brocarde/

https://www.facebook.com/brocarde/

http://youtube.com/@thebrocardeshow

https://x.com/thebrocardeshow

– 30 –

“Electrifying, creative new artist…powerful stuff!” – David Coverdale (Whitesnake)

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Jon Asher – Music Publicist
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0 Streaming Now! ANCIENT THRONES’ New Concept Album “Melancholia” Plunges Listeners Into A Surreal Narrative

September 18, 2025
by Asher
· Ancient Thrones · Music News

NEWS RELEASE

Montreal, QC – September 18, 2025

Streaming Now! ANCIENT THRONES’ New Concept Album “Melancholia” Plunges Listeners Into A Surreal Narrative

Ancient Thrones Current Line Up

L – Matt LeBlanc (Bass) | Top – Dylan Wallace (Guitar) | Bottom – Sean Hickey (Drums & Vocals) | R – Nick Leslie (Guitar)

Photo Credit – Matt Leblanc

Ancient Thrones, the Canadian progressive blackened death metal force known for their visceral storytelling and relentless sonic assault, is set to officially release their long-awaited sophomore album, “Melancholia,” on September 19th (Vinyl and Digital), and can be heard in full before its unleashed via its album stream premiere on Decibel Magazine HERE.

Described by the band as “the sound of existential exhaustion,” “Melancholia” is a 42-minute concept album that plunges listeners into a surreal narrative: a colourblind protagonist takes hallucinogens in a desperate attempt to see colour, only to spiral into a kaleidoscopic nightmare. From the explosive opening of “A Moon Fused Key” to the haunting decay of “Vacant,” the album is a relentless barrage of speed, aggression, and cinematic atmosphere.

“This is truly an unapologetic extreme metal concept album. It’s a bad trip you can’t escape, jagged, abstract, and emotionally devastating,” says the band.

Formed in 2011 and rebranded in 2018, Ancient Thrones has evolved into a fully realized extreme metal entity, thanks in part to the addition of multi-band virtuoso Dylan Wallace. The writing process began in early 2020, just as the world was descending into pandemic-induced uncertainty. Rather than reflect the global crisis directly, the band channeled their energy into crafting a deeply personal and psychologically intense record.

“We’re proud to share this album with our fans, old and new. We hope it moves you in unnatural ways. Enjoy the trip while it lasts,” adds the band.

“Melancholia” is not just an album; it’s an immersive experience. The band’s signature blend of fast, extreme, progressive, cinematic, and existential metal is on full display, with every track contributing to the overarching narrative. Lyrically, the album explores themes of trauma, hallucination, and the dangers of idealism, all inspired by real-life experiences and a harrowing psychedelic episode.

Drawing inspiration from bands like The Red Chord, The Faceless, Archspire, and Deafheaven, Ancient Thrones pushes the boundaries of extreme music. Their sound is rooted in black metal, 2000s death metal, and modern tech death, but their cinematic approach and lyrical depth set them apart.

With “Melancholia” out on September 19, 2025, the band is already writing new material for the follow-up. Fans can expect more crushing, emotionally charged music in the near future.

Album pre-order (Vinyl, Digital) – https://ancientthrones.bandcamp.com

Lyric Video – “A Moon Fused Key” – https://youtu.be/IfDBNhlJ0sI

Music Video – “Melancholia” – https://youtu.be/_LvSTJ78kd8

Playthrough – “A Turning Point” – https://youtu.be/zQ3wZqZj9EQ

Track Listing:
1. A Moon Fused Key (5:12)
2. Achromatopsia (1:19)
3. Melancholia (6:17)
4. A Turning Point (5:46)
5. A Pellucid Prism (4:26)
6. Sacred Swollen Glass (6:16)
7. Blight (2:18)
8. A Pale Palace (4:55)
9. Vacant (5:31)
Album Length: 42:00

Band Lineup:
Dylan Wallace – Guitar
Nick Leslie – Guitar
Matt LeBlanc – Bass
Sean Hickey – Drums & Vocals

More info: Facebook.com/Ancientthrones | Instagram.com/ancientthrones

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“The music is indeed violent, and immediately so, exploding in a blast of turbulent riffing, heavily undulating bass tones, and furious beats. The guitars wildly writhe and rapidly spear off in crazed angles, kaleidoscopic in effect, and the words spit forth in caustic screams that are equally deranged. Dissonant and dismal tones intrude, along with guttural roars, blast-beat outbursts, and pulverizing blows, and the riffing also seems to swarm in agony, adding further dimensions of darkness to the song’s overarching manifestation of delirium. Backed by a pulse-pounding and highly headbangable groove, the song also introduces yet another dimension, an eerie guitar solo that slowly slithers, brightly swirls, and evolves into an entrancing harmony, very much like a beckoning and seductive presence that manifests within the mayhem.” – No Clean Singing (single – A Moon Fused Key – 2025)

What the press has said about 2020’s “The Veil”:

“A full-throttle attack, the song (The Sight of Oblivion) delivers bludgeoning rhythms, vicious darting and slashing guitar-work, scorching blackened shrieks, and cold-hearted roars. There’s a brazen, borderline-unhinged quality to the barrage, generated by screaming, rapidly whirling leads, magma-like bass notes, and fast-changing, bone-cracking drums. But within the assault there are also fluid, sinuous melodic leads whose mellifluous, reverberating tones give the music a mysterious, mesmerizing, and mournful quality. And near the end one of those leads morphs into a fret-burning dual-guitar extravaganza that really gets the blood rushing.” – No Clean Singing (2020 – The Veil)

“Nearly an hour in length, The Veil earns that run-time with crisply-written compositions and an arsenal of sky-ripping riffs. The acoustic reprieve of “Sentient” and melodic grief of “Permanent” reveal the album’s heavy heart. But the album conjures strength from those pensive moments. Rife with nimble axe-work from Dylan Wallace and Nick Leslie, The Veil never succumbs to the solemnity of its subject. The Veil remains an impactful listen down to its final dying note.” – Decibel Magazine (2020 – The Veil)

“Trailer Park Boys and Hobo With a Shotgun aren’t the only pieces of media that have emerged from Nova Scotia that you should get excited over.” – MetalSucks

“From the massive tremolo sections and bludgeoning riffs to the surprisingly melodic harmonies between guitarists Dylan Wallace and Nick Leslie, Ancient Thrones have definitely honed in on something special with this track.” – GearGods

“From earth crushing riffs and face-melting guitar solos to the overarching theme of grief and devastation that the record encompasses, this single really ramps up the intensity” – Bravewords

“Canadian band Ancient Thrones perform a combination of black, death and thrash metal with some progressive tendencies on The Veil. They have similarities to Skeletonwitch, but have an even more dynamic sound. The songs are both aggressive and intelligent in equal measure and run through a variety of different emotional tangents. There is a vile and harsh aspect to the band, but there is also a forward thinking one. It all results in a creative and dynamic listen.” – Heavy Music Headquarters (2020 – The Veil)

“The prize for most ambitious album of 2020 already has the name of Ancient Thrones carved in marble. Who among you fancies a 56-minute blackened death metal saga with an epic meditation on one man’s descent into the afterlife? No band thought it conceivable to write the metal version of Ingmar Bergman’s The Seventh Seal, but this Nova Scotia quartet are not just any band. This is a remarkable journey for the contemplative mind.” – Scream Blast Repeat (2020 – The Veil)

“The Sight of Oblivion and The Millionth Grave are steeped in ferociousness and savagery as only a band well versed in blackened death metal are capable of producing.8.5/10” – Games, Brrraaains & A Head-Banging Life (2020 – The Veil)

“With this new incarnation, Ancient Thrones has moved into strict Black/Death territory, producing an album filled with pummeling riffs, intricate song structures, and technical musicianship that’s leavened by atmospheric segments and epic, sometimes audacious melodies that border on Cascadian. The production matches this style perfectly, being heavy and abrasive while allowing the songs enough room to stretch out… fans of more epic and melodic Black/Death will want to give The Veil a listen. 4/5” – The Metal Crypt (2020 – The Veil)

“It is fast, thrashing extreme metal with shrieked/growled vocals, and a headbanging attitude. They have elements of thrash, black and death but their method of delivery won’t confuse anyone. It is metal to make the fans move. It is pretty thrashy, pretty brutal but also melodic, and the guitar work has plenty to offer both in the riffs and the melodies.” – Metal Bulletin (2020 – The Veil)

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0 Streaming Now! IVY GARDENS Live Off The Floor Sludge Rock Album “Death of Don Valley” + Canadian Tour Dates (ON/NS/PEI/NB/QC/MB/SK/AB/BC)

August 28, 2025
by Asher
· Ivy Gardens · Music News

NEWS RELEASE

Montreal, QC – August 28, 2025

Streaming Now! IVY GARDENS Live Off The Floor Sludge Rock Album “Death of Don Valley”

New Album “Death of Don Valley” Out August 29th, 2025 via Paper Cut Recordings

Cross Canada Tour Dates (ON/NS/PEI/NB/QC/MB/SK/AB/BC)

L-R – Andrew Blackborow (Guitar, Vocals), Joe Zandwyk (Drums, Vocals), Sebastian Hogg (Keyboards)

Photo Credit by Luka Kartveli

Niagara Falls, Canada’s Ivy Gardens is unveiling their lush-sounding, raw and live off the floor sludge rock storytelling album “Death of Don Valley” as they prepare to hit the road across Canada in support of its release on August 29th, 2025 via Paper Cut Recordings.

Before it officially drops, the trio has teamed up with Bravewords for its full stream premiere, which can be heard HERE.

The band comments on their sophomore album:

“Death of Don Valley is the record we had inside us, but couldn’t quite articulate for several years. Musically, it’s a huge leap in a more experimental direction. It’s about death, decay, and the ultimate destruction of the world around you. Everybody knows of some sort of small natural space that gets slowly encroached upon until only a shell remains. The pond beside the highway, the wetlands behind the factory. The Don Valley in Toronto is one such natural feature, slowly tainted by industrialization until it can’t support any of the life that it used to. After touring for several years, we grew a lot as musicians, and only after really honing all of this material live for about a year, we felt we were ready to get it tracked and send it into the world. We recorded everything live off the floor, and Frank, our engineer, had heard nothing beforehand and had no idea what we actually sounded like going into it. Eventually, he asked us, ‘How do you determine what becomes a 2-minute song, and what becomes a 9-minute song?’ Pure instinct, Frank. Here it is.”

Formed in the unlikely crucible of a Princess Auto parking lot, Ivy Gardens began with a simple desire to shred through Rush instrumentals and explore the outer reaches of heavy music. Now, following their acclaimed first full-length “Goon” released in 2024, the band takes a daring leap into more dour, experimental terrain. “Death of Don Valley” presents a concept album steeped in decay, lyrically and sonically portraying the slow death of natural spaces like Toronto’s Don River, drowned by industry and time.

Ivy Gardens’ influences are vast, ranging from progressive icons like Rush, Yes, and King Crimson to sludge pioneers like EYEHATEGOD and Iron Monkey. Their sound blends elements of stoner metal, sludge, math rock, and progressive rock, creating an unpredictable listening experience that takes the listener through a series of emotional and sonic landscapes.

Fans can expect a live experience unlike any other as Ivy Gardens is hitting the road for a cross-Canada tour in kicking off on August 29th in St. Catharines, ON, and will wrap up in Victoria, BC on October 25th (dates listed below).

“Death of Don Valley” (out August 29th) is available for pre-order at https://ivygardens.bandcamp.com/

Spotify – https://open.spotify.com/artist/1TBuI2vFSltCNhiHdHnz01

Music Video – Burden – https://youtu.be/r4o-YPv-RcY

Music Video – Eye Witness – https://youtu.be/_RiZ8i7udjs

Ivy Gardens – Live or Die Tour:
Aug 29 – St. Catharines, ON – Warehouse Concert Hall
Aug 30 – Toronto, ON – Monarch Tavern
Sept 5 – Kitchener, ON – The Golden Apple
Sept 12 – Windsor, ON – Phog Lounge
Sept 13 – Sarnia, ON – AJs Bar
Sept 14 – London, ON – Grogettes Living Room
Sept 18 – Halifax, NS – Radstorm
Sept 19 – Sydney, NS – Daniels Ale House
Sept 20 – Charlottetown, PEI – Babas Lounge
Sept 21 – Moncton, NB – Generator Show
Sept 25 – Woodstock, NB – Montieth Manor
Sept 26 – Montreal, QC – Turbo Haus
Sept 27 – Quebec City, QC – Sonum
Oct 9 – Barrie, ON – CW Coops
Oct 10 – Sudbury, ON – Townhouse Tavern
Oct 11 – Thunder Bay, ON – Black Pirates Pub
Oct 12 – Winnipeg, MB – Bulldog Event Center
Oct 16 – Regina, SK – The Cure Kitchen and Bar
Oct 17 – Saskatoon, SK – The Black Cat
Oct 18 – Calgary, AB – Palomino
Oct 19 – Edmonton, AB – Blak Bar
Oct 23 – Kelowna, BC – Dunnenzies
Oct 24 – Vancouver, BC – Black Alley
Oct 25 – Victoria, BC – Fernwood Community Center

Track Listing:
1. Burn For Murder – 2:02
2. Eye Witness – 2:50
3. Burden – 3:08
4. Guiding Hand – 6:18
5. Frozen Limbs – 5:15
6. Gearth – 2:29
7. Astray – 4:56
8. Bliss – 8:59
9. Golden – 7:07
Album Length: 43:08

Album Credits:
All songs written and performed by Ivy Gardens
Produced by Ivy Gardens
Recorded and mixed by Frank Ditillio
Mastered by Cameron Lee
Album Artwork by Ivy Gardens
Death of Don Valley is Canadian Content (MAPL)

Recording and Live Lineup:
Joe Zandwyk: Drums, Vocals, Samples
Sebastian Hogg: Organ, Piano, Synth, Samples
Andrew Blackborow: Guitar, Vocals

More info: Facebook.com/ivygardensband | Instagram.com/ivygardensofficial

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“Death Of Don Valley is a wonderfully eccentric, off-beat and demented slice of Sludge/Stoner Metal that demands your full and undivided attention.” – Outlaws of The Sun

“First of all, can we just give a lot of overdue appreciation to the fact that there are still hard-gigging bands out there that play with the kind of urgency as IVY GARDENS. You can damn AI music straight to fiery pits of hell; this is where the real sound and fury is at. Another thing I appreciate about Ivy Gardens is all the dark humor. You see it in their new music video, with its Red Fangish tongue-in-cheek adventure. This one features a vintage style videotaped car chase, which would play well off a viewing of V/H/S/94. …Fake blood ahead… We’re arrested right away by the powerful strumming of the guitar as “Eye Witness” opens. Drumming is crazy, a frenetic attack of Animal from The Muppets, chasing that beat all over the place… Of course, the classic organ-sound of the keyboards adds a certain kind of spookiness to it all, which can be at once cheeky, mysterious, and cool. I myself love this send-back to ‘60s rock, while respecting that Ivy Gardens brings us a sound that clearly feels “now.”” – Doom and Stoned

“With the premiere of the video for “Burden” below, Niagara Falls progressive sludge trio Ivy Gardens announce their second full-length, Death of Don Valley, will be out Aug. 29 through Paper Cut Recordings. The follow-up to the sans-bass three-piece’s well-received 2024 debut, Goon, is introduced with the lead single “Burden,” which you can find the band playing live in the video premiering below. This ethic would seem to be the crux of Death of Don Valley itself, hence “live off the floor sophomore album” in the headline below. “Burden” benefits from the lack of trickery behind it, from the visually-evidenced capacity on the part of guitarist/vocalist Andrew Blackborow, key-specialist/synthesist Sebastian Hogg and drummer/vocalist Joe Zandwyk, the latter two of whom are also responsible for samples on the record, and while one can hear a bit of Melvinsian do-rock-and-make-it-weird ethos underlying, “Burden” brings charge to coincide with its telltale rhythmic intricacy — not quite doing ‘math’ in the musical sense, but not far off. They say the album’s more complex than the last one, and even if it was tracked entirely live with no overdubs, “Burden” bears that out.” – The Obelisk

“Throughout the album Joe Zandwyk’s drums almost dance like swirls of sand through the desert. Sebastian Hogg’s keyboard adds a great layer on top of Andrew Blackborow’s guitar playing. While no one particular instrument claims the spotlight, the instruments all have the freedom to claim their own space in the gritty depth that is Ivy Gardens and Death of Don Valley.” – The Metal Pit

“Ivy Gardens bringing ‘sludge-soaked, high-decibel’ rock to Barrie” – Barrie Today

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